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00:00A FEW HOURS EARLIER
00:17Pietro, how are you?
00:20I don't know, Marta, I don't know.
00:22I just don't know how to accept this friendship between Antonia and Lucia.
00:27Get used to it, right?
00:29It will always be better than nothing fresh.
00:31Yes, of course, but I don't know if it will last.
00:34Or if it's like calm before a battle or before the storm, as we say in Italy.
00:38You do your best.
00:40And well, think that if in the end they become friends again, they will be like before.
00:44No more.
00:45Yes. I'll see you when I can go back to Antonia's house.
00:49The doctor hasn't shown up all night.
00:51You wait to talk to them.
00:52You'll see how they get surprised.
00:53Congratulations.
00:55I'm leaving.
00:56I'm going to keep preparing breakfast at the Sun Gate.
01:02Marta, how was the exam?
01:04Great.
01:05I answered everything and I think I'm going to pass with a grade.
01:08I didn't expect less from you.
01:13What's going on?
01:15Did you have problems with Meryl Streep and Vanessa?
01:18Yes. Later I had to talk to her and my father.
01:21How was it?
01:23Well, I have good and bad news.
01:27Vanessa made me a coffin and I met my father and her.
01:31The good thing is that I faced them both and I told them that I was very in love with you and that you were the woman of my life.
01:38I'm very happy to see you so excited.
01:41I know that sometimes I can be a crazy head and as immature as a 15-year-old boy, but I'm not a coward.
01:46In fact, I care about you as much as I care about facing my father and a third of chivalry is needed.
01:51Well, I'm very proud that you have faced him.
01:54We have to celebrate this, can't we? We can do something this afternoon.
01:57Well, wait. That's the good news. What's the bad news?
02:02The bad news is that when I told my father that I was crazy about you, he made me meet Vanessa and get engaged to her.
02:11Yes, but that's already finished, isn't it?
02:12Yes, but he also threatened to kick you out of the bookshop and talk to Don Fermin to fire you from La Moderna.
02:20If I don't do what he wants, let's go.
02:22Well, your father does have some good manners, yes.
02:26And you see him capable of doing that?
02:29I have to say yes.
02:32Salvita, you should have told me this before.
02:35I didn't want to worry you about these things before the exam.
02:38Yeah, but I'm sorry you have to deal with this alone.
02:40Your father is one of those who impose. He has been very brave.
02:45You don't know how much.
02:47In fact, I'm afraid he won't hesitate to fulfill his threats.
02:55Look, I can lose my job at the bookshop, but not here.
03:01So we have to do something.
03:11It's a beautiful ring.
03:14Yes, it won't have been cheap.
03:17What else does money give, Laurita? It's the least I could give Lazaro at such a special moment.
03:23Yes, and that Inés knew how to keep the secret very well.
03:26Yes, well, it had to be a surprise. And it was, it was. I was stunned when Fermin opened the case.
03:33But then everything went as expected, right?
03:36Of course, as he told me.
03:40And now we have to start with the preparations for the wedding.
03:44Well, you don't have to be in a hurry either.
03:47Yes, yes, yes, that takes a long time to choose the church, the guests, the costumes. We can't take too long.
03:54Well, instead of the convict, you already have it, right? One less thing to worry about.
03:58All I want is to be up to the task. I don't want to disappoint your uncle.
04:02That will never happen, because you are an exceptional woman.
04:06Thank you very much.
04:10The truth is that I am very happy to be part of this beautiful family. It is an honor.
04:15No, you give us the honor.
04:18But hey, we are not going to monopolize the conversation with our affairs.
04:22Inés, how are the rehearsals going in La Pereta?
04:24Well, well, well. We are rehearsing the second version of the book and I keep having meetings with the team of the play.
04:34Perfect. And you, Laurita? Is everything ready for the suffragette act at the Madrid Cabaret?
04:38Yes, I think it will be a success. We have some exceptional speakers and I think we are going to fill it.
04:45It is admirable to see how many things your nieces do. Yes? It gives a lot of pleasure.
04:52That's why I'm so proud of them.
04:55Well, it's a shame not to continue with this pleasant conversation, but I'm afraid we all have pending tasks.
05:02So, well, see you later.
05:05See you later.
05:07I hope it goes well.
05:09Thank you for everything.
05:10Goodbye.
05:17You have been very kind to our future aunt.
05:21Well, if I'm honest with you, I can't believe it. I find her way of flirting forced. Doesn't she seem like a natural woman to me?
05:29Well, she must be nervous about the commitment.
05:31Maybe. Or maybe she's not as compassionate as she wants us to think. Time will tell.
05:41Laurita.
05:46I wanted to...
05:47Tell me.
05:48I wanted to tell you something.
05:51Tell me.
05:55How is it going with Celia?
05:56How is it going with Celia?
05:58Good. We talked about what we thought and felt each one of us and now we work as the good team we have always been.
06:07Anything else?
