Salón de té La Moderna - Ep 227
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00:00Let's see if I understand that you are nervous about the rehearsals of the operetta, but one thing is that and another is the tone that Agustín had with me.
00:09Well, it's the nerves of putting on a play like this, it's normal.
00:13Yeah, but I didn't do anything and he just jumped because I asked him about you.
00:17If I understand that he is nervous, he has to understand that I care about you. You are my sister.
00:21Well, don't worry so much about me that I'm fine.
00:24I can already smell what's going on. Agustín is pressuring you a lot. I'll talk to him to loosen you up.
00:30No, no, no. No, I better talk to him.
00:33In the end, we are in the same boat with this play and I will find a way to address the issue, don't worry.
00:39It's okay.
00:41If I'm honest with you, I also understand that you are nervous and in your situation I would be tachycardic.
00:51But what situation?
00:53Man, to raise an operetta of the magnitude of the court of Pharaoh?
00:57If it were not for my best dreams, I would have imagined my boyfriend with my sister working side by side.
01:04Yes, life goes around a lot.
01:07Yes, and you say it.
01:09Maybe I was a little unfair with Agustín. I think the best thing is that I give you space to work comfortably.
01:18I'm going.
01:24Are my two most beautiful nieces ready to go to work?
01:28But hey, what a busy day today. Did something happen?
01:32Well, yes. And you are responsible.
01:35Thank you for supporting Mrs. Lázara. It has been decisive for her to be re-invited to the room.
01:40Yes, we have done the most just for both of us. And we believe that she is not involved in the accident.
01:46And we also believe that when she says she feels a special affection for you, she is sincere.
01:52Ah, she said that.
01:55And judging by that smile that she tries to hide, I think it is reciprocal.
01:59Well, I can only tell you what I have told you.
02:03That Mrs. Lázara will be the manager of the salon again because there was no reason to dispense with her.
02:08I see. And beyond work?
02:11Beyond work? Well, Inés, we'll see. We'll see.
02:16And now let's go, I'm inviting you. Please, we're going to be late.
02:19Well, you get rid of talking about the subject, but you don't get used to it.
02:22Oh, by the way, uncle, yesterday a man came to offer us to participate in a popular breakfast at Puerta del Sol.
02:29Ah, well, it sounds interesting. Let me consult it with Pietro before giving an answer.
02:38Come on, you're going to make me an impromptu person.
02:45Marta, I ask you to please stop that and listen to me.
02:47And I ask you to leave, I don't want to talk to you.
02:50Well, until we don't talk, I'm not leaving.
02:52Marta, one moment, please.
02:56One minute.
02:58I just wanted to tell you that what you saw yesterday was a pantomime.
03:02Well, to be nothing more than that, it was nice to see you from that crumpled arm.
03:08That was all fake, Marta, I'm telling you the truth.
03:11Besides, I need my father not to suspect me so that he gives us a little space.
03:15Space for what?
03:16For what is it going to be?
03:17To be with you, to study again, well, for whatever, but with you.
03:22Well, what a way you have to show me that you want to be with me,
03:25letting yourself be seen from the other arm through the gallery.
03:27I've already told you ...
03:28I already know what you've told me, Salvita.
03:29But it seems to me a wordplay.
03:31If you really wanted to be with me, you would face your father.
03:35It may be, but ...
03:36Tell me, are you giving me long ...
03:38Ah, because you're ashamed of me.
03:40No, it's just that you're in a hurry to be seen with a poor person like me.
03:44Ah, no.
03:45It's just that you also think I smell bad, like your stupid girlfriend said,
03:48the ones we pick up on the subway, right?
03:50Well, of course not, Marta.
03:51And besides, she's not my girlfriend.
03:53Ah, she's not your girlfriend?
03:55Well, not by her own will.
03:58Look, Marta, I need you to trust me.
04:00And be patient.
04:01I know how to handle my father and it is better that he does not get angry
04:04because the consequences can be fatal.
04:06No, they are already fatal, Salvita.
04:07They are already.
04:11I should have listened to Antonio.
04:13Antonio?
04:14But what did Antonio tell you?
04:18Women always want more than men.
04:22And if a man is getting dizzy and telling you that he doesn't know if he wants to be with you or not,
04:27it is better to knock on the door and continue with the life of each one.
04:32But, Marta, don't leave me like this.
04:34Tell me what he told you, please.
04:36Look, I don't think I gave you the head to understand it.
04:40And now, please, you're making me waste a lot of time.
04:43I have the exam around the corner.
04:45If you want to keep seeing yourself with your girlfriend, go ahead.
04:58Next time, send me a notice and I'll stop by the studio or I'll send a waiter.
05:01Not at all.
05:02I like to see the first reaction of my clients when they see the portraits.
05:06They are usually the most honest.
05:09Have a seat.
05:16I read it this morning.
05:18About Mrs. Carla.
05:21What did she want to achieve with this?
05:27It's a long story to explain, Zenia.
05:32But, in short, Carla has always tried to destroy Matilde and me.
05:38What a sad life.
05:40Waking up every morning with the only goal of doing evil.
05:44Hatred has nothing good.
05:46I'm sure that when the police find her, she'll spend the rest of her life in jail.
