• 2 months ago
https://amzn.to/47oPglX
Transcript
00:00:00My name is Johnny Barrett.
00:00:27I'm a reporter on the Daily Globe.
00:00:57I'm a reporter on the Daily Globe.
00:00:58I'm a reporter on the Daily Globe.
00:00:59I'm a reporter on the Daily Globe.
00:01:00I'm a reporter on the Daily Globe.
00:01:01I'm a reporter on the Daily Globe.
00:01:02I'm a reporter on the Daily Globe.
00:01:03I'm a reporter on the Daily Globe.
00:01:04I'm a reporter on the Daily Globe.
00:01:05I'm a reporter on the Daily Globe.
00:01:06I'm a reporter on the Daily Globe.
00:01:07I'm a reporter on the Daily Globe.
00:01:08I'm a reporter on the Daily Globe.
00:01:09I'm a reporter on the Daily Globe.
00:01:10I'm a reporter on the Daily Globe.
00:01:11I'm a reporter on the Daily Globe.
00:01:12I'm a reporter on the Daily Globe.
00:01:13I'm a reporter on the Daily Globe.
00:01:14I'm a reporter on the Daily Globe.
00:01:15I'm a reporter on the Daily Globe.
00:01:16I'm a reporter on the Daily Globe.
00:01:17I'm a reporter on the Daily Globe.
00:01:18I'm a reporter on the Daily Globe.
00:01:19I'm a reporter on the Daily Globe.
00:01:20I'm a reporter on the Daily Globe.
00:01:21I'm a reporter on the Daily Globe.
00:01:22I'm a reporter on the Daily Globe.
00:01:23I'm a reporter on the Daily Globe.
00:01:24I'm a reporter on the Daily Globe.
00:01:25I'm a reporter on the Daily Globe.
00:01:26I'm a reporter on the Daily Globe.
00:01:27I'm a reporter on the Daily Globe.
00:01:28I'm a reporter on the Daily Globe.
00:01:29I'm a reporter on the Daily Globe.
00:01:30I'm a reporter on the Daily Globe.
00:01:31I'm a reporter on the Daily Globe.
00:01:32I'm a reporter on the Daily Globe.
00:01:33I'm a reporter on the Daily Globe.
00:01:34I'm a reporter on the Daily Globe.
00:01:35I'm a reporter on the Daily Globe.
00:01:36I'm a reporter on the Daily Globe.
00:01:37I'm a reporter on the Daily Globe.
00:01:53I'm.
00:01:54When was the first time you got this urge, Mr. Barrett?
00:01:55When was the first time you got this urge, Mr. Barrett?
00:01:56There must have been a first time.
00:01:57There must have been a first time.
00:01:58When I was 14.
00:01:59When I was much younger, 10,
00:02:00when I was much younger, 10,
00:02:01when I was much younger, 10,
00:02:02that's when I got the feeling.
00:02:03that's when I got the feeling.
00:02:05What gave it to you?
00:02:06Tell me about her braids.
00:02:09I got excited.
00:02:10Go on.
00:02:12I grabbed her braids.
00:02:14Is that when you hurt her?
00:02:16I've never hurt her.
00:02:18Did you pull on her braids?
00:02:21I caressed them.
00:02:23Just...
00:02:24Did you pull on them?
00:02:26Do you think I'm a fetishist?
00:02:28Hell no, Johnny!
00:02:30Let them bring up that word.
00:02:31Yeah.
00:02:32Not you.
00:02:34You'll be facing the best psychiatrist in the state.
00:02:37They'll know when you're shabby.
00:02:39I feel sorry for Doc Fong.
00:02:41Professionally, he knows he's playing with dynamite.
00:02:44But he just couldn't turn down his closest friend, Swanee.
00:02:47They were in psychological warfare back in World War II.
00:02:51Today, the Doc's a top-flight head-handler.
00:02:54Swanee's my boss,
00:02:55managing editor of the Daily Globe.
00:02:58The role you'll be playing will be stronger than your strongest imagination.
00:03:01So don't ever weaken.
00:03:03It'll be a daily duel between the insane and your own sane mind.
00:03:07And as for the doctors there...
00:03:09Lower your mask for an instant, and they'll know you're a phony.
00:03:12Never let them forget you're living on a sexual powder keg.
00:03:15It's all yours, Swanee.
00:03:17Think he's ready?
00:03:19As he ever will be.
00:03:21Well...
00:03:23The next move...
00:03:25is yours, Cathy.
00:03:27Caressing my braids.
00:03:28Caressing my braids.
00:03:30Kissing them.
00:03:31What a disgusting story.
00:03:35What happens if they find out I'm not really his sister?
00:03:38I'll handle that.
00:03:42Johnny...
00:03:44Johnny, you've got to be crazy
00:03:45to want to be committed to an insane asylum to solve a murder.
00:03:48Even if I don't crack this case, honey,
00:03:50my experiences alone will make a book, a play, or even a movie sale.
00:03:54Every man wants to get to the top of his profession.
00:03:56Mine is winning the Pulitzer Prize.
00:03:58If this story doesn't do it, nothing ever will.
00:04:00But their sickness is bound to rub off on you.
00:04:03I said the same thing to you when you started singing in your skin.
00:04:07Remember, Cathy?
00:04:08But those hawkers didn't get to you, did they?
00:04:10And those lunatics are not going to get to me.
00:04:12He's right.
00:04:14Reporters have impersonated coal miners, school teachers, hoodlums.
00:04:18Those reporters went in for a purpose.
00:04:20Not to win a journalistic halo on the cover of Life.
00:04:23And not to win a cash prize
00:04:24or get their pictures in Time and Newsweek.
00:04:26Oh, come on, Cathy.
00:04:27All you have to do is play your part.
00:04:29I'm fed up.
00:04:31Fed up playing grief chorus to your rehearsed nightmare.
00:04:34Why don't you smuggle aboard a rocket
00:04:35and write the memoirs of an astronaut?
00:04:37Do you have any cigarettes, Cathy?
00:04:38Why don't you give up this psychoanalytical binge?
00:04:41Because it's what people buy.
00:04:43Mark Twain didn't psychoanalyze Huck Finn or Tom Sawyer.
00:04:47Dickens didn't put Oliver Twist on the couch because he was hungry.
00:04:49Oh, come on, Cathy.
00:04:50Good coffee comes out of people, Johnny.
00:04:52Not out of a lot of explanatory medical terms.
00:04:55Oh, stop it, will you?
00:04:56You're on a hopped-up show offstage. Get off it.
00:04:59Don't be Moses leading your lunatics to the Pulitzer Prize.
00:05:02Would you care for a cigarette?
00:05:03Oh, you make me sick.
00:05:06Sick at the thought of you playing games with your mind
00:05:08and riding that crazy horse.
00:05:10He has been conditioned for a whole year to ride that horse.
00:05:14You've got to saddle it and get me off and running.
00:05:16That's all, Cathy.
00:05:18Scratch me in this race, Johnny.
00:05:29We made a deal.
00:05:31My whole instinct is to kick myself hard
00:05:34forever having gone into this deal with you.
00:05:39What I should do is to land a righteous punch on your super-civilized daughter.
00:05:42Oh, Cathy, you're an intellectual well past the age of...
00:05:44Don't you dare analyze me!
00:05:48Johnny.
00:05:51Johnny.
00:05:54Johnny, I'm in love with a normal reporter holding down a normal job.
00:05:58Normal.
00:05:59Do you think I like singing in that sewer with a hot light on my navel?
00:06:02No.
00:06:03I'm doing it because it pays more than shorthand or clerking or typing.
00:06:06I know that.
00:06:07I'm saving money so we can have that normal life.
00:06:09That's all I want.
00:06:10I know all about that.
00:06:12But I'm scared.
00:06:13I'm scared.
00:06:14I'm scared when I see how calm Dr. Fong and Swanee and you can be
00:06:18about this whole crazy scheme of yours.
00:06:22I'm scared this whole Jekyll Hyde idea is going to make a psycho out of me.
00:06:26Now, wait a minute, Cathy.
00:06:28Cathy.
00:06:31Do you think I'd ever let anything happen to you?
00:06:35But you've just got to go through with your part, honey.
00:06:38You're the only one we can trust.
00:06:44Thank God.
00:06:47Cathy.
00:06:49Then go back to your dive.
00:06:51Dive?
00:06:54That dive is holy compared to your ideas of work.
00:06:59Hamlet was made for Freud, not you.
00:07:13I want somebody to love me.
00:07:29I'm going to make you.
00:07:31I'm going to make you hurt.
00:07:33I'm going to make you cry.