06:08No.
06:09Nothing else.
06:16I'm very sorry I didn't say goodbye to Jacobo. Tomorrow I will try to call him.
06:21Well, you don't have to. He was very worried when I told him I saw you capable of doing anything.
06:29Well, deep down in my heart I knew you weren't going to do anything crazy.
06:36I see you know me very well.
06:39I also knew you weren't going to stay still, that you were going to do something.
06:44You have suffered a lot with all this.
06:46That's why I couldn't stop telling Mrs. Bárbara what I thought of them.
06:50I wanted her to hear it from my own voice, see her face and see how pale she was when she heard that they are two despicable women.
06:58You have taught them a lesson, my love.
07:00You have behaved with dignity and admirable measure.
07:06I hope it will help.
07:08That after talking to me, she will realize all the damage she has caused and that she will not infringe on anyone else again.
07:13I don't think Carla and Bárbara have learned anything from this because they should be aware of it.
07:21And that is something they lack.
07:24Whatever it is, I don't care.
07:28For me, the matter is settled.
07:31We just have to trust justice.
07:35Sooner or later they will deal with Carla.
07:38And they will put her there, in front of a court.
07:41In front of a court.
07:44I hope we see it.
07:47And that it is not in a long time.
07:50Well, Mrs. Bárbara is not going to get away with this either.
07:55Although now she is in freedom under bail, but very soon she will have to answer for all this.
08:01Now we can only wait.
08:05What we have to do is look to the future.
08:09And take care not only of our affairs.
08:12Yes.
08:14And being able to tell that woman everything I thought of her has helped me to turn the page.
08:21Now I just have to be happy.
08:24Getting my job done.
08:27Enjoying it with my classmates from La Moderna, with Clarita.
08:31And with you.
08:32And with you.
08:37I love you.
08:40I love you too.
08:56What are you doing?
08:58Nothing, nothing.
08:59I thought you would have caught yourself stealing melons.
09:02What melons, what melons? I was here like the panty of a fly that I had around here.
09:06Well, I was thinking that we should go see Antonia.
09:10The poor thing, in addition to being sick, is badly accompanied by the Italian.
09:14That's like not wanting soup and having two cups.
09:17Yeah, but Pietro has said that we better not go because she is much better.
09:21Pietro knows about cakes and buns.
09:23But he has no idea about this.
09:24How is she going to be fine locked up with that woman who is waiting for the opportunity to take her husband from her?
09:30Well, according to Martita, she is taking care of her as if she were a nurse.
09:34Oh well, if Marta says so, it will be true.
09:36Because she values Antonia a lot.
09:39Well, hey, they told me that you were going to bring a wedding photo so that we could see it.
09:44Can we see it or not?
09:46Of course, woman, of course.
09:48Then Miguel will bring it.
09:50But I just heard Miguel say that you had it.
09:51It's that I had it.
09:53I had it before, but now I don't have it anymore because now Miguel has kept it in a drawer in the library.
09:59But then he brings it, come on.
10:01Well, yes, don't forget, because sometimes ...
10:03What a mess you bring with this photo.
10:06Anyone would say that you don't want us to see you in the house.
10:09No, of course.
10:11Let's see, what happens is that the photo is not very good either, let's say.
10:14Because of course, after so many kilometers on top of a donkey, well, now in the end, we both had our faces, come on.
10:20But come on, something would rest there before the yes I want, right?
10:24Yes.
10:26But the photographer from the region is not very good, huh?
10:29Because of course, he was used to photographing the deceased.
10:32So of course, he was used to photographing people who didn't move a hair.
10:38But come on, we're not going to hang that photo in the Prado Museum either, for God's sake, Trini.
10:42All we want is to take a look at it to see how the wedding went.
10:45With that we are satisfied.
10:46Well, are we going to see it or are we not going to see it?
10:49Of course, of course.
10:51By the way, for good photos, the ones that are going to be taken at Mrs. Vampira's wedding.
10:57And Mr. Fermin, what do you say? How does it look? With what Teresa told us yesterday.
11:02I don't feel cold or hot.
11:04Well, let's see.
11:06I think that wedding is not going to change anything.
11:09Because Mrs. Vampira is already walking around the hall as if she were the master of the court.
11:15Who is going to be affected will surely be Teresa.
11:18Well, I'm leaving, I don't have time, they'll show me the photo.
11:22Of course, of course, of course.
11:26What were you talking about?
11:28About the next wedding, the modern one.
11:30By the way, now that we are alone, what do you think?
11:33What do I think?
11:35Well, I don't like a hair.
11:38But well, I think what I don't have to do is think.
11:41I just have to focus on my work and nothing else.
11:45Yeah, well, but that union is going to affect us all.
11:49Well, we'll handle it as best we can.
11:53I already care about Mrs. Lázara.
11:57Do you really say that? Because for me, what are you saying with your little mouth?
12:01No, no, no, no.
