SENSITIVE MATTER (Episode 7) Romantic Drama ♥
SENSITIVE MATTER • SENSITIVE MATTER
SECOND WIFE ♥ • Wife and mistress, who will win? ♥ SE...
DARLING • LOVE OR CAREER! WHAT'S MORE IMPORTANT...
Year 1962. Tatyana comes to conquer Moscow but fails to enter the textile institute: it’s not about the lack of talent (Tanya is a natural-born fashion designer) but the tragic life story of Tanya’s father. By chance, she gets a job in the closed “Hundredth Aisle” of Stolitsa department store serving the Soviet elite. It’s Tanya’s chance to make her dream come true and become a famous artist and conquer the fashion capital – Paris. An unexpected obstacle stands on her way to the professional Olympus – Volodya, a young man from a high-ranking establishment family. He and Tanya fall in love with each other, but the situation becomes complicated when Volodya’s bride becomes part of the story...
SECOND WIFE ♥ • Wife and mistress, who will win? ♥ SE...
DARLING • LOVE OR CAREER! WHAT'S MORE IMPORTANT...
Year 1962. Tatyana comes to conquer Moscow but fails to enter the textile institute: it’s not about the lack of talent (Tanya is a natural-born fashion designer) but the tragic life story of Tanya’s father. By chance, she gets a job in the closed “Hundredth Aisle” of Stolitsa department store serving the Soviet elite. It’s Tanya’s chance to make her dream come true and become a famous artist and conquer the fashion capital – Paris. An unexpected obstacle stands on her way to the professional Olympus – Volodya, a young man from a high-ranking establishment family. He and Tanya fall in love with each other, but the situation becomes complicated when Volodya’s bride becomes part of the story...
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😹
FunTranscript
00:00I am not going to be making this video for a while, so I will be going to bed.
00:07I hope you enjoyed this video, if you did, please give it a like.
00:14I love you all, and I will see you in the next video.
00:19Bye!
00:30Sheesh.
00:32Sheesh.
00:34Sheesh.
01:00Won't you even greet her parents?
01:04Yes, good day to you.
01:08And I'm here to see how Lydia is because last night she wasn't feeling too well.
01:14That's fine, Vladimir.
01:16We might be from a different generation, but we're not stupid.
01:20We understand that young people have their needs.
01:23Are you leaving, honey?
01:25I am.
01:26Hello, sir.
01:27Hello, Vladimir. You see, I can't even have breakfast in peace.
01:33You'll get to eat in peace when you're retired.
01:36Invite Vladimir, have breakfast together.
01:39How do we do that?
01:40Like kings, on a personal car with a chauffeur.
01:45Your father-in-law was invited to the show as a member of the commission, as a fashion expert.
01:55Why are you standing there? Are you frozen?
01:57Move, move.
01:58Just don't forget your shoes.
02:02Vladimir, look after him.
02:12Lydia. Lydia. Lydia. Lydia.
02:18Mom.
02:21What a loud voice. Just let me sleep.
02:25No way, no way. Answer me.
02:27Dad and I saw Vladimir. Did he come from your room?
02:32No. He came here to rob us.
02:36He wanted to steal Dad's old transistor receiver.
02:41Mom, obviously he came from my room.
02:43Can I please go back to sleep now?
02:45Lydia, what happened between you two?
02:48So tell me, did something happen?
02:54Lydia, I won't leave. You know me. Give me an answer.
02:57Yes, it happened. Now please leave.
03:00That's good news. That's great news. That's awesome.
03:03Good girl. Yes. What a good girl.
03:06That's the only way to keep a man. The only way.
03:10And well, I mean, now you'll show him.
03:12You better hold on, Vladimir.
03:14Now that scoundrel has no way out.
03:16Will you ever be allowed to sleep in this house or not?
03:19Yeah, sure, sure.
03:21Please go back to the kitchen and continue scheming there. Let me sleep.
03:25Okay, dearie, go to sleep. Everything's fine.
03:30Good night.
04:00Delicate Matters. Episode 7.
04:31Good day, comrades. We live in a great country.
04:34Make it shorter, please. Shorter.
04:36Where's Vladimir? He promised to help with the bride.
04:38Pull her hair back in a bun.
04:43This should be higher.
04:44Meaning what?
04:45Literally higher.
04:46It can't go any higher.
04:48Vladimir said that for the show it can't be higher.
