• 2 months ago
Transcript
00:00:00Akili Manzuti presents the film Salvatore Sampelli,
00:00:08Succession Florence Gellin, Katrin Mikkelsen,
00:00:13Snezhanka,
00:00:18Cyrus Emers,
00:00:22Benita Ardezi,
00:00:29Jonathan Kopp,
00:00:34Anatoly Fomenko,
00:00:39Gennady Sotnik,
00:00:44Nikita Sobyanov,
00:00:49Vladimir Zhuravkin,
00:00:54© BF-WATCH TV 2021
00:01:24Subscribe, please!
00:01:54Production Akeli Manzoki.
00:01:56What's going on?
00:01:57Demonstration. Students.
00:01:59Director Salvatore Sampari.
00:02:01And besides, the police came.
00:02:03And it's good that they came.
00:02:05Let's be careful.
00:02:07You'll tear my dress.
00:02:16Can you be a little more gentle?
00:02:20Well, Angela.
00:02:25Be careful.
00:02:42Well, this time, give it to me.
00:02:45Are you crazy? I don't want to get pregnant.
00:02:54Do you like it so much?
00:02:57This story will never end.
00:03:00And you would like to, huh?
00:03:03It won't work out, you bastard.
00:03:11I'm sorry.
00:03:13I'm sorry.
00:03:15I'm sorry.
00:03:17I'm sorry.
00:03:19I'm sorry.
00:03:21I'm sorry.
00:03:23I'm sorry.
00:03:25I'm sorry.
00:03:51Oh, finally you're here. It's high time.
00:03:54Oh, finally you're here. It's high time.
00:03:57Oh, finally you're here. It's high time.
00:04:00Oh, finally you're here. It's high time.
00:04:03Mom.
00:04:05You know, the doctor said you shouldn't get tired.
00:04:08Isn't that right?
00:04:10But there's no one in this house.
00:04:12I feel bad. I'm short of breath.
00:04:15What happened there?
00:04:17Nothing. Just students.
00:04:19What do you mean, students?
00:04:21I don't know. I think there was a demonstration.
00:04:23Because of Trieste?
00:04:25I don't know.
00:04:27You know, I'm not interested in these things.
00:04:29That's right. You're not interested in these things.
00:04:37Ah, finally the maid is back.
00:04:40She did it.
00:04:42They were given too much freedom.
00:04:44They do what they want.
00:04:46Maid. Mom.
00:04:55Do you need help?
00:04:57No, thank you. I can do it myself.
00:05:07Be careful.
00:05:33Angela, go eat too.
00:05:35Thank you, senor.
00:05:47Maid.
00:05:49In my time, they waited for the master to finish,
00:05:52and only then went to eat.
00:05:54Mom, please.
00:05:56I've told you many times that I don't like that word.
00:05:59That's right.
00:06:01Democracy.
00:06:05Honey, how are you today?
00:06:07Good.
00:06:09Nothing special.
00:06:11I'm fine.
00:06:13Nothing special.
00:06:29He's still drunk.
00:06:32You shouldn't drink so much.
00:06:34I can't understand anything.
00:06:36The prime minister appealed to Hungary and the whole world.
00:06:40After I came back, I went to the Duma hotel,
00:06:43where foreign journalists stayed.
00:06:46The Russian deceit was widespread.
00:06:49We didn't know what to do and what could happen
00:06:52to this brave and unfortunate people.
00:06:55We managed to get to the Italian mission
00:06:58shortly before the patriots opened fire.
00:07:01I would like to win, but you know you can't.
00:07:04Yes, but I want to.
00:07:06It was difficult to resist,
00:07:08often only by courage.
00:07:10Do they want to revive Austria-Hungary?
00:07:14I don't know.
00:07:38The whole Budapest turned into a battlefield.
00:07:41Patriots were at every corner,
00:07:44with guns or machine guns.
00:07:55The MiG-15 was flying over the city,
00:07:58helping to suppress the horror,
00:08:00which for a few hours changed the enthusiasm of the crowd.
00:08:07On Dachau street, Russian tanks were blocked by convoy cars.
