Relaxing Music
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1988 Grievous Bodily Harm UNCUT HOT MOVIE Olin Friels
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00:06:00Susie, Eddie wanted you to have this.
00:06:06Traceable?
00:06:08Knowing Eddie, I wouldn't think so, would you?
00:06:12What, there'd be 10, 15 grand there?
00:06:15Tied you over for a bit, wouldn't it?
00:06:18Look, I want an exclusive on him.
00:06:22You bastards are all the same.
00:06:24Why?
00:06:26We liked Eddie.
00:06:27I don't wanna tip a bucket on him.
00:06:28I just wanna tell his story.
00:06:33Look at it this way, Susie.
00:06:36A big page one send-off.
00:06:40You all right, mate?
00:06:44First time I met...
00:06:45Hang on, hang on.
00:06:51The first time I met Eddie...
00:06:54Your methods are getting worse, Thomas.
00:06:56Yeah, I like to think so.
00:06:58Comes from your warm sense of charity, does it?
00:07:01Look, mate, I promised Eddie I'd give him the money.
00:07:04I can't believe your bloody goal.
00:07:07Don't worry about it.
00:07:09Don't worry about anything.
00:07:11Just forget it.
00:07:46So, although this is a novel in a very real sense,
00:07:50it also is not.
00:07:52You know what I mean?
00:07:54Let's have a look at what Stewart's done.
00:07:56He's taken a real criminal case
00:07:58and he's turned it very cleverly
00:08:00into an indictment against a system
00:08:02that he believes discriminates
00:08:04against the underprivileged in our society.
00:08:07And he's turned it into an indictment
00:08:09against a system that he believes
00:08:11discriminates against the underprivileged
00:08:13in our society.
00:08:15Check out the title.
00:08:17A Killing for the Crown.
00:08:19Now, that seems to suggest
00:08:21that justice has become some kind of blood sport
00:08:24as opposed to a real assessment of the truth.
00:08:27Although, since publication,
00:08:29some doubts have been cast upon
00:08:31the authenticity of Stewart's information.
00:08:34Don't you think, Natalie?
00:08:37Sir?
00:08:47Natalie?
00:08:51Please?
00:09:08Mr. Prentice,
00:09:10do you think Stewart's book
00:09:12is responsible for the retrial and acquittal
00:09:15of James Edward Hodgins,
00:09:17or do you think it was misled?
00:09:19I don't know.
00:09:21No, of course you don't.
00:09:23But then you don't know much, do you?
00:09:26Since your mind really raises itself above belt level.
00:09:32Anyone we know?
00:09:35Anyone we know?
00:09:43Well, Prentice,
00:09:45since you seem intent on discussing
00:09:47the artistic merits of this particular work,
00:09:50I suggest you take it directly to the headmaster.
00:09:53Oh, hell no.
00:09:55Oh, hell yes.
00:09:57It's not mine. Quit hassling.
00:10:05I believe we were discussing Stewart's use of nonfiction
00:10:09as a weapon against social injustice.
00:10:22Morris, this business with young Prentice...
00:10:25I assure you it won't happen again.
00:10:27Well, that's very gratifying to hear.
00:10:30I assure you it won't happen again.
00:10:32Well, that's very gratifying to hear.
00:10:34But I don't feel I can let the matter rest there,
00:10:37for all consent.
00:10:41Now, you know how deeply sorry we all feel about Claudine?
00:10:47Look, Morris, the holidays will give you a chance to relax.
00:10:51However, today's actions are totally unacceptable.
00:10:55And if it happens again...
00:11:00Thanks for your support, Henry.
00:11:31What's happening?
00:11:33He's bloody hopeless.
00:11:35Tom Stewart isn't back there by any chance, is he?
00:11:37Yeah, I think so.
00:11:39Get in.
00:11:43Stewart!
00:11:44Yeah?
00:11:45Detective Sergeant Birch wants to chat.
00:11:47Aren't I lucky. Come on, Mick.
00:11:49Not you.
00:11:53Bit of strife, eh?
00:11:55I've tried everything.
00:11:56Want to talk to him?
00:11:57Not especially.
00:11:58Your scoop?
00:11:59Yeah, my arse, too.
00:12:01Derek, get everyone out of sight.
00:12:04He's got a shotgun, so stop where I tell you.
00:12:07All right, everyone back.
00:12:09Oh, thanks, Ray.
00:12:10You'll be all right.
00:12:11I want everyone out of here. Right out.
00:12:13Behind the car. Come on.
00:12:16Everyone out of here.
00:12:18Come on.
00:12:19That's far enough, Tom.
00:12:21Behind the car. Come on.
00:12:22Leslie, I know you don't want to talk to us,
00:12:25but the gentleman standing out there is a reporter.
00:12:28Name of Tom Stewart.
00:12:30You've probably heard of him.
00:12:32He wants to hear your side of the story.
00:12:35What do you say?
00:12:45Liz!
00:12:47I don't want to pry into your personal affairs.
00:12:50Whatever reason you've got for doing this,
00:12:52I'm sure is a good one in your eyes.
00:12:55Look, all I want to do is talk to you
00:12:58and get your side of this.
00:13:00Maybe take a photograph.
00:13:02That seems fair.
00:13:04What about the coppers?
00:13:07They just want to wrap this up, go home and have a beer.
00:13:10They don't want blood. They're just doing their job.
00:13:13Yeah, well, I'll think about it.
00:13:15I'll think about it.
00:13:26Keep down!
00:13:30Derek will bring your mate up.
00:13:32Coming?
00:13:39Detective Allen will look after you.
00:13:41Just wait here a minute, please.
00:13:49Three counts of rape, two attempted murders.
00:13:52He wouldn't have let that girl go.
00:13:54He's got a crowd in the jails, Ray.
00:13:56Get real, Tom.
00:13:58I don't need any more bloody favors, all right?
00:14:01There were two shots.
00:14:03Liz was fired first, it's you.
00:14:05And I saved your life.
00:14:07You do understand how the story will read, don't you?
00:14:13By the way, great exclusive on Eddie Wiggs' girl.
00:14:17Don't know how you do it.
00:14:19I really don't.
00:14:24MUSIC
00:14:54CHEERING
00:15:15Ladies and gentlemen...
00:15:17..Authentatious!
00:15:19CHEERING
00:15:25Thank you so much. Thank you.
00:15:29Wonderful to be here. Certainly wonderful.
00:15:32The date is December 24 in the year zero.
00:15:35The place, Palestine.
00:15:37WHISTLING
00:15:39The scene, a dusty road.
00:15:41The road from Nazareth.
00:15:43Tel Aviv was named after a band that had a number one with Love Hurts.
