Photojournalist Bo and his girlfriend Angie are captured and falsely imprisoned in Colombia. Colombia.
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Short filmTranscript
00:00:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:00:30This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:30I wish so. We got us a problem, Holmes. I don't mind paying a little extra for China White, but what is this shit?
00:01:39Hey. Hey, hey. What the fuck's that, man?
00:01:54It's a goddamn cowboy.
00:01:56Let's waste him.
00:01:57No, no. Be cool, man. Be cool. Look, we come here to get away from people, right?
00:02:01We waste this dude, we get into high profile. Besides, we can't waste no cowboy. It's un-America.
00:02:08What are we supposed to do? Set up a goddamn roadblock? He'll be here any minute.
00:02:11Just cool out, man. Let me handle this.
00:02:21We could have fun.
00:02:28Evening.
00:02:30Howdy.
00:02:32I was camping out up there on the ridge, and I happened to see your lights. I thought maybe you folks could use some help.
00:02:38Do we look like we need help, asshole?
00:02:41Well, no offense, partner. I mean, people do get stuck out here from time to time.
00:02:48Forget my friend, partner. His mama never taught him no manners.
00:02:53Hey, you leave my goddamn mama out of this.
00:02:55What my friend means, partner, is we like to do a little camping out here ourselves.
00:03:01Nothing like that good, clean mountain air.
00:03:05Yeah. Camping, huh?
00:03:08How about that, huh?
00:03:10Yes, sir.
00:03:12Well, I reckon I'll just get moving on.
00:03:17You boys get to it, huh?
00:03:19Oh, by the way, you could do me a favor.
00:03:24Sure, partner. What is it? You need some cigarettes, a little whiskey?
00:03:27No, no, no, no, no, no. That's not exactly what I had in mind.
00:03:31I just thought maybe you'd tell those boys over there to drop their guns nice and easy.
00:03:36Now you hear me, son?
00:03:37What the fuck is this?
00:03:39Well, I think you city boys call it a bust.
00:03:42I like to call it a simple old country arrest.
00:03:45Hey, Holmes, you don't understand.
00:03:48These dudes are crazy.
00:03:52Hey, don't let anybody move.
00:03:54Drop your guns.
00:03:55Say goodbye, cowboy.
00:03:57Chris, no!
00:04:09Good job, Jethro.
00:04:11Any evidence intact?
00:04:12Yeah.
00:04:13Believe you boys can take it from here.
00:04:15I got some unfinished business to tend to.
00:04:18What are you talking about?
00:04:20This is the best bust we've had all year.
00:04:23You've got to come back to Phoenix.
00:04:25The governor will be there.
00:04:27I'll give him my best.
00:04:31And by the way, Errol, take care of my horse.
00:04:39Damn it, Jethro, the press will be there.
00:04:41What am I going to tell them?
00:04:50I don't know.
00:05:21Hold it!
00:05:26Thought you were going to get away with it now, didn't you?
00:05:29Oh, Dad.
00:05:33Ain't no way you're getting out of here
00:05:35without giving your old man a kiss goodbye.
00:05:38You know, I don't exactly approve of this,
00:05:41so you better take care of my little girl here
00:05:44or you're going to have to answer to me.
00:05:47You better take care of my little girl here
00:05:49or you're going to have to answer to me.
00:05:51I'll make sure she gets home safe, I promise.
00:05:54You two better get. You're going to miss that airline.
00:05:56Now go on.
00:05:57Okay, we'll call you when we get there, okay?
00:05:58All right, come on.
00:05:59Come on, Dad.
00:06:00Take care of yourself.
00:06:01Bye.
00:06:18Incoming passengers,
00:06:19please present your passports at the custom counter.
00:06:31Incoming passengers,
00:06:32please present your passports at the custom counter.
00:06:48Huh?
00:06:59Passports.
00:07:02Hello, officer.
00:07:03Major Rovers at your service.
00:07:05I am the administrator of this district.
00:07:08You on vacation?
00:07:10No, we're working for a magazine.
00:07:12Ah. You're a journalist, then?
00:07:15Well, yes, we're on assignment for International Tempo.
00:07:17We're down here doing a picture story
00:07:19on a medical mission in Yagua.
00:07:23Dr. Burton's clinic.
00:07:25The good doctor does wonderful work for our poor people.
00:07:29Please pass on my best regards to her when you see her.
00:07:33I hope you have a wonderful stay in our good country.
00:07:36Thank you.
00:07:40Gracias.
00:07:41Gracias.
00:07:44Well, if you will excuse me, duty calls.
00:07:52Thank you. Gracias.
00:08:00No, thank you.
00:08:03You know, I think Major Rovers is a nice guy.
00:08:06I mean, I think that we could really depend on him.
00:08:08He could help us out.
00:08:09Yeah, I think he personally kind of had something for you there, girl.
00:08:12Well, I had something for him, too, you know.
00:08:14Taxi? Taxi?
00:08:16Oh, sure.
00:08:17Yeah.
00:08:18Thank you.
00:08:19Thanks, Doc. It's okay.
00:08:21Don't do anything about it. Don't drink.
00:08:34What have you learned?
00:08:51Soon you will tell us all that we wish to know.
00:08:57Take him to the clinic.
00:08:59The usual treatment.
00:09:21Are you getting anything out of the English kid?
00:09:23Not yet.
00:09:24Oh, God damn it, Alvarez.
00:09:26That kid was sent down here to deal with someone, and it wasn't us.
00:09:29I want the name.
00:09:31A little patience, my friend.
00:09:34The boy is on his way to the central clinic right now.
00:09:37By the time they finish with him there,
00:09:39he will give us his little sister.
00:09:42You pay the families millions for this concession.
00:09:45Now, I don't want the little sister.
00:09:47Now, I don't want the little sister.
00:09:49I want the name of the mother who's dealing behind us.
00:09:53Watch out.
00:09:59Yeah.
00:10:02Angie, honey, is that you?
00:10:04Well, honey, I didn't think I'd hear from you until tomorrow.
00:10:08Honey, I didn't catch that.
00:10:10I said that we just got in a little while ago.
00:10:14No, the trip was fine.
00:10:16What?
00:10:17Is that Yankee boy treating you well?
00:10:19Of course he is.
00:10:21Daddy, we love each other.
00:10:23We're deliriously happy.
00:10:25I can't call you for a few days because we're going to the country.
00:10:28Hello?
00:10:30Daddy?
00:10:32Um, okay.
00:10:35Oh, I know, the lines are terrible.
00:10:37I love you.
00:10:38Okay, bye.
00:10:47Oh.
00:10:50So, did you get through?
00:10:51Ah, barely.
00:10:52I had to try three times and still, I could hardly.
00:10:57How does the menu look?
00:10:58You sure you want to know?
00:11:01It can't be that bad.
00:11:03Well, how does Hot Flaming Chili Chicken Feet sound to you?
00:11:07Let me see the menu, please.
00:11:09Thank you.
