Still mourning the passing of their father, two Austrian sisters, Dagmar and Ursula, arrive at a luxurious Italian seaside hotel. At the same time, a mysterious killer starts murdering promiscuous women in the area.
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Short filmTranscript
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00:02:28It's room 14, absolutely quiet, just as you wanted.
00:02:32Thank you.
00:02:48Ursula, don't expose yourself. Be careful.
00:02:51Come on.
00:02:52There's the crystal here.
00:02:54It seems to have the sky at hand.
00:02:56It's beautiful, isn't it?
00:02:58Don't touch it. You know I don't want you to touch my bags.
00:03:01Oh, please. Who's going to touch them?
00:04:26Good evening, Miss Bain.
00:04:39I'm Roberto Delleri, the hotel manager.
00:04:42I hope you'll be comfortable here with us.
00:04:45I don't see the other Miss Bain.
00:04:47She'll be down soon. She wanted to rest a little longer.
00:04:50You know, rest is necessary for her.
00:04:52For any particular reason?
00:05:15A piano in the evening, the sea. Romantic.
00:05:18A little too romantic.
00:05:20I'd say it's suggestive rather than romantic, don't you think?
00:05:23Yes, but sometimes suggestion is dangerous.
00:05:26Do you mind?
00:05:31Where does this music come from?
00:05:33From the nightclub.
00:05:34A nightclub? I didn't think there was one.
00:05:36Yes, yes, but don't worry.
00:05:38It's on the lower floor, on the opposite side of your apartment.
00:05:41It won't bother you.
00:05:43Distentive environment, soft music.
00:05:46And a shining star.
00:05:49What is it, a woman or a drink?
00:05:51A singer.
00:05:53You could say I'm keeping the night open for you this season.
00:05:57You'll see, it's worth it.
00:06:19Your eyes.
00:06:22Your eyes are my life.
00:06:28And they know how to make me cry.
00:06:34That's why I love your eyes.
00:06:42Beautiful, really beautiful.
00:06:44She's good too. Don't you think?
00:06:46Yes, I agree with you, Mr. Delleri.
00:06:49My name is Roberto. I intend to become friends with my clients.
00:06:53And they know how to make me die.
00:06:59That's why I love your eyes.
00:07:07Oh, oh, oh.
00:07:18You have got me where you want me.
00:07:23Cause you have these eyes.
00:07:29Your eyes.
00:07:34Your eyes are my life.
00:07:40And they know how to make me cry.
00:07:46I love your eyes.
00:07:53We are Austrians, we were born in Innsbruck.
00:07:56Do you know Innsbruck, Mr. Andrei? There are many Italians there.
00:07:59I hope you won't start talking about our parents in this place.
00:08:05You have got me where you want me.
00:08:10Cause you have these eyes.
00:08:18I have the impression that Ursula doesn't like my night.
00:08:21No, it's not that.
00:08:23I don't like night, Mr. Delleri.
00:08:27You know, Ursula is very tired.
00:08:31I wanted her to relax.
00:08:33You are very tired and I would like to go.
00:08:35Wait a second, please.
00:08:37I would like to introduce you to Stella Scheining.
00:08:51Here is our Stella.
00:09:03Miss Ursula and Dagmar Bey.
00:09:05Good evening.
00:09:12I would like to go now.
00:09:14Good evening.
00:09:16We are very tired.
00:09:18Good evening.
00:09:19Bye.
00:09:20See you later.
00:09:21Can you give me a cigarette, please?
00:09:23Of course.
00:09:24Filippo, please.
00:09:25I'm coming to sleep with you tonight.
00:09:27No, stop it.
00:09:28I'm tired.
00:09:29Bye.
00:09:30Why?
00:09:31Who do you want to see?
00:09:32Stop it, Filippo.
00:09:33Don't start again.
00:09:34Do you understand?
00:09:35Good night.
00:09:36Good night.
00:09:37Good night.
00:09:38Good night.
00:09:39Good night.
00:09:40Good night.
00:09:41Good night.
00:09:42Good night.
00:09:43Good night.
00:09:44Good night.
00:09:45Good night.
00:09:46Good night.
00:09:47Good night.
00:09:49Good night.
00:10:02There's nothing to do, Daghi.
00:10:04There's nothing to do.
00:10:06I told you as soon as we arrived.
00:10:08I don't like this place.
00:10:09I don't even like the people here.
00:10:12You've already said it.
00:10:13Especially Filippo.
00:10:15I understand.
00:10:16Now, drink your sedative and try to sleep.
00:10:18Dagi, terrible things will happen around us.
00:10:21I see blood.
00:10:22Finish it.
00:10:23I told you, it's enough.
00:10:25And our father too.
00:10:26Look, you're taking advantage of me.
00:10:28I can't take it anymore.
00:10:30If you insist with your delusions, my nerves...
00:10:33My nerves can't take it.
00:10:34Here, drink your sedative.
00:10:37It'll do you good, you'll feel better.
00:10:39I've already made you drink it before, you know.
00:10:41I'll make another one.
00:10:44Forgive me.
00:10:51You'll see, we'll sleep better.
00:11:13I'm sure he has a friend.
00:11:15Do you want to see me make love to him?
00:11:17Okay, as long as you pay me well.
00:13:43I'll do it.
00:14:05Leave it.
00:14:06What? You won't let me sleep here tonight?
00:14:08No, it's one of those headaches.
00:14:10All day long, you know.
00:14:12What did you call me to do?
00:14:13Nothing, I just wanted to see you.
00:14:15Oh, that's nice.
00:14:44Here, these are for you.
00:15:01We've earned your money.
00:15:04But now you have to explain something to me.
00:15:07Why instead of just standing there,
00:15:09why didn't you take a good look at it?
00:15:11You would have enjoyed it more.
00:15:28No!
00:15:30What are you doing? No!
00:15:41No!
00:15:43No!
00:15:59Ursula.
00:16:00Darling.
00:16:01It was horrible.
00:16:04Horrible.
00:16:05It's just another one of your usual nightmares.
