そ～だったのかンパニー 2024年9月8日 徹底した現地調査！家系図制作カンパニー
そ～だったのかンパニー 2024年9月8日 徹底した現地調査！家系図制作カンパニー
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00A piece of scroll is spread out.
00:03This is a drawing.
00:05I can see the world that I can't see.
00:10A drawing.
00:12It is a key that holds our roots.
00:16I think it's about 300 pieces.
00:21A boom of drawing that spreads silently.
00:25In the background, there is a strong desire to know one's roots.
00:31My father is from Fukushima.
00:34When I was a kid, I was a little...
00:37It's not like I'm saying goodbye, but I'm a little...
00:40To be honest, I didn't have much knowledge about my father's roots.
00:45I did a lot of research.
00:48What kind of influence does the life of our unknown ancestors have on us today?
00:55Many people are asking for the answer to the question.
01:01However, drawing is not a one-way street.
01:06It's a one-way street.
01:09It's a one-way street.
01:12It's a one-way street.
01:17It's a mountain of vast data.
01:19It's a mountain of vast data.
01:21And sometimes it comes across unexpected facts.
01:25I investigated Fukushima's graves for three days.
01:29I investigated about 10,000 graves.
01:32I'm 99% sure.
01:35This is all Mr. Matsuoka's work.
01:38Even so, by connecting each piece and completing the drawing,
01:44it brings joy and excitement to the client.
01:48I was a little surprised.
01:51I felt like I could see a lot of people I couldn't see.
01:55This time, we're at the site of such a drawing.
02:00It's a story about the knowledge, spirit, expectations, and emotions of professionals and clients.
02:07The moment when the past and the present intersect.
02:10Behind that was the sweat and passion of the couple.
02:15The history of the family following the roots.
02:17The backstage of drawing.
02:20The story of the family following the roots of the family.
02:24The story of the family following the roots of the family.
02:26The story of the family following the roots of the family.
02:38When it comes to family drawing,
02:40it is often imagined as a work that is used in the continuation of legacy or inheritance.
02:44These days, more and more people are looking for the roots of their own business.
02:51The roots of their own business?
02:52Otafuku Holdings, which is famous for its okonomiyaki sauce, is one such example.
02:57Five years ago, we asked the founder to create a family portrait and re-discovered the history of his company.
03:04Looking back at the life of the founder, Mr. Sasaki Seichi,
03:11it is important to understand the background and environment in which he lived.
03:16It is important to understand the background and environment in which he lived.
03:24The family portrait was created by Mr. C.P. of Yugen Company in Hiroshima City, Hiroshima Prefecture.
03:33Although it was originally a design company,
03:35Mr. Harada and his wife started the family portrait project in 2014.
03:40Over the past 10 years, they have received over 300 applications.
03:46The company that came from the farthest place was Saitama.
03:50It seems that I was searched on the Internet.
03:53That's how I came to this company.
03:56Why was this company chosen as one of the most popular family portrait companies in Japan?
04:03Let's take a look at the production site to find out the secret.
04:09The first step in receiving the family portrait application is the application for the family portrait.
04:15If you take the current family portrait of the applicant,
04:19you can see where the family portrait is based on.
04:22It is on the family portrait in the form of so-called Juzen-koseki.
04:27Juzen-koseki is the previous family portrait in the current family portrait.
04:32In general, the parent's family portrait is written, so you can see where the parents lived.
04:39The point of family portrait production is to find out how far you can get to the old family portrait.
04:45The oldest family portrait in Japan is from Meiji 19.
04:50If you get this family portrait, you may be able to follow the ancestors of the Edo period.
04:56However, whether the Meiji 19 family portrait remains or not depends on the body.
05:03In the old days, the family portrait was decided by law to be erased after 80 years.
05:12For example, if all the children are married and only the parents are left in the family portrait,
05:18if these two children are gone, the family portrait will be closed and removed.
05:24The preservation period after the removal of the family portrait is now extended to 150 years,
05:30but in the past, it was said that it was okay to dispose of it after 80 years.
05:35Whether to dispose of the family portrait after the preservation period is left to each local government,
05:40so it is likely that the old family portrait remains in areas with low population.
