A schoolteacher (John Waters) becomes obsessed with the idea that his wife (Joy Bell) did not die in a car accident, as everyone else thinks. A schoolteacher (John Waters) becomes obsessed with the idea that his wife (Joy Bell) did not die in a car accident, as everyone else thinks.
Category
🎥
Short filmTranscript
00:00:00♪♪
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00:01:00♪♪
00:01:11Aaaaah!
00:01:14Aaaaah!
00:01:16Aaaaah!
00:01:18Aaaaah!
00:01:20Aaaaah!
00:01:22Aaaaah!
00:01:30Get me out!
00:01:34Aaaaah!
00:01:40Aaaaah!
00:01:42Aaaaah!
00:01:44Aaaaah!
00:01:46Aaaaah!
00:01:48Aaaaah!
00:01:52Help!
00:01:54Help!
00:01:58Come on, let me out!
00:02:00Take it easy, mate. You'll be alright.
00:02:06Help!
00:02:08Aaaaah!
00:02:10Aaaaah!
00:02:14Aaaaah!
00:02:22Help!
00:02:24Come on, Billy!
00:02:28Help!
00:02:32Get that light in here.
00:02:38Help!
00:02:40Help!
00:02:46Come on, let me out!
00:02:52Keep that generator going!
00:03:04...hold up in the city earlier.
00:03:06This vehicle...
00:03:08Aaaaah!
00:03:10Aaaaah!
00:03:12Aaaaah!
00:03:14Aaaaah!
00:03:16Get me out!
00:03:18Aaaaah!
00:03:20Aaaaah!
00:03:22Aaaaah!
00:03:24Come on, Billy!
00:03:26Aaaaah!
00:03:28We haven't got the gold on you, have we?
00:03:30Stay in there. We can't move him.
00:03:32Stay in there. We can't do this.
00:03:40Hey, get on the radio.
00:03:42We're going to need a heavy-duty truck like that, Sammy.
00:03:44Hey, Don! Don wants to go.
00:03:46Yeah. Come and give us a hand.
00:03:48Anybody we know?
00:03:50Yeah, Eddie Weeks. Phillips, too, but he's gone.
00:03:52Now, keep him talking, Tom.
00:03:54Don't want him nodding off. Righto.
00:03:56Come on, get it over here.
00:03:58Nice driving, Eddie.
00:04:00You've got a licence?
00:04:02No, James Stewart.
00:04:04Come on, Eddie, hang in. You'll be right.
00:04:06Not this time, mate.
00:04:08Get that light in here. Come on.
00:04:10Keep it still.
00:04:12Under my seat.
00:04:14Get it to Susie.
00:04:20Take it easy, Eddie.
00:04:22Don't try to move.
00:04:24We'll have you out in a sec.
00:04:26Susie, right?
00:04:28You'll get it, I promise.
00:04:30You'd better.
00:04:32Get these people out of here.
00:04:34Hang in there, now.
00:04:38Got enough shots of this?
00:04:40Yeah, no worries.
00:04:44Is he all right?
00:04:46No, he's not going to make it.
00:04:48Tom!
00:04:50We've been promoted to car accident.
00:04:52No raid.
00:04:54Demoted to bank robberies.
00:04:58Where to?
00:05:00You know Eddie Wickes' place down on the beach?
00:05:02Yeah.
00:05:04There in a hurry.
00:05:06I've got to call home. The kid's sick.
00:05:08Sure, do it when we get there.
00:05:10Thank you for your concern.
00:05:12Hello?
00:05:14Hello, Susie.
00:05:16It's Tom Stewart here.
00:05:18I think you might remember me.
00:05:20I'm the journalist.
00:05:22I'm not a journalist.
00:05:24I'm a manager.
00:05:26I'm a journalist.
00:05:28I'm a manager.
00:05:30I'm a journalist.
00:05:32I'm a manager.
00:05:34I'm a journalist.
00:05:36I'm a journalist.
00:05:38I'm a manager.
00:05:40I don't think so.
00:05:43Ah, listen, Susie, I have to talk to you about Eddie.
00:05:47Ah.
00:05:54Look, love, they would've thrown the book at him.
00:05:57He wouldn't have seen daylight again.
00:06:01Susie, Eddie wanted you to have this.
00:06:07Traceable?
00:06:09Knowing Eddie, I wouldn't think so, would you?
00:06:12What, there'd be 10, 15 grand there?
00:06:15Tied you over for a bit, wouldn't it?
00:06:18Look, I want an exclusive on him.
00:06:22You bastards are all the same.
00:06:24Well, we liked Eddie.
00:06:27I don't want to tip a bucket on him.
00:06:28I just want to tell his story.
00:06:33Look at it this way, Susie.
00:06:36It's a big page one send-off.
00:06:41You all right, Nick?
00:06:45The first time I met him.
00:06:45Hang on, hang on.
00:06:52The first time I met Eddie.
00:06:55Your methods are getting worse, Thomas.
00:06:57Yeah, I like to think so.
00:06:59Comes from your warm sense of charity, does it?
00:07:01Look, mate, I promised Eddie I'd give him the money.
00:07:04I don't believe your bloody gold.
00:07:07Don't worry about it.
00:07:09Don't worry about anything.
00:07:11Just forget it.
00:07:34Come on, let's get out of here.
00:07:54Stuart had overcome many obstacles
00:07:56through his experience, initiative, and guile.
00:07:58So although this is a novel, in a very real sense,
00:08:02it also is not.
00:08:04He's taken a real criminal case,
00:08:06and he's turned it very cleverly into an indictment
00:08:09against a system that he believes discriminates
00:08:12against the underprivileged in our society.
00:08:15Check out the title.
00:08:16A Killing for the Crown.
00:08:19Now, that seems to suggest that justice
00:08:21has become some kind of blood sport,
00:08:24as opposed to a real assessment of the truth.
00:08:27Although since publication, some doubts
00:08:29have been cast upon the authenticity
00:08:31of Stuart's information.
00:08:34Don't you think, Natalie?
00:08:37Sir?
00:08:47Natalie?
00:08:51Please?
00:09:01Natalie?
00:09:13Mr. Prentice, do you think Stuart's book
00:09:16is responsible for the retrial and acquittal
00:09:19of James Edward Hodges, or do you think it was misled?
00:09:23I don't know.
00:09:25No, of course you don't.
00:09:27But then you don't know much, do you?
00:09:29I don't know myself above belt level.
00:09:35Anyone we know?
00:09:44Well, Prentice, since you seem intent
00:09:46on discussing the artistic merits
00:09:48of this particular work,
00:09:51I suggest you take it directly to the headmaster.
00:09:53Oh, hell no.
00:09:55Oh, hell yes.
00:09:57It's not mine.
00:09:58Quit hassling.
00:09:59It's not mine.
00:10:03It's not mine.
00:10:04It's not mine.
00:10:19I believe we were discussing Stuart's use of nonfiction
00:10:22as a weapon against social injustice.
00:10:29I assure you, it won't happen again.
