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00:00What do you mean?
00:07What's the matter, Inés? Why did you call me so urgently?
00:11It's Laurita.
00:12Laurita what?
00:14She's gone.
00:16Gone? To where?
00:18To a friend's house? A boarding house?
00:20No, to Germany.
00:23Germany?
00:24Yes.
00:25No, that can't be.
00:27Yes, yes, look, check it yourself.
00:32I'm going with Celia.
00:34This morning we're going to Germany. I'll call you later.
00:39But this...
00:42Laurita couldn't have written this.
00:44This is a farewell.
00:47She's on her way and we haven't even been able to talk.
00:50Didn't you talk to her last night?
00:52No, because when she arrived from Madrid Cabaret I was already asleep.
00:55And not this morning?
00:56No, uncle, because she hasn't slept here.
00:58I suppose she packed her things and left without making a sound.
01:04It's clear that she didn't want you to wake up.
01:07So as not to have to give you explanations about what she was going to do.
01:11I've lost my sister forever.
01:13No, no, that doesn't have to be like that.
01:15Laurita suffers a very hard blow.
01:17But I'm sure she'll recover and go home.
01:20Uncle, Laurita is very hurt by everything that has happened to Agustín.
01:24And if she's gone, it's because she doesn't want to see me ever again.
01:27No, no, you don't have to look at it from a certain perspective.
01:29We're still her family, Inés.
01:32It's all my fault for letting myself go.
01:36Our actions have consequences, Inés.
01:38And you should never have fallen in love with your sister's boyfriend.
01:41I know, I know.
01:43But if only I had let myself talk to her, then...
01:48It's clear that she hasn't seen the right time.
01:52And now we have to respect her decision.
01:56But what if...
01:58What if she never comes back?
02:01Inés, no, I'm not going to lie to you.
02:05Only time can heal the wound that Laurita has right now.
02:10Only time.
02:12But I can't do anything to make you feel better.
02:15Uncle, I'm not going to work. I just don't feel well.
02:20Take as much time as you need.
02:29We want to tell you that we're waiting.
02:33For what? For a transfer?
02:35If you say it like that, they won't find out. Put a little more spirit into it.
02:38Hurray! Hurray! News!
02:41We're going to have a child!
02:43And that's why we're going to invite you to drink whatever you want!
02:46No, we can't invite everyone because we don't have the money.
02:50It's enough for them to be happy for us.
02:52I don't know, say it in a calmer way.
02:55Comrades, comrades, in a reasonable time,
02:58we're going to increase the family in one member,
03:01and it will surely be a female.
03:05Tini, my love, you look like the Minister of Government giving the party.
03:08Son, we've been here for half an hour and I don't have any more ideas.
03:11We have to think of something else because they have to believe that it was now,
03:15What's wrong? Are you kidding me?
03:18It's normal. When you get married, all the tension and romanticism is over.
03:23No, nothing like that.
03:25Actually, we were talking about my pregnancy because we're going to have a child.
03:28Congratulations!
03:30Surprise!
03:31And you say it with that funeral face.
03:33But it's the most beautiful thing in the world.
03:35And it is, and it's a blessing.
03:37Although this face is because it involves a great responsibility.
03:42And of course, everything has been very sudden and ...
03:44No, don't worry, Trini. I'm sure that over time you'll get the idea.
03:48Also, I'm sure that working in a tea salon,
03:50instead of coming with a loaf of bread under your arm,
03:52it would rather have to be an ogaza,
03:54the creature will come with a tray full of pasta.
03:58Are you sure you're pregnant?
04:00If you've only been married a few days.
04:03Well, these things are noticeable, woman.
04:05Well, I imagine you've already done the toad test.
04:08The frog. What's that?
04:10Well, about the toad, it's very simple.
04:12The alleged pregnant woman lies down and has to put a toad on her belly,
04:16or a frog, depending on where you jump.
04:19If to the right is this pregnant woman.
04:21Well, I think it's for one or the other.
04:24What do you say, Elia? It has nothing to do with that.
04:26Let's see, maybe it's not exactly like that, Miguel.
04:28But what you surely need is a batraccio, huh?
04:31A croc croc.
04:32What has been a frog, a toad, a frog, call it whatever you want.
04:36It can be found in another way.
04:38Much less argyrosa, it doesn't need any bugs.
04:40Look.
04:45Come closer to the belly.
04:46If this turns, it's pregnant.
04:48My grandmother always did this and never failed.
04:52Come, come.
04:54Oh, Trini, she's pregnant.
04:56Congratulations.
04:57Croc croc.
04:58Yes, I told you.
04:59Oh, a croc croc.
05:00Croc croc.
05:01Well, now that you say it, huh?
05:04The truth is that I see you quite excited.
05:06I told you you have a gut.
05:07Elías, the talk is over.
05:09Everyone to work, there are tables to attend to and floors without barriers.
05:13Everyone to work.
05:15Yes.
05:16Excuse me, congratulations.
05:20Where is Teresa? I want to tell her the news.
05:23I don't know, I haven't seen her all day.
05:29Well, that's it, you know.
05:32Hello, Salvita.
05:33They told me you came to see me at Antonia's house yesterday.
05:36I wanted to know.
05:37I had to talk to you.
05:40I guess it's because of the talk I had with your father, right?
05:43Yes, just that.
05:44After you talked, it was my turn.
05:46And what did he tell you about what we talked about?
05:50He told me that you had questioned his good intentions
05:53and that what he wanted was to separate us.
