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00:00Malinkoniko, director Alessandro Angelini.
00:05Vincenzo Malinkoniko enters a building.
00:08Two women are cleaning the vegetables on the table in front of the door.
00:13There's a list.
00:14So?
00:15You're last.
00:17What do you mean, last?
00:18Huh?
00:19Eight without fifteen.
00:20You've made a reservation.
00:21But when?
00:22Before.
00:23Before when?
00:24Before, before, before.
00:25They slept in the elevator.
00:26There's no elevator.
00:28Did you see?
00:29No.
00:30But there's this.
00:31The list.
00:32See?
00:33Are you reading?
00:34Do you know what's new?
00:35I don't leave things like this this morning.
00:37I no longer tolerate such petty misuse of my own arrogant representatives of free professions.
00:43You know what?
00:44Now everything changes.
00:45Here.
00:46That's how it's done.
00:47And I'm the first on the list.
00:48Because I came first.
00:49Then I'll come.
00:50Then I'll come.
00:51Then I'll come.
00:52Then I'll come.
00:53Then I'll come.
00:54Then I'll come.
00:55Then I'll come.
00:56Then I'll come.
00:58I'll explain that later.
01:00Those reservations.
01:02This morning,
01:03I came first.
01:04That's it.
01:06Young man.
01:07If you want to clean them,
01:08do it right.
01:09Why?
01:10See, it's necessary to clean the beans.
01:12Clean!
01:13What?
01:14... are ...
01:15are they good?
01:16Eh.
01:17Vincenzo Malinconico
01:18Massimiliano Gallo
01:20is Vincenzo Malinconico.
01:22Denis Capezza is Alessandra Persiano
01:25Francesco Di Leva
01:26and Tricarico, with the participation of Teresa Saponangelo in the role of Nives and Carlo Massarini as Mr. Fantasy,
01:33Chiara Cellotto as Aladja, Luca Galone as Benny, Francesco Cavallo as Alfredo, Giovanni Ludeno as Spedito,
01:41with Giacomo Rizzo as Giustino and Lina Sastri as Assunta, with the special participation of Michele Flacido,
01:49scriptwriters Diego Di Silva, Massimo Reale, Guatiero Rosella and Valerio Vestioso.
02:19Two thousand plus the tax.
02:22Are you kidding me? What tax?
02:25Get in, Tricarico.
02:27If you want, you can judge me.
02:30What are you saying? Is there no other way?
02:34Is there no...
02:36Again?
02:38Wait a minute.
02:40What's going on?
02:43I'm sorry, I was a little rude.
02:45Yes.
02:47I'm sorry, your request is reasonable.
02:52Again, I'm sorry, please.
02:56Apologize.
02:57So, we'll make it 5,000.
03:00Yes, I wanted 5,000.
03:02Maybe 8,000, maybe 8,000.
03:0610,000?
03:0710,000?
03:0811,000.
03:10I have a deal.
03:12That's it.
03:13A little later in the courtyard.
03:16Shocking, isn't it?
03:18Who is it?
03:19This guy has been making a fool out of me for years.
03:22All the lawyers, not just me.
03:24Then you show up, just look at him, and he becomes a scoundrel.
03:28It's not because of me.
03:29You lawyers just let an idiot command you.
03:32Do you know what your problem is?
03:34Do you know what it is?
03:36You have no cooperative thinking.
03:38Enough. Now he has to agree with you.
03:40Why are you here? Tell me.
03:42I need a favor.
03:43You know what the idea is?
03:45I refuse.
03:46Even if it's for Mimmo Naperini?
03:48Especially if it's for him.
03:49I'm not his lawyer.
03:50The death of Brooke kills him.
03:52I'm afraid we won't get him in trouble.
03:54And what am I supposed to do?
03:56Put a rope around his neck?
03:58You can think of anything.
04:00Are you serious?
04:01I was joking.
04:03Come on, I'll send you.
04:04Where will you send me?
04:05I'll walk.
04:07Thank you for the favor.
04:09Please.
04:11Vincenzo walks while three men are digging the scooter.
04:15Later, in Giustino's apartment,
04:18Vincenzo's neighbor.
04:21The man puts the mass in the hall.
04:24On the furniture corridor is the light bamboo lamp
04:28with pictures of Franco and Giustino with a woman.
04:32He pours pasta with sauce into a bowl.
04:37Lula!
04:38It's ready!
04:40Giustino looks in the corridor.
04:42Then he goes to the kitchen.
04:45Eh?
04:46I called you.
04:48Please, come on.
04:50Giustino, please.
04:51Every time the same thing.
04:53You know I like to eat alone.
04:55Lula, a Russian woman, sits on the table and starts eating soup.
04:59Bitter, Giustino returns to the living room.
05:07He takes the plate with pasta and walks slowly down the corridor.
05:20Reaching the door, he looks at how she eats.
05:26With his head tilted, he walks up.
05:29He enters the bedroom.
05:36He sits on the bed and leaves the plate.
05:39He puts a blanket on his knees.
05:42He takes the plate and starts eating.
05:48Vincenzo is with a woman in a canoe kayak.
05:52How do you imagine a world of karma?
05:55Yes, I know, this is a rhetorical question.
05:57The general idea is clear.
05:59But get ready.
06:01The one I will present to you is an exception.
06:05Vincenzo!
06:06Come on, row!
06:08Row?
06:09This is your passion, not mine.
06:11Hey!
06:12Shouldn't you go to the garden in your years?
06:15To solve the crosswords?
06:17To do the dishes?
06:18And look what you make me do.
06:20Idiot!
06:22I still have teeth.
06:24In my years, I look much better than you.
06:28I would throw you in the water if I didn't know what kind of float you are.
06:32How is the year?
06:34The year?
06:35You are out of date.
06:36No one calls it a year.
06:38What do you call the years today?
06:40You know I don't know today's terms.
06:43And how do you do it?
06:44Well, I don't know them.
06:46I don't know how to do it either.
06:47It's confusing.
06:48You know.
06:49Do you want me to give you some advice?
06:52Do I have to?
06:56Don't be a stranger, idiot.
06:59As far as I understand, this Alessandra is pure luck for you.
07:04As you describe her, you don't deserve her at all.
07:08The big mistake is to share with you.
07:11Vince, enough time to lose my confused daughter.
07:15Like this mountain gave you a chance now.
07:17Don't lose it.
07:18Come on.
07:19God, every time we talk, I lose faith in my mother's instinct.
07:23It's not my fault that my daughter is boring.
07:25Right?
07:26Should I deny it?
07:27That's the truth.
07:28She's in love with Vincenzo.
07:32That's right, isn't it?
