• 3 months ago
On the Buses S01E03 Olive takes a trip
Original air date - (14th March 1969)
Stan has been given a new conductor who turns out to be the attractive clippie Iris. The two of them go on a date after their shift and afterwards, they both go to Stan's house. Mum isn't happy about them being at home together and does her best to ruin the romance between them for the evening.
Transcript
00:00Now, ladies and gentlemen, we'll have a little bit of applause at the beginning of the show.
00:02That's to show you're here, and we're starting the bus engine now. Let's just see if it works.
00:05And when I wave to you after the thing starts, don't wave back, start clapping.
00:10And I'll tell you when to stop.
00:31Over as I please.
00:34Over as I please!
01:00You know, Mum, I don't think Stan's going to like it when he finds out I'm working on the buses.
01:20Well, if your husband doesn't mind you being a clippy, I don't see why your own brother should.
01:24Yeah, but you know what Stan's like about things like that.
01:27Hello, love.
01:28Hello, love.
01:29How's it going, love?
01:30All right.
01:31How's the idea going?
01:32All right, very much.
01:33Well, charming. Why don't you buy a paper for a change?
01:36Well, it's a bit of a waste of time, isn't it? Five pence a time, we might just as well take turns.
01:40Turns? Last time you bought one, they were a penny.
01:43Come on, come on, Stan. Come and sit down and have your tea.
01:47All right, Mum.
01:48Olive's got some news.
01:50Oh, yeah, yeah. Well, come on, where is it then?
01:53She's getting a job.
01:54I bet that's made the headlines. Have a look, mate.
01:58Let's see. That's 40-70 you've had this year, isn't it?
02:01Oh, Stan, don't be rude to your sister. She can't help it. It's the labour exchange.
02:07Yeah, but they haven't invented one to suit her yet.
02:10Yeah, well, I must say I don't approve of my wife working, really. Still, it will help with the little luxuries, won't it?
02:15Oh, she's going to buy you a fag, then.
02:18Right, come on, then. Give us it. What's the news?
02:21Well, it was Mum's idea.
02:22Well, I had a brainwave.
02:24Oh, yeah?
02:25She's working on the buses.
02:29Has something gone down the wrong way, love?
02:32That bit of news did.
02:34Her? Olive on the buses?
02:36Yes. It's going to be nice for her, working at the same depot as you.
02:40Me? Why me?
02:42Why not? You're her brother.
02:44Well, you're her husband. Why don't you get her a job on the railways?
02:48Let her work in the booking office, will you?
02:50Selling railway tickets is highly skilled work. What on earth would she do?
02:55She could clean your little window.
02:59Or do you like it dirty, so the people can't see what you're up to?
03:03Those windows are dark because they're armour-plated to stop the bullets.
03:09Bullets? Who from? Bandits or passengers?
03:12Oh, come on, then. No, she wouldn't suit you, love, I'm telling you that.
03:15Yeah, well, as I say, I don't approve of my wife working, really.
03:18The money will come in useful, Arthur. Working as a clippie, I'll earn £11.10 a week.
03:22£14.13 and five with late shift and overtime.
03:27Why don't you get her on nights?
03:29That's a good idea. That'll bring it up to £17.
03:32Oh, shut up. I still don't think it suits you, love.
03:35And you're very choosy, love. Besides, wait till you see the application form.
03:38That'll soon put you off.
03:39Oh, she's filled in all the form, haven't you, love?
03:42She'll understand.
03:43Yeah, all except the questions on the back, the medical section.
03:46Yeah.
03:47Question number one.
03:49What's it say? I can't read the small print.
03:52Have you got good eyesight?
03:56I'll put yes.
03:57What are you talking about? Blimey, she couldn't read the question.
04:00Oh, well, she could if she had her proper glasses and a little more light.
04:04Now then, question two.
04:05Have you had any of the following childhood diseases?
04:08Tick and put date against the ones you have had.
04:11Of course, your pen'll run out, I think.
04:13Mumps.
04:14Now, let me see. What was those dates?
04:17Dates? You don't have mumps twice.
04:20Olive did.
04:22Oh, well, I'll put two ticks, yes.
04:24Now, measles, whooping cough, German measles.
04:27Ooh, there are a lot, aren't there?
04:29Yeah. Why don't you make it a fermentation?