00:07:35I'm going to make you suffer.
00:07:37I'm going to make you die.
00:07:39I'm going to make you sin.
00:07:41You're a son of a bitch.
00:07:43I need somebody to hold, someone who'll hold Johnny, Johnny, Johnny, Johnny, Johnny, Johnny,
00:08:04Johnny, Johnny, Johnny, Johnny, Johnny, Johnny, Johnny, Johnny, Johnny, Johnny, Johnny, Johnny,
00:08:12Just me.
00:08:18I'd like someone who'll always be tender and sweet and kind.
00:08:35Who's mine, all mine.
00:08:50I need somebody to kiss, someone who'll kiss just me.
00:09:08I want somebody to miss, someone who'll miss just me.
00:09:28I know that somewhere, there's a someone who's true.
00:09:50I know the lover I want, darling, my love, is you.
00:10:19And I told Mr. Ford that the only way for a stripper to strip is for me to take off all my clothes.
00:10:31Did Johnny fold? No.
00:10:48I'm scared this whole Jekyll and Hyde idea is going to backfire and make a psycho out of me.
00:11:00But their sickness is bound to rub off on you.
00:11:05I said the same thing to you when you started singing in your skin, remember Kathy?
00:11:10But those hawkers didn't get to you, did they? And those lunatics are not going to get to me.
00:11:16She's going to blow her top if that guy dumped her.
00:11:21How can a girl love a guy that much?
00:11:25Tell him it's Kathy.
00:11:28Yeah.
00:11:32Put her on.
00:11:34Oh, Swanny.
00:11:36Change your mind, Kathy?
00:11:38Swanny, it's been four days.
00:11:41You called the shot.
00:11:42Swanny, I haven't heard from him in four days.
00:11:47If you love him, you'd go to the limit for him.
00:11:58Well, good evening.
00:11:59What can I do for you, young lady?
00:12:01My brother won't let me alone.
00:12:08How old is he?
00:12:10Thirty.
00:12:12Are you married?
00:12:13No.
00:12:16Does he live with you?
00:12:18No.
00:12:20Has he ever tried to attack you?
00:12:23He's tried.
00:12:26Has he ever hurt you?
00:12:29Yes.
00:12:31Have you ever brought charges against his sickness?
00:12:35Why not?
00:12:36Ashamed.
00:12:38And now?
00:12:43He said he'd kill me if I...
00:12:49Are you ready to sign a formal complaint that he's mentally unsound?
00:12:55I didn't hear you.
00:12:56Yes.
00:12:58What's your brother's full name, please?
00:13:00John Barrett.
00:13:09County General Hospital.
00:13:11His psycho unit, please.
00:13:13Dr. Mencken?
00:13:15Kane, 16th Precinct.
00:13:17The subject's name, John Barrett.
00:13:21Attempted incest with sister.
00:13:25As soon as we pick him up, we'll send him over for emergency admission.
00:13:30How dare you jackass me down here on Earth say so?
00:13:32I'm a reporter for the Daily Globe.
00:13:33You can call my boss.
00:13:34He'll vouch for me.
00:13:35We checked with him.
00:13:36He gave you a clean bill of health.
00:13:37That's more like it.
00:13:38But his word doesn't carry much weight since your sister signed a formal complaint against him.
00:13:42Formal complaint?
00:13:43Now what can you expect from a stripper?
00:13:44Sis, come on in here and explain all your dreams.
00:13:46Please, Mr. Barrett, please.
00:13:48Sit down.
00:13:51Please.
00:13:59Your father living?
00:14:00No.
00:14:02Did you like him?
00:14:03Of course.
00:14:07Any brothers?
00:14:08No.
00:14:09Any other sisters?
00:14:11Just Kathy, that's enough.
00:14:14Mother living?
00:14:15No.
00:14:17Did you ever want your mother?
00:14:18What?
00:14:19What are you saying?
00:14:20That's a filthy thing to say to me!
00:14:22Please.
00:14:24We're here to help you.
00:14:33You, uh, you love Kathy, don't you?
00:14:36She's my sister.
00:14:38You love her like a woman, don't you?
00:14:39I would never let a meathead have her, no.
00:14:42Mothers and fathers have the same fears.
00:14:46You understand me, don't you?
00:14:48Of course, of course.
00:14:51Tell me, when was the first time you felt differently toward your sister?
00:14:57Well, there must have been a first time when I was 14.
00:15:05I remember the way his eyes lit up.
00:15:07He's got me talking.
00:15:09He's a happy little rascal.
00:15:12Maybe younger, when I was 10.
00:15:15Now, if you just ask me what made me feel different, this story will write itself.
00:15:21What made you feel differently toward her?
00:15:24Her braids.
00:15:27Tell me about her braids.
00:15:29I caressed them.
00:15:31Kissed them.
00:15:32Did you pull on them?
00:15:34I never hurt her.
00:15:37The next question's gonna be about fetishists, according to Doc Fong's script.
00:15:41Oh, I don't like this. He's stalling too much.
00:15:45If he doesn't come through with that question, I'll fall right on my typographical face.
00:15:53Do you know what a fetishist is?
00:15:55There's no contest in this.
00:15:58Sure I know.
00:15:59As a reporter, do you ever cover a story where a man became intensely excited whenever he saw a woman with long hair?
00:16:05Long, loose hair.
00:16:08Yes.
00:16:09Did he make love to her?
00:16:10Yes.
00:16:11He killed her.
00:16:12You don't want to wake up some fine morning to learn you killed your sister.
00:16:14Oh, now, Doctor, I'm no epileptic with some kind of fetish for hair.
00:16:16Of course, Cathy. Now, her hair is different.
00:16:19I understand.
00:16:20I figured you would.
00:16:21I understand.
00:16:22Didn't you threaten to commit suicide if she ever got married?
00:16:25Didn't you threaten your sister if she wouldn't let you make love to her?
00:16:28Because her hair is different.
00:16:29Why?
00:16:30Because she's different.
00:16:31Why is she different?
00:16:32Because.
00:16:33Because why?
00:16:34Because I want her and nobody's going to keep us apart.
00:16:35Nobody's going to...
00:16:43Cathy!
00:16:44Cathy!
00:16:49Cathy!
00:16:50Cathy!
00:16:56Cathy!
00:16:58Cathy!
00:17:00Cathy!
00:17:02Cathy!
00:17:09Personality synthesis.
00:17:10Emotional state.
00:17:12Test three.
00:17:13Emotional state.
00:17:15Test two.
00:17:16Personality synthesis.
00:17:18Emotional state.
00:17:22You were a healthy lover.
00:17:24until you started this crazy idea.
00:17:27And now it's consumed you
00:17:30and made a nervous wreck out of me.
00:17:34Well, reverse the situation, Johnny.
00:17:39What if I...
00:17:42While we're going away on a trip
00:17:44that could separate us for weeks or months,
00:17:48would you help me put a gap between us?
00:17:55The drama critic on your paper
00:17:58said my shabby, tinted hair
00:18:02was like a soft halo
00:18:05over wide-set, inviting eyes.
00:18:10And my mouth...
00:18:13My mouth was a lush tunnel
00:18:16through which golden notes came.
00:18:20Stop it, Kathy.
00:18:24Shh.
00:18:34And my movements
00:18:37evoke the most inflammatory passions
00:18:42in all...
00:18:44I miss you, Kathy.
00:18:47My yen for you goes up and down like a fever chart.
00:18:53I love you, Kathy.
00:18:55I don't like being alone, Johnny.
00:18:59But you made me be alone, Johnny.
00:19:03And I have a right
00:19:06to find another Johnny.
00:19:09No!
00:19:12Let me have this frequency table.
00:19:16Let me have this frequency table.
00:19:26Yeah.
00:19:28Yeah. Mm-hmm.
00:19:30Shows a culmination of internal sexual conflict,
00:19:36generally of old standing,
00:19:39and based on a constitutionally determined chaotic sexual pattern.
00:19:45There's no doubt.
00:19:47His pattern of symptoms in a mental disease is familiar.
00:19:52We've got to resolve the underlying sexual conflict.
00:19:59Whenever he wants his sister physically,
00:20:03he is taking the form of a mental breakdown,
00:20:09an acute schizophrenic episode.
00:20:18What does it mean?
00:20:21It means I'm a pretty good teacher, and Johnny's a smart student.
00:20:25So far, so good?
00:20:26I don't mean that.
00:20:29Aren't either of you concerned about his breakdown?
00:20:32What breakdown?
00:20:34Well, taking all those tests is bound to make him sick.
00:20:36You're right. That is something to worry about.
00:20:38On the contrary.