12:03I don't want any more conflicts, Trini.
12:05On account that she has me, come on.
12:07On account that she has me and everyone else.
12:08On account that she has me and everyone else.
12:11Well, yes, maybe it's true.
12:13We would all have to apply the story.
12:15No wars with the owner consort of the modern one.
12:19That.
12:26Well, I would put a veil over my clothes,
12:29because one thing is that we are Egyptians
12:31and another thing is that we are excluded for being indecent.
12:33The wardrobe will be as you feel more comfortable.
12:35I don't know, well, I don't think the orange one favors me much, to be honest.
12:39But hey, don't tell the costume designer that in the end she's the one who knows.
12:43You seem nervous, Inés.
12:46Are you okay?
12:48Do you have a problem with how the function has started?
12:50No, no, yes.
12:52Yes, I am delighted with everything.
12:54Really, I love how the project is taking shape.
12:58So,
13:01you're worried about something else and I suspect it is.
13:05Yes, I feel very bad about Laurita.
13:10I can't even look her in the face.
13:15I understand that you feel that way.
13:17I don't either.
13:20I feel very good about that.
13:23I wanted to tell you this morning, but ...
13:27but I'm a coward and I haven't done it.
13:31I thought that was a topic you didn't want to talk about,
13:33because you didn't want to talk to her or to me.
13:37Yeah, it's just ...
13:39it's just that there's something you don't know.
13:46What is it that I don't know?
13:48I don't know.
13:50I don't care if nothing changes, if ...
13:52No, no, no.
13:54You've already started, now you have to tell me.
13:57What do I ignore?
13:58Ignore what?
14:00Well, that ...
14:02Celia saw us kissing.
14:05And she wants me to tell my sister or ...
14:09Or what?
14:11Or that I stay away from you.
14:14And if I don't do one of the two things, then ...
14:17then she will tell her herself.
14:29I think Celia is right.
14:32It's not fair that we continue like this.
14:35Yeah, but it's just that ...
14:37it's just that I don't have the strength to talk to her.
14:41Not even to stop feeling what I feel for you.
14:45It's just that whatever we do, someone is going to suffer.
14:48Either us for separating or her when she discovers the truth.
14:52But what do we do?
14:55It's just that ...
14:56we can't stop seeing each other.
14:59We have to keep working together, right?
15:04The production has to go on, but ...
15:09it's going to be very difficult to repress what we really want.
15:17I would love to have the courage to talk to her, but ...
15:23I just can't.
15:24I just can't.
15:27I think it will always be better if she knows it for you than for a friend.
15:32Because what we feel ...
15:35cannot be avoided.
15:57Here I am.
15:59How can I help you?
16:01Thank you for coming so soon.
16:04I needed to talk to you and you haven't let me down.
16:07You've always been a gentleman to me.
16:09No, don't scold me, please.
16:11Get to the point.
16:13I can't spend all day with you.
16:16Yesterday I received a very unpleasant visit.
16:19Matilde introduced herself to me.
16:21And she treated me with extreme rudeness.
16:24Her manners were completely out of place.
16:28And how does that affect me?
16:31I wanted to ask you if you think it's appropriate
16:34that I file a complaint against her for the harassment I suffered.
16:40I don't think my situation is for a lot of jokes, Fabio.
16:46With all due respect,
16:49with all the damage you have done to her,
16:52is it really strange that she has come to settle the score with you?
16:56What happens? Have you already forgotten that your daughter tried to kill her on the same day of her wedding?
17:02And that in that shooting her mother lost her life?
17:06That she has tried to drive her crazy and I don't know how many more tropeleas she has heard against her.
17:11I know perfectly well what happened between the two.
17:14You don't have to repeat it to me.
17:15Of course, I would need several days to explain everything that Carla has done to her.
17:20It doesn't seem to me that she has come here to tell you what? Four truths?
17:25I didn't expect you to be part of that one. It's not yours, Fabio.
17:29I have not been part of it.
17:31I have been on the side of justice and the law.
17:34That same law that neither you nor Carla have disrespected.
17:36My only sin has been trying to protect my daughter.
17:40Any mother would have done the same.
17:42Well, if you only made me come to tell me about your meeting with Matilde, this conversation is over.
17:48I have matters to resolve.
17:50No, there is another matter that I want to discuss.
17:53I wanted to talk to you about the two of us.
17:57The two of us?
17:59But what about the two of us, Barbara?
18:02There is no longer any of us.
18:05Have you ever wondered why I didn't take the same boat as my daughter?
18:09Ah, now you're going to tell me that you didn't leave for me.
18:13Of course I did.
18:15My feelings for you prevented me from making that trip.
18:19It's hard for me to believe you.
18:22But what you're saying may be true.
18:26It's a shame that it's already the same.
18:29Ours is over forever.
18:32We have crossed a point from which we can no longer return.
18:36That's not true.
18:37That's not true.
