In Charles Dickens' classic tale, an orphan wends his way from cruel apprenticeship to den of thieves in search of a true home.
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00:12:20For this abounding provision, O Lord, we thank thee.
00:12:23Amen.
00:12:40Thank you.
00:13:10Thank you.
00:13:40Thank you.
00:14:10Thank you.
00:14:40Thank you.
00:14:52Please, sir, I want some more.
00:14:56What?
00:14:57What?
00:14:58I want some more.
00:15:01I want some more.
00:15:19Ah, good morning, Mr. Bumble, sir.
00:15:21Good morning.
00:15:23I've just taken the measure of the two women that died last night.
00:15:26Coffins are looking up, Mr. Sarver.
00:15:29Ah, thank you.
00:15:31You'll make your fortune, Mr. Sarver.
00:15:33The prices allowed by the board are very small, Mr. Bumble.
00:15:36So are the coffins.
00:15:38Well, well, Mr. Bumble, there's no denying that.
00:15:41But we must have some profit, Mr. Bumble.
00:15:43Oh, just so.
00:15:44By the way, you don't know anybody who wants a boy, do you?
00:15:47We parochial plenties.
00:15:49Liberal terms, Mr. Sarver.
00:15:51Liberal terms.
00:15:53I'll take him.
00:16:00All of them.
00:16:02Yes, sir.
00:16:04Pull that cap off your eyes.
00:16:07And hold your head up, sir.
00:16:13Be good enough to tell Mr. Sarvery that the beadle is here.
00:16:16Oh, pleased to come in, sir.
00:16:21Is that Mr. Sarvery?
00:16:23Yes, sir.
00:16:26Is that you, Mr. Bumble?
00:16:28No one else, Mr. Sarvery.
00:16:30Here, I brought the boy.
00:16:32Ah.
00:16:37So this is the boy, is it?
00:16:39Yes, sir.
00:16:42Who's that?
00:16:44My dear, this is the boy from the workhouse I told you of.
00:16:50He's very small.
00:16:52He is rather small, isn't he?
00:16:54He is small, there's no denying it.
00:16:56But he'll grow, Mr. Sarvery.
00:16:58I daresay he will, on our food and our drink.
00:17:01There, get downstairs, little bag of bones.
00:17:06Charlotte!
00:17:08Yes, ma'am?
00:17:10Give the boy some of the coal bits put by for trip.
00:17:13Yes, ma'am.
00:17:16I suppose you're the new boy, aren't you?
00:17:18Yes, sir.
00:17:22There you are.
00:17:23Oh, thank you, ma'am.
00:17:25On the box, workhouse, on the box.
00:17:37Workers, do you know who I am?
00:17:40Yes, sir.
00:17:42Workers, do you know who I am?
00:17:45No, sir.
00:17:47I'm Mr. Noah Claypole, and you're under me, so don't you forget it.
00:17:52No, sir.
00:17:59Have you done?
00:18:01Yes, ma'am.
00:18:02Then come with me.
00:18:04Come on, get up.
00:18:06Your bed's under the counter. You don't mind, I suppose?
00:18:09No, ma'am.
00:18:10Doesn't much matter whether you do or you don't, for you can't sleep anywhere else.
00:18:15Here, take this.
00:18:19Get in here.
00:18:40Get in here.
00:19:10Get in here.
00:19:29A very good-looking boy, that, my dear.
00:19:32He need be. He eats enough.
00:19:35There's an expression of melancholy in his face, my dear, which is very interesting.
00:19:41Well?
00:19:42He'd make a delightful mute, my love.
00:19:44I don't mean a regular mute to attend grown-up people, my dear, but only for children's practice.
00:19:50Depend upon it. It would have a most superb effect.
00:20:34Come on.
00:20:54Do you want a coffin?
00:20:56I'll fetch the missus.
00:20:58No, no.
00:21:05I want to see the boy.
00:21:09Oh, were this? Is that a job?
00:21:12Who are you?
00:21:14I knew his mother.
00:21:17Nursed her when she died.
00:21:19Died in the workhouse, eh?
00:21:21I haven't got much time.
00:21:23I've got to see him.
00:21:29Missus! Charlotte! Missus!
00:21:34Come in.
00:21:44Come in.
00:21:50How is she this evening?
00:21:52There's much strength left in her.
00:21:54She's troubled in her mind.
00:21:56And when the fits aren't on, and that's not often, she keeps saying she's got something to tell.
00:22:03She wants to see the matron.
00:22:06You'd better fetch her.
00:22:15Come in.
00:22:19Yes?
00:22:21If you please, mistress. Oh, Sally's a-going fast.
00:22:24What's that to me? I can't keep her alive, can I?
00:22:27She says she's got something to tell that you must hear.
00:22:30She'll never die quiet until you come, mistress.
00:22:38Did she say any more, Marta dear?
00:22:40Not a word.
00:22:42Cold tonight, Mrs. Corny.
00:22:44Very cold indeed, sir.
00:22:46If you have to wait long, I shall be surprised.
00:22:49Put the light on the floor. She won't see it there.
00:22:52Good night, sir. Good night.
00:23:00Good night.
00:23:31It won't be long, mistress. None of us have to wait long.
00:23:35It'll come soon enough for us all.
00:23:51Who's that?
00:23:53Who's that?
00:23:55Lie down, dear. Lie down.
00:23:57Who's that? Lie down, dear. Lie down.
00:24:02Come here.
00:24:04Come here.
00:24:11Listen. Yes?
00:24:14In this very room, in this very bed...
00:24:19once must a pretty young creature...
00:24:23she gave birth to a boy...
00:24:26and died.
00:24:28Go on. Yes.
00:24:30They would have treated him better if they'd known it all.
00:24:35Known what?
00:24:37I think...
00:24:39it was the year...
00:24:41Never mind about the year. What about him?
00:24:44Aye, what about him?
00:24:47What about...
00:24:51I know.
00:24:56Turn him away.
00:24:58This is anything.
00:25:00Get out. Get out. Go on. Both of you.
00:25:02Get out. Hurry.
00:25:06Get out.
00:25:11Right. Go on.
00:25:22What?
00:25:27What?
00:25:39Stone dead.
00:25:41What was it, mistress?
00:25:43Nothing. Nothing to tell after all. Nothing.
00:25:46Come on.
00:25:56Can't miss it by the fire, Noah dear.