00:20:40I think he's got the perfect mood of borderline psychosis,
00:20:44exactly as re-rehearsed.
00:20:46And if the Superior Court judge buys his performance,
00:20:49he'll be committed.
00:20:52140 IQ classification.
00:20:55Very good, Mr. Barrett.
00:20:57Means superior intelligence.
00:20:58Oh, my name's Wilkes.
00:21:00Oh, I'm sorry. You'll have to get used to no belt, no shoelaces.
00:21:04New patient, John Barrett.
00:21:06Barrett, eh?
00:21:10Barrett, put it back.
00:21:16Barrett.
00:21:18Ward B, Bed 2.
00:21:22Come on, Mr. Barrett.
00:21:24Come on.
00:21:28Barrett, huh?
00:21:30You're a 140 IQ journalist.
00:21:33Where's your typewriter?
00:21:35Easy, Lloyd.
00:21:37The last reporter I had on this floor was Ben Franklin,
00:21:39and that egghead gave me more trouble than...
00:21:41Come on, Mr. Barrett.
00:21:42Thorn phonies all you newspaper men.
00:21:45You came here to make friends, Zahar?
00:21:49Patients who behave are permitted to congregate in this corridor.
00:21:52They call it the street.
00:21:54Gives them a chance to make new friends.
00:21:56The women have their street, too.
00:21:59I used to work in the female lane,
00:22:01but the number's gone down.
00:22:03I've got a new job.
00:22:05I've got a new job.
00:22:07I've got a new job.
00:22:09I've got a new job.
00:22:11I've got a new job.
00:22:13Go away. Let the nympho ward get too dangerous for me.
00:22:25Well, this one's yours, Mr. Barrett.
00:22:27Am I the only loony in this ward?
00:22:29No, Mr. Barrett.
00:22:31Your roommates are in the street.
00:22:33Oh, if you don't mind, we never use words here like
00:22:36nuts, bugs, screwy, goofy, loony.
00:22:39We'd like it very much if you didn't use the meter.
00:22:42I'm sorry, I'm a Greenhorn inmate.
00:22:45You're a patient, not an inmate.
00:22:46This is an insane asylum, is it not?
00:22:48Not exactly.
00:22:49This is a mental hospital, and we're
00:22:50dealing with mental hygiene.
00:22:53After Dr. Christo takes you in hand,
00:22:54you'll be a different man.
00:22:57He has one of the finest records in the country.
00:23:05I really don't belong here.
00:23:07I understand.
00:23:08You won't cause any trouble, though, will you?
00:23:10As you did when you attacked the county hospital
00:23:13psychiatrist.
00:23:14I forgot myself.
00:23:15We're here to help you to remember not to forget.
00:23:18I phoned my sister.
00:23:20No, I'm sorry.
00:23:21I'm hungry.
00:23:23Lloyd will show you your place in the dining room.
00:23:25Lloyd?
00:23:26What's the matter?
00:23:27Lloyd, the keeper that called me a phony.
00:23:30He's no keeper.
00:23:31He's an attendant like me.
00:23:34Lloyd doesn't like me.
00:23:37Don't mind him.
00:23:38He doesn't mean anything with that chip on his shoulder.
00:23:41It's just his way of fighting everybody
00:23:43because he can't cure the patients.
00:23:46Well, make yourself at home, Mr. Barrett.
00:23:51I made it.
00:23:53I'm in.
00:23:59Ever since my voice changed, I wanted
00:24:01to be in the company of the newspaper greats.
00:24:03And this long corridor is the magic highway
00:24:06to the Pulitzer Prize.
00:24:11Maybe I'm looking at the killer right now.
00:24:20Three witnesses.
00:24:22Stewart, Trent, Bowden.
00:24:34How do you do?
00:24:35I'm Pagliacci.
00:24:36Johnny Barrett.
00:24:38Welcome to Ward B, Mr. Barrett.
00:24:47Did you expect a demonstration of insanity?
00:24:50Forget it.
00:24:53What are you in here for, Mr. Barrett?
00:24:55What are you in here for, Mr. Barrett?
00:25:25Sit down.
00:25:51Witness number one, Stewart.
00:25:54The man in the Bible belt, Hobby, playing Civil War games,
00:25:58believes he's General J.E.B. Stuart,
00:26:00Confederate hero of the Civil War.
00:26:24Mr. Pulitzer.
00:26:26Come on. I'll show you to your table.
00:26:41This is your place from now on, Brisbane.
00:26:44Yes, sir.
00:26:45Just behave yourself.
00:26:47Yes, sir.
00:26:49Yes, sir.
00:26:55Don't give us any knives or forks around here.
00:26:57We're afraid we'll hurt ourselves.
00:27:24Take your anticonvulsant.
00:27:42I don't like it.
00:27:43Give me the... give me the...
00:27:47the tranquilizer drug.
00:27:50No, no, no. Give me...
00:27:52Give me... give me... give me the...
00:27:55the... that one. That one.
00:27:57No, no, no. That one. That one there.
00:28:01I hate my meat already chewed up.
00:28:03I can eat a steak the size of a cow.
00:28:05What am I, an infant?
00:28:06Drink this.
00:28:07He ate my vitamins.
00:28:20Stuart.
00:28:23Give me back my vitamins.
00:28:25Give me back my vitamins.
00:28:27Give me back my vitamins.
00:28:29Stuart, bring your brigade up around the right here.
00:28:31We'll flank McClellan's forces.
00:28:33Then we hit Antietam and hit him hard.
00:28:35You will address me as sir.
00:28:37A lieutenant general never serves a major general.
00:28:44What lieutenant general?
00:28:45Nathan Bedford Forrest.
00:28:48Oh!
00:28:50Antietam.
00:28:52Report to my command post.
00:28:53Where are you, Bedford, sir?
00:28:54Come on, gentlemen. We're going back to the wards.
00:28:58Where are you, Bedford, sir?
00:29:00A mile north of Gettysburg, Ward B.
00:29:03You better leave your brigade behind with me, general.
00:29:06I'll be there, sir.
00:29:08Now march.
00:29:17Come on.
00:29:43All of the men want me, Johnny.
00:29:46And you...
00:29:48And you...
00:29:50You want the Pulitzer Prize.
00:29:59I...
00:30:01Want...
00:30:04Somebody...
00:30:09To love...
00:30:13Someone...
00:30:15To care...
00:30:18For me...
00:30:25I need...
00:30:29Somebody...
00:30:43To love...
00:31:13La-la-la...
00:31:15La-la-la-la-la-la-la...
00:31:19La-la-la-la-la-la-la...
00:31:22La-la-la-la-la-la-la-la...
00:31:27La-la-la-la-la-la-la-la...
00:31:30La-la-la-la-la-la-la-la-la...
00:31:33La-la-la-la-la-la-la-la...
00:31:36La-la-la-la-la-la-la...
00:31:43La-la-la-la-la-la-la-la...
00:31:50I don't know what you're talking about.
00:31:53I don't know what you're talking about.
00:31:56I don't know what you're talking about.
00:31:59I don't know what you're talking about.
00:32:02I don't know what you're talking about.
00:32:05I don't know what you're talking about.
00:32:08I don't know what you're talking about.
00:32:11I don't know what you're talking about.
00:32:14I don't know what you're talking about.
00:32:17I don't know what you're talking about.
00:32:19I don't know what you're talkin' about.
00:32:22What are you talkin' about?
00:32:25What are you talkin' about?
00:32:27What are you talkin' about?
00:32:30I don't know what you're talkin' about.
00:32:39You come there for me tonight.
00:32:46Thank you.
00:32:48Thank you.
00:32:50It was in the middle of that aria.
00:32:53And it pinched forward on my face like this.
00:32:59I died of a heart attack caused by overweight.
00:33:08A knife is a messy weapon.
00:33:14It was a knife that killed Sloan in the kitchen.
00:33:19Do you know why so many people came to my funeral?
00:33:25They wanted to make sure I was dead.
00:33:28Who used a knife on Sloan?
00:33:33I took my time killing my wife.
00:33:37Did you know that a man named Sloan, a patient here, was killed with a knife in the kitchen?
00:33:43It's still an unsolved murder.
00:33:46It's still an unsolved murder.
00:33:49I despise butchery.
00:33:54I didn't want my wife to die like Sloan.
00:33:57So I gently sang her to death.
00:34:03Good night, Mr. Barrett.
00:34:10He remembered Sloan's murder.
00:34:12They do have flashes of sanity.
00:34:26Breakfast bell.
00:34:28Wake up, John.
00:34:30Wake up.
00:34:31Jonathan, up.