00:15:46OK, we look up at the sky and what do we see?
00:15:48A big bright star shining down on the tiny village of Bethlehem.
00:15:52Astrological science informs us today, of course,
00:15:55that this was undoubtedly the earliest recorded manifestation of Ali's comet.
00:15:59The real one, not the five-watt fuzzball we got this time around.
00:16:03So Joseph, the small but humble car,
00:16:05comes schlepping down the road, leading a donkey.
00:16:08And on the donkey sits his wife Mary and their three children,
00:16:11Ezekiel, Ellie and Daryl.
00:16:17Sorry.
00:16:22Odin?
00:16:24Mary is heavy with child and the child is not it.
00:16:32Odin!
00:16:37HORN HONKS
00:16:42HORN HONKS
00:16:53HORN HONKS
00:16:55HORN HONKS
00:17:21My God, don't you ever give up?
00:17:24I've got to get out. Seems I didn't see what I actually saw.
00:17:27And the moral is?
00:17:29Keep your contacts.
00:17:32Just write the story.
00:17:55The number you have called is not connected.
00:17:58Please check the number before calling again.
00:18:01I repeat, please check the number before calling...
00:18:24SIREN WAILS
00:18:49Vivian Enderby?
00:18:51Viv?
00:18:53Morris?
00:18:55It's Claude there, Viv.
00:18:57Oh, Morris.
00:18:58Tell her I'm getting lonely.
00:19:00No, no, Morris, not tonight, please.
00:19:02Back at four, she said in the note.
00:19:05You drink too much.
00:19:07If she's not with you, I'll have to start calling hospitals.
00:19:10It's Morris on his hospital rounds again.
00:19:13I'll go over.
00:19:15He should have pulled himself together by now.
00:19:17Would you if you lost me?
00:19:20It really is Morris, is it?
00:19:23Yeah.
00:19:37Hey!
00:19:39Come here.
00:19:41The word is Pellegrini's not impressed with your report...
00:19:43on the shooting at the warehouse.
00:19:45Crying out loud, I get bloody results, don't I?
00:19:47Yeah, it's just that I've got to front up in the morning...
00:19:49and answer some questions.
00:19:51Hey, Eric.
00:19:53Leslie was about to shoot.
00:19:55He was an evil little bugger...
00:19:57who would have killed the girl and the bloke anyway.
00:19:59I mean, what are those jerks upstairs doing?
00:20:02They've forgotten what it's like out here.
00:20:05Let's leave the high-minded stuff...
00:20:07to the likes of Stuart, OK?
00:20:11Look at those proofs.
00:20:13Ah.
00:20:15And I'll have a scotch on your royalties, Jack.
00:20:17Yeah.
00:20:19$1,060.
00:20:21They'd just sold the 173rd copy.
00:20:23Oh, don't get all of them, mate.
00:20:25The book was good.
00:20:27The book was rubbish.
00:20:29He was guilty, and every other bastard knew it.
00:20:31You were set up.
00:20:35I was set up.
00:20:37Not to mention the publishers, your friends who backed you.
00:20:40Me, the typist.
00:20:42The barman.
00:20:44His wife.
00:20:46His children.
00:20:48Everybody.
00:20:50Except him.
00:20:52You said you'd wipe these.
00:20:54Stephen's paranoid about his patients finding out.
00:20:57To say nothing of the medical tribunal.
00:21:01Leave it.
00:21:03Well, then, destroy it, as you promised.
00:21:07I never did understand
00:21:09your obsession with recording everything.
00:21:18Where is she, Beth?
00:21:20You're wearing us all out, Morris.
00:21:27I'm sorry.
00:21:29I'm sorry.
00:21:31I'm sorry.
00:21:33I'm sorry.
00:21:36I saw her again.
00:21:38When?
00:21:40Tonight.
00:21:42Morris, Claudine is dead.
00:21:44Yes, I know. You've told me.
00:21:49Take your hands away.
00:21:51No.
00:21:53Please.
00:21:55I think you've been keeping something from me.
00:21:59You were so smart and smug and sophisticated.
00:22:02We exploited her.
00:22:06You're not supposed to do it that hard.
00:22:10You told me.
00:22:12I thought you liked it.
00:22:25You look lovely.
00:22:28You look lovely.
00:22:35I can only stay a little while.
00:22:47Coming in?
00:22:49No, I've got to get home.
00:22:51Don't muck around, Eric. I'm offering you a drink.
00:22:53Look, I'm pushed for time. Maybe tomorrow.
00:22:58You know you don't have to work with me.
00:23:00Come off it, Ray.
00:23:02I really have to get home.
00:23:05Yeah.
00:23:10I knew it.
00:23:27What do you want?
00:23:57Shit.
00:24:28Shit.
00:24:53You've got too many things on your mind, Morris.
00:24:56Join yourself.
00:25:00You're not exactly the first person it's ever happened to.
00:25:03Morris, are you dead?
00:25:07It really isn't a big deal.
00:25:14Morris.
00:25:22You good at names?
00:25:26That's my book.
00:25:29Both of them?
00:25:33Let's see.
00:25:37Seeker, Pfeiffer.
00:25:39What is this?
00:25:41I did see her, you know, Viv.
00:25:43Tonight.
00:25:45She got away, but she left her handbag.
00:25:48She's Jennifer Reynolds now.
00:25:50Did you know that?
00:25:53Morris?
00:25:57Plenty of books like that around, Morris.
00:25:59Yes, I'm sure.
00:26:01Names, addresses.
00:26:03Men, mostly.
00:26:15What's that?
00:26:17You knew.
00:26:19Don't be ridiculous.
00:26:21Stop!
00:26:39What is like this?
00:26:43Stop!
00:26:52Oh, God.
00:27:13You all right?
00:27:15Ray.
00:27:17Any problem?
00:27:19No, no, no problem.
00:27:21Just dropped in for a friendly chat.
00:27:23On your own.
00:27:25And what do you want to chat about?
00:27:27Thought you might need some advice.
00:27:29From someone who knows the traps.
00:27:31That'd be you, Ray.
00:27:33Killed for a drink.
00:27:35I believe you would.
00:27:39You know, you're pretty smart for a young fella.
00:27:42I'm glad you think so.
00:27:44But you lack one thing.
00:27:46Oh, yeah, what's that?
00:27:48Edge.
00:27:50Edge.
00:27:52Yeah.
00:27:53Take that book of yours.
00:27:55How did you feel when me old mate Hodges told you
00:27:58that he really had murdered his sister-in-law?
00:28:02Wasn't hard to persuade him to tell you, you know.
00:28:07That's a pretty good set-up, Ray.
00:28:09I never did thank you for it.
00:28:11Well, it's not too late.