07:34How?
07:35How do you feel?
07:37From what I saw, you look like you're looking for a father.
07:43Are you still thinking about that girl?
07:46Yeah, yeah.
07:47What was her name?
07:48Brooke.
07:49Brooke.
07:50They killed her.
07:51She didn't sleep all night.
07:54Do you think it was the gadget?
07:56She didn't even come to the funeral.
07:59The newspapers wrote that it was the gadget.
08:01I'm not sure.
08:04What a pain.
08:07In this country, 80% of crimes remain unresolved.
08:12No, this time it won't happen.
08:17What's up? Are you ready?
08:19No.
08:20Yes, let's go.
08:21I said no.
08:22Let's go, let's go.
08:23What if I said yes?
08:24Come on, courage.
08:25Come on.
08:27A little courage.
08:28They continue to rummage.
08:31Later, Vincenzo is in his office.
08:33He's copying documents in a folder.
08:39Espe.
08:40They go to Espedito's office.
08:42Espe.
08:44Espe.
08:45Espedito is copying the back-ups in front of the viewer.
08:50I'm coming, I'm coming, my friend.
08:52Where's this magician?
08:54He's taking my wife to dinner, dummy.
08:58Seriously? Why?
08:59I want to fix something.
09:02Congratulations.
09:03Well, exactly.
09:04Only magic can help you.
09:06Let me print something.
09:08No.
09:09You can't.
09:10Come on.
09:11Something happened to the printer last week.
09:13I tried to fix it, but it got even worse.
09:17Go to Agala's library.
09:19With Justino?
09:20No, no, no.
09:21I miss him.
09:22He tells me about all his marital problems.
09:25His wife's name is Lula.
09:29I'm coming, I'm coming.
09:31How do I look?
09:32Very bad.
09:33We can't stay alone.
09:39Vincenzo walks down the street and enters Justino's library.
09:45Three guys are suspiciously walking around inside.
09:49Do you copy them?
09:51How are you, Justino?
09:53Huh?
09:54When I saw you last time, you were pretty nervous.
09:58Nervous?
09:59Oh, yeah.
10:00I was dating my wife, but we broke up.
10:05I said the same thing the day my ex kicked me out of the house.
10:09Are you divorced?
10:10Me?
10:11Are you kidding?
10:12I'm a divorce agent.
10:16You know, I really like my wife, and I'm glad she likes me too.
10:23Justino, I don't know if you've noticed, but those guys...
10:26I had others before Lula.
10:30Yeah.
10:31I wanted to tell you...
10:33Go out on the street.
10:35The boys are handing out the loot.
10:37I only managed to build such a stable relationship with her.
10:41I heard the boys stole three markers, two Batman notebooks, and a pencil sharpener.
10:46Yeah, I know.
10:47But I'm sorry to tell you...
10:49Justino.
10:50Now I understand your problems with marriage.
10:53What do you mean?
10:54You don't react at all.
10:56I'm a calm person with few complaints.
11:00Vincenzo, do you know what I miss in my relationship with Lula?
11:05No.
11:06How do I know?
11:07To sit with her on the table.
11:10She wants to eat alone.
11:12That's some kind of obsession.
11:13You think so?
11:14Of course.
11:15There's hardly anything in common with you.
11:17What nice words you said.
11:19Let me hug you.
11:20Hug me.
11:21I knew it.
11:22A good lawyer knows more than a psychologist.
11:25Because he has seen the worst.
11:30Thank you very much, Vincenzo.
11:33Don't touch me.
11:34Yes.
11:35Yes.
11:36Very nice, but I have to go.
11:39I have a job.
11:40Wait a minute.
11:42Here.
11:43Now.
11:44What?
11:45Here.
11:46These are the copies.
11:47These are yours.
11:49How much?
11:50Eight euros.
11:52I don't understand.
11:53Eight euros.
11:55For ten copies.
11:56Eight euros.
11:58I'm not for eight euros, but the kids are stealing.
12:01And from me you want to pay six, seven, eight.
12:07This will take it.
12:09I gave you legal advice.
12:12For this.
12:13I'm leaving.
12:15Vincenzo leaves with sticky leaves.
12:19In Vincenzo's house.
12:21This fool, your mother's husband, managed to spoil our last feast with burgers.
12:29It's so nice to have a common culinary taste with your father.
12:33No, don't say that.
12:35You know, I'm getting emotional.
12:37That's right.
12:38I'm not telling you, Dad.
12:39I'm just laughing when I look at you.
12:44Come on, let's go.
12:45Release the tyranny in you.
12:47Come on.
12:48Here.
12:50Aladjie opens two beers on the fish mass.
12:53They drink.
12:56By the way, how much is it tomorrow to pick you up?
13:00Vince, tomorrow is the premiere of Alfredo's show.
13:04I know.
13:05You don't have to tell me.
13:10Mattia asked me to live with him.
13:12I didn't understand.
13:13What?
13:14Did I speak a foreign language?
13:16No, I didn't understand.
13:17Mattia was Heidegger.
13:19Did you see that I understood?
13:20No, no.
13:21Coexistence is a complex process.
13:24Please, you and Mom gave us a good example.
13:27What?
13:28We failed even as a bad example.
13:30Why do you want to follow it?
13:32So you want me to believe that every love story ends in divorce, right?
13:38Is that what you're telling me?
13:40What kind of questions do you ask me, Aladjie?
13:43I can't answer such a question.
13:46Am I not a philosopher?
13:48No, I'm just an ordinary lawyer.
13:51That's it.
13:52What are you talking about, Vince?
13:54Philosophers are not like us.
13:56What are you talking about?
13:58Enough, enough.
13:59Leave it.
14:00My head hurts.
14:02Okay, then don't talk to me.
14:04Aladjie looks at him sweetly.
14:07See, I told him yes.
14:09Did you?
14:10Neither yes nor no.
14:12I'll think about it.
14:13Oh, great.
14:14So you still have doubts.
14:17Okay, let's eat.
14:19They unpack the burgers.
14:22She takes the newspaper and reads an article.
14:26He looks at her and bows his head.
14:30He takes the newspaper.
14:32The picture of the smiling Brooke is in the center of the page.
14:37This is Brooke.
14:39He looks at Aladjie and gently caresses her face.
14:43A little later, with his bag under his armpit,
14:46Vince climbs up the stairs to his office.
14:50He enters and finds boxes and boxes in the corridor.
14:55It seems that the boxes are full of men's clothes.
14:58He falls asleep and wakes up with a blue eye.
15:01Oh, I see that the evening with your wife was terrible.
15:04Talk about the devils, Vince.
15:06And the throwing up at home, right?