00:16:07No.
00:16:08Now calm down.
00:16:10No, it wasn't a nightmare.
00:16:13It was much worse.
00:16:41It's a beautiful day.
00:16:43I told you not to say hello to that man.
00:16:46But you never said hello to me.
00:16:48Come on, stop it.
00:16:50It was nice of him to say hello to us,
00:16:52and I answered.
00:16:54They taught us to answer to those who say hello, didn't they?
00:16:57You, on the other hand, are unbearable most of the time.
00:17:01I saw how he looked at us.
00:17:04That man scares me.
00:17:07And you, Dagi, don't you dare say hello to him.
00:17:10You absolutely shouldn't have said hello to him.
00:17:36Pass me the communication in the direction.
00:17:39What happened?
00:17:41It's a bad business in town tonight.
00:17:43Excuse me, please.
00:17:45Come, Ursula.
00:17:47What happened?
00:17:49How? They don't know.
00:17:51It's already in the paper.
00:17:53Look at this.
00:17:57How is it possible to go with a man who could do this to you?
00:18:09I don't know.
00:18:33Where is my sister?
00:18:35She'll be right here.
00:18:38Don't touch me, please.
00:18:40Who are you?
00:18:42My name is Vanessa, dear.
00:18:44It was only out of tenderness that...
00:18:46I'll have a glass.
00:18:48No, thank you. I'm much better.
00:18:50I just want to get out of here.
00:18:53Can you be so kind as to prepare us?
00:18:55Ursula, please.
00:18:57Well, if you've made up your mind, I...
00:18:59Thank you, Doctor.
00:19:01I don't know what your intentions are,
00:19:03but I want to leave this place as soon as possible.
00:19:05Maybe the story of this crime...
00:19:07It's a passion crime.
00:19:09Things like this happen all over the world.
00:19:11Dear Miss Bain,
00:19:13jealousy is an ugly beast,
00:19:15a green-eyed monster, as Shakespeare says.
00:19:17Jealousy?
00:19:20Yes.
00:19:22It seems they have arrested the lover of that woman.
00:19:24The victim was found killed in her apartment,
00:19:26and he was unable to provide any alibi.
00:19:28Improbable conjectures.
00:19:30His and the press's.
00:19:34But is it possible
00:19:37that you should always treat people like this?
00:19:39You're rude, unkind, and hateful.
00:19:41And in my eyes, you're monstrously selfish.
00:19:43It's absurd that I should always be on your side.
00:19:45Then let's do one thing.
00:19:47I'll leave, and you stay here and do what you want.
00:19:49You're right.
00:19:51I'm sorry, but it's not my fault.
00:19:53If I see in the others
00:19:55what they themselves would never want to see.
00:19:57Oh, Dagi, it's not my fault
00:19:59if I... I...
00:20:02I can't love people.
00:20:04Ursula, calm down.
00:20:06Let's go have breakfast.
00:20:08No, let's go.
00:20:10I'm sorry, but I think it's stupid to leave now.
00:20:12But in a day or two, we'll see.
00:20:14You want to stay here because there's that Filippo.
00:20:16But what do you know about him?
00:20:18Nothing, nothing at all.
00:20:20He's just a stranger.
00:20:22And then he's a danger to me.
00:20:24You're starting with the stupidities again.
00:20:26Listen, I won't listen to you anymore.
00:20:29If you want, you can get to me later in the hour, got it?
00:20:31Yes, go, go.
00:20:33Run to look for that hypocrite, that murderer.
00:20:35What are you saying?
00:20:37I know that man will kill me.
00:20:39He'll kill me, not you.
00:20:41That's why I'm so afraid.
00:21:05Come on.
00:21:35Come on.
00:22:06Hello.
00:22:08Were you looking for me, Dagmar?
00:22:10I wanted to know if Mr. Andrei was coming back.
00:22:12They called twice from Milan.
00:22:14He left this morning.
00:22:16He left this morning?
00:22:18Yes, he had to make an overhaul on a plot he's treating for his company.
00:22:20He'll be back tonight or tomorrow.
00:22:22But I saw him pass by a little while ago.
00:22:24Impossible.
00:22:26Roberto, I'm sorry, I have to go.
00:22:29I have to be at the port in an hour. My cosmetics are coming.
00:22:31Of course, dear. I'm sorry, Dagmar.
00:22:33I'm sorry, I have to go.
00:23:03PHONE RINGS
00:23:33Thank you, Arturo.
00:23:58Here.
00:24:00Put them away.
00:24:02Of course.
00:24:10Here he is.
00:24:12Mr. Dell'Eri.
00:24:15Excuse me.
00:24:17What is it, Patrizia?
00:24:19The gentlemen want a room, but...
00:24:21Impossible, we're full.
00:24:23These are our documents.
00:24:25I'm sorry.
00:24:27Let's go out, Dagi.
00:24:29Do you feel better?
00:24:32You've lost our mother's traces.
00:24:34Now your husband's.
00:24:36Who are you thinking of right now?
00:24:38For now, Filippo is not my husband.
00:24:40And as far as our mother is concerned, we have to find her.
00:24:43We can't keep all the property our father left us just for us.
00:24:48Why not? He left it to us, just for us.
00:24:51But, excuse me, you have it with her.
00:24:53She also had the right to get a new life.
00:24:55After all, they were separated.
00:24:57She was separated.
00:24:59And she put us in high school.
00:25:01I was only five years old.
00:25:03And since then, we've never seen each other again.
00:25:06Our father was there almost every Sunday.
00:25:08Come on, he also got a new life, didn't he?
00:25:12When you love a lot, and you lose the loved one,
00:25:15it's like losing your own life.
00:25:17Our father, in fact, was...
00:25:19He also loved other women.
00:25:21Our administrator told me he divorced two women
00:25:23who had been with him for the last 13 years.
00:25:26A misery to Corinne Chauvet,
00:25:29and a misery to Valeria Monetti.
00:25:32This is the basis of the idea that he loved them.
