La Promesa Ep 426 Completo - La Promesa Cap 426 Completo - La Promesa RTVE Serie
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La Promesa Ep 426 Completo:
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La Promesa Ep 426
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00:00You
00:11Yeah, I come out of the rest of our El Cuadro
00:15as he is in cuanto
00:17Si se que los últimos barnices que le puesto para volver a su lugar
00:23Ya sabe que yo no entiendo mucho de esto pero no está muy cambiado no
00:30Claro que lo está fíjese en la viveza de los colores ahora parece que se hubiera pintado ayer mismo
00:42Sí sí está más vivo ahora sí que
00:48Quería agradecérselo de corazón ha sido un detalle enorme para mi tío Alonso
00:55Le ocurre algo
00:58No no es eso y por qué parece tan contrariada entonces
01:08Mis padres deben estar volviendo ya de San Sebastián
01:12lo que significa que yo también tendré que
01:15regresar pronto a casa
01:17Y no le apetece absolutamente nada
01:23Pero porque si yo tenía entendido que con quien no se llevaba bien era con su cuñado no
01:28y
01:30Si le soy sincera mi relación con mis padres no es mucho mejor y por qué motivo
01:40Julia sabe que puede contarme lo que sea y que yo sé guardar secretos
01:48Venga siéntese y cuénteme
01:52Y
01:54Además los motivos para estar enfada con sus padres seguro que no son muy diferentes de los que tiene cualquier muchacha de su edad
02:02Como yo por ejemplo a qué se refiere a usted también la están obligando a buscar un marido
02:15Así es pero yo
02:22Que yo no quisiera casarme con un cretino como mi cuñado mis padres no dejaron hasta que hasta que mi hermana casó con él
02:30al final todo acaba con su cuñado
02:33Debe ser un hombre insufrible para que usted le tenga tanto cariño
02:41Es que por qué nos obligan a buscar un hombre qué pasa que no podemos ser felices solas
02:49Mejor solas que mal acompañadas
02:51Exacto y que además
02:54Buscar el marido perfecto no es una tarea fácil
02:57tiene que ser
02:59buena persona
03:01Tiene que ser simpático
03:04A ser posible guapo que lo tienes que aguantar durante toda tu vida como dice el cura hasta que la muerte nos separe
03:13He dicho algo malo
03:16No es que los barnices con los que limpiado el cuadro me incitan los ojos porque cortar cebollas
03:30Huele como al naranjo que tenía mi abuela en el patio es flor de azahar
03:34y trae recuerdo cuando yo era una sagada
03:36la verdad que es un detalle muy bonito que la duquesa de carril nos haya regalado estos frascos de de colonia
03:43Trae una señora de la cabeza a los pies
03:46fíjate por dónde que ahora me está dando hasta pena que vaya todos los días sin venir a las cocinas
03:50y si por el viaje ese que tiene sí es que ustedes la han atendido muy bien
03:54lo mínimo que podía hacer era hacerles un regalo no tenía por qué hacerlo eso demuestra que es una mujer muy cercana
04:00a la par que elegante y distinguida ya podía aprender de ella la señora marquesa siempre te miro por encima del hombro
04:08Y
04:11Podrían prepararme una manzana para doña margarita
04:14claro que sí teresa de las rojas de las amarillas o de las verdes
04:18pues así da dulce
04:21creo que ni ella misma lo sabe
04:22lo visto una amiga le ha contado un dicho inglés que dice que una manzana al día mantiene al médico bien lejos
04:27agavar me pues me parece un buen consejo la verdad en mi pueblo hay otro dicho pero un poquito más
04:33burro
04:34y no nos lo va a contar
04:37Candela no nos dejes a medias bueno ahí va
04:42come sano y que haga duro y al médico que la den por dios doña candela que estamos en las cocinas
04:49Eres más bruta que un pirulí de cemento candela
04:53Eso es verdad el que avisa no es traidor he avisado
04:59Y esos fresquitos que son un regalo de nuestra amiga la duquesa de carril por ayudarla con las recetas para su libro
05:06Pues es un gesto por su parte un gesto muy fino
05:10Puedo leerlos claro toma el mío
05:16Huele a naranjo que tenía al lado de mi casa verdad que sí mi abuela también tenía un naranjo su patio
05:22flor de azahar me encanta
05:25la verdad es que me resulta curioso que una señora se interesa en esto de las cocinas
05:29Sí
05:32Según dicen ahora está desnuda sí pero que venga ella personalmente no sé lo lógico sería que mandase a una de sus cocineras ya
05:39eso mismo pensábamos nosotras al principio pero si es que la duquesa de carril
05:43anda por casa es una señora pero no parece una señora y eso es lo más difícil de todo
05:49si la verdad es que me resulta complejo eso de ser una cosa y al mismo tiempo no ser si la conociera
