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La Promesa Ep 421
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La Promesa 421 Completo
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La Promesa Ep 421 Completo:
La Promesa Cap 421 Completo
La Promesa Cap 421
La Promesa Ep 421
La Promesa Ep Completo
La Promesa 421 Completo
La Promesa Completo
La Promesa RTVE
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FunTranscript
00:00♪♪
00:30-♪♪
01:01-¡Ah!
01:02I know perfectly well that you're taking revenge
01:04that I came here to the kitchen,
01:06but I don't care, huh?
01:07Even if I have to throw up every day,
01:09I'm going to keep selling the promise
01:11until you give up.
01:12I didn't care if she stayed a few days,
01:14but this is taking too long, isn't it?
01:16Well, I can talk to Julia,
01:18but I'm afraid she's going to have to stay a few more days
01:20to... to restore the painting.
01:23Ah, right.
01:25The painting.
01:26So no, I don't have to talk to Julia.
01:29No, better not.
01:31So we're going to have to put up with her a little longer.
01:33I've been postponing my wishes all my life
01:35because of social conventions,
01:37because of my parents' wishes,
01:39for... for the good of the family,
01:42for the good of the Marquesado,
01:43and I'm sick of it.
01:44It's over.
01:47From now on, I'm the owner of my life,
01:50and I want to spend it with you.
01:53It's time to stop hiding
01:55and face it.
01:56It's stupidity.
01:57That's what it is.
01:58Maybe not.
01:59Maybe it makes sense to adopt that brave stance.
02:02So you're going to support this stupidity now?
02:04The truth usually finds its way out.
02:12What I'm talking about is that all this is destroying me inside.
02:15That before, I wasn't okay,
02:17and now I have to face this.
02:23I love you very much and you know it.
02:26But I can't go on.
02:30Lying like this is destroying me.
02:32Having her in front of me makes me very uncomfortable.
02:34I don't know why, but...
02:36your mother intimidates me.
02:38Don't worry, Lope.
02:39You won't have to put up with her for much longer.
02:42I'm sure that when she realizes she's broken a bone,
02:44she'll leave so she doesn't have to come back.
02:48Yes, La Verilla has found its place in the promise.
02:52She has also found the hole in the heart of a man I know.
02:56Wait a minute.
02:57Does Vera have a boyfriend?
02:58Yes, Lope.
03:00Lope?
03:01Our cook.
03:03Ah, yes.
03:05Lope.
03:08Vera and Lope are dating?
03:10Yes, ma'am.
03:11And they come and go.
03:12They're a solid couple like a yunkee.
03:15Are you surprised, ma'am?
03:16Well, to be honest, yes.
03:18At first sight, I wouldn't have said those boys had anything in common.
03:21Well, yes, they do.
03:23In fact, they seem to have been born to be with each other.
03:26And come on, they're not sticky.
03:28They spend all day getting ready around the corner.
03:31Yes, it's nice to see them so...
03:33so affectionate and such a good couple.
03:36I see.
03:37Who was going to say it, right?
03:39The maid and the cook.
03:40Well, you see.
03:42You never know where you're going to find your shoehorn.
03:46Speaking of the king of Rome, who comes through the door.
03:49Were you talking about me?
03:51And Vera.
03:52The lady didn't know you were engaged.
03:55Come on, Lope.
03:56Stay with us for a while and join the chat.
03:59No, no, I can't.
04:00Because I have a lot of work in the kitchen.
04:02No, no, no, no.
04:03Take five minutes off.
04:06The cooks tell me that Vera and you are like twin souls.
04:10That you have found in that girl your half-orange.
04:13Well, uh...
04:14Well, guys, don't be shy.
04:16You see, it's the same thing.
04:17It's a little off-putting to talk about something so personal.
04:19But it's such a beautiful story that everyone loves to hear it.
04:23But it looks like you've already told her everything, right?
04:26It's not unusual for these couples to appear among their peers.
04:30It's normal.
04:31They spend all day here.
04:33Where else are the boys and the girls going to meet?
04:36Sure.
04:37Well, I don't think the lady is interested in those gossip.
04:40Yes, yes, yes.
04:41Of course I'm interested.
04:43You see, we don't like these entanglements as much as you do.
04:47And so much.
04:48It seems that the avatars of love are equal to all of us, right?
04:52Oh, and so many avatars.
04:54Lope himself had other adventures before he met Vera.
04:58Mrs. Candela, please.
04:59Oh, so you're in love with Mr. Juan.
05:02It's not that, ma'am.
05:03Well, the same is a little exaggerated.
05:05The fact is that first Lope is in love with Maria Fernández.
05:08Another of the maidens.
05:09But Maria fell in love with Salvador.
05:11I guess he's another cook.
05:13No, a lackey.
05:14But he's also a partner in the service area.
05:16But until recently, because he's gone to work in another house.
05:20I don't think the lady is interested in all those details.
05:22Yes, yes, yes.
05:23Of course she is.
05:24Well, maybe we're going a little too far.
05:28And we're giving her the impression that Lope is a picker.
05:32And nothing further.
05:33Lope's only serious love is Vera.
05:36The fact is that we think this story is beautiful.
05:39And so cool, I love it.
05:41It's nice to see them in love.
05:44How beautiful is love.
05:46As long as it's sincere, of course.
05:49I hope you take care of that maid as the cooks say.
05:53What do you mean, ma'am?
05:55What are you going to mean?
05:56The lady wants to know if there is a blind date.
05:59Am I wrong?
06:00That's it.
06:02Do wedding bells ring?
06:05I don't know, ma'am.
06:08It's all very premature.
06:34I'm sorry.
06:35I'm sorry.
06:36I'm sorry.
06:37I'm sorry.
