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00:00♪♪
00:30They should say she's an idiot.
00:31Come on, don't get carried away and tell me what you want from me.
00:35The same thing I wanted from the beginning.
00:37For you to marry her and take her away from here.
00:40Do me the favor of getting rid of that rude girl in the middle.
00:43Don't force me to fulfill my threat.
00:45From now on, in addition to his tasks such as
00:48taking care of Miss Curro,
00:50he will be in charge of instructing Mr. Rodríguez.
00:52You will be the godfather for him to learn this noble trade.
00:56All right, I'll teach you everything you need.
00:58Ask him what he doesn't know and don't venture to act without criteria.
01:02Oh yes, I will.
01:03Let's see if this cold compress lowers his inflammation.
01:06He has put his neck as if he had been bitten by a swarm of bees.
01:10I'm sorry, I should have warned you about my intolerance to dry fruits.
01:13No, no, no, please, don't apologize for that.
01:15But yes, for the scare I just gave them.
01:17All he cares about is getting money out the door.
01:20In exchange for the minimum expense.
01:22Yes, but profits are also important in a business, don't forget that.
01:26Yes, but it's not the only thing.
01:28I told him that I would do everything possible to recover the company.
01:33Maybe it wouldn't be a bad idea.
01:35That's why I'm willing to do whatever it takes to find out what foot that guy is taking.
01:40I think the time has come for you to do something for me now.
01:46I want you to get any information about Marcelo.
01:50First hand, Santos.
01:51Don't you want to start with the jam business?
01:56It's not that I want to or I don't want to, Catalina.
01:59After everything that has happened, you already know that my situation in this house is not simple.
02:08I don't want us to argue, kid.
02:10I understand your position, but I'm going to go for all of them.
02:14I told you a moment ago that they have to be small points.
02:17Well, that detail must have happened to me.
02:20Take it.
02:21Hammer it.
02:26Wrong! Marcelo, wrong!
02:28I wanted to go for a walk with the first lights ...
02:31Mrs. Pia, but they are very dangerous.
02:33Maria, there is no one at the moment. I was very covered up and I just wanted to take a walk and do a little exercise, nothing more.
02:38But a group of outsiders passed by the river path and the truth is that it gave me another panic attack when I heard them,
02:44that I almost fell for a trap.
02:46Did you learn by injury?
02:47I don't go out anymore until this is solved.
02:50As you understand, my duty is to inform you of your visit to the lady.
02:54And I insist that there is no need.
02:57So you can receive her as she deserves.
03:00Ma'am, I'm sorry, but I can't allow you to access the palace through this entrance.
03:07If you accompany me to my office.
03:09But I understand that this excess of work is being rewarded in some way.
03:14Not exactly.
03:15Well, sir, in the end it is a business, right?
03:18If the captain is trying to keep his profits, I don't care.
03:21I'm lowering the salaries and the quality of the fruit.
03:23Sir, I'm sorry not to be of more help.
03:25It is enough.
03:26The truth is that I don't think it is more appropriate for a person of your rank to wander around my kitchens, Mrs. Duquesa.
03:32What I am offering you is a magnificent opportunity.
03:35An opportunity of what?
03:36To clean the good name of your house, of course.
03:40And when my recipe book is published, the friendship that unites us will be patented.
03:44Manuel has taken me to a place that is related to that call.
03:47And we have gone to Villarquino.
03:49To Villarquino for what?
03:54Come, come here.
04:06But this ... this is a beauty, Ana.
04:10But come on, touch it, it won't bite you.
04:13Look.
04:17Look.
04:20Open it.
04:25I love it! I love it, I love it!
04:27Do you really like it?
04:29More than the breakfast churros, I like it.
04:31But where did you get this beauty from?
04:34Don't tell me you stole it.
04:36María, how could I have stolen it?
04:37Manuel gave it to me.
04:39On the phone they said they had already received it because a Madrid modist had asked for it.
04:43I know then why you told me you were very excited.
04:47Well, how did they do it to you?
04:49If you couldn't go to Madrid, what did they do to you?
04:51Well, I don't know, Manuel has told me my height and more or less my build,
04:55and the man has done what he could.
04:56I see. And that's why you sent him to take it to Villarquino.
04:59Because it was less suspicious to go pick it up, right?
05:01Exactly.
05:02Come on, Manuel.
05:04And he has a good eye, come on.
05:06For what interests him.
05:12You are beautiful, my friend.
05:16Although it is not what matters to me the most right now.
05:19Well, you say that because you have a bestie like a cousin.
05:22No, because ...
05:25I still don't believe that I am going to marry the man of my life.
05:28That I am going to swear love and respect until death do us part.
05:34Well, that will take a long time.
05:36Have a dozen churrumbeles on the way.
05:39Yes, at least.
05:42What's wrong?
05:44Hanna.
05:46What?
05:47Hanna, you can't wear that dress.
05:49No, why not?
05:51Well, why not?
05:53Because ... Do you want Manuel to be okay with you?
05:55Yes, of course.
05:59Well, we'll sew something together.
06:01But you have to give that back.
06:02María, what are you saying? I didn't give the dress back.
06:05Hanna, didn't you hear that?
06:07That if the groom sees the bride's dress before the wedding, it gives bad luck.
06:13Yes, you laugh, laugh.
06:14That if it is already bad that he has seen it, imagine if he has also chosen it.
06:17Well, don't worry María.
06:19Because the fashion designer has not done well with the size either.
06:22So some arrangements have to be made.
06:24And you will see that when I get to the altar,
06:26Manuel will be like seeing him for the first time.
06:30Are you going to help me with the arrangements or not?
06:34Of course.
06:35I help you with whatever you ask me.
06:37Besides, you already know that I handle myself better with the needle.
06:43I just hope that nothing changes when I tell him all this.