00:28:13Oh, you'll like the story tomorrow.
00:28:15I wouldn't worry, Ray. I'm not stupid.
00:28:17No, I know you're not stupid.
00:28:20But you are a mug.
00:28:22Tell me why.
00:28:24Could have made a fortune with your book.
00:28:27Not here. It's too late, granted.
00:28:29But overseas, they lap that stuff up.
00:28:32Selves the conscience.
00:28:34And that's where you lack edge.
00:28:36You don't follow through.
00:28:38You see, Ray, money's not that important to me.
00:28:41Don't kid yourself.
00:28:44Look, Tom, you've still got a bright future.
00:28:47If you remember who your mates are.
00:28:50How could I forget?
00:28:56Got any good tapes?
00:29:13No, I don't think so.
00:29:43Where is she?
00:29:45Morning. Long time no see.
00:29:47Was Vivian here last night?
00:29:49No, I don't know.
00:29:51Was she here or wasn't she?
00:29:53I totally haven't got a clue.
00:29:55Did you phone her last night?
00:29:57No, I didn't.
00:29:59Did you call her?
00:30:01No, I didn't.
00:30:03No, I didn't.
00:30:05No, I didn't.
00:30:07No, I didn't.
00:30:09No, I didn't.
00:30:11Did you phone her last night?
00:30:13I was just reminiscing, actually.
00:30:23You said you destroyed all those.
00:30:25Mm. I lied.
00:30:27I want any with Vivian or myself in them destroyed.
00:30:30I'm not surprised.
00:30:32Hardly the sort of thing for a leading surgeon to be doing, is it?
00:30:37Dear Christ.
00:30:39How did Claudine ever put up with you?
00:30:42Amazing how one's friends change over the years, isn't it?
00:30:45Rather tragic, actually.
00:30:47And quite repellent.
00:30:52You're a failure in every respect, aren't you, Maurice?
00:30:57We're all fed up to the eye teeth with you and your absurd fantasies.
00:31:01Vivian and myself especially.
00:31:03Oh, please, do try and forgive me.
00:31:09Ray.
00:31:11What have you got?
00:31:13It seems that Eddie and Phillips got away with quite a bit the other night.
00:31:16How much?
00:31:18The trouble is, nobody appears to be keeping the records, so they can't tell us just yet.
00:31:21Bloody nerves.
00:31:23Not even rough, are you?
00:31:25Only that it's a lot.
00:31:27What the hell is a lot, Derek?
00:31:2920,000? 100,000? A million?
00:31:31A lot. Just a lot.
00:31:35A lot.
00:31:39A lot.
00:31:49Thanks, Bill.
00:31:51Tom Stewart here. I believe there's a call for me.
00:31:53Is that you, Tom?
00:31:55Yes, Neil.
00:32:00I'll be right there.
00:32:03The body of a naked woman in the boot of a submerged car over at Cornell.
00:32:07Come on.
00:32:10It'll never get us to New York.
00:32:12Well, if I can prove she did it herself.
00:32:26See you, Morgan.
00:32:28Who is she?
00:32:30Black over there's wife, Enderby.
00:32:32Well, you got what you want?
00:32:34No, not quite yet.
00:32:36All right, well, I'm going to get this stuff developed back at the lab.
00:32:38The Herald guy's got me left.
00:32:40Right-o, Mick. See you there.
00:32:42All right, mate.
00:32:51Come on, Ray, don't give me that classified information rubbish.
00:32:54Give me a lead.
00:32:56Enderby says this guy Morris Martin could have been the last one to see her alive.
00:33:00That's it.
00:33:01That's enough. I'll find him.
00:33:27Whoa!
00:33:40Phew!
00:33:44Hello there.
00:33:45Did you want something?
00:33:47Yeah, I wanted to see Mr Martin.
00:33:49He's not there. He left after the policeman came.
00:33:52Did Mr Martin say when he'd be back?
00:33:54He came over this morning and talked to Mummy.
00:33:56He'll be coming back tomorrow morning, he said.
00:34:05What I'm saying, Ray, is things don't work the way they used to anymore.
00:34:09And what way was that, sir?
00:34:11The story we have got, Birch, is that the guy went down after the first shot, not the second.
00:34:15You must know what it's like out there, sir.
00:34:18Maybe you don't.
00:34:20But there were a lot of things happening that day.
00:34:22Wouldn't be difficult for things to get distorted in people's minds.
00:34:26Tell me exactly who was it, Mr, um...
00:34:29Stansfield.
00:34:31Mr Stansfield that saw it this way.
00:34:34That'll be all for now, Birch.
00:34:36Very good, sir.
00:34:52Thank you.
00:35:22My name's Morris Martin. I'm looking for Mr Seeker.
00:35:25I'm afraid Mr Seeker is not available, Mr Martin. May I help you?
00:35:29I was hoping to locate my wife.
00:35:32I have reason to believe she's been living in the area.
00:35:35I'm sorry, I haven't seen her. It's a small community.
00:35:38I would have known.
00:35:42I see. Thank you.
00:35:52DOOR KNOCKS
00:36:22DOOR CREAKS
00:36:53DOOR CREAKS
00:37:00Mr Seeker.
00:37:02What do you want?
00:37:04You can help me.
00:37:06I think not, Mr Martin.
00:37:08Are you looking for your wife?
00:37:13I've seen the pictures.
00:37:15Trespassing?
00:37:17Tell me about them, about how you came to know her.
00:37:19I advise you to get out.
00:37:22GRUNTS
00:37:37SCREAMS
00:37:40BUZZER
00:37:47Are you well?
00:37:49I'm alive.
00:37:51Your timing was bad.
00:37:53So, how have you been?
00:37:55Fine. Meet you at the hospital in 20 minutes?
00:37:57Annie, can I ask you a really big favour?
00:37:59Oh, this'll be good.
00:38:01Would it be all right if I stayed here for tonight?
00:38:03I won't be here till five.
00:38:05That's all right. I won't wait up.
00:38:09Well, you won't have to, because you'll be in the spare room.
00:38:12Great. I'll just put this in there.
00:38:14Can't thank you enough.
00:38:20SIGHS
00:38:30BELL RINGS
00:38:38BELL CONTINUES TO RING
00:38:44THUNDER
00:38:50THUNDER RUMBLES
00:38:52It's been strangely quiet about 80 weeks, Little Hall.
00:38:55Thought you might be able to help.
00:38:57I'd like to, Sarge, but nobody's heard a thing.
00:38:59Strike here's odd?
00:39:01Very.
00:39:03Meaning?
00:39:05Meaning it must have been outsiders involved.
00:39:07Or they dumped it before the crash.
00:39:09Very good, Jimmy.
