• 2 months ago
for full movies and reviews follow us on:

www.supercultcinema.com

YouTube: https://www.youtube.com/@scc-classicmovies/featured

X: https://x.com/SuperCultCinema

Dailymotion: https://dailymotion.com/sccinema

Rumble: https://rumble.com/c/c-6464538

Odysse: https://odysee.com/@scc-classicmovies:9

Welcome to Super Cult Cinema, where classic movies meet contemporary classics! Dive into a world of timeless films, spanning decades and genres, curated for cinephiles like you. From Hollywood classics to international masterpieces, we've got it all. Join us as we celebrate the art of cinema and explore the stories that have captured our hearts and minds for generations. Subscribe now to embark on a journey through the rich tapestry of cinematic history. Don't miss out on our latest uploads, exclusive content, and curated playlists. Get ready to experience the magic of movies like never before with Super Cult Cinema!
Transcript
00:00:00♪♪
00:00:10♪♪
00:00:20♪♪
00:00:30♪♪
00:00:40♪♪
00:00:50♪♪
00:01:00♪♪
00:01:10♪♪
00:01:20Mark, I've changed my mind.
00:01:21Oh, don't be silly.
00:01:25Just unpack.
00:01:26Wait a minute.
00:01:27I should first write my sister a note.
00:01:29She might be worried about me, huh?
00:01:32You want her to know who you're here with?
00:01:34About us? No.
00:01:35Naturally not.
00:01:38All right, then.
00:01:47I want you so much.
00:01:53Mark?
00:01:54Hmm?
00:01:55That makes me so nervous.
00:01:57Yeah.
00:02:00Mark?
00:02:01Huh?
00:02:02Uh, wouldn't you like to eat something?
00:02:05But we just finished our dinner, didn't we?
00:02:08It's funny, but lately I'm always hungry.
00:02:12My sweetheart, before going to sleep at night,
00:02:14she mustn't eat so much.
00:02:17It's bad for your figure.
00:02:20You're right.
00:02:21I've been awful.
00:02:22You get it.
00:02:24♪♪
00:02:36My father said that not this bottle's here for you.
00:02:41Yeah.
00:02:48Oh, Mark.
00:02:49Huh?
00:02:50He looked at me so strangely.
00:02:51I wonder what he thinks of me.
00:02:53Very likely that you're my wife.
00:02:54Okay, put it down like a good girl.
00:02:56Take my clothing out.
00:02:57Give me the soap and towel.
00:02:58Uh, get our pajamas out.
00:03:02Well, don't just stand around.
00:03:03We're not children anymore.
00:03:09You'll have to become used to this.
00:03:11Don't you want to grow up now?
00:03:13Yeah.
00:03:17It sure is hot in here.
00:03:19It sure is hot in here.
00:03:27I need to freshen up a bit.
00:03:30How about you?
00:03:31Should I turn the fan on, dearest?
00:03:34No.
00:03:36It makes me very nervous.
00:03:43Now come, take your clothes off.
00:03:45Stop playing hard to get.
00:03:47You won't turn around, Mark, huh?
00:03:49Okay, I won't turn around.
00:03:55Tell me, do you like to go to bed with a novel?
00:03:57Or someone who's read one.
00:03:58Don't talk like that.
00:04:00Outside of reading, I've no other love in my life.
00:04:03Excepting you.
00:04:05Can I turn around yet?
00:04:06No.
00:04:07Then will you bring the darn bottle over?
00:04:08No, but you might...
00:04:09Yes, dear, just bring it over here.
00:04:17Like a shot?
00:04:18No.
00:04:19Oh, well, just a little.
00:04:22Thanks.
00:04:34Mark?
00:04:35Hmm?
00:04:36In college, I used to imagine what my husband would be like.
00:04:40Yeah, I know.
00:04:41He'd be a good man.
00:04:42He'd be a good man.
00:04:43He'd be a good man.
00:04:44In college, I used to imagine what my husband would be like.
00:04:47Yeah?
00:04:48And what you wish for?
00:04:50And when our wedding day would be.
00:04:52And the honeymoon.
00:04:54Do you think it's old hat to have a honeymoon?
00:04:57Honeymoon?
00:04:58Excuses and reasons for a couple
00:05:01to go to a place for a vacation
00:05:03where once they had relations?
00:05:04Cheers.
00:05:06Phooey, Mark.
00:05:09I wonder if I...
00:05:12If I misjudged.
00:05:14Oh.
00:05:19Give me another drink.
00:05:27Mark, you have such broad shoulders.
00:05:32Mine's so brown.
00:05:37Makes me all goosebumps.
00:05:41They come and go.
00:05:44Mark, hear me out now.
00:05:46Don't turn around, Mark.
00:05:52What's wrong, Mark?
00:05:56No, I can't play this scene.
00:05:58No, no, I can't.
00:05:59It stinks on ice.
00:06:00It makes me sick.
00:06:02It revolts me to utter such speeches.
00:06:04It's all gonna make someone say such speeches.
00:06:06How wild this modern stuff is.
00:06:08What's happened to plans for tomorrow today?
00:06:10What is it?
00:06:12What's happened?
00:06:13What's going on here?
00:06:15What is it anyway?
00:06:16No, I won't do it.
00:06:17What?
00:06:18Oh, but Dinah.
00:06:20You just can't quit cold
00:06:21when the premiere is only a week off.
00:06:23Just do the scene.
00:06:24Don't spoil it now.
00:06:25The scene is right.
00:06:26We can't just change it.
00:06:28Suddenly we have a prima donna.
00:06:30All right, Barbara.
00:06:31Don't start to bait her now.
00:06:32I can also stop on...
00:06:34Ha!
00:06:35You gorgeous Dinah.
00:06:36Shouting like mad that she will not play the role.
00:06:39She cannot.
00:06:40I saw the touching way she kissed him.
00:06:42Like a backer when his wife comes by.
00:06:44Ha!
00:06:45Barbara.
00:06:46Doctor.
00:06:47Yes, Mr. Gregor.
00:06:48Send someone down to water.
00:06:49We'll take a little breather.
00:06:51But no one's to go.
00:06:52We'll make up our lost time later.
00:06:54Yes, Mr. Gregor.
00:06:55Here, no one's to go.
00:06:56We'll pick up our lost time later.
00:07:08I'm gonna go.
00:07:10I've been waiting for something like this.
00:07:13He's gonna take Dinah to the coffee shop
00:07:15and talk to her about the ins and outs of life.
00:07:18And I'm gonna be right there listening.
00:07:22I'll bet you think I'm a stagehand
00:07:24because I'm up here with all this electrical equipment.
00:07:27So do they down there.
00:07:29And that's because I am in perfect stagehand disguise.
00:07:34Come here.
00:07:36I'm really George.
00:07:38The bellboy at the Happy Holiday Hotel next door.
00:07:42But I'm not gonna be a bellboy forever.
00:07:45I'm taking a correspondence course.
00:07:53How to be a detective and be popular with women.
00:08:00My big ambition is to be the
00:08:02Happy Holiday Hotel house detective.
00:08:05But I have a problem.
00:08:07A really good hotel detective
00:08:09has to know how to handle women.
00:08:11And that's my problem.
00:08:13Women scare me.
00:08:15And most of all, bad women scare me.
00:08:18And you know how hotels are.
00:08:20So I sneak in here in stagehand disguise
00:08:23every chance I get
00:08:24to learn how to handle women from the director, Mr. Gregor.
00:08:27He knows everything about handling women.
00:08:29And all there is to know about feminine behavior.
00:08:37Come on with me.
00:08:39You'll see what I mean.
00:08:53Make us a cup of your fine coffee.
00:08:55Why, with pleasure.
00:08:59Miss Weaver, I don't have to hit around
00:09:01with an old dear such as you.
00:09:03We'll only need ten minutes.
00:09:05I understand.
00:09:07No matter what Mr. Gregor would ask,
00:09:09I'd agree to take all the time you want.
00:09:12It'll be only a few minutes.
00:09:21Well, Dinah.
00:09:24What's all this?
00:09:25What am I to do when an actress
00:09:26breaks up on stage in a scene
00:09:28and then says she cannot even imagine
00:09:29sleeping before her marriage?
00:09:31I beg your pardon.
00:09:33Spending a night with her lover.
00:09:35You cannot act that naive.
00:09:37Is it so awful?
00:09:39Ah, little child.
00:09:41That makes for a wholesome attitude, but...
00:09:43It's vice, and I'm old-fashioned
00:09:45and modest, frigid, a puritan.
00:09:47Just take your pick.
00:09:49But I cannot play this role with Jerry.
00:09:51Ah, so.
00:09:53Uh, then you quarreled.
00:09:55You're bitter.
00:09:57Tell me what happened.
00:09:58Bitter?
00:09:59We were as good as engaged.
00:10:01Then last weekend, we were both free
00:10:03and Jerry made plans for us to go away.
00:10:05We went to a secluded hotel
00:10:06and we were having a most wonderful time.
00:10:08Then Jerry came to my room
00:10:10and announced that I owed him something.
00:10:12Uh-huh.
00:10:13And I told him I owed him nothing,
00:10:14that there were no strings attached to our vacation.
00:10:16He tried every trick in the book
00:10:17to make me go to bed with him.
00:10:19He even used that stale line,
00:10:20if I really loved him,
00:10:21this was a way to prove it.
00:10:22Yeah.
00:10:24So I cut our weekend short.
00:10:26Yes, but...
00:10:27But you said that you two
00:10:28were as good as engaged.
00:10:30He wanted...
00:10:31He volunteered to marry you.
00:10:33But we were not yet married legally.
00:10:35Sure, but Dinah...
00:10:37All right, I'll end up a confirmed spinster.
00:10:39My attitude stems from before the Middle Ages.
00:10:41My darling dear.
00:10:43Oh, those olden days weren't all that virtuous.
00:10:46They didn't have our fault.
00:10:47Ah, you are mistaken, my dear one.
00:10:50The birth of Venus, or Aphrodite,
00:10:53if you prefer her Greek name.
00:10:55There's the perfect example of what I mean.
00:10:58Aphrodite was the goddess of pure love.
00:11:00Well, that depends purely
00:11:01on your definition of pure.