00:11:12This is, uh, aro con pollo.
00:11:15Chicken with rice.
00:11:18I flunked Spanish in high school.
00:11:20So did I.
00:11:22Let's get two.
00:11:23Ya.
00:11:24Okay.
00:11:25Oh, look, there's that nice major opera.
00:11:28Gracias.
00:11:30She's here.
00:11:31Who?
00:11:37The road is good.
00:11:38The roads to Yagua are often impassable.
00:11:41Forgive me.
00:11:42I do not wish to interrupt, but I could not help overhearing you.
00:11:46And perhaps I could be of some assistance to you.
00:11:49Now, you said the road to Yagua is sometimes impassable?
00:11:52Unfortunately, the area around Yagua is often plagued by bandidos.
00:11:57Bandits?
00:11:58Si.
00:11:59Desperate men.
00:12:00Criminals.
00:12:02Army deserters from three countries.
00:12:05There have often been reports of murder, rape, robberies.
00:12:09Well, what are we going to do?
00:12:12I insist on providing you with an escort.
00:12:15I don't know.
00:12:16I think it's a really good idea.
00:12:18I insist.
00:12:21I would never forgive myself if any harm were to come to such a lovely young lady.
00:12:26Yeah, well, if you feel it's necessary.
00:12:28It is settled, then.
00:12:30Sergeant Garcia will meet you here in the morning.
00:12:32Great.
00:12:33And now I have kept you from your dinner long enough.
00:12:36So if you will excuse me, may I wish you a pleasant journey.
00:12:41Signora.
00:12:42Signorita.
00:12:44Buenas noches.
00:12:50What?
00:12:51He's sweet.
00:12:53Yeah, he...
00:12:54He had a clean focus on your breasts, okay?
00:12:58Really?
00:12:59Yeah.
00:13:00Really.
00:13:04You are a very stupid boy.
00:13:09Why do you not tell me now where you get these nasty drugs?
00:13:16I don't know nothing about no drugs.
00:13:19Stupid boy.
00:13:21Why don't I tell you?
00:13:22There was this guy.
00:13:24He promised me a big skull.
00:13:26How big?
00:13:28A hundred kilos.
00:13:29I was only going to run a few rounds.
00:13:32I was only going to run a few samples to Miami.
00:13:34I was supposed to call somebody when I got there.
00:13:37Whom were you supposed to call?
00:13:39I don't know his name.
00:13:41It's just his number.
00:13:42It's written on my plane ticket.
00:13:44This man who made these supposed arrangements.
00:13:47You have his name.
00:13:49I don't know his name.
00:13:51I don't know his...
00:13:53Perhaps I can help you to remember his name.
00:14:02No!
00:14:32Oh, Comandante.
00:14:44I did not expect to see you here so late.
00:14:47What have you learned from the boy?
00:14:50He was approached by a man who ordered a large deal
00:14:54that he would call your samples to Miami.
00:14:57She did not lie.
00:14:59Idiot!
00:15:02What have you done with the boy?
00:15:04I told you no harm was to come to him.
00:15:06There was an unexpected difficulty.
00:15:08What difficulty?
00:15:10Let me see him.
00:15:12I have made only the slightest of incisions as you told me to do.
00:15:16He has a weak heart.
00:15:31Poor man.
00:15:37We have been watching this one for some time.
00:15:40Waiting for him to make his move
00:15:42in order that we could establish his contacts.
00:15:46And you...
00:15:48You have killed him.
00:15:53I want to know everything he has told you.
00:15:58Every single word.
00:16:06This is the jeep we're supposed to take?
00:16:09This thing probably won't even start.
00:16:11Come on, the manager of the hotel said some old lady owned it
00:16:14and she just drove it to revolutions.
00:16:16What about our escort?
00:16:18Screw him.
00:16:19If he's not going to be here on time, we're going without him.
00:16:22I don't think that's a very good idea.
00:16:25Do you honestly believe the bullshit about the bandits?
00:16:27Well, why would Alvarez lie to us?
00:16:30Alvarez is an actor, okay?
00:16:32He does that to impress you, honey.
00:16:34I don't think there's any bandits
00:16:36and I honestly don't think there's a Mr. Garcia either.
00:16:38Can we go now?
00:16:40All right.
00:16:42I'd like to see this thing get us out of town.
00:16:47Oh, no!
00:16:56Here, let me look.
00:16:58I was turning on tractor engines before I was 12.
00:17:01Let me see.
00:17:04This is very simple.
00:17:06Now let's try it.
00:17:12Are you crazy?
00:17:14You could have cut my fingers off.
00:17:19You must be our escort.
00:17:22You must be our escort.
00:17:25We go to Yagua.
00:17:27Now.
00:17:29Come.
00:17:31Let's go.
00:17:33This thing runs?
00:17:44You don't take a break soon.
00:17:46You'll be a patient yourself.
00:17:48That could present a problem,
00:17:50seeing as you're the only doctor
00:17:52for a couple of hundred square miles.
00:17:54So what do you suggest?
00:17:56Let Anita here see the rest of the patients.
00:17:58You take a break for some coffee and a rest.
00:18:00Well, look, there's nothing here that she can't handle.
00:18:02All right, you're the boss.
00:18:04And don't you forget it.
00:18:06Morning, Bob.
00:18:08The Foundation started this clinic
00:18:10to save the Indians, not kill off doctors.
00:18:12My orders are to bring you back alive.
00:18:16How could that be?
00:18:18Ah, that's probably the journalist.
00:18:20What journalist?
00:18:22From Tempo International.
00:18:24They're doing a story on you, didn't I tell you?
00:18:26You certainly did not.
00:18:28Where are you going, Myra?
00:18:30Look, if I'm too tired to see my patients,
00:18:32I'm certainly too tired to see a writer
00:18:34from some banal pop magazine.
00:18:36All right, don't see him.
00:18:38But when the funds for this mission run out,
00:18:40don't you come bitching to me about it.
00:18:42What do you mean?
00:18:45This mission relies on public funding.
00:18:47If the public don't know we're here,
00:18:49no funds, no funds, no medicines,
00:18:51no surgical supplies, nothing.
00:18:53Poor chief.
00:18:55Must be terrible having to put up with you.
00:18:59What's his name?
00:19:01Budford Johnson.
00:19:03Johnson?
00:19:05The girl's his assistant, Angela Lincoln.
00:19:07My goodness me, but they're just babies.
00:19:09Well, maybe we're just getting a bit older, Doctor.
00:19:12Hi.
00:19:14I'm Myra.
00:19:16Angie Lincoln.
00:19:18Hi, Angie.
00:19:20How good of you to come all this way.
00:19:22Thank you both.
00:19:24You know, your timing's perfect.
00:19:26We're just about to have coffee.
00:19:28Wouldn't be cheaper.
00:19:30Great.
00:19:32Give me that.
00:19:34Thank you.
00:19:36Thank you.
00:19:42That's fine.