06:47Of course not.
06:49And you'll see how he's going to take a weight off your shoulders.
06:52A weight that I'm going to put on him.
06:54Well, but when you get married, things get mixed up.
06:59Well, you're right.
07:00Of course.
07:02And when you're done with one, you're going to talk to the other.
07:05And what other?
07:07Or what else, Mr. Curro.
07:09Don't you think you deserve to know a couple of things?
07:13Hanna.
07:31I love you.
08:01I love you.
08:32I love you.
08:58I was told you were looking for me.
08:59It's not necessary.
09:00I'll be brief.
09:02I want a report on the jam business.
09:05Costs, margins, customers, suppliers, everything.
09:09Get on with it because I'm in a hurry.
09:12What is this spontaneous interest in the jam business?
09:17I am co-owner of a business that uses my family's shield as a trademark.
09:21I am in my right.
09:23I understand.
09:24Although there must be another reason.
09:28And I can think of two.
09:30You can save your theories.
09:31I could, I could, but I'm not going to.
09:33Either it's because of Catalina or it's because of Maria Antonia.
09:37There's no worse reason than the one I told you.
09:39You know?
09:41That's the reason you're not a businessman.
09:45You're very bad at lying.
09:48Think whatever you want.
09:49I want the report tomorrow.
09:52And why don't you tell me the truth face to face?
09:55Whether it's because of your daughter or Maria Antonia,
09:57it's very clear what you're up to.
10:00You want to surprise me.
10:02Find some excuse to kick me out of the business.
10:06But you're not going to find anything.
10:09And you know, I should be offended by your request.
10:13But I remember that it was me who has kept this business afloat all these months.
10:17Since your daughter and her boyfriend's green floor abandoned it.
10:21I've told you that you can think whatever you want.
10:24Do you have a moment, Marques?
10:26I'm sorry, I didn't know you were meeting.
10:30We just finished.
10:54Okay.
10:57What's wrong?
10:58It's my mother.
10:59She's back.
11:00What do you mean she's back? Is she in the palace?
11:02No, no. She's already left.
11:04But she's back this time.
11:05I don't know.
11:06Don Rómulo took care of her and apparently she had a snack with Mrs. Marquesa.
11:11Well, that's bad news.
11:13What if I told her something about you?
11:15No.
11:16No, my mother didn't tell me.
11:18How can you be so sure?
11:20Because if Mrs. Cruz knew who I was, I wouldn't be here.
11:22And it wouldn't have taken me long to break my promise, don't you think?
11:26And besides, I don't think she's going to expose herself to such a scandal.
11:30I see.
11:33But I can't take it anymore, Lupe.
11:34I can't take it anymore.
11:36When are they going to realize that I want to continue living my life without them?
11:39Vera, for a mother it doesn't have to be easy to accept it either.
11:42I don't care.
11:43She doesn't have the right to come here whenever she wants.
11:46The first thing you have to do is calm down.
11:48And calm down.
11:50Listen to me, everything has gone well so far.
11:53Yeah?
11:54But what if it's not like that next time?
11:56What if all this is exposed because of her recklessness?
12:02Lupe, I'm afraid of losing you.
12:04My love, you're not going to lose me.
12:08But it's clear that your mother doesn't want to lose you either.
12:14But she should respect my decision.
12:16I know.
12:17And she may be right.
12:19But maybe she has a weighty reason that makes you break your prohibition.
12:24Like what?
12:25Well, I don't know.
12:27Maybe something has happened in your family or with your brothers.
12:31Well, whatever it is, I can't ask her anymore.
12:33And I'm not going to go in her search.
12:36Vera, what is evident is that your mother is not going to resign herself to not coming.
12:40Not coming to see you.
12:42That's why we have to be prepared for when she comes back.
12:45What do you mean?
12:48Well...
12:51I don't know.
12:54Yes, I know.
12:56I'm going to talk to Don Rómulo.
12:57And I'm going to ask him to let me know when I step on the promise.
13:00Let you know? But why would he do that?
13:03Didn't he come back last time with the excuse of a recipe?
13:05Yes.
13:07Well, I'm going to tell him that the instructions you wrote were wrong.
13:10Well, but then he'll be writing them on a piece of paper and sending it to my parents' palace, Lupe.
13:14No.
13:15Not if I tell him that it is important to explain it in person, given its complexity.
13:21And you think you can fool him with that?
13:25That will depend on your mother.
13:27But I do trust her.
13:34I don't know what I would do without you.
13:40Everything will be fine.
13:42You'll see.
13:45I love you.
13:55So that's the reason for the captain's anger.
13:58You have the right to ask him for accounts when you see fit.
14:02That's right.
14:04But I suppose he didn't come to talk to me about Lorenzo.
14:07In part, yes.
14:09Well, not about your brother-in-law, but about the jam business.
14:12What is your request?
14:13No, I think ... I think my words were misinterpreted.
14:17Well, explain yourself better.
14:19My concern for the production of jams starts and ends with Catalina.
14:24Your daughter has already told me that you are thinking of returning her position.
14:28Do you think it's wrong?
14:30No, no, no. On the contrary.
14:32In fact, I wanted to show her my support and offer her my help, if necessary, of course.
14:36I would also give up being part of the business if that makes you feel more at ease.
14:39Marqués, that company is very important to Catalina.
14:43I am aware that you know this, but ...
14:46I don't know if you don't know how important it is to her.
14:51You see, when your daughter and I started the jam business,
14:56she confessed to me that she saw in the business a unique opportunity to show her worth.
15:01My daughter had already shown before her ability to run a complex company.
15:05The farm, for example.
15:07True, but always in your or Manuel's shadow.
15:11And in the case of the jams, it was something completely hers.
15:15That's why every little step she took, she saw it as a great success.