00:08:11The population tried to hide in the basements.
00:08:22Are you leaving tonight?
00:08:24Yes, I have a meeting in the city council.
00:08:27I'll be late.
00:08:28Good night.
00:08:29Don't wait for me. Have a rest.
00:08:31Okay.
00:08:33A group of students resisted for three days.
00:08:39Where is he going to spend the night?
00:08:42He went to the meeting.
00:08:44What do you know, if you could give birth to his son,
00:08:47he would not meet in the evenings
00:08:49with these godless communists,
00:08:51infertile.
00:08:55Everywhere, nameless heroes fought to the end,
00:08:58trying to stop Russian tanks.
00:09:02And although the war was not declared,
00:09:04at any moment every street could become a battlefield.
00:09:08The next day.
00:09:31You scared me.
00:09:33What's the problem? Mom?
00:09:35No.
00:09:37I just wanted to thank you for ...
00:09:40No need. Stop it.
00:09:42You didn't tell your husband anything.
00:09:45I prefer not to talk about it.
00:09:47You are very kind to me.
00:09:49What are you doing?
00:09:50I want to help you.
00:09:53I like to comb my hair.
00:09:56I remember when I was little,
00:09:58my mother combed me for an hour.
00:10:01Then I combed younger brothers.
00:10:06I have eight of them.
00:10:12We didn't have a bath, like here.
00:10:16We bathed in a wooden tub.
00:10:19I liked to sit in hot water.
00:10:23I felt so beautiful.
00:10:26Then I could not do it often.
00:10:31We had a lot of houses.
00:10:35I had to wait for my turn.
00:10:52Are you cold?
00:10:53No.
00:10:54I'm not cold.
00:11:05The next day.
00:11:28Like this.
00:11:35Like this.
00:12:05Like this.
00:12:13Now turn around.
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00:13:32Here, Signora, even too much.
00:13:45Look, look, Signora, what a beautiful greenery.
00:13:53I bought these flowers. Do you like them?
00:13:56Real, field. I did badly?
00:13:59No, I do not like such simple.
00:14:05Then I liked my village.
00:14:07Your own?
00:14:09Well, as if my. I grew up there.
00:14:12Not enough, right?
00:14:14A little.
00:14:19I'm fine with you too, but the village is something else.
00:14:22I do not know how to say.
00:14:24Do not worry.
00:14:26We'll do so. Next time, when I'm going to my, you go with me.
00:14:29Well, what are you saying? I can not.
00:14:31Why not?
00:14:33Angela, you forget that my mother-in-law can not be left alone.
00:14:37And then there is Chaco.
00:14:39No, I do not even think.
00:14:41But is Signora do not need to do these ...
00:14:43What are they called?
00:14:45Engel's pictures.
00:14:47You can go when your mother-in-law lies in the hospital.
00:14:49No, I can not.
00:14:51Well, be what you will.
00:14:53It is not good to sit forever closed in the house.
00:15:51Hello, Angela! Hello!
00:16:05Brother!
00:16:13Marco! Angela!
00:16:16Angela!
00:16:20Hello, Angela!
00:16:37Hello, Angela! Hello!
00:16:50Hello, aunt!
00:16:53Mom is at home.
00:16:55Mom, Angela is back!
00:17:02Get away from me!
00:17:04I also want to play.
00:17:06Please, do not bother.
00:17:09Come on, guys, go play outside.
00:17:11Come on, go.
00:17:15They must be forgiven, Signora.
00:17:17What they want, they do not know.
00:17:20Never seen you.
00:17:21Curious.
00:17:22Here, dear.
00:17:27Leave them, they do not interfere.
00:17:31Chestnuts are ready.
00:17:32Hooray! Ready! Excellent!
00:17:34Quiet, careful, hot. Do not grab.
00:17:36Enough for everyone.
00:17:37Like this.
00:17:38And now leave quickly.
00:17:40Quickly, quickly.
00:17:42And try the wine, Signora.
00:17:44Very tasty, we do it ourselves.
00:17:46Why do not you drink? I tried.
00:17:48Very good.
00:17:49But I do not drink much.