00:10:32Well, that's very gratifying to hear.
00:10:34But I don't feel that I can let them at a rest there,
00:10:36for all consent.
00:10:41And you know how deeply sorry we all feel about Claudine.
00:10:47Look, Morris, the holidays will give you a chance to relax.
00:10:51However, today's actions are totally unacceptable.
00:10:55And if it happens again,
00:11:00thanks for your support, Henry.
00:11:07♪
00:11:30What's happening?
00:11:32Bloody hopeless.
00:11:34Tom Stewart isn't back there by any chance, is he?
00:11:36Yeah, I think so.
00:11:37Get in.
00:11:42Stewart!
00:11:43Yeah?
00:11:44Detective Sergeant Birch wants to chat.
00:11:46Aren't I lucky. Come on, Mick.
00:11:48Not you.
00:11:52Bit of strife, Ray?
00:11:53I've tried everything.
00:11:55Want to talk to him?
00:11:56Not especially.
00:11:57Your scoop?
00:11:58Yeah, my arse too.
00:12:00Derek, get everyone out of sight.
00:12:04He's got a shotgun, so stop where I tell you.
00:12:06All right, everyone back.
00:12:08Oh, thanks, Ray.
00:12:09You'll be all right.
00:12:10I want everyone out of here, right out.
00:12:13Behind the car, come on.
00:12:15Everyone out of here.
00:12:17Come on.
00:12:19That's far enough, Tom.
00:12:20Behind the car, come on.
00:12:21Leslie, I know you don't want to talk to us,
00:12:24but the gentleman standing out there is a reporter
00:12:27named Tom Stewart.
00:12:29You've probably heard of him.
00:12:31He wants to hear your side of the story.
00:12:34What do you say?
00:12:44Liz!
00:12:46I don't want to pry into your personal affairs.
00:12:49Whatever reason you've got for doing this,
00:12:51I'm sure is a good one in your eyes.
00:12:54Look,
00:12:56all I want to do is talk to you
00:12:58and get your side of this.
00:13:00Maybe take a photograph.
00:13:02That seems fair.
00:13:04What about the coppers?
00:13:06They just want to wrap this up,
00:13:08go home and have a beer.
00:13:10They don't want blood.
00:13:11They're just doing their job.
00:13:13Yeah, well, I'll think about it.
00:13:14I'll think about it.
00:13:26Derek will bring your mate up.
00:13:28Coming?
00:13:36Detective Allen will look after you.
00:13:38Just wait here a minute, please.
00:13:46Three counts of rape, two attempted murders.
00:13:49He wouldn't have let that girl go.
00:13:51Yeah, stops overcrowding the jails, right?
00:13:53Get real, Tom.
00:13:55I don't need any more bloody favours, all right?
00:13:57Well, the two shots.
00:13:59Liz, we fired first at you,
00:14:01and I saved your life.
00:14:03You do understand how the story will read, don't you?
00:14:10By the way,
00:14:12great exclusive on Eddie Wiggs' girl.
00:14:14Don't know how you do it.
00:14:16I really don't.
00:14:23♪
00:14:53♪
00:15:03♪
00:15:13Ladies and gentlemen,
00:15:16Ostentatious.
00:15:18Whoo!
00:15:24Thank you so much. Thank you.
00:15:28Wonderful to be here.
00:15:29Certainly wonderful.
00:15:31The date is December 24 in the year zero.
00:15:34The place, Palestine.
00:15:38The scene, a dusty road.
00:15:40The road from Nazareth.
00:15:42Palladino was named after a band
00:15:43that had a number one with love hurts.
00:15:45Okay, we look up at the sky, and what do we see?
00:15:47A big bright star shining down
00:15:49on the tiny village of Bethlehem.
00:15:51Astrological science informs us today, of course,
00:15:53that this was undoubtedly
00:15:55the earliest recorded manifestation of Ali's comet.
00:15:57The real one, not the five-watt fuzzball
00:15:59we got this time around.
00:16:01So Joseph and his squad,
00:16:03that humble car,
00:16:04come schlepping down the road,
00:16:05leading a donkey.
00:16:06And on the donkey sits his wife, Mary,
00:16:08and their three children,
00:16:09Ezekiel, Ellie, and Daryl.
00:16:11Daryl's fantastic.
00:16:16Sorry.
00:16:21Odin?
00:16:24Mary is heavy with child,
00:16:26and the child is not it.
00:16:32Odin!
00:16:41Honk, honk!
00:17:11My God, don't you ever give up?
00:17:14What a fable I got to get out.
00:17:16Seems I didn't see what I actually saw.
00:17:18And the moral is?
00:17:20Keep your contacts.
00:17:23Just write the story.
00:17:42The number you have called is not connected.
00:17:44Please check the number before calling again.
00:17:46I repeat, please check the number before calling...
00:18:41Vivian Enderby?
00:18:44Viv.
00:18:45Morris?
00:18:47It's Claude there, Viv.
00:18:49Oh, Morris.
00:18:50Tell her I'm getting lonely.
00:18:52No, no, Morris, not tonight, please.
00:18:54Back at four, she said in the note.
00:18:57You drink too much.
00:18:59If she's not with you,
00:19:00I'll have to start calling the hospitals.
00:19:02It's Morris on his hospital rounds.
00:19:04He'll be back in a few minutes.
00:19:06I've got to go.
00:19:07I've got to go.
00:19:08I've got to go.
00:19:09It's Morris on his hospital rounds again.
00:19:12I'll go over.
00:19:14He should have pulled himself together by now.
00:19:16Would you if you lost me?
00:19:19It really is Morris, is it?
00:19:36Hey!
00:19:38Come here.
00:19:39The word is Pellegrini's not impressed with your report
00:19:41on the shooting at the warehouse.
00:19:43Crying out loud, I get bloody results, don't I?
00:19:45Yeah, it's just that I've got to front up in the morning
00:19:47and answer some questions.
00:19:49Well, just tell him the truth, Derek.
00:19:51Leslie was about to shoot.
00:19:53He was an evil little bugger
00:19:55who would have killed the girl and the bloke anyway.
00:19:58I mean, what have those jerks upstairs done?
00:20:00They've forgotten what it's like out here.
00:20:03Let's leave the high-minded stuff
00:20:05to the likes of Stuart, OK?
00:20:10Look at those proofs.
00:20:12Ah!
00:20:13And I'll have a scotch on your royalties, Jack.
00:20:16Yeah.
00:20:17$11.60.
00:20:19They just sold the 173rd copy.
00:20:21I don't think it would have been made.
00:20:23The book was good.
00:20:24The book was rubbish.
00:20:26He was guilty and every other bastard knew it.
00:20:29He was set up.
00:20:32I was set up.
00:20:34Not to mention the publishers,
00:20:36your friends who backed you,
00:20:38me, the typist,
00:20:40the barman.
00:20:42His wife.
00:20:43His children.
00:20:45Drinks for everybody.
00:20:47Except him.
00:20:50You said you'd wipe this.