18:39It's impossible that you don't feel anything for me anymore.
18:42Open your eyes.
18:44What was between us has died little by little over the last few months.
18:47There is nothing left.
18:49There are only reproaches and bitterness.
18:51What can I do for you to give me another chance?
18:55If you sell the gallery to Don Fermín, to Agustín, and to the other businessmen who are interested in the purchase,
19:03that would see it as a gesture of goodwill.
19:07No, no.
19:09For me it would be an humiliation.
19:12I can't go through that in any way.
19:15You see?
19:19I imagined a similar answer.
19:23You can't change.
19:25You'll never do it.
19:28Goodbye, Barbara.
19:37Goodbye.
19:55Well, what? Are we going to see that photo or are we going to have to imagine the wedding?
19:59Many are begging for a simple portrait, for God's sake.
20:02Well, it's fine, it's fine. Here you have it.
20:05But Miguel, you can't see anything like that, man.
20:08Well, we only have a copy.
20:11And of course, people put their fingers on it and then they spoil it in two days.
20:14Let's see, don't be offended.
20:16If you characterize me, it's because my hands are cleaner than a surgeon's.
20:19You're right, Trini. It's of very poor quality, isn't it?
20:22It's like old.
20:24And it's already yellowish.
20:26Well, that's because now people tend to age the photographs so that they look older.
20:30What are you telling me?
20:31People are going to buy second-hand clothes right now, being able to buy new ones.
20:36Well, I'll bring it closer to you.
20:40Come on, come here.
20:42You can't see the details like that, man, Miguel.
20:46There's something that escapes me.
20:49Yes, me too.
20:51You're different.
20:53What difference? Esperanza, what do you mean?
20:56I don't know what to tell you, Trini.
20:58I would have to look at the details.
20:59Look at the details.
21:01Let's see, let's see.
21:06Well, well, well, that's it, that's it, man.
21:08But, Trini, what are you doing with the photo?
21:10I need it to put it in the frame.
21:12Well, that's it.
21:14I'll tell you the measurements later so you can buy the frame.
21:16And we won't take the photo anymore because it's going to spoil.
21:19Come on, I'm going to work.
21:21Yes, I'm going to the bookstore, Salvita is alone.
21:22Come on.
21:27I have a feeling that these two are hiding something from us.
21:30The truth is that you are more right than a saint, Esperanza.
21:34What could it be?
21:53Knock, knock, knock.
22:06Celia, what a surprise.
22:11Do you want to come in?
22:13Of course, yes.
22:22Come in.
22:28I was preparing the posters that we are going to place for the Carabancheles,
22:32the Aratina and the markets that we find.
22:35The more women know about the event, the better.
22:39Where is Laura?
22:41Laura has gone to take the posters to the lyceum club.
22:47Don't look at me like that.
22:48I'm aware that you saw how Inés and I kissed.
22:55In any case, I want to tell you that more than a kiss,
22:59it was that our lips touched.
23:01Agustín, I saw what I saw.
23:05It is clear that yes, but I want you to know that there was no premeditation.
23:10In fact, neither of us knows very well what is happening to us.
23:14I don't need any explanation.
23:17What I need is for you to be honest with Laura and tell her the truth.
23:21It is clear that we are going to do that.
23:23All we need is a little time for Inés and I to clarify our feelings.
23:28Do you understand?
23:30No.
23:32I don't think it's a good idea to delay that conversation.
23:35It's a matter of days.
23:37We just need a little time to know where we are and put the work in motion.
23:40We have too many things on us.
23:44I don't like your excuses, Agustín.
23:47How would you feel if two people you trust the most betrayed you like that?
23:52You have to tell Laura.
23:54It's not the time for cowardice.
23:57It's not a matter of cowardice.
23:59Oh, no?
24:01And what is it?
24:03Are you going to lead a double life with both of them?
24:05Does that amuse you?
24:06No, that would be the last thing I would do.
24:08Then I don't understand why you don't react.
24:11I've already told you that what happened with Inés was unexpected.
24:13In fact, it didn't go beyond what you saw.
24:17Look, I don't care what you tell me.
24:21You have to tell Laura.
24:23And if she doesn't, I'll do it.
24:26And this cannot be negotiated.
24:29That's your last word.
24:33You have decided that I tell everything that happened.
24:37Even if it doesn't matter.
24:44I'll talk to Laura.
24:47Today?
24:49Today.
24:51As soon as I have the chance.
25:08A month later.
25:21Marta.
25:24I've been watching all morning to see if my father is coming to talk to Don Fermín and he hasn't shown up.
25:28He's regretted it and he's not going to ask me to say goodbye.
25:32I would have to change my father a lot to avoid a threat, but who knows?
25:37You should go back to the bookstore.
25:39Those two customers look like they're going to buy something.
25:41Let's see if I put an encyclopedia on them and my father will be happy with something.
25:57Girl.
25:59I have to talk to you.