00:17:51Look how pretty she is, beautiful.
00:17:54Yes, you are undoubtedly lucky, Angela.
00:17:56Very beautiful Signora.
00:18:00Beautiful, right? Yes.
00:18:02Guys, go to the yard.
00:18:04Enough, go away.
00:18:08What's your name?
00:18:10Tell me, Signora.
00:18:12Do you like children?
00:18:14And how many do you have?
00:18:21First of all, I'm sorry.
00:18:24Nothing wrong.
00:18:25Do not take it close to heart.
00:18:27Did you hear what my mother said?
00:18:29There will be beautiful children.
00:18:31It's just that the time has not come yet.
00:18:33Did you believe what your mother said?
00:18:35And why not? She is a good girl.
00:18:37Many people advise her.
00:18:39They come even from afar.
00:18:41Will this talisman help?
00:18:43Of course, be calm.
00:18:45Only you need to keep it closer to your heart.
00:18:49All night.
00:18:51We hid here as little ones.
00:18:55They could never find us.
00:18:57We sat for several hours.
00:18:59Then, when it got dark,
00:19:01with fear, we came down from here.
00:19:03What were you afraid of?
00:19:05The sounds.
00:19:07Do you smell?
00:19:15Have you ever tasted porn milk?
00:19:29Try it.
00:19:31Very tasty.
00:19:33Drink first you.
00:19:59How beautiful!
00:20:17How lovely!
00:20:19It seems to be a lifeless place, right?
00:20:21No.
00:20:23Everything is just sleeping.
00:20:49Angela, I think I drank too much wine.
00:20:51Oh, it's not bad, it's light.
00:20:53Get in the water.
00:20:55No.
00:20:57Come on.
00:20:59Stop it, I'll be all wet.
00:21:01Come on, you too.
00:21:19Come on.
00:21:37I always came here when I was little.
00:21:39I liked to look at my reflection in the water.
00:21:41There were no mirrors in the house,
00:21:43and I saw my body only here.
00:21:45Have you ever looked between your legs?
00:21:47No, I don't think I've ever looked.
00:21:49I went to school at the monastery.
00:21:51We were washed in long dresses,
00:21:53up to five.
00:21:55We were forbidden to look at naked people,
00:21:57even among ourselves.
00:22:01Look at me.
00:22:15Look at yourself.
00:22:23What do you see?
00:22:25Nothing.
00:22:27Take off your panties.
00:22:37Spread your legs.
00:22:39Touch.
00:22:45Don't you like it?
00:23:09No.
00:23:39Come on.
00:24:09Come on.
00:24:39CREATIVE PROJECT
00:24:59The sad events that took place in Hungary
00:25:01were not provoked by reactionary forces.
00:25:03The people of East Berlin and Poznań, as well as the people of our city, share the grief of the noble Hungarian people.
00:25:25That is why in 1948 Vyacheslav fought for freedom.
00:25:32It is absurd! It is a disgrace!
00:25:35The people of Vienna value and admire all those who fight and suffer for their rights.
00:25:46It is a lie! I ask for a word!
00:25:48Quiet! A word to the member of the Council Anselmi!
00:25:52Our party recognizes that the Hungarian people have experienced a period of serious economic difficulties
00:26:01and believes that we must clearly state that we are responsible for this situation.
00:26:11This situation is caused by an incompetent leadership and not by the system of the socialist society.
00:26:22We do not recognize the right to protest against what is happening in Hungary.
00:26:30It is difficult to justify the abuse of power, but it is necessary to intervene in the army by the government and the Soviet people.
00:26:40Quiet! Quiet! Be careful! Don't spill it! How is it?
00:26:44Very yellow!
00:26:47You give me too many vitamins! I need to stop! It smells bad!
00:26:51Do you need anything else? Go! Go!
00:27:10I am late.
00:27:37Darling, I just got my shirt out of the box.
00:27:40I don't have enough money. Don't you know?
00:27:43I remember very well that I put it in that day.
00:27:45It was 50,000 hryvnias.
00:27:47Money?
00:27:48Yes, yes, I took it. I wanted to buy my sister a birthday present.