00:39:11They rob a bank, know they're gonna have a smash,
00:39:13so they bury the money.
00:39:15You're gonna have to do better than that, old son.
00:39:20DOG WHINES
00:39:31Good morning.
00:39:33What are you doing in here?
00:39:35Reading a book.
00:39:37Tom, we're divorced.
00:39:39Ah. That was ages ago.
00:39:41Was it?
00:39:44SIGHS
00:39:46So, how's work?
00:39:48Lousy.
00:39:50You know, at the risk of repeating myself,
00:39:52this really is the cesspool of the world.
00:39:54Yeah, I think I've heard that somewhere before.
00:39:58So it's still New York, then?
00:40:03Stuffed New York.
00:40:06Then what do you want?
00:40:09SIGHS
00:40:11No. Huh?
00:40:13No. No. No, no, no, no.
00:40:15No, no, no. Don't. Come on.
00:40:17Don't cut me out. Please, listen to me.
00:40:19Listen.
00:40:23We should have had kids.
00:40:25And have them end up like you?
00:40:29You got a point.
00:40:32SIGHS
00:40:36God, I liked you once.
00:40:39I even liked me too once.
00:40:50DOG BARKS
00:41:02BIRDS CHIRP
00:41:04DOORBELL RINGS
00:41:11Tom Stewart.
00:41:14SIGHS
00:41:16Detective Ray Birch,
00:41:18who in turn was promoted through these investigations,
00:41:20was able to establish...
00:41:22You made the whole thing yourself?
00:41:24Yes. It's a sort of hobby of mine.
00:41:27I really admired your book very much.
00:41:29That's why I used it with the kids.
00:41:32I don't suppose you'd mind, uh...
00:41:34I don't know, maybe writing something on it for me?
00:41:37By all means.
00:41:39Thanks.
00:41:41What can I say?
00:41:43I take it all that stuff about fabricated evidence
00:41:46was just a smear tactic?
00:41:48Uh...
00:41:50Not entirely, Morris.
00:41:52The truth of the matter is that he actually did do it.
00:41:56Told me so after the second trial.
00:42:00You had no idea?
00:42:02There was a sneaking suspicion,
00:42:04but, um, it didn't stop me writing it.
00:42:08Thanks.
00:42:11Another drink?
00:42:13Never say no.
00:42:15You see, I'm, uh, working on the end of the murder,
00:42:18and, uh, if you could help me with a couple of questions,
00:42:21it, um...
00:42:23It might give me a clearer line on the story.
00:42:26Sure.
00:42:28Well, first off, um,
00:42:30I understand that Dr. Enderby said
00:42:32you rang his wife the night she was killed.
00:42:34Yes, I know. The police told me.
00:42:36In fact, I haven't seen her spoken to Viv for, I don't know, about a month.
00:42:40It's odd, isn't it, that he'd say, uh,
00:42:42you were the last person she spoke to.
00:42:45Yes, well, we've been friends for a long time, and, uh...
00:42:49Well, the truth is, Vivian's rather fond of, uh, other men,
00:42:52if you know what I mean.
00:42:54Although I doubt if Stephen would have put quite such a fine point on it.
00:42:58So she, uh, used a mutual friend as an alibi?
00:43:02That sort of thing, yeah.
00:43:05I see.
00:43:10Do you mind if I ask a personal question, Morris?
00:43:13No.
00:43:15I understand your own wife died six months ago.
00:43:19Yes.
00:43:21She died in Paris.
00:43:23Car accident.
00:43:25That's her then.
00:43:28A very beautiful lady.
00:43:31There was never anyone more beautiful.
00:43:36I'm sorry.
00:43:39...were well-known artist Laszlo Sika
00:43:41and his housekeeper, Madeline Kovic.
00:43:43Police are baffled by the ferocity of the attacks...
00:43:47Ow!
00:44:13Carrot juice?
00:44:15Scotch.
00:44:16Of course.
00:44:18I'll join you.
00:44:20Good to see you.
00:44:26You like?
00:44:27Different.
00:44:33To Vivian.
00:44:35It was bound to happen.
00:44:41Do you want to talk about it?
00:44:45Um, did Claude go back to what she used to do?
00:44:49What?
00:44:50Look, I've tried all the travel agencies,
00:44:52every single one of them.
00:44:54Nobody's ever heard of her.
00:44:56It just doesn't make sense.
00:44:58Could she still be alive?
00:45:00Do you think that's possible?
00:45:01No, darling.
00:45:02I don't see how she could be.
00:45:04But you'd tell me, wouldn't you?
00:45:05I mean, if you even suspected anything.
00:45:07All I know is that a year before she died,
00:45:10she was working for some woman called Spicer.
00:45:14So she only pretended to go overseas.
00:45:16Morris, it's past.
00:45:18She loved you and only you.
00:45:20Leave it at that.
00:45:22I need to talk to the Spicer woman.
00:45:24Why?
00:45:25Barbara, please.
00:45:28It won't do you any good.
00:45:34Spicer.
00:45:35Eve.
00:45:37What if I told you I'd seen her?
00:45:39Seen Claudine?
00:45:41What would you say?
00:45:44I only wish I could believe you had.
00:45:54All right, ladies and gentlemen.
00:45:56Turning to crime, as we all should have done ages ago.
00:46:01Ken, I want you to work up something on the Seeker murders.
00:46:04Mist-shrouded house in the mountains, that kind of crap.
00:46:07Neil, could I grab that one?
00:46:09Ken won't mind, will you, Ken?
00:46:13All right, Tom.
00:46:14As long as you don't turn it into a book again.
00:46:18Carol, I've got something here for you as well.
00:46:39Thank you.
00:46:40You all right?
00:47:08You all right?
00:47:09See you back in the car, Mick.
00:47:39Stand by, CID.
00:47:40Mick, you got your Polaroid with you?
00:47:42Yeah.
00:47:43Give it to me, will you?
00:47:47Be careful with it.
00:47:48You bet.
00:47:49Okay.
00:47:59Hey, man.
00:48:00What's up, man?
00:48:01What's up, man?
00:48:02What's up, man?
00:48:03What's up, man?
00:48:04What's up, man?
00:48:05What's up, man?
00:48:06What's up, man?
00:48:08Hey, Al, this area's off-limits.
00:48:28What's wrong?
00:48:29You wouldn't believe it if I told you.
00:48:32Back to the baby, then?
00:48:34Yeah, I'll go on from there.
00:48:38Come on.
00:48:45This is Eve Spicer speaking.
00:48:47I'm not able to come to the phone at the moment,
00:48:49but if you'd care to leave your name and phone number...
00:49:07Dog!
00:49:08Dog!
00:49:09Dog!
00:49:10Dog!
