Cellar Dweller (1988) Horror Movie

Retro Jethro
Retro Jethro
  • last week
a highly successful comic book artist who gains inspiration from a mystical book of horrific drawings, inadvertently summons an evil spirit into his basement studio
Transcript
00:00:30Now what you say or do, it's something so rare.
00:00:37And if you think that I will stand and lie and wait
00:00:40till you see your face, she said,
00:00:44oh, don't look at me like this.
00:00:47It's something so rare.
00:00:51Yes, we may.
00:00:53Why?
00:00:55Yes, we may.
00:00:57Why?
00:00:58Why?
00:00:59Say you're not just going to do it,
00:01:01but you don't want to be with me tonight.
00:01:05Why?
00:01:06And if you think that I will go to bed tonight and dream of you,
00:01:12then you should give me permission.
00:01:16It's something so rare.
00:01:21Why?
00:01:51The word balloon for you, what was it?
00:02:18See he who has wisdom wonders not of the beast, for nothing in hell lives without man's consent.
00:02:38Ah, woe unto you that gives the beast form. To contemplate evil is to ask evil home.
00:02:55Contemplate evil is to ask evil home.
00:03:08Contemplate evil is to ask evil home.
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00:07:33No!
00:07:50No!
00:07:58Oh, no!
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00:11:13You know, there's a lot of talk in town about this, and it's kind of creepy.
00:11:38A lot of weirdos, they come and go.
00:11:39You know what I mean?
00:11:40Yeah, I don't know.
00:11:41A couple of people were murdered here back in 55.
00:11:42I was a kid then, but I remember it like it was yesterday.
00:11:47My mother, she would just say, Stuart, you steer clear from that place, you understand?
00:11:52It's a bad place.
00:11:53That's amazing.
00:11:54In fact, just a month ago, I picked a fellow up in here.
00:11:55Well, he told me a hell of a lot of bizarre stories.
00:11:56Ah, oh.
00:11:57Hey, thanks.
00:11:58Are you an artist?
00:11:59Yes.
00:12:00Yes, here you go.
00:12:01I'm a cartoonist.
00:12:02Ah, I see.
00:12:03Well, listen.
00:12:06You're welcome.
00:12:07Sure you don't want any help with that?
00:12:08No, I got it.
00:12:09Okay.
00:12:10Boy, Roger will chew your ear off.
00:12:11Hey.
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00:13:50Oh, I'm sorry.
00:13:51Did I frighten you?
00:13:52Yes, you scared me half to death.
00:13:53Uh, you must be Mrs. Briggs.
00:13:54That's right.
00:13:55Hi, I'm Whitney Taylor.
00:13:56We met two years ago at the Rhode Island School of Design.
00:13:57You lectured on classicism and the decline of pop art in America.
00:13:58Oh, I remember.
00:13:59You were the heckler in the first row.
00:14:02Well, actually, I was just offering you
00:14:04a different point of view.
00:14:06So to speak.
00:14:08Well, shall we get on with it?
00:14:11The interview.
00:14:12Would you shut the door, please?
00:14:28I love to be frightened.
00:14:30As a child, I collected every issue of Cellar Dweller,
00:14:34no matter how hard they were to track down.
00:14:37I'm not surprised.
00:14:39Well, my parents disapproved,
00:14:41so I had to hide the comic books under my bed,
00:14:43and I'd read them only late at night by flashlight.
00:14:46I'd read about towns besieged by vampires
00:14:49and men transformed into hideous beasts
00:14:52by the waxing of the full moon.
00:14:54How inspiring.
00:14:55Exactly.
00:14:56That's how I got into drawing.
00:14:58So now you've taken it upon yourself
00:15:01to follow in the footsteps of your idol,
00:15:04Colin Childress.
00:15:06That's my dream.
00:15:07As you can see, the first few sketches
00:15:09are just copies of Childress's work.
00:15:11I was just learning how to draw,
00:15:13and the rest, of course, are my own.
00:15:17Mrs. Briggs, I want to create a whole new comic book
00:15:21in the tradition of Cellar Dweller.