05:56contendería
05:58Pásame una de las amarillas
06:02Y una roja
06:28Y
06:34Al mar que estás mirando pero si la noche está cerrada
06:50Lo sé
06:53Pero no estaba mirando fuera estaba
06:58Me había quedado pensativo es conseguido resolver los problemas del mundo
07:06Estaba deseando que terminase mejor nada para verte
07:10Pues aquí me tiene disfruta de mi presencia
07:17Que te tenía tan absurdo
07:20Las musarañas venga manuel que dijimos que no iba a haber secretos entre nosotros
07:29Y
07:32Estaba pensando en las dificultades que debe entrañar
07:36tener hijos a cargo
07:38estás pensando la paternidad
07:41en referencia a tus padres los marqueses
07:44sí
07:46pero sabes también pensaba en doña pia
07:50Esa mujer se ha enterrado en vida con tal de proteger a su hijo
07:53por un hijo se hace lo que sea
07:59También pensaba en el señor baeza
08:02Pero ese señor baeza no tiene hijos
08:06Pero pensaba en lo buen padre que habría sido
08:09No sé creo que habría sido recto
08:14pero cariñoso
08:16Yo creo que tanto el señor baeza como doña pia son un ejemplo de generosidad y entrega
08:23Sabes los padres nos traen al mundo
08:26Nos crían nos alimentan nos educan
08:29Lo dan todo por nosotros los hijos así es
08:35Pero sin embargo los conocemos realmente
08:40Sabemos quiénes son
08:42Porque ya está hace bien poco ni me habría imaginado que mi padre hubiese podido tener un hijo fuera del matrimonio
08:47Yo también pienso en mi madre si la imagen que tengo de ella es acertada o no
08:57Quiero decir es tal y como la dibujo en mi cabeza una mujer recta
09:03perfeccionista inflexible que nunca ha cometido un error
09:12Supongo que todos tendrán sus luces y sus sombras
09:15Y que no estarán orgullosos de todo lo que han hecho en su vida
09:26Y nosotros
09:30Seremos buenos padres
09:33Bueno es un poco pronto para pensar en eso no espero que no
09:40Te aseguro que ser padre es lo que más me acerra en este mundo
09:45Pero no puedo ansiar nada con tanta fuerza
09:50Y menos ahora que he encontrado la madre perfecta para mis hijos
10:02Te lo juro estoy deseando terminar con todo este asunto de Gregorio
10:07Encontrarme con él darle el dinero y no volverlo a ver nunca más
10:11Y así poder centrarme de una vez en nuestra boda
10:15Y estoy ansiosa porque empieza nuestra nueva vida cuanto antes
10:33Distingues lo que es sí o no
10:36Es dulce es refrescante
10:38Y hay una mezcla de notas florales y cítricas pero sabes lo que es o no
10:50Limonera casi naranjo pero lo tienes
10:56Flor de azahar premio
10:59Y
11:02Es que tu madre tiene muy buen gusto
11:05Solo te lo voy a negar tiene las cocineros encantadas con su regalo si ha sabido cómo ganarse las
11:13Si la conocían de verdad
11:15La jugada le está saliendo redonda
11:17Bueno ya que se ha puesto tan generosa podría haberte traído un frasco a ti no es que no tienes derecho porque eres hombre
11:24Mi dolor favorito es el de tu piel no quiero ninguna fragancia que los más care
11:29No, si hasta mi madre habrá acertado ignorándote
11:32Pues sí prefiero eso a que arremeta contra mí
11:37Me molesta que todo el mundo sea tan comprensivo con ella y sobre todo me molesta que lo seas tú
11:42Pero yo solo estoy a la expectativa ya lo sabes
11:45Pero si todo el mundo fuera consciente de que a mi madre no le interesa la cocina lo más mínimo y mucho menos ser amiga del
11:51Servicio y que está aquí simplemente para sacarme de aquí y llevarme de vuelta al palacio
11:55Mientras tu madre se dedique a regalar sonrisas y fragancias no podemos hacer nada lópez está ganando a las cocineras por interés
12:01sí
12:02Pero eso lo único que demuestra es que es una estratega
12:05No, no lo creas
12:08Porque la actitud que está teniendo es un poco sospechosa para una señora de su clase y eso puede levantar recelos
12:14Tu madre no está dejando ningún detalle al descuido
12:16Ninguno los pases que está dando son pequeños y muy firmes mira pues justamente Teresa hoy ha comentado que es un poco raro que una
12:23duquesa se interese tanto por la cocina era de un simple comentario a una sospecha fundada y un trecho muy largo
12:30Y siento no ser más animoso pero tenemos que tener paciencia
12:33Tenemos que esperar a ver qué movimientos hace tu madre
12:37Odio que todo el mundo le baile el agua
12:39Eso mismo es lo que tenemos que hacer nosotros
12:41Al menos fingirlo
12:43Ya
12:45Pero te reconozco que tengo mucha curiosidad por saber cómo es tu madre
12:49Porque hasta ahora sólo ha mostrado su cara más amable
12:52Quiero conocer cómo es en realidad. Pues no quieras conocerla. ¿Por qué?