00:25:58Oliver, shut that door behind Mr. Noah's back.
00:26:04I saved a nice bit of bacon from the master's breakfast for you, Noah dear.
00:26:10Oliver, here's your tea. And take them bits.
00:26:13I want you to mind shop.
00:26:16Julia?
00:26:18Julia, workers.
00:26:28What now? That's your mother.
00:26:32She's dead.
00:26:34What did she die of, workers?
00:26:36They said she died of a broken heart.
00:26:40What's so serious, Neville?
00:26:42Not you.
00:26:44Oh, not me, eh?
00:26:46No, not you. You'd better stop saying things about my mother.
00:26:49Better stop.
00:26:51Workers, don't be impudent.
00:26:55You know, workers,
00:26:57your mother must have been a regular right down badden.
00:27:02What did you say?
00:27:04A regular right down badden.
00:27:09A badden, workers.
00:27:11And it's a great deal better, workers, that she died when she did.
00:27:15Or else she'd have been doing hard labour in Bridewell.
00:27:18Or transported.
00:27:20Or armed, which is more likely than either, isn't it?
00:27:27Oliver!
00:27:29Oliver!
00:27:31He'll murder!
00:27:33He'll murder!
00:27:35He'll murder!
00:27:37He'll murder!
00:27:51No!
00:27:58You little villain, you! I'll kill you!
00:28:08No!
00:28:10Now what?
00:28:14Yes, Mum.
00:28:16Fetch the badle.
00:28:18Fetch the badle.
00:28:35Well, then.
00:28:42Where is this audacious young savage?
00:28:45Let me out! Let me out!
00:28:47Let me out! Let me out!
00:28:53Oliver.
00:28:55Yes?
00:28:57Do you know this here voice, sir?
00:28:59Yes.
00:29:01Ain't you afraid of it, sir?
00:29:03Ain't you a-trembling while I speak, sir?
00:29:06No.
00:29:09Let me out! Let me out!
00:29:11The boy must be mad!
00:29:14It's not madness, ma'am. It's meat.
00:29:17What?
00:29:19Meat, ma'am. Meat.
00:29:21If you'd kept the boy on gruel, this would never have happened.
00:29:24What's the meaning of this?
00:29:26Young Twist has turned vicious, sir.
00:29:29He nearly killed the missus!
00:29:37You're a nice young fella, ain't you?
00:29:39He said things about my mother.
00:29:41By all accounts, she deserved them.
00:29:43That's a lie!
00:29:46Don't spare him, ma'am. Don't spare him.
00:30:05Get up to bed.
00:30:14Get up.
00:30:22He comes from a bad family, sir.
00:30:24Excitable natures, Mrs. Sarvery.
00:30:27That mother of his made her way here against difficulties and pain
00:30:31that would have killed any well-disposed woman weeks before.
00:30:34My parochial apologies, sir.
00:30:43Oh, no.
00:31:13Oh, no.
00:31:43Oh, no.
00:32:13Oh, no.
00:32:4350 kilos, sir. 50 kilos.
00:32:45All right, thank you. Any advance on 50 kilos?
00:32:4720 kilos, sir. 20 kilos did I hear.
00:32:4922. 22 kilos, sir.
00:32:51Any advance on 22? The pass is running out, gentlemen.
00:32:5425 kilos.
00:32:56Too far now.
00:33:13Hey!
00:33:44Come on.
00:33:53Staying in London?
00:33:55Yes.
00:33:57Got any lodgings?
00:33:59No.
00:34:00Money?
00:34:01No.
00:34:02Hungry?
00:34:03Yes.
00:34:05Follow me.
00:34:13Come on.
00:34:43Come on.
00:35:14Come here.
00:35:22Who's the other one?
00:35:24A new pal.
00:35:26Come in.
00:35:30Wait here.
00:35:44Do you want him?
00:35:48Come on in.
00:35:54Here he is, Fagin.
00:35:56My friend Oliver Twist.
00:35:59They're glad to see you, are they?
00:36:01Aren't we, my dears?
00:36:03Yeah.
00:36:05How far have you come?
00:36:07I've been walking for seven days.
00:36:09Walking for seven days?
00:36:11Walking for seven days?
00:36:13Beak's all right.
00:36:15Do you know what a beak is, my dear?
00:36:17A bird's muscle.
00:36:20Sit down, all of you.
00:36:22A beak is a magistrate, my dear.
00:36:25Dodger, take off the sausages.
00:36:27Sit down, Oliver.
00:36:33There are a great many of them, ain't there, my dear?
00:36:36Yes, sir.
00:36:38Get ready for the wash.
00:36:41I hope you've been at work, Dodger.
00:36:43Odd.
00:36:50Good boy. Good boy.
00:36:52And free warps.
00:36:55Ingenious worker, ain't he, Oliver?
00:36:58Very indeed, sir.
00:37:02You'd like to make pocket handkerchiefs as easily as the artful, Dodger, wouldn't you, my dear?
00:37:07Yes, if you teach me, sir.
00:37:09We will, my dear. We will.
00:37:12To work. Terry, Fred.
00:37:37All right.
00:38:08Sit down.
00:38:11Charlie, Dodger.
00:38:37Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
00:39:07Oliver...Oliver...
00:39:37Oliver...
00:40:08Oliver...
00:40:25Clever dogs...
00:40:27Clever dogs...
00:40:30Never blow, don't hold fake in...
00:40:41Why are you awake?
00:40:44Speak up, boy, quick!
00:40:46I couldn't sleep any longer, sir.
00:40:48What have you seen?
00:40:49Nothing, sir.
00:40:50You were not awake an hour ago.
00:40:53No, no, indeed, sir.
00:40:55Are you sure?
00:40:56Yes, sir.
00:41:00Churchill, my dear...
00:41:03I only tried to frighten you.
00:41:07Did you see any of those pretty things, dear?
00:41:11Yes, sir.
00:41:14They...they're mine, Oliver.
00:41:18All I have to live on in my old age.
00:41:22They call me a miser.
00:41:26May I get up now, sir?
00:41:28Certainly, dear, certainly.
00:41:37They've gone to work, Oliver.
00:41:39Make them your models.
00:41:41Do everything they bid you do.
00:41:43Take their advice in all things.
00:41:45Especially the artful dodgers.
00:41:47He'll be a great man himself one day and will make you one too.
00:41:51Is my handkerchief hanging out of my pocket, dear?