00:15:24Well, what better place to be inspired
00:15:26than here in the house that Colin Childress
00:15:29lived and worked in?
00:15:31And went crazy in and killed himself in.
00:15:35Let's not forget that.
00:15:37Miss Taylor, all of this is very spine-tingling,
00:15:43but what does it have to do with art?
00:15:46I'm sorry.
00:15:48Let me be frank.
00:15:50This facility's admissions committee
00:15:52has advised me to find a place for you.
00:15:55I suspect, however, that in accepting you,
00:15:58my superiors are, well,
00:16:00are acting on some perverse sense of nostalgia.
00:16:04Colin Childress was a cartoonist.
00:16:07So are you.
00:16:09That's the only reason you're here.
00:16:11If it were up to me, you wouldn't be.
00:16:15No need to mince words.
00:16:16Mrs. Briggs, just tell me exactly how you feel.
00:16:19Oh, please don't misunderstand.
00:16:22There's nothing personal in all this.
00:16:25It's just that my only concern is for the colony.
00:16:32See, we have no telephones, no television,
00:16:35no outside ties to the world.
00:16:38It's a unique situation.
00:16:40What's all this?
00:16:42Our most promising resident
00:16:44does some highly innovative work with video.
00:16:47This is her Video Verite Project.
00:16:51It's an effort to reflect our world
00:16:54as precisely as possible.
00:16:57You could learn something from her.
00:17:03Oh, by the way,
00:17:05that is where your idol
00:17:07concocted his last and most notorious work,
00:17:10the murder of an innocent young woman,
00:17:14a promising musician with her entire career ahead of her.
00:17:19Oh, don't even think about going down there.
00:17:22That door is off limits.
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00:27:45Listen, I'm beat. I want to go to bed.
00:27:47Okay. Night, kiddo.
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00:31:55Curses of the ancient dead.
00:32:00The pages are stuck together.
00:32:03Is this...
00:32:05That...
00:32:06It's blood.
00:32:07Great.
00:32:09He who has wisdom wonders not of the beast,
00:32:11for nothing in hell lives without man's consent.
00:32:14Or when do you who give the beast room
00:32:17to contemplate evil
00:32:19is to ask evil harm?
00:32:23I'm out of here.
00:32:24That's it.
00:32:26I don't see anyone who can spend ten minutes down here
00:32:28let alone work down here.
00:32:29It's crazy.
00:32:35No, absolutely not.
00:32:37Why not?
00:32:39Because I said so.
00:32:41Oh, that's not good enough.
00:32:42You sneak around here in the middle of the night
00:32:45and invade an off-limits area.
00:32:48You expect me to grant you favors?
00:32:51My dear, what you lack in talent
00:32:54you make up for in nerve.
00:32:56Mrs. Briggs, be reasonable.
00:32:58Nobody is using the cellar right now.
00:33:00It's just collecting dust.
00:33:02Look, we can both benefit if I work down there.
00:33:05The room I'm using now will be empty.
00:33:07Then you can bring in someone else
00:33:09and you won't have to worry about my displacing a real artist.
00:33:13All right, Whitney, you win.
00:33:15But if you don't like it once you're down there
00:33:17you can only blame yourself.
00:33:19I won't change my mind.
00:33:23Now, Whitney.
00:33:29Amanda, I have a little video project
00:33:33I'd like to commission for you.
00:34:13Ooh.
00:34:26I've never done a restoration before.
00:34:28What do you think?
00:34:30It's great.
00:34:31Yeah?
00:34:32It's great, yeah.
00:34:34It's terrific.
00:34:35Look, listen to this.
00:34:37It's part werewolf and vampire, demon and ghost.
00:34:41It will tear your throat open, then drink your blood
00:34:45and feast on your still warm brains.
00:34:48That's sick.
00:34:49It's terrifying, but it's going to make a terrific comic book.
00:34:52In fact, I'm certain this is what Childress was working on when he died.
00:34:56The roughs were probably destroying the fire.
00:34:58Thank God for small favors, huh?
