A Blade in the Dark 1983 Thriller Movie

Retro Jethro
Retro Jethro
  • 2 weeks ago
A killer stalks a composer staying at a posh Tuscany villa while writing the score to a horror film which has an incriminating clue to the killer's identity
Transcript
00:00:01Come on, we're almost there.
00:00:09No, no, let me go!
00:00:10Come on, skinny cat!
00:00:11I don't want to do it!
00:00:13You smart, you whore. You can't back out now.
00:00:15No, let me go!
00:00:17No!
00:00:22Jeez, it's dark in here!
00:00:24Shh!
00:00:26Here's the candle.
00:00:29Hold it.
00:00:36You ready?
00:00:38This way.
00:00:55Is that the door?
00:00:57Shut up, you'll see.
00:00:58You'll see.
00:01:27Okay, let's see you do it.
00:01:46Show us that you're not some little girl.
00:01:49Go on down the stairs and get it!
00:01:58Down there?
00:02:00Yeah!
00:02:01The ball, go get it!
00:02:02Female, you're a girl if you don't get the ball.
00:02:05Female, you are a female, you are a female, you are a female, you are a female.
00:02:27Shh.
00:02:57Oh, my God.
00:03:28Oh, my God.
00:03:29Oh, my God.
00:03:30Oh, my God.
00:03:31Oh, my God.
00:03:32Oh, my God.
00:03:33Oh, my God.
00:03:34Oh, my God.
00:03:35Oh, my God.
00:03:36Oh, my God.
00:03:37Oh, my God.
00:03:38Oh, my God.
00:03:39Oh, my God.
00:03:40Oh, my God.
00:03:41Oh, my God.
00:03:42Oh, my God.
00:03:43Oh, my God.
00:03:44Oh, my God.
00:03:45Oh, my God.
00:03:46Oh, my God.
00:03:47Oh, my God.
00:03:48Oh, my God.
00:03:49Oh, my God.
00:03:50Oh, my God.
00:03:51Oh, my God.
00:03:52Oh, my God.
00:03:53Oh, my God.
00:03:54Oh, my God.
00:03:55Oh, my God.
00:03:56Oh, my God.
00:03:57Oh, my God.
00:03:58Oh, my God.
00:03:59Oh, my God.
00:04:00Oh, my God.
00:04:01Oh, my God.
00:04:02Oh, my God.
00:04:03Oh, my God.
00:04:04Oh, my God.
00:04:05Oh, my God.
00:04:06Oh, my God.
00:04:07Oh, my God.
00:04:08Oh, my God.
00:04:09Oh, my God.
00:04:10Oh, my God.
00:04:11Oh, my God.
00:04:12Oh, my God.
00:04:13Oh, my God.
00:04:14Oh, my God.
00:04:15Oh, my God.
00:04:16Oh, my God.
00:04:17Oh, my God.
00:04:18Oh, my God.
00:04:19Oh, my God.
00:04:20Oh, my God.
00:04:21Oh, my God.
00:04:22Oh, my God.
00:04:23Oh, my God.
00:04:24Oh, my God.
00:04:25Oh, my God.
00:04:26Oh, my God.
00:04:27Oh, my God.
00:04:28Oh, my God.
00:04:29Oh, my God.
00:04:30Oh, my God.
00:04:31Oh, my God.
00:04:32Oh, my God.
00:04:33Oh, my God.
00:04:34Oh, my God.
00:04:35Oh, my God.
00:04:36Oh, my God.
00:04:37Oh, my God.
00:04:38Oh, my God.
00:04:39Oh, my God.
00:04:40Oh, my God.
00:04:41Oh, my God.
00:04:42Oh, my God.
00:04:43Oh, my God.
00:04:44Oh, my God.
00:04:45Oh, my God.
00:04:46Oh, my God.
00:04:47Oh, my God.
00:04:48Oh, my God.
00:04:49Oh, my God.
00:04:50Oh, my God.
00:04:51Oh, my God.
00:04:52Oh, my God.
00:04:53Oh, my God.
00:04:55I think you're gonna like living here.
00:04:57Yeah, it's got a nice feeling to it.
00:04:59I see you're all set to go to work.
00:05:01Composing music for movies.
00:05:03Interesting.
00:05:05Uh, what are you working on now?
00:05:08Theme for a thriller.
00:05:09Oh.
00:05:10A story of a murder.
00:05:11Mm-hmm.
00:05:12Not anything to get enthusiastic about.
00:05:15I guess any kind of work can become routine.
00:05:18Though I suppose I'd be better off sitting on an oil rig, working for my father in Kuwait.
00:05:23be able to afford a villa like this one? No way or if I did I'd have to rent it
00:05:28out the way we did with you. Oh well. Where'd you leave your car? Back there.
00:05:35I'll walk you to it. Thanks. Oh I wanted to ask you since I'm a real music lover
00:05:41could I could I come sometime and hear you play? It's a little difficult I have
00:05:46no set schedule but if you like I could record a cassette. That'd be fantastic.
00:05:51Thriller music is always ghastly. Who's the culprit by the way? Oh sorry. I guess
00:05:57you're not supposed to give it away huh? The director won't let anyone see the
00:06:01end. She says it's gonna be a surprise. Meaning I'll have to go pay to see it
00:06:07huh? Ah listen I introduced you to Giovanni the caretaker. Uh-huh. Well if
00:06:14there are any problems he's the one to go to. He's got all the keys and he lives
00:06:16right there in the cottage okay? Sure thanks. Be talking. About that cassette
00:06:21I'll try and make it this weekend. That's great really appreciate it. Ciao. Ciao.
00:06:46Well what do you think Bruno? I don't know what to say Sandra. It's the third
00:07:00time I looked at the sequence and each time it scared me more. Really frightened
00:07:04huh? This is nothing compared to the twelfth reel which of course you haven't
00:07:08seen yet. Yeah your final reel that's such a mysterious secret. You know I'm
00:07:13curious seeing a thing like this. Where did you get your inspiration? Well the
00:07:16truth is that's a hard question to answer. Ever since I was a little child I
00:07:21was afraid of the dark. When you're in the dark there's menace in every sound.
