NOW PLAYING MOVIES
NOW PLAYING MOVIES
  • 2 months ago
1988 Grievous Bodily Harm UNCUT HOT MOVIE Olin Friels
Transcript
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00:06:00Susie, Eddie wanted you to have this.
00:06:06Traceable?
00:06:08Knowing Eddie, I wouldn't think so, would you?
00:06:12What, there'd be 10, 15 grand there?
00:06:15Tied you over for a bit, wouldn't it?
00:06:18Look, I want an exclusive on him.
00:06:22You bastards are all the same.
00:06:24Why?
00:06:26We liked Eddie.
00:06:27I don't wanna tip a bucket on him.
00:06:28I just wanna tell his story.
00:06:33Look at it this way, Susie.
00:06:36A big page one send-off.
00:06:40You all right, mate?
00:06:44First time I met...
00:06:45Hang on, hang on.
00:06:51The first time I met Eddie...
00:06:54Your methods are getting worse, Thomas.
00:06:56Yeah, I like to think so.
00:06:58Comes from your warm sense of charity, does it?
00:07:01Look, mate, I promised Eddie I'd give him the money.
00:07:04I can't believe your bloody goal.
00:07:07Don't worry about it.
00:07:09Don't worry about anything.
00:07:11Just forget it.
00:07:46So, although this is a novel in a very real sense,
00:07:50it also is not.
00:07:52You know what I mean?
00:07:54Let's have a look at what Stewart's done.
00:07:56He's taken a real criminal case
00:07:58and he's turned it very cleverly
00:08:00into an indictment against a system
00:08:02that he believes discriminates
00:08:04against the underprivileged in our society.
00:08:07And he's turned it into an indictment
00:08:09against a system that he believes
00:08:11discriminates against the underprivileged
00:08:13in our society.
00:08:15Check out the title.
00:08:17A Killing for the Crown.
00:08:19Now, that seems to suggest
00:08:21that justice has become some kind of blood sport
00:08:24as opposed to a real assessment of the truth.
00:08:27Although, since publication,
00:08:29some doubts have been cast upon
00:08:31the authenticity of Stewart's information.
00:08:34Don't you think, Natalie?
00:08:37Sir?
00:08:47Natalie?
00:08:51Please?
00:09:08Mr. Prentice,
00:09:10do you think Stewart's book
00:09:12is responsible for the retrial and acquittal
00:09:15of James Edward Hodgins,
00:09:17or do you think it was misled?
00:09:19I don't know.
00:09:21No, of course you don't.
00:09:23But then you don't know much, do you?
00:09:26Since your mind really raises itself above belt level.
00:09:32Anyone we know?
00:09:35Anyone we know?
00:09:43Well, Prentice,
00:09:45since you seem intent on discussing
00:09:47the artistic merits of this particular work,
00:09:50I suggest you take it directly to the headmaster.
00:09:53Oh, hell no.
00:09:55Oh, hell yes.
00:09:57It's not mine. Quit hassling.
00:10:05I believe we were discussing Stewart's use of nonfiction
00:10:09as a weapon against social injustice.
00:10:22Morris, this business with young Prentice...
00:10:25I assure you it won't happen again.
00:10:27Well, that's very gratifying to hear.
00:10:30I assure you it won't happen again.
00:10:32Well, that's very gratifying to hear.
00:10:34But I don't feel I can let the matter rest there,
00:10:37for all consent.
00:10:41Now, you know how deeply sorry we all feel about Claudine?
00:10:47Look, Morris, the holidays will give you a chance to relax.
00:10:51However, today's actions are totally unacceptable.
00:10:55And if it happens again...
00:11:00Thanks for your support, Henry.
00:11:31What's happening?
00:11:33He's bloody hopeless.
00:11:35Tom Stewart isn't back there by any chance, is he?
00:11:37Yeah, I think so.
00:11:39Get in.
00:11:43Stewart!
00:11:44Yeah?
00:11:45Detective Sergeant Birch wants to chat.
00:11:47Aren't I lucky. Come on, Mick.
00:11:49Not you.
00:11:53Bit of strife, eh?
00:11:55I've tried everything.
00:11:56Want to talk to him?
00:11:57Not especially.
00:11:58Your scoop?
00:11:59Yeah, my arse, too.
00:12:01Derek, get everyone out of sight.
00:12:04He's got a shotgun, so stop where I tell you.
00:12:07All right, everyone back.
00:12:09Oh, thanks, Ray.
00:12:10You'll be all right.
00:12:11I want everyone out of here. Right out.
00:12:13Behind the car. Come on.
00:12:16Everyone out of here.
00:12:18Come on.
00:12:19That's far enough, Tom.
00:12:21Behind the car. Come on.
00:12:22Leslie, I know you don't want to talk to us,
00:12:25but the gentleman standing out there is a reporter.
00:12:28Name of Tom Stewart.
00:12:30You've probably heard of him.
00:12:32He wants to hear your side of the story.
00:12:35What do you say?
00:12:45Liz!
00:12:47I don't want to pry into your personal affairs.
00:12:50Whatever reason you've got for doing this,
00:12:52I'm sure is a good one in your eyes.
00:12:55Look, all I want to do is talk to you
00:12:58and get your side of this.
00:13:00Maybe take a photograph.
00:13:02That seems fair.
00:13:04What about the coppers?
00:13:07They just want to wrap this up, go home and have a beer.
00:13:10They don't want blood. They're just doing their job.
00:13:13Yeah, well, I'll think about it.
00:13:15I'll think about it.
00:13:26Keep down!
00:13:30Derek will bring your mate up.
00:13:32Coming?
00:13:39Detective Allen will look after you.
00:13:41Just wait here a minute, please.
00:13:49Three counts of rape, two attempted murders.
00:13:52He wouldn't have let that girl go.
00:13:54He's got a crowd in the jails, Ray.
00:13:56Get real, Tom.
00:13:58I don't need any more bloody favors, all right?
00:14:01There were two shots.
00:14:03Liz was fired first, it's you.
00:14:05And I saved your life.
00:14:07You do understand how the story will read, don't you?
00:14:13By the way, great exclusive on Eddie Wiggs' girl.
00:14:17Don't know how you do it.
00:14:19I really don't.
00:14:24MUSIC
00:14:54CHEERING
00:15:15Ladies and gentlemen...
00:15:17..Authentatious!
00:15:19CHEERING
00:15:25Thank you so much. Thank you.
00:15:29Wonderful to be here. Certainly wonderful.
00:15:32The date is December 24 in the year zero.
00:15:35The place, Palestine.
00:15:37WHISTLING
00:15:39The scene, a dusty road.
00:15:41The road from Nazareth.
00:15:43Tel Aviv was named after a band that had a number one with Love Hurts.
00:15:46OK, we look up at the sky and what do we see?
00:15:48A big bright star shining down on the tiny village of Bethlehem.
00:15:52Astrological science informs us today, of course,
00:15:55that this was undoubtedly the earliest recorded manifestation of Ali's comet.
00:15:59The real one, not the five-watt fuzzball we got this time around.
00:16:03So Joseph, the small but humble car,
00:16:05comes schlepping down the road, leading a donkey.