00:34:32Wake up, wake up, wake up.
00:34:35Wake up, John.
00:34:36Wake up, wake up.
00:34:38Good morning.
00:34:39That's better.
00:34:42That's better.
00:35:07You started as a copy boy, I see.
00:35:09Yes, when I was 14.
00:35:11And supported your sister.
00:35:15Did you sleep well?
00:35:22I'm an opera lover now.
00:35:24Pagliacci is harmless.
00:35:29I want to help you, John, but I need your cooperation.
00:35:32I understand.
00:35:33Why didn't you cooperate with my staff this morning?
00:35:36They want to hurt me.
00:35:37Do I want to hurt you?
00:35:42Oh, I've had my eye on you every minute since I've been here.
00:35:46Do you know who I am?
00:35:48Of course.
00:35:49Who am I?
00:35:51Dr. Christo, clinical director, head of the medical staff for seven years.
00:35:55Married, two children, hobby, golf.
00:35:59Don't you know?
00:36:04Now it's time to ask me about voices.
00:36:08Do you hear voices?
00:36:10Yes.
00:36:11My head hurts.
00:36:13I have to get out of here.
00:36:14Call my paper.
00:36:15They can't go to the press without me there.
00:36:16Is Kathy all right?
00:36:17That's why you're here, John.
00:36:19To make sure she will be all right.
00:36:21Do you understand?
00:36:22Why did you fingerprint me?
00:36:23I've committed no crime.
00:36:25You're not in prison, John.
00:36:27He told me I shouldn't love her as a woman.
00:36:30Who told you?
00:36:31The man on TV.
00:36:32He looked right at me and told me it was naughty.
00:36:35Now, how would he know?
00:36:36He's never met Kathy.
00:36:38Does he talk to you often?
00:36:39Every time I turn on TV.
00:36:42Could this man be your father?
00:36:44My father wouldn't get sore if I played around with Kathy.
00:36:48And besides, what's he doing on TV?
00:36:50He's dead.
00:36:51I am impotent.
00:36:53And I like it.
00:36:59How are you feeling, Mr. Barrett?
00:37:00Fine, just fine.
00:37:02Hydrotherapy.
00:37:03Is that what you call this treatment?
00:37:05That's right.
00:37:07Kathy come to visit me, huh?
00:37:09Your sister?
00:37:10Not yet.
00:37:11She'll probably come on visiting day.
00:37:15Confidentially, Mr. Wilkes?
00:37:17Yes.
00:37:20Do you really think that all this nerve-calming treatment
00:37:22is going to help me forget how much I want her in my arms?
00:37:25It's going to help me forget how much I want her in my arms.
00:37:46We know about his fetish for your hair.
00:37:50But did he ever try to cut it off?
00:37:55Once.
00:37:56With a pair of scissors or a knife?
00:38:03Scissors.
00:38:06Did he kiss you when he tried to cut off your hair?
00:38:09No.
00:38:16Yes.
00:38:19Did he ever attack any man who showed an interest in you?
00:38:22Yes.
00:38:25Do you love John?
00:38:26Oh, yes.
00:38:29More than just as a brother?
00:38:31What do you mean?
00:38:33Well, often these cases are developed through encouragement.
00:38:38What do you mean?
00:38:43Forgive me for saying it, Miss Barrett,
00:38:45but there's something very strange about this case.
00:38:49And you don't appear to be too cooperative.
00:38:52I...
00:38:55I'm sorry, Dr. Christo. I...
00:38:58When I received your call,
00:39:00I thought something had happened to Johnny, and I...
00:39:05Well, I just wasn't prepared for this.
00:39:07Inquisition?
00:39:08No.
00:39:09But you thought of the word, didn't you?
00:39:13Yes.
00:39:15Was he jealous of the way you revealed your body to other men?
00:39:19Yes.
00:39:27Relax, Miss Barrett.
00:39:34May I see Johnny now?
00:39:36You'll have to wait for visiting day.
00:39:38How is he getting along?
00:39:40He's in dance therapy now.
00:39:42Dance therapy?
00:39:45I've got an idea how I can help my buddy.
00:39:47I'd do anything to help.
00:39:48All right. Have the fellow play Dixie.
00:39:54Joe, would you please play Dixie?
00:40:14Dixie!
00:40:45Dixie!
00:40:55And a one, and a two, and a three, and a four,
00:41:02and a one, and a two, and a three, and a four,
00:41:06and a one, and a two, and a three, and a four,
00:41:10and a one, and a two, and a three, and a four,
00:41:14and a one, and a two, and a three, and a four,
00:41:23and a four, and a one, and a two,
00:41:26I want water!
00:41:28I'll get the water for you, General.
00:41:32Dixie!
00:41:33One, two, three, and four, and a one,
00:41:38and a one, and a two, three,
00:41:43Dixie!
00:41:44One, and a four, and a six, and a seven, and a two,
00:41:51My Bonnie lies over the ocean,
00:41:55My Bonnie lies over the sea,
00:42:00My Bonnie lies over the ocean,
00:42:05Oh, bring back my Bonnie to me,
00:42:09Bring back, oh, bring back,
00:42:13Oh, bring back my Bonnie.
00:42:15Nymphos.
00:42:18He's mine.
00:42:20He's mine.
00:42:23He's mine.
00:42:26He's mine.
00:42:28He's mine.
00:42:29What's the matter with this door?
00:42:31He's mine.
00:42:34He's mine.
00:42:36He's mine.
00:42:39He's mine.
00:42:45Well, girl,
00:42:48I hope that door opens.
00:42:51It's got to.
00:43:04It's got to.
00:43:19My Bonnie lies over the ocean,
00:43:23My Bonnie lies over the sea,
00:43:27My Bonnie lies over the ocean,
00:43:31Oh, bring back my Bonnie to me,
00:43:34My Bonnie lies over the sea,
00:43:38My Bonnie lies over the ocean,
00:43:43I love coffee, I love tea,
00:43:46I love boys, boys love me,
00:43:50I love coffee, I love tea,
00:43:53I love boys, boys love me,
00:43:56I love coffee, I love tea,
00:43:58I love coffee, I love tea...
00:44:28I heard about you getting wounded at Shiloh, sir.
00:44:49Does it hurt much?
00:44:52I'll get the Miss Sergeant to fix you some baked apples.
00:45:00Baked apple, huh?
00:45:04I haven't had any baked apples since I was in Japan.
00:45:07How far is that from Shiloh?
00:45:12Japan isn't in this country.
00:45:16It's far away in Asia.
00:45:26Is that Buddha still there?
00:45:33I keep seeing it in color, and it keeps looking at me.
00:45:36The great Buddha of Kamakura.
00:45:39I want to climb a parallel up to his head and look at the people down below praying for
00:45:43my battalion.
00:45:44I keep seeing monks in a parade, and little girls just like baby geishas, going to prayer
00:45:52to ask Buddha to take care of me when I go back to Korea.
00:45:56How did I get up there on that playground?
00:45:57It's on the roof of the world.
00:45:58And the wheel keeps going round and round and round, like his commies kept going round
00:46:08and round us on that hill in Korea.
00:46:11Toy train.
00:46:12Toy train.
00:46:13No.
00:46:14Train.
00:46:15Mount Fuji.
00:46:16No.
00:46:17Another train.
00:46:18And another train.
00:46:19And another.
00:46:20And another.
00:46:21And another.
00:46:22And another.
00:46:23We were supposed to sandbag a train in Korea.
00:46:24We were supposed to sandbag a train in Korea.
00:46:25We were supposed to sandbag a train in Korea.
00:46:26We were supposed to sandbag a train in Korea.
00:46:27We were supposed to sandbag a train in Korea.
00:46:28We were supposed to sandbag a train in Korea.
00:46:29We were supposed to sandbag a train in Korea.
00:46:30We were supposed to sandbag a train in Korea.
00:46:31We were supposed to sandbag a train in Korea.
00:46:32We were supposed to sandbag a train in Korea.
00:46:33We were supposed to sandbag a train in Korea.
00:46:34We were supposed to sandbag a train in Korea.
00:46:36We were supposed to sandbag a train in Korea.
00:46:39But we were captured.
00:46:43But we were captured.
00:46:45Remember it was cold when they marched us in the snow.
00:46:53Who are you, Johnny Barrett?
00:47:02What is this place?
00:47:04It's a mental hospital.
00:47:07What am I doing here?
00:47:10You were a commie in Korea.
00:47:13That's a dirty lie.
00:47:15You became a member of the Kremlin, Gordon.
00:47:17Don't you call me a commie.
00:47:18You wrote your father that the Russians were your friends.