12:57Tú sólo señalas sus desmanes pero al final tu madre está haciendo lo que haría cualquier madre que es intentar recuperar a su hija
13:04¿Qué es eso tan malo que ha hecho esa mujer para que la tengas tan teñida? ¿Mirar para otro lado? ¿Te parece poco?
13:13No, perdóname tú. Que este asunto me enerva
13:27Mira López, nosotros gozábamos de un nivel de vida muy holgado y nadie se preguntaba de dónde venía el dinero
13:34O es que no ve un corazón que no siente. Sí
13:38Mi padre tenía unos negocios pero nosotros no nos preguntábamos cuáles eran
13:42Cuando tienes un nivel de vida muy cómodo que te importa el resto
13:47La cosa es que yo empecé a sentir curiosidad y empecé a preguntar por aquí y por allá
13:52Encontraste respuestas que no querías encontrar
13:54Descubrí que detrás de nuestra vida cómoda habría un montón de vidas arruinadas y de muchísimo dolor
14:07Tuvo que ser muy duro descubrir todo eso
14:13Pero mucho más duro fue descubrir lo que descubrí después
14:18¿El qué?
14:21Pues que mi madre estaba al tanto de todo eso y que seguía con su vida como si nada de esto estuviera pasando
14:28Y que doña Amalia de la Vera, la maravillosa y encantadora duquesa de Carril que tiene hechizado a todo el servicio
14:36Realmente era una egoísta y una persona que simplemente se preocupa por su propio bienestar
14:43Ya
14:47Pensar que las cocineras creen que es el espejo donde se tiene que mirar la señora marquesa
14:53Lupe, mi madre no es ningún ejemplo a seguir y mucho menos para mí
14:58Todo lo que yo quiero ser es justamente lo contrario a lo que es ella
15:12La verdad María que no sabes lo rara que fue esa conversación
15:15¿Eso por qué?
15:17Pues porque Manuel me comentó las ganas que tenía de tener hijos
15:20Y yo creo que por eso está deseando pasarse conmigo
15:22Bueno y eso es raro mujer
15:24Lo mismo Manuel se ha acelerado pero es normal después de lo que pasó con doña Ximena
15:29Mire, aquello fue un subir o baja de emociones
15:32¿Que si?
15:34¿Que si?
15:36¿Que si?
15:38¿Que si?
15:39¿Qué fue un subir o baja de emociones?
15:42¿Que si? Primero estaba en cinta, que si luego tuvo un mal ogro
15:45Que si luego todo era una broma de mal gusto
15:47Que mira que descanse en paz pero más en paz nos hemos quedado nosotros sin ella
15:50María, pero ¿qué dices?
15:52No te gustará que lo digan vueltas pero tienen más razón que una santa
15:59En fin, lo que más me ha sorprendido de esta conversación es el concepto que tiene Manuel de su madre
16:05Que es más mala que arranca como tenemos todo
16:06Like we all have.
16:08Well, no. He really thinks he's an example of rectitude.
16:11Come on, he's bad for being too rigid.
16:13More or less.
16:15I don't know, I understand Don Manuel.
16:17Somehow he'll have to justify his mother.
16:20And it's nice that he loves her with all her defects.
16:22Well, defects and virtues.
16:25But what virtues does that woman have that is worse than you, Ana?
16:28Look at Don Manuel, his son's love makes him see the black and white.
16:31But you know perfectly well what there is.
16:34What if it's me who's wrong?
16:37Do you need me to remind you of all the bullshit that woman has done to you?
16:40Eh? That they haven't been few.
16:41And the ones she has left to do to you, that they won't be few either.
16:44Look, Ana, mothers-in-law are like melons.
16:46They can touch you good or they can touch you bitter.
16:49And you've been touched by the cucumber that has nothing sweet.
16:54If they think that woman is going to be your mother-in-law, I'll be in trouble.
16:57Well, what do you want?
16:58That the wedding is suspended? That you run away?
17:00No, that's not it.
17:01But you're right.
17:05Well, I'm going to have to learn to deal with her.
17:08Well, the good thing is that you already have experience of putting up with unbearable women like María Mandrago.
17:12Although I think about it and say, which of the two is more unbearable?
17:16María Mandrago or the Marquise?
17:18Difficult to decide.
17:20Well, that's it. That's it. Let's get to work.
17:22And stop warming my head.
17:30Let's go.
17:36I'll be back at lunchtime.
17:42Are you leaving?
17:45I think it's more than obvious that yes.
17:49And can I know where?
17:51To visit a friend.
17:54It seems that you are not very talkative.
17:57It also seems more than obvious.
17:59Today you are very observant, Alonso.
18:02If you want, I can bring you closer by car.
18:04I don't need it, thank you. I have a driver waiting for me at the door.
18:07Wait, don't leave me with the word in my mouth.
18:11What do you want?
18:14I had thought of something and I wanted to tell you.