00:41:54Yes, sir.
00:41:55See if you can take it without my feeling it.
00:42:03Is it gone?
00:42:04Yes.
00:42:05Here it is.
00:42:07Ah, you clever boy.
00:42:09Here's a shilling for you.
00:42:12Oh, thank you, sir.
00:42:14If you go on this way, you'll be the greatest man of the time.
00:42:25He'll do.
00:42:55Stop thief!
00:43:14Stop thief!
00:43:26Stop thief!
00:43:28Stop thief!
00:43:46Stop thief!
00:44:18Stop him!
00:44:20Stop him!
00:44:41Get him now!
00:44:46It is for that!
00:44:47He don't deserve it!
00:44:48That's right.
00:44:49Is this the boy, sir?
00:44:51Yes, I'm afraid it is.
00:44:53Afraid? That's a good one.
00:44:55Poor little fellow, he's hurt himself.
00:44:58I did that, sir. I stopped him.
00:45:00I cut my knuckles against his mouth.
00:45:03Come on, tear it up.
00:45:05Make way there. Make way.
00:45:09Come on.
00:45:10Don't hurt him, officer.
00:45:11Oh, no, I won't.
00:45:14Come on, devil.
00:45:16Hold your noise.
00:45:18Do you want to get grabbed?
00:45:20I can't help it. I can't help it.
00:45:24What will Fagin say?
00:45:38Where's Ivor?
00:45:43Where's the boy?
00:45:47What will become of the boy?
00:45:50Speak or I'll throttle you!
00:45:52Let go of me!
00:45:56The traps have got him, and that's all about it.
00:46:09Come on!
00:46:13What's it all about, Fagin?
00:46:18It's lucky the pot didn't hit me,
00:46:20or I might have settled someone.
00:46:22Come in, Mr. Sykes. Come in.
00:46:25None of your mystery, and you know my name.
00:46:28Come in, you slinking cur.
00:46:30What are you hanging about there for?
00:46:32Go on, get in, will you?
00:46:35Will you take a drink, Bill?
00:46:37See you don't poison it, neither.
00:46:40Here.
00:46:41What's he been up to?
00:46:44Ill-treating the boys again, eh?
00:46:46You avaricious old fence.
00:46:49You seem out of humour, Bill.
00:46:51Yeah, maybe I am.
00:46:53And you seem kind of out of sorts, too.
00:46:56What's in the wind, Fagin?
00:46:58It's the new boy. The traps have got him.
00:47:00What of it?
00:47:01I'm afraid he may say something that'll get us into trouble.
00:47:04That's very likely.
00:47:06You're blowed upon, Fagin.
00:47:08I'm afraid, you see.
00:47:10If the game was up with us,
00:47:12it might be up with the good many more.
00:47:15And it would come out rather worse for you than it would for me,
00:47:19wouldn't it, my dear?
00:47:25Look here.
00:47:28Somebody ought to go and find out what's going on at the police court.
00:47:36Somebody ought to go there, Fagin.
00:47:41Told you.
00:47:44Surely.
00:48:06At about time, Bill.
00:48:08At about time, too.
00:48:10Ah, Nancy. The very thing.
00:48:13She's a clever girl.
00:48:15She is to her.
00:48:17Nancy will go, won't you, my dear?
00:48:19Where's?
00:48:20Only just to the police court, my dear. What do you say?
00:48:23But it won't do, Fagin, so it's no use you trying it on.
00:48:26What do you mean by that?
00:48:27Well, what'd I say, Bill?
00:48:29Well, you'd have anyone for it.
00:48:30No-one around here knows anything about you.
00:48:32And as I don't want them to neither,
00:48:34it's rather more no than yes with me, Bill.
00:48:36She'll go, Fagin.
00:48:38Oh, no, she won't, Fagin.
00:48:40Oh, yes, she will, Fagin.
00:48:52Yes?
00:48:53Is there a little boy here?
00:48:55Who are you?
00:48:56His sister.
00:48:58You have to wait. The case is on now.
00:49:01Now, what is the charge against this boy?
00:49:04Stealing a handkerchief, Your Worship.
00:49:06I'd rather not press the case.
00:49:08Hold your tongue, sir.
00:49:10Are there any witnesses?
00:49:11None, Your Worship.
00:49:14What is your name?
00:49:17What is your name?
00:49:21He's been hurt, and I fear...
00:49:23I really fear he's very ill.
00:49:25Oh, yes, I do.
00:49:27I really fear he's very ill.
00:49:29Oh, yes, I dare say.
00:49:31Come now. None of your tricks here, you young vagabond.
00:49:34What is your name?
00:49:39What's your name?
00:49:45Hmm?
00:49:47He says his name's Tom White, Your Worship.
00:49:50Very well.
00:49:52Where does he live?
00:49:55Where do you live?
00:49:57Where he can, Your Worship.
00:50:00Please, sir, would I have some water?
00:50:03Stop that nonsense! Don't try and make a fool of me!
00:50:10I'm afraid he really is ill, Your Worship.
00:50:13I know better. Take care he's not born.
00:50:16Stand away!
00:50:18Thank you very much.
00:50:23How do you propose to deal with the case, sir?
00:50:25Quiet! What's this? Who is this?
00:50:27I keep the bookstore. I saw it all.
00:50:30It was another boy.
00:50:31Why didn't you come before?
00:50:33Couldn't get a soul to mind the shop.
00:50:35Swear the man.
00:50:53They bring him out of the court fainting.
00:51:11He gets in a carriage with this gentleman and they drive off.
00:51:14He'll blow on us, Fagin, for certain!
00:51:16Fagin!
00:51:46Fagin!
00:52:16Fagin!
00:52:47That's the boy, is it?
00:52:49It's a boy.
00:52:53Nice-looking boy, isn't he?
00:52:55I don't know.
00:52:57I only know two sorts of boys.
00:53:00Mealy boys and beef-faced boys.
00:53:04And which is he?
00:53:06Mealy.
00:53:13Good night, sir.
00:53:19Is Bedwin in the habit of counting the plate at night?
00:53:26Because if she doesn't find a tablespoon or two missing one sunny morning,
00:53:31I'll be content to eat my head, sir.
00:53:35Don't move.
00:53:37Where does he come from? Who is he? What is he?
00:53:41If that boy doesn't deceive you, my good friend, I'll eat my head.
00:53:45And yours, too.