00:47:21Now you tell me something, but why should I write my pappy?
00:47:24He can't read.
00:47:26He's a tenant farmer. He can't read. All right.
00:47:30I remember.
00:47:34I remember I helped pappy sharecropping on the man's land.
00:47:40But that's before I ran away from home and joined the army.
00:47:45But now why did I run away from home?
00:47:50I like my home.
00:47:52That's a downright lie.
00:47:57A downright lie.
00:48:03I know why I went over to the commies.
00:48:08Ever since I was a kid,
00:48:11my folks fed me bigotry for breakfast and ignorance for supper.
00:48:15Never.
00:48:17Not once did they ever make me feel proud of where I was born.
00:48:23Feel proud of where I was born.
00:48:26See, that was the cancer they put in me.
00:48:31No knowledge of my country.
00:48:35No pride.
00:48:38Just a hymn of hate.
00:48:43I'd have defected to any enemy.
00:48:47Because, you see, it was easy.
00:48:49My brains was cabbage.
00:48:51They taught me everything from cabbages to commissars.
00:48:55And they gave me a woman.
00:49:00And she called me mister.
00:49:03And she made me feel important.
00:49:08What changed your mind about the rats?
00:49:12The dog face.
00:49:16The dog face.
00:49:21I was having a ball waving a red flag
00:49:23until I met a sergeant from the 1st Division.
00:49:26He was a G.I. retread from World War II.
00:49:29Fought through North Africa and Sicily
00:49:33and all through Europe up to Czechoslovakia.
00:49:39And after he was captured in Korea,
00:49:41well, then he was transferred to my camp,
00:49:44I was assigned to help brainwash him over to the commissar.
00:49:53And this sergeant Kollowitz,
00:49:57that was his name, Kollowitz,
00:50:04he told me things that I never dreamed of.
00:50:14Things that I wanted to wrap up gentle and proud like
00:50:19and go to sleep thinking about.
00:50:24Things that give me a feeling like
00:50:28things my folks should have told me.
00:50:33And I wanted to go home.
00:50:39So, you see, I stopped waving a red flag
00:50:42and the commis said that I was sick in the head.
00:50:49So it was easy for me to get on the next prisoner exchange.
00:50:55And they brought me back and they gave me a dishonorable discharge.
00:51:00And nobody talked to me.
00:51:03And everybody spit on me.
00:51:06And pappy spit on me.
00:51:10The newspaper reporters just kept hounding me,
00:51:13hounding me, hounding me and hounding me,
00:51:16hounding me and hounding me.
00:51:29Story...
00:51:33I'm sorry, but...
00:51:35I gotta ask you a question.
00:51:41Do you think they'll let me out of this place now that I'm all right?
00:51:51Did you see the man that killed Sloan in the kitchen?
00:51:59Yeah, I saw him.
00:52:02I was under a table with two other men.
00:52:09What was I doing under a table?
00:52:12I didn't see his face, but I know he had white pants.
00:52:20White pants.
00:52:23White pants.
00:52:26Stonewall.
00:52:30Stonewall.
00:52:33A bend in a stonewall.
00:52:39Lee!
00:52:41We've got to help General Lee!
00:52:44Come on!
00:52:46Let's get those damn Yankees!
00:52:52Come on!
00:53:00What are you doing?
00:53:12He likes tea, you know, with lemon in it.
00:53:16And oatmeal.
00:53:29Come on.
00:53:39The killer is an attendant or a doctor.
00:53:42Stewart couldn't see his face, but he saw white pants.
00:53:47Tell Swanee that one of the other two witnesses will open up. I feel it.
00:53:55The killer is an attendant or a doctor.
00:53:58Stewart couldn't see his face, but he saw white pants.
00:54:03Tell Swanee that one of the other two witnesses will open up. I feel it.
00:54:18You know, if he went down into a coal mine on a disaster story,
00:54:21he'd come up with a little coal dirt on his face, wouldn't he?
00:54:24He's getting sick.
00:54:26He's been there only six weeks. Narrowed the hunt down to a hospital employee, didn't he?
00:54:30Something the cops couldn't do.
00:54:32If you don't phone Dr. Christo right now and get Johnny out of there tonight, I will.
00:54:36Oh, Kathy, you're becoming a nervous wreck.
00:54:39I'm more worried about you outside than I am Johnny inside.
00:54:43Phone him!
00:54:44You phone him!
00:54:46Call Dr. Christo and you'll lose Johnny for good, and you know it!
00:54:56Come on.
00:55:13Here, stick a gum.
00:55:18Have another one. Come on.
00:55:20Chew, chew. Open your mouth and chew.
00:55:22I got five. Come on.
00:55:24Chew. Chew them good. Put them in your mouth.
00:55:27It's very good for you. Here. It's very good for you. Chew these up.
00:55:31Chew them.
00:55:33One more. That'll be just enough.
00:55:36Chew. Come on. Chew, chew, chew.
00:55:38See, you chew, and your jaw muscles, they get tired, eh?
00:55:43And then the other muscles, they get the message, and they get tired too, eh?
00:55:50And before you know it, you're sleeping.
00:55:55And when we're asleep, nobody can tell a sane man from an insane man.
00:56:02Eh?
00:56:05Good night, Mr. Barrett.
00:56:07Night, Mr. Bulldog.
00:56:21Oh.
00:56:28Did you make Johnny change his mind?
00:56:30I tried, but he's just too close to the story now.
00:56:33That ex-G.I. Stewart has been transferred to another floor,
00:56:36but Johnny is certain that Trent or Bowden will open up.
00:56:39Was Dr. Fong with you? Uh-huh.
00:56:41What did he say?
00:56:43That it's natural for Johnny to show mental strain.
00:56:46What else? Well, that's it.
00:56:48You want me to check with Dr. Fong myself?
00:56:50Well, he is afraid that the force driving Johnny can boomerang.
00:56:55Meaning he could snap, is that it?
00:56:57Now, don't jump to conclusions.
00:56:59Look, if I pulled him off now,
00:57:01he'd still suffer from some kind of depressive psychosis
00:57:04because he'd never know what would have happened
00:57:06if he had stuck it out long enough to contact the other witnesses.
00:57:09You mean if he quits now, that depression sickness could hit him?
00:57:12Yes.
00:57:14But if he cracks the murder, he'll be all right, won't he?
00:57:16Yes.
00:57:18Do you seriously believe that?
00:57:20Yes! You're crazy!
00:57:47Yeah.
00:58:01Oh, no. No, thank you. No.
00:58:04There is nothing in there that will hurt you.
00:58:06Last time I went into a strange room, I was attacked by amazons.
00:58:09That's the sacred dream most men have.
00:58:12Mm-hmm. Well, you try it sometime. Tell me about it.
00:58:14Come on, Mr. Barrett.
00:58:23Hmm.
00:58:25Something wrong?
00:58:26No.
00:58:28Just saw the twitch of one of your muscles.
00:58:30The one in my head?
00:58:35Tell me, John,
00:58:37is your desire for your sister still as strong as ever?
00:58:41I'll tell you what, Doc.
00:58:43You level me off, and I'll share all my dreams with you.
00:58:46I'm cold and sweaty!
00:58:48Chill sweats are usual in your case.
00:58:51Oh.
00:58:53What is my case?
00:58:55You're suffering from a form of dementia praecox incident
00:58:59to the age of puberty,
00:59:01characterized by childish behavior,
00:59:05hallucinations,
00:59:07and emotional deterioration.
00:59:12What's wrong?
00:59:14Nothing.
00:59:26Somebody's sleeping in my bed, says the papa bear.
00:59:29Come on, get up. Go to your own bed. Go on.
00:59:42What are you in here for, Mr. Barrett?
00:59:52God-wanted ghost in the street of no return.
00:59:55Oh, Kathy, what a story this is gonna make!
01:00:04Don't you dare strike me!
01:00:07I'm pregnant.
01:00:09I've been carrying my baby for five months now.
01:00:14God-haunted ghost. Not bad for a lead.
01:00:18If only Stuart had held on a little longer,
01:00:21another two seconds, and I'd have cracked this yarn.
01:00:33Witness number two, Trench.
01:00:36Only Negro student in the Southern University.
01:00:39Hobby, collecting pillowcases.
01:00:41Trent!
01:00:43Yes, sir.
01:00:44The pillowcase is missing.
01:00:45I don't have it, sir.
01:00:46It's from your bed.
01:00:47I don't have it, sir.
01:00:49You wanna go back into the hole?
01:00:51I don't have it, sir.
01:00:52Let him keep it.
01:00:53Keep out of this, Wilkes.
