Igra sudbine, Epizoda 1203,Igra sudbine 1204 ,Igra sudbine 1203,Igra sudbine Epizoda 1204, Igra sudbine Epizoda 1203,Epizoda 1204 Igra sudbine ,Epizoda 1203 Igra sudbine
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TVTranscript
00:00♪♪♪
00:13You know, auntie, shouldn't you be coming tomorrow, and I should be coming to get you?
00:20I should, but I didn't.
00:21I ran out of some cheaper card, so I reserved it a year earlier.
00:26Well, you could have called me. I would have come to get you.
00:30Why would I call you, son? I found everything, so I could come by myself.
00:34And you did a great job here, Milen.
00:37I know, auntie, that you love luxury and beauty and everything,
00:41but this is from the bottom of my heart for you.
00:44Oh, son, my dear. Oh, son, auntie.
00:47Okay, you don't have to tell me anything else.
00:49What?
00:50I might get a bruise.
00:52Why not? What's going to keep you from getting a bruise?
00:55That's love, it's as strong as steel.
00:59Well, I have to make sure of that.
01:01And where's Kaja?
01:04She'll be here tomorrow.
01:07Because tomorrow is your birthday,
01:10and no one knew you'd be coming this early.
01:13Of course.
01:14You know, auntie, I love surprises.
01:16Boom, boom, no one expects that.
01:18Boom, boom, boom.
01:20Here.
01:22An unofficial birthday drink for my auntie.
01:27I made that cocktail.
01:29I'm an expert. You have to try it.
01:31Here, cheers.
01:32You're so nice, son. You're so nice to me.
01:36It's the same, auntie.
01:37I know, but don't think you'll get paid for that.
01:41It has to be worth it.
01:43Money? What money?
01:44Oh, no, I forgot.
01:47I think you'll see what kind of a man I am.
01:51Let me see what kind of a cocktail master you are.
01:53Here.
01:55Now I can finally start celebrating my birthday.
01:59What do you mean, you can't start?
02:04Milenka, bravo.
02:08What?
02:09Excellent.
02:12Drink, Milenka.
02:23Don't worry about a thing.
02:25How can I not worry?
02:27I'll take care of everything.
02:29Yes.
02:31As always.
02:33What does that mean?
02:35It means you always take over in these situations.
02:38Is that bad?
02:40No, it's not.
02:41Just solve this quickly.
02:43Because if that video comes out, it'll be a problem for all of us.
02:46That video doesn't matter.
02:49It's all unimportant.
02:52Maybe it's unimportant to you.
02:55Mind your own business.
03:03What's up with him?
03:07Huh?
03:09He's getting jealous.
03:10What did he say?
03:11That I'm with you.
03:16Andrija.
03:17Hi, honey.
03:18Hey.
03:20Come on, let's go.
03:34I asked you not to touch that.
03:37Can't you be ashamed?
03:39Una, I'm asking you not to talk about this.
03:44Yes, yes.
03:45You're attacking me in this situation.
03:47Poor Andrija.
03:49I'm not defending her.
03:50I'm just tired of talking about it.
03:54Don't do this to Andrija.
03:55He's always with you.
03:57Please.
03:59You're incredible.
04:01We'll talk another time.
04:19Good evening.
04:21These are our kids.
04:26My respects.
04:28My honor.
04:29Good evening.
04:30I'm Miki.
04:31These are Miko and Mido.
04:35Miki and Mido.
04:38And this is my aunt.
04:40Melania.
04:41I'm Melania.
04:42In short, Melania.
04:43It's easier to pronounce.
04:44What a beautiful name.
04:46Miki.
04:48This is Miki.
04:49He's the owner of the most eminent restaurant in town.
04:52The best restaurant in town.
04:54And you are?
04:56Me?
04:57Yes.
04:58We talked on the phone, if you remember.
05:03Good afternoon, Mrs. Aunt.
05:05Mido.