00:49:11Dog!
00:49:12Dog!
00:49:13Dog!
00:49:14Dog!
00:49:15Dog!
00:49:16Dog!
00:49:17Dog!
00:49:18Dog!
00:49:19Dog!
00:49:20Dog!
00:49:21Dog!
00:49:22Dog!
00:49:23Dog!
00:49:24Dog!
00:49:25Dog!
00:49:26Dog!
00:49:27Dog!
00:49:28Dog!
00:49:29Dog!
00:49:30Dog!
00:49:31Dog!
00:49:32Dog!
00:49:33Dog!
00:49:34Dog!
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00:49:36Dog!
00:49:37Dog!
00:49:38Dog!
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00:50:00Dog!
00:50:01Dog!
00:50:02Dog!
00:50:03Dog!
00:50:04Dog!
00:50:05Dog!
00:50:06Meow!
00:50:35Dog!
00:50:36Dog!
00:50:37Dog!
00:50:38Dog!
00:50:39Dog!
00:50:40Dog!
00:50:41Dog!
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00:50:50Dog!
00:50:51Dog!
00:50:52Dog!
00:50:53Dog!
00:50:54Dog!
00:50:55Dog!
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00:50:58Dog!
00:50:59Dog!
00:51:00Dog!
00:51:01Dog!
00:51:02Dog!
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00:51:06Dog!
00:51:07Dog!
00:51:08Dog!
00:51:09Dog!
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00:51:17Dog!
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00:51:20Dog!
00:51:21Dog!
00:51:22Dog!
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00:51:24Dog!
00:51:25Dog!
00:51:26Dog!
00:51:27Dog!
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00:51:48Dog!
00:51:49Dog!
00:51:50Dog!
00:51:51Dog!
00:51:52Dog!
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00:51:58Dog!
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00:52:00Dog!
00:52:01Dog!
00:52:02Dog!
00:52:03Dog!
00:52:04Dog!
00:52:05Dog!
00:52:06Dog!
00:52:07Dog!
00:52:08Dog!
00:52:09Dog!
00:52:10Dog!
00:52:11Dog!
00:52:12Dog!
00:52:13Dog!
00:52:14Dog!
00:52:15Dog!
00:52:16Dog!
00:52:17Dog!
00:52:18Dog!
00:52:19Dog!
00:52:20Dog!
00:52:21Dog!
00:52:22Dog!
00:52:23Dog!
00:52:24Dog!
00:52:25Dog!
00:52:26Dog!
00:52:27Dog!
00:52:28Dog!
00:52:29Dog!
00:52:30Dog!
00:52:31A passenger is very urgent and may like to try 360-1448.
00:52:56Yes, may I help you?
00:52:57Eve Spicer, please.
00:52:59She'll be back in the morning. Any message?
00:53:01Don't worry, I'll call back.
00:53:08She was a delightful person.
00:53:10Warm, intelligent, and beautiful.
00:53:13A rare creature.
00:53:15What sort of a job did she have, Doctor?
00:53:17She was an overseas tour guide.
00:53:19Oh yeah? Who with?
00:53:21I've no idea.
00:53:22She was never a model, was she? An artist model?
00:53:25Not to my knowledge.
00:53:29Look, I'm sorry, Stuart, but I promised I'd look in on the patient.
00:53:32Sure.
00:53:35Thanks for the drink.
00:53:59No problem.
00:54:29DOOR OPENS
00:55:00DOOR CLOSES
00:55:02DOORBELL RINGS
00:55:26Satisfying your insatiable curiosities, Stuart?
00:55:29In a way.
00:55:31Actually, I was looking for the tapes you took from Morris Martin's house.
00:55:35I suppose it's a bit embarrassing to leave that sort of stuff lying around.
00:55:38Well, thank you not to pry into my personal affairs.
00:55:41Well, given the circumstances, there might be a bit of public interest here.
00:55:45By dragging my name and that of my late wife through the mud, is that what you're implying?
00:55:49No, I'm not implying that. I just want to find out what's going on.
00:55:52You have no private life, then, I take it.
00:55:54No personal secrets.
00:55:56No habits you prefer not disclosed in lurid detail on the front page of your newspaper.
00:56:01Weren't we discussing your situation?
00:56:03No, no.
00:56:05We're discussing yours.
00:56:07If you don't leave me alone, you'll find yourself in prison.
00:56:11Is that a threat, Doc?
00:56:12Yes.
00:56:15Thought so.
00:56:20Hey, Mick, can you make out the postmark on there?
00:56:25Dark glasses help?
00:56:2928th of December?
00:56:31Not October, is it?
00:56:33Don't think so. Why?
00:56:35Doesn't matter.
00:56:37Drink?
00:56:38Can't. Gotta go.
00:56:40Ooh.
00:56:41Well, where are you gonna be?
00:56:42Out.
00:56:43Then either back here or around at Annie's.
00:56:45Ah. You two friends again?
00:56:47Never enemies, mate. Just incompatible.
00:56:51Thirsty?
00:57:11There were marvelous times, Mr. Stewart.
00:57:13Unconventional times.
00:57:15We were all very close.
00:57:18Very close.
00:57:21Was Morris ever in love with Vivian Enderby?
00:57:24In love?
00:57:25Mm.
00:57:26If you mean by that, did Morris ever sleep with Vivian, the answer's yes.
00:57:30But then so did we all at various times.
00:57:33You mean Stephen and Morris and...
00:57:36And Vivian and myself, yes.
00:57:38Didn't Stephen explain?
00:57:40No, he didn't.
00:57:41Well, he must be a little shy these days.
00:57:45Wasn't Morris married to a Claudine...
00:57:48Fergus?
00:57:49Yeah.
00:57:50No, he was married to me.
00:57:54I don't quite understand.
00:57:56Claudine was an English girl we met in Spain.
00:57:59San Sebastian, actually.
00:58:01You see, we even used to take our holidays together.
00:58:04She and Morris fell in love.
00:58:07You realize what she was?
00:58:09No.
00:58:10She was a whore, Mr. Stewart.
00:58:12She was a whore, Mr. Stewart.
00:58:14A very beautiful and highly paid whore.
00:58:17She was utterly charming and captivating.
00:58:20And in a very real sense, we were all in love with her.
00:58:28Yes?
00:58:29Mrs. Spicer?
00:58:30My name's Martin.
00:58:31You were recommended to me.
00:58:33It's the top floor, Mr. Martin.
00:58:43Mr. Martin, won't you come through?
00:58:51Tell me, do you think it's possible
00:58:54that Claudine Vargas is still alive?
00:58:57Well, what an extraordinary question.
00:59:00Is it?
00:59:02I understood it was Vivian you wanted to discuss.