00:07:26Danger. There could be monsters. Killers. Murderers lurk in the black dark. Sure
00:07:33it's possible there's nothing there. No presence. That you're all alone. Or maybe
00:07:38daylight cancels out the monsters like nightmares in your sleep. But death is
00:07:43there always always watching and especially in the dark. Are you trying to
00:07:49frighten me or what? No I just want you to understand the spirit of the film
00:07:54because the music is extremely important. It must express anxiety, fear, terror. It
00:08:01must underscore the breathing of the killer and of his victim. It must get the
00:08:06audience involved as though they were really there. To compose a score like
00:08:11this am I the right one? Bruno you were the only choice for this. I didn't want
00:08:16it to be typical. You're new to this kind of score and the villa where you'll stay
00:08:21and where you'll do your work is a sufficiently scary place to inspire you.
00:08:25It's very large. Very isolated.
00:09:37DOOR OPENS
00:09:43DOOR CLOSES
00:09:51BUZZER
00:10:06CLOCK TICKS
00:10:17DOOR OPENS
00:10:19DOOR CLOSES
00:10:21DOOR OPENS
00:10:33DOOR CLOSES
00:10:35DOOR OPENS
00:10:37DOOR CLOSES
00:10:51DOOR OPENS
00:11:02PIANO PLAYS
00:11:05PIANO CONTINUES
00:11:35PIANO CONTINUES
00:12:05PIANO CONTINUES
00:12:21PIANO CONTINUES
00:12:35PIANO CONTINUES
00:12:56PIANO PLAYS
00:13:05PIANO CONTINUES
00:13:12PIANO CONTINUES
00:13:24PIANO CONTINUES
00:13:35PIANO CONTINUES
00:13:46CLICK
00:13:48CLICK
00:13:50CLICK
00:13:52CLICK
00:13:55PIANO CONTINUES
00:14:17BUZZER
00:14:19BUZZER
00:14:21BUZZER
00:14:24DOOR SLAMS
00:14:42DOOR SLAMS
00:14:46Oh, please, kill it! I've never been so afraid in my life!
00:14:49It's a spider! They're on the floor! Kill it! Kill it!
00:14:51It's not a spider. It's a cockroach.
00:14:55KNOCKING
00:14:57Better now?
00:14:59Yeah, I'm feeling much better. Bugs always affect me like that.
00:15:02Really, just thinking about it. Look, I'm all goose flesh.
00:15:05Yeah, you're right.
00:15:07I feel like I look terrible.
00:15:09Hey, can you lend a girl a cigarette?
00:15:11Oh, sure. I think so.
00:15:13Here.
00:15:16CLICK
00:15:24I never saw you before. Are you a friend of Linda's?
00:15:27Linda? No.
00:15:29GIGGLES
00:15:31What's so amusing? Your face.
00:15:33My face?
00:15:35Nothing. Your expression, that's all.
00:15:37I probably scared the pants off you out there before.
00:15:40Your expression says it all.
00:15:42You came jumping out at me out there in the hall.
00:15:45I must say you're very perspicacious,
00:15:47because that is exactly what I was thinking.
00:15:53You're cute.
00:15:55Yeah, well, so are you.
00:15:57My name is Katya. My house is right over there.
00:16:00Is it a habit of yours, sneaking into houses of neighbors?
00:16:03No, not a habit.
00:16:06Only when it's a good-looking man.
00:16:08How long you be here?
00:16:10I rented it just for a month.
00:16:13Too bad. Such a short time.
00:16:16Musician?
00:16:18I adore musicians. They're really great in bed.
00:16:21How are you in the feathers?
00:16:23Depends on the answers, mostly.
00:16:25That depends on the questions.
00:16:27Tell me the reason why you were hiding in that closet.
00:16:31Do you like your stories real simple,
00:16:33or would you prefer them more elaborate?
00:16:36What kind of lie would you like to hear?
00:16:40Go on. Go answer it.
00:16:43Saved by the bell.
00:16:45In the meantime, I would appreciate your getting it together.
00:16:48Hello?
00:16:50Bruno? It's Tony Rendina.
00:16:52Everything copacetic?
00:16:54Listen, I wanted to ask.
00:16:56Did you record that cassette?
00:16:58No, I haven't been able to. No time.
00:17:00I'll record it tomorrow.
00:17:02Some of the light switches here don't seem to function.
00:17:05The bathroom. Where's the bathroom?
00:17:08Would you hang on a minute?
00:17:10I gotta go. I can't hold it.
00:17:14What is it you were saying?
00:17:16Maybe it's not the switches.
00:17:18Maybe there are just some bulbs missing.
00:17:21I'm awfully sorry for the inconvenience.
00:17:24I bet it was that last tenant, Linda.
00:17:26She was a bit strange. She preferred a dark room.
00:17:29I guess the best thing is to ask Giovanni.
00:17:32He should be able to scare up a few extra bulbs.
00:17:36Any other problems?
00:17:38No, no, thanks.
00:17:40Tomorrow, huh? Ciao.
00:17:44Katia?
00:17:49Katia?
00:17:59Katia?
00:18:06Katia?
00:18:11Katia?
00:18:30Katia, where are you?
00:18:35Katia?
00:19:06I've discovered Linda's secret.
00:19:10And it's really terrifying, terrible.
00:19:13But at the same time, it's fascinating.
00:19:16There's nobody I can tell it to.
00:19:18Angela wouldn't be able to understand.
00:19:21But I'm afraid to keep it to myself.
00:19:23I have this premonition.
00:19:36DOOR SLAMS SHUT
00:19:43PIANO MUSIC
00:20:05PIANO MUSIC CONTINUES
00:20:26GUNSHOT
00:20:36GUNSHOT
00:20:44SCREAMS
00:20:46No! No!
00:20:48No!
00:20:50SCREAMS
00:20:52No!
00:20:59No!
00:21:02SCREAMS
00:21:08Open the door!