05:06Pjanovic on the phone.
05:09Yes.
05:10I mean, if you celebrate my birthday,
05:12I'll be in charge of making sure everything goes as it should.
05:16Oh, what a pleasant voice.
05:19Who are you, sir?
05:21Thank you very much.
05:23I am an honorary entrepreneur.
05:27Nice, nice.
05:28What exactly do you do?
05:30Well, you know, I have a special specialty.
05:35I make pig trotters.
05:37Impossible.
05:38That's divine.
05:39And how is your job going?
05:41Well, let me tell you.
05:43Mrs. Aunt, I can't complain.
05:46Phenomenal.
05:47Do you know how you would get rich in Australia?
05:51Really?
05:52Well, I mean, I've heard that it's a country of great opportunities.
05:57See how?
05:58Why don't you come here and start a business?
06:01I would be happy to host you.
06:03Well, that's really nice of you,
06:06but you know how I couldn't?
06:08I mean, you don't know her,
06:12and besides, I have a lot of work to do.
06:17I couldn't do it.
06:19I understand.
06:20Are you married?
06:21What are you saying?
06:23Well, I am, but...
06:25unsuccessfully, to tell you the truth.
06:27Divorced?
06:28Divorced, you mean?
06:30That's right, aunt.
06:31Divorce.
06:32Divorce.
06:34I don't know what to tell you.
06:36We seem to be of the same mind.
06:39As far as that is concerned,
06:41to tell you the truth, my mother and I have been together for so many years,
06:44I don't really believe in those things.
06:47You never know, sir.
06:49Maybe the best way to find out is to come to your own birthday.
06:54Oh, that would be wonderful, really.
06:56Thank you very much.
06:57Here, this is your sister's mother,
06:59and I have a lot of work to do.
07:01Once again, thank you very much.
07:03Here.
07:07Svinske bajadere!
07:09That's me!
07:13That's wonderful.
07:15I'm thrilled.
07:16I want you to tell me everything about bajadere.
07:18Everything, everything, everything.
07:19Really, it's incredible.
07:20Really, very good.
07:21I will, I will.
07:22Wonderful, wonderful.
07:23Shouldn't you come tomorrow?
07:28I should, but I like to surprise you,
07:31to surprise you when you're not ready.
07:35This is Miki.
07:38Miki, he has great, wonderful cocktails.
07:41The best cocktails.
07:42The best.
07:43I understand that there are cocktails in Australia,
07:45but there are none in Svinske bajadere.
07:47And I'm interested in the whole process,
07:49how it's prepared, how it's made.
07:51The whole family is involved in that.
07:55That's my job,
07:57and my family drinks blood in a straw.
08:00Oh, in divorce.
08:02Divorce.
08:03Divorce, when I'm free.
08:05Don't stress yourself.
08:07Don't worry about anything.
08:09I'm divorced.
08:10Divorce opens up new paths for you,
08:12new dimensions.
08:14Anything new can happen.
08:16Just don't stress yourself.
08:18You're absolutely right.
08:20There are more people behind this table,
08:23Miki, for example.
08:24We have the whole evening in front of us.
08:27My God,
08:28but it's nice for you to tell me
08:31how it's prepared.
08:33I'll tell you.
08:35First of all,
08:37the most important thing is...
08:39What are you doing here?
08:41Oh, pretty girl, what are you doing?
08:43My tavern, I guess I should be in my tavern.
08:47You're never in a tavern so late.
08:49Okay, pretty girl, okay.
08:51Let's see if I can make it to the third shift.
08:54I'll give you the third shift.
08:57Pretty girl, don't.
08:58Who's this pretty girl?
09:00Don't.
09:01Dear sir,
09:03this pretty girl just got off
09:05after 20 hours of flying.
09:08That's right, pretty girl, you hear me?
09:10Yes, she's too tired,
09:11she got her birthday cocktail,
09:14and she wants to drink it in peace,
09:16without being bothered by some drunkards.