00:27:52I'm sorry, Elvira Kadushina.
00:27:55You could have told me.
00:27:57Yes, I'm sorry. I just forgot.
00:27:59Bye, Mom.
00:28:01Bye. Be careful.
00:28:03Bye, darling.
00:28:05If you came to thank me for this morning, then no need.
00:28:08I don't want to know what you did with this money.
00:28:11Anyway, this is the last time I protect you.
00:28:14I didn't want to talk about it.
00:28:17He received a court order yesterday.
00:28:19The case is delicate.
00:28:21You have to be smart, keep the secret.
00:28:23I would like you to protect him.
00:28:25Why me?
00:28:26Many years as we confronted, and you did not even know.
00:28:29I'm sorry.
00:28:30I'm sorry.
00:28:31I'm sorry.
00:28:32I'm sorry.
00:28:33I'm sorry.
00:28:34I'm sorry.
00:28:35I'm sorry.
00:28:36I'm sorry.
00:28:37I'm sorry.
00:28:38I'm sorry.
00:28:39I'm sorry.
00:28:40I'm sorry.
00:28:41I'm sorry.
00:28:42I'm sorry.
00:28:43I'm sorry.
00:28:44I'm sorry.
00:28:45I'm sorry.
00:28:46I'm sorry.
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00:28:48I'm sorry.
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00:28:53I'm sorry.
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00:28:55I'm sorry.
00:28:56I'm sorry.
00:28:57I'm sorry.
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00:28:59I'm sorry.
00:29:00I'm sorry.
00:29:01I'm sorry.
00:29:02I'm sorry.
00:29:03I'm sorry.
00:29:04I'm sorry.
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00:29:07I'm sorry.
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00:29:24I'm sorry.
00:29:25I'm sorry.
00:29:26I'm sorry.
00:29:27I'm sorry.
00:29:28I'm sorry.
00:29:29I'm sorry.
00:29:30I'm sorry.
00:29:31I'm sorry.
00:29:32I'm sorry.
00:29:33I'm sorry.
00:29:34I'm sorry.
00:29:35I'm sorry.
00:29:36I'm sorry.
00:29:37I'm sorry.
00:29:38I'm sorry.
00:29:39I'm sorry.
00:29:40I'm sorry.
00:29:41I'm sorry.
00:29:42I'm sorry.
00:29:43Good night.
00:29:44Good night, senor.
00:30:00Are you going to call about this house?
00:30:04To tell the truth, no.
00:30:05I was very busy.
00:30:08Dear, is it so terrible for you?
00:30:10Does it cause you so much resentment?
00:30:12No, no.
00:30:13It's not about that.
00:30:14It's just...
00:30:15There is no resentment.
00:30:16Is it because of mom?
00:30:17No.
00:30:18It's just...
00:30:19It's your house.
00:30:20And I would like to have a house of my own.
00:30:22A house where we will be together.
00:30:24It will be the first thing I do tomorrow.
00:30:26I promise you.
00:30:27Okay?
00:30:28Okay.
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00:32:47Excuse me, I'm late. I didn't follow the schedule.
00:33:18Don't say anything. Keys.
00:33:29Anna!
00:33:33Anna!
00:33:35Is there anyone at home? What do you want?
00:33:43The water is over. I want to drink. Can you bring some water?
00:33:48What's wrong?
00:33:51You know you can't drink a lot. It's bad for your mother.
00:33:56And now the medicine.
00:33:59Who's there?
00:34:02Aren't you going to open the door?
00:34:05No, there's Angela, Mom. So what?
00:34:09Come on, don't be like that. You know you have to take it.
00:34:14I didn't even think about it. I read the prescription. It's from atherosclerosis.
00:34:18Please, I don't need these undesirable drugs.
00:34:21There were no such drugs at the time, and people felt better.
00:34:25Okay, do whatever you want. If you need anything, call me.
00:34:31So, what's going on here?
00:34:35Signora, your husband sent him. I'm preparing the stock.
00:34:40We started making new cigarettes with Karl.
00:34:44Try to do it as soon as possible.