26:01You tell me, Don Salvador.
26:03Today I received a very unpleasant call from the parents of my son's fiancée.
26:08Those gentlemen took the colors out of me.
26:11Apparently Salvita is still in her thirties and doesn't want to know anything about her daughter.
26:16Yes, that's what he told me he was going to do, yes.
26:19Well, this is a problem that we will have to fix, don't you think?
26:24Of course. Maybe I should talk to his son and listen.
26:27No.
26:29I prefer to deal with you.
26:36What is this?
26:37Money. A good amount.
26:40Enough so that you can finish your studies without narrowing down.
26:44As my son told me, he wants to be a teacher.
26:48But this is a fortune.
26:50It's a lot of money, yes.
26:52If you manage it well, it will last a long time.
26:55You look like a smart and saving girl.
26:59Don't miss this opportunity.
27:01If you think it's not enough, I can offer you something else.
27:05Anything, as long as you forget about Salvita.
27:09Don Salvador, do you know what's going on?
27:11One doesn't know if she is saving or not.
27:13They have always given what is fair to eat and to dress, and sometimes not even that.
27:17Then you will understand better than anyone what I am offering you.
27:20But don't make a mistake with me.
27:22Servidora can be poor like a rat, but as proud as a Marquise.
27:28And with the money enough to tell her to go with her money to get wind.
27:32Are you sure of what you are saying?
27:34As sure as there are things in this world that cannot be bought.
27:38And one of them is the affection that I have for your son.
27:41Not with all the gold of the Bank of Spain you will be able to pay that I stop loving you.
27:45Am I clear?
27:46Be careful.
27:51I wish you all the happiness in the world, Don Fermin.
27:54To you and your future wife.
27:56And I hope you don't have any setbacks like a servant has had.
27:59I also hope so because at my age I'm not for that kind of nonsense.
28:03How are you, Antonia?
28:05We are waiting for the doctor to come see you, but it seems that you are better.
28:10Thank you for asking.
28:12Thank you for the congratulation.
28:24Congratulations, Don Fermin.
28:26I have already found out about your engagement.
28:29Thank you very much, Agustín.
28:31It is that love has taken a long time to knock on my door, but when it has done so, it has been doing a good job.
28:38Mrs. Lázara is a great lady. I am very happy about your future union.
28:42I hope I can say the same about you.
28:43If you decide to take a step forward with my niece.
28:46Well, at the moment I do not dare to bring up this issue with Laura. I don't want to scare her.
28:51Laura is very independent and if you hear about housewives, take the ones from Villadiego.
28:58By the way, I also wanted to tell you that on the way here I have met with Don Fabio,
29:04who has assured me that Mrs. Bárbara does not want to sell us the gallery.
29:08Let's not lose hope.
29:10Maybe a change of opinion.
29:12That does not seem possible.
29:14Don Fabio is completely convinced of the intention of the lady.
29:18Well, that is very bad news for you, for everyone.
29:21Because even though I am the owner of this place,
29:23I would not like to have to deal with some mischievous or with Mrs. Bárbara herself
29:28if she finally decides to stay with the premises.
29:31In any case, it does not seem that good times are coming when it comes to these businesses.
29:36Or not, Agustín, or not.
29:38I have been turning to an idea for days
29:41that would allow us to control the entire purchase and sale process of the building.
29:46What do you mean?
29:48I have a friend who has made a fortune in Argentina and now wants to settle in Spain.
29:53And he is looking for profitable and very safe investments.
29:58Here, in Madrid.
30:00And I understand that if he is your friend, you will trust him.
30:03Totally. Emiliano Pedraza is a good guy and I trust him completely.
30:07And do you know how we could do it?
30:10Of course. Sit down, because the explanation is long.
30:20For the last time, I ask you. Are you sure of what you are doing?
30:25As much as my name is Marta.
30:27Father, what are you doing here?
30:29Talk to the girl.
30:31What for? To make her say goodbye, right?
30:34Let her know that what she is doing seems very unfair to me.
30:37In fact, if I move a finger to harm this girl I am deeply in love with,
30:42I change my last name,
30:44I forget my family and even give up my inheritance.
30:48All in order to spend the rest of my life with Marta.
30:51I have to admit that I was wrong with Marta.
30:55Today she has shown me that she is a woman of character and firm convictions.
31:01She has given me a whole life choice.
31:05So you are not going to ask her to say goodbye?
31:08Of course not.
31:10In fact, it will be an honor for me that you pretend to this girl.
31:15You have my blessing.
31:18And now, Salvita, I hope you behave like a gentleman with her.
31:22I would not forgive you if you let a woman like Marta go.
31:31Don Salvador, this is yours.
31:45What a long face.
31:47Oh my God.
31:49I've seen more lively ceremonies.
31:51Well, no one wants to celebrate the vampire wedding of Don Fermín.
31:55You could have saved the cakes you want to invite us to.
31:58Oh yeah?