00:59:06I think it's all connected.
00:59:08Do you really?
00:59:15Is that Claudine?
00:59:17Yes.
00:59:18Awfully commercial, don't you think?
00:59:23The sculpture at Morris Martin's house, I suppose...
00:59:26I did several of her, if that's the question.
00:59:29Is she alive or not?
00:59:31You've been listening to Morris.
00:59:33I don't know.
00:59:35You're looking for a mystery, Mr. Stewart,
00:59:38and there isn't one.
00:59:40Claudine is dead.
00:59:42It's as simple and as sad as that.
00:59:59And then there's Sasha.
01:00:01Show your photographs.
01:00:05What about you?
01:00:07Me?
01:00:08Unless there's really a Mr. Spicer, of course.
01:00:11There is, but you're at liberty to choose whomever you like.
01:00:17Then I choose you.
01:00:19I'm very flattered.
01:00:21When are you free?
01:00:23Tonight could be reorganized.
01:00:25For dinner?
01:00:27Lovely.
01:00:29I really wanted to ask you something rather private.
01:00:33A specialty.
01:00:35Well, not exactly.
01:00:39I want to know if my wife worked for you.
01:00:42Her name's Claudine, but...
01:00:45I think you might have known her as Jennifer Reynolds.
01:00:48I don't know anyone by that name.
01:00:50I'm sorry.
01:00:51I think you do.
01:00:53If you'll excuse me just for a minute.
01:00:55She did work for you, I've been told.
01:00:58I don't know her.
01:01:00Where?
01:01:01I don't know who you're talking about.
01:01:03What about where?
01:01:05Let me go.
01:01:07Where is she?
01:01:09Let me go!
01:01:11Where?
01:01:12Let me go!
01:01:13Where is she?
01:01:15I don't know where she is.
01:01:17Tell me.
01:01:18Where?
01:01:20See, even poor Barbra Stone thinks she's dead.
01:01:24But she's not.
01:01:26She's alive.
01:01:29Could you at least clear something up for me?
01:01:32There's a postcard, right?
01:01:34It's dated two months after Claudine Martin's supposed to have died.
01:01:37I gave you some advice when you broke into my homestead.
01:01:40Yeah, sure.
01:01:41It seemed you'd forgotten it or ignored it.
01:01:43No, no, look.
01:01:44If she's alive, she could be in serious danger.
01:01:46Do you understand?
01:01:47Look, is she alive or not?
01:01:51What a jerk.
01:01:59Mrs. S?
01:02:01Okay to do the carpet?
01:02:09Nick, my boy.
01:02:10Bradshaw's looking for you.
01:02:12You said you'd be at Annie's.
01:02:13Yeah, I know.
01:02:14Listen, do me a favor, will you?
01:02:16Tell ex-London.
01:02:17Ask them to check on the death of a Claudine Martin.
01:02:20She was a British citizen.
01:02:22Supposed to have died in Paris about six months ago.
01:02:25Had a maiden name of Vargas.
01:02:27Come on, mate, it's not my job.
01:02:28Ask one of the girls.
01:02:29Come on, don't be a...
01:02:30Do me a big favor.
01:02:31I haven't got time.
01:02:32What'll I say to Bradshaw?
01:02:33I don't know.
01:02:34Tell Bradshaw what you like.
01:02:35Hello, boss.
01:02:36Where the hell have you been?
01:02:37I've been working my ass off.
01:02:38Well, there's been another murder.
01:02:39It's at this address.
01:02:40And they've jammed the lid down tight.
01:02:42Find out what it's all about.
01:02:44On my way.
01:02:53Hi, Tom.
01:02:55No press.
01:02:57Ray.
01:03:00Media's not invited.
01:03:02Not your territory, is it, Ray?
01:03:04Everything's my territory, son.
01:03:08Bit late to stop trusting me now, isn't it?
01:03:18OK, let's go.
01:03:19Let's take a look.
01:03:20Sure.
01:03:21OK, we just need a couple more details from him.
01:03:25Told you already that I've got you.
01:03:27Any theories?
01:03:30Rival operation?
01:03:32Maybe.
01:03:33Or just some nutter who hates women.
01:03:35Clients, you mean?
01:03:37Speaking of which...
01:03:40Take a gander at that.
01:03:42It's a special clientele.
01:03:44But keep it to yourself.
01:03:48Don't suppose you'd recognize any of these?
01:03:50On my wages?
01:03:52Don't put your daughter on the stage, huh?
01:03:54Here's some more, Ray.
01:04:00You know her?
01:04:03No.
01:04:05Classy.
01:04:08Well, be sure to let me know if that fertile miner of yours comes up with something, will you?
01:04:14By the way...
01:04:16Remember the night Eddie Weeks and his mate got killed?
01:04:20Word is that they didn't get a chance to drop the money.
01:04:23What about the paramedics?
01:04:25Rare breed them.
01:04:26Honest as the day is long.
01:04:28Like me.
01:04:30Get much?
01:04:31Some.
01:04:33Beats me.
01:04:36Yeah, real mystery.
01:04:50Yeah, I know how much it costs, Phil.
01:04:52Just make the arrangements, OK?
01:04:53Yeah, all right.
01:04:54And remember, use the name Neil Bradshaw. You got that?
01:04:56Neil Bradshaw, yeah.
01:04:57Right.
01:04:59What the hell is this?
01:05:01Well?
01:05:02What is it?
01:05:03Oh, it's stolen. I'm using it.
01:05:05For what?
01:05:06I don't know. Balance the books, maybe.
01:05:08What do you mean? With Ray Burch?
01:05:11Well, I wasn't going to keep it, was I?
01:05:13Why not?
01:05:15Might be for me.
01:05:18Hello?
01:05:19Joe?
01:05:20Mick?
01:05:21London says there's no Claudine Martin.
01:05:22What, no record of a death?
01:05:23No, no record of anything. No Claudine Vargas either.
01:05:27Yeah, right. Thanks, Mick.
01:05:28Is that all?
01:05:29Yep.
01:05:33Annie, I've got to split for a couple of days.
01:05:36You're leaving your things?
01:05:37Oh, come on. Don't be like that.
01:05:39Look, can I leave the money here? There's a lot happening.
01:05:41I just need a couple of days to put things into place.
01:05:44Of course you do.
01:05:47Thanks.
01:06:17Thank you.
01:06:36Yes?
01:06:38Mrs. Kline? Neil Bradshaw here.
01:06:41Of course, Mr. Bradshaw.
01:06:43Thank you.
01:06:47Thank you.
01:07:10Hello, Mr. Bradshaw.
01:07:11Hello.
01:07:12This is a pleasure.
01:07:13I'm Marjorie Kline.