09:19This is pretty girl,
09:21uncle Mido's friend.
09:23This is my aunt,
09:26this is Miki,
09:28and let's all say hello
09:30to aunt's birthday,
09:31which is tomorrow.
09:32Can you do that?
09:33Let's go.
09:34Let's go.
09:35Let's go.
09:57You forgot I was here.
10:00No, I didn't.
10:02Why?
10:04Well...
10:05I mean...
10:06It's not the first time you see me like this.
10:10It's not about that at all.
10:12Sometimes it doesn't bother you.
10:15Sometimes we weren't divorced.
10:18I forgot you're married now.
10:21I am.
10:23But it doesn't bother you to do whatever you want.
10:26I'm begging you.
10:28Why, what?
10:30Is Milena more important to you than me?
10:33No.
10:34Come on, don't say that.
10:36No, what?
10:39I'm tired.
10:48Do you want to sleep?
10:51Yes.
10:52Really?
10:53I do.
11:03I do.
11:24Hey, what's up?
11:26Sleep.
11:30You have two minutes.
11:32I do.
11:33Tell me.
11:36Andrija called me.
11:37Him?
11:40He doesn't even call me.
11:42At least he apologized.
11:47But I don't know if that would change anything.
11:52So he's not one of those people.
11:55Who?
11:56Those who can't apologize.
11:58It's hard for them.
11:59They talk too much.
12:01He's not one of those people.
12:03Are you defending him?
12:04No, I'm not.
12:05I'm just saying that you really don't expect him to apologize to you.
12:09At least not like that.
12:11I know.
12:13But it's not...
12:15I wouldn't like to hear him apologize.
12:18Of course.
12:19It's a reason for you to move on.
12:24You know.
12:25I know.
12:28Wait.
12:29Isn't that important to everyone?
12:32Well...
12:33Zvrko, for example, isn't.
12:37It didn't go well, did it?
12:40It didn't go well.
12:43What was it?
12:46Can we not talk about it now?
13:00You never managed to run away from me.
13:05Jovana...
13:06You won't do it now.
13:10You shouldn't do that.
13:12Let's do it.
13:14You're right.
13:16Let's do it.
13:19How could you replace me with him?
13:24I don't know.
13:26I don't know.
13:29I don't know.
13:30I guess I had too much of everything.
13:33What?
13:34You had everything.
13:38It was hard.
13:42Was it hard for you?
13:46Mhm.
13:49And now I'm not anymore.
13:52Now it's almost perfect.
13:55Don't say that.
13:57Just so you don't get mad.
14:22You say you live in Australia?
14:25I do, I do.
14:26Shut up.
14:27I live and enjoy.
14:30You enjoy looking at other men, as far as I can see.
14:34Shut up.
14:36Darling.
14:38Your husband is sitting next to you like a mouse.
14:42Don't worry.
14:43Sorry, ex-husband.
14:45Shut up.
14:46Oh!
14:47That's important information.
14:49Why are you hiding it from me?
14:51I know, idiot.
14:52You know what they say in Kosmaj.
14:55Once you catch him, he's yours forever.
14:58Fine, fine.
14:59You're beautiful, Sava.
15:01So let the marriage of the kingdom of heaven last forever.
15:05Right, Miki?
15:06No.
15:07She's not beautiful, Sava.
15:09Stop talking.
15:10We need to talk.
15:11Come on.
15:12What do you want?
15:13I'm sorry, ma'am.
15:15I'm sorry, ma'am.
15:16A man must sometimes know when to retreat.
15:20I understand, sir.
15:21I understand everything.
15:22I hope we'll see each other soon.
15:24I hope you won't.
15:25She's beautiful, Sava.
15:26Don't give me a nose in front of people.
15:28Nothing will remain of her.
15:29Shut up.
15:30See you.
15:31See you.
16:01Who?