04:31I still don't say that she's not fit for the job.
04:34Oh.
04:35Do you suffer from dizzy spells and nausea and fainting?
04:38Blimey, she's had a jackpot, hasn't she?
04:40I'll put no.
04:42What do you mean, no? What about last week?
04:44Oh, well, that was because of the weather. It was awful.
04:47Now, let's see. Four.
04:49Do you suffer from vertigo? No, she never had that.
04:51What is it?
04:52Vertigo is being frightened of heights and high places.
04:55Oh, I am. Even going up the stairs.
04:59What are you going to do on the top deck of a bus, then?
05:01Well, it's all right when she closes her eyes.
05:04Oh, that's marvellous, isn't it?
05:05Wandering about on the top deck of a bus with your eyes shut.
05:08You're supposed to be collecting fares, not playing blind man's buff with the passengers.
05:12Now, this is ridiculous. You've got to answer them properly.
05:14Now, look here. I filled in all the forms last time.
05:16All you've got to do is just sign it there. See?
05:18Did he sign?
05:20Look here. You've worked on the buses for so long, you can recommend Olive.
05:23You can say that she's suitable for...
05:25Let's see what she's suitable for.
05:27Oh, she's a suitable person to serve as a conductress. There you are.
05:30Well, I don't think she is.
05:31Besides, if the fellas knew I put her up, they'd kill me.
05:34Go on.
05:35Go on. Do as you're told, love.
05:38The manager's the only one who'll know.
05:40All right, then. I'll sign it, but I'll put an X for no publicity.
05:47I made it fit, Arthur.
05:49Don't you think Olive looks nice in her uniform?
05:52Yeah, dazzling.
05:54Hey, I've dashed home early.
05:56I might get the last bit of football in, Arthur.
05:58Stan. Stan.
06:00Look at Olive's suit. I've altered it.
06:02You know, show it off. Show it off.
06:05Oh!
06:07All right?
06:08Yeah. Looks like one of them Paris models.
06:11Not exactly star-bought Christian Dior, was it?
06:14Looks more like it's been bashed out by Layla Motors.
06:19Here. How's the training going, love?
06:21Olive starts on her own tomorrow.
06:23We want you to give her a bit of last minute advice.
06:25I will, after I've seen the match, Mum.
06:27Here. What do I do first? Do I tell her if her tickets will take me money?
06:30Go on. Show her.
06:32Well, I can't without rolling tickets.
06:34I'll see you afterwards.
06:38Here. What are you doing?
06:39Now Olive will have to imagine she got the tickets.
06:42Oh, wait a minute. I've got an idea.
06:47Here you are. That'll do, dear. Just take that.
06:50Here. Here. You can't give her that. I bought that.
06:54What do you mean, bought it?
06:56It's got British Railway stamped on every seat.
06:59I supplied it, didn't I?
07:01No wonder the British Railways are going broke.
07:04Now, there we are. There we are.
07:06Now, we've got to imagine that these are the bus seats.
07:09Come on, Stan.
07:11Can't I do it after the match is over?
07:13Oh, come on.
07:14All right, then. All right.
07:15Here we are.
07:20What are we doing?
07:22I'm on the bus.
07:26They're going to be very big tickets.
07:28Oh, well, you'll have to imagine it's a very long journey.
07:31First, please. First, please.
07:34Come on, Stan. Ask if we need a ticket.
07:36Oh, all right.
07:37A 6.1 from the High Street to Warwick Road.
07:39Yes, sir.
07:40Wrong.
07:41Oh, I thought you'd done that very nicely.
07:43But there isn't a bus that goes from the High Street to Warwick Road.
07:46Oh, Stan, you are awful.
07:48You're only teasing.
07:50Just like when we were children.
07:52I'll do it properly this time.
07:54Hurry up. Hurry up, will you?
07:55Give me a 10.1 to the Cemetery Gates,
07:57and I've only got a quid.
07:59Tenpence from a pound, that'll be...
08:04...19.
08:06And tuppence change.
08:08And there's your ticket.
08:09You can't say she didn't do that well.
08:11Very good.
08:12The only difference was I only gave her a 10-bob note.
08:15Oh, Stan.
08:17Don't call that very nice.
08:18I'm sure no-one would be so dishonest.
08:20You're joking, Mum. At least I gave her money.