00:20:52Stephen's paranoid about his patients finding out.
00:20:55To say nothing of the medical tribunal.
00:21:01Stephen.
00:21:02Well, then, destroy it, as you promised.
00:21:15I never did understand your obsession
00:21:17with recording everything.
00:21:26Where is she, Beth?
00:21:28You're wearing us all out, Morris.
00:21:37I saw her again.
00:21:39When?
00:21:41Tonight.
00:21:43Morris, Claudine is dead.
00:21:45Yes, I know. You've told me.
00:21:50Take your hands away.
00:21:51No.
00:21:52Please.
00:21:54I think you've been keeping something from me.
00:21:59You were so smart and smug and sophisticated.
00:22:04We exploited her.
00:22:07You're not supposed to do it that hard.
00:22:11You told me.
00:22:13I thought you liked it.
00:22:24You look lovely.
00:22:32I can only stay out a while.
00:22:44Coming in?
00:22:45No, I've got to get home.
00:22:47Don't muck around, Eric. I'm offering you a drink.
00:22:50Don't muck around, Eric. I'm offering you a drink.
00:22:53Look, I'm pushed for time. Maybe tomorrow.
00:22:58You know you don't have to work with me.
00:23:00Come off it, Ray.
00:23:02I really have to get home.
00:23:05Yeah.
00:23:10Bloody weather.
00:23:20What do you want?
00:23:50What do you want?
00:24:20What do you want?
00:24:51You've got too many things on your mind, Morris.
00:24:54You've got to start enjoying yourself.
00:24:59You're not exactly the first person it's ever happened to.
00:25:03Morris, are you dead?
00:25:06It really isn't a big deal.
00:25:13Morris.
00:25:21You good at names?
00:25:25That's my book.
00:25:28Both of them.
00:25:32Let's see.
00:25:36Seeker, Pfeiffer.
00:25:38What is this?
00:25:40I did see her, you know, Viv.
00:25:42Tonight.
00:25:44She got away, but she left her handbag.
00:25:47She's Jennifer Reynolds now.
00:25:49Did you know that?
00:25:53Morris?
00:25:56Plenty of books like that around, Morris.
00:25:58Yes, I'm sure.
00:26:00Names, addresses.
00:26:02Men, mostly.
00:26:14What's that?
00:26:16You knew.
00:26:18Morris, don't be ridiculous.
00:26:19You lied.
00:26:20Dad!
00:26:38Bloody hell!
00:26:41What's the matter?
00:26:43What's the matter?
00:26:45What's the matter?
00:26:47What's the matter?
00:27:13G'day.
00:27:15Ray.
00:27:17Any problem?
00:27:19No, no, no problem.
00:27:20Just dropped in for a friendly chat.
00:27:22On your own.
00:27:24And what do you want to chat about?
00:27:26Thought you might need some advice.
00:27:28From someone who knows the traps.
00:27:30That'd be you, Ray.
00:27:33Kill for a drink.
00:27:35I believe you would.
00:27:39You know, you're pretty smart for a young fella.
00:27:41I'm glad you think so.
00:27:43But you lack one thing.
00:27:45Oh, yeah, what's that?
00:27:47Edge.
00:27:49Edge.
00:27:51Yeah.
00:27:52Take that book of yours.
00:27:55How did you feel when me old mate Hodges
00:27:57told you that he really had murdered your sister-in-law?
00:28:01Wasn't hard to persuade him to tell you, you know.
00:28:06That's a pretty good set-up, Ray.
00:28:08I never did thank you for it.
00:28:10It's not too late.
00:28:12Oh, you'll like the story, Laura.
00:28:14I wouldn't worry, Ray. I'm not stupid.
00:28:16No.
00:28:18I know you're not stupid.
00:28:20But you are a mug.
00:28:22Tell me why.
00:28:24Could have made a fortune with your book.
00:28:26Not here. It's too late, granted.
00:28:29But overseas, they lap that stuff up.
00:28:31Salves the conscience.
00:28:34And that's where you lack, Edge.
00:28:36You don't follow through.
00:28:38You see, Ray, money's not that important to me.
00:28:41Don't kid yourself.
00:28:45Look, Tom, you've still got a bright future.
00:28:48If you remember who your mates are.
00:28:51How could I forget?
00:28:56Got any good tapes?
00:29:08No.
00:29:12No.
00:29:15No.
00:29:19No.
00:29:22No.
00:29:25No.
00:29:29No.
00:29:32No.
00:29:35PHONE RINGS
00:30:00Where is she?
00:30:02Morning. Long time no see.
00:30:04Was Vivian here last night?
00:30:06Was she here or wasn't she?
00:30:08I haven't got a clue.
00:30:10Did you phone her last night?
00:30:12I was just reminiscing, actually.
00:30:22You said you destroyed all those.
00:30:24Mm. I lied.
00:30:26I want any with Vivian or myself in them destroyed.
00:30:29I'm not surprised.
00:30:31Hardly the sort of thing for a leading surgeon to be doing, is it?
00:30:36Dear Christ.
00:30:38How did Claudine ever put up with you?
00:30:41Amazing how one's friends change over the years, isn't it?
00:30:45Rather tragic, actually.
00:30:47And quite repellent.
00:30:51You're a failure in every respect, aren't you, Morris?
00:30:56We're all fed up to the eye teeth with you and your absurd fantasies.
00:31:00Vivian and myself, especially.
00:31:02Oh, please, do try and forgive me.
00:31:04DOOR KNOCKS
00:31:08Ray.
00:31:10What have you got?
00:31:12It seems that Eddie and Phillip's got away with quite a bit the other night.
00:31:15How much?
00:31:17Trouble is, nobody appears to have been keeping the records, so they can't tell us just yet.
00:31:20Bloody nerves.
00:31:22Not even rough, are you?
00:31:24Only that it's a lot.
00:31:26What the hell is a lot, Derek?
00:31:28A million pounds. A million?
00:31:30A lot. Just a lot.
00:31:34A lot.
00:31:48Thanks, Bill.
00:31:50Tom Stewart here. I believe there's a call for me.
00:31:52See you, Tom.
00:31:54Yes, Neil?
00:31:58I'll be right there.
00:32:04The body of a naked woman in the boot of a submerged car over at Cornell.
00:32:08Come on.
00:32:12We'll never get to New York.
00:32:14Well, if I can prove she did it herself.
00:32:16OK, how's that?
00:32:18How's that?
00:32:28Morgan? Who is she?
00:32:30Black over there's wife, Enderby.
00:32:32Well, you got what you want?
00:32:34Nah, not quite yet.
00:32:36All right, well, I'm going to get this stuff developed back at the lab.
00:32:38The Herald guy's got me a lift.
00:32:40Right-o, Mick. See you there.
00:32:42All right, mate.
00:32:46Come on, Ray.
00:32:48Don't give me that classified information rubbish.
00:32:50Give me a lead.
00:32:52Enderby says this guy, Morris Martin,
00:32:54could have been the last one to see her alive.
00:32:56That's it.