06:38I'm sorry.
06:39I'm sorry.
06:40I'm sorry.
06:41I'm sorry.
06:42I'm sorry.
06:43I'm sorry.
06:44I'm sorry.
06:45I'm sorry.
06:46I'm sorry.
06:47I'm sorry.
06:48I'm sorry.
06:49I'm sorry.
06:50I'm sorry.
06:51I'm sorry.
06:52I'm sorry.
06:53I'm sorry.
06:54I'm sorry.
06:55I'm sorry.
06:56I'm sorry.
06:57I'm sorry.
06:58I'm sorry.
06:59I'm sorry.
07:00I'm sorry.
07:01I'm sorry.
07:02I'm sorry.
07:03I'm sorry.
07:04I'm sorry.
07:05I'm sorry.
07:06I'm sorry.
07:07I'm sorry.
07:08I'm sorry.
07:09I'm sorry.
07:10I'm sorry.
07:11I'm sorry.
07:12I'm sorry.
07:13I'm sorry.
07:14I'm sorry.
07:15I'm sorry.
07:16I'm sorry.
07:17I'm sorry.
07:18I'm sorry.
07:19I'm sorry.
07:20I'm sorry.
07:21I'm sorry.
07:22I'm sorry.
07:23I'm sorry.
07:24I'm sorry.
07:25I'm sorry.
07:26I'm sorry.
07:27I'm sorry.
07:28I'm sorry.
07:29I'm sorry.
07:30I'm sorry.
07:31I'm sorry.
07:32I'm sorry.
07:34I'm sorry.
07:36I'm sorry.
07:59A wedding ring.
08:02♪
08:06I love you very much too, Teresa.
08:08♪
08:12You're the only thing I have.
08:14♪
08:16And that's why it hurts to see you
08:18with so much pain because of me.
08:20My heart breaks.
08:22I know you're honest, Marcelo.
08:24But unfortunately,
08:26love has very little to do in this situation.
08:28Does something help?
08:30What would really help
08:32is that you get more involved in your tasks.
08:34I get involved?
08:36Well, even more.
08:38I need you to pay attention,
08:40as if it were the most important thing in your life.
08:42I need you to strive to the limit of your abilities.
08:44I'm telling you, I'm already doing that.
08:46But not enough.
08:48Don't you realize that I have interceded for you
08:50among the service leaders?
08:52And that every time you make a mistake,
08:54you not only put yourself in evidence,
08:56but also me.
08:58I need you to think about me.
09:02You don't know how hard it is to have to face you
09:04every two, three times.
09:06I'm sorry.
09:12And to top it off,
09:14to top it off, everyone thinks
09:16I replaced Feliciano too soon.
09:18And the more comparisons they make between you and him,
09:20the more pain it causes me.
09:22This is too much.
09:24You'll see how all this will change.
09:26I promise you
09:28I'm doing my best.
09:34Please, Teresa.
09:42No one should have any more complaints about you.
09:44No one.
09:46Do you hear me?
09:48No one will have any more complaints about me.
09:50No one will have any more complaints about me.
09:52I will put all my effort into doing things
09:54well and delicately.
09:58But please, don't leave me.
10:00I need you to be by my side.
10:08I hope you enjoyed
10:10today's visit, ma'am.
10:12If you have learned something from the recipes
10:14of these humble cooks,
10:16I am satisfied.
10:18I thank you for your time and dedication.
10:20And I must say
10:22that I have enjoyed this
10:24unconventional snack.
10:26And forceful.
10:28You'll see how much energy it will give you.
10:30Lope, we can also prepare
10:32a basket for the lady,
10:34with some of the leftovers.
10:36Yes, and you can eat them in the palace when you feel like it.
10:38Of course.
10:40I'll make you a basket myself.
10:42No, no. It won't be necessary.
10:44I've eaten too much.
10:46I'm going to try a bite.
10:48It's not hard at all.
10:50Lope can handle it.
10:52Yes, but you don't have to overdo it.
10:54Wise words, ma'am.
10:56Well, if you don't have anything else...
11:00Have you forgotten something, ma'am?
11:02Yes.
11:04I think I saw Vera,
11:06and I'd like to talk to her about the notes we took today.
11:08Of course, ma'am.
11:10Vera! Come here, please.
11:12Is something wrong?
11:14No, it's the Duchess.
11:16She wants to see you.
11:18Yes, that's right.
11:24Well, thank you very much. It's been a pleasure.
11:26It's been a pleasure, ma'am.
11:28Come in.
11:38Mrs. Candera and Mrs. Simona are lovely.
11:40Yes.
11:42And that Lope is too.
11:46Are you dating a cook?
11:48Who told you that?
11:50The cooks, who are charming and gossipy.
11:52I see.
11:54And the servant himself has also confirmed it to me.
11:56Lope is not a servant.
11:58He's the cook of the palace.
12:00What's more, he's a nobody.
12:02And you're the daughter of a duke.
12:04No, I'm not that woman anymore.
12:06Can't you give up your identity?
12:08Can't you give up your lineage?
12:10Yes, I can.
12:12And I've already done it.
12:14Please.
12:16I beg you, go home with me.
12:18Mother,
12:20I remind you that for a father, I'm just the person
12:22who almost ruins him and puts him in jail.
12:24But everything has a remedy.
12:26Yes.
12:28And I've already found it here, in the promise.
12:30No.
12:32As a vulgar maid, no.
12:34You can't say those nonsense.
12:36A vulgar and happy maid.
12:40And you know what?
12:42I don't regret the decision I've made,
12:44no matter how much you try to change your mind.
12:46So don't insist.
12:48And leave things as they are.
12:52Do you want me to accompany you to the exit, Duchess?
12:56No.
12:58I already know the way.