00:19:48I suppose you'll want to do the usual.
00:19:50Sick babies, the need for funds.
00:19:52There's been a lot of articles
00:19:54about medical missionaries.
00:19:56Seems to me like they've been removed
00:19:58from the experience of the average person.
00:20:00I'd like to do something
00:20:02a little more intimate.
00:20:04Myra, I think what Bo is trying to say
00:20:06is that we would like to do
00:20:08something that's different.
00:20:10Something that's important to you.
00:20:12That's a good answer, but do you mean it?
00:20:14Yeah. Of course we mean it.
00:20:16Well, there is a story here
00:20:18that needs to be told to the world.
00:20:20I'd like you to tell it.
00:20:22Well, let us know.
00:20:24When will your driver return?
00:20:26Uh, not until tomorrow afternoon.
00:20:28Good. Can you take pictures in low light without a flash?
00:20:30I got some high-speed stock I can push.
00:20:32Great.
00:20:34I was hoping you'd say something like that.
00:20:40Hey, Jethro.
00:20:42Ma'am.
00:20:44Mr. Jackson.
00:20:52Hey, Oz.
00:20:54Jethro.
00:20:56Hey, you heard from Angie yet?
00:20:58Yeah.
00:21:00They called last night from...
00:21:02from, uh, Colombia.
00:21:04Colombia?
00:21:06Some medical missionaries.
00:21:08Colombia?
00:21:10Uh-huh.
00:21:12I bet you know the place.
00:21:14Jaguar.
00:21:16Oh, it's a lovely place.
00:21:18Spiders as big as your fist.
00:21:20Yeah, you flew over there, too.
00:21:22Jesus, you know that.
00:21:24I have flown my old bird
00:21:26every place in the world.
00:21:28Let me think a minute.
00:21:30Colombia.
00:21:32All of a sudden, you're too old
00:21:34and you're flying fed up, too.
00:21:36Well, I guess you can tell us about it later.
00:21:38I will.
00:21:44Bye, you guys.
00:21:46Bye.
00:21:48Bye now.
00:21:56Listen up, little man,
00:21:58because I'm only going to say this once.
00:22:00You get into that car and you drive down to the bank.
00:22:02You know, there where you keep all the money.
00:22:04Yerrick, do it yourself!
00:22:06Velma, honey, you know I can't do that.
00:22:08Oh, you'll do it.
00:22:10The little lady's going to get in Yerrick.
00:22:18Don't try anything funny.
00:22:20I'm going to be right behind you.
00:22:22So remember, no funny stuff.
00:22:28How did you know?
00:22:30Something about these two just didn't look right to me.
00:22:32To you?
00:22:34What do you mean, he's dead?
00:22:38He was a drug addict with a weak heart.
00:22:40The interrogation was too much.
00:22:42Oh, well, that's just great.
00:22:44You know what leaves us?
00:22:46Well, I guess it's all my fault.
00:22:48Leaving you alone down here,
00:22:50too much of everything,
00:22:52cars, money, pussy,
00:22:54every time I set brains.
00:23:02I have already told you,
00:23:04my men are working
00:23:06on identifying the competitor.
00:23:08Your men couldn't identify their own shit
00:23:10if they stepped in it.
00:23:12Now, I'm warning you,
00:23:14you sawed-off little putz.
00:23:16The family's known for months that someone's been skimming
00:23:18pure cocaine from your factory.
00:23:20Impossible.
00:23:22Oh, what the fuck do you know, Alvarez?
00:23:24You spend all your time searching for the perfect pair of tits.
00:23:26Now I'm warning you, drop this bullshit!
00:23:28You...
00:23:30I have said enough,
00:23:32my friend.
00:23:34If we don't get to the bottom of this fast,
00:23:36you are out, and my ass is in a sling.
00:23:40Me?
00:23:42The Comandante?
00:23:44Out?
00:23:46With all my friends
00:23:48in the capital?
00:23:50Your friends will chop you up
00:23:52for dog's meat.
00:23:54Come on, Alvarez.
00:23:56Let's find a pair to rip off our coca.
00:24:00Whoever stole the shit
00:24:02can't move it until the buyer
00:24:04verifies the quality.
00:24:06That is why we needed the English kid.
00:24:08We have to identify the buyer
00:24:10and neutralize him.
00:24:12Somebody else will have to make the run
00:24:14in the kid's place.
00:24:16But who?
00:24:18Leave that to me.
00:24:20In the meantime,
00:24:22you check out who is ripping off our cocaine.
00:24:24That should not be very difficult
00:24:26for you to do.
00:24:30Even if it is one of my own men,
00:24:32he will die
00:24:34the hard way.
00:24:52Aren't they wonderful?
00:25:06Who are they?
00:25:08They call themselves
00:25:10the people God made first.
00:25:12I discovered them completely by accident.
00:25:14Oh, my God.
00:25:16This is the story you must tell.
00:25:18They are the last of their kind.
00:25:20The world needs to know
00:25:22that they exist before they are destroyed.
00:25:24Destroyed?
00:25:26Why would they be destroyed?
00:25:28You do this quite right.
00:25:30For standing in the way of progress.
00:25:32This talk of putting a road
00:25:34through this forest.
00:25:36Part of some developing program.
00:25:38They will never permit that.
00:25:42Will they ever come during the day?
00:25:44No, we would have to go to them.
00:25:46But I think they trust me enough.
00:25:48Is that better?
00:26:00Thank you.
00:26:08Well, this is definitely a feature story.
00:26:10It is better than a feature story.
00:26:12This is a book.
00:26:14Just think about it.
00:26:16A book.
00:26:20I never realized how beautiful
00:26:22this place was.
00:26:28Can I take these from you now, please?
00:26:34Why?
00:26:36Would the writer like
00:26:38a little attention?
00:26:40Yeah.
00:26:44A lot of attention.
00:26:46Thank you.
00:27:12You become very attached to them, haven't you?
00:27:14They are a breath of fresh air, aren't they?
00:27:16You were right as usual. Thanks for inviting them.
00:27:18They are so excited about coming back.
00:27:20I am not so sure
00:27:22that that is a good idea.
00:27:24Why?
00:27:26So far the authorities have tolerated us
00:27:28because we have remained completely detached
00:27:30from their politics.
00:27:32Drawing attention to this Indian thing
00:27:34could be very damaging to us.
00:27:36Shiva, taking photographs can hardly be construed
00:27:38as a dangerous political act.
00:27:40Maybe not.
00:27:42But why are they being driven around
00:27:44by the personal bodyguard
00:27:46of the provincial military commander?
00:28:02Well, Garcia, it's been a real festival.
00:28:04And listen, if you're ever out of work,
00:28:06I got this great cab company in Jersey.
00:28:08They might hire you.
00:28:10Come on, tiger.
00:28:12I can't think about that.
00:28:26I'm taking a shower.
00:28:30Oh, my God, hot water.
00:28:32I can't wait.
00:28:34Why don't you come take a shower with me, bro?