00:32:58That's enough. I'll find him.
00:33:16I'll find him.
00:33:42Phew!
00:33:44Would you want something?
00:33:46Yeah, I wanted to see Mr. Martin.
00:33:48He's not there. He left after the policemen came.
00:33:50Did Mr. Martin say when he'd be back?
00:33:52He came over this morning and talked to Mummy.
00:33:54He'll be coming back tomorrow morning, he said.
00:34:04What I'm saying, Ray, is things don't work
00:34:06the way they used to anymore.
00:34:08And what way was that, sir?
00:34:10The story we have got, Birch, is that the guy went down
00:34:12after the first shot, not the second.
00:34:14You must know what it's like out there, sir.
00:34:16Maybe you don't.
00:34:18But there were a lot of things
00:34:20happening that day.
00:34:22It wouldn't be difficult for things to get distorted
00:34:24in people's minds.
00:34:26Tell me exactly who was it, Mr...
00:34:28Stansfield.
00:34:30Mr. Stansfield. That's all it this way.
00:34:34That'll be all for now, Birch.
00:34:36Very good, sir.
00:34:42Thank you.
00:35:12Hello?
00:35:20Hello?
00:35:22My name's Morris Martin. I'm looking for Mr. Seeker.
00:35:24I'm afraid Mr. Seeker is not available, Mr. Martin.
00:35:26May I help you?
00:35:28I was hoping to locate my wife.
00:35:30I have reason to believe
00:35:32she's been living in the area.
00:35:34I'm sorry, I haven't seen her.
00:35:36It's a small community.
00:35:38I would have known.
00:35:40I see.
00:35:42Thank you.
00:36:10♪
00:36:40♪
00:37:00Mr. Seeker.
00:37:02What do you want?
00:37:04You can help me.
00:37:06I think not, Mr. Martin.
00:37:08And you're looking for your wife?
00:37:12I've seen the pictures.
00:37:14It's trespassing.
00:37:16Tell me about them, about how you came to know her.
00:37:18I advise you to get out.
00:37:20♪
00:37:46Are you well?
00:37:48Better in my life.
00:37:50Your timing was bad.
00:37:52So, how have you been?
00:37:54Fine. Meet you at the hospital in 20 minutes?
00:37:56Annie, can I ask you a really big favor?
00:37:58Oh, this'll be good.
00:38:00Would it be all right if I stayed here for tonight?
00:38:02I won't be here till 5.
00:38:04That's all right. I won't wait up.
00:38:08Oh, you won't have to,
00:38:10because you'll be in the spare room.
00:38:12Great. I'll just put this in there.
00:38:14Can't thank you enough.
00:38:18♪
00:38:48Been strangely quiet
00:38:50about 80 weeks, little haw.
00:38:52Thought you might be able to help.
00:38:54I'd like to, Sarge, but nobody's heard a thing.
00:38:56Strike you as odd?
00:38:58Very.
00:39:00Meaning?
00:39:02Meaning it must have been outsiders involved.
00:39:04Or they dumped it before the crash.
00:39:06Very good, Jimmy.
00:39:08They rob a bank,
00:39:10know they're gonna have a smash,
00:39:12so they bury the money.
00:39:14You're gonna have to do better than that, old son.
00:39:16You're gonna have to do better than that, old son.
00:39:30Good morning.
00:39:32What are you doing in here?
00:39:34Reading a book.
00:39:36Tom, we're divorced.
00:39:38That was ages ago.
00:39:40Was it?
00:39:46So how's work?
00:39:48Lousy.
00:39:50You know, at the risk of repeating myself,
00:39:52this really is the cesspool of the world.
00:39:54Yeah, I think I've heard that somewhere before.
00:39:58So it's still New York, then.
00:40:02Stuff New York.
00:40:06Then what do you want?
00:40:10No.
00:40:12No.
00:40:14Don't.
00:40:16Come here, please. Listen to me.
00:40:22We should have had kids.
00:40:24And have them end up like you.
00:40:28You got a point.
00:40:36God, I liked you once.
00:40:38I even liked me too once.
00:40:44Yeah.
00:41:10Tom Stewart.
00:41:14Detective Ray Birch,
00:41:16who in turn was promoted through these investigations,
00:41:18was able to establish...
00:41:20You made the whole thing yourself?
00:41:22Yes. It's a sort of hobby of mine.
00:41:24I really admired your book very much.
00:41:26That's why I used it with the kids.
00:41:30I don't suppose you'd mind, uh...
00:41:32I don't know, maybe writing something on it for me?
00:41:36By all means, sir.
00:41:38Thanks.
00:41:40What can I say?
00:41:42I take it all that stuff
00:41:44about fabricated evidence
00:41:46was just a smear tactic?
00:41:48Uh, not entirely, Morris.
00:41:52The truth of the matter is that he actually did do it.
00:41:56He told me so after the second trial.
00:42:00You had no idea?
00:42:02There was a sneaking suspicion,
00:42:04but he didn't stop me writing it.
00:42:08Thanks.
00:42:10Another drink?
00:42:12Never say no.
00:42:14You see, I'm, uh,
00:42:16working on the Enderby murder,
00:42:18and, uh, if you could help me
00:42:20with a couple of questions,
00:42:22it, um, it might give me a clearer line
00:42:24on the story.
00:42:26Sure.
00:42:28Well, first off, um, I understand
00:42:30that Dr. Enderby said you rang his wife
00:42:32the night she was killed.
00:42:34Yes, I know the police told me.
00:42:36In fact, I haven't seen her spoken to bit
00:42:39And so it is, isn't it,
00:42:41that he'd say, uh, you were the last person
00:42:43she spoke to?
00:42:45Yes, well, we've been friends for a long time,
00:42:47and, uh, well, the truth is
00:42:49Vivian's rather fond of, uh,
00:42:51other men, if you know what I mean.
00:42:53Although I doubt if Stephen would have put
00:42:55quite such a fine point on it.
00:42:57So she, uh,
00:42:59used a mutual friend as an alibi?
00:43:01That sort of thing, yeah.
00:43:04I see.
00:43:09Do you mind if I ask a personal question, Morris?
00:43:11No.
00:43:13I understand your own wife
00:43:15died six months ago.
00:43:17Yes.
00:43:19She died in Paris.
00:43:21Carrexton.
00:43:23That's her there.
00:43:27Very beautiful lady.
00:43:29There was never anyone
00:43:31more beautiful.
00:43:35I'm sorry.
00:43:38The victims were well-known artist
00:43:40Leszlo Sika and his housekeeper
00:43:42Madeline Kovic.
00:43:44Police are baffled by the ferocity of the attacks
00:43:46and so far have no positive leads.
00:43:48And now to the winner.
00:44:09Carrot juice?
00:44:11Scotch.
00:44:13Of course.
00:44:15I'll join you.
00:44:17Good to see you.
00:44:23You like?
00:44:25Different.
00:44:30To Vivian.
00:44:32It was bound to happen.
00:44:39Do you want to talk about it?