15:08You must have drunk a lot to deserve that blue eye.
15:13The truth is that I'm a drunk fool.
15:15I deserve it.
15:16Repeat it again out loud.
15:19What happened?
15:21The evening went perfectly.
15:23We ate candles, everything was going according to plan.
15:26I felt better.
15:27I drank the wine and had to go to the bathroom.
15:32I left my phone on the table.
15:34You're right.
15:35You really are a drunk fool.
15:37Do you think you can get a marriage for two or three messages?
15:41And this?
15:43Leave them.
15:44Leave them.
15:46Put them back.
15:48Hey, I'm a collector.
15:50In the true sense of the word.
15:52Buy them, Phoebe.
15:53They are legendary.
15:54Part of the history of cinema.
15:57Part of the history.
15:58Yes, yes, legendary.
16:00Come on, leave me.
16:01The court is waiting for you downstairs in the office.
16:04Come on.
16:05This is already full of happiness.
16:08Go, go.
16:11Justino lies on the ground.
16:13Justi, what are you doing?
16:15Are you okay?
16:16Yes, nothing special.
16:18I was doing an exercise that my iridologist recommended to me against stress.
16:22Iridologist?
16:23Yes, yes.
16:24Did he recommend you to lie on the ground?
16:26Yes.
16:27Justi.
16:28Yes.
16:29What happened?
16:30Are you dating your wife again?
16:32No, no.
16:33She hasn't cleaned for three days.
16:35What?
16:36She hasn't cleaned for three days.
16:38Three days?
16:39Why didn't you tell me yesterday?
16:41I was ashamed.
16:44I believed that she would come.
16:47I'm worried, Vince.
16:49That she left you?
16:50No, no, no.
16:51She would never leave you like that.
16:54Did you argue?
16:55No, we didn't.
16:56She's my wife.
16:58I didn't say anything.
16:59This is even more ...
17:02... possessive.
17:03And what?
17:05When I don't say anything.
17:07She goes out at night and doesn't come back.
17:09I'm scared.
17:10I'm very scared.
17:14Three days, right?
17:15Yes, three days.
17:16Come on.
17:17You have to report to the police.
17:19What?
17:20Report?
17:21Oh, my God.
17:22You have to report her missing.
17:25Do you understand?
17:26Are you implying that she has a boyfriend?
17:28No, Justi.
17:29I'm really asking you if she has a boyfriend.
17:32How dare you?
17:33You don't even know her.
17:35First, this exercise doesn't work.
17:37You're very stressed.
17:39Second, you came to look for me, not me.
17:42Third, if you don't like my questions, I'm leaving.
17:45I'm sorry.
17:46I'm sorry.
17:47I'm sorry.
17:48I'm sorry.
17:49I didn't mean to.
17:50I didn't mean to.
17:51You're acting like a child.
17:53Justino, don't be angry.
17:56You should know that this is exactly what the police will ask you.
18:01I can't do it alone.
18:03I can't do it alone.
18:05Go to the district office.
18:07Do you want me to come with you?
18:09Yes.
18:10Yes?
18:11Yes.
18:12This is the so-called wife of Lyudmila Paterk,
18:15whom I presented the photo to the report of agent Tardeli.
18:23Marco Tardeli.
18:26No, not this one.
18:28Yes, he's younger.
18:30So, she left the family home three days ago after a heated family dispute.
18:38The woman was dressed in a turtleneck, a crystal color,
18:42wears low shoes,
18:45and has a golden necklace with a cross on her neck,
18:50which she never takes off,
18:52a gift from her beloved grandmother.
18:56She can't be found and does not respond to phone calls.
19:03She left the family home, didn't she?
19:07I didn't say that.
19:09Don't worry.
19:11And so, if you like, sign here and here.
19:21Please.
19:23Justino has a wound on his arm.
19:26Tardeli looks suspicious.
19:28Excuse me, what did you do?
19:33It's not a family dispute, is it?
19:36No.
19:37I was fishing.
19:39Fishing? Surely a fishing rod?
19:42We stopped here, didn't we?
19:45Please.
19:46Yes, let's go.
19:48Take the copy for yourself.
19:50Where to?
19:52Justino and Vincenzo leave Tardeli's office.
19:58In court.
20:00Unfortunately, nothing new about the death of Brooke Fantasia, lawyer.
20:04But we continue the investigation.
20:07You should know that I'm also trying to find the culprit.
20:10I'm sure.
20:11Something about the gadget?
20:12Dylan?
20:13No, we don't find it.
20:15Do you suspect him?
20:17Do you know who killed her?
20:18No.
20:19Really?
20:21But the murder is purely professional, without struggle.
20:26Domestic violence is different.
20:30Engineer.
20:31I believe he has a wound on his arm.
20:33Good day.
20:34Good day.
20:35Is there anything new about the case?
20:37Nothing, but if there is, I will inform you immediately.
20:43You know that there has been no development for a long time.
20:46These things take time.
20:49I understand.
20:50Let me know if there is anything.
20:52Of course.
20:53I'll tell you right away.
20:55I appreciate it.
20:56The engineer sits in the corridor.
21:00The judge continues to speak with Zvincenco.
21:03The man was killed.
21:06He lost his mind and does not calm down.
21:09Later.
21:10Ballistic expertise.
21:12The perpetrator shot with a trajectory from top to bottom and rose from about 70 degrees.
21:20The victim on his knees.
21:21Shot from top to bottom.
21:24What do you think?
21:25Pure execution.
21:26Exactly.
21:27And what did he have to do to deserve this punishment?
21:31Only he knows.
21:33I told you he was drunk.
21:35There can be many reasons.
21:37In the meantime, Alfredo's family gets into the theater.
21:41Why did he go there?
21:42You can see better from behind.
21:44No, no, Alfredo should see us.
21:46We came to watch Alfredo's show, not him to watch us.
21:50Sorry, I'm going to help.
21:52Bravo, Varvi.
21:54In court, Zvincenco walks down the corridor with his bag under his armpit.
22:00Alessandra.
22:01Meet her right away.
22:03I wanted to surprise you.
22:05With this perfume, you will be recognized in the subway at rush hour.
22:11Not bad at all.
22:13For a man who doesn't even pay attention to me.
22:17I wanted to make fun of you.
22:20But there are always problems.
22:22So...
22:23I know you're still surprised.
22:26But it can't be a coincidence.
22:29You think I'm an idiot.
22:32A little.
22:34But you haven't killed me yet.
22:37Don't take advantage of me.
22:40I'll give you everything.
22:42What...
22:43She pulls him aside.
22:45Now you won't run away from me.
22:47I'm not trying.
22:49They are about to kiss.