01:07:14How do you do?
01:07:15Thank you for coming.
01:07:38Inga.
01:07:39A marvellous choice.
01:07:45Thank you.
01:08:02Hello.
01:08:03I'm Inga.
01:08:10So, this is your first visit here, Neil.
01:08:13He knows you're alive, and he's killed people to find out.
01:08:17You're Claudine Martin, aren't you?
01:08:19I don't know what you're talking about.
01:08:20I'm Tom Stewart, and I'm a reporter.
01:08:22And Morris must have found out about this place by now, too.
01:08:26Listen, you've got to let me get you out of here, and quick.
01:08:30Believe me, please.
01:08:33Come on.
01:08:43I saw a painting of you at Seeker's Place,
01:08:45so I put two and two together.
01:08:47What about the police?
01:08:49I don't think they've even got to first base yet.
01:08:55My hair and turtle are really up for your blood this time.
01:08:58So what's new?
01:09:00Tell me, do you know if the paramedics
01:09:02saw anyone close to 80 weeks before he died?
01:09:05Only Stewart and his photographer mate.
01:09:08Stewart was jollying him a lot.
01:09:10He's probably what killed him.
01:09:11I thought you knew.
01:09:13No.
01:09:15No, I didn't.
01:09:17I want you to find Eddie's girl for me.
01:09:19Susie, what's her name?
01:09:21Quick.
01:09:23All right.
01:09:40All right.
01:10:10All right.
01:10:40All right.
01:11:10All right.
01:11:26You all right?
01:11:37I'll go find somewhere, get some help.
01:11:38I'll call the police.
01:11:39He was trying to kill us.
01:11:41Please, let's go.
01:11:53Ray Birch.
01:11:55Jimmy here.
01:11:56Yes, Jimmy.
01:11:57Eddie's haul's over 270,000.
01:12:00Say that again.
01:12:02Third time.
01:12:04270,000.
01:12:07OK, thanks, Jimmy.
01:12:09Keep it under your hat, will you?
01:12:11Eddie's girlfriend Susie just came back from a holiday
01:12:13in Bali with some young stuff.
01:12:15Seems she came into some money.
01:12:18Question is, Derek, old son, just how much?
01:12:25Tom Stewart, please.
01:12:26Not here at the moment.
01:12:27Ray Birch here.
01:12:28Where is he?
01:12:29Oh, no idea, Sergeant.
01:12:30Some private project.
01:12:32Just tell him I want to chat.
01:12:38Get it real, eh?
01:12:40Yeah, big one.
01:12:41Guess they didn't give in easy.
01:12:43Ran me into the bank.
01:12:44Front end's the problem.
01:12:46No worries.
01:12:48You and the missus need a bed for the night?
01:12:50I think we might.
01:12:51Fix that too.
01:13:07Oh.
01:13:31You drink whiskey?
01:13:33Yes.
01:13:34Straight.
01:13:37I need a bit of water.
01:13:44Tea's on the table, Bert.
01:13:46Coming, Mum!
01:14:07Not saying much, are you?
01:14:09No.
01:14:12Mind if I ask you a stupid question?
01:14:15That's your job, isn't it?
01:14:17No, I'm just curious, really.
01:14:20The sort of work you do, uh...
01:14:24why do you do it?
01:14:26Why do you do it?
01:14:29Delusion's a grandeur, I think.
01:14:33Well, I'm not like you.
01:14:35I like what I do.
01:14:37Come on, the money's great.
01:14:39Buy you a lot of freedom?
01:14:43Not always.
01:14:52So you want to tell me what this is all about?
01:14:55Just interested in Susie's welfare.
01:14:57And?
01:14:59And how honest our reporter framed us.
01:15:07You be all right in there?
01:15:09I'm used to taking care of myself.
01:15:12How's he get involved with a bloke like Morris, then?
01:15:16At the time, I really needed someone to look after me.
01:15:19And he was it.
01:15:21Then he got so jealous and possessive.
01:15:24It was suffocating.
01:15:26Are you doing this just for the story?
01:15:29Yeah, I suppose I am.
01:15:32Bad habit, that.
01:15:35So that's the stuff.
01:15:37Didn't take her long to forget about Eddie.
01:15:40And it's been a while since I've seen her.
01:15:43Well, it's been a while.
01:15:45It's been a while, hasn't it?
01:15:47It's been a while.
01:15:49It's been a while.
01:15:51So that's the stuff, didn't take long to forget about Eddie.
01:16:04Amazing what a little money can buy, isn't it?
01:16:06Are we off then?
01:16:08No, no, I'll handle this one on my own.
01:16:11Just let him settle in a bit, I think.
01:16:21Okay, lover boy, out! Out!
01:16:36How much money did Stuart give you?
01:16:38I don't know what you're talking about.
01:16:40Susie, trust me.
01:16:44A few grand.
01:16:48How many grand?
01:16:50Exactly.
01:17:18Aren't you tired?
01:17:43I should be, but I'm not.
01:17:47Thinking up some more questions.
01:17:51You know, all I ever do is think up questions.
01:18:03Are you married, Tom?
01:18:06Hmm?
01:18:07You married?
01:18:09Yes, I was.
01:18:14Divorced.
01:18:17What happened?
01:18:19I was a jerk.
01:18:24And I didn't respect what I had.
01:18:28Most people don't.
01:18:31Well, they should.
01:18:35You know something?
01:18:39It might not be too late.
01:19:08All right, young Tom, what have you done with it all?
01:19:27I want Stuart.
01:19:31Want to tell me why?
01:19:32No.
01:19:33Well, that's clear enough.
01:19:36So you never were a talker.
01:19:38No, that was just a story I used to get away for a while,
01:19:41so I could breathe.
01:19:43And Enderby, he just happened to be a partner
01:19:45at the Raven's Head place.
01:19:47Great mix of careers.
01:19:48Prominent surgeon, brothel owner.
01:19:52And what did you do when that idea didn't work?
01:19:54Well, Vivian came up with a plan that I should die.
01:19:57Ironic, isn't it?
01:19:59She said if I just disappeared,
01:20:00that Morris wouldn't stop until he found me.
01:20:05Look, Bert said there's a bike in that old shed.
01:20:08I'll ride over and see how the car's going.
01:20:10Maybe we can get out of here.
01:20:12I won't be long.
01:20:32How's the car going?
01:20:34Some roo you hit.
01:20:35Sure was.
01:20:37Tell me, does that phone work?
01:20:39Did yesterday.
01:20:41Good one.
01:20:54Who's this?
01:20:55Neil Bradshaw, please.
01:20:59Hello.
01:21:00Welcome, Neil Bradshaw.
01:21:01Mr. Bradshaw.