04:51When you're in Paris, you can do whatever you want.
04:54Why are you so quiet? You're the one who has to show your legs.
04:58Sorry, dear. My job is to stand here quietly.
05:04Vladimir, why are you late? We're all drowning here.
05:07Then come up to get more air. I forbid cutting the models. There are not that many.
05:11Vladimir, can we talk?
05:12Later, okay? Later.
05:15Constantine.
05:17Constantine.
05:18Show me the men's collection.
05:20I have a word here that makes no sense, so we need to change it.
05:23Miss Nina, there's a situation with the men's collection.
05:26You have to wait a bit more.
05:27And where are the friends you promised?
05:30No one's coming. Anatoly couldn't make it.
05:33That's great. That's great, Tatyana.
05:35You just couldn't resist, could you?
05:38So what? Are we going to showcase the ladies then?
05:41Here, it's time. We're starting.
05:45Thanks to you.
05:46So what do we do now?
05:47Okay, I think we're here.
05:49Uh-huh. No way.
05:52Guys, well then designers, help has arrived.
05:56No way.
05:57Anatoly, thank you so much for coming over today.
06:01No, nothing will happen between us.
06:03Well, I didn't come here for you. I came for the team.
06:07He called me yesterday and explained everything.
06:09We have a phone at our place and, you know that.
06:12Yes, the war hero, I remember.
06:13That's right.
06:14Tatyana, this might come as a surprise, but the world doesn't revolve around you.
06:17Anatoly, I respect you. You're performing a heroic deed.
06:21But now you should undress.
06:23Yes, yes.
06:24You too, comrades. This way, this way.
06:29Good day, comrades.
06:31You know we live in a great country.
06:34One that has saved this planet and defeated fascism.
06:38But in some areas, we're still considered to be behind the times
06:41and even look to the West as prime example.
06:45It's time to change that.
06:47So we invited you here in order to show you
06:50the Soviet fashion is in no way worse than the capitalist one.
06:54In fact, it's way better
06:56because the first man in space was from the Soviet Union.
07:00And we will be the pioneers of the fashion of the future.
07:04So now, enjoy the show.
07:14Exhibit 1.
07:17This style reminds you of a light morning mist in the spaceport.
07:23It gives us the feeling of space travel.
07:26Something that's great and immeasurable.
07:32Please take a closer look at the silhouette, which resembles a rocket.
07:47Exhibit 2.
07:53Hello.
07:54Where are you going? Please stop.
07:57This is a private event.
07:59I understand.
08:01Then buy tickets and come on a different day.
08:03Not today.
08:05But listen, you see, I promised I'd be here for her.
08:08You have to understand that this is a private show.
08:12And so our showcase will start to build cosmic speed now.
08:17For our finale,
08:19here's the Communist Galaxy
08:22in honor of our Soviet engineers.
08:25Excuse me, the new models are up next.
08:28Yes.
08:29Okay.
08:30Um, uh, forgive me.
08:32Um, this is not the last exhibit.
08:35Up next is the presentation of the men's collection.
08:38There she is. She's on stage.
08:40There.
08:45That's my girl.
08:47And so, my dearest dwellers from Mars,
08:51make your way to the catwalk.
08:53Hey, what's wrong?
08:55Everyone's waiting for you.
08:57And here they are, our men.
08:59Don't be afraid. Come on. Come on.
09:03Don't be shy.
09:07Let's see.
09:08But you just wait for me, all right?
09:10The worst-case scenario, go to the studio.
09:12All right? Okay, bye.
09:14Good luck, my dear.
09:15Be brave. Don't be shy, okay?
09:18Come on. Come on.
09:21Come on, guys.
09:23How brave.
09:24We'll make our way into orbit now.
09:27This is how the working class of the future will look like.
09:30Here they are, our pride.
09:34As you can see, um,
09:36gravity is very different in Mars.
09:38And that's why the movement of our pioneers
09:41seemed to be very different.
09:43But it was really planned to look this way.
09:46Now move forward and conquer Mars.
10:02And now you're hearing some cosmic noise.
10:05Cosmic noise.
10:36Honorable commission,
10:38that signals the end of our cosmic showcase.
10:53When will this end?
10:55It will never end. It will never end.
11:00Running away like a coward?
11:02What? What do you mean?
11:04I don't know you. Let me pass, okay?
11:06Don't play the fool.