05:56Yes.
05:57It's just what I told him, yes.
05:58It's just that it's green and with handles.
06:00What surprises me is that you didn't notice.
06:02Man, I don't think my father is so twisted
06:06to set us up to separate us.
06:09No, that's because you don't know him very well.
06:12Besides, do you really think I'm going to wait two years
06:15for you to come back with your lawyer's degree?
06:17Why not?
06:18I would wait for you as long as it was necessary.
06:20Yes, well, I'm not so sure.
06:22Besides, you know what they say.
06:24Distance makes you forget.
06:26And in a month, you've already forgotten about me.
06:28Do you trust me that little?
06:31You could trust you, Albita, but not your father.
06:34And I'm sick of him trying to manipulate us
06:36and you don't even realize it.
06:38But he just wants what's best for us.
06:40No way.
06:41He wants what's best for you.
06:42Well, not that.
06:43He wants what's best for him.
06:44And he's sure that I don't paint anything on your side.
06:47Very innocent.
06:48And he's sure that I don't paint anything on your side.
06:51You have to be very innocent if you really think
06:53he's happy that we're dating.
06:59Let's see, I was also surprised
07:01by the ease with which he took what was ours.
07:04That's it.
07:05All he's done is let you get excited to buy time
07:08and think of something to do.
07:11So you think he's not acting in good faith?
07:14People like your father don't change, Albita.
07:17He's been looking for something
07:18until he found a way to separate us.
07:22But the worst of all is that he's given up.
07:25Okay, but I've already told him I'm going to Salamanca.
07:27I can't back out.
07:28What do we do?
07:33Well, you'll see.
07:34But if you don't back out, I don't care if you go to Salamanca,
07:37China or wherever.
07:39I'm not going to wait for you.
07:41But it's only two years.
07:43Well, but two years is a long time.
07:45And I have a lot of plans, Albita.
07:49And you're not in them.
07:53Are you leaving me?
07:57If you don't back out, yes.
08:00I'm sorry, but I'm not your girlfriend anymore.
08:03If we've ever been boyfriends, I don't know...
08:08I'm sorry.
08:15I'm sorry.
08:31Darling, are you okay? You look tired.
08:34Yes, it's just that so much stress has passed me by.
08:38Once the danger is over, I feel exhausted.
08:41It's normal.
08:42Do you want to go with Inigo and the girl?
08:44Outside, to a hotel, to rest?
08:46It's not a bad idea.
08:48Because living in that apartment is getting hard for me, Antonio.
08:51Everything reminds me of Carla.
08:53Well, soon you'll forget her.
08:55I'm trying, but I can't help feeling that...
08:59that apartment is full of bad memories.
09:02I feel that Carla is everywhere.
09:05I understand, but...
09:07soon her memories will have no effect on you.
09:10You'll see.
09:11Yes, but I'm afraid that Carla has changed me.
09:14That she's become tougher.
09:16That she doesn't have joy.
09:18No, darling, that's impossible.
09:20Because you have your joy deep inside.
09:22No one can take it away from you.
09:25But after so many misfortunes, I feel empty.
09:30Darling, you just need a little time to heal the wounds.
09:36Don't go!
09:37Katrina has good news for you.
09:41I'm pregnant.
09:42She's pregnant!
09:44Well, I would have liked to tell it to myself,
09:46since I'm pregnant.
09:47Well, but this is everyone's house.
09:49Yes, well, my husband wouldn't be surprised.
09:51And neither would I, because I'm the one who has the baby inside.
09:54Darling, but isn't it good news?
09:56That soon you'll have a child.
09:58Yes, it's just that the women of my family,
10:00it's looking at them twice and they're already pregnant.
10:02Well, I say that something more than looking at you
10:04would have had to do Miguelinho.
10:07Well, I have...
10:08Oh, come here, Trini.
10:10I hope this girl or boy grows strong and healthy.
10:13Look, you point out that it could be the next one.
10:17You would also have to be happy and proud, Antonia.
10:20Oh, yes? And why is that?
10:21For how well Marta spoke yesterday at the Madrid Cabaret.
10:24She left us all with our mouths open, come on.
10:27And there were very instructed ladies there, huh?
10:30Look, well, when she arrived I was already asleep,
10:32so I couldn't see her.
10:34She had a flash.
10:35I couldn't even imagine it, Trini.
10:37Well, the same goes for politics,
10:39and it would be good if there were more women in the courts
10:41and not so many gentlemen.
10:42Everything will work out.
10:43The first thing is that they let us vote
10:45and then we'll move forward.
10:47What's up? No one is working today?
10:49It's just that with Trini's pregnancy,
10:51we're all revolutionized.
10:52Have you found out yet?
10:54Yes, I already imagined it.
10:56Come on, everyone to work.
11:02Pátela, I wanted to tell you that I know you've had a very bad time
11:05and that you can count on me for whatever you want.
11:08Thank you, Teresa, really.
11:10I'm glad you're back.
11:27Inés won't come to work today.
11:29Has something happened? Is it serious?
11:32Yes.
11:36Laurita has left for Germany.
11:38And her sister is very affected.
11:40But it can't be.
11:42I was talking to her yesterday and I didn't get the feeling
11:44that she was going to leave.
11:45No, I didn't expect something like that either.
11:47Inés is capable of any madness,
11:49but Laurita...
11:51Laurita is much more reflexive.
11:53She has to feel very bad
11:55to have acted in such an impulsive way.