01:00:54Dr. Christo said not to get him excited.
01:00:56You know what that pillowcase means.
01:00:59That's all right, Trent. We know you don't have it.
01:01:01Thank you, sir.
01:01:02Come on, Lloyd.
01:01:07He does that every day.
01:01:09He's reaching out for his nerves.
01:01:11Friend of yours?
01:01:12No. He's a nigger lover.
01:01:14Didn't make his kids spit on the blackboard.
01:01:16Got punished, and that's why he's in the catatonic stupor.
01:01:18Watch this.
01:01:22Now he's a statue of liberty.
01:01:24What are you doing here?
01:01:25Visiting a friend.
01:01:26So am I, friend. So am I.
01:01:28The hole is for dangerous and troublesome people.
01:01:31They put me in by mistake.
01:01:32Sure, I heard.
01:01:33No, you didn't. I just told you.
01:01:35That's right.
01:01:36You know why you're shining up to me?
01:01:38You want to carry my sign.
01:01:39No, I don't.
01:01:40Calling me a liar?
01:01:41No.
01:01:42Go make your own sign and carry it.
01:01:44You coming to the meeting?
01:01:45What meeting?
01:01:51I forgot.
01:01:54Do you know the conductor of the State Symphony Orchestra?
01:01:57No.
01:01:58I do.
01:01:59He comes here now and then as guest conductor of our own hospital band.
01:02:02I like him, but he's mixed up.
01:02:05How do you mean?
01:02:06He permits a black boy to play with white musicians.
01:02:09Imagine! A black boy!
01:02:13Well, they're all writers, entertainers, but...
01:02:20Let's get him before he marries my daughter!
01:02:27Come on, snap out of it.
01:02:32Come on!
01:02:35Break it up!
01:02:36No trouble!
01:02:37No trouble!
01:02:38What are you hunching up now?
01:02:39He's not hunching up!
01:02:40I'm talking to him!
01:02:41Leave him alone!
01:02:43Is everything all right, Trent?
01:02:45Yes, sir.
01:02:46No trouble now, Trent. Promise?
01:02:49Yes, sir.
01:02:52Let's check the back ward.
01:02:54Come on, Floyd.
01:02:55Come on.
01:03:02Thank you, friend.
01:03:04It's all right, friend.
01:03:12Have you ever been on the Mississippi?
01:03:16No.
01:03:18Would you like to watch the paddle boats go up and down the river?
01:03:23I'd like that.
01:03:25I know the captain.
01:03:30Mark Twain is a friend of mine. Come on.
01:03:46Mark!
01:03:50Mark Twain!
01:03:53Mark!
01:03:55Mark!
01:04:04I like this trip.
01:04:05So do I.
01:04:22What's that?
01:04:24The sign of the invisible empire.
01:04:28That's a cyclos.
01:04:29From the Greek word kouklos.
01:04:32It means circle.
01:04:35This baptizes a new organization.
01:04:38The Kou Klux.
01:04:40Sounds good.
01:04:42No.
01:04:45Kou Klux Klan.
01:04:48Sounds more mysterious, more menacing, more alliterative.
01:04:51Kou Klux Klan.
01:04:53Say it.
01:04:54Kou Klux Klan.
01:04:55KKK.
01:04:56It'll catch on quick.
01:04:57It'll drive those carpetbaggers back north.
01:05:00Scare the hell out of them.
01:05:01Tar them, feather them, hang them, burn them.
01:05:06Who are you?
01:05:07Your friend.
01:05:08I don't know you.
01:05:09I got here firstest.
01:05:10We're the mostest men.
01:05:12General Forrest.
01:05:14Nathan Bedford Forrest.
01:05:19General.
01:05:20You going around taking credit for founding the KKK.
01:05:24I'm the founder.
01:05:26I'm the grand wizard.
01:05:27What's our code word?
01:05:28Secrecy.
01:05:31General.
01:05:33If Christ walked the streets of my hometown, he'd be horrified.
01:05:38You've never seen so many black people
01:05:41covering up our schools and buses and cafes and washrooms.
01:05:49I'm for pure Americanism.
01:05:52White supremacy.
01:05:55Listen to me, Americans.
01:05:57America for Americans.
01:06:00We got to throw rocks and hurl bombs.
01:06:04Black bombs for black foreigners.
01:06:08So they like hot music, do they?
01:06:12Well, we'll give them a crescendo they'll never forget.
01:06:15Burn that freedom bus.
01:06:17Burn those freedom riders.
01:06:19Burn any man who serves them at a lunch counter.
01:06:22Burn every dirty nigger loving pocketbook integrationist.
01:06:27Collect a lot of blackjacks and good long lengths of pipe.
01:06:32And show those rabble rousers they can't breathe our white air
01:06:36and go to school with our white children.
01:06:40We'll get some inflammable liquid and pour it on them.
01:06:42We'll get some inflammable liquid and pour it on them.
01:06:45We'll pour it on their homes and burn them.
01:06:47Pour it on their pig innocence.
01:06:49Call out the members of the White Citizens Council.
01:06:52Call out the KKK.
01:06:54Yes, we'll sponsor the Africans.
01:06:56Get rid of the big black mother, son, and daughter.
01:07:00America for Americans.
01:07:02America for Americans.
01:07:06Keep our schools white.
01:07:08Keep them white. That's right.
01:07:10Keep them white.
01:07:11Against Catholics.
01:07:13Against Jews.
01:07:16Against niggers.
01:07:19Against niggers.
01:07:22Against niggers.
01:07:24That's one.
01:07:27Let's get that black boy before he marries my daughter.
01:07:41No.
01:08:11No.
01:08:30Wednesday.
01:08:32August 30, 1954.
01:08:39Wednesday.
01:08:40August 30, 1954.
01:08:43The U.S. Supreme Court decreed the nation's schools
01:08:45must be racially desegregated with all deliberate speed.
01:08:49I'm a boy in the Amazon jungle.
01:08:51A brown boy, not a black boy.
01:08:53Someone is scraping my thigh with the teeth of the piranha fish
01:08:56to change my blood to white blood.
01:08:58I'm a boy in the Amazon jungle.
01:09:00A brown boy, not a black boy.
01:09:02And someone is scraping my thigh with the teeth of the piranha fish
01:09:05to change my blood to white blood.
01:09:07August 30, 1954.
01:09:08The U.S. Supreme Court decreed a ceremonial dance
01:09:11to be racially desegregated with all deliberate speed.
01:09:14Wednesday, August 30, 1954.
01:09:17The U.S. Supreme Court decreed a ceremonial dance
01:09:20to be racially desegregated with all deliberate speed.
01:09:23It's the KKK.
01:09:25Run. Run.
01:09:27Run for your life, Japan. I can't see his face.
01:09:29Here comes the KKK.
01:09:30Run. Run.
01:09:32Run for your life, Japan. I can't see his face.
01:09:34Here comes the KKK.
01:09:36Run.
01:09:37Run. I can't see his face. I can't see his face.
01:09:40Run, Schmitt! Run! Run, Schmitt! Run!
01:09:43Run! Run! Run!
01:09:54Always in color.
01:09:58It's that same nightmare, always in color.
01:10:01Stranger, I always get my mind back after that dream.
01:10:12What's your name?
01:10:14Johnny Barrett.
01:10:18I know all about that trouble you had in that Southern University trial.
01:10:22You don't sound sick to me.
01:10:24We were in a race riot.
01:10:26You leading and me trying to save your neck.
01:10:29So you knew I was a guinea pig in a classroom.
01:10:32The whole country went to school with you every day, Trent.
01:10:38I failed.
01:10:41Well, people were counting on you.
01:10:43Oh, I wish I'd had the guts to have stuck it out.
01:10:50They always brought up to have pride in my country.
01:10:52Called it the spray decor. It's inside me. I love it.
01:10:56It's even a blessing to love my country.
01:10:58Even when it gives me ulcers.
01:11:03And those ulcers will stop.
01:11:06But they all schools must get an education
01:11:09before being allowed to open their doors.
01:11:13Do you know who killed Sloan to put your knife in the kitchen?
01:11:18I can't blame the students.
01:11:21They were brought up to hate the color of my skin.
01:11:24It's their... their blood.
01:11:28The blueprint for delinquents, the birth of lynchings,
01:11:31the disease carried to those yet unborn.
01:11:34Those poor, sick children
01:11:37are taught to depend on their parents' claws
01:11:42instead of their love.
01:11:44And the irony of it is that many Negroes are mulatto.
01:11:49And integration is well established down south.
01:11:53Remember Sloan who was killed in the kitchen with a butcher knife?
