SENSITIVE MATTER (Episode 6) BEST ROMANTIC MOVIES

Pakistani drama

SENSITIVE MATTER    • SENSITIVE MATTER   SECOND WIFE ♥    • Wife and mistress, who will win? ♥ SE...   DARLING    • LOVE OR CAREER! WHAT'S MORE IMPORTANT...   Year 1962. Tatyana comes to conquer Moscow but fails to enter the textile institute: it’s not about the lack of talent (Tanya is a natural-born fashion designer) but the tragic life story of Tanya’s father. By chance, she gets a job in the closed “Hundredth Aisle” of Stolitsa department store serving the Soviet elite. It’s Tanya’s chance to make her dream come true and become a famous artist and conquer the fashion capital – Paris. An unexpected obstacle stands on her way to the professional Olympus – Volodya, a young man from a high-ranking establishment family. He and Tanya fall in love with each other, but the situation becomes complicated when Volodya’s bride becomes part of the story...

Transcript

00:00The leading principle of the organization of the party is centered on democratic centrism,

00:06meaning a. election of all top positions in the party from top to bottom, b.

00:12What share of the export of the Hungarian People's Republic is the export of the food industry sector?

00:18Food? Hungarian?

00:31Why don't I tell you instead who was in charge in 1932? Imre Szalay.

00:37What are you going to tell people if the local population asks you about the life in the Soviet Union?

00:44Everything is very good. The national economy is making progress, especially the textile industry.

00:52What is the national dance of the Moldavian SSR sized two halves and two quarters?

00:57Oh, I bet everyone in Paris knows the answer to that question.

01:01But just in case they forgot, then I will gladly remind them. The dance is called the Serba.

01:08When you're done, please call in Tatiana.

01:22Do you know any photographers? No. Why?

01:25Why? Because this trip is just getting started.

01:28What you'll need to have is an objective, reason, trip plan and a medical certificate and also six photographs.

01:36Why are you staring? Take notes.

01:38I think I've only had five in my entire life.

01:42All right, Vladimir, your joke has gone way too far.

01:47You think this is a joke?

01:49Yes. I'm waiting for you to say, thanks everyone, go home now, I only did this to mess with Tatiana.

01:55Right, you really are full of yourself. You think this planet revolves strictly around you, huh?

02:01Tatiana, they're asking for you.

02:03Okay.

02:10Miss Tatiana Nazarov, born in 1944, father was sentenced in accordance with article 58.9 of the Soviet criminal code, correct?

02:18Yes.

02:19Where's your statement? It's not in your file.

02:22What statement?

02:25I, so and so, knew nothing of his actions. I consider him a traitor, refused to carry his last name and so on.

02:35If you have children, I hope no one will have the audacity to suggest to write those things.

02:40Thank you for considering my candidacy.

03:24Delicate Matters. Episode 6.

03:54I can't decide where I want to go in Paris first, to Notre Dame or to the Eiffel Tower.

04:14Do you think you'll have time for any of that there? All that we're going to see is the airport, the bus, the hall, best case scenario.

04:22And I want to see the Moulin Rouge. See the costumes.

04:28There'll be no costumes there, sweetheart.

04:34So here's some news. First, Natalia works here once again. Gladkov swapped his anger for mercy.

04:43Second, we were all denied. No one is going to Paris.

04:51That's great.

05:03Right, what's this now? Smoking in the workplace?

05:06My dream just died. It's allowed.

05:09I thought your dream was to leave us for the general.

05:15A modern, civilized person can dream of many things, not that you'd know.

05:20Why are you being rude to me? Was it me that ruined your Paris trip?

05:27Vladimir, don't worry. You did everything you possibly could. It was a pipe dream from the start anyway.

05:34Yes, Vladimir. Not our fault.

05:38Yeah, what's there to see in Paris anyway? It's just a big village.

05:43Comrade Hemingway would disagree.

05:45We are not interested in that comrade's opinion.

05:48Is he part of the Communist Party? Remind me.

05:52That's right, he's not.

05:54Mr. Vladimir, no need to be sad.

05:57The point of a designer is not a trip to Paris, but to make a home like Paris,

06:01so that every Soviet citizen can experience Paris in every shop of the Union.

06:06That's actually not bad. I can already hear them.