00:11:03Don't forget the Greeks
00:11:04weren't exactly marriage conscious.
00:11:06They thought too much of love
00:11:08to let a mere legal document
00:11:09stand in their way.
00:11:11You are too cynical.
00:11:12Love is more than just
00:11:13a signing of a piece of paper.
00:11:15Marriage and love are synonymous.
00:11:17You're deluding yourself, dear Dinah.
00:11:20You can have marriage without love.
00:11:22And on the other hand,
00:11:23you can have true love without marriage.
00:11:26Are you implying that
00:11:27the Greeks led a double life?
00:11:29The great orator Demosthenes
00:11:30put it this way.
00:11:32Someone has to watch the house
00:11:33and rear the children.
00:11:35That's what wives are for.
00:11:37Wives are for procreation
00:11:39and concubines for relaxation.
00:11:43Oh, he even knows women
00:11:44way back to that old Greek, Venus,
00:11:46before she lost her arms.
00:11:48Boy, the way he tells the story,
00:11:49you can just see it happening
00:11:51with him and his actors
00:11:52playing the parts.
00:11:54When he talks women,
00:11:55they come to life.
00:11:58In ancient Greece,
00:11:59the hetira were man's hobby.
00:12:01Sort of a walking,
00:12:02do-it-yourself lovemaking kit?
00:12:05The hetira you're sneering at now
00:12:07were the forerunners
00:12:08of emancipated women.
00:12:10They were a strong political force
00:12:11and they had their own
00:12:12sort of guild or union.
00:12:14I suppose that when they went out
00:12:15on a strike,
00:12:16they struck for longer working hours.
00:12:18No, they worked for the government.
00:12:20The government?
00:12:22Maybe that's the origin
00:12:23of the expression
00:12:24politics breeds strange bedfellows.
00:12:28Gregor, I don't believe all that.
00:12:31I would have loved
00:12:32to have lived in those times.
00:12:53♪
00:13:10She's for the best
00:13:11one I've seen here.
00:13:13Dear Helena,
00:13:14let's toast the housewife.
00:13:16May she never equal us.
00:13:18Not in spirit.
00:13:20And not beg pardon in body.
00:13:22Lovely, Felina.
00:13:26You know me, dear.
00:13:29I am Portion.
00:13:31I have often been
00:13:32your pleasured guest.
00:13:34Now surely, Portion.
00:13:39Ah, Portira,
00:13:40I've missed you.
00:13:41I've missed you too.
00:13:46And this is Euphrodina,
00:13:47my daughter.
00:13:48I want you to teach her
00:13:49all you know
00:13:50about being a woman.
00:13:52And since she's
00:13:53not undeveloped,
00:13:54I'm sure she'll do
00:13:55her homework nicely.
00:13:56I hear
00:13:57the end of Greece's
00:13:58rain draws near
00:13:59and warriors are coming
00:14:00with their swords from Rome.
00:14:02And in these trying times,
00:14:04being a haitia
00:14:05is a good profession
00:14:06so I've given to understand.
00:14:08Very well, then.
00:14:09Since she's your daughter,
00:14:10we'll do our best.
00:14:11I've overstayed the hour.
00:14:13Make what there is
00:14:14to make of her.
00:14:15Farewell.
00:14:17My dear child,
00:14:19be brave,
00:14:20artful,
00:14:21and do all
00:14:23that your very fine teachers
00:14:24want you to do.
00:14:25Farewell.
00:14:36Now, my dear child,
00:14:37what is your name?
00:14:39My eldest name
00:14:40be Euphrodina.
00:14:42Euphrodina, love.
00:14:44Euphrodina, sweet.
00:14:46Now let's see
00:14:48what's to be done here.
00:15:06She's so thoroughly hidden
00:15:08under these ugly things
00:15:10that I wonder
00:15:11if a woman's there.
00:15:13We'll see now
00:15:14after fixing her up
00:15:15and if she fits the bill.
00:15:16I'll bet she's
00:15:17mighty, mighty fetching.
00:15:20Ah, my lovely child,
00:15:21the life of a haitia
00:15:22is not so simple.
00:15:24At first,
00:15:25it's all effort and hardship.
00:15:29Desire.
00:15:33Desire,
00:15:34will you initiate
00:15:35this primitive infantile
00:15:36like one
00:15:37until she understands
00:15:38all the outs
00:15:40and the ins.
00:15:42Out.
00:15:46Now, pupil,
00:15:47a really good haitia wench
00:15:49I'm sure you'll never be.
00:15:51You don't have
00:15:52enough going for you.
00:15:55I knew your mother.
00:15:57Maybe we'll start you
00:15:58in the chorus.
00:16:01When we have
00:16:02our next fashion show
00:16:03or short drama
00:16:04where you won't be prominent
00:16:05if we're busy and overflowing.
00:16:07And although you're new
00:16:08at this business of loving,
00:16:10still we might,
00:16:11if we're nice,
00:16:12find you a man
00:16:13who's here on an errand
00:16:14of love
00:16:15and yes,
00:16:16so we.
00:16:18Oh, for the love of Zeus,
00:16:20this maiden's still
00:16:21wearing her virgin's bow.
00:16:23What do you want to do?
00:16:24Scare our best clients away?
00:16:31Must one dress
00:16:32immodestly in this house
00:16:33of love?
00:16:34The older haitia don't.
00:16:35They have no need to.
00:16:37But now,
00:16:38an amateur
00:16:39where you should...
00:16:40Give not, get not.
00:16:43Oh, a type like you
00:16:44must make the best
00:16:45of impressions.
00:16:49That is all I can do
00:16:50for her.
00:16:51What?
00:16:52Hasn't she any talent?
00:16:54When her talent's lacking,
00:16:56what can a man awaken?
00:16:58But I fear she shows nothing.
00:17:00Euphrodina,
00:17:01take a few steps.
00:17:04I gather,
00:17:05my lovely Felina,
00:17:06that in our craft
00:17:07there's a talent
00:17:08shortage problem.
00:17:10If now it is short,
00:17:11how will it be
00:17:12in years to come?
00:17:16Ah, there you are,
00:17:17Gardonius.
00:17:18You know,
00:17:19you've angered me
00:17:20by being here so late.
00:17:21Are you mine, dear,
00:17:22or have you forgotten?
00:17:23Calm yourself, Felina.
00:17:25And where else
00:17:26would I visit, dear?
00:17:27I had to meet my sister
00:17:28and stay to supper.
00:17:31Oh.
00:17:34Say,
00:17:35where has this lovely
00:17:36newcomer been?
00:17:37Oh, some dumb thing
00:17:38without a home.
00:17:39The maiden has no warmth,
00:17:40no talent in her.
00:17:41But, Gardonius,
00:17:42speak to me
00:17:43and tell me you're
00:17:44my true love.
00:17:45Of course, of course.
00:17:47Excuse me, please.
00:17:52Gardonius is my name.
00:17:54You've heard of me?
00:17:56I think not.
00:17:58There's lots to learn, then.
00:18:00That's what my father says.
00:18:02Oh, yes?
00:18:04I hate these big charcutiers.
00:18:05They believe they have
00:18:06a copyright on love.
00:18:07Wining's all they do here.
00:18:09If I want,
00:18:10I could teach them
00:18:11something about love.
00:18:16Beware, then.
00:18:18I'll take you at your word.
00:18:20I know it's madness.
00:18:23But I will do it.
00:18:25They'll both turn green
00:18:26with jealousy
00:18:27when I take off
00:18:28with their best customer.
00:18:31Come.
00:18:33Come with me.
00:18:35Come.
00:18:41She goes with me.
00:18:43And no one else will do.
00:18:46Well, that sure
00:18:47was quite a brief career.
00:18:56Gardonius,
00:18:57can't you see she's gawky?
00:18:59She's so inexperienced.
00:19:01You prefer that virgin to me.
00:19:03No, don't think that, no.
00:19:05She seems so housewife-ish.
00:19:07I'm going to take her
00:19:08from my wedded spouse.
00:19:09I'll bring her to my house.
00:19:12And in an hour,
00:19:13I'll be back here with you.
00:19:14Wait for me, beloved.
00:19:16I see.
00:19:17Now that's a lot different.
00:19:25How about that?
00:19:31In those days,
00:19:32a girl couldn't trust her own father.
00:19:33Can you imagine
00:19:35turning that good,
00:19:36innocent girl
00:19:37over to those professional
00:19:38bad women?
00:19:40Well, anyway,
00:19:41the good girl won.
00:19:47Where did the bad girl win?
00:19:50Well,
00:19:51the facts are
00:19:52some girls are good,
00:19:53some girls are bad.
00:19:55Hey,
00:19:56I got to get back to work.
00:19:58I got to whip back
00:19:59to the switchboard
00:20:00at the colorful
00:20:01Happy Holiday Hotel.
00:20:03I worked as a
00:20:04switchboard operator,
00:20:05bellboy,
00:20:06assistant janitor,
00:20:07janitor,
00:20:08and elevator operator.
00:20:10Of course,
00:20:11the elevator wasn't working
00:20:12for the last three years,
00:20:13but that was okay
00:20:14because we used
00:20:15the elevator shaft
00:20:16as a large stall
00:20:17shower for the help.
00:20:18But my big ambition
00:20:19was to someday be
00:20:20the Happy Holiday Hotel's
00:20:22house detective.
00:20:27All right,
00:20:28you can talk now.
00:20:30I don't want to talk
00:20:31any longer because
00:20:32I'm going to go into
00:20:33the winter break.
00:20:34Eight cents is enough
00:20:35to spend on a day like this.
00:20:37What I mean to you,
00:20:38Paul,
00:20:39is that there
00:20:40I think someone's
00:20:41on our line.
00:20:46Happy Holiday Hotel.
00:20:49Yes, ma'am.
00:20:51Yes, ma'am.
00:20:52Thank you.
00:20:56The hotel door
00:20:57was kicked in quickly.
00:20:58There,
00:20:59before they could run
00:21:00or hide,
00:21:01were the five broads.
00:21:02Borders.
00:21:07Five broads.
00:21:08Borders.
00:21:10Happy Holiday Hotel.
00:21:12Yes, ma'am.
00:21:13Yes, yes.
00:21:14Yes, the bridal suite's available.
00:21:15No, no,
00:21:16we don't require licenses.