18:18The postcard we received yesterday from María Antonia from Mallorca
18:21reminded me of a trip we have pending.
18:25You and me?
18:26Yes, we left it pending when you stayed in Cinta de Leonor.
18:30The marquises of Grau invited us to visit their palace in the city of Palma. Do you remember?
18:34And what's coming now?
18:36Well, we could take the opportunity to travel to the island.
18:40I'll write to the marquis to see if he welcomes us.
18:42And we could set sail in a few days.
18:44Are you seriously proposing that we go on a trip to a place where I know your lover is?
18:51María Antonia is not my lover.
18:53Look, Alonso, I'd better go. They're waiting for me and you're going to make me be late.
19:12Well, I'm going to reserve my perfume for when I meet my lover.
19:15I'm sure that with how smart he is, the master finds out first that he is a flower of chance.
19:20I don't know if he's so fine-nosed.
19:22But the story of the naradra is told by a saint.
19:26Well, if you liked the present of the duchess.
19:28The truth is that the lady gives the nail.
19:30Although Aida for sure. Because who doesn't like such a fresh and elegant aroma here?
19:34That too.
19:36And when are you going to see your Don Carlos?
19:38At the moment there is none. I would like to.
19:41Well then, close the bottle. Stop smelling, you're going to lose the aroma.
19:44And then it won't smell like anything.
19:46It's true. Then it stays like water.
19:48No color, no smell, no flavor.
19:49Yes.
19:50I wouldn't risk it and I would start using it now.
19:53I'm sure that man is charming, but ...
19:55Enjoy it yourself, Mrs. Candela.
19:57You are right.
19:59It's okay to think so much about others and not about me.
20:02Now I'm going to smell orange because I'm sick of it.
20:05I'm going to send my daughter Virtudes so that she can use it.
20:09You are also worth it, Mrs. Simona.
20:11Be selfish and enjoy it.
20:12Yeah, but I enjoy it more if my daughter uses it.
20:16What makes me happier is having her happy and also my grandson Adolfito.
20:22Also, when my daughter puts it on, she will remember me.
20:28Oh, mothers.
20:29Always taking the bite out of the mouth to give it to their children.
20:34And what am I going to do, Candelilla?
20:35I have no instinct.
20:37There is nothing that a mother does not do for her children.
20:40Well, I don't think so.
20:41That a mother's love for a child is the greatest love.
20:46That's why there are times when Mrs. Petra makes me very sad.
20:50Because she had to go through a tremendous pain when she lost her Feliciana.
20:54And I understand that now she tries to fill that void taking care of Santos.
21:00Come on, Simona.
21:01Petra is a card, a viper.
21:05A viper that lost a child.
21:07And that void is impossible to fill with anything or anyone.
21:11A child is unique and irreplaceable.
21:16Your mother is the origin of the voids in the character of Simona.
21:28It seems that the stain on breakfast has disappeared by magic.
21:30It has been essential to clean the tape.
21:32Because as time goes by, the stain gets more in the fabric,
21:36and then more difficult to eliminate.
21:40Please, Mr. Baeza.
21:42Transfer my thanks to the cleaning lady.
21:45but because of the speed at which he solved the missing person case.
21:51Romulo, are you okay?
21:53You don't look well. Have you been resting?
21:55If I'm being honest, I've been up all night.
22:00Why is that?
22:01There's something I can't get out of my head.
22:04I see.
22:07It's about Gregorio, right?
22:09No.
22:14I don't know if this will make you feel better, but I feel exactly the same as you.
22:17Although I will also tell you that ...
22:20Wait, I'm convinced that he will accept the deal.
22:22No, but he has doubts.
22:24What if everything ends badly?
22:26What if that bastard hits him again?
22:29Or something worse.
22:31We have connected thoughts.
22:33Yes, but that's not a relief, sir.
22:36As the saying goes,
22:38the evil of many is the consolation of fools.
22:40Yes, but in this matter, that only worries me, it does not comfort me.
22:44I see.
22:45But neither you nor I are fools, Mr. Baeza.
22:48And we know perfectly well what can happen.
22:53Yes, yes.
22:54I'm looking forward to putting an end to this matter.
22:57Me too.
22:58I hope we finish all this as soon as possible.
23:01Do you understand?
23:03But anyway, if Gregorio still has some common sense, he has no choice but to accept the deal.
23:08Because otherwise it would be going straight to jail, or even worse, the weak link.
23:11Or fleeing indefinitely.
23:13Indeed.
23:14And none of those alternatives seems too appetizing, don't you think?
23:17Even with everything, it does not end up reassuring me.
23:21Nor do I.
23:23Until I meet that man, I see that he takes the money and leaves so as not to breathe in peace again.
23:28I'm afraid the only thing we can do is be patient and wait.
23:33Don't you remember what I told you a long time ago?
23:35There is nothing that worries me more than waiting.
23:40Excuse me.
23:42I thought the Marquise would eat out.