00:34:48You need to go. Wait a minute. I'll be fired.
00:34:53You'd better go. Come here.
00:34:56Please, Karl.
00:34:59If you kick me out now, I'll never come back.
00:35:12Who's there?
00:35:14Angela's cousin.
00:35:16Ah, now the nurse can make an invitation.
00:35:19It's a relative, Mom. He's leaving now.
00:35:24Did you take the medicine?
00:35:26Yes, I did.
00:35:33And what's this?
00:35:38You can understand that it's for your own good.
00:35:41Will you read the newspaper for me?
00:35:44Yes, Mom.
00:35:47And now go.
00:35:52I'm sorry, but I can't go now.
00:36:07Please, Karl.
00:36:09No, I'll be fired.
00:36:12No, I'll be fired.
00:36:17Are you crazy?
00:36:19I'll be fired. Please.
00:36:28Should I start with Hungary or the news?
00:36:31I don't care about Hungary at all.
00:36:33I'm only interested in the funeral announcement.
00:36:36Okay, Mom.
00:36:42Karl, I'm begging you. Not now.
00:36:48I can't. I have to go.
00:36:50Go away.
00:36:52Let me in. Just for a minute.
00:36:54Quickly.
00:36:55Go away. I can't.
00:36:57When we meet on Saturday, I'll do whatever you want.
00:37:01I'll do whatever you want.
00:37:03I'll do whatever you want.
00:37:06I'll do whatever you want.
00:37:09When we meet on Saturday, I'll do whatever you want.
00:37:12I can't wait. I'm going crazy.
00:37:14I'm begging you. Let me in.
00:37:21Anna-Maria and Antonio painfully remember the death of their beloved father, Emilio.
00:37:27The first anniversary of his death.
00:37:29Ah, what good children they are.
00:37:31Go on.
00:37:34Now you can't do anything.
00:37:38I can look at you.
00:37:41Okay, look at me, please.
00:37:43But don't touch me.
00:37:45Just promise me you'll leave.
00:37:47I promise you.
00:38:03Yes, I understand.
00:38:05But when was he born?
00:38:07Born? When?
00:38:09What?
00:38:10Ah, I don't know, Mama. I wasn't told.
00:38:12It just says he died.
00:38:14I know he died. I'm not crazy.
00:38:17I'm not interested. I didn't know him.
00:38:21More.
00:38:23More?
00:38:24More.
00:38:28A little more.
00:38:30Do you like it?
00:38:32Yes, you're beautiful.
00:38:42I'm sorry.
00:38:44I'm sorry.
00:38:46I'm sorry.
00:38:48I'm sorry.
00:38:50I'm sorry.
00:38:52I'm sorry.
00:38:54I'm sorry.
00:38:56I'm sorry.
00:38:58I'm sorry.
00:39:14Now I want to look at you.
00:39:16At me?
00:39:18Show me.
00:39:28More.
00:39:30Yes.
00:39:34More.
00:39:58Come closer.
00:40:20Come closer.
00:40:28More.
00:40:30More.
00:40:32More.
00:40:34More.
00:40:36More.
00:40:38More.
00:40:40More.
00:40:42More.
00:40:44More.
00:40:46More.
00:40:48More.
00:40:50More.
00:40:52More.
00:40:54More.
00:40:56More.
00:41:20More.
00:41:22More.
00:41:24Hello, Stella. Hey, hold your hand. Come on, tell me something decent.
00:41:37I don't know. I know only bad things. Probably Senora doesn't like it, she's worried.
00:41:44Rather, we need to thank the hostess Angela, who honored us with her presence. It's so nice to be with us.
00:41:51Would you like to dance? Yes, I'd love to dance. I'm not kidding. Come on, let's dance.
00:42:21Come on, leave me alone.
00:42:51Senora, Senora, can I give you a lift?
00:43:16No.
00:43:18Why do you say that, Senora? Don't you see what a beautiful car?
00:43:22Why don't you stop? I only offer to give you a lift, nothing else. Leave me alone.
00:43:29Senora, listen. Senora, listen. Senora, forgive me. I beg you, Senora, please leave.