00:16:08And on the donkey sits his wife Mary and their three children,
00:16:11Ezekiel, Ellie and Daryl.
00:16:17Sorry.
00:16:22Odin?
00:16:24Mary is heavy with child and the child is not it.
00:16:32Odin!
00:16:37HORN HONKS
00:16:42HORN HONKS
00:16:53HORN HONKS
00:16:55HORN HONKS
00:17:21My God, don't you ever give up?
00:17:24I've got to get out. Seems I didn't see what I actually saw.
00:17:27And the moral is?
00:17:29Keep your contacts.
00:17:32Just write the story.
00:17:55The number you have called is not connected.
00:17:58Please check the number before calling again.
00:18:01I repeat, please check the number before calling...
00:18:24SIREN WAILS
00:18:49Vivian Enderby?
00:18:51Viv?
00:18:53Morris?
00:18:55It's Claude there, Viv.
00:18:57Oh, Morris.
00:18:58Tell her I'm getting lonely.
00:19:00No, no, Morris, not tonight, please.
00:19:02Back at four, she said in the note.
00:19:05You drink too much.
00:19:07If she's not with you, I'll have to start calling hospitals.
00:19:10It's Morris on his hospital rounds again.
00:19:13I'll go over.
00:19:15He should have pulled himself together by now.
00:19:17Would you if you lost me?
00:19:20It really is Morris, is it?
00:19:23Yeah.
00:19:37Hey!
00:19:39Come here.
00:19:41The word is Pellegrini's not impressed with your report...
00:19:43on the shooting at the warehouse.
00:19:45Crying out loud, I get bloody results, don't I?
00:19:47Yeah, it's just that I've got to front up in the morning...
00:19:49and answer some questions.
00:19:51Hey, Eric.
00:19:53Leslie was about to shoot.
00:19:55He was an evil little bugger...
00:19:57who would have killed the girl and the bloke anyway.
00:19:59I mean, what are those jerks upstairs doing?
00:20:02They've forgotten what it's like out here.
00:20:05Let's leave the high-minded stuff...
00:20:07to the likes of Stuart, OK?
00:20:11Look at those proofs.
00:20:13Ah.
00:20:15And I'll have a scotch on your royalties, Jack.
00:20:17Yeah.
00:20:19$1,060.
00:20:21They'd just sold the 173rd copy.
00:20:23Oh, don't get all of them, mate.
00:20:25The book was good.
00:20:27The book was rubbish.
00:20:29He was guilty, and every other bastard knew it.
00:20:31You were set up.
00:20:35I was set up.
00:20:37Not to mention the publishers, your friends who backed you.
00:20:40Me, the typist.
00:20:42The barman.
00:20:44His wife.
00:20:46His children.
00:20:48Everybody.
00:20:50Except him.
00:20:52You said you'd wipe these.
00:20:54Stephen's paranoid about his patients finding out.
00:20:57To say nothing of the medical tribunal.
00:21:01Leave it.
00:21:03Well, then, destroy it, as you promised.
00:21:07I never did understand
00:21:09your obsession with recording everything.
00:21:18Where is she, Beth?
00:21:20You're wearing us all out, Morris.
00:21:27I'm sorry.
00:21:29I'm sorry.
00:21:31I'm sorry.
00:21:33I'm sorry.
00:21:36I saw her again.
00:21:38When?
00:21:40Tonight.
00:21:42Morris, Claudine is dead.
00:21:44Yes, I know. You've told me.
00:21:49Take your hands away.
00:21:51No.
00:21:53Please.
00:21:55I think you've been keeping something from me.
00:21:59You were so smart and smug and sophisticated.
00:22:02We exploited her.
00:22:06You're not supposed to do it that hard.
00:22:10You told me.
00:22:12I thought you liked it.
00:22:25You look lovely.
00:22:28You look lovely.
00:22:35I can only stay a little while.
00:22:47Coming in?
00:22:49No, I've got to get home.
00:22:51Don't muck around, Eric. I'm offering you a drink.
00:22:53Look, I'm pushed for time. Maybe tomorrow.
00:22:58You know you don't have to work with me.
00:23:00Come off it, Ray.
00:23:02I really have to get home.
00:23:05Yeah.
00:23:10I knew it.
00:23:27What do you want?
00:23:57Shit.
00:24:28Shit.
00:24:53You've got too many things on your mind, Morris.
00:24:56Join yourself.
00:25:00You're not exactly the first person it's ever happened to.
00:25:03Morris, are you dead?
00:25:07It really isn't a big deal.
00:25:14Morris.
00:25:22You good at names?
00:25:26That's my book.
00:25:29Both of them?
00:25:33Let's see.
00:25:37Seeker, Pfeiffer.
00:25:39What is this?
00:25:41I did see her, you know, Viv.
00:25:43Tonight.
00:25:45She got away, but she left her handbag.
00:25:48She's Jennifer Reynolds now.
00:25:50Did you know that?
00:25:53Morris?
00:25:57Plenty of books like that around, Morris.
00:25:59Yes, I'm sure.
00:26:01Names, addresses.
00:26:03Men, mostly.
00:26:15What's that?
00:26:17You knew.
00:26:19Don't be ridiculous.
00:26:21Stop!
00:26:39What is like this?
00:26:43Stop!
00:26:52Oh, God.
00:27:13You all right?
00:27:15Ray.
00:27:17Any problem?
00:27:19No, no, no problem.
00:27:21Just dropped in for a friendly chat.
00:27:23On your own.
00:27:25And what do you want to chat about?
00:27:27Thought you might need some advice.
00:27:29From someone who knows the traps.
00:27:31That'd be you, Ray.
00:27:33Killed for a drink.
00:27:35I believe you would.
00:27:39You know, you're pretty smart for a young fella.
00:27:42I'm glad you think so.
00:27:44But you lack one thing.
00:27:46Oh, yeah, what's that?
00:27:48Edge.
00:27:50Edge.
00:27:52Yeah.
00:27:53Take that book of yours.
00:27:55How did you feel when me old mate Hodges told you
00:27:58that he really had murdered his sister-in-law?
00:28:02Wasn't hard to persuade him to tell you, you know.
00:28:07That's a pretty good set-up, Ray.
00:28:09I never did thank you for it.
00:28:11Well, it's not too late.
00:28:13Oh, you'll like the story tomorrow.
00:28:15I wouldn't worry, Ray. I'm not stupid.
00:28:17No, I know you're not stupid.
00:28:20But you are a mug.
00:28:22Tell me why.
00:28:24Could have made a fortune with your book.
00:28:27Not here. It's too late, granted.
00:28:29But overseas, they lap that stuff up.
00:28:32Selves the conscience.
00:28:34And that's where you lack edge.
00:28:36You don't follow through.
00:28:38You see, Ray, money's not that important to me.
00:28:41Don't kid yourself.
00:28:44Look, Tom, you've still got a bright future.
00:28:47If you remember who your mates are.
00:28:50How could I forget?
00:28:56Got any good tapes?
00:29:13No, I don't think so.
00:29:43Where is she?
00:29:45Morning. Long time no see.
00:29:47Was Vivian here last night?
00:29:49No, I don't know.
00:29:51Was she here or wasn't she?