13:06No.
13:20A man got off the horse
13:22and approached me.
13:24And he demanded that I give him
13:26my brother.
13:28I thought they were going to kill me.
13:32Just like they did with my mother.
13:34But I thought
13:36they wouldn't be able to kill a baby.
13:42That's terrible.
13:44Yes, Manuel.
13:48But what's even worse
13:52is that the person who killed my mother
13:54belongs to this palace.
13:56The ring your grandfather,
13:58the Baron of Linaja,
14:00left you as an inheritance.
14:06Manuel.
14:10I'm going to see Mrs. Pia.
14:12I just finished my homework
14:14and Mr. Rômulo gave me permission to go.
14:18What's wrong?
14:20Nothing.
14:23What's wrong?
14:27Are you okay?
14:29Yes.
14:31Manuel, what's wrong with your hand?
14:36Give me that.
14:38Come on.
14:48So
14:50you haven't stopped thinking about the suspicions
14:52I told you about your grandfather, the Baron.
14:56I can't get it out of my head.
15:01Manuel, we said we had to leave the past behind.
15:04I know, but
15:08I took out the ring and it brought back
15:10a lot of memories.
15:16Who could have imagined that behind a ring
15:18there could be so much pain and suffering?
15:25You know what?
15:27It's over.
15:29I'm never going to wear it again.
15:32But it's a ring.
15:34And it's a jewel, so it's not to blame for anything.
15:37But I suspect it won't be pleasant
15:39to see it every day, right?
15:41No.
15:45I won't let anything get in the way between us.
15:50And I won't let anything get in the way of our happiness, my love.
15:54I want to get married
15:56and spend the rest of my life with you.
15:59Me too.
16:02But I don't know why I feel like you're worried.
16:11A little.
16:13But it's not because of us.
16:15Mrs. Pia's case has me at a loss.
16:20You see, I can't stop thinking about the conversation
16:22I had with Rómulo about Gregorio.
16:24What you're still thinking about
16:26is the possibility of meeting him.
16:30I know it's dangerous, but I think I can find a way
16:32to leave Pia once and for all.
16:35Yeah, but to do that, you have to locate him first
16:37and it's not that easy.
16:41Do you have something in mind?
16:45What makes you think that?
16:47Manuel, I know you perfectly well.
16:49And I know what each of your smiles mean.
16:56And does this make you think I'm imagining something?
17:03I can't fool you.
17:05He's the thought.
17:07Then why don't you tell me what you're thinking?
17:12Let me mature him a little more.
17:15I have to give him another thought.
17:17I still don't know if it's something feasible
17:19or an illusion as a result of my desire
17:21to finish this as soon as possible.
17:24Okay, but keep me informed.
17:27Yes.
17:29And whatever you're going to do,
17:31count on me.
17:34Yes.
17:36Yes?
17:41This kiss is to make you wonder.
17:43No.
17:53My love, I swear that when I arrived,
17:55they had already left and told your mother everything.
17:57Well, with how gossipy you are, Mrs. Candela was to be expected.
17:59And Mrs. Simona is not to be left out either.
18:01It was an imprudence to have left her alone with your mother.
18:04Lope, you haven't done anything, so don't blame yourself.
18:06No, Vera, it had to have been planned.
18:08They haven't just told her that, don't believe it.
18:10What else have they told her?
18:14Well, they started to get hot and told her my story with María Fernández.
18:17Really?
18:18Yes, really.
18:20Vera, I love those two very much, but they're big mouths.
18:22Your mother is going to think that I'm not a man to be trusted
18:24and that I'm going from flower to flower.
18:26Come on, Lope, don't exaggerate.
18:27I'm not exaggerating.
18:28I have to talk to them because they have put me at the feet of the horses.
18:30They said it was a Don Juan.
18:32A Don Juan?
18:34What is your mother going to think now?
18:36She has had to take a horrible image of me.
18:38Lope, she was going to take it anyway.
18:41Even if you were the best person on earth.
18:44You will never be enough for my mother.
18:46And you don't care about that?
18:48The only thing I care about is you.
18:50Yes, Vera, but ...
18:51No, but nothing.
18:53Sooner or later she will find out.
18:55In any case, I'm going to talk to them and tell them that they are corrupt.
18:59Come on, don't tell them anything.
19:01I'm sure they have done it with the best of will.
19:03To talk about something.
19:04It is not easy to have a conversation with a whole duchess.
19:08I guess.
19:10And with all the love and effort they are putting into her,
19:12the last thing they deserve is to take a rag to dust.
19:15If the poor knew how little my mother cares about the kitchen,
19:18it's more than disgusting.
19:20You saw the face she made when she heard the recipe for the callos.
19:24Lope, leave him alone.
19:27And did she say anything else about me when she left?
19:32Well, what was to be expected.
19:34That is to say, nothing good?
19:36No, nothing good.
19:38Oh my God, Vera.
19:40But Lope, all this matters to me at the very least.
19:43Now this is my new life.
19:45And neither my mother nor my father have anything to say about it.
19:49I am no longer the daughter of the dukes of Carril.
19:51Now I am Vera.
19:53A maid and a woman happily in love.
19:57But I am the only thing that wants to be with you.
20:01And it is better that my mother is there, aware of all this.
20:04So the cards are on the table and everyone knows what to expect.
20:10Seen like this?
20:11No, that's how it should be seen.
20:20I love you, love.
20:22And me.
20:36I just met Manuel.
20:38Yes, we finished Villar's game.
20:41We had left it at half-time this morning.
20:44And because of your expression, I deduce that you have lost.
20:47Well, you're wrong.
20:49I hit him hard.
20:51Well then, I don't understand your attitude.
20:54Lately, there are reactions of yours that have upset me a bit.