00:28:36Okay.
00:28:38Make it later.
00:28:42Bo?
00:28:44Come on in. It feels great.
00:28:48Come take a shower with me.
00:28:52Angie, don't!
00:29:04Bo? Bo, did you...
00:29:06Ah! Ah!
00:29:08Ah!
00:29:10Don't! Let me go!
00:29:12Bo!
00:29:14Bo!
00:29:16No! Let me go!
00:29:20Bo?
00:29:22What do you want?
00:29:36He hath a very fine
00:29:38latterly
00:29:40and two very fine
00:29:42latterly rows.
00:29:44Here he comes!
00:29:50I see you're in very fine voice
00:29:52tonight, General.
00:29:56When is your army coming
00:29:58to release your general,
00:30:00or are they all drunk?
00:30:02It's latterly
00:30:04red,
00:30:06and German is down here.
00:30:08Very fine general
00:30:10will grant an exclusive interview.
00:30:14There you are, General.
00:30:16Green goes to keep you company.
00:30:28Well, well, well,
00:30:30what brings you to our little chapel?
00:30:32Don't touch me, man, OK?
00:30:34I'm just trying to give you a hand.
00:30:36Don't touch me, crazy man.
00:30:38Crazy, is it?
00:30:40No, no, no, I'm not crazy.
00:30:42That's just an act I put on for the guards.
00:30:46Ah, I don't know, second thoughts.
00:30:48Maybe. Maybe you're right.
00:30:50Here, a cup of water.
00:30:56Welcome back to the land of the living.
00:30:58Here.
00:31:02Easy, lad, easy.
00:31:06Where the hell are we?
00:31:08San Ramos Prison.
00:31:10The armpit of hell.
00:31:12Allow me to introduce myself.
00:31:14I, uh,
00:31:16I'm General Hack Jones,
00:31:18lately of the counter-revolutionary
00:31:20armed forces of Nicaragua.
00:31:22That's what they got you in here for?
00:31:24Nothing quite so grand, I'm afraid.
00:31:26I believe the charge is
00:31:28public drunkenness and lack of funds.
00:31:30Now, a foreigner can be broke
00:31:32or drunk in this lovely land,
00:31:34but not both, not simultaneously,
00:31:36not at the same time.
00:31:38And what did they have you for?
00:31:40Man the hatch.
00:31:42Hey, come on!
00:31:44You can't keep me here! I want to see a lawyer!
00:31:46I say get away from there! Come on, get down.
00:31:50Don't pretend to be asleep.
00:31:52Don't pretend to be asleep.
00:32:00What is this disturbance, General?
00:32:04Jump kid passed out again.
00:32:06When am I going to get the right material I requested?
00:32:08I wish to register a formal protest
00:32:10with the Irish amb...
00:32:12the British ambassador,
00:32:14a man in my position.
00:32:16Tomorrow, General, tomorrow.
00:32:18Mañana.
00:32:22He will not trouble you for long.
00:32:24Call us when he wakes.
00:32:26The officers are...
00:32:28anxious to interrogate him.
00:32:38You better tell me what you've done
00:32:40to get those bloody interrogators so interested in you.
00:32:42Nothing!
00:32:44They broke into our room.
00:32:46What have they done with my girl?
00:32:52She has only the slightest bruises.
00:32:56She was quite unmanageable
00:32:58when they brought her in.
00:33:00It was necessary to sedate her.
00:33:10I am sorry for your pain, little one.
00:33:16How soon can she be moved?
00:33:18Tonight, if you wish, Comandante.
00:33:22Arrange it as soon as possible.
00:33:52What kind of grave can you do over here?
00:33:54You must mark it down so I can see.
00:33:56I must know who I'm beating for what.
00:33:58You must write precisely.
00:34:22Come on.
00:34:42Come on.
00:34:44Oh, no, Operator, please.
00:34:46Keep trying.
00:34:48No, this is a...
00:34:50This is an emergency.
00:34:52It's a matter of life and death.
00:34:54Please.
00:35:06Yeah, Jethro Lincoln.
00:35:10Hello?
00:35:18Hello?
00:35:42So, you are here to take photographs, huh?
00:35:44Huh?
00:35:46Of strategic military installations for the CIA.
00:35:48Yes?
00:35:50That's... That's funny.
00:36:02Stupid gringo.
00:36:04You will be shot if you do not cooperate with us.
00:36:06Please.
00:36:14What has he done?
00:36:16Why are you doing this?
00:36:18You do not know?
00:36:20No.
00:36:24Señorita, in our country,
00:36:26we do not take kindly to strangers
00:36:28seeking classified information.
00:36:32You think that Bo is a spy?
00:36:34I know this!
00:36:40You are out of your mind.
00:36:42We're here working for a magazine.
00:36:44And for this magazine,
00:36:46he needs military secrets?
00:36:50I don't understand.
00:36:54He works for International Tempo,
00:36:56and we're doing a story.
00:36:58International Tempo?
00:37:04If this is true,
00:37:06then we have been misinformed.
00:37:08Obviously.
00:37:12I beg your pardon.
00:37:18I will help him.
00:37:20But for this,
00:37:22I will need your complete cooperation.
00:37:24Anything.
00:37:26Anything.
00:37:34What are you going to do with him?
00:37:38Cooperate,
00:37:40and he will be on the next plane to Miami.
00:37:44For this, you have my word.
00:37:48Garcia.
00:37:50What are you taking me?
00:37:52To the airport. You are being expelled from the country.
00:37:54I'm not going anywhere without Angie. Where is she?
00:37:56She is safe.
00:37:58And she will stay that way if you do exactly as you are told.
00:38:00But first, I want you to see something.
00:38:02And when you have seen, you will understand.
00:38:04But we must hurry. Go!
00:38:18I love you, Bo.
00:38:20Well,
00:38:22are you satisfied?
00:38:30This is what I want to show you.
00:38:32I don't understand.
00:38:36This is the filthiest brothel in the province.
00:38:40The girls who work here are mostly from the country.
00:38:46Their lives are short
00:38:48and brutal.
00:38:52This
00:38:54could be your Angie.
00:39:00Now, you can save her from this fate.
00:39:02You need only to do us
00:39:04one small favor.
00:39:22You almost did it.
00:39:30Sheriff Lincoln.
00:39:32Jethro.
00:39:34It's Bo.
00:39:36I'm so glad I got you at home.
00:39:38Bo!
00:39:40Bo, is that you, boy?
00:39:42Yeah, yeah.
00:39:44Well, where are you?
00:39:46Just listen.
00:39:48Don't say anything.
00:39:50I'm in Miami.
00:39:52We're in a little trouble.
00:39:54They kidnapped Angie.
00:39:56My bodyguard's got a gun on me, and I don't know what to do.
00:39:58My God.
00:40:00All right, son. Settle down.
00:40:02Listen very carefully, Bo.
00:40:04I want you to do exactly what I tell you.