01:11:56I remember the first day I went to school.
01:11:59A woman held up her child so he could reach out
01:12:02and beat me with his little fist.
01:12:06Sure I remember Sloan.
01:12:08What was the name of the doctor that did it?
01:12:11It wasn't a doctor. It was an attendant.
01:12:15I even had a private teacher to help me
01:12:18to make sure the university wouldn't flunk me.
01:12:23Do you know his name?
01:12:25Of course. I saw him kill Sloan, didn't I?
01:12:28Did you know that my house was attacked by night-riding shotgunners?
01:12:31Would you tell me his name?
01:12:34Sure.
01:12:38You know...
01:12:40if I hadn't quit school,
01:12:43I'd have gotten very, very sick.
01:12:47Tell me his name!
01:12:49Jippet, nigger!
01:12:51He's not going to school with my daughter.
01:12:54First the classrooms, then the school dances.
01:12:57You know what after that?
01:12:59Go to your own home. Go to your own school, nigger.
01:13:02Go to your own schools. Go to your own black schools, nigger.
01:13:05Go to your own black schools.
01:13:07I'm for pure Americanism, white supremacy.
01:13:11Listen to me. I'm for pure Americanism, white supremacy.
01:13:14Get that freedom bus!
01:13:16Burn that freedom bus!
01:13:18Burn those freedom fighters!
01:13:20Trent, shut up!
01:13:22Trent, shut up!
01:13:39Is it in time over?
01:13:42That close. I was that close to getting the killer's real name,
01:13:45and boom, he went nuts again, right back to the hole.
01:13:50But there's still Bowdoin.
01:13:55I'll reach him. I'll get to him,
01:13:58and this time, I'm not going to waste one of his sane moments.
01:14:01I'm going to ask him right out, all about the murder.
01:14:04Boom, I'll get the answer.
01:14:06You realize, Kathy, I'm sitting right on top of the story.
01:14:16You all right, Kathy?
01:14:18Johnny.
01:14:24Don't ever do that!
01:14:26Don't you ever kiss me like that again.
01:14:28What?
01:14:30You know what I mean.
01:14:32No, I don't know what you mean, Johnny. You tell me.
01:14:35What do you mean, I should never kiss you again like that?
01:14:38What's the matter? What is it, Johnny? Tell me!
01:14:40You're exciting the other bitch with my shot.
01:14:42Johnny! Johnny, what do you mean?
01:14:49What's the matter with her?
01:14:58Your wand on the phone, Kathy. Mr. Swanson.
01:15:05Kathy? Didn't you hear me?
01:15:07Mr. Swanson's on the phone.
01:15:18Mr. Swanson's on the phone.
01:15:40Yes?
01:15:42You went to the hospital today, huh?
01:15:44Dr. Christo sent for me.
01:15:47To give Johnny electric shock treatments.
01:15:50Have you lost your marbles?
01:15:52Johnny can't take that kind of punishment.
01:15:54He'll crack. They'll find out he's a fake.
01:15:56I hope they do.
01:15:58But it won't be me who'll expose him.
01:16:00He'll expose himself.
01:16:02Well, you should have refused the electric shock.
01:16:06After all, he knows the killer is an attendant...
01:16:08and that he's bound to find out his identity from Bowdoin...
01:16:10at the rate he's going.
01:16:12At the rate he's going?
01:16:15I don't know if you'll know his own identity.
01:16:18What are you talking about?
01:16:23He's beginning to think...
01:16:28I'm really his sister.
01:16:44I'm really his sister.
01:17:14What's the matter with my voice?
01:17:16Why can't I talk?
01:17:18What is it, John?
01:17:20Why can't I talk?
01:17:23I'll try again.
01:17:25Fine.
01:17:27I'm fine.
01:17:31Was there anything wrong a moment ago?
01:17:33No.
01:17:35I'm fine.
01:17:37I'm fine.
01:17:39I'm fine.
01:17:41I'm fine.
01:17:44No.
01:17:46You're not holding anything back from me, are you, John?
01:17:48No, sir.
01:17:50Think another shock treatment might help?
01:17:52Not unless you strap me in a chair...
01:17:54and throw the switch yourself all the way.
01:17:56I've earned my legend, believe me.
01:18:00No more race riots in the corridor, huh?
01:18:02The way I feel now, a midget could whip me.
01:18:04All right, John.
01:18:07You stretch your legs in the street...
01:18:09during make-friends hour.
01:18:14I beat them all.
01:18:16They didn't learn a thing.
01:18:24Hey.
01:18:28What happened then?
01:18:31Why did I lose my power of speech?
01:18:37What happened to my voice?
01:18:43What happened to my voice?
01:18:58Witness number three, Dr. Bowden...
01:19:00American physicist, Nobel Prize winner...
01:19:02worked on the atom bomb, the H-bomb.
01:19:04The most brilliant scientist alive today.
01:19:06Went insane working on nuclear fission...
01:19:08missiles and rockets to the moon.
01:19:11Hobby, drawing.
01:19:13What?
01:19:23Hello.
01:19:25Hello.
01:19:27You been away?
01:19:29We played games.
01:19:31You want to play with me?
01:19:33Good.
01:19:35We'll play hide-and-seek.
01:19:37I'd like that.
01:19:39All right. You hide your eyes and count to ten.
01:19:41One, two, three, four...
01:19:43five, six, seven, eight, nine, ten.
01:19:57Now, I wonder where he could be hiding.
01:20:12Yes.
01:20:14Yes.
01:20:16Keep it up, John.
01:20:18Maybe you can help him. We can't.
01:20:30All by myself tonight.
01:20:32Come in, Lloyd. Just fine, isn't it?
01:20:34Oh, yes, sir.
01:20:36I'm so glad you're here, Lloyd.
01:20:38I'm so glad you're here.
01:20:40Just fine, isn't it?
01:20:42I can do it.
01:20:44All by myself now.
01:20:46Hi. Guess what.
01:20:49I got Dr. Bowden making a portrait of me.
01:20:51It's really a professional job.
01:20:53He was a wonderful artist at one time, you know.
01:20:55Einstein's hobby was the fiddle...
01:20:57and Bowden's hobby was drawing.
01:20:59He still has the mind of a child...
01:21:01but his hand...
01:21:03his hand is a stroke of an adult.
01:21:05Imagine me here joining...
01:21:07giving therapeutic treatments...
01:21:09to Dr. Bowden.
01:21:11Oh, you look so much better than you did the last time.
01:21:13Oh, you tell Swanee...
01:21:15Bowden's apt to snap back to sanity at any moment.
01:21:17And when that happens, I'll crack that jigsaw.
01:21:19What about my perjury?
01:21:22Dr. Crystal will be delighted.
01:21:24Don't you see, Kathy?
01:21:26The killer could score another victim...
01:21:28if he's not exposed.
01:21:30And the judge will understand why you lied.
01:21:39I'm sorry.
01:21:49Dr. Bowden wanted...
01:21:55Dr. Bowden wanted...
01:21:57Dr. Bowden wanted...
01:22:05Dr. Bowden wanted at the Pentagon.
01:22:07Dr. Bowden wanted at National Aeronautics...
01:22:09Dr. Bowden wanted at Newfoundland.
01:22:17Dr. Bowden wanted...
01:22:19Dr. Bowden wanted...
01:22:23Dr. Bowden wanted at National Aeronautics...
01:22:25and Space Administration.
01:22:27Dr. Bowden wanted at Newfoundland.
01:22:29Dr. Bowden wanted at Newfoundland.
01:22:31Dr. Bowden wanted at Newfoundland.
01:22:33Not again.
01:22:35Rockets were fired off Newfoundland in 1953.
01:22:38I detected the first hint of the radiation, Bill, didn't I?
01:22:42And let me alone. I'm through.
01:22:45He's rational.
01:22:49Hey, not now.
01:22:52Oh, God, don't let me lose my voice now.
01:22:58Hold still, John. You're moving too much.
01:23:03You know, John...
01:23:05we've become too sophisticated...
01:23:07in the art of death.
01:23:09Please, please, let me ask him.
01:23:11I've got to ask him.
01:23:15There's a sense of doom and crisis.
01:23:20I'll... I'll write the question.
01:23:22No, no, it's like we're snapping back in childhood.
01:23:24I've got to get my voice back.
01:23:30We have too many intellectuals...
01:23:32who are afraid to use the pistol of common sense.
01:23:34The pistol of common sense.
01:23:36Don't panic.
01:23:40John, how can I finish your portrait...
01:23:42when you keep moving around?
01:23:44Don't panic now. You can hear your voice came back in the war, didn't it?