16:02Because...
16:03Because I don't want to.
16:04What I can tell you is...
16:09That I've thought it over.
16:12And that I...
16:15What did I hear?
16:17That I can get over that kiss.
16:22But I can't and I don't want to live under the same roof as him.
16:29Okay.
16:30So, you're practically not offering anything, but...
16:34I have to make a small contribution.
16:37Who told you to throw the child out on the street?
16:41I can't even throw her out.
16:43I can't throw her out on the street.
16:45I simply promised to help her.
16:48The woman is going through a difficult period.
16:50She's getting divorced.
16:51There's no way I can't throw her out on the street.
16:55Excuse me, when are you going to be so rude to me?
17:00When are you ever going to think about how I feel?
17:05In this and all the previous situations.
17:07I'm sorry.
17:08I'm trying to find a compromise.
17:10What kind of compromise, man?
17:11While we live under the same roof,
17:12I have to ask myself every day if something is going on between us.
17:15Nothing is going on.
17:16And nothing is going to happen to you.
17:18This is stupidity today.
17:19I'm sorry.
17:20I can put myself in your position and I don't know what I would do.
17:25This is not going to happen again.
17:27But I can't throw her out on the street.
17:29I can't.
17:30I promised to help her and I will help her.
17:32And the only help you can give her is that she lives with us.
17:35As long as it's not too late.
17:40I've said it a hundred times.
17:42She's the mother of my child.
17:44And if she ever needs help, I will help her every time.
17:50And that's how it is.
17:55You will never be alone.
17:59You will always be in her.
18:03I'm sorry, but...
18:06She's unacceptable to me.
18:11Luka, it's me.
18:12It's me.
18:14Bart, Zvrk asked you to leave the house.
18:18Here.
18:21She's lovely.
18:24Lovely.
18:28What did you say about that?
18:32I said that it doesn't matter.
18:37You're here until you find each other.
18:43Don't thank me.
18:45You know I'll always be here for you, Jakica.
18:48It was and it will be.
18:54Can I ask you something?
18:57Go ahead.
19:01Do you still feel something...
19:04...towards me?
19:08Of course I do.
19:16I mean...
19:17You...
19:20You are...
19:21You are...
19:23You are like a mother to me.
19:24And I always feel...
19:27...something.
19:29I'm not asking you that.
19:32I don't know what to tell you.
19:36Really?
19:38Yes.
19:52I love you.
19:55I love you.
20:22You are the owner of an exclusive restaurant in Belgrade.
20:26Yes, that's what they say.
20:31You wanted to meet him.
20:34Yes.
20:35Why are you so upset?
20:37Are you crazy?
20:38Don't start it again.
20:40You know what?
20:41You should organize a good show for me.
20:44It's getting boring here.
20:46No way.
20:47I don't want to.
20:48I don't want to.
20:49It's getting boring here.
20:50No way.
20:52Why?
20:53Because I don't want to entertain rich whores...
20:56...who seduce me.
20:58Good night.
20:59Wait, Uncle Miki.
21:00Let's have a drink.
21:01I'll have a cocktail in my restaurant.
21:04Good night.
21:05Good night, Uncle Miki.
21:08Did you plan this for me?
21:11I didn't mean anything bad.
21:14I thought you would be a good couple.
21:16This is nonsense.
21:17What nonsense?
21:18Nothing bad.
21:19It's from the best of intentions.
21:21My dear aunt, I wanted it.
21:24Maybe you didn't make a mistake.
21:29This Miki is interesting.
21:47I'm sorry.
22:07Where are you going?
22:10I have to go.
22:11I have a call.
22:14You can wait.
22:17Jovana.
22:20This...
22:21...won't work.
22:25This is a moment.
22:26Don't think you're in a hurry.
22:30I'll solve this myself.
22:35Maybe later.
22:39Come.
22:48I love you.
22:49I love you.
22:50I love you.
