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Short filmTranscript
00:00My love without time, a deep love, love of the soul
00:11Let's see, I can do it alone
00:13Let's see, I can do it alone
00:18Let's see, I can do it alone
00:23Let's see, I can do it alone
00:27Really, thank you very much for the information. I really appreciate that you went to find out.
00:31In fact, we already found out that it was Brenda who changed the dates of the campaign. She is already arrested.
00:37And Adrian?
00:38Unfortunately, he has not yet reported it, but very soon he will. I'm sure.
00:42Apparently, Brenda, Verania and Adrian not only went out to make me look bad in the company, but also with you, with the photos they sent you.
00:53Double tequila, please.
00:58Roberto, how are you?
01:00Mr. De La Fuente, what a pleasure to greet you. I owe you your call.
01:04I need you to go to the mayor's office right now. I suppose Brenda Muñoz was taken there.
01:07She works with me and they just arrested her. I want to know why. What did she do?
01:11When did you get it?
01:13Now, 15 or 20 minutes ago.
01:15I'll take care of this right now.
01:17It is very important that you check if it is complicated or if I am also not in any of the charges that are being filed against you, please, Roberto.
01:24Of course. As soon as I have more information, I will communicate.
01:27Hurry up, okay? I'm going to give you an extra quote. Goodbye.
01:34You did it, Brenda.
01:37I can't believe it.
01:39Well, I'm glad you're starting to clear things up and show your innocence.
01:44Me too. And I'm very happy to feel so close and so supportive. Really.
01:49Yes.
01:52Well, that was all. Goodbye, Sebastian.
01:57Goodbye.
02:01I still can't locate Mr. De La Fuente. I've left him several messages on his cell phone, but I'll keep insisting.
02:08Thank you, Dulce.
02:09Excuse me.
02:10Go ahead.
02:14He probably found out and is hiding.
02:17We have no evidence against him.
02:19Neither Brenda, nor Javier, nor Goyo.
02:22They have said something that blames him.
02:24Besides, when this happened, Adrián was incapacitated because of his accident.
02:28Please, Adrián does not need to be present at the company to be the intellectual author of all this.
02:33He is a very skilled man.
02:35He is using not only Brenda, but also Verania.
02:37Verania?
02:38Yes.
02:39Yes, Fatima, he just called me to tell me that Verania is living in Adrián's apartment, which is supposedly Brenda's.
02:45There are too many coincidences, don't you think?
02:48Yes, too many.
02:50Dad, understand. Adrián wants to take revenge on me.
02:53He doesn't care who gets in his way in order to achieve it.
03:02How are your children, Greta?
03:03How are they doing with Gonzalo?
03:05Well, it has been difficult for everyone to overcome his death, but there we go.
03:10Pablo and Fatima taking out the cast and seeing for the future of the company.
03:14And Bárbara?
03:16Waiting for the baby.
03:18I did not know!
03:19Many congratulations!
03:21At least a joy in the face of Gonzalo's death.
03:25Yes, that's right.
03:27Hey, and Fatima is still with Sebastián Méndez?
03:31No, no, they're done.
03:33Well, I'm not surprised at all.
03:35That boy dazzled her.
03:37But it was obvious that he didn't want anything formal with her.
03:41Well, what can I tell you, Maggie?
03:43It seems that Fatima and I don't have much luck in love.
03:46You don't know why I'm telling you, do you?
03:49Of course I know, friend.
03:51Greta, you are still young, very beautiful.
03:55Oh, you should think about redoing your life.
03:57Get married again!
03:59Me? No, no, no, no.
04:02Yes.
04:03Children make their lives, they leave.
04:05Well, loneliness is not a good companion.
04:08That's right, you're right.
04:10The problem is finding a good man at this age.
04:13Well, we'll have to start looking for him, don't you think?
04:17Yes, yes, you are very beautiful.
04:19Look, I'm going to tell my husband to introduce you to some of his friends.