00:25:40When he died, our father was alone.
00:25:45Alone.
00:25:46What do you know about Valeria and Corinne?
00:25:49Lorenzi? Did he tell you?
00:25:52No.
00:25:53Our administrator didn't tell me anything.
00:25:56I know things. I feel them even before they happen.
00:26:00Our mother is with another man.
00:26:02And she lives far away.
00:26:04And where?
00:26:05Our father must not know. He must not.
00:26:09What are you saying, Ursula? Our father is dead.
00:26:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:26:56Well, who are you looking for?
00:26:58I'm an employee of the Stenton agency.
00:27:00And who's he? What does he want?
00:27:02The Stenton agency wants me for a visit.
00:27:05A visit? Come in.
00:27:26âȘâȘ
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00:30:27Io sono stanca, salgo in camera.
00:30:30Buon riposo, signorina.
00:30:57Filippo.
00:31:05Ci avrei giurato.
00:31:07Scusa, avrei dovuto dirtelo.
00:31:09Avresti dovuto dirmi che cosa?
00:31:11Che pena mi fai, Filippo.
00:31:13Adesso capisco il tuo esagerato amore per me,
00:31:15la voglia continua di fare all'amore, la tua gelosia possessiva.
00:31:18Droga!
00:31:19Altro che amore.
00:31:20No, era amore.
00:31:21Stella, ascoltami, lascia che ti spieghi.
00:31:23Sentimi tu, bamboccio.
00:31:24Non sopportavo un amante geloso,
00:31:25figurati se mi tengo sulle palle un amante drogato.
00:31:27Stavolta hai proprio chiuso con me.
00:31:30âȘâȘ
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00:33:00Le crescono intorno come tanti fumi.
00:33:02SĂŹ, anche troppi.
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00:34:59Che cos'hai, Ursula?
00:35:01Strano.
00:35:03Non ho mai sentito la presenza di nostro padre come ora.
00:35:06Non deve venire, Dagi.
00:35:08Stasera non deve.
00:35:10Ora, rilassati. Hai giĂ preso il tuo calmante?
00:35:12SĂŹ.
00:35:14Mi hai promesso che partiremo domani, vero?
00:35:16Ursula, devi cercare di dormire.
00:35:19Andremo via a scuotare.
00:35:21Non ci riesco.
00:35:22Ora, tanta paura.
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00:39:13Ă sconcertante.
00:39:20Ciao!
00:39:22Aspettatemi!
00:39:24Ora ti fermi a parlare con lui?
00:39:26Ma non so, che devo fare, scappare?
00:39:29Comportati freddamente, con distacco, se lo merita.
00:39:39Ma sua sorella c'era sempre con me?
00:39:41Ă una ragazza molto difficile.
00:39:44Ha saputo di stanotte?
00:39:45Di cosa?
00:39:46Come, non l'ha saputo?
00:39:48I due ragazzi trovati assassinati nella torre dell'albero.
00:39:50Quali ragazzi?
00:39:51Quei due, si ricorda?
00:39:53Quelli che ieri erano nella U.
00:39:55SĂŹ, ricordo.
00:39:58Il fatto strano Ăš che la ragazza Ăš stata uccisa allo stesso modo di quella prostituta di giorni fa.
00:40:02Dio mio!
00:40:05Ă terribile.
00:40:06PerĂČ ora cerchiamo di non dirlo a Ursula.
00:40:09Stamane era cosĂŹ agitata che ho faticato molto a rimetterla in sesto.
00:40:13Va bene, ma prima o poi verrĂ a saperlo, non si parla d'altro qui.
00:40:18Alcuni clienti hanno giĂ lasciato l'albero.
00:40:22Ă quello che ho pensato anch'io.
00:40:24Infatti questa sera vorrei andarmene via.
00:40:26No, non lo faccia per ora.
00:40:28Perché?
00:40:29Ma non so...
00:40:31Ecco, vedi...
00:40:33Lei mi piace.
00:40:35SĂŹ.
00:40:37Spesso si incontra la persona che potrebbe essere quella giusta, ma poi...
00:40:42le circostanze...
00:40:44Ă sempre cosĂŹ, capricci di una vacanza.
00:40:47Io non sono venuto qui in vacanza.
00:40:50Vorrei spiegarle la ragione per cui l'altra mattina non l'ho salutata.
00:40:54Io so che Roberto mi ha detto che ero partito all'alba.
00:40:58No, Filippo, lei non mi deve dare nessuna spiegazione.
00:41:01Ora devo preoccuparmi solo di Ursula.
00:41:06SĂŹ, Marta FĂŒller, l'attrice, era nostra madre.
00:41:10Quando raggiunse il successo, si innamorĂČ di un altro e ci piantĂČ tutti.
00:41:14Io e mia sorella eravamo piccole.
00:41:16Ci misero in collegio fino alla morte di nostro padre.
00:41:19Ă la sua morte che ha traumatizzato Ursula?
00:41:22Esatto.
00:41:23Vede, nostro padre Ăš morto in un incidente piuttosto increscioso.
00:41:26Mia sorella lo adorava.
00:41:27Sa, era un musicista molto valente.
00:41:30E Ursula...
00:41:32Ora ha bisogno di molto affetto, vero?
00:41:34E lei crede che io non gliele dia?
00:42:01Sottotitoli e revisione a cura di QTSS
00:42:31Sottotitoli e revisione a cura di QTSS
00:43:01Sottotitoli e revisione a cura di QTSS
00:43:32Ursula, ma cosa ti Ăš successo?
00:43:38Ă stato orribile.
00:43:40C'erano due donne nude.
00:43:42Poi Ăš arrivato nostro padre.
00:43:44L'ho visto e una delle due donne gli sorrideva
00:43:48in un modo volgare, disgustoso.
00:43:53Dio, che scena orrenda.
00:44:02Sottotitoli e revisione a cura di QTSS
00:44:13SĂŹ, Ăš di quella puttanella.
00:44:19Ă proprio come pensavo. Ti ringrazio, Filippo.