00:21:17Yes, thank you.
00:21:20They were beautiful.
00:21:21They had everything
00:21:22Borders should have.
00:21:24Gorgeous eyes.
00:21:26Ruby lips.
00:21:28Rent.
00:21:29And the biggest pair of...
00:21:31Hello?
00:21:32Room service.
00:21:34Yes, ma'am.
00:21:35Will you please send
00:21:36the two suitcases
00:21:37to the girls in 229?
00:21:39We're waiting.
00:21:41Yes, ma'am.
00:21:46Girls in 229?
00:21:50Hmm.
00:22:01Hmm.
00:22:17I knew I was onto something.
00:22:20Madam.
00:22:21Her girls.
00:22:23It can only add up
00:22:24to one thing.
00:22:25And it's not a boarding school.
00:22:27I remained calm
00:22:29and continued
00:22:30as though things were
00:22:31perfectly normal.
00:22:32Normal.
00:23:02Oh, I wish
00:23:03those suitcases would come.
00:23:05You girls make me nervous
00:23:06standing there
00:23:07with no clothes on.
00:23:09Now,
00:23:10Mr. Jenkins,
00:23:11our most important customer
00:23:12is coming today,
00:23:13so I want you all
00:23:14to look your best.
00:23:16I'm told he can make
00:23:17or break girls
00:23:18in our profession.
00:23:19I'm sure he'll make us,
00:23:20Madam Wimblepool.
00:23:22I'm sure too, dear.
00:23:27Girls in our profession?
00:23:29Such women
00:23:30like to call their work
00:23:33a profession.
00:23:51One o'clock in the afternoon.
00:23:52The evidence
00:23:53looked pretty conclusive.
00:23:54Madam,
00:23:55plus girls,
00:23:56plus profession.
00:23:57Plus fancy panties
00:23:58equals room 229.
00:24:01Some sort of racket
00:24:02was definitely going on.
00:24:04Next step,
00:24:05find out exactly what.
00:24:27♪
00:24:57♪
00:25:22We'd better get our laundry
00:25:23on before Madam comes.
00:25:27♪
00:25:40Lulu,
00:25:41will you please
00:25:42hurry up and get ready?
00:25:43Come on, girls,
00:25:44now hurry up.
00:25:46Something wrong
00:25:47with your eyes.
00:25:48More mascara
00:25:49would do it, I think.
00:25:50Okay, Fifi,
00:25:51help her with her hair.
00:25:52It's terrible.
00:25:54What I need
00:25:55is more efficiency
00:25:56and more organization
00:25:57for Miss Organization.
00:26:02Mr. Jenkins will be here
00:26:03any minute
00:26:04and nobody is ready.
00:26:07I wish that things
00:26:08would arrive here.
00:26:09Where is that bellboy?
00:26:14Oh, what a stupid place
00:26:16to leave the thing.
00:26:18All right, girls,
00:26:19they're here.
00:26:20Let's hurry up.
00:26:26All right, girls,
00:26:27they've arrived.
00:26:29Lulu, help me unpack this
00:26:30and we'll get them out.
00:26:34How much time, girls?
00:26:37Okay, Fifi,
00:26:38that's yours.
00:26:40That'll look good on you.
00:26:41You keep the spotted one.
00:26:49These women
00:26:50are especially fond
00:26:52of silk and lacy underthings.
00:26:54Such women
00:26:55are definitely...
00:27:03That'll look good on you, sweetheart.
00:27:04You wear that one.
00:27:06Fine.
00:27:07Fifi, that's yours.
00:27:09You keep that one, Lulu.
00:27:12No, that's the wrong shade for her.
00:27:13Get out that black one.
00:27:14You see it?
00:27:15That's the one right.
00:27:17Sweetheart, catch this.
00:27:18This is yours.
00:27:19And here's the black top
00:27:20that goes with it.
00:27:21Remember, it's very low slump.
00:27:24All of it.
00:27:27What did my correspondence
00:27:28course say to do next?
00:27:32You're on your own.
00:27:35This was it.
00:27:36Room 229.
00:27:38Nest of vice
00:27:39and corruption and sex
00:27:40and nastiness and sex
00:27:42and evil and badness and sex.
00:27:45That'll go right in there
00:27:46and break that up.
00:27:54It's very strange.
00:28:08Phew!
00:28:09Was that close.
00:28:11Well, what I was afraid of
00:28:12has finally happened.
00:28:14Real, live, professional women
00:28:15at the Happy Holiday Hotel.
00:28:17And I sure wasn't ready for them.
00:28:21They scared me.
00:28:22I'd better see
00:28:23what Mr. Gregor's doing
00:28:24to handle his problem.
00:28:25Might help me with my problem.
00:28:29Must we strip?
00:28:30Yes, we must.
00:28:31Yes.
00:28:32We must, yes.
00:28:35Can I eat dinner yet,
00:28:36Mr. Gregor?
00:28:37No, Mr. Webber.
00:28:38Only when the scene is perfect.
00:28:39Got it?
00:28:40Huh?
00:28:41Nothing comes easy in this life.
00:28:43Okay, ready?
00:28:44In your places, please.
00:28:45Quiet.
00:28:47Now, ready.
00:28:48Go.
00:28:49He's from the school
00:28:50that Mr. Gregor went to.
00:28:51And he's from the school
00:28:52that personally delves
00:28:53into everything, eh?
00:28:54Yes, for 12 years
00:28:55he's been trying
00:28:56to delve into me.
00:28:57I'll have you know
00:28:58in private, naturally.
00:28:59He is over-sexed or under.
00:29:02Stop it.
00:29:03Barbara.
00:29:11Hey, kids, hear this.
00:29:13There was a tanner's
00:29:14and a child
00:29:15on the sidewalk
00:29:16with a kind of a hound.
00:29:17They're out
00:29:18and they're promenading around
00:29:20the little...
00:29:24I'll withdraw gladly
00:29:25from the role right now.
00:29:26I'd like to let you out myself,
00:29:27but I can't
00:29:28with just five days
00:29:29to the premiere.
00:29:30Tell me,
00:29:31where have you found
00:29:32such unfortunate views
00:29:33on love?
00:29:34And men and women
00:29:35and morals
00:29:36and I don't know what else.
00:29:37You rave that decency
00:29:38and ethics
00:29:39are at a low ebb
00:29:40in the 20th century.
00:29:42Mr. Gregor,
00:29:43no smoking.
00:29:44An ashtray!
00:29:46Oh, what you've heard
00:29:47about knighthood
00:29:48and chivalry
00:29:49is all literary invention.
00:29:52Good old days, huh?
00:29:53Lots of luck.
00:29:55You're just simple-minded
00:29:56if you believe that rot.
00:29:58No, they weren't
00:29:59as fine as all that
00:30:00those Middle Ages,
00:30:01believe me.
00:30:02Those coy young maidens,
00:30:03so true
00:30:04and handsome
00:30:05and with them
00:30:06no fear of battle.
00:30:07Mr. Gregor,
00:30:08if you've an axe
00:30:09to grind with your conscience,
00:30:10please don't be so bitter.
00:30:11At least not with me.
00:30:13No matter what
00:30:14you say about chivalry...
00:30:15It's no different now
00:30:16than it was then.
00:30:17Chivalry simply means
00:30:18a man goes home
00:30:19and helps his friend's wife
00:30:20out of her clothing
00:30:21and, uh,
00:30:22better call it a jacket
00:30:23and, uh...
00:30:24And then goes back home
00:30:25and has his dear wife
00:30:26help him out of his.
00:30:27That is good.
00:30:28It's disgusting.
00:30:30Not in the Middle Ages.
00:30:31They were happy, delightful
00:30:32and joyous
00:30:33in those years.
00:30:35No bitter.
00:30:36Well, uh,
00:30:37Charlemagne
00:30:38had 300 wives.
00:30:40800 wives.
00:30:41300.
00:30:43800,
00:30:44that is so historically.
00:30:46All right, Charlemagne
00:30:48had 300 wives.
00:30:49And later the knights
00:30:50in Arthur's time
00:30:51had one.
00:30:52One.
00:30:53One.
00:30:54800 wives
00:30:55in one night?
00:30:57Five women and one bellboy.
00:30:58Uh,
00:30:59one house detective.
00:31:01And this one
00:31:03was often left alone.
00:31:11Well, there were
00:31:12the Crusades in those days.
00:31:13True,
00:31:14but most of the time
00:31:15was spent in the field
00:31:16where life
00:31:17was full of hunting
00:31:18and jousting.
00:31:20You certainly can't
00:31:21object to a man
00:31:22testing his manhood.
00:31:23Ah,
00:31:24but when he tested his manhood
00:31:25he neglected to do it
00:31:26where his manhood
00:31:27would meet its greatest test.
00:31:28In his own castle.
00:31:31Well, the women
00:31:32must have understood.
00:31:33Yes, of course.
00:31:34She just idled away
00:31:35her time with other devices.
00:31:38Before long
00:31:39a figure in armor appeared.
00:31:41Her husband came home.
00:31:42No.
00:31:43A knight
00:31:44who was interested
00:31:45in a less violent
00:31:46form of jousting.
00:31:48You're suggesting
00:31:49she was unfaithful?
00:31:50Maybe not right away.
00:31:52But when the knight
00:31:53and his shield-bearer
00:31:54went to the trouble
00:31:55of bringing a snack
00:31:56then a tete-a-tete
00:31:57was in order.
00:31:58And I leave it to you, Dinah,
00:31:59if stone and mortar
00:32:00can be scaled.
00:32:02What a mere flesh and blood.
00:32:04This whole story
00:32:05is an invention.
00:32:07Love like necessity,
00:32:08dear Dinah,
00:32:09is the mother of invention.
00:32:11And though the first elevator
00:32:12stepped to the rear
00:32:13of the basket,
00:32:14please,
00:32:15ladies lingerie,
00:32:16ladies bed linen,
00:32:17ladies perfume,
00:32:18ladies...
00:32:21Ladies what?
00:32:23Just ladies.
00:32:24Period.
00:32:45There now.
00:32:46A little more to the side.
00:32:47Careful with that hand.
00:32:48There.
00:32:49Like this.
00:32:50All right now.
00:32:51Now, now.
00:32:52Oh, oh, oh, oh, oh.