00:29:53I totally haven't got a clue.
00:29:55Did you phone her last night?
00:29:57No, I didn't.
00:29:59Did you call her?
00:30:01No, I didn't.
00:30:03No, I didn't.
00:30:05No, I didn't.
00:30:07No, I didn't.
00:30:09No, I didn't.
00:30:11Did you phone her last night?
00:30:13I was just reminiscing, actually.
00:30:23You said you destroyed all those.
00:30:25Mm. I lied.
00:30:27I want any with Vivian or myself in them destroyed.
00:30:30I'm not surprised.
00:30:32Hardly the sort of thing for a leading surgeon to be doing, is it?
00:30:37Dear Christ.
00:30:39How did Claudine ever put up with you?
00:30:42Amazing how one's friends change over the years, isn't it?
00:30:45Rather tragic, actually.
00:30:47And quite repellent.
00:30:52You're a failure in every respect, aren't you, Maurice?
00:30:57We're all fed up to the eye teeth with you and your absurd fantasies.
00:31:01Vivian and myself especially.
00:31:03Oh, please, do try and forgive me.
00:31:09Ray.
00:31:11What have you got?
00:31:13It seems that Eddie and Phillips got away with quite a bit the other night.
00:31:16How much?
00:31:18The trouble is, nobody appears to be keeping the records, so they can't tell us just yet.
00:31:21Bloody nerves.
00:31:23Not even rough, are you?
00:31:25Only that it's a lot.
00:31:27What the hell is a lot, Derek?
00:31:2920,000? 100,000? A million?
00:31:31A lot. Just a lot.
00:31:35A lot.
00:31:39A lot.
00:31:49Thanks, Bill.
00:31:51Tom Stewart here. I believe there's a call for me.
00:31:53Is that you, Tom?
00:31:55Yes, Neil.
00:32:00I'll be right there.
00:32:03The body of a naked woman in the boot of a submerged car over at Cornell.
00:32:07Come on.
00:32:10It'll never get us to New York.
00:32:12Well, if I can prove she did it herself.
00:32:26See you, Morgan.
00:32:28Who is she?
00:32:30Black over there's wife, Enderby.
00:32:32Well, you got what you want?
00:32:34No, not quite yet.
00:32:36All right, well, I'm going to get this stuff developed back at the lab.
00:32:38The Herald guy's got me left.
00:32:40Right-o, Mick. See you there.
00:32:42All right, mate.
00:32:51Come on, Ray, don't give me that classified information rubbish.
00:32:54Give me a lead.
00:32:56Enderby says this guy Morris Martin could have been the last one to see her alive.
00:33:00That's it.
00:33:01That's enough. I'll find him.
00:33:27Whoa!
00:33:40Phew!
00:33:44Hello there.
00:33:45Did you want something?
00:33:47Yeah, I wanted to see Mr Martin.
00:33:49He's not there. He left after the policeman came.
00:33:52Did Mr Martin say when he'd be back?
00:33:54He came over this morning and talked to Mummy.
00:33:56He'll be coming back tomorrow morning, he said.
00:34:05What I'm saying, Ray, is things don't work the way they used to anymore.
00:34:09And what way was that, sir?
00:34:11The story we have got, Birch, is that the guy went down after the first shot, not the second.
00:34:15You must know what it's like out there, sir.
00:34:18Maybe you don't.
00:34:20But there were a lot of things happening that day.
00:34:22Wouldn't be difficult for things to get distorted in people's minds.
00:34:26Tell me exactly who was it, Mr, um...
00:34:29Stansfield.
00:34:31Mr Stansfield that saw it this way.
00:34:34That'll be all for now, Birch.
00:34:36Very good, sir.
00:34:52Thank you.
00:35:22My name's Morris Martin. I'm looking for Mr Seeker.
00:35:25I'm afraid Mr Seeker is not available, Mr Martin. May I help you?
00:35:29I was hoping to locate my wife.
00:35:32I have reason to believe she's been living in the area.
00:35:35I'm sorry, I haven't seen her. It's a small community.
00:35:38I would have known.
00:35:42I see. Thank you.
00:35:52DOOR KNOCKS
00:36:22DOOR CREAKS
00:36:53DOOR CREAKS
00:37:00Mr Seeker.
00:37:02What do you want?
00:37:04You can help me.
00:37:06I think not, Mr Martin.
00:37:08Are you looking for your wife?
00:37:13I've seen the pictures.
00:37:15Trespassing?
00:37:17Tell me about them, about how you came to know her.
00:37:19I advise you to get out.
00:37:22GRUNTS
00:37:37SCREAMS
00:37:40BUZZER
00:37:47Are you well?
00:37:49I'm alive.
00:37:51Your timing was bad.
00:37:53So, how have you been?
00:37:55Fine. Meet you at the hospital in 20 minutes?
00:37:57Annie, can I ask you a really big favour?
00:37:59Oh, this'll be good.
00:38:01Would it be all right if I stayed here for tonight?
00:38:03I won't be here till five.
00:38:05That's all right. I won't wait up.
00:38:09Well, you won't have to, because you'll be in the spare room.
00:38:12Great. I'll just put this in there.
00:38:14Can't thank you enough.
00:38:20SIGHS
00:38:30BELL RINGS
00:38:38BELL CONTINUES TO RING
00:38:44THUNDER
00:38:50THUNDER RUMBLES
00:38:52It's been strangely quiet about 80 weeks, Little Hall.
00:38:55Thought you might be able to help.
00:38:57I'd like to, Sarge, but nobody's heard a thing.
00:38:59Strike here's odd?
00:39:01Very.
00:39:03Meaning?
00:39:05Meaning it must have been outsiders involved.
00:39:07Or they dumped it before the crash.
00:39:09Very good, Jimmy.
00:39:11They rob a bank, know they're gonna have a smash,
00:39:13so they bury the money.
00:39:15You're gonna have to do better than that, old son.
00:39:20DOG WHINES
00:39:31Good morning.
00:39:33What are you doing in here?
00:39:35Reading a book.
00:39:37Tom, we're divorced.
00:39:39Ah. That was ages ago.
00:39:41Was it?
00:39:44SIGHS
00:39:46So, how's work?
00:39:48Lousy.
00:39:50You know, at the risk of repeating myself,
00:39:52this really is the cesspool of the world.
00:39:54Yeah, I think I've heard that somewhere before.
00:39:58So it's still New York, then?
00:40:03Stuffed New York.
00:40:06Then what do you want?
00:40:09SIGHS
00:40:11No. Huh?
00:40:13No. No. No, no, no, no.
00:40:15No, no, no. Don't. Come on.
00:40:17Don't cut me out. Please, listen to me.
00:40:19Listen.
00:40:23We should have had kids.
00:40:25And have them end up like you?
00:40:29You got a point.
00:40:32SIGHS
00:40:36God, I liked you once.
00:40:39I even liked me too once.
00:40:50DOG BARKS
00:41:02BIRDS CHIRP
00:41:04DOORBELL RINGS
00:41:11Tom Stewart.
00:41:14SIGHS
00:41:16Detective Ray Birch,
00:41:18who in turn was promoted through these investigations,
00:41:20was able to establish...