00:53:47We shall see.
00:53:48We will.
00:53:49We will.
00:54:09Where am I?
00:54:10Hush, my dear.
00:54:11You must be very quiet, or you'll be ill again.
00:54:13You've been very, very bad.
00:54:15As bad as bad can be, pretty lie.
00:54:17Lie down again. That's it, dear.
00:54:28There.
00:54:39Don't mind me, my dear.
00:54:44It's all over now.
00:54:47I was rather hoarse this morning, Bedwin.
00:54:49I'm afraid I caught cold.
00:54:51Now, how do you feel, my dear?
00:54:54Very happy, sir.
00:54:57Have you given him any nourishment, Bedwin?
00:54:59He's going to have a basin of beautiful, strong broth, sir.
00:55:02A couple of glasses of port wine will do him far more good.
00:55:05Wouldn't they, Tom White?
00:55:07My name's Oliver, sir.
00:55:09Oliver.
00:55:12Oliver White.
00:55:14No, sir.
00:55:15Twist.
00:55:16Oliver Twist.
00:55:19That's a queer name.
00:55:21What made you tell the magistrate your name was White?
00:55:25I never told him, sir.
00:55:34Some mistake, some mistake.
00:55:40Have your broth, young man.
00:55:42We must get you strong again.
00:55:44And as soon as you're well enough, we must have a little chat.
00:55:48I will thank you very much, sir.
00:55:55Fool, bungler, liar.
00:55:58I paid you good money to make an end of the business.
00:56:00One snivelling boy, and you have to lose him.
00:56:05I'm worse off now than if I never set eyes on you.
00:56:08I'm farther still from what should be mine.
00:56:10What do I get?
00:56:11My money back?
00:56:12No, no, my dear.
00:56:13Not that.
00:56:15I'll give you hope.
00:56:17Go to the workhouse where the boy was born.
00:56:19Of course, I traced him from there.
00:56:21Then you must go back, my dear.
00:56:23You must go back.
00:56:24Listen.
00:56:40Tomorrow, two months, it was done.
00:56:44It seems a age.
00:56:49You're going to sit there snoring all day?
00:56:51I shall sit here as long as I think proper, ma'am.
00:56:54And though I was not snoring, I shall snore, gape, sneeze, laugh or cry as the humour strikes me.
00:57:02Such being my prerogative.
00:57:04Your prerogative.
00:57:06I said the word, ma'am.
00:57:08The prerogative of a man is to command.
00:57:10And what's the prerogative of a woman, in the name of goodness?
00:57:13To obey, ma'am.
00:57:15As your late unfortunate husband should have taught you.
00:57:18And then perhaps he might have been alive now.
00:57:21I wish he were, poor man.
00:57:23You brute!
00:57:29Cry your hardest, ma'am.
00:57:31It opens the lungs, washes the countenance, exercises the eyes and softens down the temper.
00:57:38So cry away.
00:57:48Brute!
00:57:53Screamer!
00:57:58Talk about your prerogative again, if you dare.
00:58:03Get up! Get away from here!
00:58:05Or I might do something desperate.
00:58:08Certainly, my dear. Certainly.
00:58:32You were the beadle here once, were you not?
00:58:42I was. Peruvian beadle.
00:58:45What are you now?
00:58:47Boss of the workhouse.
00:58:49Good.
00:58:51Now listen to me.
00:58:53I want some information.
00:59:00Carry your memory back ten years, last winter.
00:59:04The scene, the workhouse and the time, night.
00:59:07The place, the line, inn.
00:59:11A boy was born.
00:59:13There were many boys.
00:59:15He was apprenticed down here to a coffin maker.
00:59:17You mean young Twist? There wasn't a obstinate...
00:59:20It's not of him I want to hear. It's of a woman.
00:59:23The hag that nursed his mother.
00:59:26Where is she?
00:59:28She died last winter.
00:59:33One moment.
00:59:35Yes?
00:59:37There was a woman with her when she died.
00:59:39How can I find her?
00:59:43Only through me.
00:59:46She'll be worth her while.
01:00:00What if I've paid you for nothing?
01:00:02You can easily take it away again.
01:00:04I'm a woman here, alone and unprotected.
01:00:06You're not alone, my dear. Nor unprotected, neither.
01:00:09You're a fool. You'd better hold your tongue.
01:00:11He'd better have it cut out if he can't speak in a lower tone.
01:00:16Now, let's hear your story.
01:00:24You were with this hag the night she died?
01:00:26Yes.
01:00:27There was no one by?
01:00:28No.
01:00:30She asked if we should be alone.
01:00:31Get out!
01:00:32What?
01:00:33She spoke of a young mother.
01:00:35Aye.
01:00:36Who she nursed in that same bed.
01:00:38Yes.
01:00:40What of her?
01:00:41I robbed her.
01:00:44She wasn't cold when I stole it.
01:00:47Stole what?
01:00:49It.
01:00:50The only thing she had.
01:00:53Gold.
01:00:54Gold?
01:00:55Go on, what of it?
01:00:57She charged me to keep it safe.
01:01:00Yes?
01:01:01The boy's name?
01:01:03They called him Oliver.
01:01:06Yes.
01:01:07I haven't told you all, have I?
01:01:10No, no, be quick.
01:01:12She'd run away.
01:01:15Her father?
01:01:16Yes.
01:01:18I was to tell him.
01:01:21To tell him.
01:01:23What were you to tell him?
01:01:27What?
01:01:30She said more.
01:01:33You're lying.
01:01:35She never uttered another word.
01:01:39But it was then that it happened.
01:01:43What?
01:01:45A scrap of paper.
01:01:49What was it?
01:01:52A pawnbroker's ticket.
01:01:55Yes.
01:01:56The time was out in two days, so I redeemed the pledge.
01:02:01Where is it now?
01:02:05There.
01:02:08And this is all?
01:02:10All.
01:02:12And what you expected to get from it?
01:02:16It is.
01:02:35Bless us and save us.
01:02:37Come in and wash your hands and let me do your hair nicely for you, child.
01:02:40Why? What's the matter?
01:02:41Mr. Brown, no one wants to see you, dear.
01:02:43We must make you as smart as sixpence.
01:02:48Come in.
01:02:54Oh, come in, Oliver.
01:02:56Come in.
01:03:03Come in, Oliver.
01:03:06Come in.
01:03:09Come in.