01:23:46Don't panic. It'll come.
01:23:52Ah.
01:23:54I'm getting it.
01:23:56Yes, my boy.
01:23:58I got fed up with man taking a daily...
01:24:00hammer-and-sickle-coated pill of venom.
01:24:04If I keep saying it over and over and over in my mind...
01:24:06the words will have to jump out of my mouth.
01:24:08Who killed Sloane in the kitchen?
01:24:10I'm a pure scientist.
01:24:12Who killed Sloane in the kitchen?
01:24:14Let the Russians claim bigger satellites.
01:24:16Now, they're the first to...
01:24:19discover the mating habits of seahorses.
01:24:21Must we then race them to discover...
01:24:23the inner structure of a grasshopper's brain?
01:24:25Who killed Sloane in the kitchen?
01:24:27Who killed Sloane in the kitchen?
01:24:29Who killed Sloane in the kitchen?
01:24:31Who killed Sloane in the kitchen?
01:24:34We should take advantage of our ignorance...
01:24:36and quit living like tigers.
01:24:38Tigers in bomb shelters instead of homes.
01:24:42Who killed Sloane in the kitchen?
01:24:44Today, with all this talk of the panic button...
01:24:46we're right on the brink of disaster.
01:24:48Who killed Sloane in the kitchen?
01:24:50Today, everybody's giving the human race...
01:24:52two weeks to get out.
01:24:54Now, I cannot live with a two-week notice.
01:25:00Well, so I quit living.
01:25:03Who killed Sloane in the kitchen?
01:25:07Oh, yes.
01:25:09Yes, I remember Sloane.
01:25:13You know, for an insane man, he had morals.
01:25:17I was down in the kitchen with two friends...
01:25:19and we were under this table.
01:25:21Who killed him?
01:25:23And we saw Sloane confront this attendant.
01:25:25What was his name?
01:25:28And Sloane threatened to expose him to Dr. Christo.
01:25:32Do you know why we're taking sexual advantage...
01:25:36of feeble-minded women in the ladies' ward?
01:25:39Who killed Sloane?
01:25:41Wilkes.
01:25:43Wilkes? I've broken the story.
01:25:45Thank God.
01:25:47Take a look, John. It's perfect likeness.
01:25:53What's that?
01:25:55A portrait, of course.
01:25:57You must be crazy. That's not me.
01:25:59I only draw what I see.
01:26:02See you, John.
01:26:32That's not me!
01:26:34That's not me!
01:26:36That's not me!
01:26:38That's not me!
01:26:40That's not me!
01:26:42That's not me!
01:26:44That's not me!
01:26:46That's not me!
01:26:48I don't want to play...
01:26:50I don't want to play anymore with you.
01:26:52I'm not gonna play...
01:26:54with you anymore.
01:26:59Dr. Christo?
01:27:02I know who killed Sloane in the kitchen.
01:27:04You've been hearing stories from the patient.
01:27:06No, no, no. I'm telling you. I remember.
01:27:08So you call the paper...
01:27:10and tell Swanee that I know.
01:27:13I know who the killer is.
01:27:15It's Dr. Christo.
01:27:17No.
01:27:19It's Kathy.
01:27:21No.
01:27:23I killed Sloane.
01:27:25Yeah, I killed Sloane.
01:27:27I killed her.
01:27:29Wilkes.
01:27:31Yes, sir?
01:27:34Keep him under restraint...
01:27:36until further orders.
01:27:50Are you sure you killed Sloane?
01:27:52Sure I'm sure.
01:27:54No.
01:27:56No.
01:27:58Kathy's a...
01:28:00Kathy killed Sloane.
01:28:03Why are you interested in Sloane?
01:28:05Wilkes killed him.
01:28:07Who told you I killed him?
01:28:09Dr. Christo.
01:28:11No.
01:28:13Kathy did.
01:28:15Kathy killed him.
01:28:19Kathy killed Sloane.
01:28:23Kathy did it.
01:28:28Kathy killed Sloane.
01:28:31Why should Kathy kill him?
01:28:52Somebody do something about my head!
01:28:56My head!
01:28:58It hurts!
01:29:01My head!
01:29:15Why aren't you taking a little walk in the street?
01:29:26With these on?
01:29:28It's embarrassing.
01:29:30How's the headache?
01:29:32Gone. I lost it in the hole.
01:29:34You know who I am?
01:29:37Dr. Christo.
01:29:39That's Mr. Wilkes, Mr. Lloyd, and I'm a different man.
01:29:41Who killed Sloane?
01:29:43I wish I could remember the name.
01:29:45Watch it now.
01:29:47This may be a trap.
01:29:49Two attendants here.
01:29:51Could be one of them.
01:29:53Who?
01:29:55Sloane.
01:29:57Who's Sloane?
01:30:00Move it.
01:30:05I think it's time you got a little exercise, John.
01:30:07Thank you, doctor.
01:30:10Wilkes, relieve Kellogg and Hydro.
01:30:12Yes, sir.
01:30:26I think you're making progress, John.
01:30:28Real progress.
01:30:33He gave me the name of the killer.
01:30:35He named the killer, and I can't remember.
01:30:39I just don't understand!
01:30:41He handed the story to me right on the platter.
01:30:45Right on the platter.
01:30:47He gave me the name. I've got to...
01:30:49Why can't I think of a name?
01:30:51Name!
01:30:53I can't remember the name of the killer!
01:30:58I'm going to kill you.
01:31:23Do you feel that?
01:31:25What?
01:31:27I like the rain.
01:31:57I like the rain.
01:32:27I like the rain.
01:32:57No!
01:33:27No!
01:33:45That was such a sour note, John.
01:33:49You were way off key.
01:33:57I remember.
01:34:22Wilkes.
01:34:23Wilkes!
01:34:25Crystal, you've got to listen to me.
01:34:27You've got to let me out of here, please.
01:34:29Call my paper, talk to Swan and he'll tell you why I'm here.
01:34:31Now, John, don't start that again.
01:34:33Wilkes killed Sloan, I swear it. Get Wilkes, I can prove it.
01:34:36I thought you killed him, John.
01:34:37Doctor, I'm not nuts! I'm here for the paper! I'm a plant!
01:34:43Now, forget all about Sloan, huh?
01:34:46Why don't you keep Pagliacci company?
01:34:48Have him sing La Boheme for you.
01:34:50Yes, sir.
01:34:57Where did Crystal send Wilkes?
01:34:59Where?
01:35:00I remember.
01:35:01Hydra.
01:35:02Hydra therapy!
01:35:08Hydra therapy!
01:35:19Hydra therapy!
01:35:50Hydra therapy!
01:35:59Hydra therapy!
01:36:09Hydra therapy!
01:36:19Hydra therapy!
01:36:29Hydra therapy!
01:36:39Hydra therapy!
01:36:49La...
01:36:56Who killed Sloan?
01:36:59Louder, I'll tear your ears out!
01:37:03Who killed Sloan?
01:37:07Who killed Sloan?
01:37:12Who killed Sloan?
01:37:16No! No!
01:37:18No! No!
01:37:20No! No!
01:37:22No! No!
01:37:24Tell me! I kills love!
01:37:28Ow!
01:37:30Ow! Ow!
01:37:32Now, if you don't mind, I'd like you to call my paper and ask Swanee to confirm that I was a plant here.
01:37:53That is a load off my mind, doctor.
01:37:56He was sane enough to write that story. He's been sane for weeks.
01:38:01Don't you stand there and tell me that there's nothing you can do for him.
01:38:05Why?
01:38:08Why is he like that?
01:38:12Oh, God in heaven.
01:38:14Well, a man can't tamper with the mind and live in a mental hospital and subject himself to all kinds of tests and expect to come out of it sane.
01:38:22John is a catatonic schizophrenic.
01:38:28What a tragedy.
01:38:31An insane mute will win the Pulitzer Prize.
01:38:37He is not insane!
01:38:46John, hold out your hand.
01:38:56Oh, Johnny.
01:38:59Oh, Johnny, Johnny.
01:39:04Oh, Johnny.
01:39:06Oh, Johnny.
01:39:24Oh, Johnny.
01:39:30Johnny, it's me. It's Kathy, Johnny.
01:39:35Johnny.
01:39:41Johnny, it's Kathy. It's me.
01:39:44Oh.
01:39:51No, no, no, no.
01:39:56Oh, Johnny, no.
01:40:00Patients who behave are permitted to congregate in this corridor.
01:40:14Why?
01:40:36Figaro.
01:40:38I've got the quote.
01:40:40Figaro.
01:40:42Abravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bravissimo, bravo Figaro, bra