00:44:43Uh,
00:44:45did Claude go back to what she used to do?
00:44:47What?
00:44:49Look, I've tried all the travel agencies.
00:44:51Every single one of them.
00:44:53Nobody's ever heard of her.
00:44:55It just doesn't make sense.
00:44:57Could she still be alive?
00:44:59Do you think that's possible?
00:45:01No, darling. I don't see how she could be.
00:45:03But you'd tell me, wouldn't you?
00:45:05I mean, if you even suspected anything.
00:45:07All I know is that a year before she died
00:45:09she was working for some woman called
00:45:11Spicer.
00:45:13So she only pretended to go overseas.
00:45:15Morris, it's past.
00:45:17She loved you and only you.
00:45:19Leave it at that.
00:45:21I need to talk to the Spicer woman.
00:45:23Why?
00:45:25Barbara, please.
00:45:27It won't do you any good.
00:45:33Spicer. Eve.
00:45:36What if I told you I'd seen her?
00:45:38Seen Claudine?
00:45:40What would you say?
00:45:42I only wish I could believe you had.
00:45:52All right, ladies and gentlemen.
00:45:54Turning to crime,
00:45:56as we all should have done ages ago.
00:46:00Ken, I want you to work up something
00:46:02on the Seeker murders.
00:46:04The house in the mountains, that kind of crap.
00:46:06Neil, could I grab that one?
00:46:08Ken won't mind, will you, Ken?
00:46:12All right, Tom.
00:46:14As long as you don't turn it into a book again.
00:46:16Carol, I've got something here
00:46:18for you as well.
00:46:35I'm sorry.
00:46:37I'm sorry.
00:46:39I'm sorry.
00:46:41I'm sorry.
00:46:43I'm sorry.
00:46:45I'm sorry.
00:46:47I'm sorry.
00:46:49I'm sorry.
00:46:51I'm sorry.
00:46:53I'm sorry.
00:46:55I'm sorry.
00:46:57I'm sorry.
00:46:59I'm sorry.
00:47:01I'm sorry.
00:47:04Mr. Sugg, you haven't picked up the detectives.
00:47:06Yeah, but come on, you're not supposed to...
00:47:08See you back in the car, Mick.
00:47:10Just wait a minute.
00:47:34Mick, you got your Polaroid with you?
00:47:36Yeah.
00:47:38Give it to me, will you?
00:47:42Be careful with it.
00:47:44You bet.
00:47:47Hey, Al.
00:47:49This area's off-limits.
00:48:16What's wrong?
00:48:18You wouldn't believe it
00:48:20if I told you.
00:48:22Back to the baby, then?
00:48:24Yeah, I'll go on from there.
00:48:32This is Eve Spicer speaking.
00:48:34Can you hear me?
00:48:36Can you hear me?
00:48:38Can you hear me?
00:48:40Can you hear me?
00:48:42Can you hear me?
00:48:44This is Eve Spicer speaking.
00:48:46I'm not able to come to the phone at the moment,
00:48:48but if you'd care to leave your name and phone number...
00:49:14Oh, God.
00:49:44Oh, God.
00:50:14Oh, God.
00:50:44Oh, God.
00:51:15PHONE RINGS
00:51:34No, no, I'm sure it's the same girl.
00:51:36How old?
00:51:38I can't tell ages. Late 20s, I guess.
00:51:40Is she pretty?
00:51:42Yes, she is. Very.
00:51:44I thought she said she was dead.
00:52:13PHONE RINGS
00:52:19PHONE RINGS
00:52:22PHONE RINGS
00:52:29If the matter is very urgent,
00:52:31may I like to try 360-144-A?
00:52:34Thanks.
00:52:43PHONE RINGS
00:52:55Yes, may I help you?
00:52:57Eve Spicer, please.
00:52:59She'll be back in the morning. Any message?
00:53:01Don't worry, I'll call back.
00:53:08She was a delightful person.
00:53:10Warm, intelligent and beautiful.
00:53:12A rare creature.
00:53:14What sort of a job did she have, Doctor?
00:53:16She was an overseas tour guide.
00:53:18Oh, yeah? Who with?
00:53:20I've no idea.
00:53:22She was never a model, was she? An artist model?
00:53:24Not to my knowledge.
00:53:28Look, I'm sorry, Stuart, but I promised I'd look in on the patient.
00:53:31Sure.
00:53:34Thanks for the drink.
00:53:41DOOR CREAKS
00:53:45DOG BARKING
00:53:55DOOR CREAKS
00:53:57DOOR CREAKS
00:53:59DOOR CREAKS
00:54:01ENGINE REVS
00:54:07ENGINE REVS
00:54:11DOOR CREAKS
00:54:16DOG BARKING
00:54:22DOG BARKING
00:54:24DOOR CREAKS
00:54:29DOOR CREAKS
00:54:34DOOR CREAKS
00:54:40DOOR CREAKS
00:54:47DOOR CREAKS
00:54:55DOOR CREAKS
00:55:01DOOR CREAKS
00:55:04DOOR CREAKS
00:55:26Satisfying your insatiable curiosity, Stuart?
00:55:29In a way.
00:55:31Actually, I was looking for the tape she took from Morris Martin's house.
00:55:34I suppose it's a bit embarrassing to leave that sort of stuff lying around.
00:55:37Well, thank you not to pry into my personal affairs.
00:55:40Well, given the circumstances, there might be a bit of public interest here.
00:55:44By dragging my name and that of my late wife through the mud, is that what you're implying?
00:55:48No, I'm not implying that. I just want to find out what's going on.
00:55:51You have no private life, then, I take it.
00:55:53No personal secrets.
00:55:55No habits you prefer not disclosed in lurid detail on the front page of your newspaper.
00:56:00Weren't we discussing your situation?
00:56:03No, no. We're discussing yours.
00:56:06If you don't leave me alone, you'll find yourself in prison.
00:56:10Is that a threat, Doc?
00:56:12Yes.
00:56:14Thought so.
00:56:18PHONE RINGS
00:56:20Hey, Mick, can you make out the postmark on that?
00:56:24Dark glasses help?
00:56:2728th of December?
00:56:30Not October, is it?
00:56:32Don't think so. Why?
00:56:34Hmm. Doesn't matter.
00:56:36Drink?
00:56:37Can't. Gotta go.
00:56:39Ooh. Well, where are you gonna be?
00:56:41Out. Then either back here or around at Annie's.
00:56:44Ah. You two friends again?
00:56:46Never enemies, mate. Just incompatible.
00:56:52Thirsty?
00:56:57HORN HONKS
00:57:11There were marvellous times, Mr Stewart.
00:57:14Unconventional times.
00:57:16We were all... very close.
00:57:20Was Morris ever in love with Vivian Enderby?
00:57:23In love?
00:57:25If you mean, by that, did Morris ever sleep with Vivian,
00:57:28the answer's yes.
00:57:30But then so did we all at various times.
00:57:33You mean, Stephen and Morris...
00:57:35And Vivian and myself, yes.
