SERÁ QUE ISSO É AMOR CAPÍTULO 28 COMPLETO #sraisoamr
NOVELA SERÁ QUE ISSO É AMOR
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Clique no link deixe sua mensagem e Ajude-nos a manter o canal cheio de conteúdo incrível! Qualquer valor é bem vindo.
PIX: https://livepix.gg/mary24
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TVTranscript
00:001, 2, 3, 4
00:14I'm not mature enough to learn from my mistakes.
00:18I was forced to live this lie. I'm not in love with you.
00:21I'm in love with you.
00:51A star falls from the sky.
00:55Everything happens, everything ends.
00:59Loneliness always holds mirrors.
01:04Is this love?
01:072 YEARS LATER
01:20Hi, son.
01:21Hi, mom.
01:30What are you doing?
01:33Come closer.
01:36Come here.
01:55I'm so tired that my feet look like two stones.
01:58So I stopped to rest a little.
02:02What is it?
02:13I heard you left home.
02:22I left.
02:26Was it the safe that cut you off?
02:31Yes.
02:41Did you try again?
02:44I tried.
02:47But I couldn't do it.
02:52I feel like I'm carrying a huge weight on my back.
02:59I couldn't move.
03:03Do you want to try again with me?
03:12I do.
03:15I'd love to.
03:18Then let's go.
03:23Come on.
03:28Come on.
03:42It's okay.
03:48If you want, I can close your eyes.
03:50No, it's okay.
03:52I'd rather see.
03:53Okay, come here.
03:582 YEARS LATER
04:292 YEARS LATER
04:43I can't do it anymore.
04:48Close the gate, son.
04:512 YEARS LATER
04:57If you feel better, we'll try again later.
05:02Are you okay?
05:05I could only do it a little more when I tried with that florist.
05:14There's something about her that makes me nervous.
05:19I don't know. I can't explain it.
05:22I understand what you're saying.
05:31Does Dad know about these attempts?
05:34He doesn't know.
05:35And don't tell him.
05:37I want to surprise him.
05:40Listen to me, Mom.
05:43Don't forget that I'll always be here.
05:45And I'll support you.
05:49You're very brave.
05:51And you're trying.
05:53Yes, I'm trying.
05:58My brother would be very proud.
06:06Look at the roses.
06:08The gardener didn't...
06:10He couldn't.
06:11And because I have to pay attention to all this,
06:14I have to do everything in this house.
06:18I'll have to talk to him.
06:21Mom.
06:25At some point, we'll have to talk about my brother.
06:29We can't pretend he didn't exist.
06:33That's also an important step for us.
06:41I...
06:45I also...
06:48It's like I just told you.
06:52I'll always be by your side, okay?
06:57Maybe it's time for therapy.
07:00I also...
07:02Everything is changing fast in our lives.
07:05And that's beyond our control.
07:08We need to adapt.
07:11You're right.
07:21You're right.
07:38You're right.
07:45Can I pick you up at home tomorrow?
07:50Yes, you can.
07:55We need to apply the rules the right way on the last day.
08:03To get it right.
08:08The way it was agreed upon.
08:39Is there a problem?
08:43This is crazy. I don't get it.
08:45This debt doesn't make sense.
08:47Where did all these numbers come from?
08:50Let me see.
08:53I thought that when we opened the business,
08:56it was to make money.
08:58I took a loan to increase the profit,
09:00but I only lose money.
09:02It doesn't make sense.
09:04What is it?
09:05Oh, no, Fifi.
09:06Don't say it's worse than I thought.
09:08We can talk about it later.
09:10Because now I have to talk to you
09:12about one of the greatest miracles of all time.
09:14What miracle?
09:15Come here.
09:16Computer.
09:20Oh, girl, stop it.
09:21I'm here, full of problems,
09:23and you're here making fun of me.
09:24Respect my story.
09:25It's not impossible to solve.
09:27I'll take care of the accounting for now,
09:29but only until you learn to do it yourself.
09:31How wonderful.
09:32But I'll tell you,
09:34it's going to be hard.
09:35Thank you, but...
09:36Look, Fifi, please,
09:38don't tell her anything.
09:39Let her worry about it.
09:46What are you talking about?
09:48Tell me, what is it?
09:49I asked for some tips on how to manage
09:51flowering on the computer and the Internet.
09:54I don't understand these things,
09:55so I asked.