00:32:53Eric!
00:32:54My sword, my sword.
00:32:55Oh, dear, oh, dear, oh, dear.
00:32:57I breast his ponies
00:32:58to hold him tight.
00:32:59His passion mounts.
00:33:00His blood gets warmer.
00:33:01His heart's aglow
00:33:02and burning bright.
00:33:04He's also hot
00:33:05inside his armor.
00:33:15Oh, oh, oh, oh, oh.
00:33:45Ah!
00:33:51Were my husband to come,
00:33:52I'd be embarrassed.
00:33:54My shield-bearer
00:33:55will notify us
00:33:56of any danger
00:33:57and I'll defend your honor
00:33:58if your husband comes.
00:34:01And should he come,
00:34:02I promise you,
00:34:04and my honor,
00:34:05I'll fight him
00:34:06with this sword.
00:34:08With my sword?
00:34:11Knucklehead sword?
00:34:12Knucklehead sword?
00:34:14I vow.
00:34:15With my sword
00:34:16will I always honor
00:34:17your fair name, dear.
00:34:18That is good.
00:34:20As you want your sword,
00:34:21oh, darling knight,
00:34:23so I want my honor.
00:34:26Might, might,
00:34:27might your husband come, dearest?
00:34:30Hmm, I doubt it.
00:34:33For where he is,
00:34:34he's bound to stay awhile.
00:34:36Ha!
00:34:37What a swine of a husband
00:34:38who'd leave his wife
00:34:39so helpless and lonely.
00:34:40My wife diners
00:34:41in my abode with guards
00:34:43and she is never unprotected.
00:34:45That's how I left her
00:34:46before stealing off here.
00:34:48Take all that armor off
00:34:50and do it quickly.
00:34:53I hope you're as strong
00:34:54as that iron in my boudoir.
00:34:56But that is not so easy.
00:34:57It is very strong
00:34:58to a maid special.
00:34:59It's hand-hammered.
00:35:02That's enough now.
00:35:03Just show me
00:35:04how much you love me.
00:35:05Come and show me
00:35:06if you really come
00:35:07from the sword.
00:35:08Come and show me
00:35:09if you really come
00:35:10from the stock
00:35:11heroes are made of.
00:35:12I think that every castle
00:35:13and every woman
00:35:14has a core that is weak
00:35:15and it fills my heart
00:35:16with joy.
00:35:17Divided,
00:35:18you will conquer
00:35:19my sword.
00:35:20I love you so.
00:35:21Keep talking
00:35:22and you won't get the chance.
00:35:23Yes, yes, yes.
00:35:24Yes, yes, yes.
00:35:26That's right.
00:35:27Wait a minute.
00:35:28Damn it.
00:35:29It seems like the night air
00:35:30turned my best suit to rust.
00:35:32It seems you might
00:35:33be rusty too.
00:35:35Oh, that's my man.
00:35:36What is it?
00:35:38Someone coming?
00:35:39Speak up!
00:35:40Can I go and eat now?
00:35:42No, not now.
00:35:44Must you always think
00:35:45of eating in the midst
00:35:46of love-making?
00:35:47Love's hard to make
00:35:48with armor on, sir.
00:35:51Oh,
00:35:52to rust
00:35:53at such a time as this.
00:35:54It is no friend of love.
00:35:56Were I to do it again,
00:35:57I would have been
00:35:58a monk for sure.
00:35:59Their habits
00:36:00are so easy to take off.
00:36:02That'll teach you
00:36:03to wear iron underclothes
00:36:04when you call on the damsel.
00:36:05Can I help it
00:36:06if my mail's rusty?
00:36:09Milord.
00:36:10What?
00:36:11A man comes.
00:36:13Shame.
00:36:15Oh, but now it's too late.
00:36:17Back in the basket
00:36:18so my husband won't catch you.
00:36:19Quick now.
00:36:20See you don't run
00:36:21into each other.
00:36:22Let him come.
00:36:23The way to my abode
00:36:24is remote off the beaten track.
00:36:25Ah, that's the road
00:36:26he's coming on, dearest.
00:36:27Just ask your wife
00:36:28what he does
00:36:29with his rusty mail.
00:36:30M'son.
00:36:31M'son.
00:36:32M'son.
00:36:33M'son.
00:36:38How dare you
00:36:39take advantage of my wife.
00:36:40You son of an ogre, you.
00:36:41You have dishonored my wife.
00:36:43Dragged her name
00:36:44in the mud like a hill.
00:36:46Sure.
00:36:47He's quite aware
00:36:48of rust, so.
00:36:51He left his armor here,
00:36:52gallant one.
00:36:54I'll be damned.
00:36:55I'll be damned.
00:36:57I'll be damned.
00:36:58I'll be damned.
00:36:59He's a gallant one.
00:37:02All that you've told me,
00:37:03Mr. Gregor,
00:37:04sounds like your mind
00:37:05needs to be washed out
00:37:06with soap.
00:37:07Dinah.
00:37:08Yes, what is it?
00:37:09May I speak
00:37:10with you a moment?
00:37:11Oh, leave me alone.
00:37:12You're as awful
00:37:13as all the rest.
00:37:14Keep your kind words
00:37:15to yourself.
00:37:16You laugh at all
00:37:17their dirty jokes and stories.
00:37:18It's all Sodom and Gomorrah.
00:37:19You make me wish
00:37:20I was, was out of here.
00:37:21Oh, no, no.
00:37:22All right.
00:37:23Do what you please.
00:37:24You know, Jerry,
00:37:25women might look different,
00:37:26but underneath
00:37:27we're all the same.
00:37:28Yes, it's good for one of the weaker sex when man is hard and firm.
00:37:32Well, anyhow, just treat her rough. She'll come begging you.
00:37:35Come off of it, both of you. What do you think this is, a three-ring circus?
00:37:39We are here to put a play on and not to coach maidens on the facts of life.
00:37:43Coach maidens on the facts of life.
00:37:46Those maidens in 229, they don't need any coaching.
00:37:48They already know the facts of life.
00:37:50But I don't, so I have got to get inside that room.
00:37:54And I think I know how.
00:37:57Boy, if I make good on this, Mr. Happy Holiday, the owner of the Happy Holiday Hotel,
00:38:03he'll have enough confidence in me to make me Happy Holiday Hotel house detective.
00:38:08I heard those girls talking, those girls in 229.
00:38:11And they said they were expecting a Mr. Jenkins, a man.
00:38:14So, I'll be a man.
00:38:27Oh, Mr. Jenkins, I presume.
00:38:31Three o'clock in the afternoon. Objective, room 229.
00:38:35Reason, girls. Situation, undressed.
00:38:39Best possibility to handle it, disguise.
00:38:42Thank you.
00:38:57My girls will be down here in a minute.
00:39:00Oh, they're all so excited at meeting you.
00:39:03And so will you be, when you see what we have for you.
00:39:06Oh, yes, we have the cutest little things.
00:39:09Oh, dear, my girls are so charming.
00:39:12I'll bring them down now.
00:39:14Oh, if you see anything you like, let me know right away and you can take it.
00:39:17Oh, yes, we have the cutest little things.
00:39:20Oh, dear, my girls are so charming.
00:39:23I'll bring them down now.
00:39:27Take it with you.
00:39:30This is Lou Lou.
00:39:35Notice those trim lines.
00:39:38That bulging top and that cute bottom.
00:39:44A very smart number.
00:39:47You just throw it into your suitcase and you're off to the Italian Rivera or Palm Springs.
00:39:50Now, I can arrange for this little number for only $9.98.
00:39:5598. Including federal tax.
00:40:01What a crime. What a shame.
00:40:03998. What a slur on humanity.
00:40:07What a buy.
00:40:25♪♪
00:40:47And now we have seed fees.
00:40:52We're having a special on this little number today.
00:40:55Knows that naughty look.
00:40:58Daring. One of our best bedroom accessories.
00:41:01♪♪
00:41:3122, 32, 68. Extraordinary.
00:41:37Of course, you realize you don't have to pick out just two or three.
00:41:41You can take as many of them as you want.
00:41:44You know, last week, we had a customer who bought 200.
00:41:50And now he's got a hundred.
00:41:53He's got a hundred.
00:41:55He's got a hundred.
00:41:57He's got a hundred.
00:41:58♪♪
00:42:09And now, Bon Bon.
00:42:11♪♪
00:42:25She's wearing a remarkable two-piece outfit.
00:42:29With strings that remove either piece at a moment's notice.
00:42:32♪♪
00:42:50♪♪
00:43:07Charming for Hollywood-type parties.
00:43:09♪♪
00:43:16It's a raid! It's a raid!
00:43:18Oh, Mr. Jenkins, please!
00:43:19Is there another door?
00:43:20Mr. Jenkins, please!
00:43:21Ahh!
00:43:23Help!
00:43:26♪♪
00:43:46Yes?
00:43:47How do you do? Albert Jenkins. I had an appointment.
00:43:49Jenkins?
00:43:51Albert J. Yes.
00:43:54Oh, very strange.
00:43:55I...
00:43:56Jenkins!
00:43:57Oh, please, won't you come in?
00:43:58Yeah, please.
00:43:59Okay, come in.
00:44:01Sit down.
00:44:03Excuse me.
00:44:07Thank you very much.
00:44:08Oh!
00:44:16Just another service of a happy holiday hotel, ma'am.
00:44:19Oh!
00:44:28Very strange.
00:44:35Well, how about that for fast thinking?
00:44:39My style's beginning to shape up.
00:44:41I got inside the room.
00:44:43A good detective always works...
00:44:57A good detective always works best from the inside.
00:45:02But those girls are still hiding something.
00:45:04And I've got to uncover it.
00:45:06I've got to learn more about that kind of woman.
00:45:10Where is the doctor, that troubleshooter?
00:45:12Here I am.
00:45:13All right.
00:45:14Mind you now, if you so much as ask me about eating just one more time,
00:45:18I warn you, I'll explode!
00:45:20One just can't win around here.
00:45:25So, my dear performers, the role that was Dinah's will be played by Barbara.
00:45:30Oh, no.
00:45:31Yes. We'll begin with scene five where we left off.
00:45:34Take your positions.
00:45:35Good. Just what I needed.