11:57Has she said when she's coming back?
11:59No, no, no.
12:00She just left a note saying that she was leaving
12:02and that she would get in touch with us as soon as she could.
12:06Well, I don't really think it's going to be a bad thing.
12:10Maybe she needs this distance.
12:13It's been a snatch. I'm sure she'll be back soon.
12:15That's what I told Inés to comfort her a little, but...
12:18I'm not sure she will.
12:21Do you think she won't come back?
12:22I don't know. She feels betrayed by her sister, which is true.
12:25And that's very difficult to accept.
12:28It's not the time she'll need to close that wound.
12:31If she does close it.
12:33And what's going to happen to the gramophone store?
12:36Because if Laura leaves with Celia, who's going to run that business?
12:39Well, we'll have to close it temporarily
12:42until we find a solution.
12:44I'll put a poster at the door to let our clients know.
12:48Fermín, I'm very sorry you're feeling this way.
12:52Especially now that we'd have to think about other things.
12:57I'm glad I have you to support me in these complicated times.
13:01There's nothing I like more than being here to support you.
13:06By the way, I've been looking at several parishes.
13:10And they could get us married in a few days.
13:13I don't know, maybe it's time to think about closing a date.
13:18I'm sorry, but I don't have the head for anything.
13:21Much less to make such an important decision.
13:25Of course, don't worry.
13:28We'll close the date later.
13:30Thank you. It's better when the problem with my nieces is solved.
13:35I'm sure everything will be solved.
13:37The girls are very united.
13:38And before you realize it, Laurita is back.
13:41I hope so, because if not, I don't know if I'll be able to sleep.
13:46Fermín, don't worry about anything.
13:48I'm here to help you with anything.
13:50Well, I'm going to take a walk around the living room to make sure everything is in order.
13:54If you'll excuse me.
14:16Today it's easier to find you in the changing room than in your workplace.
14:21It's just that with the pregnancy I'm very tired.
14:23And now that there were no clients, I don't know, I thought I'd come here to rest a little.
14:36It's affecting you a lot, isn't it?
14:39Because with just one week of pregnancy you can't move your feet.
14:45Yes, well, it's normal to be like this at the beginning.
14:50Yes.
14:52Yes, maybe it's like you say, but it seems a little strange to me that you have these symptoms so soon.
14:59You got pregnant very quickly, didn't you?
15:03Yes, the truth is that we could say that I've been lucky.
15:06We've been lucky.
15:11Is something wrong?
15:13I mean, because it seems that he's not happy for me.
15:17And I don't know, he's asking me questions that...
15:19Well, more than questions, it seems like an interrogation.
15:24Do you want to know what's wrong with me?
15:25Of course.
15:28Well, I was hoping that at some point you would tell me the truth.
15:36The truth about what?
15:40Trini, Cañete has told me everything.
15:44I know you've been married to Miguel for a long time.
15:47And that you haven't told anyone anything to keep your job.
16:00That's true.
16:02The thing is that it's been like that because we didn't have a choice.
16:08We had to keep our salaries.
16:10Because neither Miguel nor I come from a good family.
16:13So we're alone, no one helps us.
16:16Trini, I can understand that.
16:19But I thought you were my friend.
16:23The thing is that we don't trust each other enough to be honest with me.
16:26No, of course we trust each other.
16:28The thing is that the lie had become very big long before you and I became friends.
16:33And when we started to get along, it was too late.
16:38Well, it seems to me that it was very easy, Trini.
16:41You just had to tell me four words.
16:44Miguel is my husband.
16:47I know, it wasn't that easy.
16:50For you it was much easier to keep the lie.
16:55And you didn't care that I even thought I could have something with Miguel.
16:58That I would fall into that humiliation.
17:01No, no, no, no, no.
17:02I swear to you that our intention was not to hurt him at any time.
17:06What happened was pure survival, nothing more.
17:10But you have stopped to think how I can feel of being made fun of.
17:15That I thought you were my friend.
17:17That our friendship was sincere.
17:20Well, of course it's sincere.
17:21I swear to you that our friendship is sincere.
17:23If lying to you has been what has hurt me the most of all this, I swear to you.
17:27I have been a coward.
17:30An absolute coward.
17:31And I feel very bad.
17:32I ask you for forgiveness, really.
17:34We have behaved very badly and the circumstances have led me to ...
17:37Stop.
17:41I have to think about this, Trinidad.
17:44Because ...
17:47If I'm honest with you, I don't know if I'm able to forgive you.
17:50No, no, no, but you have to listen to me, Teresa.
17:52You have to listen to me.
17:54From now on we will try to keep our distance.
17:57No, no, no, no, no.
17:58One moment, Teresa.
17:59No, no.
18:04No.
18:15The first thing is that you choose freely where you want to go.
18:18That's why I've looked for you these two major schools.
18:21I don't have much freedom if I only have two options.
18:23They are the two best in Salamanca.
18:25Let's see, son.
18:26You choose first the one you like best.
18:28And then you just have to fill in the enrollment.
18:31I don't care about either one, really.
18:34I'm thinking about the subject of having to go to Salamanca to study
18:37and I don't understand why I have to leave Madrid to finish my degree.
18:40Have you thought about that alone?
18:42Or has the cleaning lady helped you to reach that conclusion?
18:46Of course I have talked to Marta.
18:48And she made me see her true intentions.
18:50Wow, this girl is extraordinary.
18:52Now she can even guess my thoughts.