00:41:22You made the whole thing yourself?
00:41:24Yes. It's a sort of hobby of mine.
00:41:27I really admired your book very much.
00:41:29That's why I used it with the kids.
00:41:32I don't suppose you'd mind, uh...
00:41:34I don't know, maybe writing something on it for me?
00:41:37By all means.
00:41:39Thanks.
00:41:41What can I say?
00:41:43I take it all that stuff about fabricated evidence
00:41:46was just a smear tactic?
00:41:48Uh...
00:41:50Not entirely, Morris.
00:41:52The truth of the matter is that he actually did do it.
00:41:56Told me so after the second trial.
00:42:00You had no idea?
00:42:02There was a sneaking suspicion,
00:42:04but, um, it didn't stop me writing it.
00:42:08Thanks.
00:42:11Another drink?
00:42:13Never say no.
00:42:15You see, I'm, uh, working on the end of the murder,
00:42:18and, uh, if you could help me with a couple of questions,
00:42:21it, um...
00:42:23It might give me a clearer line on the story.
00:42:26Sure.
00:42:28Well, first off, um,
00:42:30I understand that Dr. Enderby said
00:42:32you rang his wife the night she was killed.
00:42:34Yes, I know. The police told me.
00:42:36In fact, I haven't seen her spoken to Viv for, I don't know, about a month.
00:42:40It's odd, isn't it, that he'd say, uh,
00:42:42you were the last person she spoke to.
00:42:45Yes, well, we've been friends for a long time, and, uh...
00:42:49Well, the truth is, Vivian's rather fond of, uh, other men,
00:42:52if you know what I mean.
00:42:54Although I doubt if Stephen would have put quite such a fine point on it.
00:42:58So she, uh, used a mutual friend as an alibi?
00:43:02That sort of thing, yeah.
00:43:05I see.
00:43:10Do you mind if I ask a personal question, Morris?
00:43:13No.
00:43:15I understand your own wife died six months ago.
00:43:19Yes.
00:43:21She died in Paris.
00:43:23Car accident.
00:43:25That's her then.
00:43:28A very beautiful lady.
00:43:31There was never anyone more beautiful.
00:43:36I'm sorry.
00:43:39...were well-known artist Laszlo Sika
00:43:41and his housekeeper, Madeline Kovic.
00:43:43Police are baffled by the ferocity of the attacks...
00:43:47Ow!
00:44:13Carrot juice?
00:44:15Scotch.
00:44:16Of course.
00:44:18I'll join you.
00:44:20Good to see you.
00:44:26You like?
00:44:27Different.
00:44:33To Vivian.
00:44:35It was bound to happen.
00:44:41Do you want to talk about it?
00:44:45Um, did Claude go back to what she used to do?
00:44:49What?
00:44:50Look, I've tried all the travel agencies,
00:44:52every single one of them.
00:44:54Nobody's ever heard of her.
00:44:56It just doesn't make sense.
00:44:58Could she still be alive?
00:45:00Do you think that's possible?
00:45:01No, darling.
00:45:02I don't see how she could be.
00:45:04But you'd tell me, wouldn't you?
00:45:05I mean, if you even suspected anything.
00:45:07All I know is that a year before she died,
00:45:10she was working for some woman called Spicer.
00:45:14So she only pretended to go overseas.
00:45:16Morris, it's past.
00:45:18She loved you and only you.
00:45:20Leave it at that.
00:45:22I need to talk to the Spicer woman.
00:45:24Why?
00:45:25Barbara, please.
00:45:28It won't do you any good.
00:45:34Spicer.
00:45:35Eve.
00:45:37What if I told you I'd seen her?
00:45:39Seen Claudine?
00:45:41What would you say?
00:45:44I only wish I could believe you had.
00:45:54All right, ladies and gentlemen.
00:45:56Turning to crime, as we all should have done ages ago.
00:46:01Ken, I want you to work up something on the Seeker murders.
00:46:04Mist-shrouded house in the mountains, that kind of crap.
00:46:07Neil, could I grab that one?
00:46:09Ken won't mind, will you, Ken?
00:46:13All right, Tom.
00:46:14As long as you don't turn it into a book again.
00:46:18Carol, I've got something here for you as well.
00:46:39Thank you.
00:46:40You all right?
00:47:08You all right?
00:47:09See you back in the car, Mick.
00:47:39Stand by, CID.
00:47:40Mick, you got your Polaroid with you?
00:47:42Yeah.
00:47:43Give it to me, will you?
00:47:47Be careful with it.
00:47:48You bet.
00:47:49Okay.
00:47:59Hey, man.
00:48:00What's up, man?
00:48:01What's up, man?
00:48:02What's up, man?
00:48:03What's up, man?
00:48:04What's up, man?
00:48:05What's up, man?
00:48:06What's up, man?
00:48:08Hey, Al, this area's off-limits.
00:48:28What's wrong?
00:48:29You wouldn't believe it if I told you.
00:48:32Back to the baby, then?
00:48:34Yeah, I'll go on from there.
00:48:38Come on.
00:48:45This is Eve Spicer speaking.
00:48:47I'm not able to come to the phone at the moment,
00:48:49but if you'd care to leave your name and phone number...
00:49:07Dog!
00:49:08Dog!
00:49:09Dog!
00:49:10Dog!
00:49:11Dog!
00:49:12Dog!
00:49:13Dog!
00:49:14Dog!
00:49:15Dog!
00:49:16Dog!
00:49:17Dog!
00:49:18Dog!
00:49:19Dog!
00:49:20Dog!
00:49:21Dog!
00:49:22Dog!
00:49:23Dog!
00:49:24Dog!
00:49:25Dog!
00:49:26Dog!
00:49:27Dog!
00:49:28Dog!
00:49:29Dog!
00:49:30Dog!
00:49:31Dog!
00:49:32Dog!
00:49:33Dog!
00:49:34Dog!
00:49:35Dog!
00:49:36Dog!
00:49:37Dog!
00:49:38Dog!
00:49:39Dog!
00:49:40Dog!
00:49:41Dog!
00:49:42Dog!
00:49:43Dog!
00:49:44Dog!
00:49:45Dog!
00:49:46Dog!
00:49:47Dog!
00:49:48Dog!
00:49:49Dog!
00:49:50Dog!
00:49:51Dog!
00:49:52Dog!
00:49:53Dog!
00:49:54Dog!
00:49:55Dog!
00:49:56Dog!
00:49:57Dog!
00:49:58Dog!
00:49:59Dog!
00:50:00Dog!
00:50:01Dog!
00:50:02Dog!
00:50:03Dog!
00:50:04Dog!
00:50:05Dog!
00:50:06Meow!
00:50:35Dog!
00:50:36Dog!
00:50:37Dog!
00:50:38Dog!
00:50:39Dog!
00:50:40Dog!
00:50:41Dog!
00:50:42Dog!
00:50:43Dog!
00:50:44Dog!
00:50:45Dog!
00:50:46Dog!
00:50:47Dog!
00:50:48Dog!
00:50:49Dog!
00:50:50Dog!
00:50:51Dog!
00:50:52Dog!
00:50:53Dog!
00:50:54Dog!
00:50:55Dog!