06:10Hey there, lady. Do you guys sell Paris in this place?

06:14No, wait. I don't understand. Why can I only get two Parises?

06:22That's right. I'm glad I lightened the mood for you guys. Get to work.

06:35Why couldn't they just approve one person? Is that so hard? I don't understand.

06:45Who came up with this torture device? Was it Indians for astronauts?

06:49That I do not know. But people love it. They say it works out your waistline.

06:55Waistline? That's good. Look at how good I am at it.

06:59Try it like that.

07:02I can actually do it.

07:05I can do it.

07:08Look at how good I am at it.

07:11Try it like that.

07:14I can actually do it.

07:19Alright, so how's your little career builder?

07:22You mean Vladimir? What about him? The rising star is rising.

07:27Today he took everyone to the immigration board.

07:31Yeah, they probably all packed already for Paris. Raring to go.

07:35Don't worry about Paris. No one's going. My connections did their job.

07:43Your what? You shut them down?

07:48Why? No need to thank me. Your famous potatoes and herbs will be more than enough.

07:54We're gonna train our waistlines and go eat at your place.

07:58I never asked you for any of that.

08:00You didn't need to ask. For what? We are in this together. We can read each other's minds. You don't have to say it.

08:06Do you think I'd abandon you?

08:08Okay, goodbye. Thanks for the waistline. And for everything else.

08:14But Nina, wait a minute. What about the potatoes?

08:18I trusted, I trusted, I trusted. I trusted, I trusted, I...

08:25No, no, no, no. No, I shan't believe that you fell out of love.

08:32Oh, no, no, no. You will not convince me. No, I trusted, I trusted.

08:3944.5.

08:41Bring me another tie, please.

08:44We don't have any more.

08:46Well then, look around. And please make it fast, will you? We're going to be late for our flight. Horrible service.

08:52I shan't believe that I trusted.

08:55Excuse me. We appreciate your art and stuff, but please turn it down a notch.

09:01How dare you! Know your place. You're a nobody here.

09:06It was a bit rude, but you're not exactly the Secretary General.

09:10We dress dozens of artists like you every month. And our service is a one-off, not long-term.

09:19Well, judging by your terrible attitude, one time is more than enough.

09:23Wait, can you even speak for yourself? Or some idiot sings for you as well?

09:29That's enough! I want you to call your boss right now!

09:49You, sir, will be in huge trouble.

09:56Exit's this way.

10:12Wait, did he pay for that? He left wearing our suit.

10:18Let's go.

10:28Ow!

10:32That hurt!

10:33It was an accident.

10:36The third time's an accident? And the fifth?

10:39I'm really sorry.

10:42Ow! Are you crazy or what?

10:45Leave my brother alone.

10:48What?

10:49My brother used to fell head over heels for you. He doesn't know you. I won't allow it.

10:57So, you're the protective sister now, huh? And who am I? Go on, tell me.

11:06A huge liar.

11:09A huge liar.

11:11You use and abuse men and don't love anyone.

11:16Even that artist of yours, because that's not love.

11:20Yeah, screw him. But don't touch Yosif. He's never hurt anyone, ever.

11:27So you think you are wise and so mature that you see things so clearly.

11:37Love is always different. Look, I promise I won't use your brother.

11:44Can we continue now? Without the pricks.

11:48I told you it was an accident.

11:58Can I come in?

12:00Yeah, sure.

12:02Enlighten me. What do I do with this now? Throw it out or try to sell it in secret?

12:09Let's finish the collection here.

12:11For who?

12:13For us. Prove that we can do it.

12:21What do you think about that?

12:24I think that you are an amazing person. So positive.

12:29Why be so negative? We're in good health, there's no war, and no one really believed we're going to Paris anyway.

12:36You didn't believe it, but the others did, and I went and let them all down.

12:41Stop with that. Thanks to you, my friend, they got a dream.

12:46And now, reality reminded them where those folks actually live.

12:51I don't know how to face them, what to say, or how to work with them afterwards.

12:56I'll tell you how. First of all, get Miss Nina back here.

13:00She's probably pretty mad at you, and you could really use her help right now.

13:06Our help?

13:08Well, that's right. Secondly, tell the team that it was Paris that lost them, and we will have our own high fashion here.

13:20Hello, Uncle Pavel.