08:22One dark night, someone's going to work her a soap voucher.
08:25Oh, dear.
08:26I'll be fair with you, love.
08:27I'll tell you what I'll do. Take your money back.
08:29Listen, I'm going to ask you a question now.
08:31If a drunk got on the bus...
08:33See, what would you do? Come on.
08:35Well, the inspector said...
08:36Don't worry about what he said.
08:38I'm the driver, and I know.
08:40Right, if he wants to start a fight,
08:42you rap smartly on the window of the cab.
08:44Of course, so he can come and help you.
08:46No, so he can lock himself in.
08:49Oh, Stan.
08:51You would go and help your climp here.
08:53No, it's far better for him to stop there
08:55than if she's in real trouble, he can drive her straight to the hospital.
08:58Well, I'm fed up with this game anyway.
09:00Hey, Arthur.
09:01Oi.
09:02Come here and play an awkward passenger.
09:04How do I do that?
09:05Just be yourself.
09:07No, I don't think that's very nice.
09:09Will you? Oh, don't, Stan.
09:10Here, come on, Arthur. Come and help your wife.
09:12Go on, go on.
09:13All right, all right, all right.
09:14Come on, I'll get the set warmed up.
09:15First, please. First, please.
09:18I'll have a sixpenny, and here's a pound note.
09:20Now, I'd better be sure this is a pound.
09:22Especially if it's Arthur's.
09:25Oh, dear, I'll have to pay you all in sixpences.
09:28You can't do that.
09:29Why?
09:31Well, blimey, she's a clipper, you're not a fruit machine.
09:34No, save your float. Always save your float.
09:36Look, I'm going to report you for inefficiency if you don't hurry up.
09:39Oh, no, don't stand for that from one of the passengers.
09:41Order him off the bus.
09:43What for?
09:44For smoking on the lower deck.
09:46There goes the final whistle.
09:47What a fantastic finish.
09:495-1 to the South Americans and four goals scored in the last five minutes.
09:53A really wonderful game.
09:54Brilliant.
09:55I don't know when I've enjoyed a game so much.
09:57Can I get buses with you and Mr Football Match now?
09:59No, there's nothing on until the midnight movie.
10:01Oh, good.
10:02Well, we've got three hours to teach Olive.
10:04Come and sit down.
10:07First, please. First, please.
10:09Come on.
10:20Morning, Dol. Morning, Dol.
10:22Hello.
10:23Your sister's starting today, then, Stan?
10:26Yeah, she's on her number nine.
10:27Oh, yeah?
10:28Not for me, thank God.
10:29Oh, she's all right, but you know what it is, working with the family.
10:32Oh, butler, I've switched your conductor.
10:34You're on the 29 again.
10:36Oh, no.
10:37What for?
10:38Yes, well, your mother had a word with me.
10:40She told me you like to have your sister on the bus with you.
10:43What?
10:45Well, we like to keep everyone happy here, you know.
10:47Suit you?
10:48Well, yeah.
10:49Stan, you was going to ask him, weren't you?
10:51Oh, yes, yes.
10:53Yes, well, there's the bus.
10:54Number 11 to the Cemetery Gates.
10:56Do it in three minutes.
10:58All right.
10:59Hop on, Olive.
11:01Check your way, Bill.
11:03Now, look, Olive, I'm going to buy your first ticket.
11:06I'll have a tempany one.
11:07She just can't give you a ticket.
11:09Of course she can. I'm going with you.
11:11I wouldn't miss Olive's first trip.
11:13Ten.
11:18LAUGHTER AND APPLAUSE
11:21APPLAUSE
11:37MUSIC
11:45Look, Mum, I know it's Olive's first day as a clipper,
11:48but you can't sit on the bus all day with an older hand in case she cries.
11:51Oh, well, I'm only going as far as the shops.
11:53Oh, Stan, I'll be Olive's first passenger.
11:57Do you think I ought to wish?
12:00LAUGHTER
12:02You know, Stan, it's a thing a mother never forgets.
12:06Could be something the bus company never forgets at all.
12:09How do I look, Mum?
12:10Oh, smashing love.
12:12You know, you two ought to have your photos took,
12:14brother and sister in uniform again.
12:16What do you mean, again? When did we have it taken before?
12:19When you was a wolf cub and you was a brownie.
12:22Oh, Mum, I'm not a brownie any more. This is quite different.