05:49I hope so.
05:50I hope the truth comes out soon.
05:52Even if it gives rise to other news.
05:56Like the party of the teacher Marcial Lalanda in the best place in the city of Madrid?
06:02That's it.
06:04I'm going to keep you informed of everything.
06:07Or better yet, my photographs.
06:09An image is worth more than a thousand words.
06:13I thought you'd like to have them.
06:22They are wonderful portraits, Zenia.
06:27The truth is that yes, yes, of course I want to keep them.
06:30You are a great photographer.
06:32Thank you very much, Indigo.
06:35I want to give them to you as a gift.
06:37And there is nothing else to talk about.
06:39But I put you in a commitment.
06:42Notice that I had thought of hanging these portraits together with those of the other personalities who have passed through Madrid Cabaret.
06:49Estrellita Castro, Hemingway, Salvador Dalí.
06:53It is an honor that I want to exhibit them in your place.
06:56If you give me a couple of hours, I'll see what I have in the studio.
07:00But are you sure?
07:01Very sure.
07:02Anyway, I had to leave them here.
07:04If in the end I decide to leave.
07:06Better exposed than in a drawer picking up dust.
07:10I guess so.
07:12Although, well, I hope you'll accept a breakfast or a drink for the inconvenience.
07:17There is something I would like to ask you.
07:20I want to organize an act with women activists who defend universal suffrage.
07:28Sounds interesting.
07:31It can be denied as Mr. Fermin has done.
07:34But it would do me a great favor if Madrid Cabaret would let me.
07:38Claiming the vote of the woman is not something that can be celebrated anywhere.
07:42Celia, I totally agree with that.
07:45It is a matter of time before that law comes forward and is approved.
07:50Madrid Cabaret is at your disposal.
08:02Good morning, Mr. Fabio.
08:04Good morning, Mr. Fermin.
08:05May I ask you a question?
08:08Would it be necessary?
08:10The truth is that it would be good for me to have a little chat to clear my mind.
08:13Please sit down.
08:14Thank you, but I'm afraid I'm not going to be the one to facilitate that chat.
08:26I just can't believe what I've read in the press.
08:31Is it true that Mrs. Carla is alive?
08:34As alive as you and me.
08:36My God.
08:38The world is going to hell.
08:41If Mr. Jaime's good man raised his head.
08:44Well, almost better, right?
08:47That he is not a witness to the drift that the woman he loved has taken, don't you think?
08:52So, the corpse that appeared burned?
08:56That was just an assembly.
08:59Carla and her mother orchestrated everything to avoid prison.
09:03That was Mrs. Bárbara's mistake.
09:06Wanting to protect her daughter at any cost.
09:09And the only thing she has achieved with all this farce is to increase the charges for which she will be judged.
09:14And cause even more damage.
09:17She has deceived us all.
09:19She almost ended Mr. Peñalver's reputation.
09:22They were about to put Matilde in a sanatorium.
09:25How can that woman be so perverse?
09:28I have no answer for that.
09:31I assure you that I can't understand it either.
09:35Don Fabio.
09:39I would like you to tell me the truth.
09:42The truth is here, in the newspapers. It's all the truth.
09:45No, I don't mean the fact itself.
09:48You have always been very close to both Mrs. Bárbara and Mrs. Carla.
09:53What role have you played in all this farce?
09:57As you have defined it yourself.
09:59I assure you that I have been the most stubborn of all.
10:02I didn't know anything until recently.
10:04They deceived me like a little boy.
10:06Until recently?
10:07That means that you discovered everything.
10:09Before reading it this morning in the press.
10:13And I will have to bear that guilt for the rest of my days.
10:17You don't know how much I regret not having had the courage to go to the police.
10:22I just found out.
10:24Why didn't you do it?
10:30To protect Mrs. Bárbara.
10:33For a point.
10:34Who were the attendants at our wedding?
10:37Well, that's easy.
10:39We went with your uncle Paco.
10:42Your uncle Bonifacio.
10:44Your aunts Obdulia and Ramona.
10:48Well, with the priest.
10:50And with the donkey that took us to the hermitage, right?
10:54And?
10:56Have you forgotten about Obdulia's husband, Pepe?
10:59And what was the priest's name? And the donkey?
11:02Wait a minute. No, no, no.
11:04Did you name the donkey?
11:06Of course I did.
11:07In which head fits a chicken that cannot be named?
11:09Write it down and memorize it.
11:11The donkey is called Leonora.
11:14No.
11:16You named the donkey after my mother, Leonora.
11:20So we don't forget.
11:21No, no, no, no, no, no.
11:22I refuse to name the donkey after my mother.
11:25Well, we'll discuss that.
11:27Look, this is fabulous.
11:28Which of the two was more nervous hours before the wedding?
11:31You.
11:32You.
11:33Why me?
11:34Well, because it's always like that, right?
11:36The bride is the one who is always more nervous on the day of her wedding.
11:38Well, that's precisely why it's good that the rule is changing and that the groom is the one who is more nervous.
11:44Be.
11:49Look, this is new.
11:50What was the funniest moment of the wedding?
11:52Write down the answer.
11:53When you weren't able to put the wedding ring on me.
11:56No, no, that's not true.