00:57:37Didn't Stephen explain?
00:57:39No, he didn't.
00:57:41Well, he must be a little shy these days.
00:57:46Wasn't Morris married to a Claudine...
00:57:49Fergus? Yeah.
00:57:51No. He was married to me.
00:57:55I don't quite understand.
00:57:57Claudine was an English girl we met in Spain.
00:58:00San Sebastian, actually.
00:58:02You see, we even used to take our holidays together.
00:58:06She and Morris fell in love.
00:58:08You realise what she was? No.
00:58:11She was a whore, Mr Stewart.
00:58:13A very beautiful and highly paid whore.
00:58:16She was utterly charming and captivating.
00:58:19And in a very real sense,
00:58:22we were all in love with her.
00:58:26Yes?
00:58:28Mrs Spicer? My name's Martin.
00:58:30You were recommended to me.
00:58:32It's the top floor, Mr Martin.
00:58:46Mr Martin?
00:58:48Won't you come through?
00:58:51Tell me,
00:58:53do you think it's possible
00:58:55that Claudine Vargas is still alive?
00:58:58What an extraordinary question.
00:59:01Is it?
00:59:03I understood it was Vivian you wanted to discuss.
00:59:07I think it's all connected.
00:59:09Do you really?
00:59:12Do you really?
00:59:19Is that Claudine?
00:59:21Yes.
00:59:23Awfully commercial, don't you think?
00:59:27The sculptor at Morris Martin's house, I suppose...
00:59:30I did several of her, if that's the question.
00:59:33Is she alive or not?
00:59:35You've been listening to Morris.
00:59:37You're looking for a mystery, Mr Stewart,
00:59:39and there isn't one.
00:59:40Claudine is dead.
00:59:42It's as simple and as sad as that.
00:59:58And then there's Sasha.
01:00:00Show your photographs.
01:00:04What about you?
01:00:06Me?
01:00:07Unless there's really a Mr Spicer, of course.
01:00:10There is, but you're at liberty to choose
01:00:12whomever you like.
01:00:16Then I choose you.
01:00:18I'm very flattered.
01:00:21When are you free?
01:00:22Tonight could be reorganised.
01:00:25For dinner?
01:00:26Lovely.
01:00:29I really wanted to ask you something rather private.
01:00:33A specialty.
01:00:34Well, not exactly.
01:00:38I want to know if my wife worked for you.
01:00:42Her name's Claudine, but...
01:00:44I think you might have known her as Jennifer Reynolds.
01:00:47I don't know anyone by that name.
01:00:49I'm sorry.
01:00:51I think you do.
01:00:53If you'll excuse me just for a minute.
01:00:55She did work for you, I've been told.
01:00:57I don't know her.
01:00:59Where?
01:01:01I don't know who you're talking about.
01:01:03I want to know where.
01:01:05Let me go.
01:01:07Where is she?
01:01:09Let me go.
01:01:10Where?
01:01:11Let me go!
01:01:12Where is she?
01:01:15I want to know where she is.
01:01:16Tell me.
01:01:17Where?
01:01:20See, even poor Barbra still thinks she's dead.
01:01:24But she's not.
01:01:26She's alive.
01:01:29Could you at least clear something up for me?
01:01:32There's a postcard, right?
01:01:33It's dated two months after Claudine Martin's supposed to have died.
01:01:36I gave you some advice when you broke into my home, Stuart.
01:01:39Yeah, sure.
01:01:40You seem to have forgotten it or ignored it.
01:01:42No, no, look.
01:01:43If she's alive, she could be in serious danger.
01:01:45Do you understand?
01:01:46Look, is she alive or not?
01:01:51What a jerk.
01:01:59Mrs. Ayers?
01:02:00How can I do the carpet?
01:02:03I'll do it.
01:02:09Nick, my boy.
01:02:10Bradshaw's looking for you.
01:02:12You said you'd be at Annie's.
01:02:13Yeah, I know.
01:02:14Listen, do me a favor, will you?
01:02:16Tell ex-London.
01:02:17Ask them to check on the death of a Claudine Martin.
01:02:20She was a British citizen.
01:02:21Supposed to have died in Paris about six months ago.
01:02:24Had a maiden name of Vargas.
01:02:26Come on, mate.
01:02:27It's not my job.
01:02:28Ask another girl.
01:02:29Don't be a...
01:02:30Do me a big favor.
01:02:31I haven't got time.
01:02:32I don't know.
01:02:33Tell Bradshaw what you like.
01:02:34Hello, boss.
01:02:35Well, the hell have you been?
01:02:36I've been working my...
01:02:37Well, there's been another murder.
01:02:39It's at this address.
01:02:40And they've jammed the lid down tight.
01:02:42Find out what it's all about.
01:02:43On my way.
01:02:52Hi, Anna.
01:02:53Hi, Tom.
01:02:56No press.
01:02:57Ray.
01:03:00Media's not invited.
01:03:02Not your territory, is it, Ray?
01:03:03Everything's my territory, son.
01:03:07Bit late to stop trusting me now, isn't it?
01:03:17OK, let's go.
01:03:18Take a look.
01:03:19Sure.
01:03:20OK, we just need a couple more details.
01:03:26Any theories?
01:03:29Arrival operation?
01:03:30Maybe.
01:03:31Or just some nutter who hates women.
01:03:34Clients, you mean?
01:03:36Speaking of which...
01:03:39Take a gander at that.
01:03:41It's a special clientele.
01:03:43But keep it to yourself.
01:03:46Don't suppose you'd recognise any of these?
01:03:49On my wages?
01:03:51Don't put your daughter on the stage, huh?
01:03:53Here's some more, Ray.
01:03:54You know her?
01:03:57No.
01:03:59Classy.
01:04:02Well, be sure to let me know if that fertile mind of yours
01:04:04comes up with something, will you?
01:04:08By the way,
01:04:10remember the night Eddie Weeks and his mate got killed?
01:04:14Word is that they didn't get a chance to drop the money.
01:04:17What about the paramedics, eh?
01:04:19No.
01:04:20They didn't get a chance to drop the money.
01:04:22What about the paramedics, eh?
01:04:24Rare breed them.
01:04:25Honest as the day is long.
01:04:27Like me.
01:04:29Get much?
01:04:30Some.
01:04:32Beats me.
01:04:35Yeah, real mystery.
01:04:37Yeah, I know how much it costs, Phil.
01:04:38Just make the arrangements, OK?
01:04:40Yeah, all right.
01:04:41And remember, use the name Neil Bradshaw.
01:04:42You got that?
01:04:43Neil Bradshaw, yeah.
01:04:44Right.
01:04:46What the hell is this?
01:04:48Well?
01:04:49What is it?
01:04:50Oh, it's stolen.
01:04:51I'm using it.
01:04:52For what?
01:04:53I don't know.
01:04:54A balance sheet.
01:04:55A balance sheet?
01:04:56I don't know.
01:04:57A balance sheet?
01:04:58A balance sheet.
01:04:59A balance sheet?
01:05:00A balance sheet.