20:58If you say it because of Julia, it's better, right?
21:00Well, yes, yes, I work. I say it because of Julia.
21:04You can't answer in such an abrupt way to a guest.
21:07The poor thing was left livid.
21:09I was fed up, Martina.
21:11Because apparently, that girl doesn't know how to talk about anything other than that damn war.
21:15Yeah, yeah, but ...
21:16That doesn't justify your tone.
21:19I don't think she wants to bother you.
21:21No, no.
21:22Well, she should have been more tactful.
21:25She's trying to be kind.
21:28I don't know, Martina, but she got the opposite.
21:31In fact, I've always tried to be polite.
21:35To answer in a kind way.
21:37But not anymore.
21:39Not anymore because I made it very clear how much I was uncomfortable with her questions.
21:42That we are talking about war.
21:44Not about the fashion of Paris, or the last premiere of the theater.
21:49It's irritating.
21:57See how she puts you?
21:58Yes.
22:03Curro, I ...
22:07I know that war has affected you a lot.
22:10And that it still affects you.
22:12No.
22:14I know you've had to go through terrible experiences.
22:18And I can't even imagine
22:20the number of horrible images you'll have in your head.
22:25And that will probably accompany you for the rest of your days.
22:32That's right.
22:34I'm going to have to live with those images.
22:37I know.
22:42I get on your skin.
22:45And I get hot.
22:47Really.
22:53But I think you also have to get on Julia's skin.
22:57Because she is completely oblivious to your pain.
23:01And without eating or drinking it, she has taken a good nap, right?
23:07It's just that ...
23:08Can you imagine?
23:09Can you imagine?
23:11That you are the guest in a house and they talk to you like that.
23:19It's okay.
23:20Yes, I admit that ...
23:23My ways were beyond Curro's.
23:28I'm sorry.
23:29What? No, no, no.
23:30You don't have to apologize to me.
23:33It's her.
23:35No?
23:37It's okay, it's okay.
23:39I'll do it as soon as I can.
23:44And ...
23:45She will understand your reasons perfectly.
23:49She is very smart.
23:52Very much.
23:59Well.
24:00I'm going to leave your clothes clean around here.
24:03Thank you for making the slip in the promise.
24:05You're welcome.
24:07It is true that if I did it to you, then ...
24:10I would run an unnecessary risk.
24:12That, of course.
24:15Anyway, try not to get obsessed.
24:19Here.
24:21If I had my son closer ...
24:23I've been hiding for weeks and this is becoming eternal.
24:26Well, don't worry because your son is fine.
24:29Mr. Baeza and I will make sure to get in touch from time to time with Avni to tell us how it goes.
24:34And I thank you because I know it's not easy.
24:37What's more, you have to put yourself at risk with that ...
24:40Canary out there.
24:43If Gregorio showed up, he would attack anyone.
24:46And he's going to show up sooner or later, but he's going to show up, I know.
24:50Unless ...
24:53We meet him before.
24:55I thought it was very clear that he was not looking for that man again, Hanna.
24:58Yeah, but ...
25:01But what?
25:03I don't know.
25:04Manuel is planning something.
25:07Something like what?
25:08I tell him I don't know what it is, he hasn't given me details, but ...
25:11I'm convinced that if it's about him, it's a good idea.
25:15Besides, Manuel won't stop until Gregorio's threats are over.
25:18But I don't want him to put himself at risk for me.
25:21Well, don't worry.
25:22Manuel knows what he's doing.
25:26Anyway, I have to go now.
25:29I'll leave this here.
25:33Take care.
25:59Well, a friend of the count is going to compose a waltz in our honor.
26:03Will it be the dance that will open your wedding?
26:05Of course.
26:06What better than to start dancing a waltz composed by an ex-professor for the two of us.
26:10Right, dear?
26:11Yes.
26:12And can I know the name of the composer who will be in charge of the piece?
26:15His name is Gaetan Chauvinier.
26:17He is a French composer that I met on one of my trips.
26:20And I have some friendship with him.
26:22Who is the same one who composed a piece for the link of His Majesty Alfonso XIII
26:26and Doña Victoria and Eugenio.
26:29I thought you were preparing an intimate ceremony, but I see that you are jumping.
26:33Well, being intimate does not mean that we give up giving it the relevance that a moment like this deserves.
26:39After all, a wedding is something you do once in a lifetime.
26:42Well, in the case of Margarita, more than once.
26:44But I'm not getting the same excitement as my first wedding.
26:49And not only will we share a composer with the royal family,
26:52but also, and thanks to the mediation of one of my sisters,
26:55we will have the presence of Orfeón Pamplonés.
26:58Who also sang at the wedding of the kings.
27:00I hope that the similarities between the two links remain there.
27:03You don't need me to remind you of the tragic end of the wedding of the kings
27:07with that undesirable anarchist of Mateo Morral attempting against their lives.
27:11Fortunately, we don't have enemies of that style.
27:15For now.
27:16But time to time.
27:18But time to time.
27:22Are you still awake at this time?
27:24Well, what a pleasant turtle after dinner.
27:28Besides, we were waiting for you.
27:31For us, why?
27:33Man, I'm dying to know your impressions after returning to social life.
27:39I hope you haven't had a bad time.
27:41You have worse times with your own family.
27:44I assure you.
27:45So it went well?
27:47It was fun. Right, Pelayo?
27:50That's right.
27:51And who attended that request?
27:54Authorities or members of the royal house?
27:57Yes, not in vain. The groom is a relative of Queen Victoria Eugenia.
28:00Oh yeah? Is he English?
28:01Half English.
28:02There were also members of the European royal houses.
28:05They will be the ones who are fighting us right now, but there are not many.