11:58I'm sorry, but on our wedding day I put the wedding ring on you and I put it on you first.
12:03So you're already changing the answer.
12:05In the end, we're going to mess it up with so much absurd change.
12:08Come on.
12:09Let's go with the question of the wedding night, that one falls for sure.
12:12How was the wedding night?
12:13Fantastic.
12:14Fantastic.
12:22Good morning, Pietro.
12:23Good morning.
12:24It's nice to see how you make the pastas.
12:27You can see the tongue, which is a master.
12:31And if I came for the sojaldres, it's not ready yet.
12:35No, don't worry.
12:37It is clear that it will still take several hours to leave.
12:41So, is there something missing in the display?
12:43All in order.
12:44I just wanted to tell you personally that I am again the manager of this holy house.
12:50Yes, I had heard rumors.
12:52The truth is that Elias informed the whole squad.
12:55I imagined it, but I wanted to have the preference to tell you myself,
12:59since you are a key piece in this tea room.
13:03Thank you, Mrs. Lázara.
13:04The truth, and don't be offended, but I've been so busy that I haven't noticed your absence.
13:10Good morning.
13:12Good morning, Mr. Fermin.
13:13I was leaving.
13:14No, no, no.
13:15Wait, Mrs. Lázara, because I have to consult something with Pietro,
13:17which concerns you too, as a manager.
13:21You will go, Mr. Fermin?
13:22Yes.
13:23Look, Pietro, a popular and multitudinous breakfast is being organized at the Puerta del Sol
13:26and we have been invited to participate.
13:28Here are all the details.
13:31And I suppose that many of the best pastries in the city will also participate.
13:37I think we should participate.
13:41And here, at the end of the week, I am preparing a few meringues.
13:44If you think it's good, make a list with all the ingredients you will need and let me know.
13:49I will personally make sure that everything is ready.
13:52If you allow me, I have a lot of work ahead.
14:02Have you already told me that you will work here again?
14:04Yes, yes, yes.
14:05I'm glad that everything has been resolved.
14:07Well, everything ... I don't know. Yes, everything.
14:10It has been very unfair with her and, no matter how much she has rectified,
14:14I think it is not enough to restore the trust that there was between us.
14:18But she has rectified, right? And this speaks very well of you.
14:21Even so, Pietro.
14:23Even so, I notice her more distant than ever.
14:26Normal, on the other hand, because I have doubted her.
14:32You don't know how I understand you, Mr. Fermin.
14:34The same thing happens to me with Antonia.
14:36When Lucia appeared ...
14:40She has been losing hope.
14:42Hope of what? Of being with you?
14:44Even of marrying me, Mr. Fermin.
14:47She was silent when I told her that I was asking for marital nullity.
14:54I'm afraid she doesn't want to share her life with me anymore.
14:58It's as if ...
14:59As if a stage had been concluded.
15:01I know exactly what you are talking about, Pietro.
15:04Because I am suffering it in my own flesh.
15:08I think you should talk to her.
15:10Tell her how you feel, Mr. Fermin.
15:13Make it clear that you love her.
15:15If you love her.
15:16Yes, what happens is that I have always been quite reluctant to talk about my feelings.
15:21Reluctant ...
15:23And a little skillful.
15:26But, Pietro, apply your own advice. Talk to Antonia.
15:30I'm sure that sooner rather than later, I will be the godfather of your wedding.
15:41Noble husband, brave and strong, I will be your faithful wife.
15:45I will be the stone lover that I will hug your trunk.
16:00Agustín, what a surprise.
16:03I was teaching my text.
16:06I love that you are so committed to the work.
16:10Can I come in?
16:11Yes, yes, of course, of course.
16:20So, you were studying.
16:24Yes, yes, yes.
16:25Yes.
16:26Yes, yes, this pot is the opportunity of my life and ...
16:29when you have your dream so close,
16:32you have to dedicate all the time possible to make it come true.
16:35I understand.
16:37But I hope you don't have the study too advanced.
16:41No, no, but ...
16:43Has something happened?
16:44No, no, don't worry.
16:45The work has not been canceled or anything like that.
16:47I've just been eating with the author of the work and ...
16:52we've been reviewing the booklet.
16:56This is a second version.
17:00I would like to review the changes with you.
17:06Yes, but now.
17:08Well, I don't see why not.
17:09You yourself said you were studying.
17:14Don't worry, there aren't many changes.
17:16They are just some details, some phrases, anyway.
17:20I think it won't cost you anything to take it.
17:22That's not what worries me, Agustín.
17:24I'm sure those changes are more than justified
17:27and that in reality I hadn't studied so much either.
17:30So why did that Mohin come?
17:32Well, what worries me is my sister.
17:35She told me that yesterday she had a tone out with her and ...
17:39and she's not very happy.
17:43Well, it's clear that ...
17:47my words weren't very accurate.
17:50Yes.
17:52Laura doesn't deserve to be spoken like that.
17:54No, no, she doesn't deserve it.
17:59Inés, I ...
18:00No.
18:02No, I just don't want to hear it, Agustín.
18:06Yeah, but that's not going to make it less real.
18:09Even so?
18:10Uh-huh.
18:12Uh ...