22:51I love you.
22:52I love you.
22:53I love you.
22:54I love you.
22:55I love you.
22:56I love you.
22:57I love you.
22:58I love you.
22:59I love you.
23:00I love you.
23:01I love you.
23:02I love you.
23:03I love you.
23:04I love you.
23:05I love you.
23:06I love you.
23:07I love you.
23:08I love you.
23:09I love you.
23:10I love you.
23:11I love you.
23:12I love you.
23:13I love you.
23:14I love you.
23:15I love you.
23:16I love you.
23:17I love you.
23:18I love you.
23:19I love you.
23:20I love you.
23:21I love you.
23:22I love you.
23:23I love you.
23:24I love you.
23:25I love you.
23:26I love you.
23:27I love you.
23:28I love you.
23:29I love you.
23:30I love you.
23:31I love you.
23:32I love you.
23:33I love you.
23:34I love you.
23:35I love you.
23:36I love you.
23:37I love you.
23:38I love you.
23:39I love you.
23:40I love you.
23:41I love you.
23:42I love you.
23:43I love you.
23:44I love you.
23:45I love you.
23:46I love you.
23:47You can talk about everything, but I am cool.
23:48Mom, let's go into the water.
23:50We go into the water and you don't be bothered.
23:53I am not a slave.
23:55You are not a slave?
23:56We go into the water and then it's your turn.
23:59I know that there are jackfruits in Valencia, but someone has to watch the food.
24:04OK, then you go into the water and I'll watch the food.
24:07You go first you are doing the same thing to me.
24:10OK, we go in the water…
24:15Oh, that's fine, that's fine.
24:17That's fine, that's fine.
24:19That's fine.
24:20That's fine.
24:21That's fine.
24:22That's fine.
24:23That's fine.
24:24That's fine.
24:25That's fine.
24:45That's fine.
25:05How did the fight go?
25:11What happened?
25:15What happened?
25:17Nothing, auntie. She drank two beers and went home to sleep.
25:21What are you talking about, man?
25:24And Miki? Where is Miki?
25:26Miki left right after you.
25:28Oh, so the first encounter was a disaster.
25:33I think she was looking at you more than at him.
25:37Come on, don't be ridiculous.
25:39Listen to the story. It's not part of the plan.
25:42You're talking to me.
25:44Well, when she was looking at me, did it bring you closer to her?
25:50She didn't even mention it.
25:52She didn't even think about it.
25:55She didn't come?
25:56She didn't come. She was supposed to.
25:58She was supposed to come.
25:59She came, but then she left.
26:01Well, take them out together for lunch or dinner.
26:04Wait a minute. I don't think there's any reason for that.
26:09Don't tell me that. How can there not be?
26:12We have to find a way to get Miki and auntie together.
26:15Not me and her.
26:16How?
26:17We'll figure something out. Don't lose hope.
26:20When we're talking about hope, do you have hope to get back the money you gave Miki?
26:26Of course I do.
26:27What's wrong with him? He's not going to pull some local trick on me, is he?
26:31Listen, I don't think there's anything.
26:33It's not about the inheritance or your money.
26:35Don't talk to me like that. Take it easy, dear.
26:38I'm begging you, take it easy.
26:40I'm going to Miki's now.
26:43I'm going to ask him for money.
26:45And I'm going to put it on Melania.
26:48See you.
26:49See you.
26:50Good luck.
26:51See you.
26:53Call me.
26:57I'm going to ask him for money.
27:06Is it this man?
27:10How did we get to this?
27:13I told you, I have no idea.
27:17This is weird.
27:18It's not weird.
27:20Hello, Jovana.
27:27Bobo!
27:30Who or what should we thank for your fantastic mood today?
27:40A moment, Bobo.
27:42A moment.
27:44What moment?
27:46One of those you remember for the rest of your life.
28:02I won't be alone for long, I need some information.
28:07Have you called the police at Radula's?