22:51Zvincenco's phone rings.
22:53Excuse me.
22:55Maybe it's important.
22:58How is it going?
22:59He picks up the phone to pick up.
23:02Hello?
23:03Are you coming?
23:04What?
23:05I knew it.
23:06Alfredo's show.
23:07We're all here.
23:08Are you going to give up again?
23:10No, no.
23:11I'm just leaving.
23:12How long will you be here?
23:14Anytime.
23:15I'm almost there.
23:16I'm coming.
23:17Yes.
23:18Hurry up.
23:19Aladje enters the theater.
23:21There is a poster with headlines.
23:23Without turning on the light.
23:25In the court.
23:26What is it this time?
23:28A theatrical premiere.
23:30Theater?
23:31Are you up to something again?
23:33No.
23:34About our son.
23:35I told you he has a passion for directing.
23:39Now he's a documentary filmmaker.
23:41But he wrote this play.
23:44And today we are invited to the premiere.
23:49Okay.
23:50Then go.
23:52I don't feel like it.
23:54Are you still here?
23:56Huh?
23:57What?
23:58Go.
23:59Hurry up.
24:00Will we see each other later?
24:02Okay.
24:03I'm going.
24:04See you tonight.
24:06I can't wait.
24:09Vincenzo gets lost.
24:11Alessandra smiles.
24:14Vincenzo walks the streets of the city.
24:17Here.
24:18Look at me.
24:19Here I am.
24:20Surrounded by a sense of guilt.
24:23I'm going to the premiere of our son.
24:25After all, a world debut.
24:28What happened to the fathers?
24:30When did we become so involved in the lives of our children?
24:35Then you showed up.
24:37I got used to it.
24:38Can I come in?
24:40Where?
24:41By myself.
24:42I want to sit here.
24:43Here.
24:44Here.
24:45Here.
24:46Excuse me.
24:48It's the same story, Vince.
24:50It's enough, right?
24:51I'm here.
24:52You could delay it even more.
24:54Who knows what you did and with whom.
24:58What bothers you?
24:59Mom, what's wrong with you?
25:01Your wife is there.
25:02Her name is Emilio.
25:03Do you remember him?
25:05And Vincenzo killed him.
25:07Do you remember that?
25:09Do you remember?
25:10It's not that simple.
25:11Do you know what?
25:12I'm not proud of you.
25:14When you start to explain stupid things,
25:17you do it with noble intentions.
25:21You never said,
25:22I did something stupid.
25:25Who did something stupid?
25:27Nobody.
25:28He eats, drinks and doesn't understand anything.
25:31Stupid.
25:32Alfredo goes on stage.
25:34He notices them and greets them.
25:37Hello.
25:39A boy greets Alfredo.
25:41Who is this oligophobe?
25:43Why does he greet my son?
25:45A friend of Alfredo's.
25:47I met him recently,
25:48but we are very close.
25:49Very close?
25:50Calm down.
25:53The show begins.
25:55A couple is lying in bed.
25:58Are they making up?
26:02No.
26:04You have no idea
26:06how to apologize.
26:08I just asked you.
26:09It's not the same.
26:11Sometimes you have to use the right words
26:13to get things done.
26:15Alf, don't put a hidden camera in the bedroom.
26:20What are you doing?
26:21I'll light it.
26:22If you don't have to, don't.
26:23Let's talk.
26:27Are you ready?
26:28Dangerous words to talk.
26:30End of marriage.
26:31Vincenzo smiles.
26:33About what?
26:35I don't know yet.
26:37I'm still listening to you.
26:40Let's light the lamp.
26:43We are more honest in the dark.
26:45Yes, exactly.
26:46I am.
26:48So the blind are more honest than the seeing.
26:51I think so.
26:53Nonsense.
26:54The attacker is not.
26:55There is a right.
26:56No, there isn't.
26:58Can you move?
27:00So you can speak
27:01and hold the lamp in the same way?
27:04How do I know?
27:06We are happy in your opinion.
27:08We are happy in your opinion?
27:10I think we can prove it.
27:13What is this investment fund?
27:15Something like that.
27:16How deeply said.
27:19He is right.
27:21He is right.
27:23We are happy together.
27:26Otherwise it makes no sense.
27:28I don't believe in happiness.
27:29I don't believe in happiness.
27:31I don't believe in happiness.
27:33You say you are happy, but I was happy.
27:35When you talk about happiness,
27:36you talk about something that is in the past.
27:39I like it a lot.
27:41You talk about memories.
27:43Nivas feels.
27:45And the memories are back in your thoughts in the dark.
27:48Nothing is as you remember it.
27:51The memories are changed.
27:54Bravo.
27:55That's right.
27:56That's right.
27:57Emilio wakes up.
27:59The birds are fluttering in the air.
28:02And the fools on the ground.
28:04The actor lights the lamp.
28:07Why is it bright?
28:09I go to the bathroom.
28:12He gets out of bed.
28:15She remains silent in bed.
28:18The lights go out.
28:21Applause is heard.
28:24Happy, Alfredo passes the boy.
28:28Nivas and his mother applaud loudly.
28:31Aladja and Vincenzo smile.
28:34Later.
28:36Bravo, bravo.
28:37You are great.
28:38Bravo.
28:39Thank you very much.
28:40Congratulations, Alfredo.
28:42Really captivating.
28:45Very captivating.
28:46Really.
28:47Bravo.
28:48I'm enchanted.
28:49Nice to meet you.
28:50I'm his mother.
28:51Nice to meet you.
28:52I'm the grandmother.
28:53Congratulations, Malinkoniko.
28:55I thought I'd never hear that phrase again.
28:58What phrase?
28:59Congratulations, Malinkoniko.
29:00Idiot.
29:01What are your plans?
29:03I want to study cinematography.
29:05Maybe film.
29:07What do you mean, film?
29:09Hold on.
29:10Vincenzo picks up the phone.
29:12Hello.
29:13Justy.
29:15What happened?
29:18Calm down.
29:19I'm coming.
29:20What's up?
29:21I have to go.
29:23Okay.
29:24Congratulations, Alf.
29:25Yes, yes.
29:26I'm going.
29:27Congratulations, son.
29:28I'm sorry.
29:29I have to go.
29:30I'm busy.
29:31See you soon.
29:32Bye.
29:33Congratulations again.
29:36Vincenzo arrives at his office.
29:38There's police outside.
29:41Vincenzo, there's police everywhere.
29:43They're interrogating everyone.
29:45What a shame.
29:46What's going on?
29:48Calm down.
29:49I'll figure it out.
29:51I'm not a criminal.
29:53What criminal, Justino?
29:56Sit here.