04:22I don't know if I'm ready.
04:24Well, give yourself time to meet them.
04:26With everything that happened, I didn't tell you anymore.
04:29But my relationship with Greta was definitively broken.
04:33And that?
04:35She wanted us to resume what we left unfinished many years ago.
04:39But since I refused, she felt hurt.
04:42And she asked me to stay away from her and her family.
04:46Look, Greta's only intention has always been for them to come back.
04:50She was able to lie and make up things like Don Gonzalo is a bad person and that Barbara is your daughter.
04:56I don't think they are inventions, son.
04:57Look, I don't want to tell you anything unless you have all the evidence.
05:01But Jesus confessed to Mrs. Ana Uriarte that it was Greta who asked him to lie to you.
05:07Really?
05:09Yes, and Jesus is so sorry that he's going to go to Morel and investigate if Barbara really is your neighbor.
05:14So as soon as I get back, we'll be able to talk to her.
05:17And well, I'm very happy that you are moving away from Greta and dedicating yourself to reconquering Renata.
05:23But I'm not going to give up Fatima.
05:24As soon as I have all those evidence, I'll try to get back with her.
05:28Son, by moving away from Greta, I'm also giving up the DNA test with Barbara.
05:36No, no, no, no, no.
05:38Let's see, dad, if Jesus doesn't get those tests, I need you to do that DNA test and show Fatima that her mother is lying.
05:45Look son, let's see what Jesus gets in Morelia.
05:49Let's see what Jesus does in Morelia.
05:52And depending on the results obtained,
05:55we'll talk about it again.
05:59What news do we have, Roberto?
06:01Indeed, Miss Brenda Contreras was arrested
06:03for abuse of trust and falsification of documents
06:06by the Department of Legal Affairs.
06:08Damn!
06:10As for whether you are involved or not,
06:13I have not been able to find out,
06:15but so far the lawsuit is only against her.
06:18Do you trust her?
06:19Yes.
06:20Okay, Roberto, listen to me well.
06:21Go to jail, talk to her,
06:22get all the information you can.
06:24If she didn't talk about me, help her.
06:26Help her get out as soon as possible.
06:27But if she talked about me,
06:28let her rot in jail.
06:30Do you understand me?
06:32Very well, sir.
06:33I'll keep you informed.
06:41Sela,
06:42pack a suitcase with several changes, please.
06:44It is very likely that I will go on vacation.
06:46Grab my passport, which is in the office,
06:48and leave it with all my things.
06:50Quickly, goodbye.
06:55It's hard for me to think that Adrian is so perverse.
06:59Well, it is, friend.
07:01His obsession for you
07:02and his ambition for power
07:04led him to do what he did.
07:06Let's see, do you really think he's still with Brenda?
07:08Of course.
07:09She is his unconditional.
07:11It doesn't give me much courage that she is so stupid
07:13and that he allows her to go to jail because of her.
07:16It's too much.
07:18Well, she must be very in love with him.
07:20Yes, I don't understand how.
07:22With that little defect?
07:24But look, since Adrian thinks he was born by the gods of Olympus
07:27and without defects,
07:28I'm sure he hasn't attended.
07:29That will be his problem and Brenda's, really.
07:32They are such for which.
07:34And look, I have my doubts
07:35that the document that he showed you,
07:37where he says that now Brenda is the owner of the apartment,
07:40is genuine.
07:41Don't you think it's a coincidence
07:43that he went to look for you
07:44just the day you saw Verania in the apartment?
07:46No?
07:47And besides, he brought the document there by hand,
07:48on the cell phone.
07:51Girl, he thinks badly and you'll get it right.
07:53Adrian is the very Machiavelli.
07:55So stay away from him, huh?
07:58Don't believe in his good intentions
08:00because he is a wolf with sheep's skin.
08:03No.
08:09Miss Brenda Contreras?