23:45It is normal, as she had a friend. Why would she eat with a friend?
23:49And now, to make the pisto, to your onion.
23:51You never said it better.
23:56What I'm sorry is that I don't know what to do with you.
23:59I'm sorry.
24:00No, no.
24:01I'm sorry.
24:02I'm sorry.
24:03I'm sorry.
24:04I'm sorry.
24:05I'm sorry.
24:06I'm sorry.
24:07I'm sorry.
24:08I'm sorry.
24:09I'm sorry.
24:10What I'm sorry about is that the rest of the family is not going to eat Brussels sprouts.
24:14But since the lady came in, in the house of rest, she was bored.
24:18And you know what happens here.
24:20As the Marquise does not eat Brussels sprouts, no one eats Brussels sprouts.
24:25You have to be careful with the pisto, Candela.
24:27I have already told Lope to put more firewood in the oven so that the vegetables are made as soon as possible.
24:34Vera.
24:36Eh ...
24:37Did the gentlemen say something? Do we have to prepare anything else?
24:40No.
24:42Be careful, girl, it's up and down.
24:44With that perfume, you're going to break a jar.
24:46Is it a gift?
24:47Of course.
24:48The gift of the Duchess of Carril.
24:50No.
24:51No, I don't mean that.
24:52I mean it's a gift that I make you, Mrs. Simona.
24:56Me?
24:57And for what?
24:58Well, because I've been thinking about it and I've thought it's not fair
25:02for you to run out of your perfume to give it to your virtuous daughter.
25:05But I do that because I wanted to, girl.
25:07But you don't need so much sacrifice.
25:09Come on, take my jar.
25:11No, no, no.
25:12No way.
25:13You earned that jar for taking those notes so well, Tomás.
25:16And with that beautiful letter.
25:18I insist.
25:19Take it, Mrs. Simona, I'm looking forward to it.
25:21In addition, azar water is not my favorite fragrance either.
25:24In fact, I hate it a lot.
25:27Really?
25:28You're not lying to me?
25:29Come on, Simona, take it at once.
25:31Thank him.
25:32Don't make the girl look bad.
25:36Thank you very much from the bottom of my heart, Vera.
25:38You're welcome.
25:43Let's continue with the pisto.
25:52And smaller cinnamon the pieces.
26:02Santos.
26:04How are you?
26:06I'm already recovered.
26:08And the fever?
26:09Not a trace.
26:11Doesn't your throat hurt?
26:12Do you have trouble breathing?
26:14I already told you I'm fine.
26:18And that smile?
26:20What is it for?
26:22Nothing.
26:23Santos, I'm getting to know you.
26:26What are you up to?
26:32So I'm right.
26:35Tell me what it is.
26:37As you say, you are already getting to know me.
26:41So you already know how much I like mystery and intrigue.
26:46I'm leaving, Mrs. Arcos.
26:48I have to attend to Mr. Curro.
26:51Give it to me.
27:02Mr. Curro.
27:04Santos.
27:05What can I do for you?
27:07I just came to report.
27:09Yesterday I got back to work and I'm ready for anything you need.
27:15And how are you?
27:17Restored, thank you.
27:20As I said, I'm at your disposal for whatever you need.
27:23Thank you very much.
27:25But right now I don't need your services.
27:28I'll detail it.
27:31Are you looking for a particular book?
27:33Do you want me to help you?
27:34No.
27:35No.
27:36I'm not in a good mood, Santos.
27:39Is there anything I can do to cheer you up?
27:42No.
27:43I'm afraid not.
27:45Unfortunately, no one can help me.
27:48Maybe if you share your worries with me.
27:51Really, Santos, don't insist.
27:53It's very considerate of you.
27:56But I don't want to pay for my bad mood with you.
27:59Like it happened to me with your partner, Marcelo.
28:03I'm aware.
28:05I know he made some mistakes.
28:07He just arrived and is not familiar with some of the house chores,
28:11especially those that have to do with the treatment of the gentlemen.
28:14I noticed.
28:16It was a terrible mistake to give him the responsibility of attending to him.
28:19Even so,
28:22I think I stayed with him.
28:24Especially reporting the matter.
28:25So if you see it,
28:26apologize on my behalf.
28:30Will you do that, sir?
28:32Even if I was right,
28:34anyone can make a mistake.
28:36And I admit that my ways were not the best.
28:39So I insist.
28:40Apologize on my behalf.
28:43I'm sorry, sir.
28:45Thank you very much.
28:47I'll let you know if I need anything.
28:55Bye.
29:13Miss, can I come in?
29:16You're still in bed.
29:18You have to get up and finish getting ready.
29:21If you don't, you'll waste your time.
29:23Time for what?
29:25What are you going to do?
29:26To receive the gentlemen from the press?
29:28They just arrived.
29:29What?
29:30What?
29:31It can't be.
29:33Yes, they are waiting for you.
29:35But if we cancel the interview, I'll talk to them.