18:16And ...
18:18As for the rehearsals, well ...
18:20I'll talk to Ñigo
18:22to see if he lets us rehearse in his place when it's closed.
18:26But what's wrong with this guard?
18:29Well, it's just that here ...
18:31we don't have a piano here.
18:33And ...
18:34I don't think it's appropriate for us to spend so much time alone.
18:38Yes.
18:40It is clear that it will be better, at least until the general rehearsals begin.
18:44That's it.
18:47Please study that version and ...
18:50let me know when you talk to Mr. Peñalver.
18:53Very well.
18:55I'm also going to talk to the usual pianist
18:57to see if he can accompany us in the rehearsals.
19:02Perfect.
19:16Well, everything has been resolved.
19:18And I assure you that at the end of the day I will send you the list
19:20with what you need for the popular breakfast.
19:22Great.
19:33Mr. Fermin, do you think it's a good idea
19:35to continue sharing the office?
19:38Why shouldn't I do it?
19:39Well ...
19:42Sincerely, for the misunderstanding
19:45that there was with my old job because of the incident.
19:48I would understand that you have changed your mind
19:50and that you are uncomfortable with me here.
19:52I have no problem with everything being as it is.
19:54What's more ...
19:57What's more, I would like everything to be the way it was before.
20:02On a work level, I assure you that it is.
20:04Lazara.
20:12Lazara, you know perfectly well that I do not speak alone
20:15in the professional field.
20:18I would like ...
20:20I would like us to resume our relationship.
20:23And I would like to tell you that it is possible.
20:26But today I feel very complicated.
20:29Today?
20:30Today means that ...
20:33that maybe in the future ...
20:34In the future, God willing, Mr. Fermin.
20:36Now I am very upset about everything that has happened.
20:40Seeing my colleagues question me has been very hard, but ...
20:45It has been even more difficult to see how ...
20:50how you have questioned me.
20:52You don't know how I regret it.
20:55But the circumstances ...
20:56Precisely because of our circumstances,
20:58I thought you were going to have more understanding of me.
21:02I understand that it will be difficult for you to assimilate it,
21:04because you found out about others and not about me, but ...
21:08But I have to ask for time, Mr. Fermin.
21:11I think it will be best for both of us.
21:15I am willing to wait.
21:17Whatever it takes.
21:19My feelings for you have not changed.
21:23I appreciate it.
21:25Yes?
21:28Did you send for me, Mr. Fermin?
21:29Yes, yes, Matilde. Come in, please.
21:31And sit down.
21:32You stay, Mrs. Lázara,
21:34because what we have to talk about with Matilde is a serious matter.
21:43You see, lately the gossip we have in the living room.
21:47Not that we live in a brochure.
21:49If they wanted the brochures, I would have as much interest as our life in the modern one.
21:54On the one hand there is Trini,
21:56who so far has to be the librarian's wife.
21:59Look at us losing a wedding like that.
22:03When she comes, she will have to tell me all the details,
22:05if she wants me to forgive her.
22:07They will keep something for her, I say.
22:09Well, but it's little.
22:11And then there is ...
22:13the librarian.
22:14That does not have a name or forgiveness.
22:16The librarian.
22:17Sarbita!
22:19That she walked the other day on the arm of that dangerous woman.
22:22And in front of Marta.
22:24Really.
22:25Look, I warned him.
22:26Don't you trust gossip?
22:28I feel like singing to him at 40,
22:30to see if all the nonsense was removed.
22:33Better not intervene.
22:35Leave it.
22:37Marta is no longer the innocent girl who came to the living room.
22:46Take it.
22:49Why do I eat it?
22:51You'll see how rich you are.
22:52Pietro is a pastry teacher.
22:55I don't have money on me.
22:57No, you don't have to.
22:58It's a gift.
23:00But don't tell anyone that I lost my hair.
23:04It seems that half his life has passed since I gave him that bun.
23:07And now he has become a woman
23:09who is preparing to enter the night school.
23:12I see.
23:13And what do you tell me about Don Fermín and the vampire?
23:15Do you think they are still dating?
23:18Well, I don't know.
23:19Tell me, you will have more information than me.
23:21Don't believe it.
23:22They are discretion in person.
23:24What doesn't get into my head
23:26is that he has seen Don Fermín in a girl like that.
23:32Don't you think I haven't realized that he hasn't tried K.O.?
23:38Don't tell me you're...
23:40I don't know.
23:41I'm of the Holy Spirit.
23:43Pietro and you haven't...
23:47Since his incumbency.
23:49Well, I forgive you for the affection I have for you.
23:52Well, do you know when the Italian will go to your house?
23:56Yes.
23:57We were going to buy the tickets to go to Italy and...
24:01they have asked for the cancellation.
24:02Oh my God, finally good news.
24:05Well, you can resume the wedding plans.
24:08The wedding plans?
24:10Oh, for the wedding it's me.
24:11I think you're hearing me wrong.
24:13That's because you're nervous about thinking about the wedding.
24:15Or is it that you don't want to get married anymore?
24:18Oh, if now I'm the only one I want...
24:30What a scare you gave me, Don Fermín.
24:32I thought you were going to disregard my services as a collaborator.