13:21Yeah, it's me. May I come and see you for ten minutes? I have a question.

13:26Thanks, I'm on my way.

13:29So what now?

13:31I think I know who wasted our efforts.

13:35I'll sort all of this out.

13:37Not that door.

13:40Vladimir.

13:51Hello.

14:21Hello.

14:30Uncle Pavel, please stop Evgeny.

14:33Interesting.

14:37And where is this terrible Evgeny on his way to, that he needs to be stopped immediately?

14:42What are you doing here? What is he doing here?

14:44As your stepfather, he came to ask about your professional career and aspirations.

14:52And I think the word he used was anti-Soviet.

14:58Trying to reconcile? It's not going to happen.

15:02Today the entire studio was denied travel to France, and I wonder who's to blame.

15:07Denied everyone? Really now?

15:11No, Vladimir. That was not me. I came to your uncle for a different reason.

15:20Mr. Zotov arrived here to speak about you and one named Tatyana.

15:27Uncle, why are you listening to him? Chase him out of here, and I'll tell you whatever you want.

15:33Let's see.

15:34Let's see.

15:36Cute, charming, and simple.

15:40Not quite as pretty as all your previous escapades.

15:45But it is her that could prevent the wedding.

15:48I told Evgeny and I'll tell you. My relationship with her is my personal business, and if you-

15:54Why are you so arrogant?

15:57You should never speak like that in front of your father!

16:01Well then let's resurrect him, and we'll all find out!

16:04Mr. Evgeny, I do believe that you find yourself in my offices, not the other way around.

16:25Right. Now please leave.

16:29Uncle Pavel, why are you talking to him? He's cheating on my mom.

16:34That's insane.

16:36Just leave. I said leave and wait in the corridor until I call for you!

16:41Move it!

16:51Could you have maybe spared me the threats this time?

16:56After all, this is my office and he is my nephew.

17:01If I don't make an exception even for my stepson, why would I make an exception for your nephew?

17:11Or are you somehow special, Comrade Pavel?

17:17As far as I know, you're not really the most honest uncle out there.

17:23Listen to me. Let's not discuss that right now.

17:28Changing topics.

17:31Tatyana, Lydia, you have exactly one week.

17:38That, or find me a new candidate for the post of minister.

17:43Listen, there are matters where I'm powerless, and some where you are too.

17:47Feelings. They're delicate. Delicate matters.

18:07Here. Now read it.

18:17All right. I'll try then.

18:43Well then.

18:47To the success of our future venture.

18:51I don't drink.

18:54And you shouldn't either.

18:58Really does affect your... your brain.

19:25Son of a biscuit!

19:26Give me your documents right now.

19:29Are you waiting on the General's wife?

19:31No, you. Was ordered to deliver you, and if you refuse, orders are to kidnap you.

19:37Well, what if your General decided to kill me, huh? Do I look stupid to you?

19:42In that case, he would not have sent me for champagne.

19:45What kind of champagne?

19:47I don't remember. Some French kind, from the fancy store.

19:52Uh-oh.

19:54Well then, do I kidnap you or not? I am a soldier, and I do whatever I'm ordered to do.

20:01I agree to be kidnapped.

20:10Oh, and this too.

20:12What is this? Can't he afford a decent bouquet?

20:16He has some at the summer house. This one's for me.

20:39Miss Nina? I'm speaking for the entire team, especially for Vladimir.

20:44We're sorry. You were offended and we let it slide. The studio can't survive without you.

20:49Come in, Tatyana. You're letting the draft in.

21:04So? Tatyana, you were saying something on behalf of everyone?

21:10I was. Even prepared a speech. Miss Nina, you have to come back.

21:15We're completely lost without you.

21:18Konstantin is a genius, sure. And the girls are great, Katya and Hanya.

21:23But everything else is you. You keep us together.

21:28Stop it, Tatyana. Sit down.

21:31You're doing fine without me. And that Vladimir of yours is doing well, in fact.

21:36Yes, he has his connections and two days on the job and he did more than I did in a year.

21:43And your drawings are good, which means I'm obsolete.

21:47You're being crazy. Miss Nina, only people with low self-esteem speak like that.

21:52Tatyana, the things you say. Should I laugh or cry?

21:58Miss Nina, just look at yourself now. Go on, do it.