00:45:37Now I'll find out from Mr. Greger how to handle this kind of woman.
00:45:41Barbara, you can take the script on stage.
00:45:43I know the script.
00:45:45Yes, but don't play it too realistically.
00:45:47Some things are still not permitted.
00:45:48All right, please, let's go.
00:45:50In places. Make it better.
00:45:51Yes.
00:46:02This is it.
00:46:05Staying here long?
00:46:07Till morning.
00:46:08Good.
00:46:09Maybe longer.
00:46:11I must ask about it now, you see.
00:46:14This is my best room here, mister.
00:46:16If you don't like it, say so.
00:46:17It's very good.
00:46:18We'll be staying just tonight.
00:46:19What a nice place for sleeping.
00:46:21Oh, that speech is not in the script.
00:46:23I must one stick to the damn script always.
00:46:26Anyhow, I have another interpretation of the role.
00:46:31Let's do it from the speech starting with in college.
00:46:35Yes.
00:46:42Mark.
00:46:43Yes.
00:46:45In college I used to imagine what my darling husband would be like.
00:46:49What did you wish for?
00:46:53You know.
00:46:55A real man from head to toe.
00:46:59And when our wedding day would be.
00:47:02Now here she takes her clothes off.
00:47:06The bit with the fan, huh?
00:47:10Now the words here are just gab that stretches it.
00:47:12I'd slowly walk toward him and then I'd grab him.
00:47:36You're freezing, Mark.
00:47:39It's shocking.
00:47:41What do you mean shocking?
00:47:42Oh, can't you see that's what the public wants?
00:47:44We'll really kill them.
00:47:45I think we must get some laughs in there.
00:47:47It will come across much better.
00:47:49Along the comedy line, in from an erotic standpoint.
00:47:52I think she's right.
00:47:53No.
00:47:54So now it's a comedy, huh?
00:47:57My dear underlings, you're confusing emotion which is truly erotic with sex.
00:48:01Erotic comes from eros.
00:48:03That's love.
00:48:04And sex comes from coarse instincts that attempts to bring eros down to its low level.
00:48:08And you're doing much the same thing here, Barbara.
00:48:11Oh, how sensitive, my dearest Gregor.
00:48:14Preach on love and emotion, that's my topic.
00:48:16On these points, I'm an expert. Believe me, my dear.
00:48:18Oh, what is this prude with her idiotic moralizing done to everyone around here anyway?
00:48:23With a child, where's that?
00:48:24She should read fairy tales, not adult lines.
00:48:26Declaring how in those days all was so wonderful.
00:48:29How saintly they were.
00:48:30With love for each other so reliable and so blemishless, odorless, sinless and sexless, huh?
00:48:36Dinah.
00:48:37Dinah.
00:48:38Yes?
00:48:39Oh, out of my way.
00:48:40Dinah, you see that no one else can do this role properly.
00:48:42So please get a hold of yourself and stop this childishness.
00:48:46Good. If you wish it.
00:48:47Okay, now.
00:48:48Cass, we'll take her from where Doc comes in.
00:48:50And where's the doctor?
00:48:52Here.
00:48:53Uh, the bottle?
00:48:54Uh, bring it.
00:48:56You know what I mean?
00:48:57Jerry, take it, my sweetheart, before going to sleep.
00:48:59From that moment on.
00:49:00My sweetheart, before going.
00:49:01Yes.
00:49:12My sweetheart, before going to sleep at night, you mustn't eat so much.
00:49:15It's bad for your figure.
00:49:17You're right. I've been awful.
00:49:19Naturally you've been awful.
00:49:21Now either play this or don't play this.
00:49:23Must you make morons out of everybody?
00:49:25Gregor was such a steel girdled virgin, I'd just choke up.
00:49:28They bicker and we sit on our rumps and twiddle our thumbs.
00:49:32Well, how they carry on.
00:49:34If I'm late, my wife will raise Kaling.
00:49:36I've had it up to here, my friend.
00:49:38My dear actors, I want to do this scene with my battling leads privately.
00:49:41So take a little break.
00:49:42Why don't you go and eat in the canteen?
00:49:45What? I just came back from eating.
00:49:48I'm full. Can't I stay right here?
00:49:50I said go eat!
00:49:51But listen. No, no, no, no.
00:49:54I have a lot of work I have to do yet.
00:49:57Nothing comes easy in this life.
00:50:06Dinah doesn't give up.
00:50:08The director doesn't give up.
00:50:10And I can't give up either.
00:50:12Or else Mr. Holliday will never have enough confidence in me to make me
00:50:15happy holiday hotel house detective.
00:50:28I've got the move.
00:50:30Get on the inside again.
00:50:32Get the evidence. Then act.
00:50:34Four in the afternoon.
00:50:36Still no concrete evidence of activities in room 229.
00:50:39Next step, bug the room.
00:50:41Disguise, telephone men.
00:50:43Cut.
00:50:44Oh, let's do it again.
00:50:46Her body is hidden by all the sun.
00:50:49Okay.
00:50:50Camera ready.
00:50:52Action.
00:50:53Her body is hidden by all the sun.
00:50:55Okay.
00:50:56Camera ready.
00:50:58Off come the clothes.
00:51:00Good.
00:51:02Now into the top.
00:51:05Yeah.
00:51:06They were shooting movies in there.
00:51:08The kind I always used to hear the older guys talk about.
00:51:11Help!
00:51:14My correspondence course in detective work had taught me what to do.
00:51:17So I did it.
00:51:20Yes?
00:51:21Telephone man, ma'am.
00:51:22Man, man.
00:51:23Well, I didn't call for a telephone man.
00:51:25Oh, well, then something must be wrong with your phone.
00:51:27One second now.
00:51:28What is the meaning of this?
00:51:31No meaning, ma'am.
00:51:32Just facts.
00:51:33Well, what facts?
00:51:34What's going on in that room?
00:51:35What's the angle here?
00:51:36What's the deal?
00:51:37What's happening?
00:51:38What's your telephone number?
00:51:39Why, it's temple bar 12.
00:51:40What do you want to know my telephone number for?
00:51:42Bring the telephone, ma'am.
00:51:43Oh, go away.
00:51:44I can't.
00:51:45Why?
00:51:46You're standing on my foot.
00:51:47I'm going in that room.
00:51:48Don't you, Dad.
00:51:49I'm going in.
00:51:50You will not go in.
00:51:51I'm going in.
00:51:52Oh, dear.
00:51:53Oh, what do you want?
00:51:54I want to get out of here.
00:51:59You're an evil woman.
00:52:01And I'm going in that room.
00:52:06Don't go in there.
00:52:10Just as I thought you ought to be ashamed of yourself.
00:52:14Girly villains.
00:52:17They shot me.
00:52:18I could feel the warm blood trickling down my leg.
00:52:22No.
00:52:23It's just my Hershey bar melting.
00:52:25All right, you guys.
00:52:26Get out of that tub.
00:52:28Oh, my God.
00:52:30Thank you, sir.
00:52:31You young ladies, you ought to know better than that.
00:52:34What in the world?
00:52:35How am I supposed to do my Whippleboat commercials
00:52:38with these pathological bellboys hanging around?
00:52:41Ladies, does your mother know you're in there?
00:52:44Ladies!
00:52:45Ladies!
00:52:46Help!
00:52:47Help!
00:52:48Madam!
00:52:49Oh, my God.
00:52:50I'm over here.
00:52:51Madam!
00:52:52Oh, my God.
00:52:53Madam!
00:52:54Oh, my God.
00:52:55No!
00:52:56Mr. Jenkins, your mother is a maniac!
00:52:57Oh, Mr. Jenkins, for Jesus' sake.
00:52:58You ought to be ashamed of yourself doing a thing like this
00:52:59in the respect of the hotel.
00:53:00And as for your mother, does your mother know that you're
00:53:01doing this sort of thing?
00:53:02No.
00:53:03No.
00:53:04No.
00:53:05No.
00:53:06No.
00:53:07No.
00:53:08No.
00:53:09No.
00:53:10No.
00:53:11No.
00:53:12And as for your mother, does your mother know that you're
00:53:13doing this sort of thing?
00:53:14How dare you do this in respect?
00:53:16And as for you, it's what I think, is it not?
00:53:32Ah ha ha!
00:53:37Help!
00:53:38Help!
00:53:39Oh, help!
00:53:42Will you stop that?
00:53:44Oh, I can't believe it, Kathy.
00:53:46Oh my god.
00:53:50Angie?
00:53:51Look, Angie.
00:53:53Look, Angie.
00:53:54Look what you've done to my lingerie.
00:53:58Never mind your lingerie.
00:53:59Oh, let go of me.
00:54:00Oh, look what you've done to my lingerie.
00:54:05Never mind your lingerie.
00:54:07Oh, let go of me.
00:54:09Oh!
00:54:10Oh, never mind.
00:54:11You'll never get my luck again.
00:54:15Oh, my crazy car.
00:54:16Oh, my God.
00:54:18Oh!
00:54:19Oh!
00:54:20Oh!
00:54:21Oh!
00:54:22Oh!
00:54:23Oh!
00:54:24Oh!
00:54:25Oh!
00:54:26Oh!
00:54:27Oh!
00:54:28Oh!
00:54:29Oh!
00:54:30Oh!
00:54:31Oh!
00:54:32Oh!
00:54:33Oh!
00:54:34Oh!
00:54:35Oh!
00:54:36Oh!
00:54:37Oh!
00:54:38Oh!
00:54:39Oh!
00:54:40Oh!
00:54:41Oh!
00:54:42Oh!
00:54:43Oh!
00:54:44Oh!
00:54:45Oh!
00:54:46Oh!
00:54:47Oh!
00:54:48Oh!
00:54:49Oh!
00:54:50Oh!
00:54:51Oh!
00:54:52Oh!
00:54:53Oh!
00:54:54Oh!
00:54:55Oh!
00:54:56Oh!
00:54:57Oh!
00:54:58Oh!
00:54:59Oh!
00:55:00Oh!
00:55:01Oh!
00:55:02Oh!
00:55:03Oh!
00:55:04Oh!
00:55:05Oh!
00:55:06Oh!
00:55:07Oh!
00:55:08Oh!
00:55:09Well, they won't find me here.
00:55:17What a mess.