00:35:01Now, with the inspiration of this ancient curse
00:35:05Whitney Taylor is going to create the ultimate monster.
00:35:09Good luck.
00:35:10I'm off to create the ultimate finger painting.
00:35:39♪♪♪
00:36:09♪♪♪
00:36:39♪♪♪
00:37:10♪♪♪
00:37:25♪♪♪
00:38:39I just wanted to see what you were up to.
00:39:06You've been so secretive about it.
00:39:08Bullshit, since when have you been...
00:39:14An explicit invitation.
00:39:16Ah, it's your work. I'm sorry.
00:39:18I don't know what you're up to, Amanda, but if I ever catch you down here again,
00:39:22I will hang you up by your eyelids and wrench out your fingernails one by one. You got it?
00:39:27Yeah, I do. I'm really scared.
00:39:29Amanda, haven't you caused me enough trouble for one lifetime?
00:39:33I really don't know what you mean.
00:39:35You know exactly what I mean.
00:39:37I still can't seem to forget about a certain fellowship that was supposed to be mine.
00:39:41Well, the committee seemed to have thought otherwise.
00:39:43Yeah, after a little monetary persuasion from you.
00:39:45Whitney, you've always been such a sore loser.
00:39:47Get out of here before I really lose my temper.
00:39:50Bye.
00:40:07Bye.
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00:43:08Now, I am certain that the Throckmorton Institute
00:43:10for the Arts has no place
00:43:12for an untalented author like this taker.
00:43:15♪♪♪
00:43:26It is withdrawn.
00:43:28♪♪♪
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00:44:28Somebody help me!
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00:45:20♪♪♪
00:45:30♪♪♪
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00:47:00Hmm.
00:47:02I think I'd hate to get on your bad side.
00:47:14Amanda?
00:47:15Amanda?
00:47:22Amanda?
00:47:31Well, so this Petcare products company
00:47:33wants to know the formula of their nearest competitor's
00:47:35flea collars, so they hired me to dig out some info.
00:47:38I find out that the competitor's
00:47:39top of the line model, the Petty Puppy Deluxe,
00:47:42is going to put the guy out of business.
00:47:44I got to get my hands on the formula,
00:47:45but the competitor, he's shrewd.
00:47:47He puts the formula in code.
00:47:49No good to my man.
00:47:51To make a long story short,
00:47:52I end up tailing a German Shepherd
00:47:54halfway across the country.
00:47:56Chairman Shepard halfway across the country.
00:48:01Has anyone here seen Amanda?
00:48:03Well, not since last night.
00:48:05Maybe she went out.
00:48:06Get real.
00:48:07We're hundreds of miles from the nearest shopping mall.
00:48:09Where's she gonna go?
00:48:11She's been missing all morning and I'm really worried.
00:48:13I'm not.
00:48:14In fact, I don't care if I ever see her again.
00:48:17Hey, kid, did you ever hear Amanda and Whitney arguing?
00:48:29Who hasn't?
00:48:31They're at each other's throats.
00:48:35Whitney really hates that bitch, doesn't she?
00:48:38I'll say.
00:48:39You should see this cartoon she drew over last night.
00:48:42What about it?
00:48:44She drew Amanda.
00:48:47Sorry, I can't tell you.
00:48:49Why not?
00:48:50Because it's Whitney's work and if she wants you to see it,
00:48:53she'll show it to you herself.
00:48:57I got a funny feeling we're not gonna be graced by Amanda's presence much longer.
00:49:16The tension between the two girls was thick enough to cut with a knife.
00:49:46Is Whitney Taylor capable of murder?
00:50:17Death.
00:50:18Death.
00:50:19Death.
00:50:20Death.
00:50:21Death.
00:50:23Death.
00:50:24Death.
00:50:25Death.
00:50:26Death.
00:50:27Death.
00:50:28Death.
00:50:58Death.
00:50:59Death.
00:51:00Death.
00:51:01Death.
00:51:02Death.
00:51:03Death.
00:51:04Death.
00:51:05Death.