01:03:12Come in.
01:03:17Yes, there are a good many books, are there not, my boy?
01:03:21I never saw so many, sir.
01:03:23How would you like to grow up a clever man and write books, eh?
01:03:27I think I'd rather read them, sir.
01:03:29What? Don't you want to be a book writer?
01:03:32I think I'd rather be a bookseller, sir.
01:03:37Well said, my boy.
01:03:39Very well said.
01:03:43Now, Oliver, I want you to pay great attention to what I'm going to say.
01:03:49You're not going to send me away, sir?
01:03:51No, my dear, I'm not going to send you away unless you give me cause.
01:03:56I'll never do that, sir. Never.
01:03:58Good.
01:04:00Somehow I feel that you and I are going to be good friends.
01:04:05Oh, thank you, sir.
01:04:07I trust you, Oliver.
01:04:09And I find myself more interested in your behalf than I can well account for.
01:04:14Even to myself.
01:04:27Are you fond of pictures, Oliver?
01:04:29I don't quite know, sir.
01:04:33Now, that is a portrait.
01:04:36A likeness.
01:04:39She's very pretty, sir.
01:04:42Yes, she was very pretty.
01:04:46Any muffins for tea?
01:04:50Hello. What's that?
01:04:52This is young Oliver Twist.
01:04:55You don't mean to say that's the boy who had the fever, I hope?
01:04:58That's all over now. Come and speak to my young friend.
01:05:02How are you, boy?
01:05:04A great deal better, thank you, sir.
01:05:07And when are we going to hear an account of his history, eh, my friend?
01:05:12I think we'll have our tea first, eh, Oliver?
01:05:14Oh, is that the bookseller?
01:05:15Yes, sir.
01:05:16Well, stop the boy. There are some to go back.
01:05:18He's gone, sir.
01:05:19Oh, dear me. I particularly wanted to return some tonight.
01:05:22Send Oliver with them.
01:05:24He'll be sure to deliver them safely, you know.
01:05:27Yes, do let me go, sir. I'll run all the way.
01:05:31You shall go, my boy.
01:05:34The books are on the chair by my table.
01:05:36Fetch them down.
01:05:40Let me see here.
01:05:43He'll be back in 20 minutes at the longest.
01:05:46Oh, so you really expect him to come back, do you?
01:05:49Why, don't you?
01:05:51No, I do not.
01:05:53The boy has a new suit of clothes on his back,
01:05:55a set of valuable books under his arm,
01:05:57and a five-pound note in his pocket.
01:05:59If ever that boy returns to this house, sir, I'll eat my head.
01:06:03Oh.
01:06:12There.
01:06:16Good night, dear.
01:06:19Good night, dear.
01:06:38Oliver!
01:06:41Oliver, Oliver, oh, you naughty boy!
01:06:44Oh, my dear little brother, I found him.
01:06:46Thank goodness, gracious heavens, I found him.
01:06:48Let go of me.
01:06:49You cruel boy, come home directly.
01:06:51What's the matter, ma'am?
01:06:52He ran away near a month ago from his parents.
01:06:54Hard-working, respectable people.
01:06:56I didn't.
01:06:57He went and joined a set of thieves and bad characters
01:06:59and nearly broke his mother's heart.
01:07:01You little wretch.
01:07:02I'm not. I haven't got a mother.
01:07:04How old, you little brute?
01:07:05I live in Vandenville.
01:07:07Oh, listen how he braves it out.
01:07:09Come home to your mother, will you, you young dog?
01:07:11I don't know them. I don't belong to them.
01:07:13What's this? He's been stealing again.
01:07:16Oh, no, Bill, come on.
01:07:18Right, that's the only way to bring him to his senses.
01:07:20You're right. You and good, too.
01:07:22Yeah, you get it, too.
01:07:24Come on, you young villain.
01:07:46Frankie, Georgia, look!
01:08:10Look!
01:08:39All right, let's have a glimpse.
01:09:09Delighted to see you looking so well, my dear.
01:09:17Why didn't you write and say you was coming?
01:09:20We'd have got something hot for supper.
01:09:27What's that?
01:09:29That's mine, Fagin.
01:09:30No, no, my dear.
01:09:31Mine, Bill, mine.
01:09:32You shall have the books.
01:09:34If that ain't mine, mine and Nancy, that is,
01:09:36I'll take the boy back again.
01:09:38Now, come on, hand over, will you?
01:09:40Where is it?
01:09:42This is hardly fair, Bill. Hardly fair, is it, Nancy?
01:09:44Fair or not fair, give it here, you avaricious old skeleton.
01:09:48Give it.
01:09:52Take the books if you're fond of reading,
01:09:54and if you ain't, sell them.
01:09:57Help! Help!
01:09:59Bull's-eye!
01:10:00Leave him there, Bill.
01:10:01He'll tear the boy to pieces.
01:10:03That is right.
01:10:04No, you don't!
01:10:05You'll stand off of me, I'll ask for television.
01:10:07I don't care! I don't care!
01:10:10Get out!
01:10:18What's the matter here?
01:10:19The girl's gone mad.
01:10:20No, she ain't, Fagin.
01:10:22No, she ain't. Don't think it.
01:10:24Then keep quiet, will you?
01:10:25No, I won't do that neither.
01:10:27What do you think of that?
01:10:34So you wanted to get away, my dear, did you?
01:10:37Eh?
01:10:39Wanted to get assistance?
01:10:42Called for the police, did you?
01:10:45We'll soon cure you of that, my young master.
01:10:48You see it?
01:10:49Don't, Fagin!
01:10:50You've got the boy. What more do you want?
01:10:52Let him be!
01:10:53Let him be, or I'll put that mark on some of you
01:10:56that'll send me to the gallows before me time.
01:10:58Why, Nancy?
01:10:59You're acting beautiful, dear.
01:11:01Am I?
01:11:02Then take care I don't overdo it.
01:11:04You'll be the worst for it, Fagin, if I do.
01:11:06What do you mean by this?
01:11:07You're a nice one,
01:11:08a pretty subject for the boy to make a friend of.
01:11:11So help me, I am.
01:11:13I wish I'd been struck dead in the street
01:11:15before lending hand to bring him here.
01:11:17He's a thief, a liar, a devil,
01:11:19and all that's bad from this night on.
01:11:21Isn't that enough for you?
01:11:23I'll put that mark on some of you
01:11:25that'll send me to the gallows before me time.