22:02You are beautiful. You're so elegant. You, you are phenomenal.

22:08Miss Nina, fashion trends come and go, but people remain.

22:18You know, Tatyana, that's exactly what I realized.

22:23Everyone says that I have a great personality.

22:26Tatyana, that's exactly what I realized.

22:30Everyone says that I have a great career.

22:33For what? Look around you.

22:35I have an empty home.

22:39With Vladimir's survival, I figured I'll soon be out of job with nothing and no one to replace it. You get it?

22:51I am babbling way too much. Why don't we have a cup of tea?

22:54Let's have tea, okay? Let's go to the kitchen. It's right over there.

23:15I remembered the sun and here are the rays.

23:18Hi, Miss Nina. I speak for the entire studio and especially myself. Please forgive us.

23:25I wonder what is it with today?

23:28Well, how refreshing. Come inside and be my guest.

23:40Miss Nina, I was entirely incorrect. I acted like a stupid child.

23:47I came there to play. Seriously.

23:51And the studio is your entire life. It can't run without you. You keep it together.

23:56Amazing. Did you write that speech together?

24:00Well, together with… Never mind. Anyway, I came to apologize and return the management role to you. I'm leaving. I am making things worse.

24:09No, you really are acting like a child. You messed things up and now you're running away.

24:15Actually, it wasn't your fault. I told Katokova about everything that happened.

24:20And that was her way of standing up for me. I didn't know about it. I really had no idea.

24:28So you… you, Miss Nina, took away this victory for the entire team?

24:36A victory which they never fought for. You did the right thing.

24:40The most important thing for Triumph is work, long and hard.

24:45I hope that one day, if fate decides to give me a chance, I will use it.

24:50I will use all the lessons I've learned here.

24:54I messed up. I'll fix everything.

24:57But I'm still not coming back.

25:08Katya, it's important that we fix our karma immediately.

25:13I know.

25:15I know.

25:17I know.

25:19I know.

25:21I know.

25:23It's important that we fix our karma immediately.

25:45Hey there.

25:47Yeah, sure.

25:49Oh, hey.

25:51Okay, thank you.

25:54So what's up?

25:57Nothing. Just remember the kind of man you are.

26:00Even I really don't understand that about myself.

26:04Although I admit, you are right.

26:07But I am trying.

26:10You can see I'm really trying.

26:14Of course.

26:16But you can't just change for the better so quickly.

26:20Thanks for Nina, but the rest...

26:25You and I are just too different. Besides, you already have Lydia.

26:29I think you and I have more in common.

26:33But you don't know me.

26:36Not me, nor my family.

26:44Feel that?

26:50The smell of rotten weeds.

26:54When I'm down, I come to the river.

26:58I believe that if you feel bad inside, your surroundings should match it too.

27:05You're so pessimistic.

27:08In my town, I also went to the shore when I was down.

27:12But I think you...

27:15But I think you need to go in the water to let it recharge you.

27:21I thought you said we have nothing in common.

27:24Shut up. Don't ruin the moment.

27:50I love you.

28:21It really is French.

28:23I remember the first time it was Soviet Champagne.

28:26Did I just become your favorite wife?

28:29Katya, enough jokes.

28:32Are only generals allowed to laugh at feelings?

28:35Katya, I invited you for a serious conversation.

28:41No way.

28:42Listen.

28:45I've thought about it a lot.

28:49And I have decided.

28:54Wait, are you sick? Should I call someone?

28:56No, just stop it.

28:57Can't you see that I'm proposing to you, you stupid woman?

29:05I'm sorry.

29:07I'm sorry.

29:09I'm sorry.

29:10I'm sorry.

29:14Katya.

29:16Will you marry me?

29:20And...

29:22Your wife?

29:24I'll divorce her. I've already decided.

29:27And I cannot live without you, Katya.

29:29I love everything about you.

29:31I mean it from my heart.

29:33Especially your personality.

29:40If it's the personality,

29:44then I accept.

29:45Really?

29:46Katya.

30:09Natalia.

30:11Imagine this.

30:12It's like I was born again.

30:14What happened? A car accident?

30:16Better.

30:17In December,

30:18there's an exhibition.

30:20And I was invited to it.

30:22Everyone will be showcased there.