15:19Catalina has given up that company, I would say, almost like a mother for her child.
15:24And I am convinced that if you return the command, you will not let her down.
15:28Catalina has never let me down.
15:30I just want her to be happy.
15:32Don't go on.
15:34It took you a long time to get the real purpose of this conversation, but in the end you did it.
15:38It's not a fake statement. My love for Catalina has always been ...
15:41Words are words, Conde.
15:44The acts so far have said quite the opposite.
15:47And tell me, what can I do to regain your trust?
15:50I don't know.
15:52But trying to manipulate me using my daughter's name, I don't think it's the best way.
15:56I'm sorry if that was the impression you got.
16:00Good night.
16:26Grease the biscuits' molds well.
16:29And hurry up, the Marquises are about to wake up.
16:33Have you already put the biscuits in the oven?
16:35Better, because I have here the nuts, the hazelnuts and the almonds.
16:38You can take that where you came from.
16:40And that?
16:41What do you want? To kill the guest of Miss Martina?
16:44If she doesn't want me to take it, she doesn't have to deprive herself of the rest.
16:47Candela, take that away from here if you don't want your hands to be cut off.
16:50Don't put it on me like you almost put it on me with Doña Eugenia in her day.
16:53Oh, but that happened at least a century ago.
16:56Don't be spiteful. Besides, you have to see one thing with the other.
16:59Candela, this is the same thing I told her yesterday with Hanna, it's very serious.
17:02Take it away, far away.
17:03Okay, okay, I'll take the nuts, the hazelnuts and the almonds.
17:06Where are you going?
17:07A telegram from Salvador.
17:08Ah, that's great, isn't it?
17:10What do I do, do I open it?
17:11It's your thing, isn't it? Because if you open it badly, you're going to read it.
17:14And if something bad has happened to him, Candela?
17:16But how is something going to happen to him?
17:17Well, you don't know that a telegram like that, all of a sudden ...
17:19He must have written it to tell you that he had arrived well.
17:21Point.
17:22But telegrams are very expensive, Candela.
17:24And my salvation from the brotherhood of El Puño Serrano.
17:27Open it, read it, and we'll get out of doubt.
17:30Open it!
17:36What? What does Maria say?
17:44I have arrived well.
17:48Point.
17:52And now what's wrong with you, girl?
17:57I don't know.
17:59You could have told me something else, right?
18:02Not so much, not so expensive, Maria.
18:04It is written because it is written.
18:06If you don't do it, why don't you do it, Maria?
18:08No one understands you.
18:09You said it yourself.
18:10Telegrams are worth a lot of money.
18:12Very serious.
18:13You could have told me something else.
18:14You don't do very little.
18:16You drown in a glass of water.
18:18You will have time, the boy,
18:20to write you a letter as God commands.
18:22Or better, don't wait for him.
18:24Because you know that your savior is more stopped
18:26than a lizard in the attic, huh?
18:28Well, yes.
18:29Write it to him.
18:30It will make him happy and so he won't miss us so much.
18:32What to miss?
18:33We are already two.
18:34With the Simonas.
18:35Oh, yes, Candelilla.
18:36They all leave.
18:37And here we stay, you and me.
18:39Hey, I'm not leaving, huh?
18:40He will do it.
18:42Don't say it with pity, Maria.
18:44Yes, young people are what they have.
18:46Because they leave to progress.
18:48Young and poor.
18:49Because if we had a room, another rooster would sing.
18:53You're right, Candelilla.
18:54As always.
18:55Come on, take the nuts.
18:57Let's not have an unfair day here.
18:59And the fat ones.
19:00I didn't remember that.
19:04Ma'am.
19:05What do you want, Petra?
19:07I come to consult with you the minute, ma'am.
19:10Well, you'll have to wait because I'm busy.
19:12So, do you like this dress, Teresa?
19:15I think you are very beautiful, ma'am.
19:17But I think I would like it even more if I cut it a little.
19:21Do you think?
19:22Won't it be too daring?
19:24It's not what you wear in America.
19:26And I can check it because I was with the Duchess of Abrantes in New York.
19:29Don't listen to her, ma'am.
19:31That dress fits her like a glove, as it is.
19:34I wouldn't give her the slightest hint.
19:36Has anyone asked you for an opinion?
19:38Ma'am, do you want me to pick it up and see how it fits her?
19:41Yes, do it.
19:45Be careful with the pins.
19:47Don't stab the lady.
19:50I assure you that I do it with the greatest care that I can.
19:53And I give faith, Teresa.
20:02It's done.
20:04It's done.
20:10Is this really what they wear in America?
20:12It's the most modern there.
20:14And the most vulgar.
20:16But here we are in Spain, where we are much more decent.
20:19Besides, I don't think that's the style of the lady.
20:22I say that I know better than you what my style is, right?
20:26So, do I look good like this?
20:28I think you are very favored.
20:30Well, let's not talk anymore.
20:32I'm not going to be less than the ladies of those Lares, right?
20:34So, do you want me to fix it and cut it a little?
20:36But only a few centimeters.
20:38I think, ma'am, that you have made an excellent decision.
20:41Thank you very much, Teresa.
20:43We'd better look at the minute later.
20:46Now I have to change.
21:01I love you.
21:07Do you really still keep that book?
21:09How can I not keep it?
21:11You made it with a lot of love, didn't you?
21:13Yes, all over the world.
21:15But it's still a poetry book with dried flowers.
21:18What's more, I don't understand how the ants haven't finished eating it.
21:20Hey, I'm really telling you that I have it in good stock.
21:23I thought it was a beautiful gift.
21:25Come on, Martina. Stop making fun of yourself.
21:27I'm already ashamed enough just to remember it.
21:29I don't understand why.
21:31And I'm not making fun of you, really.