32:00No one has marked it with a sweet?
32:02Well, these to me yes, the truth.
32:04And what annoys me the most is that I will have to do the paripé.
32:08Because of course, anyone makes an ugly woman the owner's wife.
32:11I don't care.
32:13Anytime.
32:15Even if I don't have to go to the brothel, welcome.
32:17And if they put us sweet, better than better.
32:20And you, Teresa, what do you think, that you are there silent without saying anything?
32:23It wasn't very funny either, having to do the rendezvous to Mrs. Vampire.
32:28I don't feel like doing it, but I don't want any trouble with her.
32:33Over here, Manuel.
32:35You can leave it on the table, thank you.
32:39Thank you, you can leave.
32:42Well, I thank you very much for wanting to share this little celebration with me.
32:48Well, we are delighted to taste these cakes that we see every day passing by our noses
32:54and we can never eat them.
32:55You have had an idea worthy of a bishop.
32:59Well, the truth is that the idea was Fermin's.
33:02He told me, dear Lazara, why don't you share a little agape with the maids?
33:06It seems like a lie that we are going to get married.
33:08Mr. Fermin is always so attentive.
33:10Yes.
33:12Well, are they going to get married right away?
33:14Or are they going to have a long relationship like before?
33:17No, no, no, we will get married right away.
33:19Of course, with the age they have to be waiting.
33:22I mean, Mr. Fermin, Mr. Fermin is not a child anymore.
33:27And will it be a simple wedding or a posthumous one?
33:30Well, I would like an intimate wedding.
33:32But Fermin wants a wedding above all else and it is natural.
33:36Because, of course, he knows a lot of people.
33:39Anyone who is important in this city will be invited.
33:44Are the cakes good?
33:47They are chocolate cakes.
33:48Well, although Pietro has had a lot of work with the design of the Sun Gate,
33:54he has not left his work behind because this is delicious.
33:58Well, it is that Pietro always fulfills, even being worried about Antonia.
34:02By the way, poor thing, let's see if she recovers soon.
34:05Of course, Antonia ...
34:07Well, it's okay, Chachara.
34:09There is a lot to clean and many customers to attend to.
34:12One thing is a small snack and another very different is to take the afternoon off.
34:16Well, I'll take this one for the road.
34:19Yes, me too.
34:21Wait a second, Teresa.
34:25I wanted to thank you.
34:27Thanks to me? Why?
34:30For putting me so many blocks since I came to work here.
34:33Thanks to that, it makes me even stronger.
34:36Thank you very much, Teresa, really.
34:46Thank you very much, doctor.
34:50Come in, come in.
34:52And what have they told you?
34:54Nothing, that apparently something would make me feel bad and they gave me the salpullido and hence the fever.
35:00But that's it.
35:02So no contagious disease?
35:04Nothing.
35:05Well.
35:10Come in.
35:12Hello.
35:13Well, well.
35:15The pity is that you had to be here locked up, the two of you.
35:19Not at all.
35:21It hasn't been that bad either, has it?
35:23No, we've had the opportunity to get to know each other better.
35:27Who was going to tell us that we had so many things in common?
35:30Well, yes, it's true.
35:32I'm going to miss you even when you go to Italy.
35:35And I really hope you do very well.
35:38Well, there's no reason to go wrong.
35:39At first I'll spend a few days with my son and then he can go live with the cousins that I still have.
35:46I don't want to be a nuisance to him.
35:49Well, I'm sure he'll welcome you with open arms.
35:51Yes.
35:53We'll have to see about that.
35:55Don't worry, I'm not going to live under a bridge.
35:59I'm going down to the house of the Garcés.
36:02I want to give Marta the news that she can come back here.
36:06I'm sure she'll be happy.
36:09Thank you very much for everything, really.
36:13Thank you for everything, Lucia.
36:17Bye.
36:25I really wanted to be alone with you.
36:28Me too.
36:39Have you really gotten on well with Lucia?
36:42Yes, yes. At first I thought it was a curse, but little by little we understood each other.
36:49Although I don't forgive her for some things.
36:52I suppose so.
36:54No matter how well you've gotten on with her, I don't think you really want her to stay here in Madrid, right?
37:01No.
37:03But it's nice to get to know her better.
37:06But I really want to go back to work.
37:07Really?
37:08Yes.
37:09You really want to go back to work?
37:11I think they're going to fire you soon.
37:14Why?
37:16Because I have news.
37:19And about the fat ones.
37:21Has something bad happened?
37:23More or less.
37:25What?
37:27Don Fermín is going to marry Doña Lázara.
37:30What?
37:32Are you serious?
37:34Yes.
37:35I can't believe it, aunt.
37:43Come on, Doña Lázara's convict had more poison than a viper.
37:47Well, you see.
37:49What he told me when we were alone made me crazy.
37:52So this woman has not signed the peace treaty with me.
37:56And what are you going to do?
37:59Well, nothing.