00:44:21Un ringraziamento non mi basta.
00:44:23Che altro vuoi?
00:44:24Ti chiedo di contracambiare il favore della mia informazione con una tua informazione.
00:44:27Va bene.
00:44:29Se hai qualcosa da chiedere, chiedi.
00:44:32Che vuoi?
00:44:34Stella Shining.
00:44:38Beh? Stella Shining?
00:44:40Ha una relazione con qualcuno?
00:44:43CioĂš, siamo pratici.
00:44:45Con chi se la fa?
00:44:47Da stamane non faccio che rispondere ad interrogatori.
00:44:49La polizia, i giornalisti, la scientifica.
00:44:53E solo perché quei due ragazzi uccisi
00:44:55disgraziatamente erano passati dal mio hotel.
00:44:57Il mio non Ăš un interrogatorio. Ă solo una domanda.
00:45:00No, sono due domande per la veritĂ .
00:45:03Prima.
00:45:05Stella ha una relazione?
00:45:08Risposta.
00:45:09Stella non ha un uomo.
00:45:11CioĂš, non ne ha uno fisso.
00:45:14Seconda.
00:45:15Con chi se la fa?
00:45:17Risposta.
00:45:18Frequenta tanta gente.
00:45:19Ecco, l'hai detto.
00:45:20Frequenta tanta gente.
00:45:22Ecco, io vorrei sapere con chi scopa.
00:45:24Oltre te, naturalmente.
00:45:26Io e Stella?
00:45:30Lo pensi davvero?
00:45:31Eh, sĂŹ.
00:45:32Comunque, franchezza per franchezza,
00:45:34se ti stai prendendo una cotta per lei, lascia perdere.
00:45:37E invece io voglio Stella tutta per me.
00:45:40Tutta.
00:45:43Se hai deciso di fare come ti pare,
00:45:45mi sembra giusto che a questo punto tu chiarisca una volta
00:45:48per tutte le tue reali intenzioni circa il nostro rapporto.
00:45:51Ma veramente a me pare di essere stata sempre fin troppo chiara con te, Roberto.
00:45:55Ti ho lasciato tutta la libertĂ di cui tu avevi bisogno.
00:45:59Con la condizione, naturalmente, che anch'io avessi la mia.
00:46:02E cercando sempre di non esporci troppo, si intende.
00:46:04Ma questa volta ti sei esposto, mia cara.
00:46:06Te l'ho visto fare l'amore dove la tua amica ha perso questo aggeggio.
00:46:09Ah, sĂŹ, si slaccia sempre.
00:46:11Beh, cerca di stare attenta.
00:46:14Perché io non voglio assolutamente scandali nel mio albergo.
00:46:18Ma che stai dicendo, Roberto?
00:46:20L'albergo Ăš mio. Cerca di non dimenticartelo, tesoro.
00:46:24Non provocarmi, Vanessa.
00:46:25E tu non rompermi le palle, Roberto.
00:46:28Tanto lo sai che faccio sempre quello che mi pare.
00:46:31Non dimenticare che in fondo io sono sempre tuo marito.
00:46:34Forse ancora per poco.
00:46:36Sto pensando di chiedere il divorzio.
00:46:38Il divorzio?
00:46:41Ma perché il divorzio?
00:46:43Ma perché il divorzio?
00:46:46Spiegati meglio.
00:46:48Voglio divorziare da te.
00:46:50E se ti preoccupi dei nostri affari, ce li spartiamo.
00:46:53A questo punto la spartizione mi appare piuttosto complicata, mia cara.
00:46:56Comunque l'albergo resta a me, mi sembra logico.
00:46:59Si vedrĂ .
00:47:00Poi, se tu volessi uscire da...
00:47:01Dai tuoi affari?
00:47:03Dicevo che se poi tu volessi uscire dalla mia vita,
00:47:06te ne sarei infinitamente grata.
00:47:08E ti darei perfino la possibilitĂ di vivere abbastanza bene
00:47:11insieme alle tue puttanelle, come mi ha raccontato Filippo.
00:47:14E Jenny?
00:47:15Che posto avrebbe fra noi?
00:47:17Non immischiare Jenny con noi, capito?
00:47:21Stai pensando di liquidare me per fare posto a lei, eh?
00:47:24E tu credi che io molli cosĂŹ?
00:47:26Dai mia cara, dai.
00:47:41Sottotitoli e revisione a cura di QTSS
00:48:11Sottotitoli e revisione a cura di QTSS
00:48:41Sottotitoli e revisione a cura di QTSS
00:48:46Ciao!
00:48:47Ciao!
00:48:52Attenta, Vanessa.
00:48:55Io non cedo il mio posto tanto facilmente.
00:49:12Sottotitoli e revisione a cura di QTSS
00:49:25Le facciamo, poi le disfiamo.
00:49:27Quelle valigie non hanno mai requie.
00:49:29Insomma, si puĂČ sapere quando Ăš che ce ne andiamo da questo maledetto posto.
00:49:32Sottotitoli e revisione a cura di QTSS
00:49:40Pronto?
00:49:41Si, mi sto preparando, Filippo.
00:49:43Ursula?
00:49:45No, non viene, ha un po' di mal di testa.
00:49:49Va bene, scendo subito.
00:49:53Non avrei mai immaginato che avresti finito con l'accettare il suo invito.
00:49:57Vai, vai a strusciarti come una gatta in calore addosso a lui.
00:50:00Sei bella, elegante e ridicola.
00:50:04E vorresti essere ancora piĂč bella.
00:50:06Non c'Ăš cosa che non faresti per lui.
00:50:08Come fai a uscire con l'uomo che ucciderĂ tua sorella?
00:50:12Ma non capisci che tutto questo Ăš orrendo.
00:50:16Tanto tu con lui non uscirai, lo sento.
00:50:20Ti umilierĂ , vedrai.
00:50:21E tornerai qui da me senza piĂč una speranza.
00:50:24Ti sentirai ancora piĂč frustrata, piĂč sola e meno donna.