21:33I know you took care of every detail.
21:35And you picked up those flowers in our corner.
21:39Yes.
21:41Don't you think it's been an eternity?
21:44It's as if everything had changed since then.
21:49The ones who have changed have been us.
22:00Julia?
22:02How did you sleep? I asked the servants not to bother you.
22:04Did you sleep well?
22:06Great. Thank you, Martina.
22:08Wonderful.
22:10Well, I'm going to ask them to serve you breakfast.
22:13We could go to the dining room, but I think we'll be more comfortable here, right?
22:18Julia, are you really okay?
22:22Yes, it's serious. Is something wrong?
22:26I apologize.
22:28Why?
22:30Since I arrived, I have only caused you problems.
22:33First with my fainting, last night with the cake ...
22:35Well, I'm not going to let you say that, really.
22:37Yes, nothing crazy has happened, it's your fault.
22:39But I should have told you before my allergy to nuts.
22:42But you were going to know that that cake had nuts in it.
22:44Yes, and the important thing is that we are now aware.
22:46And that she has recovered soon.
22:48I think it was thanks to that maid, Hanna.
22:53Hanna, I don't usually trust these scoundrels, but she insisted so much that I agreed.
22:58And you did very well.
23:00Yes, Hanna knows all the plants in the world.
23:03The ones that make you sick and the ones that cure you.
23:05So you can trust her blindly.
23:07Yes, thanks to her nuts there is no trace of the reaction.
23:11And it would have been better that way.
23:12I would have died of shame if they had notified the doctor because of me.
23:15Let's see, Julia, you are our guest.
23:17So our greatest wish is that you are comfortable here, in La Promesa.
23:20And if you are not, then tell us and we will correct what is needed.
23:25I admit that they are getting it.
23:27I am very happy in La Promesa.
23:30By the way, do you like poetry?
23:33They talked about that before I arrived.
23:35Yes.
23:36I have a compendium of romantic poems in my room that you will love.
23:51La Promesa
24:04Who told you that you are not fit to be in front of the Marquise?
24:08And you to attack me?
24:10That is not true.
24:11Of course it is.
24:12I was trying to leave myself in front of the Marquise.
24:16You are proud, you think you know everything.
24:18Not everything, Mrs. Arcos.
24:20But I do know something about sewing.
24:21And also about the wedding.
24:22Because I have been lucky enough to travel.
24:24In fact, the Marquise was very happy with my advice and not so much with hers.
24:29Sorry, I didn't mean to say that.
24:31Yeah.
24:32But it's good that you said it.
24:34I apologize, Mrs. Arcos.
24:36I just said it because I'm nervous.
24:39Go.
24:41I will forget what happened.
24:43No.
24:47No.
24:50In fact, I think it is better that we talk about it.
24:52Because since I arrived, the only thing I have received from him has been hostility.
24:56As if he had something personal against me.
25:00Of course I have something very personal against you.
25:07This is for Marcelo.
25:09You said it.
25:13You have no right to meddle in my marriage.
25:16Your marriage should have been with my son.
25:20You have already forgotten about him.
25:22I swear to God that I have not stopped thinking about Feliciano for a single day.
25:26Don't put God as a witness to a lie.
25:29It is impossible that you will love my son and return to the little time hanging from the arm of anyone.
25:36Tell me.
25:37Did you remember my son when you married Marcelo?
25:40Did you remember him when you fell asleep for the first time?
25:45Tell me.
26:10I love you.
26:28Have you seen Mr. Baeza?
26:37Mr. Baeza.
26:38I'm glad to meet you, Mr. Ruiz.
26:40The order of flours that I requested has just arrived, including the special flours for pastry,
26:45which arrived from Madrid.
26:46That's great. That flour will make the difference.
26:48Well, I hope so, because for what they have cost, you have to justify the expense.
26:51Don't worry, the gentlemen will pay for it with great pleasure.
26:54In fact, I'm going to bring that flour to the cake we will serve tonight.
26:58As long as it doesn't bring dry fruits, go ahead.
27:01Of course not. We are on alert.
27:03Be careful that none of the cooks will bring dry fruits while Miss Julia is here in the palace.
27:07All precaution is little. Well, tell me, what were you looking for?
27:11I wanted to tell you something about desserts.
27:14Has the menu of the week changed or do you need a special ingredient?
27:18No, no, no.
27:19I wanted to talk to you about the pastries that I served at Mrs. Margarita's snack bar.
27:23Ah yes, yes, yes.
27:24And what about that? Because I heard that the guests liked them a lot.
27:28Yes, that's right. Mr. Ricardo sent me the congratulations.
27:31In fact, one of the guests, the Duchess ...
27:35You don't have to bother Mr. Badeza.
27:38I've already found out what I wanted to know.
27:40Thank you very much, Mr. Rómulo, and sorry for the inconvenience.
27:43No, no, wait, wait. You have aroused my curiosity.
27:45What about those pastries?
27:47No, no, nothing important.
27:49Well, something will be when you show so much interest in the guests.
27:53What Lope wanted to know was what flavor he liked the most.
27:57Yes, that's it.
27:58And you know the answer.
28:00Yes, Mrs. Margarita herself just told me.
28:03The first ones to fly off the plate were the chocolate ones.
28:05Well, mystery solved.
28:08I just know what I have to do next time.
28:10Prepare lots of chocolate pastries.
28:12Sorry for entertaining you with this nonsense.
28:21But what happened? I was about to ask.
28:23Precisely for that, Lope.
28:25Wasn't that what you wanted?
28:27I've thought about it better.
28:28And I think I'm getting too obsessed with my mother's issue.
28:33And no matter how much we talk to Mr. Rómulo, we won't be able to prevent him from coming back.
28:37Sorry for getting you into this mess.