00:21:10Help!
00:21:12Help!
00:21:14I'm saving!
00:21:16SCREAMS
00:21:18No!
00:21:20SCREAMS
00:21:22SCREAMS
00:21:31SCREAMS
00:22:01SCREAMS
00:22:31BREATHING HEAVILY
00:23:02FOOTSTEPS
00:23:07SIGHS
00:23:09SCREAMING
00:23:12SCREAMS
00:23:14No!
00:23:16SCREAMS
00:23:18SCREAMING
00:23:20No!
00:23:22SCREAMING
00:23:25SCREAMING
00:23:27SCREAMING
00:23:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:24:00Oh
00:24:30I don't know what I'm doing with my life.
00:24:32I don't know what I'm doing with my life.
00:24:34I don't know what I'm doing with my life.
00:24:36I don't know what I'm doing with my life.
00:24:38I don't know what I'm doing with my life.
00:24:40I don't know what I'm doing with my life.
00:24:42I don't know what I'm doing with my life.
00:24:44I don't know what I'm doing with my life.
00:24:46I don't know what I'm doing with my life.
00:24:48I don't know what I'm doing with my life.
00:24:50I don't know what I'm doing with my life.
00:24:52I don't know what I'm doing with my life.
00:24:54I don't know what I'm doing with my life.
00:24:56I don't know what I'm doing with my life.
00:24:58I don't know what I'm doing with my life.
00:25:00I don't know what I'm doing with my life.
00:25:02I don't know what I'm doing with my life.
00:25:04I don't know what I'm doing with my life.
00:25:06I don't know what I'm doing with my life.
00:25:08I don't know what I'm doing with my life.
00:25:10I don't know what I'm doing with my life.
00:25:12I don't know what I'm doing with my life.
00:25:14I don't know what I'm doing with my life.
00:25:16I don't know what I'm doing with my life.
00:25:18I don't know what I'm doing with my life.
00:25:20I don't know what I'm doing with my life.
00:25:22I don't know what I'm doing with my life.
00:25:24I don't know what I'm doing with my life.
00:25:26I don't know what I'm doing with my life.
00:25:28I don't know what I'm doing with my life.
00:25:30I don't know what I'm doing with my life.
00:25:32I don't know what I'm doing with my life.
00:25:34I don't know what I'm doing with my life.
00:25:36I don't know what I'm doing with my life.
00:25:38I don't know what I'm doing with my life.
00:25:40I don't know what I'm doing with my life.
00:25:42I don't know what I'm doing with my life.
00:25:44I don't know what I'm doing with my life.
00:25:46I don't know what I'm doing with my life.
00:25:48I don't know what I'm doing with my life.
00:25:50I don't know what I'm doing with my life.
00:25:52I don't know what I'm doing with my life.
00:25:54But I can't.
00:25:56Selfish.
00:25:58Behave.
00:26:00This secret
00:26:02Is
00:26:04Fitted
00:26:06No one must
00:26:08Know
00:26:24The secret is that no one must know.
00:26:47No.
00:26:48What?
00:26:49Must.
00:26:50No.
00:26:51We.
00:26:52What?
00:26:53I stopped.
00:26:54Stopped what?
00:26:55What?
00:26:56Moments.
00:26:57Shh.
00:26:58We're not.
00:26:59Shh.
00:27:00Shh.
00:27:01Shh.
00:27:02Shh.
00:27:03Shh.
00:27:04Shh.
00:27:05Shh.
00:27:06Shh.
00:27:07Shh.
00:27:08Shh.
00:27:09Shh.
00:27:10Shh.
00:27:11Shh.
00:27:12Shh.
00:27:13Shh.
00:27:14Shh.
00:27:15Shh.
00:27:16Shh.
00:27:17Shh.
00:27:18Shh.
00:27:19Shh.
00:27:20Shh.
00:27:21Shh.
00:27:22Shh.
00:27:23Shh.
00:27:24Shh.
00:27:25Shh.
00:27:26Shh.
00:27:27Shh.
00:27:28ARTHUR AND MADELINE You allowed us.
00:27:29PLEASE YES
00:27:30ARTHUR AND MADELINE
00:27:32But someone asked you to come over.
00:27:35And the accepts you to open the door for him.
00:27:40Jen, no.
00:27:42Stop.
00:27:43No one must stop.
00:28:42Stop.
00:29:12Stop.
00:29:43Hello?
00:29:44Hello?
00:29:46Julia, is that you?
00:29:48Hello?
00:29:51Hello?
00:29:52Hello?
00:30:12Julia?
00:30:13Julia?
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00:33:38Julia?
00:33:39Julia?
00:33:40Julia?
00:33:41Julia?
00:33:42Julia?
00:33:43Julia?
00:33:44Julia?
00:33:45Julia?
00:33:46Julia?
00:33:47Julia?
00:33:48Julia?
00:33:49Julia?
00:33:50Julia?
00:33:51Julia?
00:33:52Julia?
00:33:53Julia?
00:33:54Julia?
00:33:55Julia?
00:33:56Julia?
00:33:57Julia?
00:33:58Julia?
00:33:59Julia?
00:34:00Julia?
00:34:01Julia?
00:34:02Julia?
00:34:03What on earth are you doing?
00:34:13I'm sorry, was I bothering you?
00:34:24What's in the sack there?
00:34:29Nothing, old papers and magazines.
00:34:33Wait a second, let me help you.
00:34:34No, no, it's okay.
00:34:35It's, I got it.
00:34:55Thanks a lot.
00:34:59Cigarette?
00:35:00Hmm.
00:35:03Just out of curiosity,
00:35:05what was the girl like who was here before me?
00:35:08Linda?
00:35:10Never paid her much attention.
00:35:13Anyways, I'd just been hired.
00:35:15Right before she left.
00:35:17The boss only rents the villa to short-term tenants.
00:35:20I'm not the nosy type.
00:35:25Well, did you ever know a Katya?
00:35:27Katya?
00:35:28Yeah.
00:35:29Somebody I should know?