18:54Father, admit that not suing me for Salamanca is a pain in the ass to separate us.
18:58It hurts me that you think that.
19:00I just try that you keep the promise you made to your mother.
19:03I'm not going to stop studying.
19:05Then I see why there should be doubts.
19:07You keep the promise and then take your life wherever you want.
19:11Look, don't get my mother involved in this.
19:13I'm sure what she wanted for me was to be happy.
19:15I had you for a more integral person, my son.
19:17Father, I'm not going to stop studying.
19:19I'm just going to do it here, near Marta.
19:21Look how hard you've been hit by the mop.
19:24I understand that you have become capricious about her.
19:27But over time you will get to hate her.
19:30Let's see, son.
19:32We've all had a whim of youth.
19:35But none of us have married her.
19:37You are completely wrong.
19:39I'm not like you.
19:41The love I have for Marta is pure and sincere.
19:43I don't doubt it.
19:44But that girl is not good for you.
19:46She's not in our class. She's not going to make you happy.
19:48Marta has a head full of birds.
19:51And revolutionary ideas that take us nowhere.
19:54Believe me, son.
19:55In the long run, those women only bring problems.
19:58Look, father.
19:59Nothing you tell me will make me change my mind.
20:01I'm not going to let you throw your future away.
20:04Father, I have to decide about my life.
20:07And the discussion is over.
20:08We'll stop talking when I feel like it.
20:11I'm still your father.
20:14And I demand the respect I deserve.
20:18You're wrong if you think I can't comment on your actions.
20:22Your mother gave up her health by bringing you into the world.
20:25She never got pregnant.
20:27And I, working in our businesses to ensure a prosperous future for you.
20:32Everything I do in this life, I do it thinking of you.
20:36So I think I've earned the right to be listened to.
20:40And that you obey me.
20:57Come on.
21:14Mrs. Bárbara, I wanted to give you my most sincere condolences for your daughter's death.
21:19I thank you, Mr. Fermi.
21:21And I'm also very sorry for the tragic circumstances of her death.
21:25Yes.
21:26It's the worst thing that can happen to a mother.
21:29I don't think she'll be able to get her head up.
21:31Well, she'll have to put in all her effort.
21:33Because even if it weighs on us, life goes on.
21:36Not for me.
21:40I don't think she can survive Carla's absence.
21:43Nothing makes sense.
21:46Everything I've done lately, good or bad, I did it to protect her.
21:53It's a shame I couldn't save her from herself.
21:56Many times, no matter how much we want, we can't protect our loved ones.
22:01And we can't prevent them from making mistakes.
22:04I know.
22:07But we always have to try.
22:10Although when we don't succeed, it's almost impossible to accept it.
22:18I don't have children, but I understand perfectly
22:21the terrible moments she's going through.
22:24I have to go, Mr. Fermi.
22:26I've picked up Carla's things and I don't want her to come back here.
22:31Will you be leaving Madrid for a while?
22:33Maybe forever.
22:36I can't live in that palace anymore.
22:38Too many memories.
22:39Yes, I understand.
22:40And have you found a residence?
22:42Yes.
22:43In Cordoba.
22:45There I have a courtyard that belonged to my second husband.
22:48A quiet place, full of charm.
22:50To spend my last years.
22:52Don't say that, Mrs. Bárbara.
22:54You have your whole life ahead of you.
22:56Yes.
22:57To think that I made a mistake with my daughter.
23:01If I may have some advice, give some time, reflect,
23:04and take your life back where you left it.
23:08Who knows what the future will be like.
23:12The most important thing is that I have resolved all my daughter's matters.
23:16Have you managed to sell the gallery?
23:18Practically.
23:20But I can't give you more details.
23:22Because negotiations can get frustrating at the last minute.
23:26Does that mean you already have a buyer?
23:28Yes.
23:29A Spanish businessman who is based abroad is the possible buyer.
23:34Well.
23:35I wish with all my heart that you make good friends with the new owner of this building.
23:39I hope so too.
23:41I'm looking forward to meeting you.
23:44I'm sorry, I haven't sold the gallery to you or the tenants.
23:49But any friend of Viñico Peña Albert is my enemy.
23:53Mrs. Bárbara, of course you have the right to negotiate with whoever you want,
23:57but it seems to me that your words are being a bit excessive.
24:02My daughter rots underground, Mr. Fermin.
24:05No.
24:07I'm not being excessive.
24:11In fact, I'm being careful.
24:15I could end that marriage in multiple ways, I assure you.
24:23But the desire for revenge ended with my daughter.
24:25And I'm not going to let myself be carried away by those feelings.
24:28No, I'm not going to allow it.
24:34Now, if you'll excuse me, I have to go.
24:38I'm very sorry that you have to leave like this.
24:41If you'll excuse me, I'll walk you to your car.
24:44Yes.
24:50I'm glad I can talk to you, Marta. I'm going crazy.
24:54I'm very sorry that your brother has gone so far.
24:58I was already surprised that the gramophone store was closed today.
25:01Were you able to talk to her yesterday at the Madrid-Cabaret?
25:04Yes, but she didn't tell me anything about any trip.
25:06Well, I didn't even know she was going around the corner.
25:09But, hey, is the note weird?
25:11No, I saw her as always.
25:13Well, when I left, she was talking to Celia.
25:17Yes, I guess she already finished convincing her to go together.
25:21Well, I couldn't tell you.
25:26What seems strange to me is that she left without saying goodbye.