28:16Yes.
28:24What did you see in Andrija Boštjakov? How did it happen?
28:28What?
28:30No, I'm really asking you, I'm really interested, what happened?
28:34The harshness of the circumstances in which you played an important role.
28:39I played an important role?
28:41Yes.
28:42I played an important role.
28:46Do you respect him now?
28:48Yes, I respect him.
28:50You are the last person in the world who can transfer me that role.
28:54Yes, I'm the last and the first person in the world who can transfer me that role.
28:59Radula Boštjakov
29:03Radula Boštjakov
29:05Radula Boštjakov
29:07Radula Boštjakov
29:08Radula Boštjakov
29:09Radula Boštjakov
29:10So that's how it is.
29:11A man is lost in the country.
29:12No trace, no voice from him.
29:15He doesn't even call me on the phone, I can't find him on Facebook, Instagram.
29:19He's not there.
29:20He's not there.
29:21No.
29:22It's good that you were at his house.
29:24He's been in Luxembourg for six months.
29:26We'd better go to Luxembourg to look for him.
29:28To Luxembourg?
29:30How did he sell you that calamary when he heard you were in Luxembourg?
29:33How can I find him?
29:34Over the internet, how?
29:48It was so good.
29:50What?
29:51What a nice dress.
29:53So nice, like from a movie, huh?
29:55Yes.
29:56Okay, where is he?
29:58He probably went to the toilet.
30:00Do you want some water?
30:01I'd like a juice.
30:03A juice?
30:04Okay, but I'll give you money and then you can go by yourself.
30:06Okay.
30:07I don't have any money.
30:08Come on.
30:09Just wait until I find him.
30:14Dunja?
30:15Yes?
30:17Dunja, we don't have any money.
30:19What do you mean, we don't?
30:20No, I knew it.
30:21This kid will remember me.
30:34Look, I invited you to talk before you completely destroy me.
30:43Radula, you and I are friends.
30:47From the past, right?
30:49Yes, we've known each other since you came from America.
30:54Then explain to me,
30:56why this 30,000 euros for filming?
31:01Look, I'm not proud of it,
31:03but I was forced.
31:06Why didn't you call me, man,
31:08to explain to me what I'm doing?
31:11I mean, I would solve it.
31:13Sure.
31:15You don't believe me?
31:17We've been through so much.
31:20Yes, we've been through a lot together.
31:23In the end, I became the guitarist of the band Ishaner,
31:28and you, one of the most powerful businessmen in the country.
31:44Why are you looking at me like that?
31:46You're making me nervous.
31:48Look, did he say he wanted to meet you?
31:51Did he mention it to me?
31:53Besides, why don't you get a little closer?
31:56You could like it.
31:59Besides, it's better for you
32:01than to worry about other women.
32:03What do you mean, other women?
32:05Come on, come on, come on.
32:07Don't give me that crap.
32:09I haven't driven in a truck all my life.
32:12Do you know, Miki, what kind of woman she is?
32:15She's dramatic, she's powerful, she's strong.
32:18Do you understand?
32:20Miki, who's with her?
32:22He's hungry.
32:37I'm glad we got together today
32:39about a contract that has the potential
32:41to dictate new trends in the fashion industry.
32:44I know, I know it sounds grandiose,
32:46but here we are all serious businessmen
32:48who aim for the best and the highest.
32:51I open the meeting and invite us
32:53to go through each contract together.
32:56Absolutely.
32:58Here you go.
33:00Here you go.
33:05Is this possible?
33:06Yes, it is.
33:15Are you serious?
33:17I don't know who else I would call.
33:19Anyone.
33:21Milana, things are happening to me
33:23at the speed of light.
33:25I don't have the capacity to deal with it alone.
33:27I don't know, it would be best
33:29to call a friend and talk to her.
33:31Okay, and you know that my problems
33:33are not everyday problems.
33:35I absolutely know.