01:11:27He's a thief, a liar, a devil,
01:11:29and all that's bad from this night on.
01:11:31Isn't that enough for the old wretch with that blouse?
01:11:34Come, come, Sykes, we must have civil words.
01:11:36Civil words, Bill.
01:11:37Civil words, civil words, you villain.
01:11:40Yes, you deserve them from me.
01:11:42I thief for you when I was a child, not half his age.
01:11:45And I thief for you ever since.
01:11:47Don't you know it?
01:11:48And if you have, it is your living.
01:11:52Aye, it is.
01:11:54It is my living.
01:11:56These streets are my own,
01:11:58and you're the wretch that drove me to them long ago.
01:12:01And that'll keep me there day and night,
01:12:04day and night, day and night!
01:12:06I'll show you that, if you say much more.
01:12:10No!
01:12:12No!
01:12:13No!
01:12:18No!
01:12:26No!
01:12:51That's the worst of having to deal with women, my dears,
01:12:53but they're clever, and we can't get on in our line without them.
01:12:55Dodger, show Iver to bed.
01:12:57He hadn't better wear his best suit tomorrow, had he, Faye?
01:12:59Certainly not.
01:13:00The Dodger shall give you another suit, my dear,
01:13:02for fear that Sunday one shall get stolen.
01:13:24Well, Mrs. Bedwin?
01:13:26I'm afraid he's lost his way, sir.
01:13:28You mean he never went there, eh?
01:13:30There you are. The boy's an imposter.
01:13:32It can't be. It can't be!
01:13:34What do you mean, it can't be?
01:13:36You old women never believe anything but quack doctors and lying storybooks.
01:13:41He was a dear, grateful, gentle child, sir.
01:13:44I know what children are and have done these 40 years,
01:13:47and people who can't say the same shouldn't say anything about it.
01:13:50And people who can't say the same shouldn't say anything about them.
01:13:53That's my opinion.
01:13:56That'll be all, Bedwin.
01:14:12Well?
01:14:14I'll take the liberty, if you'll allow me,
01:14:17of helping us both to a glass of sherry.
01:14:43...
01:14:49...
01:14:57...
01:15:01...
01:15:06...
01:15:09in any way.
01:15:12It would just help the break of night.
01:15:17From Campbell and Green are the stars in the night.
01:15:22From Campbell and Green are the stars in the night.
01:15:28Now in the dark you're sure to meet
01:15:31with naughty girls from all over the world.
01:15:35They'll want you real buzzed close.
01:15:37We'll stare and whisper softly.
01:15:40Good night, my dear.
01:15:42They'll call you dear.
01:15:44They'll call you love.
01:15:46You'll feel it too like a turtle dove.
01:15:50But they'll diddle you out of your casual robe.
01:15:54From Campbell and Green are the stars in the night.
01:16:01Lie down, will you, you stupid brute?
01:16:04Don't you know the devil when he's got a great coat on?
01:16:09Ah, Nancy.
01:16:11Well?
01:16:12Well, my dear.
01:16:14It's about the crib at Chertsey.
01:16:16Well, what about it?
01:16:17You know what I mean, my dear.
01:16:18He knows what I mean, Nancy, don't he?
01:16:20No, we don't.
01:16:22And don't stand there talking to me and Ince
01:16:25as though you weren't the first one
01:16:27to talk about the robbery.
01:16:29Somebody will hear us.
01:16:30Well, let them hear. I don't care.
01:16:32There, there, my dear.
01:16:33It was only my caution, nothing more.
01:16:36Now, Bill, I've got the boy.
01:16:38You can...
01:16:41What's the matter?
01:16:42I don't know whether she might be out of sorts as she was before.
01:16:46Go on, Fink, and tell him it's Oliver.
01:16:48Ah, you're a clever one, my dear.
01:16:50The sharpest girl I ever saw.
01:16:52It was about Oliver I was going to speak.
01:16:55Him?
01:16:56Yes, Bill.
01:16:57It's time he began to earn his bread.
01:16:59Besides, the others are all too big.
01:17:01He's about the size of a wolf.
01:17:03And will do everything you want if you frighten him enough.
01:17:06When's it to be done?
01:17:08Ah, there is your...
01:17:10When is it to be done, eh?
01:17:19Tomorrow night.
01:17:20Good.
01:17:21It's all arranged about bringing off the swag.
01:17:24It's all planned.
01:17:25Now, you hold your tongue and keep your melting pot ready.
01:17:28That's all you have to do.
01:17:30Now, leave us alone, will you?
01:18:00What's the news?
01:18:15Great.
01:18:16So is mine.
01:18:17May I introduce to you a charming young singer
01:18:20who's never appeared in public before.
01:18:23Miss Lucy Willow.
01:18:30This morning early
01:18:32My melody was such
01:18:35I in my tea took brandy
01:18:39And I took a drop too much
01:18:51But stop, I must not wag my head
01:18:54My head aches if you please
01:18:57A pinch of Irish flag on
01:19:00I'll take to give me ease
01:19:07This is the only proof of the boy's identity.
01:19:10So I've got the young devil's money at last.
01:19:13Now you can do what you like with him.
01:19:15Get him hauled up for some felony,
01:19:17drag him through every jail in town.
01:19:19It's not easy to train him to the business.
01:19:21That's your affair.
01:19:22If, um, it's not likely mine,
01:19:25but if the worst should come to the worst.
01:19:28It's no fault of mine. Mind that, Fagin.
01:19:30I had no hand in this.
01:19:47In a mood for crying
01:19:50Care's a silly car
01:19:53It's to get past your trying
01:19:57Then my way's to love
01:20:07Get out!
01:20:08Get out!
01:20:16My old pal and me goes inviting
01:20:21Like all the neighbourhoods now
01:20:25Oh yes, one with him, don't he?
01:20:28Yes, one with me, then we comes to blow
01:20:35He ain't got nowhere to stop
01:20:39He likes his bra up to the block
01:20:44But if you hear him all over the shop
01:20:48Cause he don't know where he's gone
01:20:53Look at the drunkards of London
01:20:57Flying all over the place
01:21:02There isn't a doubt
01:21:04It's a lovely look out for the human race
01:21:11He ain't got nowhere to stop
01:21:17He likes his bra up to the block
01:21:22But if you hear him all over the shop
01:21:26Cause he don't know where he's gone
01:21:40Are you awake?