00:55:18What a dilemma.
00:55:19What do I do now?
00:55:22I may get fired, may never find out what's going on in room 229, may never learn how
00:55:30to get along with women.
00:55:33May even sluck my detective's correspondence course.
00:55:40I may never be anything but a cowardly bellboy.
00:55:43Quiet!
00:55:44What is that noise?
00:55:47That's as important to me as the cast is to you.
00:55:49We can't go on without scenery.
00:55:50Just go to the canteen.
00:55:51They're food-sickening.
00:55:52Go someplace else.
00:55:53Like where, then?
00:55:54Like where?
00:55:55I don't give a damn.
00:55:56Just go.
00:55:57Don't shout so.
00:55:58Come now.
00:55:59We'll make this scene work this time.
00:56:00I'll explain it clearly.
00:56:01They'll find themselves at last all alone.
00:56:03They're curious about each other.
00:56:05What now?
00:56:06What are you...
00:56:07Yeah, this should hang over the bed right about here.
00:56:08That's what your stage manager told us.
00:56:10All right, put the painting up and be quick about it.
00:56:18Oh, what a shame it is.
00:56:19You're putting up a Vasaglione.
00:56:22Such purity over this bawdy house bed.
00:56:24Yeah, I might have known.
00:56:26If some modern bedroom had this kind of classic painting, there'd be fewer divorces today.
00:56:30In any case, it's not so really bad to look at now.
00:56:35This is art in its purest form.
00:56:37It was never meant to be lascivious or pornographic like you're suggesting.
00:56:41And here we go again.
00:56:42Gregor, calm yourself.
00:56:44Take it easy.
00:56:45In just five days, we're opening.
00:56:48Miss Weaver!
00:56:49Yes?
00:56:50We're doing nothing.
00:56:51Will you bring some coffee?
00:56:52Yes, Mr. Gregor.
00:56:53Oh, you poor kid.
00:56:57The Middle Ages, dearest diner, had an easy, offhand, lightly moral behavior.
00:57:03In those days, everyone was tired of living in darkness.
00:57:13There developed a craving for light, fresh air, and beauty.
00:57:17The Renaissance plucked away the drab form-hiding shrouds that passed for clothing and rediscovered
00:57:21the marvel of the human body.
00:57:23Insana incorpore sano, a sound mind in a sound body.
00:57:29As in ancient times, this emerged as the sought-after truth.
00:57:35Then that's why the painters and sculptors turned their talents to portraying the human
00:57:38body.
00:57:40Man was the model, but the gods were the ideal.
00:57:43Venus, Mars, Cupid.
00:57:46Not exactly.
00:57:47It was man alone, in all his unadorned naturalness, whom they wanted to reveal.
00:57:52They got around convention by claiming in their efforts to be gods and goddesses.
00:57:57But when viewed more closely, they all look unmistakably mortal.
00:58:02How shameful to be so unashamed.
00:58:04But why, diner?
00:58:05Once the beauty of the human body had been rediscovered.
00:58:08Don't you mean re-uncovered?
00:58:09Have it your way.
00:58:12But people began to take better care of their principal, uh, assets.
00:58:18Bathing became fashionable.
00:58:20Diners met for baths as we do for lunch and dinner.
00:58:23It gave them an entirely new outlook on life.
00:58:25And put some life in their looking.
00:58:27The royal order of peeping toms.
00:58:30And the wine, women, and song played on.
00:58:33I can understand about the men, but what of the women?
00:58:37Were they all of such loose character and easy virtue?
00:58:39Ah, but there was no such thing as easy virtue, diner.
00:58:44Virtue came very, very hard.
00:58:46In fact, it was practically unattainable.
00:58:49Now you're twisting my words.
00:58:51I meant, were all the women so willing to be led down the primrose path?
00:58:55Why not?
00:58:56As long as it was strewn with roses.
00:58:58In the long run, it paid to be free with their favors.
00:59:01You mean the chaste maid got tired of never being chaste?
00:59:05Ha, ha, ha.
00:59:06Now you're entering into the spirit of things.
00:59:08Yes, it was a battle of the sexes even then.
00:59:11And both sides were always anxious to lay down their arms.
00:59:16And when it came to capturing the enemy, I imagine it was every woman for herself.
00:59:21Sort of girl gets boy, girl gets at boy, and then girl gets at girl for getting boy.
00:59:29Ha, ha, ha, ha.
00:59:34Shh.
00:59:36I can't at this moment believe that our Cora, our captain, got married.
00:59:41Yeah, yeah.
00:59:42That Cora is sure mistress of her craft.
00:59:45She's got a mattress full of gold.
00:59:48Ha, ha, ha.
00:59:50Yeah, ha, ha, ha.
00:59:52Isn't that why she earned the gold?
00:59:54And on her door there is no lock to keep out anyone.
00:59:58He'll crow if he fathers anything.
01:00:00And if he fathers anything, I'll eat crow.
01:00:03Ha, ha, ha, ha.
01:00:05Come everybody, let's go see what they're doing inside.
01:00:09Let's take a look and see if the captain is in command now.
01:00:13Now let's let everyone get a good view.
01:00:15Ooh.
01:00:18Ooh.
01:00:19Ah.
01:00:20Eh, eh, eh, eh, eh, eh, eh.
01:00:22Ooh.
01:00:23Eh, eh, eh, eh, eh, eh.
01:00:26Ha, ha, ha, ha.
01:00:30Cora is wearing the dress.
01:00:33Ha, ha, ha, ha.
01:00:35Ha, ha, ha, ha.
01:00:38So that's how women were in those days.
01:00:44They fought with each other to get a man, and then when they got the man, they fought
01:00:49with him.
01:00:53Things haven't changed a bit.
01:00:56You're just as bad as this mark whom you're playing.
01:00:58So full of selfishness and common yearning.
01:00:59You're right.
01:01:00Naturally, we see differences between love and marriage yesterday and today, but not
01:01:03very great ones.
01:01:05The one grand difference was this, my dear.
01:01:07They had their love with some finesse, see?
01:01:09Today, there's much more earthiness.
01:01:11You see, finesse in their words, and in their deeds.
01:01:13That's so.
01:01:14Yes, but you're saying, my dear, that it doesn't exist at present.
01:01:16Oh, I mean the finesse that's not offensive to approach any woman nicely, not just me.
01:01:20That is good, Dinah, just great.
01:01:22Make it really personal.
01:01:24This is what I mean.
01:01:25A man and a woman wait for a streetcar to come along.
01:01:27Before she knows his name, he asks her if she'd like to see his apartment.
01:01:30Naturally, and she says yes.
01:01:31Not me.
01:01:32Yes, in a special van.
01:01:33She's the one that gets your things and moves them over.
01:01:34And she pays all the costs herself.
01:01:36Children, why are you so nice to each other?
01:01:38But don't you see I'm right?
01:01:39Well, she may be right, but I bet that Mr. Gregor's up to something.
01:01:43No, but I'll have to come back later.
01:01:45It's almost time for Mr. Holliday to phone in for my daily report.
01:01:50Come, darling.
01:01:51There was a time that stands out in the best age of France.
01:01:54The great era of perfume and of mistresses, of courtesans, of pathetic slave-trading women
01:01:59the age of first-class Bordellos.
01:02:01Just name it, they had it.
01:02:03And they also had...
01:02:04I've got to hear this.
01:02:12If I don't learn about French women, I won't know all there is to know about women.
01:02:17Galantry, esprit, fantasy, I don't know why you say it's such a great era.
01:02:21They didn't even wash.
01:02:27They used perfume instead of soap.
01:02:29It was the most cosmetic conscious half-century in history.
01:02:32Still, the women couldn't have been all they were painted to be.
01:02:35They were all that and more.
01:02:37The great courtesans of that era made the men who made history.
01:02:41They took weak men and molded them into strong monarchs by keeping them engaged in the boudoir
01:02:45rather than on the battlefield.
01:03:15Suzette?
01:03:16Suzette?
01:03:17Yes, madame.
01:03:18Suzette, take this off my shoulders, please.
01:03:19Yes, madame.
01:03:20Oh, now, maestro, I can see it in your eyes.
01:03:21You don't want to do me with clothes on.
01:03:22But I do, madame.
01:03:23Don't, don't.
01:03:24You're just being nice.
01:03:25I can see it.
01:03:26These clothes are tasteless.
01:03:27This veily stuff makes me feel like an Egyptian mummy in it.
01:03:28I'm not a mummy.
01:03:29I'm a madame.
01:03:30I'm a madame.
01:03:31I'm a madame.
01:03:32I'm a madame.
01:03:33I'm a madame.
01:03:34I'm a madame.
01:03:35I'm a madame.
01:03:36I'm a madame.
01:03:37I'm a madame.
01:03:38I'm a madame.
01:03:39I'm a madame.
01:03:40Oh, I feel I'm so absolutely unattractive.
01:03:41This way.
01:03:42And you.
01:03:43Don't you?
01:03:44Yes, of course, of course.
01:03:45You're quite right.
01:03:46I asked you a question, dear.
01:03:47Didn't you understand it?
01:03:48No.
01:03:49Then why do I ever ask you anything?
01:03:50I don't know that myself.
01:03:51Oh, and just tell me this.
01:03:52Why do you sit here and watch?
01:03:53I want to keep you company, darling.
01:03:54And that's about all I want to know.
01:03:55I don't know.
01:03:56I don't know.
01:03:57I don't know.
01:03:58I don't know.
01:03:59I don't know.
01:04:00I don't know.
01:04:01I don't know.
01:04:02I don't know.
01:04:03I don't know.
01:04:04I don't know.
01:04:05I don't know.
01:04:06I don't know.
01:04:07I want to keep you company, darling.
01:04:08And that's about all you can do, Lady Cad?
01:04:09You have me all wrong.
01:04:10I'm not Superman.
01:04:11With a woman like you, love's not just work.
01:04:12It's a lifetime project.
01:04:13Oh.
01:04:14Maestro.
01:04:15Madame.
01:04:16Come, is this a good position?
01:04:17But naturally.
01:04:18Naturally, madame.
01:04:19You shouldn't be so free with your attractions.
01:04:20There's much to do.
01:04:21I'm not a man.
01:04:22I'm a woman.
01:04:23I'm a woman.