00:50:54Papa.
00:51:10Papa.
00:51:25Stella.
00:51:28Stella.
00:51:33Buongiorno.
00:51:36Buongiorno.
00:51:37Mi farebbe compagnia, Roberto, a bere un drink?
00:51:39Con immenso piacere.
00:51:41Lei oggi Ăš bella, elegante.
00:51:43Ed Ăš anche sola, come me.
00:51:45Quindi, usciamo a pranzo insieme?
00:51:48Con gioia, Roberto, si figuri. Andiamo.
00:51:54Sottotitoli e revisione a cura di QTSS
00:52:24Sottotitoli e revisione a cura di QTSS
00:52:54Sottotitoli e revisione a cura di QTSS
00:53:24Sottotitoli e revisione a cura di QTSS
00:53:55Sottotitoli e revisione a cura di QTSS
00:53:58Sottotitoli e revisione a cura di QTSS
00:54:24Sottotitoli e revisione a cura di QTSS
00:54:50Ursula, stai dormendo?
00:54:52Lei Ăš andata proprio come hai detto tu.
00:55:23Ursula.
00:55:25Ursula.
00:55:35Ursula.
00:55:53Lei Ăš bella, elegante.
00:55:56Elegante.
00:55:58Io sono anche una donna.
00:56:00Una donna.
00:56:22Sottotitoli e revisione a cura di QTSS
00:56:52Sottotitoli e revisione a cura di QTSS
00:57:22Sottotitoli e revisione a cura di QTSS
00:57:52Sottotitoli e revisione a cura di QTSS
00:58:22Sottotitoli e revisione a cura di QTSS
00:58:45Stella!
00:58:46Stella, sto male.
00:58:47Ma che hai?
00:58:48Che c'Ăš?
00:58:49Sto male!
00:58:50Io fra' quindici minuti ho lo spettacolo.
00:58:52Non me ne frega niente del tuo spettacolo di merda, io sto male.
00:58:55SĂŹ, poi dai, ti accompagni in camera se vuoi.
00:58:58Non possiamo stare qui.
00:58:59Sta' zitta.
00:59:02Un momento soltanto.
00:59:03Se te ne vuoi andare, vattene pure.
00:59:06Ma come ti posso aiutare?
00:59:08Che posso fare?
00:59:11Ho bisogno solo di un po' di roba.
00:59:15Me ne basterebbe solo un po'.
00:59:20Perché non vai da quelli che te la spacciavano prima?
00:59:22Rivolgiti a loro, no?
00:59:24Ma se sono stati fottuti tutti.
00:59:26Gli ultimi due quelli della Stanton, di via Valadie.
00:59:29Mi dispiace per te, Filippo, ma io...
00:59:31Se il tuo dispiacere potesse trasformarsi in eroina, te ne sarei veramente riconoscente.
00:59:36Chiedi a Roberto.
00:59:37Forse lui potrebbe fare qualcosa, perché io davvero non so...
00:59:42Roberto?
00:59:43Lui conosce tanta gente, lo sai, no?
00:59:46Ottima idea.
00:59:47Se lo dici tu, che lo conosce tanta gente.
01:00:18A
01:00:36Ah, sei tu! Non ti avevo riconosciuto.
01:00:43SĂŹ, chi Ăš?
01:00:45Ah, Jenny, sei tu.
01:00:48Oh, volevo leggere un po' stasera.
01:00:52Ma non preoccuparti, dai.
01:00:56Ma che ti succede, tesoro?
01:00:58No, niente, figurati.
01:01:00Avevo solo una voglia matta di vederti.
01:01:03Stasera in modo particolare.
01:01:06Ma dai, a te non va.
01:01:09Sono qui tutta nuda.
01:01:12Ho tanto bisogno di fare l'amore con te.
01:01:15E ho sempre bisogno di te.
01:01:18Va bene, ti aspetto allora.
01:01:21Fai presto.
01:01:28Ha detto che viene, sai.
01:01:30Vedrai come sono brava.
01:01:33Sei contenta che sono qui?
01:01:35Ă quello che volevo.
01:01:37Amore.
01:01:39Tesoro.
01:01:44Amore.
01:02:14Amore.
01:02:15Amore.
01:02:16Amore.
01:02:17Amore.
01:02:18Amore.
01:02:19Amore.
01:02:20Amore.
01:02:21Amore.
01:02:22Amore.
01:02:23Amore.
01:02:24Amore.
01:02:25Amore.
01:02:26Amore.
01:02:27Amore.
01:02:28Amore.
01:02:29Amore.
01:02:30Amore.
01:02:31Amore.
01:02:32Amore.
01:02:33Amore.
01:02:34Amore.
01:02:35Amore.
01:02:36Amore.
01:02:37Amore.
01:02:38Amore.
01:02:39Amore.
01:02:40Amore.
01:02:41Amore.
01:02:42Amore.
01:02:43Amore.
01:02:44Amore.
01:02:45Amore.
01:02:46Amore.
01:02:47Amore.
01:02:48Amore.
01:02:49Amore.
01:02:50Amore.
01:02:51Amore.
01:02:52Amore.
01:02:53Amore.
01:02:54Amore.
01:02:55Amore.
01:02:56Amore.
01:02:57Amore.
01:02:58Amore.
01:02:59Amore.
01:03:00Amore.
01:03:01Amore.
01:03:02Amore.
01:03:03Amore.
01:03:04Amore.
01:03:05Amore.
01:03:06Amore.
01:03:07Amore.
01:03:08Amore.
01:03:09Amore.
01:03:10Amore.
01:03:11Amore.
01:03:12Amore.
01:03:13Amore.
01:03:14Amore.
01:03:15Amore.
01:03:16Amore.
01:03:17Amore.
01:03:18Amore.
01:03:19Amore.
01:03:20Amore.
01:03:21Amore.
01:03:22Amore.
01:03:23Amore.
01:03:24Amore.
01:03:25Amore.
01:03:26Amore.
01:03:27Amore.
01:03:28Amore.