09:56She's a woman ahead of her time.
09:58It's true.
09:59It was time, wasn't it?
10:01Okay, I'll go.
10:02Go ahead.
10:04Your hair is beautiful.
10:05See you later.
10:07See you later.
10:12What do we do now?
10:13The first thing to do is check the numbers.
10:27Good morning.
10:29Good morning.
10:34Good morning.
10:39So, what are we going to do today?
10:42I checked all the documents.
10:44Cam doesn't have money for this project.
10:47And if I know this piece well,
10:49he didn't use ecological materials.
10:51I'd say the opposite of that.
10:55If we can prove it,
10:56then you'll keep the job.
10:58We'll keep it.
11:00This job will be ours.
11:02Yours and mine.
11:03Your design and my idea.
11:05Ours.
11:07There's no our here.
11:10Yeah, but if we do this together,
11:12it'll have our name.
11:13If I say no, it won't.
11:15But I say yes, so it will.
11:17Anyway, we only have 24 hours.
11:20Let's not waste time.
11:21Let's go to the office first.
11:24Time is passing, Mr. Cercan.
11:26You know that.
11:29Did I tell a joke?
11:32No.
11:45How about this one, Alptekin?
11:50She's 61 years old.
11:51She's been out of the job market for 10 years.
11:54The companies that are her reference don't even exist anymore.
11:57And what's the problem with time out of the market?
11:59She has experience.
12:00She can learn fast.
12:01It's like riding a bike.
12:02Aidan.
12:04Don't make me regret asking for your help.
12:09Mr. Alptekin.
12:10Your masseur is here.
12:12Okay.
12:14Masseur?
12:15But I didn't ask for a massage.
12:17I did.
12:18You're stressed.
12:23Yes.
12:26And you're not coming with me?
12:27No.
12:31It's because I'm the only nervous one here, isn't it?
12:34I did so many massages this week.
12:36I'm very relaxed.
12:39Look at my skin.
12:41It's like a peach.
12:49But are you sure?
12:50I'm already shaking from head to toe.
12:52Shh.
12:53I'm sure.
12:54I'm not going to lose my husband to these young secretaries.
12:57Go, tear it all up.
12:58I don't want resumes of young and beautiful women.
13:09I can't find my cell phone.
13:13Safe, what are you doing?
13:14Nothing, sir.
13:18It's just...
13:19It's just that I'm very nervous.
13:21And if it weren't for all this pressure,
13:23I wouldn't have done any of this.
13:25So, excuse me, I have to go.
13:27You're afraid of the wrong person, Safe.
13:30You tore up the resumes?
13:34So that means you're jealous of me, Aida.
13:38Why would I be jealous, Altec?
13:41There were so many candidates that I decided to make a pre-selection to weaken.
13:45In fact, I talk more with your secretary than with you.
13:48Because when I call, you're always working, working.
13:51Do you see your secretary?
13:53All right, then I'll take your help in the selection process.
13:57Perfect.
13:58Okay, leave it to me.
14:00I'll take care of everything.
14:02Now go, go, hurry up, go to your massage.
14:17Okay, these are right.
14:19Mr. Serkan has arrived.
14:20So what?
14:21He owns the company. What's the news?
14:23The news is that Aida is with him.
14:25Aida came?
14:32Aida, welcome back.
14:34The company is lost without you.
14:36Oh, never disappear again, Aida.
14:39Welcome.
14:40Thank you very much.
14:41I missed you too.
14:43Okay, guys, we're working hours.
14:45The conversation can be at lunchtime, okay?
14:51Yes.
15:02Apparently they reconciled in the chalet.
15:05In the chalet?
15:06I mean, better not even tell me.
15:09I'd rather not even know about the perfect life of our friend.
15:13Perfect and colorful.
15:17While mine is depressing.
15:21They made up, right?
15:23Aida and Mr. Serkan are together again.
15:26Let's put it this way.
15:27They're fine the way they are.
15:30It's all right when they're fine.
15:32But it's all right when they're in a fight.
15:35There's a lot of chemistry between them.
15:37Like between me and my Fifi.
15:42I'm almost done.
15:44And then we can go.
15:46Yes.
15:50Serkan, look at these reports.
15:52It looks like...
15:54Aida?
15:57For a moment I thought they would never get it right because of pride.
16:04But it's great to see you two sitting together.
16:08At least now there's no distance getting in the way.