11:07Don't you think you owe me an explanation?
11:09I don't owe you anything.
11:11I feel like you do, and not just me.
11:13You ruined so many lives.
11:15You betrayed my husband and his trust as well.
11:18You ruined my daughter's life.
11:19Alexandra.
11:22I already said this in court.
11:25But I'll repeat it here.
11:27I know that I treated your husband well
11:31as a friend and as a professional.
11:34But he committed a crime
11:36and was justly sent to prison.
11:39Do you even believe what you are saying?
11:47And you, Alexandra, are no god
11:50for me to confess any of that to you.
12:04You almost fell off of the stage.
12:07How on earth are you even able to walk in this?
12:12Oh, yeah.
12:23Anatoly. Hey.
12:25Thank you so very much.
12:27You really saved us.
12:29Always happy to help a decent person.
12:34See you.
12:36Don't be a stranger.
12:39Goodbye.
12:45Mom!
13:04Oh, Mr. Vladimir saved us all.
13:07Well done.
13:11That was truly well done, Vladimir.
13:13He rarely praises anyone but himself.
13:15Stop it. You can thank me when we're out
13:17shopping in Paris.
13:19Tatiana, can I steal you for a second?
13:20So I can't congratulate you?
13:22I'm beat.
13:24And the winner demands his prize.
13:27Are you all right?
13:29Yes. It's crazy.
13:31If it weren't for you,
13:32those metro builders would have brought us down hard.
13:35Maybe even dug up a tunnel.
13:37So where did you run off last night?
13:40I didn't.
13:41I only saw how you were kissing him.
13:44Seriously?
13:46He forced you to kiss him?
13:48I don't know.
13:50I don't know.
13:53Seriously?
13:55He forced himself on me.
13:57I was resisting.
13:59In situations like that,
14:00you need to rescue, not run away.
14:06So you and he weren't...
14:09Of course not.
14:11I don't need that at all.
14:15Why is the hall empty?
14:16Is it over?
14:17Hello there.
14:18Hello.
14:19Picking up an order?
14:20No, I'm here for Vladimir.
14:21Lydia, we're working.
14:22Later, okay?
14:23All right then, my busy boy.
14:25Could I have a moment with you?
14:27A few days ago,
14:28I came over and bought a pair of French underwear.
14:31The hook was so uncomfortable.
14:33It was just awful.
14:34Vladimir could barely unhook it.
14:36Can we pick out something similar to it,
14:39but with a clasp that's easier to unhook?
14:41Forgive me,
14:42but Tatiana has to finish her work.
14:44I'll try to help you pick out a new pair.
14:46Let's look at the catalogs.
14:48Constantine, get Tatiana.
14:50There's a lot of work to be done at the Atelier.
14:52Yeah, let's go then.
14:56Mr. Vladimir,
14:57why don't you go to Gladkov?
14:59If they call, they'll ask for him.
15:01Come along now.
15:16The Metro guys are nice and all.
15:18They saved us,
15:19but this needs dry cleaning.
15:24Tatiana, easy.
15:25Careful, careful.
15:26You're crazy.
15:27This is vinyl.
15:28Sorry, I wasn't thinking.
15:30Oh, it's all right.
15:32I know.
15:33It's about that Vladimir.
15:35But don't take it out on the vinyl.
15:39Anyway, know this.
15:41If ever you get sent to Paris,
15:44remember that Parisian vinyl will not tolerate this.
15:47It's gonna crack.
15:48You're gonna need to be careful.
15:50Calm when handling it.
15:52How many times do I have to say this?
15:54I don't need it.
15:57Paris.
16:06Who is it?
16:09Ah, Vladimir.
16:10You're here.
16:11Come in.
16:12Is there anything I can do for you?
16:13Did they call?
16:15Of course they did.
16:17And I would like to be the first person to congratulate you.
16:22So they liked it?
16:23Yes, very much so.
16:25So, are we good?
16:27We're going?
16:28Of course you are.
16:29Obviously.
16:30But first, there are a couple of conditions that you need to know.
16:33Whatever they want, tell me.
16:35You have to write this down, all right, Vladimir?
16:37For a few conditions?
16:39Well, it's just a couple.
16:40But don't rely on your memory.
16:42Anyway, take down notes.
16:45Less sparkles.
16:46Remove bright and brash details.
16:49Those aren't very Soviet.