28:08There was even a photographer and a journalist to immortalize the moment.
28:12And portrait together?
28:14Well, I don't know. Of course, I haven't done anything to avoid it.
28:17I don't want to hide.
28:18My intention is to behave normally.
28:20And if you don't like it, don't look.
28:42Santos!
28:45I'll go now.
28:48Where are you supposed to go without the regulatory uniform?
28:51Sorry, Mrs. Petra, but my father has sent me to collect firewood.
28:55And do you have to go?
28:56Why doesn't Marcelo do it, who has just arrived?
28:58He's coming too.
28:59Apparently, many hands are needed.
29:01They have hired a truck to collect as much firewood as possible and replenish the warehouse,
29:06which is practically empty.
29:08And they hired a truck just for that?
29:10Well, in fact, they are also going to transport straw and fodder bullets for the animals.
29:16And when will you be back?
29:18Well, I don't know. In fact, I don't even know where we are going to collect firewood.
29:22I understand that it will be the small forest next to the river.
29:26It may be.
29:27If everything goes well, we should be back in the afternoon.
29:33You weren't aware of this?
29:35No. As always, I'm the last to find out about things.
29:40Although I admit that the lackeys are not my competition.
29:46The truck is already here.
29:48Come on, don't make them wait.
29:50And the sooner you leave, the sooner you will return.
29:53Do you want me to bring you a gift from the forest?
29:56A flower, a stick, a round corner?
29:59As long as you are very careful, I will be satisfied.
30:02That's always Mrs. Petra.
30:04Don't worry about me.
30:06Come on.
30:11A few days later.
30:24So you got up early this morning.
30:27I wanted to go horseback riding for a while.
30:30I guess you arrived late from that party last night.
30:33That's right. I haven't slept much, but it pays off.
30:37I love the first hours of the day.
30:40I like the freshness of the earth before the sun rises.
30:43Me too. Everything seems new.
30:46And even the countryside smells better.
30:51How was it last night, Pelayo and you?
30:53Good. Very good.
30:57Did you enjoy the evening?
30:58A lot.
30:59I'm glad.
31:04It seems that this morning you don't really want to talk to me.
31:08Are you still upset about the jam business?
31:12I'd rather not talk about it, father.
31:14Yes, daughter, but ...
31:16I'd rather you make an effort and we try to get closer.
31:21I'm going to be late to go to the motel.
31:23Catalina, please.
31:25Okay, what do you want?
31:27Explain my reasons for not leaving you in charge of the business.
31:32I know that, in a way, I'm being a little unfair to you.
31:36And you still keep your 13.
31:38I have my reasons.
31:39Yes, Cruz. Those are your reasons.
31:43Always Cruz.
31:45Stop being afraid of your wife.
31:47No.
31:48It's not fear.
31:49No?
31:50No.
31:51Then what is it?
31:56Look, father.
31:58Look, father.
32:00I understand that you will keep me away from the business as a punishment for everything that happened with the guns.
32:05Or because I abandoned it overnight.
32:08I even understand that you like the way Lorenzo manages it.
32:12Because after all, he doesn't give losses.
32:14What makes me desperate is that he does all this so as not to anger his wife.
32:17For the love of God.
32:21Father, you have what you have chosen.
32:27I love you.
32:43Simona, read the letter in full.
32:45I don't want to know everything.
32:46I also want to know how Virtudes is doing.
32:48A little patience.
32:50I want to give her a wink first.
32:53I'm happy like a worm.
32:56Well, you can tell.
32:57He has a smile that doesn't let him do the circus.
32:59And what is that due to?
33:01Well, I was going to see Salvador.
33:03Today is his day off.
33:04And I feel like kissing him.
33:05But don't cheat.
33:07Don't you realize?
33:08My Candela, not even if I broke her rib, daughter.
33:10What time did you meet Salvador?
33:11Well, he talks to Petra and as soon as he finishes eating, I go out for a walk.
33:15Good.
33:16Well, perfect.
33:17Because that way we have time to finish the cookies.
33:19And you take them.
33:21Really?
33:22Yes.
33:23Of course, we are making cookies here for a laugh.
33:25A wonderful detail.
33:26Because they are also his favorites.
33:27The chocolate ones.
33:28Of course, there are a lot.
33:29Well, where is the meeting of the couple going to be?
33:33In Luján Square.
33:35Do you want me to tell him something about you?
33:37Well, yes.
33:38If possible, tell him that when he has free time, he comes to see us at La Promesa.
33:41I miss him.
33:42Yes, we love him very much.
33:44That was going to be said.
33:45But now also from you.
33:50Is something wrong, Simona?
33:51Is Virtudes okay?
33:52Yes, everything he tells me in the letter is good.
33:54Then why are you sighing?
33:58Can I read the letter?
34:00No, they are personal things.
34:02Oh, how mysterious.
34:04Something can be told, right?
34:06Come on, get out of that little mouth.
34:09Well, it's fine.
34:11Let's see.
34:12Do you remember that in the last letter, my Virtudes told us that she was working for a seamstress?
34:17Yes, of course.
34:18Well, apparently she has made great progress.
34:21And every time they give her more complicated tasks.
34:24She doesn't just make clothes.
34:26The truth is that Teresa's teachings have gone very well.
34:29And does the boy say anything?
34:31How is Dorfito?
34:32That he is to be eaten.
34:34That he is very happy there in the field.
34:37And my in-laws too.
34:39They are very happy to have him there.
34:41They don't know how envious I am of them.
34:44But that's wonderful, Mrs. Simona.
34:46In the end, everything has gone well.
34:48And that boy is going to have a very happy upbringing, you'll see.
34:50Yes, that is the most important thing.
34:53Maria, a boy has brought this for you.
34:56For me?
34:58Really?