25:29It's something that doesn't hit me right now.
25:31Yes, well, she left a note, but it's almost worse than not saying anything.
25:37Well, you'll see how she gets in touch with you right away.
25:40Or with your uncle.
25:42I think she doesn't want to see me again.
25:45Don't get the worst of it, woman.
25:47I'm sure she needs time to get over it.
25:50She should have told me about her plans.
25:53Well, Inés, understand her.
25:55Accepting that your boyfriend and sister have something doesn't have to be easy.
25:59Marta, he's not my boyfriend.
26:01We just kissed, that's all.
26:03Well, doesn't it seem like a kiss to you?
26:07Well, it was without looking for it.
26:09Yes, it was without looking for it, but you didn't do anything to avoid it, Inés.
26:13Understand her, put yourself in her shoes.
26:15Imagine that it had been the other way around.
26:17That it had been your sister who had kissed your boyfriend.
26:20You wouldn't have sat there, would you?
26:24How could I do this to her?
26:27Laurita is the most important person in my life and...
26:30And I've betrayed her, so...
26:33I can't be without her.
26:36Well, you'll see how she comes back.
26:38No, she won't come back, Marta.
26:41You have to give her time.
26:44Wait for the bad luck to pass, for her to say it.
26:49What if I go to Germany?
26:52Inés, how are you going to go to Germany?
26:55Are you crazy? Do you know the streets in Germany?
26:57You don't even know where it is.
26:58Yeah, but I have to do something. I need to talk to her.
27:02Yes, and you know what you're going to do?
27:03You're going to sweat until Laurita gives up on you.
27:06The rest is crazy.
27:07Well, my house is going to fall apart without her, Marta.
27:10Well, you'll have to come up with the idea.
27:13I don't know if I'm going to be able to. I don't know.
27:16You don't have a choice.
27:20Thank you very much for inviting me.
27:21I'm very excited to come here and have a snack with you at your house.
27:24No, I'm more excited to know that you're pregnant.
27:26And I wanted to celebrate it.
27:27Come on, sit down, I'm going to heat up the coffee.
27:34You guys were in a hurry, Miguel and you, to take care of Cibueña, right?
27:37Yes, it was all very fast.
27:41I love children. I've always been a little boy.
27:44So, whenever you want, I'll take care of him, okay?
27:46I'll make you a babysitter.
27:47Well, the truth is that we're going to need help.
27:49Because Miguel and I, well, I'm very overwhelmed.
27:53Because I don't know if I'll be able to do it right.
27:55Of course you will. Mothers have a natural instinct.
27:58Besides, no one is born learning.
28:07Antonia, if we're not indiscreet, why haven't you been a mother?
28:12Well, God didn't want it.
28:16And look, we tried.
28:18Ramón and I really wanted to see the kids running around here.
28:24But there was no way.
28:28The truth is that not being a mother has been a thorn that has remained engraved for my whole life.
28:35Don't worry.
28:36Because if it seems good to you, it will be like a second mother for my son.
28:45The truth is that I have always felt that I had a lot of love left inside.
28:51To give.
28:54Oh, honey, I don't...
28:55Forgive me, we're here to celebrate your maternity, not to get melancholic here.
29:01No, it's not that.
29:06I have behaved very badly with you.
29:09And with everyone.
29:10What else are you going to do? You're a piece of bread.
29:13No, I'm not a piece of bread.
29:14I'm a liar.
29:16Because Miguel and I have been married for a long time.
29:21And we haven't said anything so as not to lose my job.
29:25And I've been pregnant for several months.
29:28Come on, we've been lying for too long.
29:31I'm sorry, I'm sorry.
29:36So the lion's wedding was a lie?
29:38Yes.
29:40We created that farce simply to announce that I was pregnant and...
29:46Oh, the coffee.
29:52Well, that's it.
29:53That's it, I've already told you.
29:55And now, if you want me to leave your house, I will understand it perfectly.
29:58Come on, I understand it perfectly.
30:01I understand that you are angry like Teresa.
30:03I really understand it.
30:05Listen to me.
30:07The first thing I want is to thank you for being honest with me.
30:10Although it has already taken a little time.
30:15But isn't he going to be angry with me?
30:17No.
30:22Of course not, darling, yes.
30:25Necessity sometimes makes us take wrong paths, doesn't it?
30:29The important thing is to rectify time.
30:31But I feel very bad for lying, for keeping the lie.
30:36And because of this, now I'm going to lose Teresa's friend.
30:40Well, it's normal for Teresa to be angry.
30:42I consider you a good friend, but I'm sure you'll reconcile.
30:45Well, I hope so.
30:47Because I really swear to you that for me, you are like a family.
30:52And I couldn't stand you being angry with me forever.
30:56Oh, Teresa, I'm crying.
30:58No, what you have to give me is a hug.
31:00Come here.
31:09I have come to inform you that yesterday afternoon,
31:12Mrs. Bárbara said goodbye to me.
31:14She is going to live in Córdoba.
31:17And has she told you, has the gallery been closed?
31:19Practically, I have spoken on the phone with Emiliano Pedrano.
31:23Practically, I have spoken on the phone with Emiliano Pedraza.
31:25And the deal is almost closed.
31:28I hope Mrs. Bárbara does not suspect the relationship she has with him.
31:31That would throw the purchase of the gallery on the ground by his friend.
31:36No, he has no idea.
31:37On that side, we can be calm.