01:21:43What's the matter?
01:21:44Listen carefully, my dear.
01:21:46I want you to do a piece of work for me that needs great care and caution.
01:21:50What is it?
01:21:51I want you to dodge a woman.
01:21:53I won't do that.
01:21:56What do you want me to dodge her for?
01:21:59Not to do anything, but to tell me where she goes, who she sees, and what she says,
01:22:06and to bring back all the information you can.
01:22:10Who is she?
01:22:12One of us.
01:22:18What will you give me?
01:22:20If you do it well, my dear.
01:22:23A guinea.
01:22:26One guinea.
01:22:28And that's what I never gave you for such a pleasant piece of work.
01:22:51Barclays for me, Bill.
01:22:54Here.
01:22:55The persuader.
01:22:57I got him.
01:22:58Ciscrite, keys, center bits, darlings.
01:23:01Nothing forgotten.
01:23:03You take the crowbar.
01:23:15Take heed, he's a rough man.
01:23:18Mind.
01:23:22What's that?
01:23:23The boy.
01:23:24Oh.
01:23:25One of Mr. Feigin's lads.
01:23:31It's cold, Nancy dear.
01:23:33It seems to go right through one.
01:23:35It must be a piercer to find its way through your heart.
01:23:39Come here, young'un.
01:23:41Come here!
01:23:43Come here!
01:23:47Do you know what this is?
01:23:49Yes, sir.
01:23:50Well, if you speak a word when we're outside,
01:23:53you'll get a bullet through your head without warning.
01:23:56So if you do make up your mind to talk,
01:23:59you'd better say your prayers first.
01:24:03Now then, look sharp.
01:24:05We're late as it is.
01:24:09Come on.
01:24:13Come on.
01:24:43Come on.
01:25:13Come on.
01:25:43Come on.
01:25:44Come on.
01:25:45Come on.
01:25:46Come on.
01:25:47Come on.
01:25:48Come on.
01:25:49Come on.
01:25:50Come on.
01:25:51Come on.
01:25:52Come on.
01:25:53Come on.
01:25:54Come on.
01:25:55Come on.
01:25:56Come on.
01:25:57Come on.
01:25:58Come on.
01:25:59Come on.
01:26:00Come on.
01:26:01Come on.
01:26:02Come on.
01:26:03Come on.
01:26:04Come on.
01:26:05Come on.
01:26:06Come on.
01:26:07Come on.
01:26:08Come on.
01:26:09Come on.
01:26:10Come on.
01:26:12Sir?
01:26:13You come in consequence of having seen my advertisement?
01:26:16Not here, sir. I'm afraid to speak.
01:26:19Down the steps.
01:26:30Why do you bring me to this dark and dismal place?
01:26:33Because there are those who would surely murder me if they knew I was here tonight.
01:26:37Young woman, if you have any intelligence of this poor child, in heaven's name, put me in possession of it.
01:26:45Do you know a man named Monks?
01:26:47Monks? What do you know of this man?
01:26:51Oh, before I tell you, sir, have I your promise that my secret will be strictly kept?
01:26:56I'll not turn on the others because, bad as they are, they never turn on me.
01:27:00Have I your promise for that?
01:27:02You have.
01:27:03And nobody will ever learn how you know what you do?
01:27:06Never.
01:27:10Some time ago, soon after Oliver was taken from your house in Pentonville,
01:27:15I saw this man, Monks, for the first time.
01:27:18And the other day, I saw him again.
01:27:21He came to a place I know called...
01:27:34Shhh...
01:27:58There, take care of that and do the most you can with it.
01:28:01It's been trouble enough to get.
01:28:16What are you looking at me like that for?
01:28:21He's gone mad.
01:28:23I've got that to tell you will make you worse than me.
01:28:27Aye?
01:28:28Well, look sharp or Nance will think I'm lost.
01:28:30Lost? She's pretty well settled that in her own mind already.
01:28:35Open your mouth and say what you've got to say in plain words.
01:28:39Suppose that lad that's lying there...
01:28:41Well?
01:28:42Suppose that lad was to peach, to blow upon us all,
01:28:45first stealing out at night to find the right folks for the purpose,
01:28:49then having a meeting with them in the streets,
01:28:51not grabbed, trapped, tried and brought to it on bread and water,
01:28:56but if his own fancy do you hear me, suppose he did this, what then?
01:28:59What then? I'd smash his head in.
01:29:01What if I did it, I that know so much and could hang so many besides meself?
01:29:06I'd beat your brains out.
01:29:08You would?
01:29:09Charlie.
01:29:10If it was Charlie or the Dodger or...
01:29:13No matter who, I'd do the same.
01:29:16Dodger. Dodger.
01:29:20Poor lad. He's tired.
01:29:25Tired with watching for her so long.
01:29:30With watching for her, Bill.
01:29:36What are you waiting for?
01:29:38With watching for her, Bill.
01:29:44What do you mean?
01:29:46Dodger. Dodger.
01:29:49Tell me that again, once again, just for him to hear.
01:29:53Tell you what?
01:29:54That about Nancy.
01:29:59What about her?
01:30:00You followed her?
01:30:01Yes.
01:30:02To London Bridge?
01:30:04Yes.
01:30:05Where she met a gentleman?
01:30:06So she did.
01:30:07A gentleman she'd gone to of her own accord who asked her to give up her pals, which she did.
01:30:12Well, she...
01:30:13She did all this.
01:30:14She told it all, every word, without a threat, without a murmur.
01:30:18She did, did she not?
01:30:20All right. That's just about what it was.
01:30:23What did she say about the boy?
01:30:25I told you that before.
01:30:26Again. Tell it again.
01:30:28Well, he asked her why she hadn't brought Nolly with her.
01:30:32Why? Why? Tell him that.
01:30:35Because he'd got her on a job with him.
01:30:38More of him. Tell him that. Tell him that.
01:30:41Why? That she'd bring him to London Bridge tomorrow, midday.
01:30:47Yes. Why?
01:30:49Because he'd be asleep.
01:30:51She made me laugh when she said it.
01:30:54Said what?
01:30:55That she was going to give him a drink of laudanum.
01:31:00Let me out of here.
01:31:06Bill. Bill.
01:31:16Bill.
01:31:17Don't speak to me. It's not safe.
01:31:19You won't be...
01:31:20Let me out.