01:03:29Amore.
01:03:30Amore.
01:03:31Amore.
01:03:32Amore.
01:03:33Amore.
01:03:34Amore.
01:03:35Amore.
01:03:36Amore.
01:03:37Amore.
01:03:38Amore.
01:03:39Amore.
01:03:40Amore.
01:03:41Amore.
01:03:42Amore.
01:03:43Amore.
01:04:11But how come it's not responding? Try again.
01:04:31It's not there.
01:04:32Alright.
01:04:41Try again.
01:05:11Try again.
01:05:12Try again.
01:05:13Try again.
01:05:43It's not there.
01:05:44That's the only way to explain his escape.
01:05:46I didn't do that.
01:05:48But if that's how it went,
01:05:51here's the proof that you couldn't trust a whore like Jenny.
01:06:07She can't have escaped without saying anything.
01:06:10No one saw her leave. How do you explain that?
01:06:12Forget that the rooms in Pianoterra lead to the garden,
01:06:15which leads to the beach, which leads to the road, which leads to the railway.
01:06:19So she could have left without feeling the need to thank anyone, not even you.
01:06:25I don't believe it.
01:06:27If I don't find Jenny as soon as possible, I'll ruin you, dear Roberto Delleri.
01:06:42Jenny.
01:07:06Jenny, Jenny.
01:07:12Jenny.
01:07:25What was he saying?
01:07:28Jenny.
01:07:32Why? Do you know something?
01:07:42No.
01:08:12Jenny.
01:08:13Jenny.
01:08:14Jenny.
01:08:15Jenny.
01:08:16Jenny.
01:08:17Jenny.
01:08:18Jenny.
01:08:19Jenny.
01:08:20Jenny.
01:08:21Jenny.
01:08:22Jenny.
01:08:23Jenny.
01:08:24Jenny.
01:08:25Jenny.
01:08:26Jenny.
01:08:27Jenny.
01:08:28Jenny.
01:08:29Jenny.
01:08:30Jenny.
01:08:31Jenny.
01:08:32Jenny.
01:08:33Jenny.
01:08:34Jenny.
01:08:35Jenny.
01:08:36Jenny.
01:08:37Jenny.
01:08:38Jenny.
01:08:39Jenny.
01:08:40Jenny.
01:08:41Jenny.
01:08:42Jenny.
01:08:43Jenny.
01:08:44Jenny.
01:08:45Jenny.
01:08:46Jenny.
01:08:47Jenny.
01:08:48Jenny.
01:08:49Jenny.
01:08:50Jenny.
01:08:51Jenny.
01:08:52Jenny.
01:08:53Jenny.
01:08:54Jenny.
01:08:55Jenny.
01:08:56Jenny.
01:08:57Jenny.
01:08:58Jenny.
01:08:59Jenny.
01:09:00Jenny.
01:09:01Jenny.
01:09:02Jenny.
01:09:03Jenny.
01:09:04Jenny.
01:09:05Jenny.
01:09:06Jenny.
01:09:07Jenny.
01:09:08Jenny.
01:09:09Jenny.
01:09:10Jenny.
01:09:11Jenny.
01:09:12Jenny.
01:09:13Jenny.
01:09:14Jenny.
01:09:15Jenny.
01:09:16Jenny.
01:09:17Jenny.
01:09:18Jenny.
01:09:19Jenny.
01:09:20Jenny.
01:09:21Jenny.
01:09:22Jenny.
01:09:23Jenny.
01:09:24Jenny.
01:09:25Jenny.
01:09:26Jenny.
01:09:27Jenny.
01:09:28Jenny.
01:09:29Jenny.
01:09:30Jenny.
01:09:31Jenny.
01:09:32Jenny.
01:09:33Jenny.
01:09:34Jenny.
01:09:35Jenny.
01:09:36Jenny.
01:09:37Jenny.
01:09:38Jenny.
01:09:39Jenny.
01:09:40Jenny.
01:09:41Jenny.
01:09:42Jenny.
01:09:43Jenny.
01:09:44Jenny.
01:09:45Jenny.
01:09:46Jenny.
01:09:47Jenny.
01:09:48Jenny.
01:09:49Jenny.
01:09:50Jenny.
01:09:51Jenny.
01:09:52Jenny.
01:09:53Jenny.
01:09:54Jenny.
01:09:55Jenny.
01:09:56Jenny.
01:09:57Jenny.
01:09:58Jenny.
01:09:59Jenny.
01:10:00Jenny.
01:10:01Jenny.
01:10:02Jenny.
01:10:03Jenny.
01:10:04Jenny.
01:10:05Jenny.
01:10:06Jenny.
01:10:07Jenny.
01:10:09Papa!
01:10:10Papa!
01:10:11Ursula, where are you?
01:10:13What's the meaning of all this?
01:10:19Ursula!
01:10:20Jenny!
01:10:21Jenny!
01:10:22Jenny.
01:10:23Jenny.
01:10:24Jenny.
01:10:25Jenny.
01:10:26Jenny.
01:10:27Jenny.
01:10:28Jenny.
01:10:29Jenny.
01:10:30Jenny.
01:10:31Jenny.
01:10:32Jenny.
01:10:33Jenny.
01:10:34Jenny.
01:10:35Jenny.
01:10:36Jenny.
01:10:37Stop!
01:10:39Stop!
01:10:40Marcellus!
01:10:45Marcellus!
01:10:46Papa!
01:10:49Papa!
01:10:50Papa!
01:10:53Jamie!
01:11:00Papa!
01:11:01Papa!
01:11:08So you didn't know anything, you dirty murderer!
01:11:12I knew you would have killed her.
01:11:14Calm down Vanessa, what's gotten into you?
01:11:16She found Jenny's body in the abandoned wing of the hotel.
01:11:19Jenny?
01:11:20Yes.
01:11:21Yes.
01:11:22And I know you dragged her there, already dead.
01:11:24And someone saw you.
01:11:26Ursula Bain.
01:11:29Give me a cigarette.
01:11:33It's empty.