35:00Bring it here.
35:06Candy!
35:07And who sends you those delights?
35:09Well, there is a note.
35:18Salvador.
35:20What a detailer, the boy!
35:22That's love of the good.
35:28Yes.
35:29Love of the good, but ...
35:31But he's not coming.
35:33And why is that? What happened?
35:35Well, nothing, an unforeseen event arose for the Count of Matesán.
35:39And he can't take the afternoon off.
35:41Oh my God.
35:42With the desire that I had to fuck him.
35:45Well, I know it's not the same, Maria.
35:47But if you want to hug us ...
35:49One after the other.
35:52Can we put our hands in the candy?
35:54Because the penalties with sweets are less.
35:56Well, yes.
35:57I know.
35:59Do you like them?
36:00No, thanks.
36:01I do.
36:03I didn't think they were from Italy.
36:06Thank you, Maria.
36:07Take these letters to the box office as soon as possible.
36:10The one that arises the most is the one addressed to my friend José María Lavilla,
36:13admiral of the Spanish Navy.
36:15The poor man has just got widowed.
36:17Well, yes, yes.
36:18I remember perfectly your wife, Mrs. María Cristina.
36:21An elegant and generous woman.
36:24I know.
36:25She leaves an impossible void to fill.
36:27As I already had news of the sad event,
36:30I have gone ahead and ordered your luggage to be prepared,
36:33because I suppose the burial will take place in San Fernando.
36:36Romulo, you are as efficient as ever.
36:38But I'm afraid that this time I'm not going anywhere.
36:41I thought you wanted to convey your condolences directly to Don José María.
36:46It would make sense if I went with my wife.
36:48But as things stand, I don't think she wants to accompany me anywhere.
36:52I understand.
36:53That is why it is important that the amnesia arrives on time.
36:55Because it is precisely to excuse my presence.
36:59And ...
37:00And changing the subject,
37:02do you have any news about Doña Pia?
37:05How is she doing in that cabin?
37:07Precisely. Yesterday he was visiting Miss Expósito and he found her well,
37:11taking into account her circumstances, of course.
37:13Yes.
37:14And I think about how bad it will be for her.
37:16Yes, the truth is that she lives in great anxiety.
37:18She is dead of fear, knowing that that man is out there.
37:22Well, she is a strong woman. She can handle it.
37:24I hope you are right, sir.
37:26I put myself in her place and I doubt that I have the same strength.
37:29Well, no, I rectify. I'm sure I wouldn't have it.
37:32I get the impression that something worries you.
37:34Something, Romulo?
37:36Everything worries me.
37:38In case I had a few disagreements with my wife,
37:40I keep arguing with my daughter Catalina.
37:42But I'm sure the waters will soon return to their course.
37:45Today I have tried to get closer and it has been of no use.
37:49In a way, I feel like I have failed you.
37:51I know, sir. I'll take care of it.
37:54Oh yeah?
37:55Well, I don't know the specific details of the conflict you have with your daughter,
37:59but I dare to say, without fear of making a mistake,
38:03that sometimes one is forced to do what is not correct
38:07and has to sacrifice his own principles to avoid greater evil.
38:12Are you trying to tell me something?
38:15No, I was just philosophizing, sir.
38:17I thought this might be of help to you.
38:21Good.
38:23You can leave now.
38:24With your permission.
38:44Why is this tea so dark today?
38:46Have they left the herbs longer than usual?
38:49No, I understand that they have prepared it the same.
38:51In fact, I don't see any strange color.
38:53Am I making it up? If I say it's darker, it's darker.
38:57Can I tell them to prepare it again?
38:59No. Add a good splash of milk to see if it clears up a bit.
39:07Ma'am.
39:15Ma'am.
39:23This is colder than an ice cream.
39:25I can assure you that both the tea and the milk were hot.
39:29Are you going to take me against all odds?
39:32Of course not. Right now I'm telling them to heat it up again.
39:36I just want a cup of tea, like every day.
39:38It's not that hard, I say.
39:40Good morning.
39:42Good morning.
39:44What's the matter, mother? Why do you look so relieved?
39:46I'm fed up with useless maids.
39:53Mother, getting upset won't get you anywhere.
39:56Look around you. It's a beautiful day. Why don't you take advantage of it?
40:00Weren't you going to leave the palace?
40:02Yes, but I'll do it after lunch.
40:05I've met with some engineers. I have doubts about the new design of my project.
40:11You mean your little plane, right?
40:13Exactly. It's the one you love so much.
40:16Damn puppets.
40:18Ma'am, I've asked them to prepare it again.
40:22You know, mother, I think I'm going to sit here with you for a while.
40:27Let's see if I can get it to clear up.
40:29Hanna, please, can you get me a cup of that tea?
40:31Don't even think about it. It's loaded and cold. It's better in cold water.
40:37You know, that's making me want to sing it even more.
40:41Please.
40:47Mother.
40:50Apart from her bad mood, she's more beautiful when she smiles. I knew it.
40:55I'm not a liar, Manuel.
40:56What I'm telling you is completely true.
40:59Actually, she gets ugly when she frowns.
41:04It's part of her natural charm.
41:10I'm sure that if she smiles, the next tea will taste better.
41:15Manuel, even if you look at me like that, that tea is horrible.
41:18And you're not going to convince me otherwise.
41:21Mother, I do it for you.
41:24And for those around you.
41:28And I'm particularly talking about Father.
41:32I don't know what happened between you two, but I assure you that Father is wrong.
41:36Really wrong.
41:37Manuel, leave him.
41:40I'm sure everything can be fixed if you put a little good will into it.
41:43If you're going to continue with this nonsense, let's leave this conversation right now.