01:21:04Yes?
01:21:07Hello?
01:21:09Hello?
01:21:21So how much longer with the car?
01:21:23Another few hours.
01:21:25Great, I'll be back then.
01:21:27I got it.
01:21:58I got it.
01:22:25Did you find Morris?
01:22:27No, Bert would have said if I had.
01:22:29Did you phone the story in?
01:22:31No, I didn't.
01:22:55All right, Bert?
01:23:05Tom.
01:23:16What?
01:23:29Whatever happened, it doesn't matter.
01:23:35I don't know.
01:24:04I don't know.
01:24:19Long way from home, aren't you, old Tom?
01:24:29Nice old mess we got into, didn't we?
01:24:58Look, the girl exists and she must have killed Martin
01:25:02because I bloody well didn't.
01:25:05And why the hell can't I see my lawyer?
01:25:07Take it easy.
01:25:08All in good time.
01:25:10Ray, we both know I didn't kill anybody.
01:25:14Do we?
01:25:32Well, what's the go, Ray?
01:25:36Still no sign of your mystery woman.
01:25:38What bloody mystery?
01:25:39Oh, come on, cut the bulldust.
01:25:41There's only a few places she could be.
01:25:43Look, if you pull your finger out, it's not hard to find her.
01:25:45You owe me that much.
01:25:48Aye, I owe you nothing.
01:26:19Hi, sir.
01:26:38Well, we found her.
01:26:40Where?
01:26:41Barbara Helmsley's place.
01:26:44Helmsley's?
01:26:45Mm-hmm.
01:26:48Good.
01:26:49Charge her and let me go.
01:26:51Pardon?
01:26:53Charge her and let me go, Ray.
01:26:55What with, Tom?
01:26:57Oh, come on, Ray.
01:26:58Morris wasn't even going to hurt her, let alone kill her.
01:27:00Morris was a lunatic.
01:27:02So?
01:27:03He's supposed to have murdered four people.
01:27:06It's perfectly simple, old son.
01:27:08Self-defense.
01:27:10Your story, however, still doesn't add up.
01:27:13My story?
01:27:15How does it go again?
01:27:17She pushes you out of the way, grabs the wheel,
01:27:19drives Morris off the road.
01:27:21Yeah?
01:27:22Pretty thin, mate.
01:27:25Ray, what are you saying exactly?
01:27:29I'm saying, shut up, and you can walk away from here.
01:27:33Start playing reporter again and you'll end up in the dirt.
01:27:37There are still unsolved murders out there,
01:27:40and you've been a regular observer.
01:27:43Could be made to look pretty bad.
01:27:45You serious?
01:27:46You think anyone's going to believe that?
01:27:48Tom, go home.
01:27:52I've run out of favors.
01:28:04Annie, you home?
01:28:06What are you doing to me?
01:28:07Ray Birch was in my home and he treated me like a piece of dirt
01:28:10and took all your precious money.
01:28:11Annie, when was he here?
01:28:12Look, I don't need to be a part of this.
01:28:13When was he here, Annie?
01:28:14When was he here?
01:28:15Yesterday.
01:28:16Oh, damn.
01:28:17Annie, I'm sorry.
01:28:18I really am, but I've got to go.
01:28:19Look, Tom.
01:28:20I'll be back, Annie.
01:28:21You are so irresponsible.
01:28:23I'm sorry.
01:28:45Where's Birch?
01:28:46He's not around.
01:28:47You know where he is?
01:28:48No idea.
01:28:50Stuart.
01:28:53I'll let you in on a little secret.
01:28:54What's that?
01:28:56It's over for him.
01:28:57Internal wonder from scapegoat.
01:29:00You serious?
01:29:02Ray's had it and he knows it.
01:29:06Thanks.
01:29:12Where is she?
01:29:13Mr. Stuart, you're too late.
01:29:16She's on a flight to New York today.
01:29:23She wouldn't be on her own, would she?
01:29:29Hello?
01:29:30Mick, you've got to make me a circular key in about 20 minutes.
01:29:32Now, don't muck around.
01:29:33You be there, all right?
01:29:34All right, I'll be there.
01:29:36Don't bother, Mr. Stuart.
01:29:52Hello, Ray.
01:30:22Thanks, Mick.
01:30:42Hey, Ray.
01:30:46Tom.
01:30:49I suppose you know what's happening here.
01:30:51I think I finally tumbled to it.
01:30:57So where do we go from here?
01:31:07Do me one favor, Ray.
01:31:10Don't come back.
01:31:21Don't come back.
01:31:44What are you going to do?
01:31:45Nothing.
01:31:46Nothing?
01:31:47So you let him in and get away with it, huh?
01:31:50Mate, they deserve each other.
01:31:52And that's it, is it?
01:31:55Maybe.
01:32:04Told you I'd be back.
01:32:11Annie, I know you've heard all this before, but...
01:32:17I am sorry.
01:32:21What happened with Birch?
01:32:24He just made a very serious mistake.
01:32:27The one that was meant for me.
01:32:36Are you serious about us?
01:32:39You bet I am.
01:32:41You bet I am.
01:32:49There's a passbook here.
01:32:54And it's got $150,000 in it.
01:32:58For us.
01:33:06I knew there was a reason I liked you.
01:33:11I knew it.
01:33:41$150,000
01:34:11$150,000
01:34:13$150,000
01:34:15$150,000
01:34:17$150,000
01:34:19$150,000
01:34:21$150,000
01:34:23$150,000
01:34:25$150,000
01:34:27$150,000
01:34:29$150,000
01:34:31$150,000
01:34:33$150,000
01:34:35$150,000
01:34:37$150,000
01:34:39$150,000
01:34:41$150,000
01:34:43$150,000
01:34:45$150,000
01:34:47$150,000
01:34:49$150,000
01:34:51$150,000
01:34:53$150,000
01:34:55$150,000
01:34:57$150,000
01:34:59$150,000
01:35:01$150,000
01:35:03$150,000
01:35:05$150,000
01:35:07$150,000
01:35:09$150,000
01:35:11$150,000
01:35:13$150,000
01:35:15$150,000
01:35:17$150,000
01:35:19$150,000
01:35:21$150,000
01:35:23$150,000
01:35:25$150,000
01:35:27$150,000
01:35:29$150,000
01:35:31$150,000
01:35:33$150,000
01:35:35$150,000
01:35:37$150,000
01:35:39$150,000
01:35:41$150,000
01:35:43$150,000
01:35:45$150,000
01:35:47$150,000
01:35:49$150,000
01:35:51$150,000
01:35:53$150,000
01:35:55$150,000
01:35:57$150,000
01:35:59$150,000
01:36:01$150,000