00:40:14Hey, where the hell do you think you're going?
00:40:16Hey, come back here!
00:40:18Hey, fuck you, Garcia. I'm out of here.
00:40:34What happened?
00:40:48He's one hell of a kid.
00:40:50All he wants to do is get back to Columbia.
00:40:52It's only a flesh wound.
00:40:54He really looks worse than he is.
00:41:18Bo.
00:41:26Bo, it's Jethro. Can you hear me, son?
00:41:32Bo, who's got Angie?
00:41:34Who's got Angie, Bo?
00:41:40Sir, you'll have to leave now.
00:41:48Bo.
00:41:56Jethro, can you keep this till he wakes up?
00:42:04What's this?
00:42:06It's the kid's stuff.
00:42:08I figured you'd know what to do with it.
00:42:18I'll be right back.
00:42:20I'll be right back.
00:42:22Where are you going, honey?
00:42:36Phone, Ruby, it might be a job.
00:42:50Hurry up, I gotta be back at the diner in 15 minutes.
00:42:54This better be good.
00:42:57Hello?
00:42:58Wayne, it's Jethro. Now listen carefully, because I need your help.
00:43:01Oh, Jethro.
00:43:03What?
00:43:04Oh, shit.
00:43:06Yeah. Yeah.
00:43:09Okay, I'll go see him as soon as I hang up.
00:43:19Excuse me, honey. Jackson, old buddy.
00:43:32Howdy, Wayne.
00:43:33Velma.
00:43:34Hi.
00:43:35Jackson, I gotta talk to you. It's a matter of life and death.
00:43:37Take a seat.
00:43:38It's Jethro. He needs your help. About 10,000 of it.
00:43:4510,000?
00:43:46Dollars?
00:44:45Hey, Wayne.
00:45:02Jethro.
00:45:03You old reprobate, you.
00:45:05Oscar, bro.
00:45:07How you doing, Simon?
00:45:09Good to see you.
00:45:11I'm sorry I couldn't meet you,
00:45:13but that damn number two engine running hot, I had to make a stop.
00:45:16Yeah, well, don't worry about that engine.
00:45:18I'll buy you plenty of engines once we get Angie back.
00:45:20Hey, wait, wait. You gotta do me a favor.
00:45:22Give me some of that money up front, because I promised Jinx here
00:45:24a little front money for helping us out.
00:45:26Yeah, but, Jethro, there ain't no money.
00:45:29Hey, what do you mean, no money?
00:45:30Now, hold on. What do you mean, there ain't no money?
00:45:32What are you talking about?
00:45:33You mean that fool Jackson gave you a check?
00:45:36He gave you a check?
00:45:37How the hell are we gonna cash your check here in Jamaica, for God's sake?
00:45:40No check.
00:45:42Nothing.
00:45:43He said your salary was too low.
00:45:46He couldn't risk it.
00:45:48Well, now, hold on here.
00:45:50Oh, she told him what I needed it for now, didn't she?
00:45:52Yeah, I told him.
00:45:57That son of a bitch.
00:46:0022 years of my life. I gave him 22 years of my life.
00:46:03Well, we gotta get the money for the fuel and the guns.
00:46:05Now, we'll work it out. Just wait a minute, Jethro. Hold on.
00:46:08Jinx, you're gonna get us a few tanks of gas, aren't you?
00:46:11I mean, we'll work something out, huh?
00:46:12Well, I think we're gonna work out something.
00:46:14Yeah, and where we're going, these things are worth more than money.
00:46:18Hey!
00:46:19Whoa!
00:46:23Well, partner, now, where'd you come across these things?
00:46:26Don't ask me, because then I'll have to lie to you.
00:46:29Yeah, what the hell? You can't handle that anyway.
00:46:31Here's one of your babies.
00:46:34And here is your sweetheart.
00:46:38I don't know how I'm ever gonna be able to pay you back, Wayne.
00:46:41Well, maybe someday you can teach us how to break broncos.
00:46:45Hey, horse, don't you think we're flying a little low?
00:46:49Right, Jethro, but we gotta stay low.
00:46:52Keeps you off the radar.
00:46:54When we hit Columbia up there, there's gonna be mountains all in front of us.
00:46:58Big mountains.
00:47:07Big mountains.
00:47:37Big mountains.
00:48:08Jethro, we're in big trouble!
00:48:12Any idea where we are?
00:48:14Yeah, that's a pisser.
00:48:17We're only a few miles from Jaguar.
00:48:20Oh, shit! Not now!
00:48:23Jethro, strap on tight!
00:48:26I think we're gonna lose her!
00:48:29Hold on!
00:48:37Oh, shit!
00:49:07You wear this tonight.
00:49:31Si.
00:49:33Si comprendo.
00:49:35Bien.
00:49:37Si. Adios.
00:49:40Adios.
00:49:42An aircraft has crashed near Jaguar.
00:49:46It is unidentified.
00:49:49An army patrol is on its way to the site now.
00:49:53I don't like it.
00:49:55We haven't heard from Rape Garcia for two days,
00:49:57and now we've got airplanes dropping in.
00:49:59Garcia's orders were very specific.
00:50:02He waits for the American to make contact before reporting to us.
00:50:06The buyers are very cautious these days.
00:50:10Everything is in order.
00:50:12In the meantime, let me go and check on the comfort of my beautiful guest.
00:50:16Hey, that's another thing.
00:50:19Why keeping that broad here?
00:50:21To ensure that the boyfriend does nothing foolish.
00:50:24When the time comes, we will dispose of them both.
00:50:27In the meantime, let me enjoy our conversation.
00:50:30In the meantime, let me enjoy our company. Come.
00:50:56Wait, wait. Come on, buddy.
00:51:00Come with me.
00:51:02Are you okay, boss?
00:51:04Oh, what a time to ask that question.
00:51:07Jesus.
00:51:09Thank God we didn't explode.
00:51:11Oh, my God.
00:51:13What the hell we did?
00:51:15Let me just say this, partner.
00:51:18You're not exactly the brightest light on the porch.
00:51:21Oh, my poor Betsy.
00:51:23Oh, God.
00:51:25Jeff wrote my insurance.
00:51:27Oh, shit.
00:51:45Oh, but that don't mean...
00:51:48Hey.
00:51:50I think it's time we made ourselves scarce.
00:51:52No, no, no, no. Let's just try the peaceful approach.
00:51:55I can tell you one thing. Take my word for it, Jethro.
00:51:58We ain't welcome to these bastards.
00:52:00Of course.
00:52:02We're gonna... Let me handle it.
00:52:04Please. You handle it.
00:52:12Christ's sake.
00:52:16Bastard.
00:52:19Okay. Let's go.
00:52:21Come on. Let's get out of here.
00:52:26Yeah.
00:52:28Look out!
00:52:46Jethro.
00:52:48What the hell was going on back there?
00:52:50I don't know, and I don't want to know.
00:52:53Come here.
00:53:01I don't like this one damn bit.