01:11:37No.
01:11:49And for this, what explanation will you give me now?
01:11:51Are you prepared?
01:11:53Look at her!
01:11:54Here's the proof that it was him who killed Jenny.
01:11:57It's not true.
01:12:00It was in that drawer from the day you gave it to me, Filippo.
01:12:03Liar!
01:12:04You gave it back to me the day after.
01:12:06Before...
01:12:08In short, Jenny had it, I know she had it!
01:12:13It's true.
01:12:14She lost it while...
01:12:18I prefer to say everything from the beginning.
01:12:21That woman annoyed me, of course.
01:12:23And I went to her at night.
01:12:25To offer her money and make her leave.
01:12:28But when I got to her room, the door was locked.
01:12:31I came in.
01:12:32Jenny was there, dead.
01:12:36I immediately thought that my hotel could be seriously compromised.
01:12:40And I confess that I was afraid of being accused of the crime.
01:12:44I decided to make her disappear.
01:12:47I covered her with the sheet and dragged her away from there.
01:13:02Later, when I returned to the room,
01:13:05I found the chain and picked it up.
01:13:10I put her stuff in the suitcases and brought them to the ceiling.
01:13:14Then I rearranged the room to give the impression that she had left.
01:13:19Deep down, I don't know who,
01:13:22and for what reason,
01:13:25had already decided her departure,
01:13:27making her leave.
01:13:32I would have told Vanessa sooner or later.
01:13:35But I was only afraid at that moment.
01:13:38I don't believe it.
01:13:39Tell me only what your sick imagination suggests to you.
01:13:42Enough, Vanessa.
01:13:43Or I...
01:13:44Or what?
01:13:45Do you have the courage to threaten?
01:13:47Enough, for God's sake!
01:13:48Let her say, Roberto.
01:13:51All the more, she can take up the issue of the drug.
01:13:53What are you saying?
01:13:56Come on, as far as I know.
01:13:58Jenny has nothing to do with our private affairs.
01:14:00She didn't know anything.
01:14:01But Vanessa, as soon as she found the corpse,
01:14:03she called a friend, me,
01:14:05not the police.
01:14:07And she did well.
01:14:09Now, that corpse must disappear.
01:14:11She must disappear.
01:14:27Ursula.
01:14:28Papa.
01:14:29Don't come now.
01:14:31Please.
01:14:32Be careful.
01:14:35Run away.
01:14:38Run away, Papa.
01:14:40Be careful.
01:14:41They will find you.
01:15:05Ursula.
01:15:06You scared me.
01:15:09Professor, she has recovered.
01:15:10She is better now.
01:15:31How old is she?
01:15:32Twenty.
01:15:34Is she feeling well now?
01:15:35Perfectly.
01:15:36It was only a momentary physical abandonment.
01:15:38Let her rest.
01:15:56In the age of development,
01:15:57a trauma can easily lead the teenager
01:16:01to primitive emotions.
01:16:04Exasperated intuition,
01:16:05telepathy, foresight.
01:16:09Man was born with supernatural powers,
01:16:13to defend himself from natural events.
01:16:17Like hunger,
01:16:18fear.
01:16:23In her sister,
01:16:24the leading element was unleashed.
01:16:27And so,
01:16:28any manifestation that,
01:16:30I repeat,
01:16:31we call paranormal,
01:16:32is possible.
01:16:34Like...
01:16:36Like, for example,
01:16:37the door that opens and closes.
01:16:43Can I ask you
01:16:45how your father died?
01:16:48He...
01:16:50He killed himself.
01:16:52My father was very sensitive
01:16:54and a strong nervous exhaustion
01:16:56had made him completely helpless.
01:16:59My mother abandoned him after a few years
01:17:01and this was terrible for him.
01:17:04Well,
01:17:05my sister Ursula
01:17:06was never told the real reason
01:17:07for our father's death.
01:17:09But she always knew everything,
01:17:11without anyone ever telling her.
01:17:14Evidently, she caught it with her sensitivity.
01:17:17And now she claims
01:17:18that our father is still alive.
01:17:20And for her, it's the truth.
01:17:22She doesn't contradict it.
01:17:25She will only have to understand
01:17:26that the ghosts of her subconscious
01:17:28are only ghosts.
01:17:45Oh, you scared me.
01:17:47Roberto gave me the heroin.
01:17:48You already took it all, didn't you?
01:17:50No.
01:17:51You're wrong, it's still here.
01:17:54But, ingenious,
01:17:55drugs in cosmetics and perfumes
01:17:58cross all borders.
01:17:59Even dogs don't notice it.
01:18:01I hope you didn't tell Roberto
01:18:03that I gave you his name.
01:18:05I don't want to be compromised.
01:18:06For now, you're not.
01:18:08But remember
01:18:09that I need a lot of drugs
01:18:11and not just what I saw here.
01:18:13But how can I...
01:18:14I don't care how you do it,
01:18:15but you find it.
01:18:26I have the impression
01:18:27that someone saw me coming to you.
01:18:29No, don't worry.
01:19:25Ah!
01:19:55Ah!
01:20:26Ah!
01:20:32Ah!
01:20:55Ah!
01:21:00Ah!
01:21:01Ah!
01:21:02Ah!
01:21:03Ah!
01:21:20Well, did you want to talk to me?
01:21:22Yes, of course.
01:21:23Come on.
01:21:24Filippo came to my room
01:21:26and told me that you gave him drugs.
01:21:28I'm afraid we're in trouble.
01:21:30What are you saying?
01:21:31Are you worried about Filippo?
01:21:32Of course.
01:21:33He rejected me.
01:21:36Now he thinks
01:21:37that I can get him a lot of drugs.
01:21:39But I don't trust that man.
01:21:41To tell you the truth,
01:21:42I wouldn't worry so much.
01:21:44He needs us.
01:21:45Anyway, be careful.
01:21:46Don't say anything
01:21:47that you could regret.
01:21:49No, don't worry.
01:21:50I'll never do it.
01:21:51Now go to your room.