29:57I'm going to ask.
30:01Are you sure?
30:03Of course I'm sure.
30:07When was this?
30:10Three nights ago, exactly.
30:14It was around midnight.
30:16Midnight?
30:17I remember because I watched the night block.
30:19I couldn't sleep.
30:21I fell asleep and heard a boom.
30:23Boom?
30:24Someone fell to the ground.
30:27When you fall, you make a boom?
30:29How do you do it?
30:30How?
30:31Of course someone fell.
30:33Did you see anything?
30:35No.
30:36I didn't see anything.
30:38And then there was silence.
30:40Okay.
30:41We'll keep in touch.
30:45Lawyer Malinkoniko.
30:47Good day.
30:49I see you're interrogating the neighbors.
30:52I'm not kidding.
30:54The usual practice when someone disappears.
30:58That's how it's done.
31:00I don't think you'll get far if you just listen to the boom.
31:04Right?
31:07Have a nice day.
31:09Inspector Tardy is not leaving.
31:12Tired, Vincenzo looks at Justino.
31:15He's having dinner.
31:17In a restaurant by the shore, Vincenzo is standing on the terrace.
31:26The sky is getting closer.
31:29Hello.
31:30Hello.
31:32Did you know that Alf wants to decipher?
31:35Did you know?
31:37I knew.
31:39Why am I always last?
31:43Maybe because you're always last.
31:46If you hadn't made a mistake, you wouldn't have come to the premiere.
31:51But when you regret that you're always last,
31:55I'll tell you one thing.
32:00I told Emilio to get out of the house.
32:06You told Emilio to...
32:08Get out of the house.
32:10Interesting news.
32:13In the restaurant, Emilio is pouring himself with wine.
32:18Come back home, Vincenzo.
32:20Let's try again.
32:23Vincenzo is confused.
32:25Imagine, the sky is getting closer to him.
32:29Excuse me, one moment.
32:31Yes.
32:37Excuse me.
32:39Vincenzo moves away.
32:41Relieved, Nives smiles and waits for him.
32:45The waiter offers him a drink.
32:47Here you are.
32:49You're welcome.
32:50Nives takes two glasses, and the waiter leaves.
32:57Vincenzo enters the bathroom.
33:00Nervous.
33:03You've been waiting for this moment for years.
33:05And she offers you, when Alessandra Persiano entered your life.
33:11Under the devil.
33:14You're very weak, little boy.
33:17Oh, Mr. Fantasy.
33:19You need to learn to face surprises in life.
33:24So just...
33:27Improvise.
33:29Like in the blues.
33:31Ah, like in the blues.
33:33By the way, thank you for the background music of the first meeting with Alessandra.
33:37Which song?
33:38Bob Marley.
33:40Now, I give you the first class, and then you.
33:44I can't live in your place.
33:47Now, your wife explains to you, and you hide in the bathroom like a student before the exam.
33:55Yes.
33:56Look.
33:57Think about her.
33:58Think.
34:00She took your champagne.
34:02Ask her to dance.
34:04Act.
34:05No, no.
34:06I'm going back to the bathroom.
34:07I can't.
34:08Who are you looking at?
34:10You.
34:11But think about me.
34:14You're my friend, right?
34:15I'm thinking about you.
34:16Look at the myth.
34:18Oh, what's that?
34:20Just in case.
34:21You know I have music for every case.
34:24Yes.
34:25Do you want to hear it?
34:26Let's play it?
34:27Yes, yes.
34:28Mr. Fantasy plays the record and the music starts playing.
34:33What do you think?
34:34Do you like it?
34:35Yes, it's great.
34:37What is it?
34:38Tarantella?
34:39No, no.
34:40Tarantella.
34:41It's called Ska.
34:43This is the grandpa of reggaeton.
34:45Selector.
34:47A great English band.
34:49We'll talk later.
34:50Now, help me.
34:51I have to run.
34:53Okay.
34:54Tell me, what should I do?
34:56Lift me up.
34:57You'll run through the window?
34:58Yes.
34:59So, you'll run through the window?
35:01Yes.
35:02Yes, yes.
35:03Do you want me to lift you up?
35:04Yes, lift me up.
35:05That's stupid.
35:06It's good, but running is not a solution, you know.
35:09I know.
35:10And money doesn't bring happiness.
35:11Yes.
35:12Those lies, spread them to someone else.
35:14These are the wisdoms of life.
35:15Look at this.
35:16We need to talk.
35:17You're not doing it right.
35:18We'll talk, but let it be later.
35:21Okay, okay.
35:22We'll listen to the music, right?
35:24Come on.
35:25Go.
35:28What is he doing in the name of love?
35:30He goes out through the fire exit and quickly starts climbing the metal pillar.
35:41Lonely and stressed, Nives looks at the toilet door.
35:46Vincenzo moves away from the restaurant in a hurry.
35:51The devils.
35:52The devils.
35:54And in the restaurant, Nives starts the second glass of champagne
35:59and looks at the toilets again.
36:02Success!
36:03Vincenzo continues to run.
36:06Nives finishes the champagne.
36:11He looks around for the next time.
36:14Most of the tables are free.
36:17Emilio pours himself a cup of tea.
36:19Disappointed, Nives looks at the phone.
36:23Vincenzo arrives at Alessandra's door.
36:29Vincenzo?
36:31He is breathless, speechless, but kisses her passionately.
36:39At the door of Alessandra's luxurious apartment,
36:42the two kiss passionately and begin to kiss.
36:46After that, they enter the hall.
36:55The two fall on the sofa.
36:58He is downstairs.
36:59She sits on top of him.
37:07Vincenzo spills his rice.
37:10She continues to kiss him.
37:13Vincenzo stops.
37:14Vincenzo stops.
37:16He looks her in the eyes.
37:18Wait.
37:19Slowly.
37:22Hey.
37:25Nobody's chasing us.
37:29If you want, we can start from the beginning.
37:33Do you want?
37:36From the very beginning?
37:38To go out the entrance?
37:40Or...
37:45The two smile.
37:47Then they continue to kiss.
37:50Vincenzo spills his rice.
37:53Later, they smile.
37:56Vincenzo lies on his back.
37:58How do I feel?
38:00A blissful state of mind,
38:02full of gratitude to the Almighty.
38:05I'm still on a higher level.
38:08I suppose Francis felt the same bliss
38:11while he was walking the streets of Assisi
38:13and talking to the birds.
38:16And I'm not just talking about the bliss of the body.
38:19No, I have a fresh glimpse of an unexpected hope.
38:24The ability to see meaning in every moment of life.
38:28To think about the future.
38:30With impatience, it begins.
38:33Smiling, he stretches in bed.