16:12Serkan, here, I need you to sign here.
16:15Now look, tell me.
16:18Did he apologize?
16:19I'm dying of curiosity.
16:21It's just that in my head, he was on his knees or something like that.
16:26Endin.
16:27Relax, my friend.
16:28I just want to know what happened.
16:29I'm not going to tell anyone.
16:30So, tell me.
16:31We didn't make up.
16:34In fact, Aida is just here, at work.
16:37At work?
16:39What do you mean?
16:40What does that mean?
16:41Endin, why am I surprised?
16:43Anton, do you think it's possible to keep Serkan out of the workplace?
16:51Now that you've said it, it makes perfect sense.
16:54He only cares about work.
16:56That's why I decided that when I want to meet him, it will be only outside the office.
17:01It's the only way to do it.
17:02Sensible.
17:05If they're both done, we can go.
17:08Where?
17:09To the field.
17:10But what field?
17:11It's a secret for now.
17:13Until then, don't tell anyone.
17:15See you later, Endin.
17:24Oh, no.
17:25You don't even have to sit down.
17:27But I haven't even started talking about me.
17:29But what's the point?
17:30With such a short lifespan, you need to live longer to have something to tell.
17:34Lack of maturity.
17:36Now go.
17:41Next!
17:43Next!
17:47What's the problem?
17:48Did those girls leave a modeling agency?
17:50Sorry, I didn't hear what you said.
17:52It's better not to hear.
17:54Come on, dear.
17:55Sit down, please.
18:01Is this how you intend to sit at work?
18:03I know I'm new, but you can teach me.
18:08She said she wants to be taught.
18:10Will she say that to Optik?
18:12I felt so cold in my spine.
18:15I didn't hear you. Can you repeat?
18:17It's like this, dear.
18:18Look for other careers in your life.
18:21Open your wings.
18:22You have so many opportunities.
18:24Don't limit yourself to being a secretary.
18:26You're right.
18:28Actually, I'm too good for this job.
18:31I have to trust my potential more.
18:33Thank you very much.
18:34Good luck.
18:36She trusts her own potential too much.
18:38But we got rid of her.
18:40Can I call the next one?
18:42Of course.
18:43And call the doctor.
18:44I'm about to freak out.
18:46Why does a secretary have to be a model?
18:48This one's from 1997.
18:51Perfect.
18:52Here you go.
18:54Next, please.
19:02Hello, Mrs. Dollet.
19:04I didn't know it was such a pleasure to see someone so different.
19:08I know it's very efficient.
19:09Thank you very much.
19:10How kind of you.
19:12Kind of you?
19:13She sounds like my grandma.
19:17What do you like to drink?
19:19I'd love a coffee, if it's not too much trouble.
19:21But it's no trouble at all.
19:23After all, it's a pleasure to meet you.
19:26Bring two cups of coffee, please.
19:28And spare the others.
19:30Girls, it's over.
19:34Andy.
19:36Would you like to have a coffee with me?
19:40Actually, I'm very busy.
19:43I'm sorry, I can't.
19:51Busy?
19:52What do you mean?
19:54My emails have piled up.
19:57I have to read them all.
19:59You have to read emails?
20:02Yes.
20:03Okay, have a good reading.
20:14Hello?
20:15Jeran, it's an emergency.
20:17What happened?
20:18I don't understand why I have to reject Biri all the time.
20:20All the tips you gave me started to work now.
20:23She started to get closer to me.
20:25But I can't understand why I have to say no to her.
20:29The more rejected I am, the more interested I get.
20:33Then I end up falling in love.
20:35I see.
20:36After all, you're the one who gives me advice.
20:39And now that I'm thinking calmly, it all makes sense.
20:42I know not all women are the same.
20:45So, what do you think about calling Biri for dinner tonight?
20:49And so, reduce this feeling of rejection.
20:52It's a good idea.
20:55Tonight?
20:56But it's not very early.
20:59I don't even remember the state I left my house early today.
21:02And she's very meticulous.
21:04Besides, I don't understand anything about cooking either.
21:06I can go to your house to help you.
21:09We left the table very beautiful.
21:10In that case...
21:12Perfect.
21:13Okay.
21:14It's all going to work out, then.
21:16See you later.
21:18See you later.
21:19See you later.
21:25Is this linseed oil?
21:29The smell comes from these barrels.