00:35:31Just wondering, good night.
00:35:33Good night.
00:36:03Good night.
00:36:07Good night.
00:36:21Surprise!
00:36:25Bruno, it's me, I'm Julia, your girl.
00:36:27Excuse me, Julia, my mind is,
00:36:29but you're far from that theater in Naples.
00:36:31I thought you had a rehearsal.
00:36:32But judging from that look on your face,
00:36:34I guess it was a mistake, should have stayed in Naples.
00:36:37Come on, smile.
00:36:38Would you rather I go?
00:36:40You're being silly.
00:36:43It's only I wasn't expecting you to show up like this.
00:36:51And I didn't intend to surprise you like this.
00:36:53I tried to let you know.
00:36:55I tried to phone you,
00:36:57but there must have been something wrong with the line.
00:36:59When?
00:37:00About an hour ago.
00:37:03I was still on the highway.
00:37:05It was you then.
00:37:07Why?
00:37:08Because a whole series of strange things.
00:37:11Oh, really?
00:37:12Strange, how do you mean?
00:37:14Just strange, really strange.
00:37:17How does this thing unhook?
00:37:19Either it does,
00:37:21or it doesn't.
00:37:24Did it?
00:37:32I don't know.
00:38:03Forget the tape torn into shreds,
00:38:06the diary ripped and burnt,
00:38:08the steps, the sounds.
00:38:10But the bloodstains on my pants,
00:38:12you saw with your own eyes.
00:38:13Yes, Bruno, obviously.
00:38:15And I admit, as spots of blood,
00:38:17they looked mighty genuine.
00:38:19But why not add to your list
00:38:21that stench out there,
00:38:23the smell of the pool, huh?
00:38:25What are you saying, sweetheart?
00:38:26You're kidding, aren't you?
00:38:28I'm beginning to get tired of your story.
00:38:31Last night there was someone here, Julia.
00:38:34A girl, Katia.
00:38:36I caught her hiding in the...
00:38:37Katia, huh? And was she nice?
00:38:39Listen, this is serious.
00:38:41I'm really worried that something happened to her.
00:38:43Yes, Bruno.
00:38:45She was killed while you were playing the piano, all right?
00:38:48You know, Julia, you are being slightly difficult.
00:38:51I'm sorry.
00:38:52I slip away for a night,
00:38:54drive all this way to see you,
00:38:56and you waste precious time telling me a story
00:38:58about this weirdo girl called Katia.
00:39:00A girl who has a fear of bugs,
00:39:02plus she's into housebreaking.
00:39:04If you had told me that story,
00:39:05I wouldn't believe it either.
00:39:07Now I'll tell you what the truth is.
00:39:09The minute I turned my back,
00:39:10you found yourself a young admirer.
00:39:13I promise you, I shall make you sorry you did that.
00:39:16Now let's please drop the subject.
00:39:19I feel we ought to make up for lost time.
00:39:23You'll have to break a record,
00:39:25because in about 52 seconds I get on the road.
00:39:28You're not really leaving.
00:39:30You know I'm an actress and I have to rehearse.
00:39:33You don't have a rehearsal.
00:39:35You're just pissed off.
00:39:36And you still haven't come down to see me.
00:39:38It's wrong not to.
00:39:39I'm really terrific in my role.
00:39:41Oh, don't make that face.
00:39:43Anyway, you've got your Katia to save you,
00:39:45like she was doing before she got killed.
00:39:47And if she's really dead,
00:39:51and that blood was really hers,
00:39:55the diary Katia had written that she'd discovered something
00:40:00and that she felt a premonition of danger,
00:40:03the killer must have set an appointment with her here.
00:40:09Wanted to learn what she'd found out.
00:40:12Those phrases on the tape, they could be a clue.
00:40:16Just a minute, I wrote them down.
00:40:19Here.
00:40:21Here.
00:40:23Secret?
00:40:25Yes, Linda.
00:40:27No one must know.
00:40:29Uh-huh.
00:40:30And the killer naturally is the caretaker.
00:40:33You talk that way because you weren't here.
00:40:36I have the distinct impression
00:40:38that Sandra's really beginning to get to you
00:40:40with those horror films of hers.
00:40:45I promise to come back whenever.
00:40:47Ciao.
00:40:48Ciao.
00:40:49And watch out for those admirers.
00:41:20♪♪
00:41:31♪♪
00:41:41♪♪
00:41:52♪♪
00:42:00♪♪
00:42:10♪♪
00:42:16Don't bother.
00:42:18It's locked tight.
00:42:20It contains some personal effects of my last tenant.
00:42:23I can have the door opened if you want
00:42:25and have the stuff put somewhere else.
00:42:27No, no, thanks.
00:42:28One thing I don't need here is more space.
00:42:30Can I offer you a coffee?
00:42:32No, thanks, I've already had two.
00:42:34I came to check the pool.
00:42:35Yeah, there's a terrible smell.
00:42:37In my opinion, it's the purifier.
00:42:39I've told Giovanni to change brands.
00:42:42Otherwise, how is everything?
00:42:44Swell, apart from certain surprises.
00:42:46Such as?
00:42:47Last evening, I found a girl in my closet.
00:42:49Lucky you. Was she nice?
00:42:51That's all everyone seems to care about, was she nice?
00:42:54Yeah, nice.
00:42:56But strange.
00:42:58There were a whole lot of other strange things last night, too.
00:43:01But talking about it, all I get is trouble.
00:43:03Already my girl is sore at me.
00:43:05I'm sorry that you had to be disturbed.
00:43:07Ah, well, mostly I'd like to know if you knew this girl Katia.
00:43:11Raven-haired with kind of a wacky air about her?
00:43:14Yeah, that's the one.
00:43:16That describes her.
00:43:17She came once in a while to swim in the pool when the other tenant was here.
00:43:20Linda?
00:43:21Yes, Linda.
00:43:23She had the villa before you.
00:43:25The one who left her things in that locked room there?
00:43:28Mm-hmm.
00:43:29What was she like?