00:51:06Death.
00:51:07Death.
00:51:08Death.
00:51:09Death.
00:51:10Death.
00:51:11Death.
00:51:12Death.
00:51:13Death.
00:51:14Death.
00:51:15Death.
00:51:16Death.
00:51:17Death.
00:51:18Death.
00:51:19Death.
00:51:20Death.
00:51:21Death.
00:51:22Death.
00:51:23Death.
00:51:24Death.
00:51:25Death.
00:51:26Death.
00:51:27You're bad.
00:52:27It's a death knell, a lament to the brevity of life.
00:52:56It was interesting.
00:52:58It was very moving, Lisa.
00:53:01You must have put a lot of work into that, because it was very hard on me.
00:53:26I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:53:56I've got you now Whitney, I've got you now
00:54:26Whitney Taylor is a plagiarist as this videotape so clearly demonstrates, she cloistered herself
00:54:49in the cellar and stole another artist's work, son of a bitch, she killed her for revenge, the marvelous revenge, it isn't true
00:55:19it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it
00:55:49isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn't true, it isn
00:56:19I don't know, I swear to God, I swear to God I'm gonna kill you. Amanda stole my work from the
00:56:36cellar but how did she get a hold of my portfolio? I'm sure I don't know. Bullshit,
00:56:40you gave it to her. Now both of you had it in for me from the moment I got here,
00:56:44now what the hell is going on and where is she? I assure you I don't know where Amanda is.
00:56:50Well maybe she's playing a joke on you. Come in. Another interesting development,
00:56:59Michelski's nowhere in the house. Are you sure? Yeah, unless he's suddenly developed a passion
00:57:04for hide-and-seek. Well you see, Norman is probably working on an elaborate scenario
00:57:10and he's stuck on one of his scenes and he and Amanda are testing it out. Maybe,
00:57:16but if I find out that you're trying to hurt me, I'm going straight to the board of directors
00:57:21and that, Mrs. Briggs, is a promise. You know, usually when I'm angry I can channel it into
00:57:38my work. So I've noticed. I am so upset, I feel like I'm paralyzed. Come on, let's bag the work
00:57:48and get out of here. Go for a walk or something. No, I can't do that, Philip. Come on, you're not
00:57:52getting anything done here anyway. I'll tell you my life story. Really? Uh-huh. This I've got to
00:58:02hear. Life story, huh? Absolutely. Is it interesting? It started back in the early 1930s. Have you seen
00:58:18Norman or Amanda? For the last time, no. Well, I am worried. Oh, who are you kidding? Whitney told
00:58:25me that Amanda stole her things. It's a cinch the two of you are in cahoots plotting something
00:58:29against Whitney. That's absurd. Oh, is it? You just didn't expect Whitney to find out. My only
00:58:35concern. It's for the reputation of this colony. Mrs. Briggs, you just might have something to be
00:58:42concerned about now. No, the real challenge for me is to come up with interesting ways to kill people.
00:58:57You're an authority now, right? Yeah, lots of field work. Plus I have some great research material.
00:59:04I see what you mean by interesting. Huh? You have really outdone yourself this time.
00:59:11What are you talking about? Your latest masterpiece. It's very intense.
00:59:19I didn't draw this. Come on, don't be embarrassed, Whit. It's your way of dealing with aggression,
00:59:25right? At least it's constructive. It's okay. I'm serious, Philip. I've never seen this before.
00:59:43Whitney, it's really not like you to be modest. I'm telling you, Philip, I did not draw that.
00:59:48Then who did? Childress's ghost? He who has wisdom wonders not of the beast,
00:59:56for nothing in hell lives without man's consent.
01:00:00But woe unto you who would give the beast form to contemplate evil is to ask evil home.
01:00:08Hello? Somebody there? Not again. Philip, is that you?
01:00:24All right, you little maniac. I know you're out there.
01:00:29Come on, kid. Game's over. I need my towel. My hair is wet.
01:00:32Okay, Philip, ready or not, here I come.