21:31It's the material used in ecological hotels.
21:33And most of it comes from the region.
21:35They're bought at flea markets.
21:41Can you buy something for the baby?
21:44Of course.
21:49Come on.
21:55Go ahead.
21:56I'll catch up with you.
21:58Okay.
22:07Hi, how are you?
22:08I'm Aida.
22:10You're so funny.
22:13It's been a while since I laughed like that.
22:16You're having a lot of fun, aren't you?
22:18Yes, we are.
22:20Ferit told me about your adventures in hotel construction.
22:23Yeah, I told you about when we filled the pool with cement.
22:26Yeah, I remember.
22:28That's a good story.
22:29Oh, Ferit, I received the files you sent, but I was taken by surprise.
22:34I didn't expect it to be so fast.
22:36I haven't had a chance to review it yet.
22:38No hurry.
22:39When you have time, just let me know.
22:41Okay, perfect.
22:42Now I have to go.
22:43See you later.
22:44See you later.
22:45Oh, look, Ferit.
22:47I have some friends I'd like to introduce to you.
22:49Could you join us?
22:51Well, we were planning to...
22:53It would be a pleasure, sir.
22:55Of course.
22:56Okay.
22:57So, come with me.
23:17Okay.
23:41You were right.
23:43Oh, thank you.
23:45That's cold-pressed linseed oil.
23:48They made a huge order, and then...
23:51People produced it, but...
23:53Whoever ordered it disappeared from the map.
23:55They caused an absurd loss.
23:57Who do you think made that order?
23:59Kahn.
24:01Exactly.
24:09What are we going to do?
24:10This can't go on like this.
24:11Okay, let's fix this.
24:12Give us an hour.
24:14Let's work together and get back to the classroom.
24:16Exactly.
24:17Perfect.
24:18Please.
24:19It can't be.
24:20It can't be like this.
24:21It's not right.
24:23It's impossible.
24:24How can this be?
24:32What is it?
24:33Hey, Jim, look.
24:34This is not good.
24:35Serkan is going to freak out.
24:36I'm already freaked out.
24:37I don't know what I'm going to do.
24:38These data don't match.
24:39I know that.
24:41Look, Periota.
24:42You can forget about this for a moment.
24:44How can I forget?
24:45It's my job.
24:46It's super important to me.
24:47You talk as if you don't know me.
24:48I don't know what's going on in your head.
24:50And I don't have time for that.
24:52Of course I agree.
24:54It's just that I have...
24:58I want to tell you something.
25:00So say it.
25:01Come on.
25:02What is it?
25:03Because so far you've only been rolling around in words and didn't say anything.
25:06But I know what you're going to say.
25:07That I'm addicted to my job.
25:09That I'm obsessed with what I do.
25:10But this is my job.
25:11I can't let you ruin it.
25:12Come with me to my house.
25:15What do you say?
25:16We can talk about the things that happen at work.
25:21Dinner with you?
25:22Yes.
25:24At your house?
25:26Yeah, but don't get me wrong.
25:28I don't want to be inconvenient.
25:30No, it wasn't.
25:32Of course not.
25:34I'm going to your house.
25:36Yeah, I work separately.
25:38No problem.
25:40I'll have dinner at your house.
25:42Of course.
25:43We can do a lot of things.
25:46Talk, eat, talk about this problem.
25:49It's normal.
25:50Like anyone else.
25:51Yes, of course.
25:52It's normal.
25:53Everyone does that, right?
25:55So I'll start the preparations and I'll see you at home.
26:00Of course.
26:01So start the preparations while I solve this.
26:06Wonderful.
26:07See you later.
26:08It shouldn't be hard to solve.
26:11Everyone does that, right?
26:13Yes.
26:14I have control.
26:18Damn.
26:20Is the hotel going to be here?
26:21Exactly.
26:22Down there.
26:23It looks like Khan didn't do anything.
26:25Because he didn't have funding.
26:27I don't know why he hasn't given up yet.
26:32Is that a deposit box?
26:35Yes.
26:36I don't doubt that if we look inside,
26:38we can find chemical material instead of ecological.
26:47Mr. Frickett, I'm sending an email right now.
26:50I have documents that prove that Khan doesn't use ecological materials.
26:53I recommend that you also visit the shed.
26:56See you later.
27:01We're facing an empty field again.
27:03A new dream.
27:05Architecture is based on dreams.