05:48It takes about a week to apply for a family portrait and get it to you.
05:52If it's late, it may take about two weeks.
05:57If there are a lot of households, we do all of that,
06:01so it takes about two to three months just to collect the family portrait.
06:06Companies that accept the family portrait are generally the ones who apply for such a family portrait
06:11and collect the information they can get.
06:15However, if you do not suppress the effort to get a family portrait,
06:18it is not impossible to make a family portrait yourself.
06:23In such a situation, what is the difference between this company,
06:28which has applications from all over the country?
06:31Mr. Sasaki, who applied for a family portrait,
06:35Originally, there was an old grave where Sasaki lived.
06:41I visited the grave regularly, but I did not know whose grave it was.
06:47I was asked to read what was written on the grave,
06:52and I was finally able to find out whose grave it was.
06:58This was also revealed in Mr. Harada's investigation.
07:03The big point of applying for a family portrait was in this detailed local investigation.
07:11I've been looking into it for 20 years,
07:13and I've come to a conclusion that there's nothing I can do about it.
07:17There's a limit to what you can do with a family portrait,
07:20so I think it would be better to look into more than that.
07:26The investigation is thorough to the point where it cannot be investigated by an individual.
07:30From here, the mystery of Mr. Harada's family portrait, which is beyond our imagination, begins.
07:37I've heard of the Kakeizu boom,
07:41but it's the first time I've met someone who does it as a company.
07:48Let's listen to the story.
07:50Mr. Harada, the president of CPC, and his wife, Ms. Tazuko, came to the studio.
07:56Nice to meet you.
07:59What does CPC mean?
08:02It's short for Creative Planning Center.
08:05It's a company that started as a design company.
08:08Was there a reason for that?
08:10In 2012, my uncle passed away,
08:13so I went there to take him to a funeral.
08:17My uncle's name was changed to Yoshi,
08:21so his daughters asked him why his name was changed.
08:27They didn't know why,
08:30so they decided to make a Kakeizu.
08:36It's said that the oldest Koseki is from Meiji 19.
08:41Why is that?
08:43The oldest Koseki is from Meiji 5, 1872.
08:48It's called the Jinshin Koseki.
08:50It has the name of a clan or a commoner.
08:54That was the era.
08:55We can't say that now.
08:57The oldest Koseki is from Meiji 19.
09:01It's the oldest, but we can't get it.
09:04We can't get it even if we apply for it.
09:07We can't get it even if we apply for it.
09:12Even if it's the oldest, you can't get it?
09:15That's right.
09:17Let's check out the backstage of the Kakeizu.
09:21It looks fun.
09:23The Kakeizu
09:27Once all the Kosekis have been applied for,
09:30they start preparing for the investigation.
09:33Matsumoto-san's body is from Onan-cho,
09:38Misato-cho, and Otashina-e.
09:43It turns out that the client's roots are in the west of Shimane.
09:47They head to the site right away.
09:50Harada-san's car is a big one-box car.
09:56What is this?
09:58This is a camping car for the investigation.
10:02This is used all over Japan.
10:05Wow.
10:06All over Japan,
10:08any company that goes on an investigation
10:10usually uses a camping car.
10:15If it's a long trip, it takes about a week.
10:20If it's a normal trip,
10:23you can't go up the mountains,
10:26so you have to use a camping car.
10:31Kyushu and Tokyo are still close.
10:34In the past, Hokkaido also used a camping car.
10:39This is Matsuoka-san, the client.
10:44My father passed away in March.
10:48My mother passed away 13 years ago.
10:52I don't have anyone to talk to about my relatives or ancestors.
10:59I wanted to know the roots of my family
11:03and what kind of influence they had on me.
11:07That's why I asked for this body.
11:10Matsuoka-san's father is from Kumamoto Prefecture.
11:15Her mother is from Shizuoka Prefecture.
11:17Her husband is from Shimane Prefecture.
11:19With this request,
11:21at least these three will go on an investigation.
11:27Good morning.
11:29I'm Harada from Hiroshima.
11:31I'm from Kakeizu.
11:33As soon as they arrived in Shimane,
11:36they visited the relatives of the client.