31:40Well, we could say that the only beneficiary of all this is Emiliano Pedraza.
31:45Because he is going to buy the gallery at a lower price than the market price.
31:48I think we all benefit from the fact that a man of Mr. Fermin's trust is the new owner.
31:55Well, yes, because apart from being my friend, he is a successful businessman
31:58and surely he gives a good boost to the business of the building.
32:01And Mr. Fermin, why does Emiliano want to leave Argentina and come here to Spain?
32:04He wants to start his business and start a new life here.
32:08Well, that sounds very good.
32:10I would also like to start from scratch somewhere else.
32:13Although, well, you never know if what is to come is better or worse.
32:16Pay attention to your instinct.
32:18When things are over, it is better to start another one.
32:24Well, gentlemen, I'm going to leave. I have other matters to attend to.
32:28Then let's say the meeting is over.
32:31Mr. Fermin.
32:33Agustín, stay. You and I have to deal with another matter.
32:37Sit down.
32:39Have you changed the detergent with which you usually clean the displays?
32:42No.
32:43Water, soap and rubbing for a long time, as it has been all my life.
32:47Well, I don't like how they smell.
32:49It stinks of bleach.
32:50It seems very difficult to me that it smells of bleach,
32:53when I haven't even brought it close to the display.
32:56Well, I tell you that it pulls back the smell of bleach.
32:59What smells is clean.
33:01Oh, my God.
33:02Teresa.
33:03Wait a minute.
33:05What do the displays smell like?
33:07Don't they stink of bleach?
33:12No.
33:13What smells to me is clean.
33:14What I told you.
33:16The truth is that I don't know why I'm asking for your opinion.
33:19It is clear that you are going to deny me even the evidence.
33:22Gentlemen, it doesn't smell strange to me.
33:27It is impossible to do that.
33:29It doesn't smell strange.
33:32It is impossible to make a team like this.
33:34And I really try.
33:35But when I say white, you say black.
33:37Do you want to drive me crazy?
33:39Look.
33:40He has asked me a question and I have answered it sincerely.
33:44What I think is that he enjoys contradicting me.
33:47Isn't that so?
33:48Well, I don't know, ma'am.
33:49Maybe it's just that I don't have the same sense of smell as you.
33:51That's why I'm only in charge and not the manager.
33:54Let's see if you're going to wash the dishes,
33:55because I've messed it up a bit with...
33:57You're right.
33:58I'm the manager.
34:00And as such,
34:02I order you to find out where that smell comes from
34:04and to clean up the stench of the showmen.
34:20I've found you a wedding dress that will fit you.
34:24Let it be the last time
34:25that you ask me a personal question.
34:28It is strictly forbidden.
34:32Is it funny?
34:34The one who laughs last, laughs best.
34:43This is the only dress that suits you.
34:46It's a black one with a pointed hat
34:48and a broom to fly.
34:50Why do you have that dog smell?
34:53You'll find out later.
34:55Well, be careful.
34:57Because it's very dangerous when you have that smell.
34:59And you have a mania for it.
35:01Mom, any excuse to kick her in the street.
35:04Well, look,
35:05whatever it has to be,
35:07it will be.
35:14I'm very sorry that you think that of me.
35:17I thought you were a gentleman.
35:20But the behavior I've had with my nieces
35:22is more typical of a Don Juan de Opereta.
35:25I assure you that it was not my intention
35:27to enmity Enes and Laura.
35:29You have broken the heart of Laurita to the point
35:34that she has decided to leave for Germany,
35:36far from her family, without giving explanations
35:39and without setting a return date.
35:41I didn't know anything.
35:43I wish...
35:45I wish I could do something to fix this matter.
35:48You have destroyed the wonderful relationship
35:50that the two sisters had.
35:52And all...
35:54All because you don't know how to control your snatches.
35:58You are...
36:00despicable.
36:04Look, you're right to despise me that way.
36:07But in my defense, I can assure you
36:09that it was not my intention for this to happen.
36:11With good intentions, hell is full.
36:13I couldn't help but feel attracted to Inés.
36:16But I assure you that it all started and ended in that kiss.
36:19I couldn't help it.
36:22A good man has to know how to control his impulses.
36:25You are a scoundrel
36:26who gets carried away by the needs of the moment.
36:29Of course, Inés is partly to blame,
36:31but her behavior
36:33has been that of a real scoundrel.
36:37I assume all the blame.
36:40I'm not going to argue with you.
36:41And I'm not going to allow you to leave my office right now.
36:46I have nothing else to talk to you about.
37:03You must be wishing to go back home, right?
37:06Now that you don't have a carcoma.
37:08Not too much.
37:09It's just that I'm tired
37:11of walking around with things up and down.
37:17The only thing I want
37:19is to move in with you.
37:22Under the same roof.
37:24Well, don't run so much,
37:26because until we go through the vicarage ...
37:30Yes, but let's see if these papers arrive soon,
37:33cancelling my wedding with Lucia, right?
37:36So we can get married.
37:43Hello.
37:44What can I do for you?
37:46Well, look, for now,
37:48tell us what you talked about in the act of the suffragette,
37:51that Esperanza told me you were very close.
37:54Well, at first I was stunned
37:57when they told me that I had to speak
37:59in front of so many women
38:01and on top of that, after Clara Campamor herself.
38:05Oh my God, what a commitment.
38:07I wouldn't have said it if I were you.
38:10Well, look, I thought the same thing.