01:04:24I'm a woman.
01:04:25I'm a woman.
01:04:26I'm a woman.
01:04:27I'm a woman.
01:04:28I'm a woman.
01:04:29I'm a woman.
01:04:30I'm a woman.
01:04:31I'm a woman.
01:04:32I'm a woman.
01:04:33I'm a woman.
01:04:34I'm a woman.
01:04:35You shouldn't be so free with your attractions.
01:04:36There's much too much there.
01:04:37If you show your line to the layman,
01:04:38then he won't doubt what you've got in stock.
01:04:40But that makes her hip line too wide.
01:04:42The maestro will not do a bust, my dear.
01:04:44He's doing a portrait, right?
01:04:45Naturally.
01:04:46But I want to have a busty portrait and no more interference now.
01:04:49Don't touch.
01:04:50This is mine and you're against it.
01:04:52And you just stay out of it.
01:04:53Don't say that, my love.
01:04:55Our contract gives me some interest in your affairs.
01:04:58Oh, forget it.
01:04:59Contracts are made to be broken.
01:05:00You know that.
01:05:01It's a position in which I should not leave her.
01:05:04Would you, maestro?
01:05:05Fear not.
01:05:06She wishes her likeness to change history.
01:05:08And mind you, I kind of think she'll make it.
01:05:11No, no, not that.
01:05:12Will you please shut up?
01:05:14You don't know anything except about going to sleep.
01:05:16This dress is shoddy.
01:05:17Come, Suzette.
01:05:18Let's find another.
01:05:19Yes, madame.
01:05:22My present obligations are calling.
01:05:24Yes.
01:05:26Germaine Francois.
01:05:29Oh, you charmer.
01:05:31Bet you must have your arms full with that dragon.
01:05:33Well, you might try it for yourself, dear one,
01:05:35if you'll come to my quarters.
01:05:37I trusted you once.
01:05:39I promise I'll be a much better behaved young man.
01:05:42Well, now, not all better.
01:05:43Well, I don't know about that now.
01:05:45She's coming.
01:05:49Now, maestro, I put on his purse.
01:05:54Madame, they become you more than they do the oyster.
01:05:58Oh, the baron will be jubilant.
01:06:00The less apparel you have on, madame,
01:06:02the more money I'll earn for this portrait.
01:06:04Suzette.
01:06:05Yes, madame?
01:06:06Stop getting out of line.
01:06:07No, madame.
01:06:08Perhaps you could lift your leg just a bit.
01:06:10Like this?
01:06:11Yes.
01:06:12The shawl is just a little bit out of line here.
01:06:14Better.
01:06:15Why not share the shawl?
01:06:16No, no, no, no.
01:06:18I'm sorry, madame.
01:06:20Why not share the shawl?
01:06:21No, no, no, no.
01:06:23Now then, let me see both hands over your face.
01:06:27Maestro, you mustn't make me appear like a weeping willow.
01:06:31You may lower them again.
01:06:33It's not right.
01:06:35With the mouth going, I just can't do her.
01:06:38Oh, maestro, I feel there's something irking you,
01:06:40but what can it...
01:06:41The pearls.
01:06:42Beg pardon?
01:06:43Suzette.
01:06:44Yes, madame?
01:06:45Come take the pearls off.
01:06:46Yes, madame.
01:06:51The chemise can go also.
01:06:56Suzette, my diamonds, please.
01:06:58Yes, madame.
01:07:00For the bell and I will sacrifice all.
01:07:10Oh, is this cold.
01:07:13Oh, is this cold.
01:07:15Oh, is this cold.
01:07:17Oh, is this cold.
01:07:20Huh, madame, may I just say that when he sees you like this,
01:07:24he'll try to, uh...
01:07:25Conquer me?
01:07:26No, cover you.
01:07:31So...
01:07:35Dina, I must make a decision about you
01:07:37in regard to the role that you're playing.
01:07:39I hate to be formal, dear, but I must let you go.
01:07:42But between us and privately,
01:07:45Dina I have the deepest respect for.
01:07:47Dinah, I have the deepest respect for you.
01:07:49Yes, yes, deepest, deepest.
01:07:51Dinah, I beg you, forget all that's happened now.
01:07:54It was my fault.
01:07:55Forget it, but play it.
01:07:58If you'll allow me, I'll run down to the canteen, huh?
01:08:00Because my mouth is as dry as a desert.
01:08:04Let her go.
01:08:05Fire her.
01:08:07That director isn't fooling me.
01:08:09He's being very clever.
01:08:12He's going to let Jerry take care of things from now on.
01:08:16If I didn't goof everything up all the time,
01:08:18Mr. Holliday would have that kind of confidence in me.
01:08:21Mr. Holliday.
01:08:23Mr. Holliday!
01:08:25Mr. Holliday will fire me if I don't get back to that switchboard before he calls in.
01:08:35Yes, sir, Mr. Holliday.
01:08:36Yes, sir, Mr. Holliday.
01:08:38No, sir, Mr. Holliday, no.
01:08:40I don't know what they're doing up there, sir.
01:08:42But they're undressed.
01:08:45Yes, sir.
01:08:46Yes, sir, Mr. Holliday.
01:08:51He wants me to take care of it.
01:08:56George, I want you to do something about that noise in room 229.
01:09:00I think I'll just have a look myself.
01:09:02Oh, no, no, no, Mrs. Weidred.
01:09:04Why don't you go over and play bingo with Mrs. Favrecham, huh?
01:09:06I played bingo with Mrs. Favrecham last night.
01:09:09Besides, she cheats.
01:09:11I want to see what's going on in 229.
01:09:13Oh, no, no, no.
01:09:14I'll take care of it.
01:09:15I'll take care of it, Mrs. Weidred.
01:09:17You're a good boy, George.
01:09:19I'm going to recommend you to Mr. Holliday to be house detective.
01:09:24Well, thank you very much, Mrs. Weidred.
01:09:30Everyone has confidence in me.
01:09:33Mrs. Weidred has confidence in me.
01:09:35Mr. Holliday has confidence in me.
01:09:37Everyone.
01:09:40Except me.
01:09:44In matters of disguise, one cannot be too careful.
01:09:48There are eyes everywhere.
01:09:50A good detective must always have a complete assortment of disguises at his fingerprints.
01:09:54Fingertips.
01:09:55Lord Bromley of the British Consulate. No.
01:09:57Movie gangster. No.
01:09:58The Mafia. No.
01:09:59Possibly a high-class hotel doorman. No.
01:10:01Beardless beatnik. No.
01:10:03Sergeant Renfrew of the Southwest Mounties. No.
01:10:05I have it.
01:10:06Why didn't I think of it before?
01:10:08Bellboy.
01:10:09Perfect disguise.
01:10:41I have it.
01:11:01I keep forgetting there's no elevator in there.
01:11:08What up?
01:11:11Ah, dear little boy.
01:11:13What are you doing here in front of my door?
01:11:15Do you want to come in? Do you want to talk to me?
01:11:18Room service.
01:11:20What is it?
01:11:21What is in here?
01:11:22Oh, just room service.
01:11:25Room service for anything?
01:11:29You take care of it, George.
01:11:31Take care of it.
01:11:32Take care of it.
01:11:33Recommend your house, detective.
01:11:35You're a coward, George.
01:11:37A coward.
01:11:38A coward.
01:11:39A coward.
01:11:40A coward.
01:11:41Yes, yes.
01:11:43You leave the house, detective, George.
01:11:52Voila, monsieur room service.
01:11:54Come in.
01:11:55Bien.
01:11:56Guess I'll go in and service the room.
01:12:00They were especially friendly.
01:12:02But they didn't fool me.
01:12:04I could see right through them.
01:12:05I could see through their clothes, too.
01:12:08I noticed that they were playing poker,
01:12:10so very cleverly I led them to believe I had no money.
01:12:13Sure enough, just as I planned,
01:12:16they suggested strip poker.
01:12:18I agreed on the condition that deuces weren't wild.
01:12:21I don't believe in wild deuces.
01:12:23I don't believe in wild women, either.
01:12:25But here they were.
01:12:26This was my big chance to unmask these girls for what they really were.
01:12:30The bare facts were here,
01:12:32and it was up to me to get down to them.
01:12:35Then it began.
01:12:37I suggested they ante an article of clothing, a shoe.
01:12:40I was anxious to get down to brass buckles,
01:12:42but it had to be a slow process.
01:12:44Everything was falling into place,
01:12:46like shapely parts of a jigsaw puzzle.
01:12:48Red-hot evidence.
01:12:50The one on my left had an especially professional way
01:12:55of taking off her stockings,
01:12:57with a sort of knowing flip at the end.
01:13:02She didn't learn that at nursery school.
01:13:05The big question was, of course, how far would they go?
01:13:08And if they went, would I be able to get the upper hand?
01:13:12Apparently, there was a slight miscalculation in my plans.
01:13:16A fly in the ointment, you might say.
01:13:19They were after my clothes.
01:13:22I told them it wouldn't be proper, my being in uniform and all.
01:13:26You know, some people in uniform can't fight or drink.
01:13:29It's not patriotic.
01:13:30It's against the hotel rules for me to strip when in uniform.
01:13:34It was no use.
01:13:36They wanted me to strip, and I had to humor them.
01:13:39What a sense of humor.
01:13:43I wondered if Mr. Holiday really ever appreciated
01:13:46what I was going through for him,
01:13:48and for the good, pure name of the Happy Holiday Hotel.
01:13:51Fortunately, I had just finished a correspondence course
01:13:54in how to win at poker and be popular with women.
01:13:57I was sewing the game up.
01:13:59The gleam in their eyes had a strange effect on me,
01:14:02a strange, cold, hot, stinging sensation.
01:14:05But a man in my business has to be immune to that sort of thing,
01:14:08or he has no business being in that business.
01:14:11More clothes came off, more shoulders exposed.
01:14:14It wouldn't be long.
01:14:16It was a game of nerves.
01:14:18There were a couple of good-looking nerves around there, too.
01:14:21The odds were high, and there I was,
01:14:23eight, nine, ten, queen.
01:14:26I had an inside straight going, and still I had my pants on.
01:14:30My correspondence course had said,
01:14:32never bet on an inside straight unless the game is fixed,
01:14:35in which case, of course, it's a crooked straight.