29:38I don't know, I have to tell them.
29:40No, no, it's impossible for them to be here.
29:44I'm telling you no.
29:45Miss,
29:46I don't know what happened.
29:48The case is that a car just arrived with two gentlemen
29:50and one of them had a gun.
29:53What do I say?
29:54That it was the camera.
29:55Go get the Count of Ángel, María.
29:57To escape.
29:58Wouldn't it be better if you get ready first?
30:00I'll help you.
30:01No, no, no, no.
30:02I have to talk to Pelayo as soon as possible.
30:04Go, María, flying, flying.
30:05I'm running, I'm running.
30:06Faster than the wind, I'm running.
30:19Do you see the coin?
30:21Of course, we're not blind.
30:23Well, look, pay close attention.
30:25This coin...
30:28It's gone.
30:31It's gone.
30:32How did you do that, Musasio?
30:34Magic.
30:35I told you.
30:37You're bringing it back to me.
30:39I don't have enough rooms.
30:40The coin was for sale.
30:42Don't worry, Candela.
30:43If you have it, it's right behind your ear.
30:45Come on, kid, don't laugh at me.
30:47It's the truth.
30:49Oh!
30:52He left me like a fly.
30:54I can't even close my mouth.
30:56How did you do that, kid?
30:58Don't you believe in magic?
30:59Well, look at us.
31:06What's going on here?
31:07Nothing, I have my audience interrogated.
31:11Teresa, has he ever done that coin trick to you?
31:14Of course, yes, very much.
31:16How can you let a deaf man do that?
31:19Yes, the truth is that he's been good at those tricks since he was a kid.
31:21I loved them.
31:29What do you mean, you loved them?
31:31But you had met us at the house of the Duke Salabronte.
31:34Yes, yes, of course.
31:35Teresa and I are from the same town.
31:37But when we were little, we hardly had a relationship.
31:39Although I knew all my tricks.
31:42I had no idea.
31:43Well, yes, Mrs. Simona, we were peasants.
31:45You have to see the return that life gives.
31:47And the return, huh?
31:48I was already half dizzy from how confused you have me.
31:52Well, we were part of different groups of friends.
31:55And we hardly saw each other.
31:56And besides, I left the town very young.
31:59And fate brought us together many years later.
32:01For both of us, it was like meeting almost from scratch.
32:04Isn't it surprising?
32:05A lot.
32:07Don't you think?
32:09And yet, look at us.
32:11Married and happy.
32:13Well, I think we should get back to work.
32:15In addition, a visit has arrived and I am sure that Don Ricardo needs your help, dear.
32:19Yes, honey.
32:22Hey!
32:26The coin?
32:27It's back, huh?
32:28I had forgotten.
32:34The world is a handkerchief.
32:36Oh yes, after what happened to Feliciano, Teresa deserves to be with a good man.
32:41Let's hope Marcelo is.
32:43That's for sure.
32:44Like the street, he leaves a lot to be desired.
32:46Maybe the problem is that the boy is in the wrong place
32:49and the work in the palace is not his thing.
32:51Maybe.
32:52Now, why is that, Mario de Teresa?
32:54If he wasn't there when you were little, he would be in the street.
32:56Nobody is perfect.
32:57Well, you and I ...
32:59Almost, almost.
33:00Silvana, look.
33:03Do you see it now?
33:05Well, now I don't see it.
33:08Quiet!
33:10Quiet!
33:18What's going on?
33:19That's what I'm saying.
33:20What are those two journalists doing down there?
33:22Didn't we cancel the interview?
33:24What?
33:25You can see them yourself.
33:31What?
33:33I don't know, I don't understand.
33:34I warned you, I told you I didn't want to talk to anyone about the press.
33:38It has to be a mistake.
33:39Yes, we agree on that.
33:40A capital mistake.
33:41Well, calm down, Catalina.
33:44I'll calm down when we solve all this mess.
33:46Go down right now to talk to them.
33:48Someone from the newspaper had to make a negligence
33:50because I made it very clear to them that I didn't want them to come.
33:52I promise you I did things right.
33:54Good or bad, the point is that they are here.
33:56Go and tell them to leave.
33:58Please, go.
33:59I'll go down right now and solve all this.
34:10I thought all this was already solved.
34:12I know that Conde de Añil called the newspaper to cancel the interview.
34:16In fact, I myself was present at that call.
34:18Journalists are like dogs in a prison.
34:20They don't let go of the bone once they grab it.
34:22Well, of course I don't feel good about that cancellation.
34:25They got upset because they said they hadn't had too much margin.
34:29And how much margin do they need, aunt?
34:31No.
34:32If they hadn't moved to La Promesa,
34:34they wouldn't have had any problems, but they had to come
34:36because those journalists need bait.
34:38Well, if they haven't been invited to this house,
34:40we can always dispatch them.
34:42They will claim that it is a confusion.
34:44And I will accept it, but I will tell them to leave
34:47calmly and without panic.