01:31:21You won't be too violent, Bill.
01:31:23I mean not too violent for safety.
01:31:35Get up.
01:31:57Get up.
01:32:02How it's you, Bill.
01:32:05Get up.
01:32:10There's light enough for what I've got to do.
01:32:13Why are you looking at me like that?
01:32:20Oh, no. No. No.
01:32:23Bill. Bill. Bill.
01:32:26Speak to me. What have I done?
01:32:29You were watched tonight.
01:32:31Every single word you said was heard.
01:32:38Oh, I've been true to you.
01:32:40On my soul I have.
01:32:42Give me time.
01:32:43Let me out.
01:32:44Help.
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01:39:47Where is Oliver Trisch?
01:39:49I know nothing of him.
01:39:51We shall see.
01:39:57Sit down.
01:40:13How do you do, sir.
01:40:14Thank you, sir. I hope you are well.
01:40:20Take him away!
01:40:21Idiot!
01:40:24It only remains for me to tell you that neither of you will ever be employed in a position of trust again.
01:40:30You may go.
01:40:32Fool!
01:40:38I hope, sir, that this unfortunate little circumstance will not deprive me of my parochial office.
01:40:43Indeed it will. And think yourself well off, besides.
01:40:47It was all Mrs. Bumble. She would do it.
01:40:50That is no excuse. You were present at the sale of the locket, and indeed are the more guilty of the two in the eye of the law,
01:40:57for the law supposes that your wife acts under your direction.
01:41:01If the law supposes that, then the law is a ass! A idiot!
01:41:06If that's the eye of the law, then the law is a bachelor.
01:41:10And the worst I wish the law is that his eye may be opened by experience.
01:41:15By experience!
01:41:37It's Charlie!
01:41:43It's all up!
01:41:44What's the matter?
01:41:45They've got scouts out everywhere!
01:41:50Now, what's the news?
01:41:52They've nabbed Monks.
01:41:55And Sykes? What about him?
01:41:57They say he'll be took tonight. They're looking for his dog.
01:42:01A fool.
01:42:23Come here, will ya!
01:42:25Come here, will ya!
01:42:55Come here!
01:43:26Take him away!
01:43:35The dog!
01:43:36Follow the dog!
01:43:55Follow the dog!
01:43:58Follow the dog!
01:44:04What's happened?
01:44:05It's the dog! They've got his dog!
01:44:07Yes!
01:44:25Don't leave us in the dark!
01:44:55Who is it?
01:45:21What are you gonna do?
01:45:23Sell me or let me lie here till the hunt's over.
01:45:26We're in this together, Fagin.
01:45:29Lock her.
01:45:53Get me a drink.
01:46:24Get me a drink, will ya!
01:46:28Fagin!
01:46:53Blast you, can't you say something?
01:47:23Don't you know me, Dodger?
01:47:28Don't come near me.
01:47:30I'm not afraid of him.
01:47:32If they come here, I'll give him up.
01:47:35I will.
01:47:36You what?
01:47:54Come here!
01:47:55Get back!
01:48:21What?
01:48:22They're here.
01:48:37Get that table, will ya!
01:48:48Ow!
01:48:49Ow! Ow!
01:48:51He's hurt!
01:49:05Fagin!
01:49:12In the king's name!
01:49:14In the king's name!
01:49:20They've gone out over the roof.
01:49:24I'll teach you yet!
01:49:38Darren.
01:49:39They're coming with me.
01:49:41Get me a rope.
01:49:42Come here!
01:49:44Get me a rope!
01:49:45Get me a rope!
01:49:46Get me a rope!
01:49:48In the king's name!
01:49:50In the king's name!
01:50:00In the king's name!
01:50:12Don't go without me!
01:50:17What right have you to butcher me?
01:50:47Get close to me, young'un.
01:50:54It's Reagan!
01:50:57It's Reagan!
01:51:00It's Reagan!
01:51:03It's got Reagan!
01:51:06It's got Reagan!
01:51:09It's Reagan!
01:51:19You're on the stick!
01:51:40You're on!
01:51:42It's Reagan!
01:51:45It's Reagan!
01:52:09It's Reagan!
01:52:13It's Reagan!
01:52:19Get in round!
01:52:22It's a revenge!
01:52:28Fifty pounds for the man who rescues the boy!
01:52:35Get in round!
01:52:48Help!
01:52:50Help!
01:53:03It's Reagan!
01:53:13We've got the boy, sir.
01:53:15We've got the boy!
01:53:45He's come back, sir.
01:54:10I knew he would.
01:54:39It's Reagan!
01:54:40It's Reagan!
01:54:41It's Reagan!
01:54:42It's Reagan!
01:54:43It's Reagan!
01:54:44It's Reagan!
01:54:45It's Reagan!
01:54:46It's Reagan!
01:54:47It's Reagan!
01:54:48It's Reagan!
01:54:49It's Reagan!
01:54:50It's Reagan!
01:54:51It's Reagan!
01:54:52It's Reagan!
01:54:53It's Reagan!
01:54:54It's Reagan!
01:54:55It's Reagan!
01:54:56It's Reagan!
01:54:57It's Reagan!
01:54:58It's Reagan!
01:54:59It's Reagan!
01:55:00It's Reagan!
01:55:01It's Reagan!
01:55:02It's Reagan!
01:55:03It's Reagan!
01:55:04It's Reagan!
01:55:05It's Reagan!
01:55:06It's Reagan!
01:55:07It's Reagan!
01:55:08It's Reagan!
01:55:09It's Reagan!
01:55:10It's Reagan!
01:55:11It's Reagan!
01:55:12It's Reagan!
01:55:13It's Reagan!
01:55:14It's Reagan!
01:55:15It's Reagan!
01:55:16It's Reagan!
01:55:17It's Reagan!
01:55:18It's Reagan!
01:55:19It's Reagan!
01:55:20It's Reagan!
01:55:21It's Reagan!
01:55:22It's Reagan!
01:55:23It's Reagan!
01:55:24It's Reagan!
01:55:25It's Reagan!
01:55:26It's Reagan!
01:55:27It's Reagan!
01:55:28It's Reagan!
01:55:29It's Reagan!
01:55:30It's Reagan!
01:55:31It's Reagan!
01:55:32It's Reagan!
01:55:33It's Reagan!
01:55:34It's Reagan!
01:55:35It's Reagan!
01:55:36It's Reagan!