08:11Yes, who are you?
08:13I am Mr. Roberto Iturbi.
08:15I have Mr. Adrian de la Fuente on my side to take your case.
08:18Please, please, get me out of here.
08:21Please, I beg you, get me out of here.
08:23That's why I'm here.
08:24But I need you to tell me in great detail
08:28what happened.
08:30What did he declare?
08:32And if there is someone else involved.
08:34How?
08:36But what do you not know?
08:38Don't you know all that information?
08:40Yes, but I need to hear it from you.
08:42I need you to tell me the whole truth
08:44so I can get you out of here.
08:46I investigated that you have a right to bail
08:48and Mr. de la Fuente is willing to get you out.
08:50Well, that's the least I could do, right?
08:55I didn't say anything about him.
08:57Nothing.
09:00But I assure you that if they don't get me out of here soon,
09:05I swear he will be with me in the same jungle.
09:14I'm glad I convinced you to come to dinner.
09:16You won't regret it.
09:17Besides, the food here is delicious
09:19and I have to tell you a lot of things.
09:21The place is very nice, Diego.
09:24Well, I'll start by telling you that I received not one,
09:27but two more invitations for you to exhibit abroad.
09:30Seriously?
09:31Yes, yes, yes.
09:32I know you still can't measure and dimension
09:34everything that happened in Los Angeles,
09:36but any artist who starts their international career
09:38would die to be where you are right now.
09:40So we have to get to work and you have to do more work.
09:44Yes.
09:46The problem is that I have a lot of things to do, Diego.
09:48After what happened with Renata,
09:50I can't leave her alone in the gallery and...
09:52Well, I also have the transformation of my dad's factory.
09:55I know, I know.
09:56And if I can support you in something,
09:58especially in gallery matters, count on me.
10:00But it is important that you give yourself space for art
10:03and that we celebrate your success.
10:06You're right.
10:08So, many requests.
10:14Welcome, good evening.
10:15Good evening.
10:17Do you have a reservation?
10:18Yes, my name is Sebastián Méndez.
10:21Hey, Henry told me he's on his way,
10:23he's just in the traffic.
10:24Traffic?
10:26Yes.
10:27We'll wait for you.
10:28Can we come in?
10:29Sure, come in, come in.
10:38Welcome, this is your table.
10:40Come in.
10:43Miss, very kind.
10:45Excuse me.
10:54What do you think if we choose a bottle of wine?
10:57Yes, of course.
10:58It's perfect for me.
11:01Hey, I need to go to the bathroom, I'll be right back.
11:12You choose what you want.
11:13Whatever you want.
11:23What happened? What did they tell you?
11:24I want to know everything.
11:25What do you mean, what happened?
11:26They found me.
11:27What?
11:28Yes, Javier spoke and the watchman said he had seen me.
11:31You're stupid.
11:32I told you you had to fix things with Javier.
11:34Well, I know, I know.
11:35I tried and it didn't work.
11:38You didn't mention me, did you?
11:44Wow, wow, wow.
11:45Of course.
11:46Of course.
11:47Because the only thing that matters to you is you, not me.
11:50Whatever happens to me doesn't matter to you, right?
11:51No, it doesn't matter to me.
11:52It doesn't matter to me that I'm spending a fortune on your joke.
11:56You didn't mention me, did you?
11:57Just answer me that.
11:58Yes, I didn't mention you.
12:00I didn't mention you.
12:01But you only care about that.
12:03Do you know what's going to happen to me?
12:04That not only do I have a legal problem against me.
12:06No, but I lost my job and you can put me in jail, Adrián.
12:11That's not going to happen, my love.
12:13The important thing is that you follow the plan as we are doing it.
12:16You don't mention me and you calm down.
12:18I'm going to solve it.
12:19Well, I'm just telling you that Sebastián knows that you are involved.
12:23And not only that.
12:25He told me that if I sue you, he will help me.