01:21:54Okay.
01:22:24Why are you doing this to me?
01:22:50Why are you doing this to me?
01:22:56Ah!
01:22:57Ah!
01:23:12Now I know.
01:23:13Now I'm sure
01:23:14that our father is...
01:23:15Yes, perhaps you're right.
01:23:17How can you say that I'm right
01:23:18if I'm not finished yet?
01:23:19Listen, dear...
01:23:20Don't call me dear!
01:23:21Don't shout, it hurts.
01:23:22Don't always treat me like a sick person!
01:23:49The Lord of the Airs, please.
01:24:09Right away.
01:24:10Ah, I was looking for you.
01:24:12Listen, friend.
01:24:13I need more cosmetic samples right away.
01:24:15Are you kidding?
01:24:16Who will give them to me?
01:24:17Stella has a room full of them.
01:24:19Come with me to her room.
01:24:21With you, she will give them to me for sure.
01:24:24Tell Miss Scheining...
01:24:26that we are going to her.
01:24:48This other crime will be a massacre for us.
01:24:51Now we are really in trouble.
01:24:52You will be in trouble, dear Lord of the Airs.
01:24:56What do you mean?
01:24:58With this crime, I have completely closed the circle.
01:25:02What are you saying?
01:25:04My name is not Filippo Andrei, but Gianni Nardi.
01:25:07I am the leader of the drug team.
01:25:18But what do I have to do with all this?
01:25:20To accuse me of something, you should have precise data.
01:25:23Witnesses.
01:25:25These are the names of all your traffickers that I had arrested.
01:25:28Stella would have been the last witness, but you killed her.
01:25:47Now I understand.
01:25:49Poliziotti.
01:25:53You called him, didn't you?
01:25:55You had already called him.
01:25:57What did you know? That there had been a crime.
01:25:59We only found out now.
01:26:01And who would you like to accuse me of now?
01:26:04Do you think that they would believe that I am a murderer?
01:26:07Why not?
01:26:08I could also provide some evidence.
01:26:11You were madly in love with Stella.
01:26:13You made her continuous scenes of jealousy.
01:26:15You followed her like an obsession.
01:26:17There.
01:26:18You are a witness.
01:26:21He is a witness.
01:26:25Tom.
01:26:28Tom was a friend of Stella.
01:26:30But who is Tom?
01:26:31Lieutenant Proietti.
01:26:33All right?
01:26:35Sure.
01:26:39You were all under surveillance.
01:26:41For your drug trafficking.
01:26:45But you are also a drug addict.
01:26:47No.
01:26:48We of the drug team must be able to simulate this too.
01:26:51To be easily believed and accepted without suspicion.
01:26:55Now you're screwed, friend.
01:27:12Ursula.
01:27:13Ursula, open up.
01:27:14Enough.
01:27:15Go away.
01:27:16Both of you.
01:27:17Open up, Ursula.
01:27:18Please.
01:27:21Madam, excuse me.
01:27:23You are under arrest.
01:27:24But...
01:27:25Don't leave the hotel.
01:27:26Are you from the police?
01:27:27Sure.
01:27:35I'm going to my apartment.
01:27:43I'll get to you as soon as I can.
01:28:14I'm going to my apartment.
01:28:16I'll get to you as soon as I can.
01:28:18I'll get to you as soon as I can.
01:28:30Please.
01:28:34Did they take Deleri to the office?
01:28:36You go down.
01:28:37The scientist is coming.
01:28:38You too.
01:28:44I don't know.
01:28:46Here.
01:28:47My time is coming.
01:28:50I won't make it in time to leave.
01:28:54Don't go, dad.
01:28:56Come here immediately.
01:28:58Ursula is waiting for you.
01:29:01I knew you were here.
01:29:03If I had asked you later, you would have lied to me.
01:29:06It's not true, Ursula.
01:29:08Why should I have lied to you?
01:29:12You're naked underneath.
01:29:15You've already made love to him.
01:29:17You've made love to my murderer.
01:29:20You've already made love to him.
01:29:23You've already made love to my murderer.
01:29:26You've already made love to him.
01:29:29You've already made love to my murderer.
01:29:32You, my sister, are a whore like our mother.
01:29:36Listen...
01:29:41What should I listen to, Martha?
01:29:45You want to go with that man just because you're a whore.
01:29:52Not because he told you he loves you.
01:29:55You just like to get laid, whore.
01:30:00Ursula!
01:30:25Ursula!
01:30:29Dagmar!
01:30:36Dagmar!
01:30:56Ursula!
01:31:00Ursula!
01:31:25Ursula!
01:31:40Ursula!
01:31:43Ursula!
01:31:45What's the meaning of this?
01:31:47What are you doing with our father's dress?
01:31:49That's why you didn't want me to open your suitcases.
01:31:54You're scaring me.
01:31:56Scared of what, Martha?
01:31:59Of this?
01:32:01But you gave it to me as a last act of contempt before leaving me.
01:32:07Wishing me good luck.
01:32:10Remember?
01:32:11What are you saying?
01:32:13Even in the eyes of other women, I've read the terror before killing them with this.
01:32:18Now it's your turn, Martha.
01:32:20Only in this way can I get rid of you and forget your betrayal.
01:32:24You're a whore.
01:32:27You identified love only with sex.
01:32:31And I'll give you so much, so much to die for.
01:32:38Help! Help! Help!
01:32:43Help!
01:32:45Help!
01:32:47Help!
01:32:50Help!
01:32:55What do you want to do? Take my wife away?
01:32:57Just because you think you love her?
01:32:59You're too mediocre to talk about love.
01:33:02Like everyone, everyone, everyone!
01:33:06Like ants that live in the underground walls of your selfishness.
01:33:10They slide on you horror and love without leaving a trace on you.
01:33:15You're lost, lost.
01:33:18Don't come near me. Don't touch me.
01:33:21Don't touch me! Don't touch me!
01:33:24Ursula!
01:33:48Ursula!
01:34:18Ursula!
01:34:48You