38:12But then Mrs. Clara told me
38:14that the only thing I had to do
38:16was tell my experiences and what I thought.
38:21And suddenly it was like magic,
38:24as if the words began to come out by themselves.
38:30We are very proud of you.
38:32I would have loved for you to be there with me.
38:35If I have had the opportunity to speak in front of so many people,
38:38it has been thanks to you.
38:40We haven't done anything.
38:42It has been you alone, with your treasure and your effort.
38:45Yes, and you are going to go very far, I'm sure.
38:49Because they have treated me as if I were their son.
38:53They are like parents to me.
38:55Well, you are going to tell me the truth.
38:58Come on, to work.
39:00You have to do a lot of things.
39:01Come on, go folding clothes.
39:04And with Saldita? How was it?
39:07That the boy seemed to me that he was a little disoriented,
39:11like a sailor without a compass.
39:13Well, I talked to him, but it hasn't gone very well.
39:17I told him that his father, the only thing he wanted was to separate us
39:20and in the end I have understood
39:22that the best thing is that we each follow our own path.
39:26Honey, I'm very sorry.
39:28I know you were very in love with him.
39:30No, and I am, Antonia, I am.
39:32But he will never face his father
39:35and in the end Don Salvador will end up dating his.
39:38So the best thing is to finish it as soon as possible.
39:42Of course.
39:43You are worth a lot.
39:45In addition, the important thing now is to be a teacher.
39:51Yes, honey.
39:52You now have the opportunity to fulfill your dream.
39:55And that's what you have to do.
40:06What's up? Have you already regretted it?
40:09Ah, no, no, no, no.
40:11Yes, it's just two points.
40:13Really.
40:19Sorry, I think I didn't understand you well.
40:21You didn't understand?
40:22I'll explain it to you.
40:36Teresa.
40:40I've been trying to talk to you all day and you don't stop ignoring me.
40:43What do you want?
40:44Apologize for hiding what happened between you and Miguel.
40:47If I didn't tell you that they were married, it was because I was afraid of them.
40:50Very noble of you.
40:52I understand that you are angry with me, but I didn't mean to hurt you.
40:55Let's see, what was the second thing you wanted to tell me?
40:59That I want you to forgive me.
41:02I understand that you are angry and that you feel betrayed.
41:06But I'm just asking you for an opportunity to show you that you can trust me.
41:11Well, look, Cañete, I don't know if you deserve it.
41:15I've made a very big mistake and I've failed you.
41:20But I want you to trust me again so I can show you that there will never be a secret between us.
41:27Cañete, we can't have a relationship if we're not honest with each other.
41:31I totally agree. And I'll never hide anything from you again.
41:36Teresa, I love you with all my heart.
41:39And I can't lose you.
41:42I just need you to give me that chance.
41:46Are you going to forgive me?
41:49You're going to have to try really hard.
41:52I'll do whatever you ask.
41:56Wait.
42:05Well, look, I'm going to tell you something that is important to me and no one else knows.
42:12And no, don't look at me like that, I'm not sick or anything.
42:20I'm going to leave the modern one.
42:22That's it, I admit it.
42:24But, Teresa ...
42:25Look, it's just that Mrs. Lázara is driving me crazy.
42:28I can't take it anymore.
42:30And it's not worth losing your health for a job.
42:33But that happens to everyone here.
42:35Yeah, well, but she has it taken with me.
42:38And that displeasure is mutual.
42:40And besides, I'm a calm person.
42:42And all this doesn't do me any good anymore. That's it.
42:45Are you determined?
42:47One hundred percent.
42:49And besides, I don't want to be a witness to how Mrs. Lázara turns the modern into a prison for all the employees.
42:56Well, if you leave, I'll hang the waiter's jacket and I'll go with you.
43:01Would you do that?
43:02Teresa, I would go to the end of the world on my knees for you.
43:05And carrying a piano if you ask me.
43:08I would do anything for you.
43:14Cañete, for God's sake, they're going to kick us out.
43:17What else?
43:19If we're not going to leave anyway.
43:22Well, yes.
43:41Agustín, is something wrong?
43:44I've been talking to your uncle.
43:48He told me that Laura has left.
43:55It's been a very difficult conversation.
44:00He hasn't stopped telling me what he thought about me.
44:03And the truth is, it hasn't been pleasant at all.
44:07How are you?
44:08Destroyed.
44:10I thought Laura would get over it.
44:13But she's putting half the world between the two of us and she's left her business.
44:19I tried to talk to her last night in Madrid Cabaret.
44:23I told her that I was to blame for everything, that she shouldn't get mad at you.
44:27But it's clear that I haven't succeeded.
44:32Well, it's normal that she doesn't want to know anything about us.
44:36I think I should have talked to her before.
44:41I don't know.
44:43Tell her that I was starting to feel things.
44:46Well, this has no solution, no matter how much we regret it.
44:50What I don't regret is kissing you.
44:54Even if we tried to bury...
44:56Agustín.
45:01I don't want to talk about this.
45:06We've broken my sister's heart and I...
45:09I can't live with this guilt.
45:12But you can't deny what we feel either.
45:15But I've hurt her so much that I...
45:20I'm unable to get close to you.
45:26And I don't want to see you again.
45:32Are you sure?
45:34Yes.
45:36Yes, totally.
45:40I respect your decision, but...
45:45It breaks my heart, really.
45:49Yes, me too, but...
45:51But there can't be anything between us.
45:55It's okay.
45:57You won't see me again at rehearsals.
45:59No.