28:40You don't trust me very much because I almost had you in the boat.
28:43It will be better this way, Lope. Believe me.
28:45Yes. You're the only one who believes that.
28:48You've put me on a very serious commitment.
28:50Now I'm going to have to get fed up of preparing chocolate pastries.
28:54You're so stupid.
28:59No.
29:02Look how perfect.
29:03For you to hate me, I didn't take a shower with the needles.
29:07Of course.
29:08As if it were the same to patch up a sheet that your girlfriend wore.
29:11It's a bit low, isn't it?
29:13I don't know how she manages to keep her body.
29:17Well, are you okay, miss?
29:19We already thought, the two of us, that you had abandoned us.
29:22With all these sheets to patch up.
29:24Forgive me.
29:25I don't know if you forgave.
29:27If we understand that in certain companies, time flies.
29:30Weren't you with Lope?
29:32Well, yes.
29:33But not what you think. Mr. Baeza was also there.
29:36Oh well, I don't see Mr. Baeza very much.
29:39And speaking of boyfriends,
29:41have you heard about the telegram Salvador has sent you?
29:44Salvador has sent you a telegram and you haven't told me?
29:47Because there wasn't much to tell.
29:49It has arrived well, period.
29:51And?
29:52And that's it.
29:53Well, María, you know that telegrams are very expensive.
29:56I think it was hard to put a
29:58I love you very much or a roof of less.
30:00Well, look, exactly twice.
30:03Teresa, what's wrong with you?
30:05Well, it happens to me that first I had to go up
30:07to fix Mrs. Marquesa's dress.
30:09Then change, go down and put on a lot of sheets.
30:11This quadrant is driving me crazy.
30:13But let's see, have you argued with someone?
30:15Why are you like this?
30:16Don't say anything.
30:17It's María Mandrago.
30:19I don't want to speak ill of her.
30:21No, if that's what we're here for.
30:23Well, let's see what happened.
30:27Well, she told me horrible things.
30:29She told me that she never loved Feliciano
30:31and that's why I married Marcelo.
30:33That ...
30:34Yes, when I go to bed with my husband, I remember him.
30:37For God's sake.
30:38The evil of that woman has no limits.
30:40She has that woman to get them in with alien life, see?
30:43I loved Feliciano with all my soul.
30:45We already know that, Teresa.
30:48Although I am not for arguing, but ...
30:50Mrs. Petra is a little bit right.
30:53María.
30:55It is what we all think.
30:57That we were stunned when you appeared in La Promesa
31:00with that man in the arm.
31:03I didn't look for him, María.
31:05It just happened like that.
31:07So suddenly?
31:08Well, that's it.
31:09Now you are the one who is getting into other people's lives.
31:12And everyone has their times.
31:15Teresa, I am sincerely very happy that you have found a person
31:18to remake your life.
31:20And me too.
31:21I barely knew Feliciano, but I'm sure he was a great man.
31:25The best, look.
31:28And I have not stopped thinking about him, not a single day.
31:31As much as Mrs. Petra says otherwise.
31:33Well, let's not start again.
31:34That María Mandrago does not pinch or cut.
31:36Exactly.
31:37And if she tells you something again, you come and tell us.
31:39Yes, and we tell Don Romulo.
31:41Or Almarqué.
31:42Put her in her place.
31:52Tartabianqué.
31:53Tartabiané.
31:55But so far we are making like a chocolate cake.
31:58Or that German cake, the Sacher.
32:01The Sacher is Austrian.
32:02But yes, they are very similar, although they have some difference.
32:07Try it.
32:09Can I try it too?
32:12Miss Catalina.
32:15It's very good.
32:17It's very good.
32:18Miss Catalina.
32:21Thank you, Candela.
32:22Amanda.
32:24You should have told us about your visit, so we would have it prepared.
32:30This is delicious.
32:32I could eat it in whole spoons.
32:34We will serve it later.
32:36I will exercise patience.
32:38Very good.
32:39And what is the reason for your visit?
32:42Lope.
32:43What have you done again, Candel?
32:46I was told that you had a small talk with my father.
32:49But I don't know more than that.
32:50What did he want?
32:52If you can tell us.
32:53Yes.
32:54Yes, you can tell us, miss.
32:55There is no problem.
32:57Especially because you are one of the interrogated.
32:59I suspected it.
33:01So it has to do with the jam, then.
33:05Mr. Marquez asked me what was my opinion about the current confections.
33:11And what did you answer?
33:13The truth.
33:14Lope.
33:16Look, the captain is a beast to have enemies.
33:20I didn't say anything against the captain.
33:22I assure you.
33:24But I did say that if they bought low-quality raw material, it would be noticeable.
33:28Well, if you hadn't said that, you wouldn't have been crowned.
33:30Don't worry, Lope.
33:31You said what you should.
33:33Did he ask you anything else?
33:35Yes, he also asked me about the women of Lujan.
33:38The hired ones, if they were happy.
33:40And you would tell them, from what you know about the market in Lujan,
33:42that they are fed up with the captain, right?
33:45Miss, what I told them is that they were not happy.
33:49Miss, what's going on?
33:52I guess it's okay if I tell you.
33:55My father is considering putting me in charge of the jam business.
34:00But that's wonderful.
34:01Yes.
34:04We could recover the old recipes.
34:06And a kick in the captain's ass.
34:08Candela.
34:09And about returning to command, I would like to count on you again.
34:13Come on, what were you thinking? That we were going to say no?
34:16Well, of course we would come back to you.
34:18But when you say recover the command, do you mean yourself?
34:24Well, my plan is also for Pelayo to be reinstated.
34:28I understand your reluctance.
34:30The last time we left you at the stake.
34:32No, that's not why, miss.
34:34What scares us is that the count will hurt you again.