00:53:08I think he wants us to follow him.
00:53:10What does he think of us?
00:53:12I don't know, but whatever it is,
00:53:14it's gotta be better than what we think.
00:53:16Wait for me, Jethro.
00:53:23Angela.
00:53:27I trust you have rested well.
00:53:29Thank you. Yes.
00:53:33Mr. Alvarez, have you taken care of everything?
00:53:36I mean, how's Beau?
00:53:39Is he all right?
00:53:41Of course. As I told you.
00:53:44When can I leave?
00:53:46Be patient.
00:53:48The night is young.
00:53:50Let us enjoy some time together.
00:53:54I have been patient.
00:53:56Now I want to go home.
00:53:59This will all happen.
00:54:06The dress.
00:54:08It suits you well.
00:54:15There is much time.
00:54:20Let's go.
00:54:50Where the hell did you come from?
00:54:54Frankly, ma'am, I don't know,
00:54:56but I'm sure glad to see you.
00:54:59Where'd you get this?
00:55:21You must have pleased the Major greatly.
00:55:25He sent for your belongings.
00:55:36We talk now. Leave me alone.
00:55:39Ah, so you liked it.
00:55:43Listen, bitch, there's a way out of here.
00:55:46You better tell me now.
00:55:48I want a thousand American dollars.
00:55:52You got it.
00:56:02Okay. There's $500 here.
00:56:05I want you to call this number in the States.
00:56:09Tell my father what happened.
00:56:12And I'll bring you the rest, all right?
00:56:15And I'll bring you the rest, all right?
00:56:18How do I know your father will come?
00:56:20He'll come, all right.
00:56:22Thanks, Roman.
00:56:25Now, there was a man here called Garcia,
00:56:27with Bo and Angie.
00:56:29He's the personal bodyguard of Major Alvarez.
00:56:31Alvarez?
00:56:33The local military commander.
00:56:35Sleazeball, I think you'd call him.
00:56:37He controls the local cocaine trade.
00:56:39And he also has a reputation as a womanizer.
00:56:42So if he has Angie...
00:56:44That's just fine.
00:56:46Mr. Whatever's got to...
00:56:48Hold on, Wayne. It's Mr. Alvarez.
00:56:50Finding the Major is not a problem.
00:56:53Getting to him is.
00:56:55It seems as if our Major is as interested in you
00:56:58as you are in him.
00:57:00The villagers told me a dozen soldiers were killed last night.
00:57:03What?
00:57:05That's a problem. You can't stay here.
00:57:07They may come looking.
00:57:09Look, this Alvarez fellow...
00:57:12His villa is an armed camp.
00:57:14It'll take a small army to get in there.
00:57:16Would you excuse me, please?
00:57:18What is it?
00:57:20It's just a woman coming to collect some medication.
00:57:22Please, Chetro, this ain't Cottonwood, Arizona.
00:57:25She's my daughter.
00:57:42What are you doing here?
00:57:44The plane comes for the drugs.
00:57:46In two days.
00:57:48I'll handle it.
00:57:50You'd better go now. Soldiers everywhere.
00:57:53There is something else.
00:58:12Chetro, for God's sakes, will you listen to me?
00:58:15Please. We've got to think this thing through.
00:58:18We need a place to operate from.
00:58:20We need men.
00:58:22And we need a plan of attack.
00:58:24You know, fellas, I've been thinking.
00:58:26There is a chap who might be able to help you.
00:58:28Who?
00:58:30That fellow the Indians brought in about a year ago.
00:58:32You saved his life, as I recall.
00:58:34For goodness' sake, Chetro,
00:58:36I don't believe you.
00:58:38They want the ones responsible for this.
00:58:41It was the forest people, Comandante.
00:58:43Now you are telling me the forest people fly aircraft?
00:58:47Idiot.
00:59:09They want the two pilots!
00:59:27What's so funny?
00:59:30Nothing.
00:59:32You, uh, don't make a very good Colombian.
00:59:36You're supposed to be my assistant.
00:59:38And please,
00:59:40keep your mouth shut,
00:59:42because there are bound to be soldiers around.
00:59:44Now, come on.
00:59:49Now, now, now, wait a minute.
00:59:51Now, hold on, hold on here now.
00:59:54What kind of a place is this?
00:59:56Why, it's a whorehouse, of course.
00:59:58I make house calls from time to time.
01:00:00Now, come on.
01:00:05Come on.
01:00:16This has been an eclipse.
01:00:18The sun was out when I came in here.
01:00:21I need to take him upstairs and serve him up.
01:00:23What? What's going on here?
01:00:25Get your hands off me.
01:00:27Relax, General.
01:00:29These ladies are going to take you upstairs
01:00:31and give you a nice cold shower.
01:00:33A nice bloody cold shower.
01:00:35I had a shower three Sundays ago.
01:00:37Get your hands off me.
01:00:39Why don't you do it?
01:00:41Him?
01:00:45You've got to be kidding.
01:01:04This is a restricted area.
01:01:06Major Alvarez will want to know about this.
01:01:08What? Who is he?
01:01:10Look, his name is Hank Jones.
01:01:12He's probably the only chance you have
01:01:14of getting Angie away from Alvarez.
01:01:16Look, I appreciate it,
01:01:18but I think I'll take my chances somewhere else now.
01:01:21I mean, it's nice that you took me here.
01:01:23If you can just get me back so I can hook up with Wayne,
01:01:25I'll be fine.
01:01:27Excuse me. Pardon me.
01:01:34Ah.
01:01:39I'm sorry about that.
01:01:41I don't know what else to do.
01:01:44Well, that...
01:01:46That's okay.
01:01:49You can get up now.
01:01:51What?
01:01:53You're crushing me.
01:01:55Well, well, well, well.
01:01:57Am I interrupting anything there?
01:01:59Sir Lincoln, General Hank Jones,
01:02:01soldier of fortune and well-known drunk.
01:02:03Put it there.
01:02:07Yeah.
01:02:09Ah, mind me, darling.
01:02:11You're looking as lovely as ever. Give us a kiss.
01:02:13You know, she's the only woman in the world
01:02:15who's allowed to talk about me like that.
01:02:17That's because she once sewed me up
01:02:19after I had an altercation with some very unpleasant Cubans.
01:02:21To put it bluntly, she saved me life.
01:02:23Everybody can make a mistake once in a while.
01:02:25Yeah, thanks, me darling.
01:02:27To what do I owe the pleasure?
01:02:29We have a job for you, Hank.
01:02:31A job? Oh, now you're talking.
01:02:33We need to get into Alvarez's villa.
01:02:35Alvarez? No, thanks.
01:02:37I've just had a taste of his hospitality.
01:02:39Besides,
01:02:41you'd need at least 12 well-armed men
01:02:43if you had even half a chance.
01:02:45I was thinking about Chacko.
01:02:47Chacko?
01:02:49The last time we met,
01:02:51he threatened to cut off a certain
01:02:53favorite part of my anatomy.