24:35I'm sorry to have disturbed you, Matilde,
24:37it wasn't my intention, but...
24:39the issue of Carla Morcuentes is getting to you.
24:42And how do you feel after finding out about all this?
24:46I'm still assuming it, don't believe it.
24:49It's hard for me to believe that there is someone who is able to do so much
24:52just to see me suffer.
24:54I guess you know that you have all my support for whatever you need.
24:57I add to the words of Don Fermín.
24:59And don't worry about taking a few days off.
25:01We would all understand.
25:03I appreciate it.
25:04But it won't be in Ester.
25:06I want to work.
25:08I've had enough of that harpy for a long time.
25:11Anyway, the offer is still up.
25:14And now, if you don't mind, I'm going to order some apples.
25:17I think we're all going to need it after reading the news.
25:20Thank you, Mrs. Lázaro.
25:28I'm sick of thinking about what Mrs. Carla has done to you.
25:33And that what's in the papers is just a small part?
25:38What?
25:40Don't you think that Mrs. Carla has committed more crimes than just pretending to be dead?
25:45Look, Don Fermín.
25:48Carla de Morcuende has blood crimes.
25:50And I'm not just saying that because of Aguirre.
25:53She killed her cousin Manuel, the supposed anarchist who planted the bombs in La Moderna.
25:57My God.
26:00And not just that.
26:02I also know that she hired the gunman who showed up at my wedding.
26:07She wanted to kill me.
26:09And if Íñigo doesn't get in the way, I...
26:13You were very lucky, Matilde.
26:14Both of you were lucky.
26:16No, Don Fermín.
26:19I wasn't lucky.
26:22I lost my mother that day.
26:27She died for a bullet that had my name on it.
26:30She died because of me.
26:31No, Matilde. Don't say that, for God's sake.
26:34You are not guilty of anything.
26:37You are the victim of the hatred of an alienated woman.
26:40Don't carry that guilt.
26:42Never.
26:44Do you hear me? Never.
26:47I hate you, Don Fermín.
26:50But I just need to take Carla to justice.
26:59Don't worry.
27:04Thank you, Don Ramón. Have a nice day.
27:15Well, I'm glad to see you. I thought you had moved to Germany today.
27:19It's not like it's the first time I spend the morning outside.
27:22I've been working, by the way.
27:25I didn't know you had another photo shoot.
27:28I haven't been photographing anyone.
27:30I was finalizing the details for the event of the suffragists.
27:33Have you found a place to celebrate it?
27:37In Madrid Cabaret.
27:38I've talked to Íñigo and he offers us the place.
27:41I'm glad you solved it so quickly.
27:44Although it's a shame that my uncle refused to celebrate it in the gallery.
27:47Well, yes.
27:48But well, the important thing is that we have a place to celebrate the event.
27:52In addition, Madrid Cabaret seems to me a more suitable place to gather the suffragists.
27:56Yes? Do you think so?
27:59Think of the clients of La Moderna or our own clients.
28:03Except for a few exceptions, most of them are conservative.
28:07Yes, the truth is that I hadn't thought about it, but you're right.
28:11Maybe it wouldn't have been to the liking of the usual clients of the gallery.
28:16Well, anyway.
28:18I'm going to look for some photos that Íñigo has asked me for.
28:22But how could I forget?
28:25What's going on?
28:28I have to take him some portraits this afternoon.
28:30But I had also agreed with the owner of my pension to pay the rent.
28:34Well, if you leave me the prepared portraits, I can bring them to you when we close.
28:43Given the way things are, I really appreciate it.
28:46Hey, Laura, you know that if you need something, you can ask me, right?
28:52Well, I can ask you until you go to Germany.
28:56Then I'll see who I tell my sorrows to.
28:59Well, I don't know.
29:01I can think of your brother.
29:05Well, there is precisely an issue that I would like to have a second opinion on.
29:10Yesterday I was with Agustín and he got very nervous.
29:14And he had a tone that I didn't like at all.
29:17And we weren't talking about anything strange, just about my sister and ...
29:22Forgive me.
29:24I have spoken without thinking.
29:26I imagine that for you it is not a good thing to hear me talk about my relationship with Agustín.
29:30It's okay.
29:31No, it is.
29:33I'm just not used to measuring what I can tell you.
29:36I'm sorry.
29:37It happens.
29:38It's just that I'm not used to measuring what I can tell you and what I don't.
29:42And besides, my sister has been very strange lately.
29:44She only thinks about her exams.
29:48Celia.
29:50Thank you for listening to me.
29:53It's a shame that we can't be friends like before.
29:57I also miss the complicity we had.
30:02But it's hard for me to be the friend you need.
30:07Anyway.
30:10I'm going to look for the photos.
30:24Yes?
30:27Don Fermín, they told me you wanted to see me.
30:29Yes, Teresa. They told you well. Come in, please.
30:31Come in.
30:32Take a seat.
30:37We have a conversation pending.
30:41I guess you can imagine where the shots are going.
30:45I want us to talk about Mrs. Lázara's re-admission to your position.
30:52Look, Don Fermín, I'm just in charge and you're the owner of the business.
30:57I don't have to say much about it.
30:58I know, I know, Teresa.