12:26Oh, no, it's not, love. Here comes Brown Al.
12:29LAUGHTER
12:31Would you act directly, Butler? Mind you leave on time.
12:34Yes, sir.
12:36Oh, Stan, you're giving him the Boy Scout salute.
12:39No, love, no, that's the busman salute.
12:42It's the same, two fingers, you know,
12:44but we don't bring it right up to the forehead,
12:46we stop halfway in between, like this.
12:48Butler?
12:50I said, two minutes due out.
12:53Come on, love, we'd better go.
12:55Oh, we can't, I've got to do my hair.
12:57Oh, don't forget your curlers.
12:59You haven't got time to put curlers in.
13:01Oh, she's not putting them in, she's taking them out.
13:04She was very late this morning.
13:07It was Arthur's fault.
13:09Yeah, he never bought her early morning tea.
13:11Looking like that, I'm not surprised.
13:13I'll only take a second, I'll go up to the ladies and take them out.
13:16Oh, well, if you're going there, dear, you might as well...
13:18Yes, you're next, Mum.
13:20Well, all right, I'm going to get in the cab, Mum.
13:22Oh, Stan, I'm so glad she's going to be with you.
13:26You can keep an eye on her when you're driving.
13:28What was that you said?
13:30I said you can keep an eye on her when you're driving.
13:32Mum, I drive that way.
13:34And when I drive that way, the company might as well look that way.
13:38It keeps down the insurance, you see.
13:40So if you want me to keep an eye on Olive, you want to get her to run in front of the bus?
13:45You know what I mean.
13:47Wow.
13:48I was as quick as I could, Stan.
13:49Have you got it ready?
13:50Yeah.
13:51Oh, no, me ticket machine.
13:52Where did you leave it?
13:53Hanging on the door of the loo.
13:54Oh, really?
13:56I've got an idea, it's going to be a nightmare journey.
13:59Mum, get in the bus, will you?
14:00All right, love.
14:01For God's sake, let's have somebody in their position.
14:04I've got it, Stan.
14:05You all right now?
14:06Yeah.
14:07OK, get in then.
14:08Ow!
14:12What's the matter?
14:15You did that on purpose.
14:17I didn't do it.
14:18Mum, please get in, will you?
14:19I've got to get going.
14:20OK.
14:21All right.
14:22OK, get in.
14:23OK?
14:24Right.
14:26Oh, no!
14:27Stop!
14:28Stop the engine!
14:29Stop the engine!
14:30What's the matter now?
14:31It's the fumes.
14:32I've sent it.
14:33She can't breathe.
14:34Oh, I can't breathe!
14:35It's upsetting that she can't breathe and the doors are shut.
14:38Can't you do something about that terrible smell?
14:41This bus goes on diesel only.
14:43It's not diesel.
14:44It's diesel.
14:45It's diesel.
14:46It's diesel.
14:47It's diesel.
14:48It's diesel.
14:49It's diesel.
14:50It's diesel.
14:51It's diesel.
14:52It's diesel.
14:53It's diesel.
14:54This bus goes on diesel only.
14:55Only cologne.
14:56You've got to get used to it.
14:57Look, she's got a sensitive stomach.
14:58You know what she's like when we have sardines.
14:59But is she going to work on the buses?
15:00You want to put a filter on her intake?
15:01Come on, come on.
15:02All right, all right.
15:03Do you mind, please?
15:04Get on.
15:05All right, Inspector.
15:06I'm sorry.
15:07Get on.
15:08Oh, dear, oh, dear, oh, dear.
15:09Oh, dear.
15:10Oh, dear.
15:11Oh, dear.
15:12Oh, dear.
15:13Oh, dear.
15:14Oh, dear.
15:15Oh, dear.
15:16Oh, dear.
15:17Oh, dear.
15:18Oh, dear.
15:19Oh, dear.
15:20Oh, dear.
15:21Oh, dear.
15:22Oh, dear.
15:23Oh, dear.
15:24Oh, dear.
15:25Oh, dear.
15:26Oh, dear.
15:27Oh, dear.
15:28Oh, dear.
15:29Oh, dear.
15:30Oh, dear.
15:31Oh, dear.
15:32Oh, dear.
15:33Oh, dear.
15:34Oh, dear.
15:35Oh, dear.