00:50:56Dog!
00:50:57Dog!
00:50:58Dog!
00:50:59Dog!
00:51:00Dog!
00:51:01Dog!
00:51:02Dog!
00:51:03Dog!
00:51:04Dog!
00:51:05Dog!
00:51:06Dog!
00:51:07Dog!
00:51:08Dog!
00:51:09Dog!
00:51:10Dog!
00:51:11Dog!
00:51:12Dog!
00:51:13Dog!
00:51:14Dog!
00:51:15Dog!
00:51:16Dog!
00:51:17Dog!
00:51:18Dog!
00:51:19Dog!
00:51:20Dog!
00:51:21Dog!
00:51:22Dog!
00:51:23Dog!
00:51:24Dog!
00:51:25Dog!
00:51:26Dog!
00:51:27Dog!
00:51:28Dog!
00:51:29Dog!
00:51:30Dog!
00:51:31Dog!
00:51:32Dog!
00:51:33Dog!
00:51:34Dog!
00:51:35Dog!
00:51:36Zone u coincidence, maybe?
00:51:37No.
00:51:38I'm sure it's the same girl.
00:51:39How old?
00:51:40I can't tell.
00:51:41Ages late twenties, I guess.
00:51:42Is she pretty?
00:51:43Yeah, she is, very.
00:51:44I thought you said she was dead.
00:52:14If the matter is very urgent, we'd like to try 360-144-8, thanks.
00:52:41Yes, may I help you?
00:52:57Eve Spicer, please.
00:52:58I'm tired this evening, should be back in the morning.
00:53:00Any message?
00:53:01Don't worry, I'll call back.
00:53:08She was a delightful person.
00:53:10Strong, warm, intelligent, and beautiful.
00:53:13A rare creature.
00:53:15What sort of a job did she have, Doctor?
00:53:17She was an overseas tour guide.
00:53:19Oh, yeah?
00:53:20Who with?
00:53:21I've no idea.
00:53:22She wasn't ever a model, was she?
00:53:24An artist model?
00:53:25Not to my knowledge.
00:53:28Look, I'm sorry, Stuart, but I promised I'd look in on the patient.
00:53:32Sure.
00:53:35Thanks for the drink.
00:54:15You're welcome.
00:54:35You're welcome.
00:54:55You're welcome.
00:55:15You're welcome.
00:55:27Satisfying your insatiable curiosities, Stuart?
00:55:30In a way.
00:55:32Actually, I was looking for the tapes you took from Morris Martin's house.
00:55:35I suppose it's a bit embarrassing to leave that sort of stuff lying around.
00:55:38Well, thank you not to pry into my personal affairs.
00:55:41Well, given the circumstances, there might be a bit of public interest here.
00:55:45By dragging my name and that of my late wife through the mud, is that what you're implying?
00:55:49No, I'm not implying that.
00:55:50I just want to find out what's going on.
00:55:52You have no private life, then, I take it.
00:55:54No personal secrets.
00:55:56No habits you prefer not disclosed in lurid detail on the front page of your newspaper.
00:56:01Weren't we discussing your situation?
00:56:03No, no.
00:56:05We're discussing yours.
00:56:08If you don't leave me alone, you'll find yourself in prison.
00:56:11Is that a threat, Doc?
00:56:13Yes.
00:56:15Thought so.
00:56:21Hey, Mick, can you make out the postmark on that?
00:56:26Dark glasses help?
00:56:3028th of December?
00:56:32Not October, is it?
00:56:34I don't think so. Why?
00:56:36Doesn't matter.
00:56:38Drink?
00:56:39Can't, gotta go.
00:56:40Ooh.
00:56:41Well, where are you gonna be?
00:56:42Out.
00:56:43Then either back here or around at Annie's.
00:56:45Ah.
00:56:46You two friends again?
00:56:48Never enemies, mate.
00:56:49Just incompatible.
00:56:53Thirsty?
00:57:02There were marvelous times, Mr. Stewart.
00:57:15Unconventional times.
00:57:17We were all very close.
00:57:21Was Morris ever in love with Vivian Enderby?
00:57:24In love?
00:57:25Mm.
00:57:26If you mean by that, did Morris ever sleep with Vivian, the answer's yes.
00:57:30But then so did we all at various times.
00:57:33You mean, Stephen and Morris and...
00:57:36And Vivian and myself, yes.
00:57:38Didn't Stephen explain?
00:57:40No, he didn't.
00:57:41Well, he must be a little shy these days.
00:57:47Wasn't Morris married to a Claudine...
00:57:49Fergus?
00:57:50Yeah.
00:57:51No, he was married to me.
00:57:56I don't quite understand.
00:57:58Claudine was an English girl we met in Spain.
00:58:01San Sebastian, actually.
00:58:03You see, we even used to take our holidays together.
00:58:07She and Morris fell in love.
00:58:09You realize what she was?
00:58:11No.
00:58:12She was a whore, Mr. Stewart.
00:58:14A very beautiful and highly paid whore.
00:58:17She was utterly charming and captivating.
00:58:20And in a very real sense, we were all in love with her.
00:58:28Yes?
00:58:29Mrs. Spicer, my name's Martin.
00:58:31You were recommended to me.
00:58:33It's the top floor, Mr. Martin.
00:58:47Mr. Martin, won't you come through?
00:58:52Tell me, do you think it's possible
00:58:56that Claudine Vargas is still alive?
00:58:59What an extraordinary question.
00:59:02Is it?
00:59:04I understood it was Vivian you wanted to discuss.
00:59:08I think it's all connected.
00:59:10Do you really?
00:59:17Is that Claudine?
00:59:19Yes.
00:59:20Awfully commercial, don't you think?
00:59:25The sculpture at Morris Martin's house, I suppose.
00:59:28I did several of her, if that's the question.
00:59:31Is she alive or not?
00:59:33You've been listening to Morris.
00:59:35You're looking for a mystery, Mr. Stewart, and there isn't one.
00:59:39Claudine is dead.
00:59:40It's as simple and as sad as that.
00:59:49And then there's Sasha.
00:59:51Show your photographs.
00:59:55What about you?
00:59:57Me?
00:59:58Unless there's really a Mr. Spicer, of course.
01:00:01There is, but you're at liberty to choose whomever you like.
01:00:07Then I choose you.
01:00:09I'm not going to let you go.
01:00:11I'm not going to let you go.
01:00:13I'm not going to let you go.
01:00:15I'm not going to let you go.
01:00:17Then I choose you.
01:00:19I'm very flattered.
01:00:22When are you free?
01:00:23Tonight could be reorganized.
01:00:26For dinner?
01:00:27Lovely.
01:00:30I really wanted to ask you something rather private.
01:00:34A specialty.
01:00:35Well, not exactly.
01:00:39I want to know if my wife worked for you.
01:00:43Her name's Claudine, but...
01:00:45I think you might have known her as Jennifer Reynolds.
01:00:48I don't know anyone by that name.
01:00:50I'm sorry.
01:00:51I think you do.
01:00:53If you'll excuse me just for a minute.
01:00:55She did work for you, I've been told.
01:00:58I don't know her.
01:01:00Where?
01:01:01I don't know who you're talking about.