11:41Most of the Kakeizu people here
11:43are from the Koseki Prefecture.
11:47They were recruited?
11:49What did your ancestors do in the Matsuoka family?
11:54I have eight brothers.
11:59They asked their ancestors
12:02what kind of life they had in the Kakeizu family.
12:06According to the investigation,
12:08there is a place where only old tombs remain.
12:12They went to the site with the help of their relatives.
12:16Can I go with you?
12:18You can.
12:20You can?
12:21Yes, you can.
12:23They arrived at a mountainous place where trees grow.
12:36Here you go.
12:38I'm going to investigate.
12:43There is water in a plastic bag.
12:46Is this for drinking?
12:48No, it's for rubbing the tombs.
12:51In old tombs, there are walls and moss.
12:56If you remove the moss,
12:58you can see the words.
13:01You can see the words you couldn't see before.
13:04You can see the names of the deceased.
13:11After a while,
13:14they noticed many tombs next to them.
13:19These are all Matsuoka's tombs.
13:22These are all Matsuoka's tombs.
13:24What?
13:26I didn't know that.
13:28I didn't know that.
13:30All the tombs in this area
13:33were the tombs of the ancestors of the deceased.
13:36I have to put a bookmark.
13:39Find the tombs of Shinakichi and Sojuro.
13:43I haven't found them yet.
13:45This is it.
13:46The characters are different.
13:48This one says Jyu,
13:51but Sojuro wrote Omoi.
13:54This is the second person who appeared in Koseki.
13:58Finally, they found the tombs of the Edo period.
14:02Some people died in Ansei.
14:05I think they were born at the beginning of the Tenpo period.
14:11Was it before Koseki?
14:13This person hasn't appeared in Koseki.
14:17There is an even older grave next to it.
14:21It's a cultural grave.
14:23It's a cultural grave.
14:26Speaking of culture,
14:28this is the first grave in the 1800s,
14:31which is 50 years older than Ansei.
14:33This grave was more than 200 years old.
14:36If you read the letters on the grave,
14:39you can find the names of the deceased,
14:41the location of the grave, and so on.
14:45Now, let's move on to the next place.
14:50We came to a city library.
14:53I look up the history of my ancestors.
14:58For example, I look up the history of Chōkaigin and Sonkaigin.
15:06There is always a section in the library where you can look up the history of Kyoto.
15:13I go through the pages one by one and find the names of my ancestors.
15:19When I find the names, I look at the contents to see what they did.
15:24By doing so, I can get information about my ancestors.
15:29It's hard just to find the names.
15:32But I have no choice but to look up the history.
15:38There is more than one library.
15:41I always stop by the library in the area where my ancestors lived
15:45and go through the old documents one by one.
15:50If you don't go to the local library, you won't find such documents.
15:56I also go to shrines and temples in the area
16:00and look up the names of my ancestors one by one.
16:06Now, I'm excited to go to the shrine.
16:13There is no longer a boundary between private and public.
16:18This is a job that can only be done by a couple who have lived together for 30 years.
16:24Of course, even if I go to the shrine, I can't go to the library.
16:31Why do you spend so much time looking up the history of Kyoto?
16:36When the customers are happy,
16:40they are surprised and say,
16:44I'm so happy that I can do what I can't do.
16:58I want my children to know
17:02how their ancestors and roots spread.
17:11I want them to know that they didn't exist if their ancestors were missing.
17:22I hope they will cherish their lives from now on.
17:29It took a long time to conduct a thorough investigation.
17:32However, that was not the only reason why the company's family tree was chosen.
17:38It's more difficult work than I imagined.
17:47But it looks like you two are having a lot of fun.
17:53I can see that you are excited through the screen.
17:56In the video, it looks like Mr. Tazuko is taking the initiative.
18:01That's right.
18:03It looks like Mr. Tazuko is taking the initiative.
18:06It's interesting.
18:09I'm surprised that you are moving in a camping car.
18:12Isn't it difficult?
18:14No, it's not.
18:16On the contrary, it's good.
18:18First of all, I can reduce the cost to the customers.
18:21In other words, accommodation and transportation costs are all charged.
18:26The price varies depending on where you go.