15:36Oh, dear.
15:37Oh, dear.
15:38Oh, dear.
15:39Oh, dear.
15:40Oh, dear.
15:41Oh, dear.
15:42Oh, dear.
15:43Oh, dear.
15:44Oh, dear.
15:45Oh, dear.
15:46Oh, dear.
15:47Oh, dear.
15:48Oh, dear.
15:49Oh, dear.
15:50Oh, dear.
15:51Oh, dear.
15:53Stan, I feel sick.
15:56Look, you'll have to get used to it.
15:58Now get back on the bus.
16:22Now we're better and now we've stopped.
16:34What's up now?
16:35Come on, what's up?
16:36Olive's not feeling very well.
16:37She's got travel sickness.
16:38Oh, God, that's all I need, car sick flipping.
16:40Oh, Jesus.
16:41Anything for me.
16:42I'll get off here.
16:43Oh, dear.
16:44Is something wrong, miss?
16:45Oh, she's, she's, she's a bit tired, good bit of headache.
16:50Oh, well not surprising.
16:51The Aussies girls are expected to work.
16:53Perhaps a glass of water would help, eh?
16:55It would, but we haven't got one handy.
16:57Well, there's a cafe just down the road.
16:59I'm sure they'd let me have one.
17:01I'll go and see.
17:03Look, Mum, I thought you told me she got over being car sick.
17:05Oh, she has almost.
17:07It's only when she travels at the back.
17:09She's quite alright when she's sitting in the front.
17:11Why didn't you tell me she could come and sit up on my knee?
17:13Oh, now, now, now. Now, do be sensible, Stan.
17:15You're right, I could be sensible.
17:17I could drive the bus in reverse.
17:19This is absolutely ridiculous, Mum.
17:21She should never have started to be a clippy
17:23if she suffered from motion sickness.
17:25She can't help it. It's very common.
17:27What about them there astronauts
17:29that went to the moon?
17:31They suffered from motion sickness?
17:33Blimey, they went
17:35250,000 miles to the moon.
17:37Nine times round it
17:39and 250,000 miles back again.
17:41Blimey, she's only come half a mile
17:43from the depot.
17:45I know.
17:47I know, but she didn't have their training.
17:49Uh-oh.
17:51Oi! What's the hold up?
17:53We're running a bit early, mate.
17:55We're regulating the time a bit, you know.
17:57I'm surprised you haven't stopped for a cup of tea.
18:01Mum, this is absolutely ridiculous.
18:03I can't stop here and yet I can't move
18:05off without a conductor.
18:07I'm not supposed to stop till I get to the end of the route.
18:09And where's that?
18:11We turn round at the symmetry gates.
18:14Gould, by the look of her,
18:16I might just as well drive straight in.
18:19Sam, you didn't know what to say there.
18:21There you are, my dear.
18:23Nice cup of tea. That'll make you feel better, eh?
18:25Oh, thank you.
18:27Wonderful, you know, how a small cup of tea
18:29puts new life into you, doesn't it?
18:31Pity you didn't bring a pot.
18:33I'll be on my way.
18:35Gould, say, when are we going?
18:37Oh, no, I've seen a lot now.
18:39Five minutes from the depot
18:41and you've stopped for a tea break.
18:43Now, one of the country's ruined.
18:45It's not a proper tea break.
18:47Oh, yeah, it comes later, I suppose, round the next corner.
18:49Now, one of the fares are going up.
18:51It cost me two bob
18:53from the garage to Apex Corner.
18:55By the time you get there, I've no doubt
18:57the fares will have gone up again.
18:59Very funny. Well, we're having a bit of trouble
19:01and I'll tell you what, mate. Here, here's your two bob back.
19:03Two bob. Get on the bus behind. Go on, hop in.
19:05All right, I will.
19:07That's it.
19:09Give him the stupid net.
19:11It's not such a net.
19:13Why?
19:15He didn't buy a ticket.
19:17Mum, it's absolutely impossible.
19:19I can't stand here.
19:21They think I've deserted them.
19:23They're sending out a search party.
19:25Look, I'm going to start up the motor.
19:27Go on, start it up. Go on.
19:29Come on, love, you come up.
19:31I'll look after you till the end of the journey.
19:33Oh, I'll see you later.
19:35What are you going to do if more passengers get on?