01:00:42Whitney, come on now. What are you talking about? Philip, the curse is real. What curse? What are
01:00:47you saying? It threatens anybody who dares to give the beast form, don't you see? I drew it.
01:00:54I gave it life and now, and now Amanda is gone and Norman is gone. Wait, wait a minute.
01:01:00Are you trying to say to me that a monster you drew just stepped off the page and devoured
01:01:07Amanda and Norman? That's right. Oh, God, Philip, that's what,
01:01:12that's what killed Colin Childress 30 years ago. He probably...
01:01:30Oh, my God, Philip. It's Lisa. It's Lisa.
01:01:47Philip? Where are you?
01:01:56Hey, this isn't funny anymore.
01:02:00Hey.
01:02:30Oh, my God.
01:02:41Philip, are you still going to let us out of here?
01:02:45I have to tell you, Brooke, if we don't get out of here, it's over for us.
01:02:47There's only one chance. We have to get rid of it.
01:02:53What?
01:02:56Oh, God, Philip. Philip, it makes sense. Childress made the same mistake.
01:03:04By giving that monster a physical presence, even a two-dimensional one, we offered it a vessel
01:03:08that it could occupy in the real world. That's great.
01:03:12Okay, according to the curse, the beast is spawned by man's imagination.
01:03:18Oh, God, it's literally been ingesting creative energy to keep itself alive.
01:03:23Michelsky's, Lisa's, and Amanda's blood.
01:03:25Amanda? She's going to give that thing diarrhea.
01:03:27Wait, what are we going to do?
01:03:29What are we going to do, Philip?
01:03:31We are going to destroy its physical form.
01:03:35It's physical form.
01:04:06Philip?
01:04:10Philip?
01:04:14Oh, my God.
01:04:20Hello? Anyone down there?
01:04:22It was the creature all along.
01:04:24It killed Amanda and Norm and Elisa, and now it's got Philip.
01:04:28We've got to do something.
01:04:30Slow down, Whitney. You're not making any sense.
01:04:32Look, I have searched high and low for all of them.
01:04:36They'll be back.
01:04:38Haven't you been listening to me?
01:04:40I certainly haven't.
01:04:42I've been listening to you.
01:04:44I've been listening to you.
01:04:46I've been listening to you.
01:04:48I've been listening to you.
01:04:51I certainly have.
01:04:53Comic books and monsters and...
01:04:55Oh, that's a nasty cut.
01:04:59I have some disinfectant here somewhere.
01:05:01I'll look for it.
01:05:09You know, I changed my mind about those comic books.
01:05:17I've been going through a lot of changes lately.
01:05:21Oh, no!
01:05:43Oh!
01:05:51Oh!
01:05:55Oh!
01:05:57Oh!
01:05:59Oh!
01:06:01Oh!
01:06:03Oh!
01:06:15Oh!
01:06:20Oh
01:06:50I
01:07:20I
01:07:50Oh
01:08:20Oh
01:08:50Oh
01:09:12Talking about some quick peck on the cheek here. I'm talking about a real
01:09:21That's more like it
01:09:23Hey, hey
01:09:26Oh
01:09:27Thank god you're back. Well, thank you. You're the one that did it. Now. Look, I don't want you to think this means you owe me
01:09:35Okay
01:09:36I'm still my old man
01:09:40So what's next I mean, what about the others looks like the ball's in your court in your case depends on your hand
01:09:47What about that thing?
01:09:49All right, one step at a time, okay, I've only got two hands, okay
01:09:58First
01:10:19So
01:10:21So
01:10:23So
01:10:5030 years ago
01:10:53So
01:11:15Ah
01:11:23Ah
01:11:53Ah
01:12:07Ah
01:12:19Ah
01:12:24Ah
01:12:29Oh
01:12:35Ah
01:12:53So
01:13:17I will develop
01:13:23Ah
01:13:53So
01:14:07So
01:14:23So
01:14:53So
01:15:13So
01:15:23So
01:15:37So
01:15:53So
01:16:23So
01:16:41So
01:16:53So
01:17:09So
01:17:23So
01:17:37You