00:43:42Excuse me, you misunderstood me. Have you seen the car? I'll call the guards.
00:43:53Your wife. My wife? Yes, thank you.
00:43:55Anna. Hello. Where are you? Is everything all right? I'm in the center. I'm in a cafe. I made a hook.
00:44:06No, I just wanted to hear you. No. What?
00:44:15No, nothing happened. I'm telling you, nothing happened. Can you come to me?
00:44:25I'm in the city council. Zheka, what are you doing? Voting has begun. Faster.
00:44:30What are you saying? Listen, I have to run. Will you be late at home?
00:44:34Okay. See you, dear.
00:44:37Kiss.
00:44:39Late.
00:44:53They have the majority. Many social democrats are absent.
00:44:59How did you come up with the idea of protecting Bertini's son?
00:45:02It's impossible to believe that it was you.
00:45:04And what about the protocol?
00:45:06Business as usual, after all.
00:45:08Excuse me, I forgot the folder next to the phone. I'll be right there. Come on, faster.
00:45:38Here.
00:46:06No, it's too uncomfortable.
00:46:33Come on. Yes.
00:46:38That's it. Well done.
00:47:08It's useless to lock yourself in. Open the door, or I'll break it.
00:47:37Do you hear me?
00:47:41Listen, I'm not kidding. Come on, open it.
00:47:45Open it.
00:47:54Ah, here she is, Signora.
00:47:57And it's disgusting with my friends, because they are not as Signora as she is.
00:48:01And on the contrary, they are more important to me.
00:48:03They are not strangers to me, Signora.
00:48:07Do you understand or not, Signora?
00:48:09And I thought you were like a friend to me.
00:48:12I thought I'd make you happy.
00:48:14And you?
00:48:15You ran away without saying goodbye to anyone and left ...
00:48:18Not them.
00:48:19Imagining a complete idiot.
00:48:21Of course.
00:48:22And what do you have to do with it?
00:48:24You are Signora and you will never be alone.
00:48:28But you shouldn't treat me like that.
00:48:30Do you understand?
00:48:34Do you understand, bitch?
00:48:38Why don't you leave me alone? What do you want from me?
00:48:41I don't need anything from you.
00:48:42I don't need anything. Have I ever asked for anything?
00:48:44I don't need anything.
00:48:45Nothing.
00:48:58Perhaps we'll have time to do it by morning.
00:49:00But we'll have to drive the equipment all night.
00:49:03No, it's too expensive.
00:49:04Tell her to wait.
00:49:06You can go. Thank you.
00:49:07Okay.
00:49:13Giovanna!
00:49:15Anna!
00:49:16Do you remember from time to time that you have a sister?
00:49:19I haven't seen you for so long.
00:49:21I know.
00:49:22A whole eternity.
00:49:24How glad I am to see you.
00:49:26I can't even think of coming to you.
00:49:28No, very much.
00:49:29And how's Giacomo?
00:49:30Good.
00:49:31How's the old woman?
00:49:32As always, with the maid?
00:49:33Imagine how it is for you.
00:49:35Excuse me.
00:49:36You came to talk to me, didn't you?
00:49:37Yes.
00:49:38I know you too well.
00:49:39So, what's the matter?
00:49:40Tom, it's too noisy here. Let's go.
00:49:44How glad I am to see you, Anna.
00:49:47It's hard to explain.
00:49:48The thing is...
00:49:49Angela.
00:49:50Angela?
00:49:51Yes.
00:49:52Who is she?
00:49:53My maid.
00:49:54Your maid?
00:49:55I have almost 30 people, all men.
00:49:57And you have a problem with one of your maids.
00:50:00You have to be decisive with her.
00:50:02When I speak, she listens to me.
00:50:04It's a matter of self-assertion.
00:50:05Go on.
00:50:06Careful, the steps are slippery here.
00:50:09Of course, I have problems with my mother.
00:50:11But we can't get used to it.
00:50:13We're also looking for a house.
00:50:16Sooner or later.
00:50:17But that's not the point.
00:50:18Giacomo is...
00:50:20Giacomo is Giacomo.