00:43:31Well, a normal kind of girl.
00:43:34Sort of bright, nice-looking kid.
00:43:38But why all this sudden interest in Linda?
00:43:41Well, it's not really for Linda.
00:43:45The fact is, I have the impression that...
00:43:47I don't know, that Katia was there in the house to meet Linda.
00:43:51Do you know whether Linda still has a key?
00:43:53I really couldn't say. You'd better ask Giovanni.
00:43:56That guy is also a bit strange, huh?
00:43:59Well, the telephone.
00:44:02You have to go or can you wait?
00:44:04I'd better go. I have to change.
00:44:06Okay. Ciao.
00:44:07Ciao.
00:44:08See you when I get back from Kuwait.
00:44:10Take care.
00:44:15Yes, hello?
00:44:17Hello?
00:44:19Anyone there?
00:44:20Listen to me, music man.
00:44:23Nothing you can't do will help.
00:44:26I'm going to kill you.
00:44:30Who's speaking?
00:44:31Hello?
00:44:32Who's speaking?
00:44:34You can say your prayers, Bruno.
00:44:37You'll be all right.
00:44:40Who's speaking?
00:44:41You can say your prayers, Bruno.
00:44:44You're doomed.
00:44:45Sandra, I got it. It's you, isn't it?
00:44:50But you were really scared at first, weren't you, darling?
00:44:52Idiot.
00:44:53So clever of you to recognize my voice.
00:44:55Listen, Bruno, I've got a new idea.
00:44:58Very interesting.
00:45:00I want to see you, let's say, about 6.30.
00:45:02Moveola B?
00:45:03I'll be there.
00:45:056.30. I'll be waiting then. Ciao.
00:45:35Ciao, Giovanni.
00:46:04Giovanni.
00:46:20A-flat?
00:46:23A-flat?
00:46:25Are you a music lover?
00:46:26Mm-hmm.
00:46:30Anything I can do for you?
00:46:32Angela's looking for Katia.
00:46:36Are you a girlfriend?
00:46:37I'm Angela.
00:46:39She didn't mention me?
00:46:40We never had the time.
00:46:42In any case, if you do find her, tell her I'd like to speak to her.
00:46:46Well, the point is, she never returned to the house.
00:46:49She was here about 11, then she just vanished.
00:46:53How come her diary's still on the table?
00:46:56After all, she came to get it back.
00:47:00Yeah, and someone destroyed the pages.
00:47:03You got any idea who?
00:47:04No.
00:47:05My first time here since Linda left.
00:47:08She was so kind.
00:47:10She always used to let us go swimming here.
00:47:13Take a dip as often as you like, whenever you want.
00:47:15Can I really?
00:47:17I'm going to go in right now.
00:47:19Thanks.
00:47:20So long.
00:47:21So long.
00:47:23Hey, wait a minute, I...
00:47:25Listen.
00:47:27Changed your mind?
00:47:29No, I just want to ask you a couple of questions about Katya.
00:47:34It's not just curiosity.
00:47:36I tell you, I feel like this is a movie, where...
00:47:39Like Katya going and disappearing?
00:47:41Typical of Katya.
00:47:43Were you friendly with Katya a very long time?
00:47:45We roomed together.
00:47:47Our place is very near here, about 10 blocks.
00:47:49We're models.
00:47:51And sometimes sales girls, specializing in door-to-door.
00:47:55It's not dangerous and it pays pretty good.
00:47:57Hey, listen, I don't suppose you're interested in the culture of pre...
00:48:01Pre... Pre-Columbia?
00:48:03No.
00:48:04I sell beautiful photographs and they don't cost much.
00:48:06No, really, thanks.
00:48:08Oh, well, nice try.
00:48:09Ciao.
00:48:10Ciao.
00:48:27Ciao.
00:48:57Fuck.
00:49:27Fuck.
00:49:57Fuck.
00:50:27Fuck.
00:50:57Fuck.
00:51:27Fuck.
00:51:58Fuck.
00:52:00Fuck.
00:52:02Fuck.
00:52:04Fuck.
00:52:06Fuck.
00:52:08Fuck.
00:52:10Fuck.
00:52:12Fuck.
00:52:14Fuck.
00:52:28Fuck.
00:52:30Fuck.
00:52:32Fuck.
00:52:45Sorry, I was looking for Sandra.
00:52:47No, she hasn't arrived yet.
00:52:57Fuck.
00:52:59Fuck.
00:53:27Bruno, may I...
00:53:57Fuck.
00:54:28Fuck.
00:54:30Fuck.
00:54:32Fuck.
00:54:57Fuck.
00:55:27Fuck.
00:55:40Fuck.
00:55:42Fuck.
00:55:44Fuck.
00:55:46Fuck.
00:55:48Fuck.
00:55:50Fuck.
00:55:52Fuck.
00:55:54Fuck.
00:55:56Fuck.
00:55:58Fuck.
00:56:00Fuck.
00:56:02Fuck.
00:56:04Fuck.
00:56:06Fuck.
00:56:08Fuck.
00:56:10Fuck.
00:56:12Fuck.
00:56:14Fuck.
00:56:16Fuck.
00:56:18Fuck.
00:56:20Fuck.
00:56:22Fuck.
00:56:25Fuck.
00:56:27Fuck.
00:56:29Fuck.
00:56:31Fuck.
00:56:48Fuck.
00:56:50Fuck.
00:56:52I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:57:22You're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a female, you're a
00:57:52female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:01female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:02female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:03female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:04female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:05female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:06female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:07female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:08female, you're a female, you're a female, you're a female, you're a female, you're a
00:58:25female, you're a female, you're a female, you're a female, you're a female, you're a female,
00:58:53you're a female, you're a female, you're a female, you're a female, you're a female, you're
00:59:20a female, you're a female, you're a female, you're a female, you're a female, you're a
00:59:49female, you're a female, you're a female, you're a female, you're a female, you're a female,
01:00:18you're a female, you're a female, you're a female, you're a female, you're a female, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you're a male, you
01:00:48are a male, you are a valorous female, you are a valorous male, you are par excellence.