38:36What do you think?
38:38About bliss.
38:40Bliss?
38:41Bliss, yes.
38:43This is the state of the spirit.
38:47What?
38:49What?
38:50You're incredible.
38:52Why?
38:53You're always so thoughtful.
38:55You say strange things.
38:58Always.
38:59It's due.
39:00I'm like a shop in constant decline.
39:03I'm just from the glass collection.
39:06I like it.
39:07Wait.
39:08No, no, wait.
39:09I'll explain.
39:10Wait.
39:11Look.
39:12You women are perverted.
39:15I mean, a man tries to look
39:17stable,
39:18promising,
39:19confident.
39:20He studies, works,
39:22has a career,
39:24goes to the gym,
39:25looks modern.
39:27He literally puts his life at risk.
39:30And you, in the end,
39:32I don't like beautiful men.
39:35I like you.
39:36You make me feel secure.
39:39Tell the devils in the beginning.
39:41Why do you say it in the end?
39:44You're such a wimp, Vinci.
39:46Why?
39:47Because you hide your flaws.
39:50That's why we like you.
39:53An average man is pathetic.
39:56But one who pretends to be stable
39:59and manly...
40:02And then, of course,
40:03it's unacceptable,
40:04something happens to you.
40:05So I'm unacceptable,
40:07and something happens to you?
40:09Yes.
40:10Just as I imagined you.
40:12No, no, you're much more.
40:14I imagined you're beautiful.
40:16I can do more.
40:17Believe me.
40:18I can.
40:19Shut up a little.
40:20But...
40:21Wait!
40:23Alessandra kisses him on the lips
40:25and lies on him.
40:27Later,
40:28Vincenzo jumps on the streets.
40:32With headphones in his ears,
40:33he listens to music
40:34and walks on the sidewalk.
40:39He stops on the way
40:40to a young girl.
40:41She tries to hug him,
40:43but he doesn't let her pass.
40:46He gives her the headphones.
40:48She puts them on,
40:49and the two of them
40:50start dancing to the rhythm.
40:59Suddenly,
41:00a tricycle appears
41:01on his yellow Vespa.
41:03Lawyer,
41:04what are you doing?
41:05The girl is leaving.
41:07I'm demonstrating the headphones.
41:09Eh?
41:10How do you always
41:11find me everywhere?
41:12Get in, we're leaving.
41:13Don't give me orders.
41:14We're leaving.
41:15Where?
41:16We're leaving.
41:17Be more polite.
41:19Come on.
41:21Hold on.
41:22Easy, easy.
41:24We're leaving.
41:25Easy, easy.
41:26We're leaving.
41:28Fantasy is behind the bars.
41:30One of the guards
41:31lets Vincenzo in.
41:36He stops in front of the bars,
41:38which separate him from Fantasy.
41:43Fantasy.
41:45Tell me.
41:47How are you?
41:50Everything is fine, lawyer.
41:53I thought you were mad at me.
41:56Me?
41:57Why?
41:59Because I cheated on you.
42:03I found out you were in the morgue.
42:06I'm glad.
42:09My daughter doesn't get it,
42:11that you like her so much.
42:13Vincenzo nods
42:14and smiles lightly.
42:17Brooke was a very special girl.
42:19Fantasy held back her tears.
42:22Tell me, Fantasy.
42:25But tell me the truth.
42:28Didn't they blame you
42:30for something you did?
42:33Me?
42:34Yes, you.
42:36There's no way, lawyer.
42:38I never, ever
42:39cheated on her.
42:41Never.
42:44They killed her.
42:46Like dogs.
42:50Like dogs.
42:53Like dogs.
42:55Fantasy is crying.
42:57Do you know anything about Dylan?
43:02About who?
43:03You don't even know
43:04that she had a gadget
43:05named Dylan.
43:08She's dead.
43:09I don't care about anything else.
43:11Yes, but do you know
43:12that he killed her?
43:14Or people like you
43:15don't know anything.
43:16Even in front of your
43:17daughter's memory
43:18you don't tell the truth.
43:20Edwin Pazach
43:21leads Fantasy's lawyer.
43:23Here I am.
43:25Here I am.
43:27In the middle of this traffic.
43:29Hello, colleague.
43:31In the middle of everything
43:32you said to your colleague.
43:33Word by word
43:34you repeat it to me.
43:35You understand, right?
43:37As the saying goes,
43:38the repetition is
43:39the mother of...
43:41Yes.
43:43That's right.
43:44That's right.
43:45Vincenzo and Fantasy
43:46look at each other.
43:49On the street,
43:50in front of the court,
43:52sitting on his wasp,
43:53Tricarico
43:54is stuck
43:55in the bronze statue
43:56of the politician
43:57and journalist
43:58Giovanni Amendola.
44:00He stands proudly
44:01dressed in a suit
44:02and a collar.
44:04Tricarico corrects himself
44:06and begins to carefully
44:08imitate his character.
44:11I, Tricarico,
44:13the knight of free practice.
44:16Let's say.
44:18He looks at the court.
44:21Vincenzo turns to him
44:22crossing the street.
44:24So what?
44:26He doesn't tell me anything.
44:28And that's the problem.
44:29He doesn't tell the truth.
44:32The past tense
44:33is not a liar.
44:34He didn't deceive anyone.
44:36I think so, too,
44:37but something is missing.
44:39And now?
44:40Now what?
44:41Are you the lawyer
44:42of the accused?
44:43No.
44:44Then why should I
44:45tell you the truth?
44:46But you're right.
44:48Tell me.
44:49They put on their helmets.
44:51And where is Bavno?
44:53The sun shines
44:54over the coast
44:55and the buildings above it.
44:56Vincenzo arrives
44:57at an old
44:58elementary school.
45:00Before I bring you
45:01to another world,
45:02a short summary.
45:04Do you know
45:05what an American court
45:06looks like?
45:08Such shots
45:09from the American court
45:10are given to judges
45:11in the court
45:12and are accused
45:13of murder.
45:15Do you remember
45:16the Italian court?
45:17A chaotic crowd
45:18and a woman
45:19making a gesture.
45:20Yes.
45:21Here we fall
45:22even lower.
45:24We are in the offices
45:25of the world court.
45:27The word itself
45:28gives you confidence.
45:30An old wise man
45:31who wants to
45:32soothe everyone,
45:33to solve
45:34the causes peacefully,
45:35to help
45:36a little
45:37at the court.
45:38Right?
45:39That's right.
45:41Oh, Vincenzo!
45:42Beni!
45:43Who is she
45:44in the hearing?
45:45Pestalocchi.
45:46What's the deal
45:47with this whore?