30:23Gribkov and Tamara and...

30:25I'm so happy.

30:26Over there you were overseas, overseas.

30:28We have potential here.

30:30Not great potential,

30:31but I'm happy, yes.

30:33It's a step.

30:34They say Khrushchev might pop by.

30:37What's for dinner?

30:38I'm starving already.

30:39I'll go make dinner.

30:43Are you okay?

30:44Not hungry anymore?

30:47Don't know.

30:49I'm just happy that you're back.

30:52We've talked about this.

30:54I'm not back.

30:58Are you trying to ruin my mood again?

31:07I'm sorry.

31:10Sorry, I'm just really emotional.

31:17Lie down.

31:26Here you go.

31:30Now strip down.

31:43I found you.

31:45A sad Jew listening to a violin.

31:49It's like the start of some joke.

31:54Well, you're home late today.

31:57Do you still remember when we were kids?

32:02Come here.

32:15She won't be coming back.

32:20I wish she took the money.

32:21At least she would then have a symbolic reason.

32:25But now...

32:28Maybe she didn't drop by.

32:32Because all of us were denied travel to Paris.

32:36Maybe she's disappointed, that's all.

32:40Well, yeah, that's a reason.

32:43Or we could be just sad together.

32:45You and I can be sad all we want together.

32:48Maybe even sad enough that your Natalia stops by.

33:06Can you help out?

33:08Can you help out?

33:11You see, work changed monkeys into humans.

33:14And I myself value my monkey roots.

33:21Hello there, you pioneers of the industry.

33:27Help me out.

33:28Is Katya here?

33:31No.

33:33We have good news for everyone.

33:35Miss Nina does.

33:38Anyway, an old friend, one of your best clients ever.

33:41I will not say who she is.

33:45But what I can tell you though is that her name starts with the letter K and ends with OVA.

33:50A mystery.

33:52Well, in short, she managed to convince the commission to review our very own collection.

33:57Yes, my dears, Paris just might actually happen.

34:01I don't get it.

34:02Why are you so happy?

34:04Why the hell are you so happy?

34:06Don't you understand that we need to show something amazing?

34:09Something that will force the committee and the entire world to say that the USSR is capable of high fashion.

34:14We're so screwed.

34:17I really think we need a space theme.

34:19There she goes again.

34:20She just blurted something out.

34:21And what do we do?

34:23Um...

34:25I don't know.

34:26There she goes again.

34:27She just blurted something out.

34:28And what do we do?

34:29Um...

34:32Tatiana, you genius.

34:36So, are you gonna keep nodding or will you share with the rest of us?

34:41Is Gagarin Soviet?

34:42He is.

34:43Of course.

34:44Were we first into space, we were.

34:46So let the world see that.

34:48Besides, at the end of the day, soon a Soviet person will conquer space.

34:52Fly to Mars, what will he wear there?

34:54Just some pants and a cardigan?

34:56No.

34:57He will wear clothes of the future.

35:03What are the clothes of the future?

35:05I don't really know yet.

35:07Look, we can bring everything we have.

35:10All the materials, stitchings, absolutely everything we have.

35:13We're creating a space collection.

35:16Hold on.

35:17When you said Soviet person, did you actually mean only men?

35:21No, I didn't mean that.

35:23Now that you mention it, I'm panicking a little.

35:26We don't have a single male model in the Soviet Union.

35:29Where are we gonna get them?

35:30Exactly.

35:33Any suggestions?

35:35Tatiana?

35:37What about her?

35:38Well, is she going to demonstrate men's clothing?

35:41No.

35:42But she has this one admirer.

35:44Let's call him Anatoly.

35:46That's his name, I think, and he is perfectly built.

35:48And I also think that where Anatoly came from, there are few more like him.

35:53Isn't that correct, Tatiana?

35:55And where is that?

35:58They build metros and plague my nightmares where he's been stalking me.

36:03Listen here.

36:04Why do we need strangers here?

36:07At the end of the day, you and I, Konstantin, can demonstrate men's clothing as well.

36:11With all due respect, Mr. Vladimir, you are not the type at all.

36:16It's decided.

36:17Tatiana, go call your friend Anatoly.

36:20And ask him if he's ready to relocate to Mars.

36:23Tell him to bring his friends, okay?