18:28I see.
18:29The price varies depending on where you go.
18:32However, if you go to the Kanto area, you will be charged the same amount.
18:39It's a simultaneous process.
18:42I see.
18:43So you are going to attack the Kanto area.
18:48Yes.
18:49Do you want to go to a hot spring together?
18:52No.
18:53I see.
18:54You want to go to a camping car.
18:57I see.
18:58You want to go to a camping car.
18:59I see.
19:00I see.
19:01I see.
19:02Kakeizu of the new era is full of the company's commitment.
19:12After all the local surveys are completed,
19:14the layout work begins by selecting the information to be posted on Kakeizu.
19:20Our company is originally a design company.
19:24We want to make something like a design company.
19:26I see.
19:27So we don't change the color of each house.
19:30This is our characteristic.
19:32It's easy to understand.
19:34Certainly, in general, most of Kakeizu are connected by black lines.
19:40However, Kakeizu of the company is color-coded by name like a train route map.
19:46I see.
19:47It's easy to understand.
19:48You can see where to go by following which line.
19:51It's easy to understand, isn't it?
19:52It depends on the color.
19:53Yes.
19:54The name of the house and the location of the house are also illustrated and posted along with the photos.
20:01If the time goes down, it will be difficult to know whose grave this is and when it was.
20:08So if anyone sees this,
20:11they will be able to know whose grave this is and what kind of grave their ancestors had.
20:18Mr. Harada delivers the finished Kakeizu as much as he can.
20:24The delivery destination for this day is Otake in Hokushi, Yamaguchi Prefecture.
20:29Good morning.
20:31Thank you very much for today.
20:35No, no, it's nothing. Thank you very much.
20:39This is the wife of the client, Ms. Hiraiwa.
20:42It took a year and a half to deliver the Kakeizu.
20:46When my father passed away three years ago,
20:49I wanted to leave something for my father.
20:54If I have this Kakeizu,
20:57I think it would be nice if I could leave this Kakeizu soon.
21:04I didn't know there was such a history.
21:06I didn't know my family started here.
21:09I've heard that it started in Utsuba or Niigata.
21:14Looking at it now, I don't know what it will be like in the end.
21:17I'm a little surprised that there are so many.
21:20I feel like I can see a lot of people I can't see.
21:24I think I'm really grateful.
21:28In this way, one Kakeizu was completed.
21:32It is the story of the bond of the family that continues from the past to the present and the future.
21:39I hope this Kakeizu will light a new light in the heart of the client and be a step towards the future.
21:47How much is the fee?
21:50It's 690,000 yen.
21:52It's a real-time survey.
21:54It's 690,000 yen.
21:57It's a TV.
22:00It's okay.
22:01It's 690,000 yen.
22:04I've received requests from a lot of people, so I'm going with that.
22:11Here, we will actually expand the Kakeizu made by the company.
22:20Is it okay?
22:25It's amazing.
22:27There's still more.
22:29I did it.
22:32It's amazing.
22:34Yasuhara family.
22:35Who made this Kakeizu?
22:38It's a Kakeizu made by the president.
22:41Originally, it was called Yasuhara.
22:43My father-in-law came from Harada.
22:46I see.
22:48I see.
22:50How old is this Kakeizu?
22:55It's about the end of the Edo period.
22:59The oldest person to appear in Koseki is born in Tenpo.
23:04It's true.
23:05Tenpo is three years old.
23:08This is a map, isn't it?
23:11This is a map of Kure City before the war.
23:15So if you have this, you can go to that place.
23:20I wonder if 690,000 yen is cheap.
23:27Can you really do that?
23:30I can manage to eat.
23:34I'm not making a lot of money.
23:37Mr. Yoshima, please tell us about today's lesson.
23:41This time, time is eternal.
23:47There is a great thing about being eternal.
23:52If you look at the Kakeizu, there is no one.
23:57It is important to recognize that it is a miracle.
24:04I think it's important to take care of yourself and those around you.
24:08It's a family.
24:09I think I can learn to live just by looking at this and talking about something.
24:17Please take care of your health.
24:20I'm sure you'll be fine for five minutes.
24:24You look like you're having a great time.