30:59But I feel the need to explain the reasons that have led me to re-admit her to La Moderna.
31:05Well, I thank you for your consideration.
31:09Look, Teresa.
31:11I've been thinking a lot about the accident.
31:19And I'm convinced that Mrs. Lázara's involvement in the events was minimal.
31:25She limited herself to following the orders of her superiors.
31:29And that zeal to obey the orders of her bosses is the only thing she can be reproached for.
31:35Well, that's the version you believe.
31:37No.
31:40That's the version that we should all take for granted.
31:45I'm sorry, Don Fermín, but I have my own version of what happened and I'm not going to change my mind.
31:52I have to tell you that I'm not surprised by your answer.
31:54We've been working together for many years and I know how stubborn you can be.
31:59No, no, it's not a matter of being stubborn or not.
32:02Cañete and you have a different point of view of things, but it is legitimate for each to defend their own ideas.
32:09Of course, go ahead, I totally agree with you.
32:13But I don't want the diversity of criteria in this matter to affect the work environment.
32:23What exactly do you want, Don Fermín?
32:25I want to know if you will be able to work at the orders of the manager.
32:29I'm not asking you to be friends.
32:32Only that your rivalry does not affect the operation of the room.
32:38Do you think you will be able to?
32:40Look, what I can tell you is that these last few weeks you have had your head somewhere that is certainly not the modern one.
32:49And I'm not saying it's wrong, God forbid.
32:52But of course, it is an attitude that cannot be overlooked.
32:55You see?
32:56That's what I mean.
32:58That you said wrongly the lack of projection at work during all these years is your business.
33:05But what I will not allow is that you gossip about matters that do not concern you.
33:11You wanted to play with me, right?
33:13Very well.
33:15Well, I'm going to take you to the limit and you won't have time to breathe.
33:21You can be calm, Don Fermín.
33:24For my part, there will be no problem with Mrs. Lázaro.
33:29That's what I wanted to hear, Teresa.
33:32And now you can go back to work. Thank you.
33:39How long does it take from Peñalba de Santiago to Madrid?
33:43Ten hours.
33:45Ten hours by bus.
33:47The details are important.
33:48My love, I already told you.
33:50Let's see, what happened during the return trip?
33:51Look, I only know what's going to happen if you continue with these dates.
33:55Okay? We've been like this all day.
33:57If you paid more attention ...
33:59Well, I can't, I can't get my head around it.
34:01I think there is no medical student who has studied more than you and me today.
34:06Speaking of doctors, can you tell me which distant relative of your aunt could not come to the wedding
34:11because she was preparing the medical exams?
34:14Well, no, I can't tell you because my head is going to explode.
34:17And then you're going to be without a wife, without a baby and with a virgin to clean.
34:22Okay, we can take a break.
34:24But let it be known that I do all this for our own good.
34:26Yes, I know, my love, you do it for our own good.
34:28But it couldn't cost more our fake wedding than the real one.
34:31And more here, locked up.
34:33Well, get used to it.
34:34Because when the baby is born, it's going to be worse.
34:37What do you mean?
34:38Well, we're both going to be here at home with a baby that's going to cry all alone.
34:43But you don't know that.
34:44Of course I know, that's what all babies do.
34:46They are sleepy, they cry, they are hungry, they cry.
34:48If the diaper bothers them, they cry more.
34:50And on top of that, when it's cold, we won't be able to go out because we're afraid they'll catch a cold.
34:54Or because of the heat.
34:55They won't catch a cold in the sun.
34:57Oh, my love, please.
34:59Will we be able to do it?
35:01Well, we don't have a choice, Trini.
35:04Our life is going to take a radical turn, but we'll have to adapt.
35:09Well, and speaking of turns, this is also going to be a big change.
35:15Take it off.
35:17We'll put it on, and we'll never take it off.
35:23My dear wife.
35:24Oh.
35:27I feel like bragging about Aris, don't I?
35:31And I'm going to meet our Retoña.
35:35Well, I hope it fits inside the uniform.
35:37Well, I guess with the iron, you'll be able to stretch the seams a little.
35:41Luckily, I'll be able to say that I'm pregnant soon.
35:44Oh, yes, don't say that, because this double life we've led is crushing me.
35:48Yes.
36:08Mrs. Teresa.
36:09Yes.
36:10Please check the invoices for tables 3, 4 and 7.
36:15And I'll check them thoroughly for you.
36:26I'll see you in a bit in the alley.
36:33Cañete, come here for a moment.
36:37Look, I've been checking the notes, as you told me, and I think there's been a mistake.
36:43So, check it too.
36:53In ten minutes.
36:56Well, you're right.
36:57It's normal that you solve everything in less than what a rooster sings.
37:04You look so happy and relaxed.
37:06I guess it's because you have all your work ready.
37:10Yes, you can check it yourself.
37:12The tables are taken care of and there's no one waiting.
37:15I wasn't expecting less.
37:18Well, I guess Teresa has already informed Mr. Fermin about the breakfast at the Sun Gate.
37:24No, I don't know anything about any breakfast.
37:27No?
37:28My God, I thought I had dropped it yesterday.
37:32Honestly, I don't understand how she hasn't been informed.