36:25Kot?

36:27Enough chitchat.

36:29Go back to work.

36:31Right, time to work.

36:40Anatoly, I'm so happy you came.

36:42So am I, Tatiana.

36:44Last time, you were extremely serious.

36:46I was worried sick.

36:47You know that I'm an honest person.

36:49Yes, sorry.

36:50It's a really tough day.

36:51Listen, I need your help on something.

36:53For you?

36:54Anytime.

36:56Well, me and my colleagues.

36:58You see, we have an upcoming showcase and unfortunately there's no male models.

37:04So we figure that maybe you...

37:06Oh, alright, I see.

37:08It was so stupid of me to come and hope.

37:12Why would you think that?

37:14I never promised you a date.

37:17You made up your own story for us and now you're offended by it?

37:21Not it, but you.

37:23Listen, I'm asking you for a favor.

37:25I will owe you till the day I die.

37:30Alright, if you don't want to help, then that's fine.

37:33Alright, I'll help you.

37:35But you'll help me too.

37:37Today poets are gathering at the art house.

37:39Not exactly the best.

37:41But I won't be able to survive that on my own.

37:43But I need to attend for the party.

37:47If I do that in return, I'll get the guys. Is that a deal?

37:50Yes, that's fair.

37:52It's a deal then.

37:57See you later.

38:17Vladimir, you know what?

38:19Go change the strings on the machine.

38:21Why are you doing nothing?

38:23Because I don't know how.

38:25And that's who they hire as the boss.

38:29Hello guys.

38:31Finally.

38:32Why are you late?

38:34I knew it was coming.

38:41Was there an earthquake here?

38:44No time for that.

38:46It's time to chat.

38:47Go ahead and mark them now.

38:49I can't now.

38:51My finger is hurting.

38:54If that's so, just go change the string.

38:59Vladimir, look.

39:02So what?

39:04Easy for you to say.

39:06You have a new girl every week.

39:10Right.

39:11What do I need to do here?

39:13Hanya, which machine was it?

39:14No!

39:16Can we all just please be quiet now?

39:18My head's about to explode from all the chatter.

39:23Right, everyone.

39:25We're too high-strung.

39:27We should relax.

39:29Thus, I suggest that we go to a restaurant later tonight.

39:32And yes, my friends are also going to be there.

39:34What a wonderful, enticing suggestion.

39:36For free people, maybe.

39:38But not exactly for those who work at least 15 hours a day.

39:41You'll be able to rest up.

39:42Besides, we have a reason.

39:45Is that right?

39:47Yes.

39:49With pleasure.

39:51Why not?

39:54And you, Tatyana, yes?

39:57I can't. I...

40:00am at the arthouse.

40:02With poets.

40:13So?

40:27Spit it out. Why aren't you coming? Tell us.

40:31I'm not in the mood.

40:33I'm usually the boring one in this group.

40:36But this time, even I'm in.

40:38No, no.

40:40I think there's something else.

40:42Tell me now, or is there some whiny intro?

40:54I don't like these people.

40:57In fact, Vladimir already introduced me to his friends.

41:00They're cut from the same cloth, arrogant and very rude.

41:04All I heard that time,

41:06you aren't from Moscow? You aren't from Moscow?

41:09I get you, typically posh idiot.

41:12That time we weren't with you.

41:14Now we will be.

41:16Right, honey?

41:19Yeah.

41:21But how will that help?

41:23Go to the warehouse now and get three dresses.

41:2644, 44, 48.

41:28I'm actually a size 46.

41:32Let me give the general a call.

41:34And we're going to show those snubs.

41:43Oh, Anton.

41:45Hello, how are you?

41:47What a surprise. Come in.

41:49You are all dressed up.

41:53Loyalty has entered the house.

41:56You want something to drink?

41:58No, thanks. I'm here for just a minute.

42:00I need to talk to you.

42:02I'm sorry.

42:04I'm sorry.

42:06I'm sorry.

42:08I'm sorry.

42:10I'm sorry.

42:12I need to talk to Lydia. Is she around?

42:14Yes.

42:16Lydia! Lydia!

42:18You have a guest here.

42:21Excuse me, I'll be quick.

42:43Anton!

42:46What are you doing here?

42:48Nothing.

42:51I was just wondering.