00:50:22He's your husband and he loves you.
00:50:25Be patient with him.
00:50:26You have a house, a husband.
00:50:29You don't know what it means to be alone.
00:50:32Last night I suddenly woke up from a terrible burning in my stomach.
00:50:37I was terrified.
00:50:38I didn't know what to do.
00:50:40I felt the need for someone to be there for me.
00:50:43Someone to talk to.
00:50:45Maybe it's my fault.
00:50:46No, it's definitely my fault.
00:50:48It's my fault.
00:50:49I can't control myself anymore.
00:50:51And you came to tell me about it.
00:50:53I'm tired.
00:50:54I'm tired.
00:50:56Tired of this life, the mill, the dust
00:51:00that I breathe every day.
00:51:03But I don't have anyone else.
00:51:05Well, you have a lot of responsibility, but also a lot of joy.
00:51:10Maybe.
00:51:11But is it worth it?
00:51:13I'm asking you.
00:51:14Signorina.
00:51:15Yes, what is it?
00:51:16Signora is waiting for you downstairs.
00:51:18Yes, everything is ready.
00:51:19Prepare the transport.
00:51:21I said, but they want to talk to you.
00:51:24Well, maybe it's so that they at least leave me.
00:51:27Sorry, I'll be there in a minute.
00:51:29No, on the contrary, I'll tell them to wait.
00:51:31Yes, Signorina.
00:51:33I'll say a little more.
00:51:34Anna, do you remember the long arguments?
00:51:37What am I to do with my father?
00:51:39I'll calm him down.
00:51:40They said it was cruel.
00:51:42If we could see each other now.
00:51:45Unfortunately, we are very similar.
00:51:54The party did not appreciate the tendency to improve the welfare.
00:51:58And let's see the truth in the eyes.
00:52:00Jack, try not to get into an awkward position.
00:52:02It's not working.
00:52:04I know it was the right provocateurs, the accomplices of the Nazis.
00:52:09Ordinary business.
00:52:10Nostalgia for Admiral Horthy.
00:52:12Admiral is something.
00:52:14In Hungary there is no Maria.
00:52:16Mario, I beg you.
00:52:17This immoral policy is already sitting in my liver.
00:52:21Look what happened.
00:52:22Tanks on the street.
00:52:25Listen, I do not understand what it will come to.
00:52:28You can not understand that people want to buy the Fiat 600.
00:52:31And to teach children.
00:52:34Today, Italy is a country with great opportunities.
00:52:37More wine, Mario?
00:52:39No, thank you.
00:52:40It is very good, but I think that I have already drunk too much.
00:52:43Of course, people want to buy cars.
00:52:45But we can not drown the consciousness of the working class.
00:52:48I dream of a Fiat.
00:52:49Do you want wine?
00:52:50Yes, thank you.
00:52:51The consciousness of the working class can no longer remain at the previous level.
00:52:54The tension has dropped.
00:52:55The war ended more than 10 years ago.
00:52:58I do not believe in anything anymore.
00:53:01Now.
00:53:03This is an excuse for those who are used to living well.
00:53:07How?
00:53:08What are you talking about?
00:53:09Since when it became a crime to live well?
00:53:12Ah, great.
00:53:14We are returning.
00:53:15We are returning to personal benefits.
00:53:18For example, servants at home.
00:53:20We never use such words.
00:53:22Can I serve coffee, senora?
00:53:25When the time comes, I mean, I will call and ask you not to interrupt when people speak.
00:53:30Are you clear?
00:53:31Of course, senora.
00:53:32Excuse me, senora.
00:53:33I am not attentive.
00:53:37Do you want anything else?
00:53:39No, thank you.
00:53:40You have changed, Giacomo.
00:53:42Seriously.
00:53:43You have really changed.
00:53:45No, not you.
00:53:46You are wrong.
00:53:47I just absorbed my work very much.
00:53:49Making money, right?
00:53:51Mario, do you want to quarrel?
00:53:53Listen, I can understand a lot.
00:53:56But not for the protection of fascism.
00:53:58At least vote.
00:53:59Help these Budapest.
00:54:01I did not vote for them.