01:01:04I want to know where.
01:01:05Let me go.
01:01:07Where is she?
01:01:09Let me go.
01:01:11Where?
01:01:12Let me go.
01:01:13Where is she?
01:01:15I don't know where she is.
01:01:17Tell me.
01:01:18Where?
01:01:20See, even poor Barbara still thinks she's dead.
01:01:24But she's not.
01:01:26She's alive.
01:01:30Could you at least clear something up for me?
01:01:32There's a postcard, right?
01:01:34It's dated two months after Claudine Martin's supposed to have died.
01:01:37I gave you some advice when you broke into my home school.
01:01:40Yeah, sure.
01:01:41It seemed you'd forgotten it or ignored it.
01:01:43Look, if she's alive, she could be in serious danger.
01:01:45Do you understand?
01:01:47Look, is she alive or not?
01:01:52What a jerk.
01:02:00Mrs. S?
01:02:01Okay to do the carpet?
01:02:09Nick, my boy.
01:02:11Bradshaw's looking for you.
01:02:12You said you'd be at Annie's.
01:02:13Yeah, I know.
01:02:14Listen, do me a favor, will you?
01:02:16Tell ex-London.
01:02:17Ask them to check on the death of a Claudine Martin.
01:02:20She was a British citizen.
01:02:22Supposed to have died in Paris about six months ago.
01:02:25Had a maiden name of Vargas.
01:02:27Come on, mate. It's not my job.
01:02:28Ask one of the girls.
01:02:29Don't be a fool.
01:02:30Do me a big favor.
01:02:31I haven't got time.
01:02:32What'll I say to Bradshaw?
01:02:33I don't know.
01:02:34Tell Bradshaw what you like.
01:02:35Hello, boss.
01:02:36Where the hell have you been?
01:02:37I've been working my ass off.
01:02:38Well, there's been another murder.
01:02:40Get me this address,
01:02:41and if you jam the lid down tight,
01:02:43find out what it's all about.
01:02:45On my way.
01:02:53Hi, Anna.
01:02:54Hi, Tom.
01:02:57No press.
01:02:58Ray.
01:03:01Media's not invited.
01:03:03Not your territory, is it, Ray?
01:03:05Everything's my territory, son.
01:03:08Bit late to stop trusting me now, isn't it?
01:03:18OK, let's go.
01:03:19Let's take a look.
01:03:20Sure.
01:03:21OK, we just need a couple more details.
01:03:27Any theories?
01:03:30Rival operation?
01:03:32Maybe.
01:03:33Or just some nutter who hates women.
01:03:35Clients, you mean?
01:03:37Speaking of which...
01:03:40Take a gander at that.
01:03:42Special clientele.
01:03:44But keep it to yourself.
01:03:47Don't suppose you'd recognise any of these?
01:03:50On my wages?
01:03:52Don't put your daughter on the stage, huh?
01:03:54Here's some more, Ray.
01:04:00You know her?
01:04:03No.
01:04:05Classy.
01:04:08Well, be sure to let me know
01:04:09if that fertile miner of yours comes up with something, will you?
01:04:15By the way,
01:04:16remember the night Eddie Weeks and his mate got killed?
01:04:20Word is that they didn't get a chance to drop the money.
01:04:23What about the paramedics?
01:04:25Rare breed, them.
01:04:26Honest as the day is long.
01:04:28Like me.
01:04:30Get much?
01:04:31Some.
01:04:33Beats me.
01:04:35Yeah, real mystery.
01:04:49Yeah, I know how much it costs, Phil.
01:04:51Just make the arrangements, OK?
01:04:52Yeah, all right.
01:04:53And remember, use the name Neil Bradshaw.
01:04:55You got that?
01:04:56Neil Bradshaw, yeah.
01:04:57Right.
01:04:58What the hell is this?
01:05:01Well?
01:05:02What is it?
01:05:03Well, it's stolen.
01:05:04I'm using it.
01:05:05For what?
01:05:06I don't know.
01:05:07Balance the books, maybe.
01:05:08What do you mean?
01:05:09With Ray Birch?
01:05:12Well, I wasn't going to keep it, was I?
01:05:13Why not?
01:05:16Might be for me.
01:05:18Hello?
01:05:19Hello?
01:05:20Nick?
01:05:21London says there's no Claudine Martin.
01:05:22What, no record of a death?
01:05:23No, no record of anything.
01:05:24No Claudine Vargas either.
01:05:27Yeah, right.
01:05:28Thanks, Mick.
01:05:29Is that all?
01:05:30Yep.
01:05:33Annie, I've got to split for a couple of days.
01:05:35You're leaving your things?
01:05:37Oh, come on.
01:05:38Don't be like that.
01:05:39Look, can I leave the money here?
01:05:40There's a lot happening.
01:05:41I just need a couple of days to put things into place.
01:05:44Of course you do.
01:05:46Ah, look, are you happy now?
01:05:49What?
01:05:50The newspapers are telling me you're going to be traveling soon.
01:05:52Aren't you?
01:05:53I told you I'd take care of your father.
01:05:55Ah, yes, you do.
01:05:56I know.
01:05:57Don't you have to be at home sometimes, you know?
01:05:58I do.
01:05:59You must be tired.
01:06:00Yes, you do.
01:06:01Mm-hm.
01:06:02All right.
01:06:03Yes, you do.
01:06:04Mm-hm.
01:06:05Thank you.
01:06:06Yes, you do.
01:06:07Thank you.
01:06:08Thank you.
01:06:09Thank you.
01:06:10Thank you.
01:06:11I mean it.
01:06:12Thank you.
01:06:13Thank you.
01:06:14Yes?
01:06:37Mrs. Kline?
01:06:38Neil Bradshaw here.
01:06:39Of course, Mr. Bradshaw.
01:06:40Thank you.
01:06:42Thank you.
01:07:09Hello, Mr. Bradshaw.
01:07:10Hello.
01:07:11This is a pleasure.
01:07:12I'm Marjorie Cline.
01:07:14How do you do?
01:07:15Do come in.
01:07:16Thank you.
01:07:38Inga, a marvellous choice.
01:07:46Hi, Inga.
01:08:01Hello.
01:08:02I'm Inga.
01:08:09So this is your first visit here, Neil.
01:08:13He knows you're alive.
01:08:14And he's killed people to find out.
01:08:17You're Claudine Martin, aren't you?
01:08:19I don't know what you're talking about.
01:08:20I'm Tom Stewart, and I'm a reporter.
01:08:22Morris must have found out about this place by now, too.
01:08:26Listen, you've got to let me get you out of here and quick.
01:08:30Believe me, please.
01:08:32Come on.
01:08:45I saw a painting of you at Seeker's place,
01:08:48so I put two and two together.
01:08:50What about the police?
01:08:52I don't think they've even got the first base yet.
01:08:58The hair and turtle are really up for your blood this time.
01:09:01So what's new?
01:09:03Tell me, do you know if the paramedics saw anyone close
01:09:06to Eddie Weeks before he died?
01:09:08Only Stewart and his photographer mate.
01:09:11Stewart was jollying him along, trying to keep him away.
01:09:13That's probably what killed him.