01:05:01A balance sheet.
01:05:02A balance sheet.
01:05:03A balance sheet.
01:05:04A balance sheet.
01:05:05I don't know.
01:05:06Balance the books, maybe.
01:05:07What do you mean?
01:05:08With Ray Virch?
01:05:11Well, I wasn't going to keep it, was I?
01:05:12Why not?
01:05:15Might be for me.
01:05:17Hello?
01:05:18Hello?
01:05:19Mick?
01:05:20London says there's no Claudine Martin.
01:05:21What, no record of a death?
01:05:22No, no record of anything.
01:05:23No Claudine Vargas either.
01:05:26Yeah, right.
01:05:27Thanks, Mick.
01:05:28Is that all?
01:05:29Yep.
01:05:32Annie, I've got to split for a couple of days.
01:05:35You're leaving your things?
01:05:36Oh, come on.
01:05:37Don't be like that.
01:05:39Look, can I leave the money here?
01:05:40There's a lot happening.
01:05:41I just need a couple of days to put things into place.
01:05:44Of course you do.
01:06:05I've got to go.
01:06:35Yes?
01:06:37Mrs. Kline?
01:06:38Neil Bradshaw here.
01:06:40Of course, Mr. Bradshaw.
01:06:42Thank you.
01:07:06Hello, Mr. Bradshaw.
01:07:07Hello.
01:07:08This is a pleasure.
01:07:09I'm Marjorie Kline.
01:07:10How do you do?
01:07:11Do come in.
01:07:36Inga.
01:07:38A marvellous choice.
01:08:00Hello.
01:08:01I'm Inga.
01:08:06So, this is your first visit here, Neil.
01:08:10He knows you're alive.
01:08:11And he's killed people to find out.
01:08:14You're Claudine Martin, aren't you?
01:08:15I don't know what you're talking about.
01:08:17I'm Tom Stewart and I'm a reporter.
01:08:19And Morris must have found out about this place by now too.
01:08:22Listen, you've got to let me get you out of here and quick.
01:08:27Believe me, please.
01:08:29Come on.
01:08:31I saw a painting of you at Seeker's Place,
01:08:33so I put two and two together.
01:08:35What about the police?
01:08:37I don't think they've even got to first base yet.
01:08:43I hear internal are really up for your blood this time.
01:08:46I'm not sure.
01:08:47I've got to go.
01:08:48I've got to go.
01:08:49I've got to go.
01:08:50I've got to go.
01:08:51I've got to go.
01:08:52I've got to go.
01:08:53I've got to go.
01:08:54I've got to go.
01:08:55I've got to go.
01:08:56I've got to go.
01:08:57I've got to go.
01:08:58I've got to go.
01:08:59Have you been high every night together?
01:09:00Yes.
01:09:01Would you have noticed me peeking through your blood?
01:09:03Yes.
01:09:05Do you know if the paramedics saw anyone close to Eddie Weeks before he died?
01:09:09Only Stewart and his photographer mate.
01:09:10Stewart was jolling them along trying to keep him awake and that's probably what killed him.
01:09:16I thought you knew.
01:09:17Hey.
01:09:19I want you to find Eddie's girl for me.
01:09:23Susan Ramers.
01:09:24What's her name?
01:09:26Quick.
01:09:29♪
01:09:39♪
01:09:49♪
01:09:59♪
01:10:09♪
01:10:19♪
01:10:29♪
01:10:39♪
01:10:49♪
01:10:59♪
01:11:09♪
01:11:19♪
01:11:24You all right?
01:11:35I'll go find somewhere, get some help, I'll call the police.
01:11:37Look, he was trying to kill us.
01:11:39Please, let's go.
01:11:50Right, Birch.
01:11:53Jimmy here.
01:11:54Yes, Jimmy.
01:11:55Denny's hauls over 270,000.
01:11:59Say that again.
01:12:00Third time.
01:12:02270,000.
01:12:06Okay, thanks, Jimmy.
01:12:08Keep it under your hat, will you?
01:12:10Eddie's girlfriend, Susie, just came back from a holiday
01:12:12in Bali with some young stuff.
01:12:14Seems she came into some money.
01:12:17Question is, Derek Olson, just how much?
01:12:24Tom Stewart, please.
01:12:25Not here at the moment.
01:12:26Ray Birch here.
01:12:27Where is he?
01:12:28Oh, no idea, Sergeant.
01:12:29Some private project.
01:12:31Just tell him I want to chat.
01:12:36Get it real, eh?
01:12:38Yeah, big one.
01:12:40Guess they didn't give in easy.
01:12:42Ran me into the bank.
01:12:43Front end's the problem.
01:12:45No worries.
01:12:47You and the missus need a bed for the night?
01:12:49I think we might.
01:12:50Fix that too.
01:13:06Oh.
01:13:30You drink whiskey?
01:13:32Yes.
01:13:34All right.
01:13:36I need a bit of water.
01:13:43Tea's on the table, Bert.
01:13:45Coming, Mum!
01:14:05Not saying much, are you?
01:14:08No.
01:14:11Mind if I ask you a stupid question?
01:14:14That's your job, isn't it?
01:14:16No, I'm just curious, really.
01:14:19The sort of work you do, uh...
01:14:23why do you do it?
01:14:25Why do you do it?
01:14:28Delusion's a grandeur, eh?
01:14:31Why do you do it?
01:14:33Delusion's a grandeur, I think.
01:14:36Well, I'm not like you.
01:14:38I like what I do.
01:14:40Come on, the money's great.
01:14:42Buy you a lot of freedom?
01:14:46Not always.
01:14:54So you want to tell me what this is all about?
01:14:57Just interested in Susie's welfare.
01:15:01And how honest our reporter framed us.
01:15:09You be all right in there?
01:15:11I'm used to taking care of myself.
01:15:14How'd you get involved with a bloke like Morris, then?
01:15:18At the time, I really needed someone to look after me.
01:15:21And he was it.
01:15:23Then he got so jealous and possessive.
01:15:26It was suffocating.
01:15:29Are you doing this just for the story?
01:15:32Yeah, I suppose I am.
01:15:35Bad habit, that.
01:15:59So that's the stuff.
01:16:01Didn't take long to forget about Eddie.
01:16:03Amazing what a little money can buy, isn't it?
01:16:05Are we off, then?
01:16:07No, no. I'll handle this one on my own.
01:16:11Just let him settle in a bit, I think.
01:16:15Huh.
01:16:26Okay, lover boy. Out.
01:16:28Out!
01:16:35How much money did Stuart give you?
01:16:37I don't know what you're talking about.
01:16:39Susie, trust me.
01:16:43A few grand.
01:16:47How many grand, exactly?
01:17:13Cough, cough, cough.
01:17:16Woof, woof.
01:17:39Aren't you tired?
01:17:42I should be, but I'm not.
01:17:46Thinking up some more questions.
01:17:50You know...
01:17:53all I ever do is think up questions.
01:18:02Are you married, Tom?
01:18:05Hmm?