27:08You dream and imagine if it's possible to make it come true.
27:13It may work.
27:15It may not.
27:18But it always starts with a dream.
27:23Well, our job is done.
27:25I'm leaving.
27:26We still have 15 hours.
27:28Oh, so you didn't count the hours I had to spend with you at the shed.
27:32What's your problem?
27:36I just want to go home.
27:38I'm not talking about that.
27:40I want to know what you want from me.
27:42You're so insensitive that you can't understand how I feel.
27:46I'd understand if you said it.
27:48I just said it.
27:49I want to leave, Khan.
27:51Leave.
27:52Is that all you can say?
27:54Then let's go.
27:55Perfect.
27:56Let's go.
28:06Damn.
28:10I'm impressed.
28:11You know how to set up a table.
28:17Thank you, Djeran.
28:22Wait a minute.
28:23Where did you get those candles?
28:25They're essential for a romantic dinner.
28:30A little gift from me.
28:34Actually, I didn't even think about lighting candles.
28:37So, as it has electricity, it seems useless to light candles.
28:41You know how hard it is to set up these buildings, right?
28:45So, imagine.
29:02Now I understand.
29:04Of course, looking at it in practice, it's different, right?
29:10No doubt.
29:33Touch it little by little.
29:36When you have a chance.
29:40You have to convey confidence.
29:44Gently.
29:45The girl will feel your interest.
29:51Touch it.
29:53When you have a chance.
29:56You have to convey confidence.
29:59Gently.
30:00When you have a chance.
30:03It's true.
30:04Of course, it worked.
30:26And also...
30:27I brought incense.
30:30Light it when I leave.
30:41I have to go to the market. I forgot to buy something.
30:44So, I'm going.
31:00I'm going.
31:10Well, it looks like it's all over now.
31:12Maybe for you.
31:14But not for me.
31:22I hope you can do this project.
31:30Don't call me anymore, please.
31:40You really don't want to stay with me?
31:47I'm talking about the hotel project.
31:56Mr. Frick sent you a message.
31:59The project is ours.
32:02Congratulations.
32:05You're not happy.
32:09It's nothing like that.
32:10So what is it? Please tell me. I don't understand you.
32:14What can't you understand?
32:16Explain to me, Serkan.
32:18What's the point of this business?
32:22It has nothing to do with work.
32:24The problem is your lack of consideration, cruelty, and insensitivity.
32:28I was just waiting for an apology.
32:30At least an honest one.
32:32From the bottom of my heart.
32:33It was just an apology.
32:35I was unfair and accused you without evidence.
32:37But you didn't say anything.
32:38You don't even look sorry.
32:42That's why we don't have anything else to talk about.
32:54Oh, Alfred.
32:55What is it?
32:56I found a great secretary.
32:58With a perfect resume.
33:00She has 40 years of experience.
33:02She's experienced and very different.
33:06Oh, Dawn.
33:07I can't work with her, okay?
33:10Why not?
33:11She worked in the same company for 40 years.
33:14When they declared bankruptcy, she couldn't find another job.
33:18It will be impossible to adapt to a new technology, of course.
33:21My opinion doesn't matter to you, does it, Alfred?
33:24Look.
33:25Here it says that one of her skills is fast typography.
33:29How wonderful.
33:31Look.
33:32This resume just arrived.
33:34I think it's the right candidate for the job.
33:36She worked in another country for nine years and had to return to Istanbul for family matters.
33:42Look here.
33:43Her references are amazing.
33:44I can hire this girl.
33:46And I don't even need an interview.
33:49Who is this girl?
33:51And why doesn't she have her picture here?
33:53And why would you need it?
33:54This resume is more than perfect.
33:55Okay, but we have to do an interview first.
33:57I've already made my decision, Aida.
33:59I'll see when she can start working.
34:02You know what I think?
34:03You should worry about other things.
34:06What things?
34:08Love, for example.
34:09I don't want to know anything about this girl near me.
34:12Every time she crosses my path, something will happen.
34:15Some kind of scandal.
34:17Now get out of here.
34:18Aida, that's not what I'm talking about.
34:20What happened to Aida that I couldn't take my eyes off?
34:24My sweet Aida that I met.
34:26Where is she?
34:31I understand.
34:32You're looking for Aida from 20 years ago, Alptek.
34:36Is that why you're looking for such young secretaries?