16:51And then they also asked to get rid of the strange material.
16:55What was it?
16:56Vinyl?
16:59Vinyl and lurex.
17:01Yes, get rid of them.
17:02Use common and regular materials, like wool and cotton.
17:06And the fit is to be changed to follow a more standard one.
17:10And I beg of you.
17:12Enough of this provocative make-up, please.
17:16The rest is very good.
17:17Congratulations.
17:18Paris awaits.
17:21So what will be left of the collection?
17:23You're asking for the removal of the whole concept.
17:26That's not it.
17:27Removing the cosmic theme is strictly forbidden.
17:30The cosmos is a phenomenal theme, like the Pioneers.
17:33But you suggest that we change it to something grey and dull.
17:36Am I right?
17:37But why would it be dull?
17:38The style, the cut, they're all very good.
17:41Just slight changes.
17:43I don't know what else you want.
17:47Nothing more.
17:50Forgive me, I need to leave now to destroy the cosmos.
18:04Do you think they'll call soon?
18:06Are you kidding?
18:07The show ended an hour ago.
18:09Well...
18:11Just about over an hour ago.
18:14Did you see the watch Stepan gave me?
18:16He sent it through his driver.
18:18Cheka.
18:20A watch?
18:21That's a bad sign.
18:23I think that face of yours is a bad sign.
18:39So let's say only one of us is going to be permitted to travel.
18:44And let's say...
18:46they'll include something like Constantine so-and-so.
18:50Who will go then?
18:52By the way,
18:53they can actually give two invitations.
18:56And one of them will be mine.
18:59And what exactly do you mean?
19:02Well, you see, Paris...
19:04Paris needs ladies like me.
19:06Like what?
19:07Like what?
19:08Problematic?
19:10Very funny.
19:11I can be like that too, my dear Natalia.
19:13We'll choose by voting, if it comes to that.
19:15It's only fair.
19:16Tatiana, join us.
19:18Come on, cast your vote.
19:20Don't be quiet.
19:24I have news for you.
19:25Again?
19:26The Commission loved it.
19:29But they want us to make a few alterations.
19:32Okay.
19:33But for clarity's sake, by a few alterations,
19:35you actually mean several hundred, right?
19:39Yeah.
19:41They want something simpler, more natural,
19:43like cotton and wool.
19:45They don't like the...
19:47style,
19:48colors,
19:49vinyl.
19:50Well, screw them then!
19:54Miss Nina,
19:55that was just...
19:56wow!
19:58What?
19:59Are Soviet people not allowed to speak the truth?
20:02The Parisians would have showered us with braces.
20:06And they want...
20:07simpler, plainer.
20:10They are so boring!
20:14It's okay.
20:15What matters is that we know the real value of our collection.
20:19Listen, Vladimir.
20:20We'll alter nothing.
20:22So screw that Paris!
20:27Wow, Miss Nina, bravo!
20:51Help yourself, it's blackberry.
20:53At first, I was really worried that the collar wouldn't work.
20:57No, I think it works very well.
20:59Have you been knitting long?
21:00My whole life.
21:01I never have, I only sew.
21:06The wayward daughter's here.
21:08So you left your mom in the middle of Moscow.
21:11I looked for you, but they said you already left.
21:13Yes, I wanted to come in.
21:14You want tea?
21:15But there was a guard station at the door.
21:16You're on your fifth cup.
21:17So I decided to leave.
21:18What tea?
21:19But don't worry about it, I'm fine.
21:20Can't you even read your room?
21:21Let's go now.
21:22I mean, I'm saying you know, aren't I?
21:24Excuse me.
21:25Don't worry.
21:26We're leaving now.
21:27Thank you so much.
21:28Thank you, too.
21:36Do you want tea?
21:38No, I don't want anything.
21:41What's with the city anyway?
21:42You've been here two weeks and you want nothing, huh?
21:45It's just another city.
21:47That's not true.
21:48An angry city's no good.
21:50And the people will prove that.
21:55What, are you tired?
21:57I am.
21:58All right, then it's time to go home.
22:06Maybe you're right.
22:08Will we make the evening train?
22:10You mean right now?
22:11Nothing's keeping me here anymore.
22:18Okay, just wait.
22:19No.
22:23Yes.
22:25Yes.
22:26What is going on here?
22:28Oh, so I can't even say a word in my own house?