01:01:11I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life
01:01:41I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed to do with
01:02:11my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed
01:02:41to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed
01:03:11to do with my life, I don't know what I'm supposed to do with my life, I don't know what I'm supposed
01:03:41to do.
01:03:54I'm recording this just in case anything happens to me.
01:04:01I'm nearly positive that I've uncovered a chain of murders.
01:04:06admitting at the same time another possibility that the whole thing is in
01:04:10my imagination or very powerful auto suggestion but I don't think that's the
01:04:15case too much proof to the contrary in the house where I said something hellish
01:04:20has happened what was the secret that Katya knew who is Linda Linda I feel her
01:04:30presence its name is death it hovers all around me yet somehow I'm not afraid of
01:04:39it I find it fascinating
01:04:45Katya and Angela are dead and they were killed in this house but where were they
01:04:51hidden the girl's bodies the final answer
01:04:56who is it it's me Sandra open the door
01:05:26I found your message your timing is right on I've got a hundred things to
01:05:33tell you this is all the whiskey you possess bottle is finished if you want
01:05:44there's tea coffee and yogurt it's all I can offer you oh my I could never live
01:05:48with you I never asked you to and so you say that here in this house there were
01:05:54two murders two young girls mysteriously done in you find it hard to
01:05:58believe me okay say it's true then why do you delay reporting it to the police
01:06:02without the bodies as evidence they think I was crazy and I have to believe
01:06:06it it's true Sandra it's also fantastic and I don't mind telling you that the
01:06:10thought that those corpses could still be here in this house is a scary one
01:06:14yeah but what makes you so certain they're still around the killer had
01:06:17little or no time to get rid of the bodies but there loads of places where
01:06:21he could have hidden them in a house this huge and I believe unless you
01:06:24imagined the whole thing the bodies are still here have you searched every room
01:06:29oh but the one downstairs in the cellar why didn't you look in there because it
01:06:36was locked it contains some things of the last tenant Linda Linda what's her
01:06:42age how would I know I used to know a Linda but it couldn't be the same one
01:06:48it'd be a coincidence just too much do you know anything at all about her just
01:06:54what I've already told you there was her name in Katya's diary as well as on the
01:06:59recording but this other Linda the one oh it couldn't be her let's take a look
01:07:03in the room downstairs
01:07:18there it is now we just got to figure out a way to get in it's open it was
01:07:38locked I swear if somebody opened it
01:07:48you
01:07:57you don't think that that the bodies are in these boxes hold this
01:08:10she read a lot
01:08:18you
01:08:31nothing in here either
01:08:48you
01:08:59tennis balls can't be it's impossible what is it's the same Linda why do you
01:09:11say that what makes you so certain she's the same one it's a very strange you
01:09:15had no idea she was living here no how would I know I haven't seen her in
01:09:19almost three years there's no doubt I'm absolutely sure it's her what are these
01:09:24balls got to do with it she was obsessed with tennis it was a
01:09:27running nightmare hearing tennis balls bouncing in the dark you mean like in
01:09:32your film yes it was Linda who inspired it childhood trauma turning a normal
01:09:38person into a monster you're saying that Linda I can't say that she did the
01:09:43killings but the film is based on Linda as a child all the rest is my fantasy
01:09:48the difference between fantasy and reality often becomes minimal these
01:09:54coincidences you haven't projected the last reel of the film yet how does it
01:09:59finish this story are you by any chance suggesting there could be an analogy
01:10:03between my film and these killings look I don't know I'm not sure any longer the
01:10:07killings occurred
01:10:37whoever it is is just above us in the studio sound like a woman Linda
01:10:51Oh
01:11:06footsteps have stopped what's she doing
01:11:13ah she heard that for sure what do you think I don't know I don't hear any
01:11:23footsteps yeah but that doesn't mean she's gone why did she come back you
01:11:29should know Sandra the killer always returns to the scene of the crime what
01:11:34are we going to do you're asking me you're the expert on these things I'm
01:11:38only a musician shhh quiet you want her to hear us
01:11:44Oh
01:12:03where are you going we can't stay down here forever
01:12:08wait for me
01:12:44did you see
01:12:51I'll take your scarf what are you gonna do you saw that night don't you think
01:12:56you should wait
01:13:44so
01:14:14oh my god it's you why who did you think it was I don't know but after what
01:14:38you told me the other night that girl Katya mind explaining why you were
01:14:42skulking skulking what the hell are you saying you're the one clacking around
01:14:46carrying a knife oh come on we were all a little worried over these missing
01:14:51girls but it makes no sense to carry on this way just a case of being a bit
01:14:56overwrought Oh Bruno you will forgive me I might have
01:14:59killed you it's only that I was frightened out of my mind I saw this
01:15:04figure approaching and I didn't know it was you and me I was ready to strangle a
01:15:09murderous there you see all's well that finishes well or whatever the guy said
01:15:13it was a night I wouldn't want to repeat I tell you this is yours and this is
01:15:17yours there was any whiskey left this would be a good time to drink it right
01:15:22save the tea and yogurt for breakfast
01:15:28thanks for everything kidding you all right going home alone
01:15:32sure even though I've discovered that as a woman I'm a physical coward ciao
01:15:43ciao night night Oh sweetie Bruno what is it just a little curiosity what sort
01:15:59of things were you doing downstairs with Sandra you sound a little jealous
01:16:05a little you by the way how come you're here didn't you have a show tonight yes
01:16:11but I well these unexpected appearances make me happy I admit as a working
01:16:17actress how did you arrange this visit hmm the play well it got suspended you
01:16:23can read all about it in the morning news darling and for what reason was it
01:16:27closed hmm the charge was obscenity I asked you