37:35No, Mrs. Lazarus, you know better than anyone that Mr. Fermin has a lot of work.
37:39Well, actually, it's the manager who has to give me this information.
37:43It's part of her duties.
37:45If she hasn't done it, well, it's her problem.
37:49Is everything okay around here?
37:51Yes.
37:52Nothing that has no solution.
37:54It seems that the manager wasn't aware of the breakfast in which La Moderna will participate.
37:59Ah, yes, yes.
38:00Excuse me, Teresa.
38:01I already knew that I left something in the inkwell when we spoke before in the office.
38:05Sorry.
38:07Can you tell me what you had to talk to Mr. Fermin about?
38:10Excuse me, but it is assumed that when you have a problem, you have to address me.
38:15No, nothing, it was a personal matter, Mrs. Lazarus.
38:18A matter that is already resolved, right, Teresa?
38:21Of course, Mr. Fermin.
38:22I'm very glad to hear that.
38:24You can go back to work.
38:25The manager and I have to discuss a couple of issues.
38:28Let's go.
38:37The manager and I have to discuss a couple of issues.
38:55Good afternoon.
38:57Sorry for the delay.
38:58It's just that I had an unexpected meeting with the director of the play and the costume designer.
39:04Yes, don't worry.
39:05Vicente, the pianist is also being delayed because he had a rehearsal before.
39:10Well, I guess it's not bad that he's not coming back.
39:13Let's see.
39:15We already have a provisional schedule.
39:19You will see that we are going to start rehearsals with the rest of the cast soon.
39:26But not just rehearsals, from what I see.
39:30Meetings with the artistic team, costume tests, make-up.
39:35It's going to be pretty busy the next few weeks, yes.
39:39Well, I'll have to talk to my uncle to see how I can combine it with my work in La Moderna.
39:44I hope he doesn't put us in a lot of trouble.
39:46No, no, he won't.
39:48He knows that the most important thing for me is this.
39:50He has always supported me.
39:52In addition, the court of pharaohs is the pinnacle of that dream that I have been chasing for so long.
39:58I disagree with you on that.
40:01I think this opera is the beginning of something much bigger.
40:06And I hope I can continue to be the artifice of all the works that you are going to star in.
40:15Do you think they will give me more roles?
40:19I'm sure of it.
40:20I'm sure of it.
40:22More dreams will come and I just hope to be by your side to see how each of them is fulfilled.
40:41What a surprise! I thought I would find you here.
40:44I thought you would be at home rehearsing.
40:46Yes, well, here we have a piano and it was supposed to be a pianist too.
40:53What are you doing at this time in Madrid, cabaret?
40:55I've come to bring a message to Iñigo.
40:57Celia agreed to bring him some photos, but it has been complicated and she offered me.
41:02Well, Iñigo has already left, but if you want you can leave the folder here and go back to the store.
41:07No, no, I have already finished my day.
41:09If you think I can stay and you make me an advance on the operetta.
41:14And then we can wait for it to open and have a drink together.
41:17I don't know if that's the most convenient thing, because your sister can't drink cold drinks or with ice, she has to take care of her voice.
41:24Yes, you're right.
41:25Well, then I can stay while you rehearse if I don't bother you.
41:32No, no, no, you don't bother me.
41:33It's just that, well, we haven't even started and I don't know if it's going to compensate us much.
41:38I think it's best to do the rehearsal later somewhere else.
41:43What do you think?
41:44Yes, yes, I...
41:46Oh, Vicente, thank goodness you're here.
41:49Look, the score is ready, so when it's ready we can start.
41:56Celia is a professional with initiative.
41:59She has asked me for permission to celebrate an event of the suffragists in Madrid, cabaret.
42:04And you will have accepted, right?
42:05Everything indicates that it will be a meeting of the most interesting.
42:08Of course not, Matilde.
42:09Who do you think I am?
42:11Heroic.
42:12You're kidding, woman, of course I am.
42:14You know that in Madrid cabaret is at the forefront of times.
42:17And I hope it's for a long time.
42:19I'm sure it's going to be a very enriching debate.
42:22I'm not going to miss it.
42:23Matilde.
42:31We have to call Jiménez.
42:35Yes.
42:41Antonia, what are you doing here?
42:44Are you okay?
42:45Leave this, I'll take care of the laundry.
42:49You rest.
42:50Really.
42:51Do you want me to tell the doctor?
42:52No, honey.
42:53What you have to do is study.
42:54Come on, I'll take care of it.
42:56Are you sure?
42:57Look, with rest I wouldn't feel sick.
42:59None of that.
43:00Don't let a little discomfort put me in bed.
43:02Not that a cold distracts you.
43:04Come on, study.
43:05I'm going and I'll be right back.
43:13I'm tired of always finding you behind the door.
43:16Don't distract me, I have to study.
43:18Good afternoon.
43:24Is it my thing or is it love that brings me bad luck?
43:27I doubt you came to ask about Antonia's health.
43:30No, of course not.
43:31No, of course not.
43:33In fact, I don't have much time and I'm going straight to the point.
43:36I want to give you an explanation and I need you to listen to me.
43:38I've been feeling sick all day because of what Vanessa said.
43:42Your girlfriend's curse.