22:30What do you mean they don't fit?
22:32What if we just get extra chairs?
22:35Why must I teach you everything?
22:37And you call yourself a classy restaurant?
22:41Oh, they hang up on me.
22:56Don't you want your only daughter to get married?
22:59Don't you want your only daughter to get married?
23:02So you need a matchmaker now?
23:05We're fine.
23:06I spoke to the registry and rented Prague.
23:10I know we did, but a seat there aren't enough.
23:12Not enough?
23:13Their hall can fit 70 people.
23:15And we have a hundred guests.
23:17So where are they going to sit?
23:19Don't tell me in the toilet.
23:22Listen.
23:24I think we should ditch the restaurant entirely.
23:27Seriously, it's so beneath us.
23:30So why don't you just go and elope?
23:32And we'll set the table ourselves.
23:34Dad!
23:35Write and use newspaper as a tablecloth and serve cod.
23:38This is a treat to all of you because we don't want to spend for our own daughter.
23:42Enough, enough, enough.
23:43I'm just throwing it out as an option here.
23:47I mean, after all, a wedding is not about the food we serve,
23:50but about their happiness.
23:52Whoa!
23:54No, no, no, no.
23:55You know that those tricks never work on me.
23:57My gosh!
24:07What? Are you happy now?
24:10Just look at what you did to your own daughter.
24:13Well, look at what you do to me!
24:20All right now.
24:23So who do I call?
24:24Prague, you should talk to them.
24:28Thank you, Dad.
24:31We need a guaranteed hundred seats.
24:34That's the minimum.
24:46Hello. Good day.
24:47Hello.
24:49Oh, Tatiana, is that you?
24:52Yes, Auntie, it's me.
24:54Oh, my dearest girl.
24:56Hello to you.
24:57Oh, you're unrecognizable.
25:00I thought you were some city slick girl.
25:02Really? Wow.
25:04Moscow men must be all over you now.
25:06Am I right?
25:08Oh, but why are you here?
25:10Tell me.
25:11Because you should be in class now.
25:13I came to visit my mother.
25:15I wanted to help her.
25:16Oh, well, that is good.
25:18Studying can wait then.
25:20You only have one mother, you agree?
25:22We're off, Valentina. We're very tired.
25:24Yes, go ahead, girls.
25:26Go and get some rest. It's good you're here.
25:28All the best.
25:29Take care now.
25:30All the best to you.
25:47Hello?
25:49Good day. Please call Tatiana, thanks.
25:53As soon as Tatiana left, everyone's asking for her.
25:56She left, but she was at work yesterday.
25:58Yesterday at work, but today she's gone.
26:00Young man, do I really have to repeat myself to you?
26:03I don't get paid for that kind of nonsense.
26:05Hold on, do you know where she went?
26:07Well, she went back home.
26:09Because her very own mother took her.
26:11She went home, huh?
26:14She went home, huh?
26:16So, do you have an address?
26:18Yes, but what's it to you?
26:23I want to report on how in her dormitory,
26:25the rules and regulations are constantly broken.
26:28How many students climb through windows and the like.
26:30How the commandant always sleeps on the job.
26:35Don't threaten me. It won't work.
26:39Do you have a pen?
26:42Write down the address, you damn phone demon.
26:45Vladimirsky Region, Korov City.
26:49It's in Soviet Street.
26:51House is number 14.
26:53And I don't know the apartment number.
26:55Find it yourself.
27:00And the problem is that they serve it under the guise of modern art.
27:04Listen, I need to tell you something.
27:07Yes, I need to say it.
27:09Even on the day I decided to be happy,
27:11despite what's going on.
27:14Spit it out. What happened now?
27:16Just know, it happened again.
27:19But please, don't be mad, because it's no one's fault.
27:23Anyway, we were denied Paris once again.
27:28As if anyone believed that you would actually go.
27:31I will create a Paris for you.
27:34Gilles, my friend.
27:39This is the woman I wanted to introduce you to for the longest time.
27:42Enchanté.
27:45The amazing Natalia.
27:47Gleb didn't lie.
27:49Yeah? And what did he say about me?
27:52That Napoleon invaded Russia for you, but he was two centuries old.
27:57I'll leave you two.
27:58Yes.
27:59Get to know each other. And do it well, okay?
28:02Let's drink.
28:10Paris
28:20Hey, young man, come here.
28:22Me?