01:18:07You married?
01:18:09Yes. I was.
01:18:13Divorced.
01:18:16What happened?
01:18:18I was a jerk.
01:18:23And I didn't respect what I had.
01:18:27Most people don't.
01:18:30Well, they should.
01:18:34You know something?
01:18:38It might not be too late.
01:18:46All right, young Tom, what have you done with it all?
01:19:17I want Stuart.
01:19:21Want to tell me why?
01:19:23No.
01:19:25That's clear enough.
01:19:27So you never were a talker?
01:19:29No. That was just a story I used to get away for a while.
01:19:32So I could breathe.
01:19:34An enderby.
01:19:36He just happened to be a partner at the Raven's Head place.
01:19:39He's a good man.
01:19:41He's a good man.
01:19:43He just happened to be a partner at the Raven's Head place.
01:19:46Great mix of careers.
01:19:48Prominent surgeon, brothel owner.
01:19:50And what did you do when that idea didn't work?
01:19:53Well, Vivian came up with a plan that I should die.
01:19:56Ironic, isn't it?
01:19:58She said if I just disappeared,
01:20:00that Morris wouldn't stop until he found me.
01:20:04Look, Bert said there's a bike in that old shed.
01:20:07I'll ride over and see how the car's going.
01:20:09Maybe we can get out of here.
01:20:11I won't be long.
01:20:31How's the car going?
01:20:33Some rue you hit.
01:20:35Sure was.
01:20:37Tell me, does that phone work?
01:20:39Good one.
01:20:53Who is this?
01:20:55Neil Bradshaw, please.
01:20:57Hello.
01:20:59Welcome, Neil Bradshaw.
01:21:01Mr. Bradshaw.
01:21:03Yes?
01:21:06Hello.
01:21:08Hello?
01:21:20So how much longer with the car?
01:21:22Another few hours.
01:21:24Great, I'll be back then.
01:21:26OK.
01:21:38Come on.
01:22:08Come on.
01:22:23Did they find Morris?
01:22:25No, Bert would have said if I had.
01:22:28Did you phone the story in?
01:22:30No, I didn't.
01:22:38OK.
01:23:04All right, Bert?
01:23:09Tom.
01:23:26Whatever happened, it doesn't matter.
01:23:31Stop!
01:23:38Stop!
01:24:08Stop!
01:24:18Long way from home, aren't you, old son?
01:24:38Stop!
01:24:54Nice old mess we got into, didn't we?
01:24:57Look, the girl exists, and she must have killed Martin,
01:25:01because I bloody well didn't.
01:25:04And why the hell can't I see my lawyer?
01:25:06Easy. All in good time.
01:25:09Ray, we both know I didn't kill anybody.
01:25:13Did we?
01:25:31Well, what's the go, Ray?
01:25:34Still no sign of your mystery woman.
01:25:36What bloody mystery? Oh, come on, cut the bulldust.
01:25:40There's only a few places she could be.
01:25:42Look, if you pull your finger out, it's not hard to find her.
01:25:45You owe me that much.
01:25:47I owe you nothing.
01:26:03I owe you nothing.
01:26:21Hi, sir.
01:26:34Well, we found her.
01:26:36Where?
01:26:38Barbara Helmsley's place.
01:26:40Helmsley's?
01:26:42Mm-hm.
01:26:44Good.
01:26:46Charge her and let me go.
01:26:48Pardon?
01:26:50Charge her and let me go, Ray.
01:26:52What we've done.
01:26:54Oh, come on, Ray. Morris wasn't even going to hurt her, let alone kill her.
01:26:57Morris was a lunatic.
01:26:59So?
01:27:02He's supposed to have murdered four people.
01:27:05It's perfectly simple, old son.
01:27:07Self-defense.
01:27:09Your story, however, still doesn't add up.
01:27:12My story?
01:27:14How does it go again?
01:27:16She pushes you out of the way, grabs the wheel, drives Morris off the road.
01:27:20Yeah?
01:27:22Pretty thin, mate.
01:27:24Ray, what are you saying exactly?
01:27:28I'm saying shut up and you can walk away from here.
01:27:32Start playing reporter again and you'll end up in the dirt.
01:27:36There are still unsolved murders out there,
01:27:39and you've been a regular observer.
01:27:42Could be made to look pretty bad.
01:27:44Are you serious?
01:27:46You think anyone's going to believe that?
01:27:48Tom, go home.
01:27:52I've run out of favors.
01:27:59Henry.
01:28:01Annie, you home?
01:28:03What are you doing to me?
01:28:05Ray Birch was in my home and he treated me like a piece of dirt and took all your precious money.
01:28:09Annie, when was he here?
01:28:10Look, I don't need to be a part of this.
01:28:12When was he here, Annie?
01:28:13Yesterday!
01:28:14Annie, I'm sorry, I really am, but I've got to go.
01:28:17Tom!
01:28:18I'll be back, Annie.
01:28:20You are so irresponsible!
01:28:22You are so irresponsible!
01:28:45Where's Birch?
01:28:46He's not around.
01:28:47You know where he is?
01:28:48No idea.
01:28:51I'll let you in on a little secret.
01:28:53What's that?
01:28:55It's over for him.
01:28:56Internal wonder for a scapegoat.
01:28:59Are you serious?
01:29:01Ray's had it and he knows it.
01:29:05Thanks.
01:29:10Where is she?
01:29:12Mr. Stewart.
01:29:14You're too late.
01:29:15She's on a flight to New York today.
01:29:21She wouldn't be on her own, would she?
01:29:27Hello?
01:29:28Nick, you've got to meet me at Circular Quay in about 20 minutes.
01:29:31Now, don't muck around. You be there, all right?
01:29:33All right, I'll be there.
01:29:35Don't bother, Mr. Stewart.
01:29:50Hello, Ray.
01:30:21Excuse me.
01:30:36Hi, Ray.
01:30:40Tom.
01:30:43I suppose you know what's happening here.
01:30:45I do.
01:30:48I suppose you know what's happening here.
01:30:50I think I finally tumbled to it.
01:30:56So where do we go from here?
01:31:06Do me one favour, Ray.
01:31:09Don't come back.
01:31:17Don't come back.
01:31:43What are you going to do?
01:31:45Nothing.
01:31:47So you're letting them get away with it, are you?
01:31:49Mate, they deserve each other.
01:31:52And that's it, is it?
01:31:54Maybe.
01:32:03Told you I'd be back.
01:32:11Annie, I know you've heard all this before,
01:32:14but...
01:32:16I am sorry.
01:32:22What happened with Birch?
01:32:25He just made a very serious mistake.
01:32:28The one that was meant for me.
01:32:37Are you serious about us?
01:32:40You bet I am.
01:32:45There's a passbook here.
01:32:50And it's got $150,000 in it.
01:32:54For us.
01:33:02I knew there was a reason I liked you.
01:33:14I love you.
01:33:44I love you.
01:34:14I love you.
01:34:44I love you.
01:35:14I love you.
01:35:44I love you.