34:39For nothing in the world do we want that calvary to happen again.
34:43Don't worry, Simona, that's not going to happen.
34:45I promise you.
34:48And because we celebrate with a little more sponge cake.
34:50It's taking too long to tell you.
34:52One moment.
34:54If it's about celebrating, I have something better.
34:56Oh yeah?
35:10Hanna, do you have a second, please?
35:13I'll take care of all this.
35:25What do I need?
35:28How are you?
35:29I haven't seen you all day.
35:31Well, I haven't stopped for a minute.
35:33And yesterday was just the beginning.
35:35Don't you want to see me?
35:36Or have I done something that has bothered you?
35:37I don't understand.
35:38No, Curro, it has nothing to do with that.
35:40It's just, well ...
35:42You know, the tasks that Mrs. Petra assigns me.
35:48So, is everything okay between us?
35:52There's one thing I want to tell you.
35:55Okay.
35:56Well, here I am.
35:59I'm sorry.
36:01I don't know what to say.
36:02Okay.
36:03Well, here I am.
36:06Do you remember when we distanced ourselves by hiding secrets?
36:12Yes.
36:13Do you think I'm hiding something from you?
36:15No, not at all.
36:16Look, Hanna, I learned the lesson.
36:18And if I did it, it wasn't with bad intentions, but I read Ramona's letter and I didn't know how to handle it.
36:21Curro, I know, I know.
36:22What I'm saying is that ...
36:23I know why you say it.
36:24Hanna, it was a serious thing.
36:25That I attacked you too and I had to have told you.
36:27It was a mistake in all light.
36:28That's in the past, Curro.
36:29No, no, it's not in the past, Hanna.
36:32I don't have anything to hide.
36:33Hanna!
36:34That's not it.
36:35I don't hold a grudge against you for this or think you're hiding anything from me.
36:37It's something else.
36:38It has nothing to do with it.
36:40So what's going on?
36:42Well ...
36:44Hanna!
36:47This woman must have lied to you.
36:49I have to go.
36:51Hanna, Hanna, tell me, please.
36:55Don't worry, Curro.
36:57It's not that important.
37:01I'm coming, Mrs. Petra.
37:02I'm here.
37:25This coffee is reviving me.
37:28The meals here in La Promesa are so abundant and so excellent
37:32that they invite you to a good nap.
37:34Well, as if you were going to deprive yourself of it.
37:38Which leads me to make you an indecent proposition, Cruz.
37:41Put a price on your cook.
37:42I want him to work for us when we get married.
37:45I don't think he would like to work for you.
37:47He would never betray us that way.
37:49Well,
37:50whoever you least expect can surprise you.
37:53Wow.
37:54It seems that I have touched on a sensitive topic.
37:56Did they ever tell you when you were a kid that you shouldn't play with food?
38:00My childhood is getting further away and there are things that I am forgetting.
38:04By the way, have you already thought about where you are going to live when you get married?
38:08Wow, it looks like you're throwing us out, Cruz.
38:11Well, we haven't made a firm decision yet.
38:14But it will surely be in my palace.
38:16That way I will be able to dedicate myself better to my business.
38:18The truth is, it is bigger and more comfortable than my house in Madrid.
38:21And what are you going to do with it?
38:22Because I understand that keeping it will cost you a lot of money.
38:25No, for now, nothing.
38:27The rent pays for the expenses, so ...
38:29Oh, I didn't know it was rented.
38:33Wow, it looks like you've been a little scattered lately, Alonso.
38:39Well, with respect to your question,
38:41I will probably end up getting rid of her.
38:43My children live in Canada and I don't think they will need her.
38:46And with what it is costing your daughter to find a husband, neither does she.
38:49Ignacio, don't say that because my daughter is young and she will end up getting married.
38:52And if she does, she will go with her husband. It is the law of life.
38:56I wouldn't sell the house so soon, sister-in-law.
38:59Right now you don't need it, but in the future, who knows.
39:03I don't think my children will demand it from me.
39:05No, if I don't say it for them, I say it for you.
39:09Marriage, at first, promises happiness.
39:11But then, who knows.
39:14Wow, and that pessimism?
39:18It is clear that for you this marriage is something new.
39:21I'm sure Margarita knows what I mean.
39:23You didn't have any crisis with Fernando, did you?
39:27Yes, of course I had them, but we always solve them.
39:32Yeah, until there comes a day when they are no longer solved.
39:36Well, thank you for the warning.
39:41You're welcome. I do it with a thousand loves.
39:44I don't want you to make any mistakes.
39:52But you didn't understand anything I told you.
39:54Have you seen the sole? It protrudes from the shoe, it is badly glued.
39:59I should have adjusted it a little more.
40:00No, it has to be perfectly adjusted.
40:02I used fine tips, as you told me.
40:04But I never told you to use 50.
40:07This must be repeated.
40:09And I hope this time you put a little more interest.
40:11It was not out of disinterest, I promise.
40:12Well, you make it worse for me.
40:13If you are not even able to fix the sole of a boot ...
40:16I didn't understand your instructions.
40:18And why don't you ask me? Instead of doing that nonsense.
40:21Fix it.
40:23And let it be the last time I give you a second chance.
40:27Understood?
40:49What are you giving me for the game, Curro?
40:53You're strong, aren't you, Martina?
40:54I'm going to win, as always.
40:56Well, not really.
40:58If I can avoid it.
41:02This cake is delicious.
41:04And without nuts.
41:06Why? Don't you like them?
41:07It's allergic.
41:08We had a scare yesterday.
41:10Sorry, I didn't know.
41:12If you spent more time with us, instead of being with your airplanes, it would be better.
41:18And you feel better now?
41:19Yes. I barely ate a little and I only suffered a small reaction.
41:22And Hanna gave him one of her sweets and he's like new.