45:48Come on,
45:49I'll make you a company.
45:51Do you think
45:52Beni is exaggerating?
45:53Pestalocchi Domenico,
45:55universally known
45:56as the whore,
45:58a world judge,
45:59a former
46:00unsuccessful lawyer,
46:01a former
46:02part-time judge-performer,
46:03known for
46:04his unkindness
46:06and hostility
46:07to the lawyers,
46:08a loser
46:09who wants
46:10to make
46:11a new image
46:12on the ashes
46:13of his failures.
46:14And someone
46:15allowed him.
46:16Pestalocchi,
46:17with a mustache
46:18and long hair,
46:19arranges the faces
46:20of the cigars
46:21in the office.
46:22Beni opens
46:23a window.
46:24Aha!
46:25In front of Pestalocchi's
46:26office,
46:27Vincenzo and a group
46:28of people
46:29die of heat.
46:31Lawyer Calamita,
46:32what are you doing?
46:34Beni returns
46:35to Vincenzo.
46:37Who gave you the right
46:38to open a window
46:39without the judge's
46:40permission?
46:42And who is the judge?
46:44Look,
46:45I'm going to report
46:46to the lawyers' league.
46:47And why?
46:48Because I asked
46:49who the judge is.
46:50You're not.
46:51You didn't win
46:52the competition.
46:53What did I tell you?
46:54Or are you going
46:55to report me
46:56because I opened
46:57a window
46:58for this?
47:00I'm sorry,
47:01it's really
47:02very hot here.
47:04The colleague
47:05wanted
47:06only to
47:07open
47:08one
47:09window.
47:12Interesting
47:13is this
47:14service protection
47:15of your
47:16disrespectful colleague.
47:17What protection?
47:18The lawyer,
47:19Pestalocchi,
47:20takes a sheet
47:21from the office.
47:22Malinconico,
47:23right?
47:24Vincenzo Malinconico,
47:25lawyer.
47:26You're with me
47:27this morning,
47:28if I'm not mistaken.
47:29Yes.
47:30I can't wait
47:31to start.
47:32Vincenzo
47:33signs up.
47:36Pestalocchi smiles.
47:38This is a lost cause.
47:39In a street.
47:41Where did he hide it?
47:43Why didn't I
47:44take it out
47:45in the morning?
47:46Under the devils.
47:47Who hid it?
47:48What?
47:49Pestalocchi.
47:50Your scooter.
47:51Are you done
47:52with the questions?
47:53You'll get lost.
47:54Now you'll see
47:55the number.
47:56You left it
47:57in the garage.
47:58Who?
47:59This guy
48:00from Kranza.
48:01Let's take the garage.
48:02Wait.
48:03Wait.
48:04Wait,
48:05but
48:06Benny,
48:07no.
48:08Let's go.
48:09Enough.
48:10Vincenzo,
48:11live the pleasure.
48:12Look,
48:13the lady is looking.
48:14How much
48:15they hate
48:16such scammers.
48:18The pensioners
48:19breathe
48:20on this thing
48:21to keep the engines.
48:23Do you know
48:24what?
48:25Sift
48:26and sing
48:27something,
48:28come on.
48:29What are you talking about?
48:30Look,
48:31how she hits me
48:32right in the face.
48:33You're right.
48:34Let's get out of here.
48:35Of course.
48:36I'll call the police
48:37to get out of here.
48:38Let's go.
48:39We'll be back.
48:40Come on.
48:41The lady's eyes
48:42are on the dog.
48:45Benny can't resist
48:46and goes back
48:47to Pestalocchi's scooter.
48:49Benny.
48:50Hey,
48:51police.
48:52Hey,
48:53just now.
48:54Vandals,
48:55thieves,
48:56help.
48:58Help.
48:59Find a friend.
49:00Police.
49:02Where are you?
49:03Help.
49:04They know each other.
49:05Help.
49:06Help.
49:07Benny,
49:08stop it.
49:09Benny,
49:10are you crazy?
49:11Hey,
49:12catch the broom.
49:13Hold it.
49:14Hold it.
49:15Catch the broom
49:16and fly away.
49:20After Benny
49:21breaks the scooter,
49:22he runs
49:23after Vincenzo.
49:24Excuse me.
49:26They flash
49:27at passers-by.
49:28They run down the street
49:29and call
49:30a woman with a broom.
49:33They run down
49:34another street
49:35and call
49:36a woman
49:37in front of them.
49:39Crazy.
49:41They stop
49:42far from
49:43the crime scene.
49:49We're here,
49:50thugs.
49:51They won't
49:52find us
49:53with the police dogs.
49:54I haven't met
49:55another thug
49:56like you.
49:57Be honest.
49:58I like you.
50:00Honestly,
50:01for a thug
50:02like you,
50:03I'd kill you
50:04if I saw you
50:05in front of me.
50:06But I'm so happy
50:07to see you.
50:13Look,
50:14we should split up
50:15before they arrest us.
50:17I don't know you.
50:19I don't know you, either.
50:21Serious thugs
50:22go in opposite directions.
50:27Vincenzo
50:28goes down the stairs
50:29and,
50:30when he sees
50:31Vincenzo,
50:32he opens
50:33his pocket.
50:35He notices
50:36Alessandra
50:37and follows her.
50:38They go down
50:39one step at a time
50:40and he
50:41stops
50:42smiling
50:43to look at her.
50:44He continues
50:45after her.
50:46Without noticing,
50:47Alessandra
50:48with a green
50:49suit
50:50and a pearly necklace
50:51rushes
50:52in a hurry.
50:53Vincenzo
50:54follows her
50:55through his pocket.
50:56He remembers
50:57something
50:58and takes
50:59his phone.
51:00She picks it up
51:01and looks at the display.
51:03She takes it
51:04and answers.
51:05What's the honor?
51:06I can explain.
51:09But please,
51:10I can't wait
51:11to hear
51:12what tragedy
51:13prevents you
51:14from sending
51:15a message
51:16to the woman
51:17you slept with
51:18for the first time
51:19last night.
51:20Alessandra,
51:21I want to be alone with you.
51:22He's behind her.
51:23Ah,
51:24that explains everything.
51:25Don't you want
51:26to see each other?
51:27Do you think
51:28I'm one of those women
51:29who will leave
51:30the house the next day?
51:31Do you think
51:32I'm like that?
51:33Ale,
51:34please,
51:35don't put words
51:36in my mouth
51:37that I don't understand
51:38anything.
51:39I don't know.
51:40I don't know
51:41what to think anymore.
51:42I just want
51:43not to mix
51:44something up.
51:45I don't want
51:46to say something wrong.