00:54:02No, you ran away.
00:54:03Forgive me.
00:54:05Angela, what have you done?
00:54:07Nothing terrible.
00:54:08How I regret.
00:54:10And you go back to the kitchen.
00:54:12What humiliation.
00:54:14I do not know what to say.
00:54:16If you are tired, you can go to bed.
00:54:19Finish tomorrow morning.
00:54:39What have you done?
00:54:40Are you crazy?
00:54:41Anna, what happened?
00:54:42Oh my God.
00:54:43Anna, it's okay.
00:54:44The plates are broken.
00:54:45Now I'll come to you.
00:54:47Wait a minute.
00:54:48I'll help you, Angela.
00:54:49Do you need help?
00:54:51No, thank you.
00:54:52We will quickly collect.
00:54:59Come on, quickly.
00:55:00Help me collect the trash.
00:55:01Take a bucket.
00:55:17I'll help you.
00:55:18I'll help you.
00:55:19I'll help you.
00:55:4793, 94, 95, 96, 97, 98, 99, 100.
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01:15:08Lie down, lie down, please.
01:15:32Please.
01:15:55That's enough.
01:15:57I want you.
01:15:58No.
01:15:59Spread your legs.
01:16:00No, don't be a fool.
01:16:01Nothing will happen.
01:16:03Are you not a virgin?
01:16:05No.
01:16:06Now it's your turn.
01:16:07You played this game yourself, whore.
01:16:10No.
01:16:24Do you like it?
01:16:29Isn't it scary?
01:16:39But not in me.
01:16:40I beg you.
01:16:42No.
01:16:55That's how you should be.
01:16:58That's how you should be.
01:17:28I'm sorry.
01:17:51Hey.
01:17:53Isn't she a servant or a lawyer?
01:17:55Menegatti.
01:17:56Yes.
01:17:57Why?
01:17:58You don't know?
01:17:59She was fired.
01:18:00Why?
01:18:01Did she steal?
01:18:02No.
01:18:03She's pregnant.
01:18:04It can't be.
01:18:05Yes.
01:18:06They're all like that.
01:18:07These villagers.
01:18:08And then they demand that they be helped.
01:18:11Prostitutes.
01:18:12Dear senora.
01:18:13Eh, yes.
01:18:14No need to run.
01:18:15Goodbye.
01:18:16Goodbye.
01:18:17And have a nice lunch.
01:18:19You too.
01:18:22Anna.
01:18:23I don't want to overwork you.
01:18:26Sit down.
01:18:27You know I can't work all day.
01:18:30I need to do something.
01:18:32And I can't.
01:18:33I can't.
01:18:35I'm tired.
01:18:36You can sit down.
01:18:37I can't.
01:18:38I'm tired.
01:18:39I can't.
01:18:40I'm tired.
01:18:41I can't.
01:18:42I can't.
01:18:43I can't.
01:18:44I can't.
01:18:45I can't.
01:18:46I can't.
01:18:47I can't.
01:18:48I can't.
01:18:49I can't.
01:18:50I can't.
01:18:51I don't hear anything.
01:18:54What nonsense?
01:18:56What did you want to hear?
01:18:58It's only two months.
01:19:01Mom would be so happy.
01:19:06I know.
01:19:12I'll come.
01:19:22Yes?
01:19:24Hello, senora.
01:19:26I was sent by the agency.
01:19:28My name is Isabella.
01:19:30I was told to give you this.
01:19:32Who is this?
01:19:34The new maid.
01:19:36Please, come in.
01:19:38I'll show you your room.
01:19:40The film is translated and voiced by Yurasika.
01:19:51The film is translated and voiced by Yurasika.
01:20:21The film is translated and voiced by Yurasika.
01:20:51The film is translated and voiced by Yurasika.
01:21:21The film is translated and voiced by Yurasika.
01:21:26The film is translated and voiced by Yurasika.
01:21:31The film is translated and voiced by Yurasika.
01:21:36The film is translated and voiced by Yurasika.
01:21:41The film is translated and voiced by Yurasika.
01:21:46© BF-WATCH TV 2021

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