01:02:55Besides, his weapons are ancient.
01:02:57What about rifles?
01:02:59I've got ten new Uzis.
01:03:01Why didn't you say so?
01:03:03Now you're talking.
01:03:05Would someone mind telling me
01:03:07what the hell you're talking about?
01:03:09I've just bought you an army.
01:03:11Of sorts.
01:03:27I want to thank you
01:03:29for everything you've done for us.
01:03:31I'm not sure I'm doing you a favor
01:03:33by leaving you out here.
01:03:35Well, we'll make out.
01:03:37Now, I think you should get.
01:03:39Yes.
01:03:55Okay, General.
01:03:57What's the next move?
01:03:59Now we wait.
01:04:01Yeah?
01:04:03Well, how long?
01:04:05As long as it takes.
01:04:09Okay.
01:04:33What in the hell happened?
01:04:35Soldiers about an hour ago
01:04:37So what are you doing?
01:04:39Why aren't you helping?
01:04:41We've got to be out of here by tonight.
01:04:43Why? We've got nothing to hide.
01:04:45For God's sake, Myra.
01:04:47If this is what the soldiers do
01:04:49when they're just looking,
01:04:51imagine what happens if they get caught.
01:04:53They might talk.
01:04:55We're not going anywhere.
01:04:57So why don't you come over here
01:04:59and help me?
01:05:01Now get my bag!
01:05:03I'm sorry.
01:05:07Well, well, well.
01:05:31Well, well, well.
01:05:33If it's not my old friend,
01:05:35I did not expect to see your stinking face again.
01:05:37Shackle me, old pal.
01:05:39I told you I'd come back.
01:05:41Pendejo!
01:05:43That was six months ago!
01:05:45Now I think I cut your cojones off.
01:05:47Cojones?
01:05:49What's that?
01:05:51Balls!
01:05:53Shackle me, old pal.
01:05:55Put away your penknife.
01:05:57Let me tell you,
01:05:59I came back to make it up to you.
01:06:01I will still kill you.
01:06:03I will still kill you.
01:06:05Ah, not when you hear my proposition, you won't.
01:06:07Here,
01:06:09take a look in there.
01:06:11Merry Christmas.
01:06:21He's beautiful.
01:06:23I've only ever seen pictures
01:06:25of such beautiful weapons.
01:06:27Here, try it.
01:06:29Jethro, what the hell is he doing?
01:06:31Take it easy.
01:06:43I think the trick
01:06:45is to aim the barrel low.
01:06:49What is this proposition
01:06:51you have for me, General?
01:06:53Ah, my friend,
01:06:55you and I are going to take out Alvarez.
01:06:57Alvarez?
01:06:59Are you crazy?
01:07:01Oh, no.
01:07:03I've worked it all out.
01:07:17What do you want?
01:07:21Did you think I was that stupid
01:07:23that I would not discover
01:07:25your ridiculous plan to escape?
01:07:27I don't know what you're talking about.
01:07:29You do not?
01:07:41Ah, my little one.
01:07:43Not so pretty anymore, huh?
01:07:45I fear that even
01:07:47La Florida will not want you now.
01:07:49You belong to me now.
01:07:51And soon you will get
01:07:53on your knees before me
01:07:55and beg to be my woman
01:07:57for as long
01:07:59as I wish you to.
01:08:01I would rather die.
01:08:03You are thinking
01:08:05your father and lover
01:08:07will help you escape.
01:08:09I fear you are wrong, Juerida.
01:08:11They are dead.
01:08:13Killed by Alvarez.
01:08:15You are wrong, Juerida.
01:08:17They are dead.
01:08:19Killed by my own men.
01:08:23You're lying.
01:08:33Then how do you explain this?
01:08:45Well now, gentlemen.
01:08:47And others.
01:08:49The operation is to be very simple.
01:08:51The main force will attack
01:08:53and seize the shipment when the plane lands
01:08:55near the factory.
01:08:57While the soldiers are busy with that diversion,
01:08:59the second force enters the villa.
01:09:01The main object
01:09:03is to be here at the airstrip
01:09:05near Forenza.
01:09:07Any questions?
01:09:09Sounds right as rain to me.
01:09:11Give or take a nickel.
01:09:13Reminds me of the time we were down on the Rio.
01:09:15Ours were a little different then.
01:09:17Anyway, I'll feel better on a horse
01:09:19than in a jeep.
01:09:27Now I've got something to say
01:09:29and I want you all to listen up
01:09:31because I'm only going to say it once.
01:09:33Then you can pass it on down to those boys
01:09:35that don't know how to play English.
01:09:37You all got your own reasons
01:09:39for going after Alvarez.
01:09:41Anybody gets between me
01:09:43and mine
01:09:45is going to get shot.
01:09:49That's all I've got to say.
01:09:51Well, boys,
01:09:53you all heard the gentlemen.
01:09:55We've got a long ride ahead of us.
01:09:57Now let's go.
01:10:11Let's go.
01:10:41Come on.
01:11:01How's it going?
01:11:03Come on.
01:11:09Come out.
01:11:17Myra.
01:11:21Jeeva, how could you?
01:11:25Myra,
01:11:27it's not what it seems.
01:11:33Come on.
01:11:51Well, Chetty, everything in order?
01:11:53It's all here.
01:11:55Dublin, the guard seems to have stopped the skimming for the moment.
01:11:57When's the plane due?
01:11:59Tomorrow, noon.
01:12:01Anything from Garcia?
01:12:03Garcia is either dead or...
01:12:05Oh, what the Christ sake!
01:12:11Or he has turned on us.
01:12:15Hey, Alvarez,
01:12:17just one thing.
01:12:19I'm going to leave this chateau for Las Vegas next month.
01:12:21Don't screw up on me.
01:12:31Come on.
01:12:47So, did you score
01:12:49with that little blonde in Freeport last night?
01:12:51Yeah, but it cost me a hundred bucks.
01:12:53A hundred bucks?
01:12:59Hey, what's that?
01:13:01Holy shit.
01:13:09There's our ride to Yama.
01:13:13Come on.
01:13:15That's it. Come on.
01:13:23Come on.
01:13:45Hey, buddy,
01:13:47give us a break.
01:13:49I've got wife and kids.
01:13:51May I ask something, partner?
01:13:53How would you like
01:13:55some weasel
01:13:57selling that junk that you
01:13:59transport to your kids, huh?
01:14:01I tell you what,
01:14:03I'm going to give both of you a chance.
01:14:05Brazil's in that direction.
01:14:07I'm going to give you
01:14:09a five-minute head start.
01:14:11And if I catch up with you,
01:14:13you're dead meat.
01:14:21The hell are you laughing at?
01:14:23Brazil is that way,
01:14:25not that way.
01:14:29Which way is it to Alvarez's villa?
01:14:31That's easy. That is over there.
01:14:51It is good?
01:14:53Si, comandante.
01:14:55Yeah.