01:09:14Thought you knew.
01:09:16No.
01:09:18No, I didn't.
01:09:20I want you to find Eddie's girl for me, Susie, what's her name?
01:09:24Quick.
01:09:44Come on.
01:10:14Ah!
01:10:44Come on.
01:11:15Ah!
01:11:25You all right?
01:11:36I'll go find somewhere, get some help.
01:11:37I'll call the police.
01:11:38Look, he was trying to kill us.
01:11:41Please, let's go.
01:11:44Come on.
01:11:53Ray Birch.
01:11:54Jimmy here.
01:11:55Yes, Jimmy.
01:11:57Eddie's haul's over 270,000.
01:12:00Say that again.
01:12:02Third time.
01:12:04270,000.
01:12:07OK, thanks, Jimmy.
01:12:09Keep it under your hat, will you?
01:12:10Eddie's girlfriend, Susie, just came back
01:12:12from a holiday in Bali with some young stuff.
01:12:14Seems she came into some money.
01:12:18Question is, Derek Olsen, just how much?
01:12:22Tom Stewart, please.
01:12:26Not here at the moment.
01:12:27Ray Birch here, where is he?
01:12:28Oh, no idea, Sergeant, some private project.
01:12:32Just tell him I want to chat.
01:12:39Get it real, eh?
01:12:40Yeah, big one.
01:12:41Guess they didn't give in easy.
01:12:43Ran me into the bank.
01:12:44Front end's the problem.
01:12:46No worries.
01:12:48You and the missus need a bed for the night?
01:12:50I think we might.
01:12:51Fix that, too.
01:12:52DOG BARKING
01:13:02CAR STARTS
01:13:03MUSIC
01:13:10See ya.
01:13:11MUSIC
01:13:21MUSIC
01:13:30You drink whiskey?
01:13:33Yes.
01:13:34Straight.
01:13:36I need a bit of water.
01:13:37MUSIC
01:13:43Tea's on the table, Bert.
01:13:45Coming, Mum.
01:13:46MUSIC
01:14:12Not saying much, are you?
01:14:14No.
01:14:17Mind if I ask you a stupid question?
01:14:19That's your job, isn't it?
01:14:21No, I'm just curious, really.
01:14:24The sort of work you do, uh...
01:14:29Why do you do it?
01:14:30Why do you do it?
01:14:33Delusions of grandeur, I think.
01:14:36Well, I'm not like you.
01:14:37I like what I do.
01:14:39Come on, the money's great.
01:14:42Buy you a lot of freedom?
01:14:43No.
01:14:46Not always.
01:14:51DOG BARKING
01:14:54So, you want to tell me what this is all about?
01:14:57Just interested in Susie's welfare.
01:14:59And?
01:15:02And how honest our reporter friend is.
01:15:04DOG BARKING
01:15:09You be all right in there?
01:15:12I'm used to taking care of myself.
01:15:15How's he get involved with a bloke like Morris, then?
01:15:19At the time, I really needed someone to look after me.
01:15:22And he was it.
01:15:24Then he got so jealous and possessive.
01:15:27It was suffocating.
01:15:30Are you doing this just for the story?
01:15:33Yeah, I suppose I am.
01:15:36Bad habit, that.
01:15:41DOG WHINES
01:15:51DOG BARKS
01:15:59So, that's the stuff.
01:16:02Didn't take her long to forget about Eddie.
01:16:04Amazing what a little money can buy, isn't it?
01:16:06We off, then?
01:16:07No, no.
01:16:08I'll handle this one on my own.
01:16:11Just let him settle in a bit, I think.
01:16:26OK, lover boy, out.
01:16:29Out!
01:16:35How much money Stuart give you?
01:16:37I don't know what you're talking about.
01:16:39Susie.
01:16:41Trust me.
01:16:43A few grand.
01:16:47How many grand, exactly?
01:16:51DRILL WHIRS
01:17:12DOG WHINES
01:17:17DOG BARKS
01:17:18DOG BARKS
01:17:40Aren't you tired?
01:17:43I should be, but I'm not.
01:17:46Thinking up some more questions.
01:17:50You know...
01:17:53...all I ever do is think up questions.
01:18:03Are you married, Tom?
01:18:05Hmm?
01:18:06You married?
01:18:08Yes.
01:18:09I was.
01:18:10Divorced.
01:18:13What happened?
01:18:16I was a jerk.
01:18:21And I didn't respect what I had.
01:18:25Most people don't.
01:18:28Well, they should.
01:18:32You know something?
01:18:36It might not be too late.
01:18:37It might not be too late.
01:19:08All right, young Tom, what have you done with it all?
01:19:27I want Stuart.
01:19:31Want to tell me why?
01:19:32No.
01:19:33That's clear enough.
01:19:35So you never were a talker.
01:19:37No, that was just a story I used to get away for a while.
01:19:40So I could breathe.
01:19:42And Enderby, he just happened to be a partner at the Raven's Head place.
01:19:46A great mix of careers.
01:19:47Prominent surgeon, brothel owner.
01:19:51And what did you do when that idea didn't work?
01:19:53Well, Vivian came up with a plan that I should die.
01:19:56Ironic, isn't it?
01:19:58She said if I just disappeared that Morris wouldn't stop until he found me.
01:20:03Look, Bert said there's a bike in that old shed.
01:20:06I'll ride over and see how the car's going.
01:20:08Maybe we can get out of here.
01:20:10I won't be long.
01:20:12How's the car going?
01:20:14Some roo you hit.
01:20:15Sure was.
01:20:17Tell me, does that phone work?
01:20:18Did yesterday.
01:20:20Good one.
01:20:22I'll be back in a minute.
01:20:23All right.
01:20:24Bye.
01:20:25Bye.
01:20:26Bye.
01:20:27Bye.
01:20:28Bye.
01:20:29Bye.
01:20:30Bye.
01:20:31Bye.
01:20:32Bye.
01:20:33Bye.
01:20:34Bye.
01:20:35Bye.
01:20:36Bye.
01:20:37Bye.
01:20:38Bye.
01:20:39Bye.
01:20:40Good one.
01:20:54Who is this?
01:20:55Neil Bradshaw, please.
01:20:58Hello.
01:20:59Welcome, Neil Bradshaw.
01:21:00Mr. Bradshaw.
01:21:04Yes.
01:21:07Hello.
01:21:09Hello.
01:21:20So how much longer with the car?
01:21:23Another few hours.
01:21:25Great, I'll be back then.
01:21:26Okay.
01:21:38Thank you.
01:22:08Did they find Morris?
01:22:09No, a bird would have said if they had.
01:22:10Did you phone the story in?
01:22:11No, I didn't.
01:22:12I'll be back in a minute.
01:22:13Bye.
01:22:14Bye.
01:22:15Bye.
01:22:16Bye.
01:22:17Bye.
01:22:18Bye.
01:22:19Bye.
01:22:20Bye.
01:22:21Bye.
01:22:22Bye.
01:22:23Bye.
01:22:24Bye.
01:22:25Bye.
01:22:26Bye.
01:22:27Bye.
01:22:28Bye.
01:22:29Bye.
01:22:30Bye.
01:22:31Bye.
01:22:32Bye.