34:40Aida, what are you talking about?
34:42That my years of sweetness and bitterness were left behind, Alptek.
34:45Quite the opposite.
34:47I think every day that goes by, it gets worse.
34:55So that's how it is.
34:57You'll regret not choosing my secretary, Alptek.
35:15Come in.
35:25Piriu.
35:27Welcome.
35:29Did I come at a bad time?
35:31No.
35:33Come in, please.
35:39I can't believe it.
35:46I imagine he had dinner with you first, then he would have dinner with me.
35:52But your dinner, apparently, is not over yet.
35:56Where's Endin?
35:59I wanted to ask him a few things about my job.
36:02That's why I came.
36:03Got it?
36:04Endin had to buy some things.
36:07When he gets here, I'm leaving.
36:09Got it.
36:15Well, then.
36:18Stay for dinner.
36:19So Endin and I can enjoy the meal with you too.
36:25No, we made it for two people.
36:27The ingredients are listed.
36:32Did you do it?
36:37Endin needed help and I did it with great pleasure.
36:42That's very interesting.
36:45I've known Endin for over ten years.
36:48Even if he tried for another ten years, he wouldn't be able to set up such a beautiful table.
36:53You have good taste, Duran.
36:56Then enjoy.
36:58But why didn't you eat before?
37:10Look, this is Endin I know.
37:14Something unexpected happened. I couldn't see you. Sorry.
37:18He runs at full speed and in the last second he runs away from the track.
37:23Always insecure.
37:26He sent me the same message.
37:29Really?
37:34You said this table was made for two.
37:36And there's food for two people.
37:38We are two people.
37:41Then let's enjoy.
37:42Come on, it's time to eat.
37:45Come on.
37:52Enjoy.
37:53You too.
37:57There was no woman until now, I felt free and calm.
38:01But things have changed and everything has become complicated.
38:05The worst thing is that I don't know what I want.
38:08If I knew, I would go to the person and talk to her.
38:10But I don't know if it would be the right choice, so I stay here.
38:15What a horrible mess.
38:17Yeah, I know.
38:22What happened?
38:24You turned on automatic mode and now you can only agree with everything I say?
38:32What are you writing?
38:34An e-mail?
38:36Do you want to send an e-mail of apologies?
38:38Yeah, I want to send an e-mail, but I don't know how to do it.
38:42And what do you think about trying not to apologize by e-mail?
38:46If Djeran has any other idea, tell me.
38:49I'd love to hear it.
38:51Seriously, Serkan.
38:52This is my specialty, not Djeran's.
38:55I'm a friend of yours who made mistakes for half his life.
38:59And I ended up becoming a master at apologizing.
39:02So it's like this.
39:04The person you want to apologize to has to be in front of you.
39:07It has to be eye to eye.
39:09It has to be eye to eye.
39:11Look at Eda and have to face her fury personally.
39:15Abort the mission.
39:17Right, I understand.
39:19But if you're really the reason for her anger, there's no other way.
39:24It'll have to be like this, but you can give her a little gift.
39:29Like a diamond?
39:32No, no.
39:33No, no.
39:35Eda doesn't like that kind of thing.
39:37Maybe if it was something simpler.
39:42Like a flower.
39:46Are you serious?
39:50I'm serious.
39:52That's it.
39:54But man, she has a flowering.
39:57She lives surrounded by flowers.
39:59Yes, that's it.
40:01That's the way.
40:03Back to the mission.
40:06At least it's better than an e-mail.
40:13I'm here waiting for you to decide to talk to me.
40:16What happened, Ferit?
40:20Okay, let's talk.
40:23How about talking about your love for Serkan?
40:26And about the love I feel for you too.
40:27About the company, the business.
40:29How about all of that?
40:32Okay, whatever you want.
40:34But let's talk.
40:36You know I'm in love with you, don't you?
40:39I like you too.
40:41I'm very upset about this situation.
40:46Celine, I've made a decision.
40:50I hope you'll agree with me on a few points.
40:57Okay, let's talk.
41:27This is a lie, a necessity.
41:29Otherwise, I'm not fit for you.
41:34But there's a light in your eyes.
41:37The beating of my heart.
41:39It doesn't fit inside me.
41:41What is this movement?
41:45Turn your face to the sky.
41:47Look at the star of a love.
41:49But...
41:53It will shine, it will fade.
41:55I know.
41:57I know.