41:26I didn't know you were a pilot.
41:28And one of the best in the country.
41:30Come on, he builds his own airplanes.
41:32Is that true?
41:33No, no, no. Don't say it with admiration.
41:35I've ridden in a bunch of these and I can tell you I had an incredible fear.
41:39What's more, I wouldn't do it again, not even crazy.
41:41Well, I would love to.
41:42It's a unique experience to be able to touch the clouds up there.
41:45And I'm sure Manuel would love to be accompanied on one of his flights.
41:52Yes, but for that he should have a plane.
41:56What happened to the old one?
41:58It's in a friend's hangar.
42:01Was that what he did in the war? Air combat?
42:05No, we ended up without infantry.
42:09And for what reason? There must not be many men with his talent.
42:13Well, it was actually where they assigned us to all the Spaniards.
42:17We were volunteers.
42:20Did they coincide with many Spaniards?
42:27Some. It depended on the destination.
42:31I'm sure they have a lot of very interesting stories to tell.
42:35Sorry, I just realized it's something you don't want to remember.
42:39I'm sorry for my lack of tact.
42:43Don't worry.
42:46It's natural to be curious.
42:52Is something wrong?
42:56I don't know.
42:59Look...
43:01Now that I look at it, I have the feeling that we've seen each other before.
43:05That's quite unlikely, isn't it, Manuel?
43:08Yes, I know.
43:11But your face seems familiar to me.
43:15It's not the first time they've told me.
43:17They always find me similar to a well-known French actress.
43:20Which one?
43:22I can't think of one right now.
43:24Oh, I'm terrible with names.
43:28Oh, I'm terrible with names.
43:31But if you don't remember, I'll read it.
43:54Hello.
43:55Can you tell me what happened to Santos?
43:57I just ran into him and he was cursing at you.
43:59No, it's nonsense.
44:01Well, it's clear that it wasn't for him.
44:03That I was wrong to fix the cover of these boots.
44:10And do you really think this is right?
44:12I've had enough with a fight.
44:14Look, Marcelo.
44:16Do you know what would happen if any of the gentlemen saw this?
44:19That you would be on the street.
44:21Yes, I understand.
44:23And now I'll do it right. This time Santos has explained himself.
44:26So all this is because you didn't understand.
44:29And why didn't you ask?
44:31It's obvious that I should have done it.
44:35Look, I understand that Santos respects you.
44:39Because he's very strict.
44:41But you can always ask me.
44:43I know, Teresa.
44:45Calm down.
44:46I can't calm down, Marcelo.
44:48One more mistake like this and the job will last less than a sigh.
44:52I won't make any mistakes.
44:55I hope so.
45:17Are you okay, Catalina?
45:20You haven't said a word all afternoon.
45:23In fact, you haven't opened your mouth since you went down to the kitchen.
45:26Which is strange because normally your visits to Simona
45:29tend to generate the opposite effect on you.
45:31Has something happened?
45:35Do you know why I love Simona so much?
45:38I know what you told me, that she's like a second mother to you.
45:42Yes.
45:43But besides that, she's one of the wisest and most prudent people I know.
45:49Yeah, I understand.
45:52You warned her against me, didn't you?
45:55No, don't judge her, please.
45:58And how was I going to do it?
46:00I understand her perfectly.
46:02She wants what's best for you and I've hurt you in the past.
46:05Although we agreed to bury that past, right?
46:08Yes.
46:10But I want to see you again with good eyes.
46:15It's important to me.
46:17Always.
46:18And as you said, Simona is like my second mother.
46:23If I'm going to be an obstacle to the jam business, I'll leave without a problem.
46:27No, Peral, it's not about the jams anymore.
46:30It's just that the cooks are like my family.
46:32Well, you don't always fit in with your political family, right?
46:35Look at your stepmother.
46:37You don't understand me.
46:40Okay, I'll talk to her and I'll earn her appreciation again.
46:44Really?
46:45Didn't I get it with you?
47:08Teresa told us that Mrs. Arcos had thrown dust at her for marrying Marcelo.
47:13Apparently, she told him some nonsense.
47:15That's why Marimandrajo is unique, she knows how to leave a bad body.
47:20And I can't give her the reason, but she does have a girlfriend.
47:23And I admit that I told Teresa that she hadn't expected everyone to get married so soon.
47:28María, one day you could learn the art of silence.
47:31I prefer the art of speech. Notice what I tell her, Simona.
47:33That's up to you. What did Teresa say?
47:36Well, Teresa said that she didn't forget about Feliciano and that she remembered him every day.
47:41Come on, you're even excited to tell her.
47:43Poor thing.
47:44Teresa has a big heart to love so much.
47:47María Fernández.
47:48But if I love her like I love my mother.
47:50But it's just that, after how bad it happened, with Feliciano's death,
47:54well, it's very difficult for me to understand his wedding.
47:56And what is it that you don't understand exactly?
47:59That she married that man.
48:01When she keeps saying that she remembers every single day of Feliciano.
48:04Yeah, at first I was also surprised, but come on.
48:07She married the one who is alive, or did you want her to marry the one who is dead?
48:10They could have gotten married.
48:12Or they could have waited a little longer.
48:14That you are not in a hurry to get married does not mean that the others are not in a hurry.
48:18Look how we are with the chicks, huh?
48:20Let's see, if Teresa has decided to move on with her life,
48:23surely getting married to this boy has helped her.
48:25Well, yes, because, look, a man can entertain you.
48:28Although there are times when they bore you in a bad way.
48:31Besides, Feliciano died a long time ago.
48:34I think that Mrs. Margarita waited much less time for Conde Dayala to start screwing you.
48:40You are right about that.
48:41But like Red Sardicho, the widow is not healthy or married or buried or walled up.