38:00Nothing at all, come on.
38:02Focus on my work, do it well.
38:04And enjoy your company.
38:07Well, thank you for what I get.
38:09I'm glad you don't look for more confrontations with her.
38:13Now I just have to wait for her not to look for you.
38:16Well, let her try.
38:18She's not going to get it.
38:20If I keep facing her, it doesn't make any sense.
38:22Because I'm always going to lose.
38:24Especially now that she's going to marry Don Fermín.
38:26Well, let's put the two of us on the same page, Teresa.
38:28And let's forget about the vampire.
38:30At least as long as she allows us.
38:32Well, yes.
38:34Look, we can do that today.
38:36We go to the theater later.
38:38It seems like pearls.
38:40For a day that we leave early at the same time,
38:43we can't stop taking advantage of it.
38:45Well, finish your things, I'll finish mine.
38:47Right now.
38:49Elias.
38:51Yes.
38:53Take these coffees to table 9.
38:55And when you finish,
38:57could you pick up that? I've already finished.
38:59Of course, of course.
39:07Elias.
39:09What do you know about Teresa and Cañete?
39:12Are they in a relationship?
39:14Well, as far as I know, no.
39:16I see.
39:18Well, there's nothing else to see
39:20to know that they're breaking up.
39:22Well, let's see, a while ago
39:24I tried to find out something between them,
39:26but everything got stuck.
39:28Because Mario arrived, he's Mrs. Teresa's ex-boyfriend.
39:30And I don't think they're back together.
39:32Well, you must have your eyes on the ball.
39:34Because it's obvious
39:36that those two have a relationship beyond friendship.
39:38Well, if you want, I can ask Cañete
39:40to see what she says.
39:42You don't need to ask anything.
39:44It's clear that our manager
39:46and our chief of staff
39:48are together.
39:50Let's see, I'm not saying yes or no,
39:52Mrs. Bázara.
39:54But you have to be more careful.
39:56And stay alert, Elias.
39:58I'm the first to find out about these things.
40:01Don't worry,
40:03I won't miss a single one.
40:05You'd better.
40:25How are you?
40:27Did you bring the posters to the lyceum?
40:29Yes, I came here to the race.
40:31And, well, where did they put them?
40:33Well, I haven't seen them,
40:35but they told me they'd put them inside and outside the building.
40:37They're very busy with the event.
40:39Well, just like you, right?
40:41The truth is, yes.
40:43I'm more and more motivated every day.
40:45Today I met Concha Méndez
40:47and she told me she'd come.
40:49What?
40:51But that's incredible.
40:52There are women asking for information.
40:54They all say they'll come.
40:56I don't know, maybe we'll miss the Madrid-Cabaret.
40:58Well, that's great.
41:00We'll think about what to do if that happens.
41:02Look, Agustín is coming.
41:05He's come to visit me all day.
41:07Hello.
41:09How are you? You've been very busy.
41:11How are the rehearsals with Inés going?
41:13Well, uh...
41:16Everything's going as expected.
41:17You're very serious. Is something wrong?
41:23Well, I'm going to work on the new gramophones.
41:31Hey, Agustín,
41:33are you trying to tell me something?
41:35You're scaring me.
41:38It's something about Inés that...
41:41It's not easy to tell.
41:43I don't know.
41:45It's not easy to tell.
41:47Has my sister lost her voice again?
41:49No, no, no.
41:51It's not that, no.
42:02Lara!
42:04I'm so happy to see you again!
42:07We're friends.
42:09I'll never leave you alone.
42:11I came here every afternoon.
42:13And I spent a lot of time waiting for you.
42:16But then it got late and I had to go home with my sister.
42:20I'm very sorry you had to be sad because of me.
42:23I wasn't sad.
42:25I knew you were coming back.
42:27What happened to you?
42:29I've had some very serious problems
42:31that have prevented me from coming here.
42:33I see.
42:35Well, it's okay.
42:37You told me what could happen
42:38and I followed everything to the end.
42:40I wasn't expecting less from you.
42:42You're a very smart girl.
42:46I want you to promise me
42:48that you won't leave me alone again.
42:51I promise you.
42:55It makes me very happy to see you too.
42:57You're growing up by the minute.
43:00What's so bad about what happened to you?
43:02It must be very serious
43:04for you not to have come to see me.
43:06It has been like that.
43:08You can't imagine what I've had to go through.
43:11What is true is that I've missed you a lot.
43:14You know we're friends forever.
43:22You see,
43:25between Inés and I,
43:27very strong feelings are being born
43:30that we haven't been looking for,
43:33but they're there.
43:35Agustín, if this is a joke,
43:37it's not funny.
43:39It's not a joke.
43:41Both Inés and I have tried to stop this,
43:43bury what we feel,
43:45stop this impulse, but...
43:49In any case,
43:51everything is limited to a kiss.
43:55One moment, Agustín.