46:00No, no, it's just that...
46:02There won't be any more rehearsals.
46:05Leave it now.
46:08You can't do that.
46:10I've been waiting for you all this time, Inés.
46:13You have to know how to differentiate between professional and personal.
46:18Or you'll miss your great opportunity.
46:21Yes, I know.
46:24It's a very painful decision, but it's the right thing to do.
46:27Are you aware of what your decision means?
46:31Many people will lose their jobs.
46:34I know.
46:36I'm very sorry, but...
46:40I won't change my mind.
46:45Then I'd better go.
47:07It's cold.
47:09It's getting cooler.
47:11I wanted to get some fresh air.
47:16I spoke to the doorman.
47:19He told me that a young woman rented the flat next door.
47:23And I had to get close to her.
47:25From there I could enter the terrace and go up and...
47:29Don't turn on the light.
47:32Carla is part of the past.
47:35We shouldn't spend another minute of our lives with her.
47:39I find it hard to believe that we don't have to worry about her anymore.
47:43Or about what she's going to do to us.
47:46Maybe opening a bottle of wine and having dinner in the light of the candles could help you forget it.
47:53I think it's a good plan.
47:55Besides, we have a lot of clients.
47:59It's normal.
48:01The police saw what happened.
48:03There was no doubt that it was an accident.
48:05I went to talk to her this morning to tell her in person.
48:09And I found myself with a woman...
48:11Defeated.
48:13I hope that now that Carla is not by his side...
48:16He finds peace.
48:18I hope so.
48:20I hope so.
48:22I hope so.
48:24I hope that now that Carla is not by his side...
48:27He finds peace.
48:28Whatever it is...
48:30We will never see her again.
48:33Has he sold the gallery?
48:35Well, he's about to close a deal with a Spanish businessman who is based in Argentina.
48:40A friend of Don Fermín.
48:42Does Mrs. Bárbara know?
48:44No, of course not.
48:46If it were so, I wouldn't sell it to her.
48:48The businessman's name is...
48:50Emiliano Pedraza.
48:52Yes, and apparently he wants to come to Spain to start a new life with his family.
48:57Sometimes it's good to change the mood.
48:59I'm glad you say that.
49:01Because I've been thinking that maybe...
49:05We could leave here.
49:08The three of us.
49:11Wouldn't you like to leave all this behind?
49:14Everything that brings us bad memories.
49:18The truth is that...
49:20I feel chills every time I'm here.
49:23And when I think of Carla's disappearances.
49:26Clarita would be great.
49:28It would help her a lot to move on with everything that has happened to her.
49:32If it has been hard for us, imagine for a girl.
49:36I see that you are very clear.
49:38But it will be difficult to leave.
49:41Here you have Madrid Cabaret and you have to run your business.
49:45You...
49:47That's another thing I wanted to tell you.
49:50They made me a very interesting offer for the place.
49:56Really?
49:58Yes.
49:59And you're going to be stunned when I tell you the name of the person who wants to buy me Madrid Cabaret.
50:11Do you know anything about Marta? She hasn't come to clean.
50:13She asked me to tell you not to waste her.
50:16She won't come today.
50:18Nor tomorrow.
50:19She won't come back to the bookstore, Salvita.
50:21Before you sign, I have to talk to Clarita.
50:24Well, after everything that has happened, I want her to feel involved and know that we will take care of her.
50:29I think it's a very good idea.
50:31Shall we do it now?
50:32Now?
50:33I'm starting to lose my patience.
50:36We irrevocably resign from our jobs.
50:40Both of us.
50:41I thought we could move.
50:44Go somewhere else.
50:46Where?
50:48To La Rioja.
50:49I've given up starring in the opera.
50:51And how did you do it?
50:53Augusto in a coma?
50:54Well, not very well, really.
50:56But it's what I had to do.
50:58What did you have to do?
50:59For whom?
51:00For you?
51:01Or for Laurita?
51:02If I had a son, I would be proud that he would look at such a glamorous, honest, brave and exemplary woman as Marta.
51:09She's laughing at me.
51:11Because if that's the case, she's ending her own grave.
51:14I would be satisfied with one thing.
51:17With knowing exactly what you feel towards me.
51:20I never thought you and I would become good friends.
51:24And much less I imagined that losing you would hurt so much.
51:27But that's how you have become someone indispensable to me.
51:31I swear.
51:32Forgive me.
51:33Please.
51:35Teresa, say something, for God's sake, I can't take it anymore.
51:38I have been dismissed.
51:41But what nonsense is that?
51:43Cañete and Teresa?
51:44I understand that Teresa has not just assimilated working under your orders, but Cañete.
51:48I think they are a couple.
51:50Now, the idea is born more from her than from him.
51:52What do you want now?
51:53I want to tell you something very important.
51:55And if you tell me where she is, I'll go where I came from.
51:58Well, if it's so important, tell us.
52:00I can't tell you anything before talking to the interested person herself.
52:04But I speak like a lawyer.
52:06Yes.
52:07I don't like this.
52:08No.
52:09Has something happened?
52:10There is news about Laurita.
52:11I have spoken to her.
52:12Hurry up, it's urgent.
52:14Do you want to marry me?
52:19There are things I've heard here.
52:21I'm sure I'll leave it in good hands.
52:28Wait, don't sign.
52:31Why not, Matilde?
52:33Now we don't have to fear anyone and we don't have to worry about anything.
52:36I have doubts.
52:38For another reason.