48:48Yes, you don't have to get lost.
48:51Time flies and the flesh gets wet.
48:54Tell me that, that I stayed, I was a young widow, huh?
48:57I had the flesh tight.
48:58Of course, that's why it was in everyone's mouth.
49:01Because now there were like three or four greengrocers who would give me back half an hour.
49:05What would I do? I was not going to stay quiet.
49:09As if you were going to stay quiet.
49:11What did he tell you?
49:12Remember, right?
49:13I remember once, look, I found it in the market in my town.
49:16I went to her and told her.
49:18Because of the death of her husband, the widow lost her love.
49:21And because of the bad tongues, she lost her honor.
49:23But a widow, honest and honest, does not fit in the mind of people who are tongue-tied.
49:28They would look good together, right?
49:30No, no, there was more.
49:32Of course, since they had started, I was not going to stay there.
49:34I told them that if they accused me of flirting with one or the other,
49:39it was because that was what they precisely wanted to do.
49:42Seeing how ugly Mario they had.
49:44My mother, did he tell you that?
49:46He didn't say anything else because I dragged her out of there before they got married.
49:50It would not have been bad to give her a slap in the face.
49:53Then they tell me that I talk too much.
49:56It's not talking too much, it's talking what you like.
49:59Look, but since that day the rumors are over.
50:01I don't know if they would end, but they tried not to get to my ears.
50:05Like to say something else to you?
50:08It's not talking, it's what is said.
50:11Returning to the subject of Teresa.
50:13I am not surprised that she got married.
50:15What surprises me is that she married that man.
50:17Yes, that man does not seem like him to Teresa, huh?
50:20Or doesn't it seem strange to you that no one has seen her give her a kiss or kiss her, huh?
50:25They are just married.
50:26That marriage is stranger than a green dog.
50:28I don't know if they are discreet or not.
50:31Do you miss me?
50:32Manuel.
50:53Manuel.
50:54Janet.
50:55You are here.
50:58My God.
51:00Hello.
51:02Janet, are you okay?
51:05I just wanted to be with you.
51:12My love.
51:15You know we're getting married, right?
51:19And whatever happens, you can tell me.
51:26Well, I'm all ears.
51:30I love you.
51:36You will be late for dinner, Manuel.
51:53They are used to waiting for me.
51:56So don't worry about them.
51:59Tell me.
52:03You were yesterday. It was ...
52:05It was a wonderful day.
52:07Did I do something that ruined it?
52:09No, no, it has nothing to do with that.
52:13It was a wonderful day and ...
52:15I had a lot of fun with you.
52:18I had so much fun that I was not able to tell you something that I should have told you a long time ago.
52:22Janet, you're giving me a lot of wrinkles.
52:26Tell me whatever, I'm not going to be scared.
52:29I wouldn't be so sure.
52:34Okay, now you're worrying me.
52:38What's going on, Janet?
52:42My name is not Janet, Manuel.
52:48The time has come for you to know the truth about me.
53:00Julia does not stop talking about the war.
53:02And not only does she talk, but she also asks.
53:04And I assure you that it is the last thing I would like to talk about.
53:06I can't believe it, because the next time I bring up the subject, you tell her to stop.
53:09As if that would help.
53:11No, and there is something else that I still don't understand.
53:13Why would she be here?
53:15Maybe it's time to tell her nicely that she has to go.
53:18She's not going to be calm, it's going to be me.
53:20Why would I betray you?
53:21You did the right thing, Mr. Baeza.
53:23Look, it's a true love story.
53:25And love is something so precious that you have to love it.
53:28And love is something so precious that you have to cultivate it.
53:30Yes, I think that too, but ...
53:31But nothing.
53:33What would it be good for you to tell Mr. Marquez? Tell me.
53:36It is my obligation, I must do it.
53:38Do you think we can put this dish in the dining room?
53:40I don't know, it must have happened to me.
53:42Marcelo, a lot of things happen to you.
53:44I really don't understand how they have hired you with how demanding they are with the service.
53:49Hey, you can always learn, no one does it looking.
53:52Yes, but to learn you need attitude.
53:55What have I done that bothers you so much?
53:57Let me be.
53:58No, don't throw the stone and hide your hand.
54:00Tell me.
54:02Lorenzo has told me that you want to take the jam business from him to give it to your little daughter Catalina.
54:06I haven't made a decision yet, but yes, I'm thinking about it.
54:09Well, look, for once it will be better for you to continue like this, without making a decision, as you always do.
54:14Above all, I want to make Catalina happy.
54:16But so far, she has been made a wretch.
54:19Simona will be able to forgive me for the evil I did to her.
54:22Look, think that she is in front of a man who loves her madly and who would do anything for her.
54:26Anything?
54:27Yes, I said that.
54:29Okay, come to the kitchen.
54:33I doubt that the Marquise has swallowed the excuse that she wanted the recipe for the cakes.
54:37What lady is she interested in cooking?
54:40They are more interested in eating well.
54:42Yes.
54:43Go and see what excuse he gave her to get her out of trouble.
54:52What are you doing, María Fernández?
54:54I'm going to fix the sheets.
54:57Go upstairs and fix the ladies' bedrooms.
54:59They have already gotten up from their nap.
55:01Now?
55:02Of course now.
55:03You'll fix that later.
55:05Leave that for a moment and go up to the music room.
55:07Mrs. Marquise is waiting for you.
55:09And that?
55:10What happened?
55:11Well, she's worried.
55:12Did they do something wrong?
55:13No, not that we know.
55:14But whenever Mrs. Marquise calls you upstairs, it's to throw a rag.
55:18Well, stop speculating and go up at once.
55:21I'm sure it's not a bad thing, but it will be if you don't go soon.
55:36And for the secrets, how long can you keep a very fat secret that a friend told you?