41:48Besides, you're not the most suitable person to give me a thousand lessons of what an exemplary marriage is.
41:52Or do you want me to remind you how yours ended?
41:55Ma'am, do you want a napkin?
41:56Don't interrupt me.
41:58Did I ask you for anything?
42:00No, forgive me.
42:19Hey, Teresa.
42:22What?
42:26I'm sorry.
42:29What?
42:32What?
42:34I'm sorry I questioned your relationship with Marcelo.
42:38And I'm sorry if my comments have hurt you.
42:43Do you forgive me?
42:48Of course, Maria.
42:50Don't worry, everything is fine.
42:55Maria, what are you doing here?
42:58Isn't today supposed to be your day off?
43:00Yes, that's right.
43:02I was supposed to meet Salvador, but it is known that his lord has asked him for a task
43:06and we had to cancel the appointment.
43:10I'm going to have to put up with the urge to hug him for another moment.
43:13That's for another time.
43:15Because very soon he's going to start hitting on you.
43:20Tyra, come on.
43:24What happened to you? You're naked to the bone.
43:26We fell into the river.
43:28But it looks like they threw a barrel of water on you.
43:31Wait a minute, how did you fall?
43:33Go dry yourself.
43:34If you ask your little husband.
43:35Yes, I tripped and fell.
43:36A stupid accident.
43:37No, a stupid accident, Marcelo.
43:39And thank goodness there was a rock.
43:41If I don't drown, and Santos, when he tried to help me, he fell too.
43:45But next time I'm not going to move a finger for you.
43:48The water was clean.
43:49Yes, it was.
43:50And the guys took a long time to get us out of there.
43:52A useless shortcut.
43:54Come on, come on.
43:56You're shaking, boy.
44:00Better?
44:01Yes.
44:02Thank you, Mr. Arcos.
44:04Thanks to you, I'm much better.
44:06You should take a little more care of yourself, Feliciano.
44:08You can catch pneumonia.
44:10If you're right.
44:17Do you see what I'm telling you?
44:18Do you see it?
44:22Yes.
44:38You're beautiful.
44:42What are you doing here, Manuel?
44:43And you?
44:46I came to get some fresh air.
44:48Well, it's a good thing we met.
44:55I come from Lujan.
44:57And I can't wait to tell you.
45:01My management is giving results, Hanna.
45:03I don't know what management you're talking about.
45:07I know how to attract Gregorio.
45:10But have you located him?
45:12Not exactly, I haven't located him.
45:13But I've found out that, from time to time, he drops by Lujan's tavern.
45:18So I left him a note in an envelope, quoting him in a remote place.
45:22So, in the end, you're going to meet him.
45:26But what are you going to tell him?
45:28Because I don't know how you're going to get them to leave Pia last year.
45:31I have a plan.
45:33Manuel, I need you to be careful.
45:36He's a very dangerous criminal and I can't let anything happen to you.
45:40I have everything under control.
45:42Look, I've managed to locate a man who was in the same prison as Gregorio.
45:46And he has confirmed the same story that Mr. Baeza told us.
45:50You mean...
45:51Yes.
45:52Yes, the death of that inmate in strange circumstances and whose evidence pointed to Gregorio being behind it.
45:58Hanna, he has given me a series of determining details that can take that man back to jail.
46:03But let's see, Manuel, what kind of details are you talking about?
46:06I prefer to keep you out of it for the moment.
46:09I promise I'll tell you everything when this is over.
46:13Let's see, and why do you think Gregorio is going to meet you just because you're Mr. Manuel de Luján?
46:20It's true that you made the possibility that he doesn't come, but I've left him a note that...
46:24It's hard not to get it.
46:27I made it very clear in the note that I wanted to talk about Pia Adarre.
46:29And I hope that's enough to attract the curiosity of that bastard.
46:33Manuel, please, I need you to tell me where you've mentioned her.
46:38In the old slaughterhouse in Ruines.
46:41I'm going with you.
46:42No.
46:45Hanna, and no one can find out about this.
46:48And when I say no one, it's no one, not even Mr. Baeza.
46:52I'm going with you.
46:54No.
46:55And when I say no one, it's no one, not even Mr. Baeza.
47:01Hanna, give me your word.
47:06Okay, I promise you.
47:09But promise me that you'll take care of yourself, Manuel.
47:12Please.
47:14I promise you.
47:20Hanna, you have to be patient with my mother.
47:22I'm sorry.
47:24I'm sorry for her.
47:26But please, be patient.
47:29You know that she has argued with my father and she's quite irascible.
47:32If it's for one thing or another, she's always irascible.
47:35And in the end, she always ends up paying for it with us, the servants.
47:40I'm learning a lot from the relationship and from my parents.
47:45Especially what I don't want to happen to us.
47:47Especially what I don't want to happen to us.
48:15Be careful.
48:18There has been a change of plans, Mr. Arcos.
48:21In the end, Mr. Marqués will not go to the burial of his friend's wife, Admiral Villa.
48:27No need to prepare the lady's luggage.
48:30If I'm honest with you, Mr. Baeza, it was something I already imagined.
48:33Because it was not normal that Mrs. Cruz had not told me anything about it.
48:37That's all, Mrs. Arcos.
48:39I will be in charge of transmitting the menus we have agreed to the kitchens.
48:42And I will also tell you the budget they have for the meal of the week.
48:46Okay.
48:48By the way, Mr. Baeza.
48:51Do you know if the visits of the Duchess of Carrillo to the kitchens are going to be prolonged?
48:56If I'm honest with you, I don't know.
48:58I know the same as you.
49:00The Duchess will come from time to time to sign the palace recipes.
49:04Neither the Duchess nor the Marquess have been able to confirm the periodicity of these visits.
49:10In other words, the visits can be prolonged indefinitely.