01:16:32Sackville West is called a dirty show I knew it was sexy I would have come to
01:16:36see it what was it about homosexuality and females oh that explains it people
01:16:41don't want to know about that you know for a moment down there I really thought
01:16:48you were gonna try and kill me and now you'll always wonder about that won't
01:16:53you wait I have a surprise for you wait there a minute okay Julia are you ready
01:17:10Julia
01:17:15hey where are you
01:17:24well I wasn't you get such a kick out of girls in closets only when they
01:17:31scared of cockroaches is this yours have you forgotten already that the two of us
01:17:46met playing tennis tell me who you are don't you know a young actress very
01:17:56talented who's destined to be a rich and famous celebrity although at the moment
01:18:02I have to be contented with only a simple musician full of dreams but with
01:18:08nothing in his bank account are you giving me a feel and that ain't all
01:18:12you're gonna get tonight cockroach
01:18:42you
01:19:00Julia
01:19:12where are you
01:19:42oh
01:20:12Linda Linda is it you Linda why don't you answer hello Linda don't cry listen
01:20:34I'm so sorry the way things turned out but I didn't betray you I used your
01:20:39story for the film but I invented the rest please Linda I didn't I didn't say
01:20:51anything look if you would we can meet Linda say something
01:21:08Julia Julia
01:21:21I
01:21:51if I need morning sir sleep well pretty good thanks did you happen to see Julia
01:22:00Julia who's that a little blonde girl that saved the night yeah I seen her a
01:22:07few minutes ago she was over by the cottage are you sure she's up early I
01:22:15know it's none of my business but your friend must suffer from insomnia she's
01:22:20up at dawn each morning the other morning too I saw her near the cottage
01:22:24but I wouldn't worry I have trouble sleeping myself oh I forgot to tell you
01:22:29new purifier for the pool has arrived
01:22:50you
01:23:06what are you doing what how come you're up so early I came down here to relax
01:23:13for a while I couldn't sleep all those stories you told me gave me a bad
01:23:18headache you call them stories two young girls disappear and it's quite likely
01:23:23they were killed here in this house give me a break Bruno don't begin again just
01:23:28please don't begin ever since you started this job with Sandra you're
01:23:33somebody else I don't know you anymore you see murder everywhere I never said I
01:23:39saw anything I only suspect please huh besides if you want to know I'm not a
01:23:44Sandra Booster there's something I don't trust in my opinion it's you who's
01:23:48being awfully strange this morning and not only in my opinion this morning this
01:23:52fighting and being jealous and this picking of arguments don't be so
01:23:54innocent pay attention to your own sins
01:24:00thanks a lot I'm really sorry to bother you like this that's all right
01:24:06what do you got in here machine guns careful now put it down here okay watch
01:24:21your hands there thanks you're welcome
01:24:35Giovanni did you ever see my girl come around here before I took the villa
01:24:46listen my job is to look after the estate not count the visitors seriously
01:24:52that girl from the closet has vanished and so is Angela only vanished where I
01:25:00don't know maybe they're dead that's not very funny because it could be true oh
01:25:08come on you're kidding at least I hope you're dead serious Giovanni I can tell
01:25:14you one thing I'm gonna find out what's going on
01:25:17Julia
01:25:39you're blocking my son listen to me I God you should be a morgue attendant
01:25:50Bruno you should see your face this is not the moment to kid I have to go out
01:25:54for an hour or so go ahead I'll stay here by the pool that's just what I
01:25:58don't want I'd feel better if you came along with me you actually gonna begin
01:26:04again with this story and is it possible you're such a vacant nerd your
01:26:09satisfaction is to sit like a frog in the Sun just beat it and do us a favor
01:26:13use your head Bruno say he does exist this mysterious murderer in the villa it
01:26:19stands to reason we'd all of us be murdered by now my god just the other
01:26:22night you were absolutely sure that that someone was trying to kill you you were
01:26:25scared out of your wits the other night there were no lights on but the Sun's
01:26:29out today no one is ever afraid in the sunlight I'll leave you to the pool but
01:26:34take care okay there's no one here I find it difficult to figure out how we
01:26:39ever got started as a couple me too if you want to know
01:27:04I'm gonna go now. Bye. Yes.
01:27:10I'll see you later on tonight then. Ciao.
01:27:12All yours.
01:27:35Hello. Hello. Is this the Travel Theater? Yes, who's speaking?
01:27:43I want to talk if I may to the director of the company Mr. Caruso.
01:27:47This is he, but speak louder please. I can hardly hear you.
01:27:50I understand that your recent play, Sackville West, got blacked out.
01:27:54Is it correct this was on charges of obscenity or any such thing like that?
01:27:58Blacked out for obscenity? What are you talking about?
01:28:02Sackville West is a show for school kids sponsored by the Department of Education.
01:28:06Well, it must have been some other show they meant, not yours.
01:28:08Excuse me, do you use the actress Julia Rubini?
01:28:11Ah, you're a friend of Julia's, huh?
01:28:14All right, where is she? What do you mean?
01:28:16If she's such a coward she can't call, you tell her this.
01:28:19Her little games have not been forgotten.
01:28:21And this time we're not going to let it go.
01:28:23We're taking her to court. You got that?
01:28:25I'm sorry, I don't follow you.
01:28:26She didn't tell you? She took off on opening night without a word.
01:28:29And that's the last we heard of her. And I had no understudy.
01:28:33When did she do this?
01:28:35Last week. And if you talk to her, tell her I don't ever want to see her ass around this theater again.
01:28:41Goodbye.
01:28:42Mr. Caruso?
01:28:59DOOR CREAKS
01:29:29DOOR CREAKS
01:29:59DOOR CREAKS
01:30:15DOOR CREAKS
01:30:29DOOR CREAKS
01:30:38Hey, how you doing?
01:30:40Not so well.
01:30:48This is a black and white print for consignment.
01:30:50Okay.
01:30:52Hi, Carlo.
01:30:53Hi.
01:30:54I want to have a look at the last reel of the film.
01:30:56The last reel?
01:30:57The rumors are that no one's to see it.
01:30:59Ciao, Carlo. Is the projection ready?
01:31:01Yeah. You'd better hurry. They were looking for you.
01:31:04God, a girl can't even take a pee.
01:31:06Well, she's got to make an exception for me, Carlo.