01:15:05Andale.
01:15:21Senhora?
01:15:23No.
01:15:31You have not touched your food.
01:15:35It does not please you?
01:15:43Angela,
01:15:45you do not wish to speak with me?
01:15:47Do not be annoyed.
01:15:49Drink with me.
01:16:17I like
01:16:19a woman with spirit.
01:16:23Later,
01:16:25Juarida,
01:16:27you will regret this.
01:16:35Paul!
01:16:47There it is, old friend.
01:16:49Everything set?
01:16:51All set.
01:16:53Here we go.
01:16:59Come on, guys.
01:17:01Speed up.
01:17:03Andale!
01:17:17Andale!
01:17:23Pac, are you ready?
01:17:25Ready.
01:17:27You get the hell out of here as soon as we're outside.
01:17:29It was ten minutes to clear up the rabble.
01:17:31Another 20 to get to the villa to pick up Jethro.
01:17:33Be back here at 11.30.
01:17:35And be careful.
01:17:37We do not want to lose our ride home.
01:17:39You are not going to lose it, baby. Good luck.
01:17:41Come on, get a move on.
01:17:47Yeah!
01:17:49Let's go!
01:17:51Andale!
01:17:53Andale!
01:17:59Andale!
01:18:01Andale!
01:18:03Andale!
01:18:05Andale!
01:18:07Andale!
01:18:09Andale!
01:18:11Andale!
01:18:13Andale!
01:18:15Andale!
01:18:17Wait for me!
01:18:19Wait for me!
01:18:39That does it.
01:18:41Don't shoot!
01:18:45Where did you two come from?
01:18:47We just escaped from Alvarez's villa.
01:18:49That was my hero. He saved me.
01:18:51Oh, that's very nice.
01:18:53Very nice indeed.
01:18:55But where's Jethro?
01:18:57What do you mean, where's Jethro?
01:18:59I thought he was here with you.
01:19:01After we hit the drug shipment,
01:19:03he was supposed to grab Angie and meet us back here.
01:19:05We've got a plane coming.
01:19:07I've got to go to Grisada.
01:19:09Hold on to her. Take care of her, please.
01:19:11No way, Bo. I'm going.
01:19:13What are we supposed to do?
01:19:15We've got a plane coming.
01:19:17Hold it!
01:19:25Bo, Major Alvarez here
01:19:27has got men hidden all over the villa.
01:19:29Daddy won't have a chance.
01:19:31I know.
01:19:33By minute, the villa would have killed your father by now.
01:19:35And soon they will do the same to your friends at the airport.
01:19:37I've got to get back. I've got to get back.
01:20:07Oh, my God.
01:20:37Oh, my God.
01:21:07Oh, my God.
01:21:37Oh, my God.
01:21:49Well, that's the way it goes, boys.
01:21:51First your money, then your clothes.
01:22:07This is the last one.
01:22:27Run for the trees.
01:22:29I will cover you from here.
01:22:31No way, partner.
01:22:33I'm not leaving you here for that.
01:22:37Oh, my God.
01:23:07Oh, my God.
01:23:19Angie, Angie, Angie.
01:23:23Angel.
01:23:25You okay?
01:23:29Would someone mind telling me
01:23:31what in the name of Sam hell is going on here?
01:23:33Sheever here works undercover
01:23:35and he brought me down here
01:23:37to help identify some of the gang.
01:23:39We've been working on your friend Alvarez
01:23:41for quite a while now,
01:23:43sending our little friends here into his plant
01:23:45to pilfer his narcotics
01:23:47in the hope we'd flush out his contacts.
01:23:49Well, it's started to pay off.
01:23:51The families that control the trades
01:23:53sent a man down here to check up on him.
01:23:55We were going to destroy his plant tonight
01:23:57until you and your friends showed up.
01:23:59Well, you set me up with him.
01:24:01You don't understand, do you, Sheever?
01:24:03We set you up all right
01:24:05with an alcoholic mercenary
01:24:07and a bunch of comic book banditos.
01:24:09We were to keep you out of the way
01:24:11so we could complete our operation.
01:24:13That, of course, has now become impossible.
01:24:15Jackal.
01:24:17Take it easy. Get misty.
01:24:21Sheriff, you and your men
01:24:23just blew up a civilian airport,
01:24:25killed 15, maybe 20 soldiers
01:24:27of a supposedly friendly nation.
01:24:29Now, I can't sanction any other action
01:24:31which may compromise our government.
01:24:33I've already radioed my men to pull out.
01:24:35He needs immediate surgery.
01:24:37There's not enough room in the car for everyone.
01:24:39I'll get the woman and wounded back to the airstrip.
01:24:41You guys make it on your own?
01:24:43Are you all right?
01:24:45Open the door.
01:24:47Okay.
01:24:49Hey, come on. Get in there.
01:24:57Holy shit.
01:24:59Holy shit. What happened to you?
01:25:01What does it look like?
01:25:03I was abducted,
01:25:05humiliated.
01:25:07And for this,
01:25:09someone will pay.
01:25:11Well, we ain't been
01:25:13on no Sunday school picnic either, you know.
01:25:15Come on.
01:25:17You guys, move it.
01:25:25Alvarez, that bastard.
01:25:27He's mine.
01:25:29Places like Fort Knox,
01:25:31we won't get within 100 feet, they'll cut us down.
01:25:33There's more than one way
01:25:35to skin a cat.
01:25:37Now, listen to me, son.
01:25:57Oh, my God.
01:26:27Oh, my God.
01:26:57Oh, my God.
01:27:19You are looking for me.
01:27:23Throw down the gun.
01:27:27What a pity
01:27:29you have to die this way.
01:27:33But do not fear.
01:27:35Your lovely daughter,
01:27:37she will live.
01:27:39She is very good in bed.
01:27:41But I am sure
01:27:43you've heard that before, huh?
01:27:49I will save her
01:27:51for many nights of entertainment.
01:27:53Adios.
01:27:57Gringo.
01:27:59Oh, my God.
01:28:25Anybody ever tell you
01:28:27good guys always win?
01:28:29Come on.
01:28:57Oh, my God.
01:29:27Oh, my God.
01:29:57Oh, my God.
01:30:27Oh, my God.
01:30:57Oh, my God.
01:30:59Oh, my God.
01:31:01Oh, my God.
01:31:03Oh, my God.
01:31:05Oh, my God.
01:31:07Oh, my God.
01:31:09Oh, my God.
01:31:11Oh, my God.
01:31:13Oh, my God.
01:31:15Oh, my God.
01:31:17Oh, my God.
01:31:19Oh, my God.
01:31:21Oh, my God.
01:31:23Oh, my God.
01:31:25Oh, my God.
01:31:27Oh, my God.
01:31:29Oh, my God.
01:31:31Oh, my God.
01:31:33Oh, my God.
01:31:35Oh, my God.
01:31:37Oh, my God.
01:31:39Oh, my God.
01:31:41Oh, my God.