01:22:33Bye.
01:22:34Bye.
01:22:35Bye.
01:22:36Bye.
01:22:37Bye.
01:22:38Bye.
01:22:39Bye.
01:22:40Bye.
01:22:41I'm out of here.
01:23:05All right, bud.
01:23:08Ah!
01:23:11Tom.
01:23:27Whatever happened, it doesn't matter.
01:23:32Stop!
01:23:41Stop!
01:24:11Tom.
01:24:19Long way from home, aren't you, old Tom?
01:24:41Police radio chatter.
01:24:54Nice old mess we got into, didn't we?
01:24:57Look, the girl exists and she must have killed Martin.
01:25:01Because I bloody well didn't.
01:25:04And why the hell can't I see my lawyer?
01:25:06Take it easy.
01:25:08All in good time.
01:25:09Ray, we both know I didn't kill anybody.
01:25:13Do we?
01:25:31Well, what's the go, Ray?
01:25:35Still no sign of your mystery woman.
01:25:37What bloody mystery? Oh, come on, cut the bulldust.
01:25:40There's only a few places she could be.
01:25:42Look, if you pull your finger out, it's not hard to find her.
01:25:45You owe me that much.
01:25:47I owe you nothing.
01:26:08DOOR CREAKS
01:26:21Hi, sir.
01:26:32DOOR CREAKS
01:26:38Well, we found her.
01:26:39Where?
01:26:41Barbara Helmsley's place.
01:26:43Helmsley's?
01:26:44Mm-hm.
01:26:47Good.
01:26:48Charge her and let me go.
01:26:50Pardon?
01:26:52Charge her and let me go, Ray.
01:26:54What will you have done?
01:26:56Oh, come on, Ray.
01:26:57Morris wasn't even going to hurt her, let alone kill her.
01:27:00Morris was a lunatic.
01:27:01So?
01:27:02He's supposed to have murdered four people.
01:27:05It's perfectly simple, old son.
01:27:07Self-defence.
01:27:09Your story, however, still doesn't add up.
01:27:12My story?
01:27:14How does it go again?
01:27:16She pushes you out of the way, grabs the wheel,
01:27:18drives Morris off the road.
01:27:20Yeah?
01:27:21Pretty thin, mate.
01:27:24Ray, what are you saying exactly?
01:27:28I'm saying, shut up and you can walk away from here.
01:27:32Start playing reporter again and you'll end up in the dirt.
01:27:36There are still unsolved murders out there
01:27:39and you've been a regular observer.
01:27:42Could be made to look pretty bad.
01:27:44Are you serious?
01:27:45You think anyone's going to believe that?
01:27:47Tom, go home.
01:27:51I've run out of favours.
01:28:03Henry.
01:28:04Annie, you home?
01:28:05What are you doing to me?
01:28:07Ray Birch was in my home and he treated me like a piece of dirt
01:28:09and took all your precious money.
01:28:11Annie, when was he here?
01:28:12Look, I don't need to be a part of this.
01:28:13When was he here, Annie?
01:28:14When was he here?
01:28:15Yesterday!
01:28:16Oh, Annie, I'm sorry, I really am.
01:28:17Look!
01:28:18But I've got to go.
01:28:19Tom!
01:28:20I'll be back, Annie.
01:28:21You are so irresponsible.
01:28:337340, please, 7340.
01:28:45Where's Birch?
01:28:46He's not around.
01:28:47You know where he is?
01:28:48No idea.
01:28:50Stuart!
01:28:52I'll let you in on a little secret.
01:28:53What's that?
01:28:55It's over for him.
01:28:56Internal wanted him for a scapegoat.
01:28:59Are you serious?
01:29:00Ray's had it and he knows it.
01:29:04Thanks.
01:29:10Where is she?
01:29:11Mr. Stuart.
01:29:13You're too late.
01:29:14She's on a flight to New York today.
01:29:21She wouldn't be on her own, would she?
01:29:27Hello?
01:29:28Hello?
01:29:29Nick, you've got to meet me at Circular Quay in about 20 minutes.
01:29:31Now, don't muck around.
01:29:32You be there, all right?
01:29:33All right, I'll be there.
01:29:35Don't bother, Mr. Stuart.
01:29:52Hello, Ray.
01:29:58Hello.
01:30:29Thanks, Nick.
01:30:41Hey, Ray.
01:30:45Tom.
01:30:48I suppose you know what's happening here.
01:30:50I think I finally tumbled to it.
01:30:53So where do we go from here?
01:31:03Do me one favour, Ray.
01:31:06Don't come back.
01:31:23Ray!
01:31:43What are you going to do?
01:31:45Nothing.
01:31:46Nothing?
01:31:47So, you let him in and get away with it, eh?
01:31:50Mate, they deserve each other.
01:31:52And that's it, is it?
01:31:55Maybe.
01:32:04Told you I'd be back.
01:32:11Annie...
01:32:13I know you've heard all this before, but...
01:32:17I am sorry.
01:32:20What happened with Birch?
01:32:23He just made a very serious mistake.
01:32:26The one that was meant for me.
01:32:35Are you serious about us?
01:32:38You bet I am.
01:32:49There's a passbook here.
01:32:53And it's got $150,000 in it.
01:32:57For us.
01:33:06I knew there was a reason I liked you.
01:33:20$150,000
01:33:23$150,000
01:33:25$150,000
01:33:27$150,000
01:33:29$150,000
01:33:31$150,000
01:33:33$150,000
01:33:35$150,000
01:33:37$150,000
01:33:39$150,000
01:33:41$150,000
01:33:43$150,000
01:33:45$150,000
01:33:47$150,000
01:33:49$150,000
01:33:51$150,000
01:33:53$150,000
01:33:55$150,000
01:33:57$150,000
01:33:59$150,000
01:34:01$150,000
01:34:03$150,000
01:34:05$150,000
01:34:07$150,000
01:34:09$150,000
01:34:11$150,000
01:34:13$150,000
01:34:15$150,000
01:34:17$150,000
01:34:19$150,000
01:34:21$150,000
01:34:23$150,000
01:34:25$150,000
01:34:27$150,000
01:34:29$150,000
01:34:31$150,000
01:34:33$150,000
01:34:35$150,000
01:34:37$150,000
01:34:39$150,000
01:34:41$150,000
01:34:43$150,000
01:34:45$150,000
01:34:47$150,000
01:34:49$150,000
01:34:51$150,000
01:34:53$150,000
01:34:55$150,000
01:34:57$150,000
01:34:59$150,000
01:35:01$150,000
01:35:03$150,000
01:35:05$150,000
01:35:07$150,000
01:35:09$150,000
01:35:11$150,000
01:35:13$150,000
01:35:15$150,000
01:35:17$150,000
01:35:19$150,000
01:35:21$150,000
01:35:23$150,000
01:35:25$150,000
01:35:27$150,000
01:35:29$150,000
01:35:31$150,000
01:35:33$150,000
01:35:35$150,000
01:35:37$150,000
01:35:39$150,000
01:35:41$150,000
01:35:43$150,000
01:35:45$150,000
01:35:47$150,000
01:35:49$150,000
01:35:51$150,000
01:35:53$150,000