28:23Yes, yes, you.
28:25Come here for a second. Tell me what you're spying on.
28:29Good evening.
28:30Oh, what is your business here?
28:32Looking for Tatiana.
28:33Ah, I already knew that you were from Moscow when I saw you.
28:36But why do you say that, ma'am?
28:38Well, it's just that you look exactly like my cow does.
28:41You lead her out of the stall, and she instantly looks terrified and uncomfortable.
28:46Well, no one has ever said that to me before.
28:49They won't say it.
28:50The place you're looking for is that one there. Do you see that? It's that one.
28:57Uh-huh. Thank you so much.
29:00I'll go on ahead.
29:01Go now.
29:02Wait. Don't you hurt our dear Tatiana.
29:06I will not.
29:08Paris
29:19How do you like Gilles?
29:22For a capitalist, he's not bad. Why now?
29:25I'm asking you for a little help here.
29:28You see, Gilles works at the embassy.
29:33And if we get his support, that man will take my paintings to the West.
29:37You know, to the right people.
29:40And then I will be untouchable.
29:43And we will get to Paris together, without needing your studio.
29:47So you want to get his support?
29:49Is that what you call it?
29:52For me to...
29:54You need to understand that sooner or later I'll be arrested.
29:58Prison or hospital, I don't really know.
30:01But I'd rather have that than become a snitch.
30:05My dearest guests.
30:08It's great with you, but better without.
30:10Thank you for coming, and not breaking anything.
30:13Gleb will walk all of you to the taxi stop.
30:16And you, Gilles, mind sticking back?
30:18Thanks again.
30:19Didn't you say you wanted to examine his works in a quiet environment?
30:23Yeah, I hope you had fun.
30:26I'll see you around.
30:29Do you feel cold?
30:30Yeah.
30:32Just a tad chilly.
30:33What's tad? I do not know what the word means, sorry.
30:37It's okay.
30:39You wanted to see his work, didn't you?
30:47Well, they are definitely good.
30:51But I want to share my critique, if that is okay.
31:01Yes, it's fine.
31:04This one over here.
31:07There's not enough bright colors in the canvas.
31:11No joy in it.
31:13It looks like it's waiting for someone to make it alive.
31:20It really needs to relax.
31:25Feel the power of color.
31:27Feel the power of color.
31:49Tatiana, it's for you, dear.
32:12Tell us, Vladimir, are you staying here long?
32:17It depends on you.
32:19So are you.
32:20Bored with Moscow now? Tatiana described you differently.
32:25Mom, I'll handle this.
32:28Listen, if you go further down the road, there's a great hotel.
32:31It will meet your standards.
32:33Perhaps if it's not too late.
32:35No, it's not too late.
32:37Even if it is, there's always a bench.
32:39The nights are warm lately.
32:42And why did you leave your girlfriend Lydia in Moscow?
32:45I bet she is very worried now.
32:48Mom, I said I'll handle it.
32:50Seriously, Vladimir, you should have brought her.
32:53We love having guests here.
32:57I am fully aware on how I appear in your eyes right now.
33:01And it's my fault.
33:03But I truly need Tatiana, so I am here.
33:05Lydia will not bother us again.
33:07Interesting.
33:08Is she aware that she will not bother you again?
33:10Or maybe we should send her a telegram first thing in the morning.
33:13Mom!
33:14What? You are being a silly child.
33:15And you want me, your mother, to be silent?
33:17What? You are being a silly child.
33:18And you want me, your mother, to be silent?
33:20If your father were here,
33:22I know that he would have thrown this young man out.
33:24Vladimir and I are leaving.
33:26In the cold?
33:27It's not cold.
33:28Vladimir, I have to ask a small favor.
33:31Could you leave us alone for a few minutes?
33:33Yes, I'll wait outside.
33:39He's not one of us.
33:40He will play for a bit and go back.
33:42And you'll suffer for it.
33:44Mom, let me tell you
33:46that over the last two weeks,
33:48everyone's been telling me how to live.
33:50Except all of them are unhappy.
33:52How can you all know what is right?
33:54Can I for once just make my own decision on what I feel is right?
34:17Hey, man.
34:19Hello.
34:20I'm going now.
34:21Okay.
34:22Talk to you soon.
34:25I had a great time.
34:26Uh-huh.
34:27Goodbye.
34:28Goodbye.
34:29Goodbye.