49:15Yes.
49:17Are these visits a nuisance to you?
49:21Well, the truth, Mr. Baeza, yes.
49:24It bothers me that a lady from the court of the Duchess of Carrillo comes by the service floor.
49:29But it still bothers me more than using my office.
49:32Well, you offered it yourself.
49:34It was a matter of courtesy, Mr. Baeza.
49:37But that does not imply that I have been for months without knowing if I can or cannot use my office
49:42because I don't know when the Duchess will need it.
49:43Yes, I understand.
49:45I also find all this extravagant, so to speak.
49:49But even if I agree with you, the Marquess has given her good opinion
49:55and we have no choice but to obey.
49:58Obey and shut up.
50:00That's right.
50:02Excuse me, but did you call me?
50:05Yes, come in. I have to give you some instructions for tomorrow.
50:09Well, if you don't need anything else from me, Mr. Baeza.
50:16Are you okay, Santos?
50:19More or less.
50:24But you are burning.
50:27You have a high fever.
50:29It was the fall into that damn river.
50:31What happened?
50:33We went to the forest for firewood and we fell into the river.
50:36Well, it was Marcelo who fell into the river.
50:38And Santos, to rescue him, fell too.
50:41And that useless Marcelo doesn't even know how to walk.
50:44Does it hurt?
50:47A little, the head.
50:49And my throat bothers me a lot when I swallow.
50:52Well, for God's sake.
50:54Let's hope it's nothing and he recovers with a little rest.
50:57That Marcelo doesn't even look where he steps, Mr. Baeza.
51:01It's a danger to everyone.
51:04I'm sure it's nothing.
51:05I'm sure it's nothing.
51:07Tomorrow I will wake up and I will be perfectly fine.
51:11Well, I leave you alone so that you can discuss your matters.
51:27Well, the two of you came delighted with that request.
51:30It's a shame I didn't find them to tell me firsthand.
51:33Well, even if it's firsthand, what I've told you is what happened.
51:37Sister-in-law, Pelayo and Catalina enjoyed that party a lot.
51:42And they're not around.
51:44I think Catalina went out early this morning.
51:47She has always liked the company of animals more than that of people.
51:50Please, don't be malicious.
51:52Sister-in-law, be happy for your stepdaughter.
51:55It's true that Catalina was very relieved to have attended a social event after so much confinement.
52:01And above all, that everything would have gone perfectly.
52:05Well, the truth is that it surprises me.
52:07Because those publications did not leave neither Catalina nor the count in a pleasant position, let's say.
52:12You know how high society works. One rumor covers another.
52:16The gossip about Catalina and Pelayo will have remained old.
52:19In addition, according to your own stepdaughter, that request was full of members of the European royal families.
52:25So they would have much more juicy gossip.
52:27And who was the boyfriend?
52:29Because all he said was that he was a relative of Queen Victoria Eugenia.
52:32He would be a grandson of Queen Victoria of England.
52:35He had at least nine children and they all gave him grandchildren.
52:37So there are plenty of candidates.
52:39And at your wedding?
52:41Is a member of the royal family going?
52:43Again with our wedding, captain?
52:45Anyone would say that you are going to pay for the invitation.
52:47It makes me curious.
52:49I have never been to a wedding of such ...
52:52Not so young.
52:57Who will call at this time of the night?
53:04House of the Marquises of Rouen.
53:07That gentleman is here.
53:09Right now, sir.
53:14It's for you, Captain de la Mata.
53:27Tell me.
53:30Yes.
53:32Yes, my commander.
53:42Tomorrow morning I want you available to make some phone calls.
53:46Very well, sir.
53:48The captain will not say anything.
53:50But we are going to find out what is so important that Commander Alcaraz wanted to communicate to you.
53:53I'm going to call the doctor.
53:55Because I don't want to risk that cold grabbing your chest.
53:58I'm not a child anymore, father.
54:00Given your background, the precise thing is to act prudently.
54:04They will suspect something if they have called you.
54:06At the moment they are that.
54:08They are the suspicions.
54:10That for your sake I hope they never confirm.
54:12I will investigate what was the origin.
54:14Do it, yes.
54:16But do it discreetly.
54:18Alonso cannot know this.
54:20Your husband will not find out.
54:21We are going to start with the recipes.
54:23And we are going to start with the desserts.
54:25Well, at this point, Lope can help you more than me.
54:28That the boy has wood as a baker.
54:31How timely.
54:33Since you are well, you will be in charge of replacing Santos with the care of Mr. Curro while Deva remains in charge.
54:41You have been in charge of his training.
54:43I say that he will be prepared, right?
54:45Yes, but he still has many things to learn.
54:47It will have to be enough.
54:48Among the guests, on the part of the groom, the couple made up by the Count of Añil and Mrs. Catalina de Luján stood out.
54:55The two young men were the center of attention throughout the evening.
55:00We already know why.
55:02But we don't know where Gregorio is, right?
55:04Manuel has located him.
55:06And in fact he has mentioned him in the old slaughterhouse.
55:09And he could not have mentioned him in the town square with all the people?
55:12Bad news, Hanna, huh?
55:14Marcelo!
55:15Marcelo!
55:18You have nothing to say.
55:20Hi, Teresa.
55:22But you're in a bad mood.
55:24I thought ...
55:25No, I've seen this better, don't think.
55:27Go with Mr. Curro.
55:30What? If you do it without believing it, I didn't realize.
55:33That's your problem, that you don't realize anything.
55:35Before I asked you about Manuel, I want to know how everything is.
55:38It seemed to me that I saw a certain fear in your gaze and it seems to me that it has to do with Gregorio.
55:42It is possible that ...
55:44that this afternoon the whole nightmare ends.