01:31:08Hold on a second.
01:31:09Hey, honey, would you mind getting off that phone? I've got an important call to make.
01:31:14Keep your pants on, Carlo.
01:31:19I'll cook it for you next time I come.
01:31:23Oh, don't be silly.
01:31:26It's delicious with artichokes, you know, sweetheart.
01:31:29This one? Yeah.
01:31:30Carlo, but how do I function if I don't see the reel? Sandra knows I've got to finish.
01:31:34Don't worry.
01:31:36I didn't say nothing, huh? The reel's on the moviola.
01:31:39Thanks.
01:31:47What?
01:31:50Carlo!
01:31:51Yeah, what is it?
01:31:53Look.
01:31:55My God, what's happened here?
01:31:57Jesus, what a mess.
01:31:59Who was in here?
01:32:00I don't know who was in here, but I know what's going to happen when Sandra finds out.
01:32:03Would you look at that? In friggin' pieces.
01:32:06This was the last reel of the film?
01:32:08Yeah, the last reel. The famous one.
01:32:12Can you put it back together?
01:32:14This reel goes out in the trash bin. How the hell are you going to remount it?
01:32:25I don't know.
01:32:55Okay, we'll give it a try, but it won't be like it was.
01:33:09There's a lot of footage missing.
01:33:20It'll take a miracle to get these pieces back together right.
01:33:25Okay.
01:33:55Okay.
01:34:26Oh!
01:34:44But I've seen this before.
01:34:47Are you sure this is the final reel?
01:34:49This is the last reel, all right. You can be sure of that 100%.
01:34:53That little boy's a good actor.
01:34:56Turn it back a bit, huh?
01:35:01The secret must lie in this reel.
01:35:04But what is the secret?
01:35:06What secret? All I see are small boys playing with a tennis ball.
01:35:11Small boys? But that's a...
01:35:13Go backwards again.
01:35:15Who is she?
01:35:17We didn't see a woman before.
01:35:19Do you know anything about it?
01:35:21No, this must be the beginning of the final scene.
01:35:24And that's the one that was missing from the film, the one we couldn't find.
01:35:27And here we have a new character.
01:35:29I would guess from this shot that the killer in the film is this woman.
01:35:32In the film? I'm beginning to understand.
01:35:52Linda?
01:35:57Linda?
01:36:21Linda?
01:36:37Ah!
01:36:51Ah!
01:36:57Ah!
01:37:07Ah!
01:37:17Ah!
01:37:22Ah!
01:37:28Ah!
01:37:30Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:38:00Oh
01:38:30I don't know what I'm talking about.
01:38:33I don't know what I'm talking about.
01:38:36I don't know what I'm talking about.
01:38:39I don't know what I'm talking about.
01:38:42I don't know what I'm talking about.
01:38:45I don't know what I'm talking about.
01:38:48I don't know what I'm talking about.
01:38:51I don't know what I'm talking about.
01:38:54I don't know what I'm talking about.
01:38:57I don't know what I'm talking about.
01:39:00I don't know what I'm talking about.
01:39:03I don't know what I'm talking about.
01:39:06I don't know what I'm talking about.
01:39:09I don't know what I'm talking about.
01:39:12I don't know what I'm talking about.
01:39:15I don't know what I'm talking about.
01:39:18I don't know what I'm talking about.
01:39:21I don't know what I'm talking about.
01:39:24I don't know what I'm talking about.
01:39:27I don't know what I'm talking about.
01:39:30I don't know what I'm talking about.
01:39:33I don't know what I'm talking about.
01:39:36I don't know what I'm talking about.
01:39:39I don't know what I'm talking about.
01:39:42I don't know what I'm talking about.
01:39:45I don't know what I'm talking about.
01:39:48I don't know what I'm talking about.
01:39:51I don't know what I'm talking about.
01:39:54I don't know what I'm talking about.
01:39:57I don't know what I'm talking about.
01:40:00I don't know what I'm talking about.
01:40:03I don't know what I'm talking about.
01:40:06I don't know what I'm talking about.
01:40:09I don't know what I'm talking about.
01:40:12I don't know what I'm talking about.
01:40:15I don't know what I'm talking about.
01:40:18I don't know what I'm talking about.
01:40:48piano & drums play in rapid rhythm
01:41:18laughs
01:41:21whoo-hoo!
01:41:48whoo-hoo!
01:42:19thunderclap
01:42:22gasps
01:42:42gasps
01:42:48gasps
01:42:51thud
01:42:54sobbing
01:42:57sobbing
01:43:00sobbing
01:43:03sobbing
01:43:06sobbing
01:43:09sobbing
01:43:12sobbing
01:43:15thunderclap
01:43:18gasps
01:43:21gasps
01:43:24thud
01:43:27laughs
01:43:30laughs
01:43:33laughs
01:43:36laughs
01:43:39laughs
01:43:42thunderclap
01:43:45thunderclap
01:43:48Don't be afraid.
01:43:50I don't want to hurt you.
01:43:52I want your blood.
01:43:54laughs
01:43:56Don't act like this.
01:43:58gasps
01:44:01squeaking
01:44:04squeaking
01:44:07laughs
01:44:11thunder
01:44:19thunderclap
01:44:22squeak
01:44:25laughs
01:44:28whoo-hoo
01:44:31whoo-hoo
01:44:34whoo-hoo
01:44:37Oh
01:45:07Oh, oh, oh, oh.
01:45:10Oh, oh, oh, oh.
01:45:13Oh.
01:45:16Julia?
01:45:20Oh.
01:45:23Oh.
01:45:27Julia.
01:45:28Julia.
01:45:33Oh, no.
01:45:37Tony!
01:46:07I'm not a female child...
01:46:24I'm not a female child...
01:46:30I'm not a female child...
01:47:00I'm not a female child...
01:47:10I'm not a female child...
01:47:20I'm not a female child...
01:47:40I'm not a female child...
01:48:10I'm not a female child...
01:48:20I'm not a female child...
01:48:30I'm not a female child...