43:57Are you telling me
43:59that you've kissed my sister?
44:01Just once.
44:03And you think it's not enough?
44:06I'd like you to understand.
44:08If I understand it perfectly,
44:10you're telling me that
44:12you're falling in love with my sister
44:14and that you've kissed her.
44:16Do you think I'm an idiot?
44:18I swear there's nothing like that, really.
44:20Everything that's happened to us,
44:22everything has arisen without knowing how.
44:24I don't know, the closeness, the work,
44:26spending a lot of time together.
44:28Suddenly we've seen each other in each other's arms.
44:30Do you understand?
44:32No, no, no, this can't be true.
44:33Tell me it's not true.
44:35I'm sorry.
44:47Sometimes I thought
44:49I'd never see you again.
44:52And that scared me.
44:55You know what we've talked about.
45:00I've been practicing with the needle.
45:04And now I'm braver.
45:07Very good, Clarita.
45:09But you know,
45:11that was just a rehearsal
45:13for something bigger that we have to do.
45:16What do you mean by something bigger?
45:21That if we want to go to heaven,
45:24we can't stay here.
45:28Don't worry,
45:30because it'll be like
45:31falling asleep,
45:33but forever.
45:38Will that hurt us a lot?
45:40On the contrary.
45:42Once we take that step,
45:44we won't feel pain again.
45:49It scares me a lot.
45:53Clarita,
45:55it's like with the needle.
45:57Do you remember? At first it scared you,
45:59but then nothing happened.
46:02Let's do something similar.
46:05You won't feel anything.
46:07And the reward will be huge.
46:09When we get to heaven,
46:11our mothers will be waiting for us
46:13with open arms.
46:15And finally,
46:17we'll be happy forever.
46:19Are you sure
46:21I'll go back to my mother?
46:26As sure
46:28as you could talk to her
46:29thanks to the magic stamp.
46:33Are you willing to do anything?
46:42Yes, I'll do whatever you say.
46:56Where is Clarita?
46:58With her friend, Lara.
47:00Since she's with that girl,
47:02I see her better.
47:04Has peace contributed to this house?
47:06That's how I really am.
47:08Hi.
47:10Matilda, who really loves Ñigo,
47:12you'll be alone.
47:14I'm very excited
47:16that you're finally with the woman you love,
47:18a hug.
47:20I'll let you do your thing.
47:22Our thing?
47:24Yes, of course.
47:25Agustín told me
47:27to be brave and accept it.
47:29Don't come any closer.
47:31Please, leave me alone.
47:33What's the plan?
47:35I have a meeting with Mrs. Bárbara.
47:37I hope she reacts as I expect.
47:39You're hiding something.
47:41Hiding what?
47:43There's something strange in that picture.
47:45And not just in the picture,
47:47but in the wedding, the prolegomena,
47:49and everything else.
47:51Fermín, what do you think our wedding will be like?
47:53Whatever you want me to imagine.
47:55I want it to be simple.
47:57I just want us to be together.
47:59If I don't tell Mr. Fermín one last time,
48:01I'll regret it.
48:03Put your feet on the ground.
48:05Mr. Fermín will make a huge mistake.
48:07Mr. Fermín is old enough to own his actions.
48:09As far as I know,
48:11you can't tell anyone I'm his girlfriend.
48:13Doesn't that mean Mr. Salvador will marry her?
48:15I'm going to talk to my father
48:17and I won't stop until he blesses us.
48:19Do you want me to have the least interest
48:21in favoring the people
48:23who have ruined my daughter's life?
48:25I don't need your consent.
48:27I don't need your consent at all.
48:29I don't think I can blame you
48:31for what happened to your daughter.
48:33Of course I can.
48:35Just as much as I can,
48:37I'd rather see this gallery turned into a living room
48:39than negotiate with you.
48:41Laura feels you've done something terrible
48:43and unforgivable right now.
48:45How could I not see it?
48:47Besides, it's been going on for a long time.
48:49Laurita, please, we want to ask you,
48:51beg you, if necessary, to forgive us.
48:53Please, I beg you.
48:55Why hasn't she been to school all day?
48:57Because she's presented some justifications
48:59supposedly signed by me.
49:01And I haven't signed anything.
49:03You can do anything in heaven
49:05and you'll be as happy as you were before.
49:07Were you happy too?
49:09Yes, but now I'm going to be happier.
49:11She brought it to the post office this morning.
49:13It's the test grades.
49:15Don't open it, so we can celebrate.
49:17What if they're bad, Lucio?
49:19What about school?
49:21I have to go back to school, right?
49:23Don't worry about that, Clarita.
49:25I've taken care of that little problem.
49:27Clarita presented these justifications at school.
49:29Signed with my name.
49:31And I haven't signed anything.
49:33Holy Virgin.
49:35It can't be.
49:37What? What can't it be?
49:40You've seen this letter a thousand times, Matilde.
49:44It's Carla's letter.