42:53Aren't you sick of sitting at home?

42:55Why don't we go for a walk?

42:57All right. To where?

42:59I don't know. By the riverside?

43:01Get some fresh air?

43:04What, do you feel lonely on the backup bench?

43:07Very funny, Lydia.

43:09Hold on.

43:10Where's everyone else?

43:12At the cafe.

43:14Let's go there, then.

43:31That's a good boy. You're a real gentleman.

43:36Honestly speaking, the bus driver is a good man.

43:38Honestly speaking, the bus would be comfier.

43:41Don't worry, you'll ride the bus for the rest of your life.

43:44Tatiana, you coming?

43:46Coming.

43:48Let's go inside.

44:05You look amazing.

44:06Let's make sure no one knows that I'm me, all right?

44:11That's a gorgeous suit, Vladimir.

44:14Tell me, who's your friend? Introduce us.

44:17I'm Kira.

44:20Talva!

44:23Great to meet you.

44:25I definitely need a suit like that. Where did you get it?

44:28Alas, I'm not from around here.

44:31Talva's in my family's...

44:32Well, our families met in Tallinn, in some international festival back in...

44:37back in the 1950s.

44:39I bought this blue suit in Nizhe, on Promenade d'Anglais.

44:44There's this one amazing boutique next to Negresco.

44:47Do you know of it? You've probably seen it a million times.

44:50I've never been to Nizhe.

44:52You cannot be serious.

44:54Where do you go on vacation?

44:56This year, for example, in Parnu, at the Cyprus resort.

45:00Cyprus resort?

45:02Wow, that's exotic!

45:05A great place, yes.

45:08I totally agree.

45:10If only it wasn't for the crowds of loud Russian tourists.

45:14I look at them and think,

45:16is it a custom there to eat everything with a salad fork?

45:19Vladimir darling, you said there would be a fancy party.

45:23Where is it? Is this it?

45:25This way, my demanding Talva.

45:28I'll show you all that at once.

45:30My swan Tatiana, you've got her.

45:33Mr. Vladimir, where is the promised party?

45:35Absolutely crazy fun.

45:37Since we are here, might as well get it going.

45:40We're just getting started.

45:45May I?

45:47Yes, please.

46:01What are you looking for?

46:03No one.

46:30Cheers!

46:50You're drinking too much.

47:01Alright, time to sit down.

47:08Take care of her, she's really something.

47:11I know.

47:13What did he say?

47:15That you're the most beautiful girl in this beautiful country and need to be looked after.

47:20That's just silly.

47:22Thanks, but I think I can manage on my own.

47:25Look after your bride.

47:27I don't have a bride anymore, Tatiana.

47:31Stop.

47:33I can't do this here.

47:35Let's step outside and talk.

47:37Without the people and the music.

47:43Go on first, I'll be right there.

47:45Okay.

47:56Vladimir, if what you're saying is true,

48:01I just want to tell you that...

48:03Vladimir, huh?

48:05Well, well.

48:07I see you dressed up for him.

48:09Anatoly, why don't you go inside the restaurant?

48:12As if I am allowed to.

48:14The man in a bowtie said if I don't leave immediately, he'll call the police.

48:18It's probably because I don't have lipstick or heels on.

48:22Why are you talking to me like that?

48:25I can dress any way I want.

48:27I can see that.

48:28You dress as you like, behave as you see fit.

48:31And I'm running around after you, to the circus, everywhere.

48:35And it turns out that this here is your true place.

48:38You know I've been very straightforward.

48:40Yes, yes, yes, I do, I know.

48:42You're straightforward, so let me do the same thing.

48:44I called you because I simply needed your help, understand?

48:47Because the team asked me to.

48:50We need male models for the showcase.

48:52And now I will not go anywhere with you, okay?

48:55Please leave.

48:56Don't talk to me like that!

49:07What was that for? You bit me!

49:09Because I'm also a straightforward person like you.

49:22What a weird...

49:24Quiet! You want to wake your mom up?

49:27It's the champagne.

49:29No, it's you.

49:31Okay, I'm off.

49:33Hold on, Vladimir.

49:35Stay for a while.

49:39Lydia, what is it?

49:41Lie next to me.

49:57Now kiss me.

50:01One last time.

50:26I love you.

50:56I love you.

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