43:44In case it wasn't clear, I'm very against everything she said.
43:47Especially about the smell.
43:49If that had been the worst.
43:51Maybe she's the one who smells bad.
43:53She smells like naphthalene.
43:54Not like you, who smells like freshly cut fresh grass.
43:58And sweet cotton clouds.
44:02Look at him, what an adult he's become.
44:04He looks like a poet.
44:07Well, have you finished already?
44:09I'm just messing around, I have a lot to study.
44:11I've already told you that the exam is very important to me.
44:13And I don't want distractions, poems or anything.
44:16I didn't want to distract you.
44:17I just wanted to apologize for my trips with Vanessa.
44:21No, I don't have anything to forgive you for.
44:24The truth is that it was very good for me to hold you in my arms.
44:27Yes, that's how I realized how you are.
44:30And how do you think I am?
44:31Well, look, a potato boy.
44:33A man who thinks he can do whatever he wants.
44:35Well, whatever he wants, unless he faces his father to defend his own interests.
44:40Not that.
44:42Well, don't worry, I won't bother you anymore.
44:44We'll see each other.
45:00Antonia, are you okay?
45:03Leave this.
45:04It hurts a lot, the truth is that I couldn't even open the sink.
45:07Sit down, sit down.
45:11It's burning. I'm going to call a doctor. Don't move.
45:24Good afternoon, Fabio.
45:26Barbara, for God's sake.
45:29What the hell are you doing here?
45:37It looks like you want flies to get into your mouth.
45:40Surprised?
45:42Where is your daughter?
45:44Far away, very far away.
45:46You won't see her again, I assure you.
45:49I don't know how she can be so calm after everything she's done.
45:52Don't fall for her lies, Matilde. We'll see Carla again.
45:56Your daughter won't be able to hear.
45:58The police are looking for her. She won't leave the country without being arrested.
46:03Let me laugh, Peñalver.
46:05The police will never find my daughter.
46:07I don't think you're in a position to say that with such force.
46:10Your daughter will end up in prison, like you.
46:13She's going to have a good time in the shadows, ma'am.
46:18We'll see about that, Inspector.
46:20I know why they're arresting me and what my rights are.
46:23We'll see.
46:25Come with us, Mrs. de la Cruz. You're under arrest.
46:51What did the doctor say?
46:53That you're probably going to have a heart attack.
46:56And that I have a bruise on my neck that doesn't look very good.
47:00I've been thinking about what you told me yesterday.
47:03That it hurts to be close to me.
47:05And I want to tell you that I understand and respect it.
47:07I also wanted to tell you that, giving you the space you need,
47:10you are a very important person to me.
47:13Antonia, are you okay?
47:15Yes, yes, yes, I'm fine. It's just that I'm a little lazy.
47:17Look, I'm going to stay with you and I'm not going to go to work.
47:20Marta, it won't be necessary.
47:22I did go to the sarampión.
47:24Who has been taking care of Antonia?
47:26Well, Pietro is not going to want to, but Lucia.
47:29Lucia? The two of them alone?
47:31Yes, I can't stand her, I'm telling you, I can't stand her.
47:33What's new? I can't stand her either.
47:35And that's not why I have a bad intention.
47:37Oh, it's not a bad intention to want to take Pietro away from me?
47:39Have you been able to talk to Inspector Jiménez?
47:41Yes, and he told me that the agents have made a statement to Mrs. Bárbara.
47:45She has confessed that Carla has fled.
47:50Well, I don't give up.
47:52Look, I'll tell you one thing.
47:54If I take them to cross the street face to face, I don't know if I could contain myself.
47:57Agustín is being tremendously generous with your sister.
48:01The truth is that we are both very lucky to have found it in life.
48:05I think I've finally found a man I can trust.
48:08Miguel, you don't know how eager I am to see her again.
48:11Well, in fact, it was the hardest thing for me to come to your wedding.
48:14I think it's time for you to get that idea out of your head.
48:16Forget about my mother-in-law.
48:18She was sensible before and she's not now.
48:20What's going to happen to the Morguende group?
48:23Mrs. Carla has fled and her mother is in prison.
48:26Who is going to lead the prison group now?
48:29I have no idea of the decisions that mother and daughter may make from now on.
48:34I have made the decision and I'm going to let her, yes or yes.
48:37Well, I know you're going to leave her until you see her, I'm not going to believe it.
48:41You and I are very different.
48:43I really think this is not going to work out.
48:46Don't worry, I'll think of another plan for Sunday.
48:48You don't get overwhelmed.
48:50If you want, we can do something, you and me.
48:52Or I don't know, call your friend Lara.
48:54I've already thought about it.
48:56But I don't know anything about her.
48:58She'll be bad.
48:59Don't you realize that everyone is terrified?
49:02I'm sure that as soon as she gets better, she'll come for you.
49:05You're doing a very good job.
49:07Keep it up.
49:10This woman is in a very good mood, isn't she?
49:13I thought we were going to get the one from San Quintín.
49:16She's too tame with us and I don't think that can be good.
49:20I'm very sorry for everything that happened to her.
49:23And I understand that it still hurts her.
49:25All that has already happened.
49:28I can't.
49:29Hey, hey.
49:39Hey.