51:47That's why
51:48I'm not talking.
51:49No,
51:50I don't understand.
51:51But you don't laugh
51:52out of pity.
51:53Eh.
51:56But you're right.
51:57About what?
51:59That I analyze
52:00your words.
52:01See?
52:04I don't know.
52:05I'm nervous.
52:06And why?
52:10Why?
52:11Because
52:12it's your fault,
52:13you idiot.
52:14Is that so?
52:15As if you
52:17didn't need
52:18to...
52:19you didn't.
52:21What do you mean?
52:22To throw
52:23your money
52:24in this place.
52:25For me,
52:26you're perfect.
52:28Vincenzo is
52:29hiding behind
52:30the wall.
52:31Alessandra is
52:32standing in front
52:33of the clinic
52:34for aesthetic surgery
52:35and is looking
52:36suspiciously.
52:37Where are you?
52:38I'm telling you
52:39you're perfect.
52:41Are you here?
52:42Eh.
52:43Are you here?
52:44Are you serious?
52:45As a slogan
52:46it's funny,
52:47but otherwise
52:48you're a complete
52:49idiot.
52:50Why?
52:51He's showing himself.
52:53Because
52:54if I wanted to
52:55kiss you,
52:56I wouldn't
52:57have come
52:58for a massage
52:59because of you.
53:01Then
53:02why are you
53:03so tense?
53:04I'm not tense.
53:05I'm here
53:06because of you.
53:07He's behind her.
53:08Really?
53:09That's the
53:10best thing
53:11I've been told.
53:12She turns
53:13around
53:14and laughs.
53:16And to say
53:17I'm here
53:18because of you
53:19was the
53:20worst thing
53:21I've been told.
53:22Is that so?
53:24I was going
53:25to ask you
53:26if you didn't
53:27know
53:28what kind
53:29of idiot
53:30you were.
53:31You say it
53:32so often
53:33that I'm starting
53:34to think
53:35that only
53:36idiots
53:37attract you.
53:38Too bad.
53:39I was
53:40planning to
53:41celebrate
53:42together
53:43on Wednesday
53:44at home.
53:45Celebrate what?
53:46Your first
53:47five years
53:48in the profession.
53:50It's so
53:51surprising
53:52that you're
53:53so nervous.
53:55She kisses him.
53:58You're crazy.
54:01Later,
54:02Vincenzo
54:03walks cheerfully
54:04to his office
54:05and runs into
54:06the police.
54:10After a while,
54:11he enters
54:12Justino's apartment.
54:14What's going on here?
54:15You can't stay here.
54:16I'm Mr. Talento's
54:17lawyer.
54:18I assume
54:19you have permission.
54:20The lawyer is
54:21with you.
54:22Of course we do.
54:25What's going on here?
54:26Justino.
54:27What do you want from me?
54:28Calm down.
54:29Just a look.
54:30Is it true
54:31that you're my lawyer?
54:32I'm your lawyer.
54:33But if you haven't
54:34told me everything,
54:35say it now.
54:36Yes, yes, yes, yes.
54:37Five days
54:38since she's gone
54:39and I've never
54:40been alone.
54:41I don't want to
54:42lose Lula
54:43Vincenzo.
54:44Can you come
54:45for a moment?
54:46Tardelli
54:47goes to his
54:48assistant.
54:49Can I?
54:50He makes his way
54:51between Justino
54:52and Vincenzo.
54:53Tell me,
54:54where's the blood?
54:55The policeman
54:56turns off the lights
54:57and slowly lights
54:58the drops
54:59on the floor.
55:00He turns on
55:01the light.
55:02Tardelli
55:03goes back
55:04to Justino
55:05and Vincenzo.
55:06We found blood.
55:07Uh, blood?
55:08Uh, it's mine,
55:09it's mine.
55:10Yes,
55:11didn't I
55:12tell you?
55:13I cut myself
55:14with a knife
55:15for the fish.
55:16I swear,
55:17I swear.
55:18Don't worry.
55:19We'll
55:20analyze it.
55:21Justino
55:22is in the
55:23shock.
55:24Come here.
55:25Sit down.
55:26They're
55:27going to leave
55:28now.
55:29He takes
55:30a photo
55:31of him and
55:32Lula.
55:33He kisses her
55:34and puts her
55:35in the bag.
55:36Later,
55:37Vincenzo
55:38goes to his
55:39office.
55:40He takes
55:41two photos
55:42from one folder.
55:43One for
55:44Brooke,
55:45one for
55:46Dylan.
55:47He looks
55:48at them
55:49and remembers.
55:50What do you
55:51think your
55:52favorite
55:53is?
55:54I'm in
55:55love.
55:56What
55:57should
55:58I do?
55:59Vincenzo
56:00scrolls
56:01through the
56:02list.
56:03What
56:04about
56:05Dylan?
56:06What
56:07else
56:08are you
56:09going to
56:10tell me?
56:11Who is he?
56:12You don't
56:13even know
56:14Gadget had
56:15that name.
56:16I killed
56:17her.
56:18I don't
56:19know anything
56:20else.
56:21You
56:22don't
56:23know
56:24anything
56:25else.
56:26I
56:27don't
56:28know
56:29anything
56:30else.
56:31I
56:32don't
56:33know
56:34anything
56:35else.
56:36I
56:37don't
56:38know
56:39anything
56:40else.
56:41I
56:42don't
56:43know
56:44anything
56:45else.
56:46I
56:47don't
56:48know
56:49anything
56:50else.
56:51I
56:52don't
56:53know
56:54anything
56:55else.
56:56I
56:57don't
56:58know
56:59anything
57:00else.
57:01I
57:02don't
57:03know
57:04anything
57:05else.
57:06I
57:07don't
57:08know
57:09anything
57:10else.
57:11I
57:12don't
57:13know
57:14anything
57:15else.
57:16I
57:17don't
57:18know
57:19anything
57:20else.
57:21I
57:22don't
57:23know
57:24anything
57:25else.
57:26I
57:27don't
57:28know
57:29anything
57:30else.
57:31I
57:32don't
57:33know
57:34anything
57:35else.
57:36I
57:37don't
57:38know
57:39anything
57:40else.
57:41I
57:42don't
57:43know
57:44anything
57:45else.
57:46I
57:47don't
57:48know
57:49anything
57:50else.
57:51I
57:52don't
57:53know
57:54anything
57:55else.
57:56I
57:57don't
57:58know
57:59anything
58:00else.
58:01I
58:02don't
58:03know
58:04anything
58:05else.
58:06I
58:07don't
58:08know
58:09anything
58:10else.
58:11I
58:12don't
58:13know
58:14anything
58:15else.
58:16I