34:47Look what I got here.
34:49Bought it from a cab driver.
34:51So expensive.
34:54They're the ones who are making real money nowadays.
35:02I think we have something to celebrate tonight.
35:06Gilles is happy.
35:11I'm not.
35:12Gilles is happy.
35:18Why the hell are you so quiet?
35:21Look, you said it yourself.
35:23That you like him.
35:31Admit it that you really like all this.
35:36Because if you didn't,
35:38you wouldn't have slept with him.
35:41But you...
35:47You got one hell of a kick out of it.
35:50And helped me out.
35:54Got a kick?
35:56You know.
35:59A whore is always a whore.
36:11Damn you!
36:35Is what you said really true?
36:40You think I came all the way here to lie?
36:44I don't know, Vladimir.
36:46I mean, your reputation is far from stellar.
36:49Don't listen to gossip.
36:51How is this about that?
36:53I see with my own eyes.
36:56In just...
36:57two weeks, you destroyed my heart
37:00like a plow passing through soil.
37:03I'm sorry.
37:05I didn't mean for it to happen.
37:08It was my life.
37:11Parties, friends, empty people.
37:15I was told to get married.
37:16I figured, why not?
37:19Suddenly, I met you.
37:31What now?
37:33I'm daring you to run after me.
37:37Hahaha!
37:51What's this?
37:53This is my one-bedroom apartment.
37:56It has nothing.
37:58Not even water, but it's mine.
38:00I'm sorry.
38:06I came here a lot of times after my dad was taken away.
38:11Like you, to the river.
38:16You never told me what happened to him.
38:20A textile factory caught fire years ago.
38:24People died.
38:27Inspectors from the top were sent.
38:29They learned it was underperforming.
38:31My dad was the director.
38:34And they, of course,
38:36they decided that he was stealing.
38:40How long ago?
38:44I was just six.
38:46Oh.
38:48A long time ago.
38:49Yeah.
38:52Sabotage, anti-Sovietism.
38:56Blamed him for the fire as well.
38:59And covering his tracks.
39:09So, if your father were here,
39:11he'd most certainly throw me out of your house, correct?
39:15Most certainly.
39:17Then listen well, Tatyana.
39:19Tatyana.
39:24Will you marry me?
39:28And where's the ring?
39:30Darn it.
39:36There.
39:38I have no clue how it ended up there.
39:43Will that do?
39:44It's not bad at all.
40:14I already told you before that you shouldn't get involved with that young man.
40:31You did. Yes, you told me that.
40:33Are you happy now that you're right?
40:35You don't care about a girl's happiness.
40:37All you think about is you.
40:39I care a lot and that's the reason I told you that.
40:44Did something happen?
40:47We're just here deciding what to wear for the wedding.
40:50She wants a blue dress and I told her not blue because she might steal your thunder.
40:55Vladimir's gone missing.
41:14What?
41:27A God-sent man, huh?
41:30Mom, I bet you never suffered this much.
41:33Yeah?
41:35Tell me, where is he?
41:40No one knows. Zhotov is trying to find out.
41:44He's trying?
41:48You tell me everyone is trying but I'm in this all alone.
41:52You're all alone?
41:54Mom, in this stupid situation, an idiotic situation, don't you see?
41:58Listen to me, my dear.
42:00My transfer to the ministry is now complete.
42:03Zhotov, he won't back out.
42:10Why don't we cancel the wedding?
42:14Why torture ourselves?
42:18Listen up.
42:20On Saturday, I'm getting married.
42:25To Vladimir or not to him, that's his choice now.
42:4010 days later
42:58Your mom's at work?
43:00Do you miss her?
43:03Don't worry, she'll be back soon.
43:05She works half days.
43:10You want to sleep?
43:13No, but I am hungry.
43:15I'll find something for you.
43:29I have to tell you that you just cannot allow things to continue in this manner.
43:33This has to end. Yes, this has to end right away.
43:4010 days later
43:45What are you doing here?
43:50I killed him.
44:1010 days later
44:15Why are you sulking by the door?
44:17You should come in.
44:19Anyway, he knows that you can come in anytime you want.
44:24And here's what you asked for.
44:26Oh, thanks a lot.
44:28And what news do we have about our dear Vladimir's disappearance?
44:33I asked around the studio. No one really knows.
44:36Likely went to Tatyana.
44:38Tatyana.