34:49Who are those two men at the door?
34:51One of them has had the audacity to address me
34:53without even introducing himself.
34:55Who would have believed it?
34:57They are journalists, mother.
34:59And you already know that they don't waste the opportunity
35:01to ask indiscreet questions.
35:02Well, I already knew that they were the cartels of the press.
35:05What I don't understand is what they are doing here.
35:07Didn't Pelayo say yesterday
35:09that they had canceled the chronicle?
35:11And he did.
35:12We saw him talking to the newspaper.
35:14Calm down Cruz, I'm sure it's a confusion.
35:16An interested confusion.
35:18That agent has come here to see if he can catch something.
35:21Well, they are going to leave empty-handed.
35:23I will order them to leave
35:25with good manners and education, of course.
35:27Yes, of course.
35:28Don't give them the opportunity to criticize you in their newspaper.
35:32I have no fear of them.
35:34The thing is that I'm not ready to be photographed.
35:37And I'm not ready to answer indiscreet questions.
35:40Cruz, I don't think you have to worry about that.
35:42They don't want you to be the protagonist of their chronicle.
35:45They are more interested in Catalina and Pelayo.
35:49Let's see if what's going to happen is that
35:51those two have deceived us
35:52and they haven't canceled anything.
35:54My sister would never do something like that, mother.
35:56Calm down Cruz.
35:57It was a misunderstanding, I'm sure.
35:59A misunderstanding?
36:01Look.
36:05Let's see if the count clarifies to us
36:07what those feathers are doing there.
36:09I came to talk to Catalina.
36:10Unfortunately, it's all a mistake.
36:12And what are you going to do to remedy it?
36:15I'm going to make sure they leave the promise.
36:17Well, we look forward to your news.
36:19Let's go.
36:34Marcelo.
36:35Have you already done what Mr. Pellicer told you?
36:37Yes, I have already accommodated the journalists in the music room.
36:40They are waiting for some of the gentlemen to receive them.
36:42And has everything gone well?
36:43Well, of course. It wasn't that difficult either.
36:45Well, you know you have to be very careful.
36:48You're always going to be with the same nonsense.
36:50Well, yes.
36:51At least for a moment, until it gets serious
36:53and you stop making mistakes.
36:55Santos, excuse me.
36:56I have already accommodated the journalists.
36:58Do I have to do something else?
37:00They haven't told me anything.
37:02But I have a message to transmit to you
37:04from Mr. Curro.
37:05For me?
37:06Yes.
37:07He insisted that I talk to you.
37:08And what is it about?
37:10What has he done wrong this time?
37:12It's not about what he has done wrong now,
37:15but what he did during my pregnancy.
37:17The young man told me about the incident he had with you.
37:21He told me that ...
37:23it was very abrupt
37:25and that his ways were not the right ones.
37:28He has asked me to apologize on his behalf.
37:30Really?
37:32Do you see how it was not my fault?
37:34Marcelo, don't be mistaken.
37:36One thing is that the young man has recognized that his attitude was inappropriate.
37:39And another, very different, is that you have not made mistakes.
37:42You still have a lot to learn.
37:43But I am ...
37:44I completely agree with Teresa.
37:46We all make mistakes.
37:48The young man is the first to recognize it, and that honors him.
37:51Recognize all yours.
37:54Have you ever cleaned the silver?
37:56Never.
37:58Well, come with me.
37:59It's time to learn something new.
38:04Pay attention and put the five senses.
38:17Come on.
38:19This is a gratification for the inconvenience that this misunderstanding has caused you.
38:24Very grateful.
38:26And do me the favor of talking to your newspaper manager
38:28to verify that I actually called to cancel the interview.
38:31Do you know the name of the person who attended you?
38:34I'm sorry, but I don't remember right now.
38:37But I can assure you that I notified.
38:39And we do not doubt your word, Mr. Conde.
38:42Look, I understand that the pace of an editorial of a newspaper
38:45can be frantic and that perhaps someone will forget that my chronicle had been canceled.
38:49For what you say, it was canceled with very little margin.
38:52With enough so that you did not have to move here.
38:56But well, I already tell you that I take care of this mistake.
38:58We are all human.
39:00And who knows, maybe in the future we can make that chronicle
39:02that Miss Lujan and I promised to do.
39:06I hope so.
39:08Although you already know that what is news one day,
39:10the next day, it does not interest anyone.
39:14Please, accompany these gentlemen to the exit and help them carry their stuff.
39:19Don't worry, we'll manage on our own.
39:21We just needed you to break the team.
39:26Just a little curiosity.
39:29Miss Catalina de Lujan and you have decided to leave the scandals
39:32and get married again?
39:35The past is just the past.
39:37And you will find out about the future when it arrives.
39:39And the present?
39:40At what point is your relationship now?
39:43Well, let's say we are starting a new stage
39:46after clarifying the mistakes of months ago.
39:48I guess that's why you are staying here in La Promesa.
39:52That's right.