01:14:38But this game was on the up-and-up.
01:14:40The odds were too high.
01:14:42I couldn't do it.
01:14:44I decided to retreat,
01:14:46to go back to my room and think of a new approach,
01:14:49a new disguise.
01:14:52But how could I do such a thing to poor, rich Mr. Holiday,
01:14:57sitting in his office, smoking his cigars,
01:15:00depending on me, on George, to clean up his hotel?
01:15:04This would be how Sherlock Holmes would have done it.
01:15:07He would have stayed to the bitter end,
01:15:09clothes or no clothes.
01:15:11He would have solved this case pipe-in-mouth, naked, if need be.
01:15:15A deuce, and I had said no deuces wild.
01:15:18What luck.
01:15:20There was no turning back or front.
01:15:23I had the distinct feeling it was getting hotter in that room.
01:15:27The girls were very kind, though.
01:15:29They wanted me to take off more clothes
01:15:31so I could be more comfortable, no doubt.
01:15:34I had to be master of the situation.
01:15:36I had to let them know who was wearing the pants,
01:15:39well, who was wearing the shorts in that room.
01:15:42More clothes came off.
01:15:44More shoulders revealed.
01:15:46I say shoulders just in case these notes are ever public.
01:15:49Actually, they were really getting undressed.
01:15:52It was embarrassing.
01:15:54It was educational.
01:15:57My shorts? No, no.
01:15:59This was too much.
01:16:01No, anything but my shorts.
01:16:03Well, not anything.
01:16:05They didn't understand.
01:16:07I'm shy. I've always been shy.
01:16:09In high school, I used to take showers in my bathing suit.
01:16:12Calmly, I stood up,
01:16:14told them I thought they were playing a nasty game
01:16:17and that they were nasty girls
01:16:19and that I wouldn't stand for any of it anymore.
01:16:21They thought I was funny.
01:16:23I didn't pay any attention to them.
01:16:25I calmly picked up my pants and walked out.
01:16:35Well, they outstripped me that time.
01:16:37I don't know.
01:16:38Do you think I'm ever going to learn how to handle women?
01:16:41Ever going to become the happy holiday hotel house detective?
01:16:45I have tried and I have tried
01:16:47from everything I've learned from that director
01:16:49and everything from that detective correspondence course.
01:16:52All I do is goof everything up.
01:16:59But Mr. Holiday, he did have confidence in me.
01:17:03Now, why can't I have confidence in me?
01:17:08Mr. Gregor, it's five o'clock.
01:17:11So what? I know it.
01:17:12We're winding up. We must do the scene here properly.
01:17:15Or isn't that clear?
01:17:16But it's five o'clock.
01:17:18We must do what's proper and break...
01:17:20We must? Who says so?
01:17:21I prefer working.
01:17:23No, the guild will not allow us to work nights.
01:17:26Mr. Gregor, we observe the rules always.
01:17:30Well, if that guild of yours won't allow it,
01:17:34then our day has reached an end.
01:17:36Our girl will never know the facts of life
01:17:38and I bet we could have succeeded in persuading her.
01:17:40He hasn't taught me those facts yet either.
01:17:43Well, what am I going to do now?
01:17:45There's no five o'clock curfew in room 229.
01:17:49Well, I'm on my own.
01:17:52Just have to be brave.
01:17:57I'm not scared anymore.
01:18:00I just may be able to do it.
01:18:07I'll whip back to the Happy Holiday Hotel,
01:18:10install for time, and develop my next clever move.
01:18:16Happy Holiday Hotel.
01:18:18Hello, George.
01:18:19I assume you fixed everything up in room 229.
01:18:22Yes, sir, Mr. Happy.
01:18:24I mean, Mr. Holiday.
01:18:26No, I'll tell you.
01:18:27You see, it's like this, sir.
01:18:29I don't like to hear that, George.
01:18:32No, sir.
01:18:33I mean, yes, sir.
01:18:35I expect it will all be cleaned up
01:18:37before I call you again, George.
01:18:39There isn't much time.
01:18:41Yes, sir.
01:18:43A final move.
01:18:45Rid the Happy Holiday Hotel of these tainted women
01:18:48or lose my job.
01:18:50Decision.
01:18:51My own fifth column.
01:18:53Work from the inside.
01:19:12Yes?
01:19:32Hello.
01:19:33Hello.
01:19:34Is this room 229?
01:19:35Yes, it is.
01:19:36May I help you?
01:19:37Yes, you may.
01:19:38Polly sent me.
01:19:40Oh?
01:19:41Polly Schwartz, she runs a delicatessen down the street.
01:19:44Oh, really?
01:19:45Did somebody order lunch?
01:19:46No, no, no.
01:19:47She said I might get a job here.
01:19:49Oh.
01:19:50Well, all right.
01:19:51Come in.
01:19:52Mm-hmm.
01:19:56Put your special glasses on.
01:20:03I'll be right there.
01:20:05You'll, um, have to speak to, uh, Liverpool.
01:20:08Who?
01:20:09Um, the madame.
01:20:10Oh, the madame.
01:20:11Yes.
01:20:12Uh-huh.
01:20:12Well, just make yourself at home.
01:20:34I'll be right there.
01:21:04I'll be right there.
01:21:34I'll be right there.
01:21:35I'll be right there.
01:22:05Uh, would you zip me up, please?
01:22:07Uh, thank you.
01:22:11Uh, how's the new girl?
01:22:13The new girl?
01:22:14New girl.
01:22:17Well, you know, you cannot be shy in our line of business.
01:22:20Oh, of course not.
01:22:21A girl has to have a knack for it.
01:22:23Oh.
01:22:24Oh.
01:22:25Oh.
01:22:26Oh.
01:22:27Oh.
01:22:28Oh.
01:22:29Oh.
01:22:30Oh.
01:22:31Oh.
01:22:32Oh.
01:22:33I told you before.
01:22:34A girl has to have enough confidence in herself
01:22:36to get out there and sell.
01:22:37Get out there and sell.
01:22:38Right.
01:22:39Yeah.
01:22:40And most important, she has to be
01:22:41loyal, courteous, and thrifty.
01:22:43Oh, that's like the boy Scouts, hey.
01:22:44Do you mind, please?
01:22:46My girls are all good girls.
01:22:48Of course, they are.
01:22:49They've just had an unhappy childhood.
01:22:51And above all, they enjoy the work they're doing,
01:22:53don't you girls?
01:22:54Girls.
01:22:55As I said, they enjoy the work they're doing.
01:22:58And somehow the customers can tell.
01:23:00Hmm.
01:23:01I wonder how.
01:23:02of osmosis. Mr Jenkins, our most important customer is coming here today. We'll try you
01:23:09out then. Take off your clothes. I thought there'd be a hitch. My disguise wasn't complete
01:23:16enough for that. The only way to really get any evidence, get them red-handed in the act.
01:23:22What's your name? George. George? How interesting. Yes, you see, my mother and father are from
01:23:28the old country. They didn't know the difference. Between a boy and a girl of name? No, between
01:23:32a boy and a girl. Well, George just won't do. We have to find something exotic, like
01:23:39a name for the party. Fru-Fru, that's it. Fru-Fru. Girl, meet Fru-Fru. Hi. Hi, girl.
01:23:51Now, what will happen is this. You will parade in front of Mr Jenkins, and he will pick out
01:23:57what he wants. And, oh well, girls, you explain to her. And hurry and get rid of all these
01:24:03things before Mr Jenkins arrives. What a situation. What a predicament. What a problem. What a
01:24:09man this Mr Jenkins must be. He was here this morning. Here. Oh, thank you very much. Oh,
01:24:15put it on. Oh, look, what is it? It's a Whimplepool original. Where is it? There, just put it
01:24:23on. All right, she thinks out. Where? You know, I certainly hope I do make good in the
01:24:35big city. Everyone, everyone is trying to help me so hard, and I've got to please so many
01:24:40people back home. There's Ma, and there's Pa, and there's Uncle Zeke, and then there's
01:24:44my beau, Tommy. Hey, he's the beau next door. Say, what kind of a man is this Mr Jenkins?
01:24:50I don't want to get into any trouble in this town. Now, I've been told and warned time
01:24:54and time again that this town is something that I should stay away from. But I've always
01:24:58said that when a girl is pure of heart, nothing can happen to her.
01:28:49© BF-WATCH TV 2021
01:29:19.
01:29:50© BF-WATCH TV 2021
01:30:09This is our meet me in Tijuana line. Imagine, I'm sure your company would love to carry.
01:30:15Oh, yes, we have an office in Tijuana.
01:30:19Ah, yes.
01:30:40This is our polka dot model. We call it, guess where the navel is.
01:30:48Great for party games.
01:30:51Now, each dot is hand applied.
01:30:55Yes, yes.
01:30:58Oh, really?
01:31:11Now we have a new girl for you, Mr Jenkins. We call her Fru Fru.
01:31:18What is the meaning of this? I don't understand. What are you trying to do, ruin me?
01:31:21Keep speaking, please, right into my response there.
01:31:23I said, what are you trying to... Stop being so silly. And take off the robe.
01:31:27Oh, no, you don't.
01:31:28Girls, take off the robe.
01:31:31Hey, stop it.
01:31:32Out of here.
01:31:33Take it off.
01:31:36All right.
01:31:38And you too.
01:31:39Oh, what's the meaning of this?
01:31:40Well, I can explain everything, you see.
01:31:42Yeah, what is the meaning of this?
01:31:44Pretty smart, huh?
01:31:45I've been on this case since I was a bellboy.
01:31:47Ever since Tuesday.
01:31:48I've got all the evidence.
01:31:50Right here, in my tape recorder.
01:31:58Now, don't you move.
01:31:59Don't you move.
01:32:01I told you not to move.
01:32:03You're moving.
01:32:04I told you not to move.
01:32:07You such...
01:32:11I don't have a permit for a real one yet.
01:32:14You're out.
01:32:20Get him.
01:32:26Get him.
01:32:33Get him.
01:32:44That's what leads me to where I am now, an expert on women, the ins and outs of women,
01:33:06their habits, eating and other, their whims, their secrets, their moods.
01:33:13And that's why I don't ever want to see another one again as long as I live.
01:33:43www.freebiblecommentary.org