44:40So he left everything to visit that girl.
44:43Why didn't I think of that?
44:45Look, am I free to go now?
44:49What's that?
44:52Freedom will kill a person.
44:55You will die like a worm exposed to the bright sun.
45:02Is that a quote?
45:04I say that to rats and snitches.
45:07Like you.
45:11It's a joke.
45:13It's Maxim Gorky.
45:15Well then.
45:17Now that this file is in my possession,
45:20the only thing left to do is apologize to you since you're not...
45:24the organizer of this gang.
45:26What gang?
45:27Yes, a gang.
45:29What else is it?
45:31There's clearly a criminal element.
45:33They're establishing a contraband channel.
45:36I see they're also transferring abroad important government resources.
45:42So you just need to sign one paper and you're free.
45:45Denunciated?
45:47No, not really.
45:49A statement.
45:51Testimony.
45:53And don't be so worried.
45:55Take it easy.
45:56There's good news too.
45:58Now that it's clear that you're innocent, then nothing will stop your transfer to the modeling agency.
46:03So just hold on.
46:05And believe that your future will be very bright.
46:16And after the liver puncture, can you please take some more blood for the tests?
46:21How do you feel about needles and blood?
46:23You're fine with them?
46:24You're doing well.
46:25A man must be a fighter.
46:27You understand?
46:29I want you to make yourself as comfortable as you can.
46:31I will not let you out of here until I cure your STDs and other symptoms of your dissolute lifestyle.
46:36But I just bumped my head.
46:38Yes, yes, yes, but I'm the doctor.
46:40I know better.
46:42So, to lessen the questions, let me tell you that I suspect that you currently have the Indian variant of the E-virus.
46:48You know that?
46:49Doesn't matter.
46:50I'll go now.
47:02Are you certain that he'll be alright?
47:06You sound like a broken record.
47:08He will just be fine.
47:09That glove of yours.
47:11He'll be looked after by the best doctor?
47:14The last man in Moscow who sees you as a human being.
47:18Come on, throw it away.
47:20Toss it.
47:21I want to see it.
47:23You made your choice, you know.
47:27We can admit him somewhere.
47:29We can admit him somewhere.
47:31Since he's an official.
47:32Maybe the artist's union.
47:34Did you come up with that yourself?
47:36Yes.
47:39There.
47:40It's done.
47:41This is no longer your home.
47:45You promised to show me your work.
47:50They're tucked away.
47:51Oh yeah, in this big palace.
47:54You promised to show me your work.
47:59They're tucked away.
48:00Oh yeah, in this big palace.
48:24Whoa, you've been dreaming a while.
48:38It's amazing.
48:40You're a Moscow aristocrat and I'm no one.
48:43Or maybe I'm just stupid to have trusted you again.
48:48I think...
48:53What is it?
48:57That I love you.
49:00What?
49:04I love you.
49:07Open the door.
49:08This is from national security.
49:10This is from national security.
49:17We have a warrant for your arrest.
49:18Please cooperate with us.
49:23One more look, gentlemen.
49:24That was really quick.
49:25What's the reason you have to look at it again?
49:27Just wanted to know...
49:29What type of transport will you actually be using?
49:31What class and on whose orders those things?
49:34We aren't here for you.
49:36Tatyana Nazarov?
49:37Let's go.
49:38What is this?
49:39What is she being accused of?
49:41You let her go.
49:42Why are you taking her?
49:43Show me the order!
49:44You have no right to take her!
49:46I'm begging you, don't fight them!
49:52Don't tell them anything!
49:53And don't sign anything!
49:57Don't fix this.
50:39Don't fix this.
50:40Don't fix this.
50:41Don't fix this.
50:42Don't fix this.
50:43Don't fix this.
50:44Don't fix this.
50:45Don't fix this.
50:46Don't fix this.
50:47Don't fix this.
50:48Don't fix this.
50:49Don't fix this.
50:50Don't fix this.
50:51Don't fix this.
50:52Don't fix this.
50:53Don't fix this.
50:54Don't fix this.
50:55Don't fix this.
50:56Don't fix this.
50:57Don't fix this.
50:58Don't fix this.
50:59Don't fix this.
51:00Don't fix this.
51:01Don't fix this.
51:02Don't fix this.
51:03Don't fix this.
51:04Don't fix this.
51:05Don't fix this.
51:06Don't fix this.