39:53Would you welcome under your roof someone with whom you did not have good chemistry?
39:58Well, it's okay.
39:59In the end, you're going to do a simple curiosity, a whole interview, right?
40:03Thanks for coming.
40:04One more thing.
40:05We will be in contact.
40:06I wish you a good trip back.
40:09Thanks to you.
40:29This delay scares me.
40:31I hope Pelayo is not having problems with those journalists.
40:34They are able to show up in the palace and not move until they get what they want.
40:39Look, you can teach them how to do that.
40:45Catalina will be in shock.
40:47No, I'm the one who's on fire.
40:49I'm tired of my stepdaughter getting us into her problems.
40:53A lot of people fill her mouth talking about independence
40:55and then drag us all with their ineptitude.
40:57Cruz, that's it. That's it.
41:00Am I saying something that is not true?
41:03I'll go talk to those journalists.
41:05See if I can get them to come to their senses.
41:07That's good. You finally deserve to do something.
41:11They have already left.
41:12Indeed, everything has been the product of a mistake.
41:15A mistake?
41:16Let me doubt it.
41:18Those people don't give you a hint without a thread.
41:20If they are here, it is to see if they catch something.
41:22No one has acted in bad faith here.
41:24Simply the order to revoke the interview did not arrive in time.
41:26That's all.
41:30Well, I'm leaving.
41:32Taking advantage of the fact that the palace has been cleared
41:34and that I'm not going to deal with those people.
41:56The fact is that for one reason or another,
41:58Salvador and I always end up postponing the wedding.
42:01It seems that they have cursed us or something.
42:03Don't exaggerate, Maria.
42:05I don't exaggerate, not a bit.
42:07First the entanglement of when Salvador returned from the war.
42:10Well, there he needed time to locate himself, nothing more.
42:13Yes, and then because of Miss Catalina.
42:16And that absurd rule that you can't get married if you are a servant,
42:19if there is a wedding of middlemen.
42:21An absurd rule in all lights.
42:25And then there is the fake wedding that Salvador pulled out of his sleeve.
42:29That was a coincidence of the most pilgrim.
42:32When I thought we were ready,
42:35Salvador accepts that job out of promise and ...
42:38And it was very good.
42:42Well, Maria, anyone who hears your lamentations
42:44will think that your girlfriend has left you planted on the altar.
42:47And it's not like that.
42:48Ana is right.
42:49The important thing is that you are together and that you love each other.
42:51Yes.
42:52And that surely sooner or later you will end up getting married
42:55and we will celebrate it from the top.
42:58The thing is that I don't finish seeing the moment
43:00when I get married to Salvador.
43:02Well, you'll see how soon it will be.
43:05And I don't care if it's a big or small wedding.
43:09The important thing is that we love each other
43:11and that it is the most beautiful day of our lives.
43:16Hey, Teresa, and your wedding with Marcelo, how was it?
43:20And you, you haven't told us anything.
43:23Well ...
43:24Well, beautiful.
43:25Beautiful like all weddings.
43:28You know, with the boyfriends, the priest ...
43:31The church.
43:34Girl, but tell us something else.
43:36Some specific detail.
43:38There would be a special moment, right?
43:41Well, the truth is that it was quite simple and discreet.
43:44It turns out that a relative of Marcelo had passed away
43:47and out of respect we did not want to make an invitation or anything.
43:52So we got dressed up, we went up to the parish,
43:55and we gave each other the ciquero.
43:57And that was all.
44:02Well, I'm sorry you didn't have a celebration in condition, Teresa.
44:07That's not the important thing, Maria.
44:12Well, I agree with you.
44:14The important thing is that there is love
44:16and I think that it is the most beautiful day of our lives.
44:19I agree.
44:20The important thing is that there is love
44:22and I think that between Teresa and Marcelo there is.
44:24And a lot.
44:26Well, but a wedding is a unique and very special moment.
44:30And for us it was unforgettable and very special.
44:33Although not as we thought.
44:37Beto, yes.
44:38A wedding is the first day of the rest of your life.
44:40The important thing is not the moment itself,
44:42but everything that comes after.
44:49THE CIVIL GUARDS
44:54Come in, come in, Sergeant.
44:56What's your name?
44:58Emilio Burdina.
44:59Sergeant of the Civil Guard.
45:04I have been in command of the Lujan barracks for several months.
45:07And you came to pick up Sergeant Funer, am I wrong?
45:10Absolutely.
45:11I've heard about you, but I didn't have the pleasure of meeting you.
45:14Please sit down.
45:20And well, what have you brought for the promise?
45:24Unfortunately, it is not a mere visit.
45:28I am on duty and I have come to inform you of bad news.
45:32A tragic death, in fact.
45:34And who died? Who is it about?
45:37The correct question would be who they have killed.
45:41How do you say?
45:43It is about Gregorio Castillo,
45:45former mayor of this palace.
45:48His body was found with a shot to the chest in the old slaughterhouse.