19:37That's right, now go on.
19:39Careful, careful.
19:41There we are. Now sit down there, love.
19:43That's right, now get in.
19:45Shut your eyes.
19:47Two one and twos and two halves, please.
19:49Sorry about that, ma'am.
19:51I'll bring your change along.
19:53Don't worry, love, I'll do that for you.
19:55Come along. Now it's, what do you say?
19:57Two one and twos and two halves.
19:59Oh, I've got a tap knee.
20:01Oh, I've got another tap knee.
20:03Oh, dear.
20:05I must be doing something wrong.
20:07Show me what to do, will you, love?
20:09No, I know. All right, I'll do it.
20:11Don't worry.
20:13They're all tap knees. Oh, well.
20:15They'll have their tap knees, that's all.
20:17There we are.
20:19Well, I think I'd better have some change now.
20:21I've got some money in the satchel.
20:23There's a good girl now.
20:27You know that, love.
20:29I'll see you.
20:35I'll see you.
21:01Mum, what are you doing?
21:03I'm collecting money.
21:05I never knew a bus had so many cracks.
21:07What? What's all these tickets?
21:09Well, I had a bit of difficulty with the rolls.
21:11Well, you'd better clear it up before the inspector sees it.
21:13Oh, well, all right. Give me a hand.
21:15I've just about had enough of you, mate.
21:17Give me a hand. Hello.
21:19Mrs Butler, what are you doing here?
21:21Now, look, Inspector,
21:23there's your tickets
21:25and there's your money.
21:27You'll find it all correct, but some of it's under the seats.
21:29What's the meaning of this?
21:31Mrs Butler, your conductor is not allowed to get off the bus
21:33without the tickets and the money.
21:35Oh, she hasn't got off the bus, Inspector.
21:37Well, where is she, then?
21:39Lying on the floor.
21:41She travels better that way.
21:43Travels better?
21:45Now, this is all wrong, Mrs Butler.
21:47Look at those tickets.
21:51Oh, I feel so sick.
21:53Oh, my good God almighty.
21:55What's wrong with her?
21:57Don't worry, Inspector. It's all right.
21:59She's never had this before, has she?
22:01No, never. She'll be quite all right.
22:03She'll be fine when she's better, won't you, love?
22:05It's just the travelling, you know.
22:07Butler, come over here a minute.
22:09I want to have a word with you.
22:11When you recommended your sister for this job,
22:13you signed a form to say she was suitable.
22:15Suitable.
22:17Yeah, I know, I know.
22:19When she signed the form, she was.
22:21What do you mean?
22:23Well, could I have a word with you a minute?
22:25Yeah.
22:27Yeah.
22:29Yeah.
22:31See?
22:33Why didn't you say that before?
22:35Well, I didn't know.
22:37I'll go and have a word with the general manager.
22:39Stan. Stan.
22:41What did he say? Has he given Olive the sack?
22:43She's too ill to work.
22:45Will she have a sickness benefit?
22:49You must be potty.
22:51Why not? It's their bus what's made her sick.
22:53You can't claim sickness benefit
22:55after 12 months.
22:57She's only done one trip, 72 minutes.
22:59She doesn't even qualify
23:01for an aspirin.
23:03I've had a little word with the general manager
23:05and he's very, very kindly
23:07offered to give her a lift home
23:09in his own motor car.
23:11Oh, that is nice. Did you hear that, Stan?
23:13I'll give you a hand, love.
23:15No, no. Don't you strain yourself, my dear.
23:17Nurse.
23:19I keep this here in case any other passengers
23:21are ever taken ill.
23:23There you go, love.
23:25If you want a lift as well,
23:27Mrs Butler, I'm sure the general manager
23:29will only be too happy.
23:31Very nice of him. Very, very nice.
23:33What did you say to him?
23:35Well, you see, when I found myself
23:37in all that trouble, I told him
23:39the first thing that came to my mind.
23:41And what was that?
23:43Well, I told him Olive was in the family way.
23:45Oh, Stan.
23:47Stan, does that mean
23:49you can't come back to the job?
23:51I haven't done it in nine months.
23:53Oh, really, Stan. You didn't ought to have done that.
23:55You know I don't like lies.
23:57Well, don't get on to me.
23:59You want to speak to her husband, Arthur.
24:21APPLAUSE
24:51.
24:53.