12:28But you're not going to do it.
12:29You're not going to do it because if that happens, we both go to jail.
12:34And in jail there is no wedding.
12:37Look, the doctor sent you this so you can sleep.
12:40You didn't sleep last night.
12:41Close your eyes.
12:46I was very afraid to close my eyes and discover that the fact that José is in jail was just a dream.
12:55It's a reality.
12:57I know.
12:58But...
13:01His...
13:04His smell.
13:05His...
13:07Disgusting hands touching my skin.
13:10His...
13:12His lips as he kissed me and touched me.
13:16I still feel it.
13:18I don't know how to erase it.
13:21The nightmare is about to end, Renata.
13:24You're going to get over this like you've gotten over everything.
13:27Your attitude is admirable.
13:28You don't get stuck in pain and you don't get caught as a victim.
13:31Yes.
13:32And that saves you above all things.
13:34Yes.
13:35That's my intention.
13:37But sometimes this is easy.
13:40You're not going to blackmail me with that.
13:41No.
13:42No.
13:43I need to get out of this.
13:45I agree.
13:46If not, I take your word for it, Sebastián.
13:49Look.
13:51To show you how important you are to me
13:54and how much I want to help you,
13:56I think it's time for you to move into your new apartment.
14:02What?
14:05Question.
14:06Important question.
14:07Do you like this apartment?
14:08Or more or less?
14:09If you want, you can change it.
14:10Because I'm thinking.
14:12I think it's a good idea for you to come here.
14:14Make your move.
14:15I'll pay for it.
14:16Bring all your things.
14:17Start living in this space.
14:18I want you to fill it with your clothes, your paintings,
14:20the images you like, the kitchen.
14:22Let's live together?
14:23Let's live together.
14:24First, let's get married.
14:25While I'm going to live with my parents.
14:27But let the move begin right now.
14:29Make yourself comfortable.
14:30It's your apartment.
14:31What do you think?
14:39That's here, Sebastián.
14:40This is the women's bathroom.
14:41This is the men's bathroom.
14:42This is the men's bathroom.
14:43This is the women's bathroom.
14:44That's here, Sebastián.
14:45This is the women's bathroom.
14:46Go take care of Carolina.
14:47Between Diego and you.
14:48I don't have to give you any explanations.
14:50In any case, you would have to give them to me.
14:52Because you say you love me.
14:53And that you didn't leave me for lack of love.
14:55But Carolina goes to your apartment.
14:57And then you bring her to dinner.
14:58And I can tell you the same about Diego.
15:00You left me, Sebastián.
15:03And I hate to be jealous of Carolina.
15:05And I hate that Verania was right.
15:08And you're just like everyone else.
15:10And you're a womanizer.
15:11And you're a liar.
15:12Between Carolina and me there's nothing.
15:13There's absolutely nothing.
15:14In fact, Henry is on his way.
15:15The three of us come to dinner as friends.
15:17Instead, you come alone with Diego.
15:19Is Tiana on her way?
15:20Have you told Tiana you're going to dinner with friends?
15:22Why are you alone?
15:23You know what, Sebastián?
15:24Do whatever you want.
15:25Go with whoever you want.
15:26With Carolina, with Verania.
15:27I don't care.
15:28When are you going to understand?
15:31That I only love you.
15:44Can I tell you something?
15:46It wasn't the first time he abused me.
15:51When we were married, he did it over and over again.
15:58And at that time, I didn't have the awareness I have now.
16:03And he raped me.
16:05And I had no idea that was called rape.
16:08And not because he was my husband, he had the right to rape me.
16:13But you know what?
16:15He and no one is going to do it again.
16:19No one.
16:20I'll open.
16:24No one.
16:29Hello, Federico.
16:30Hello, Genoveva.
16:31Good evening.
16:32Good evening.
16:34I came to bring you sweet bread for dinner.
16:38How are you?
16:40Good.
16:42There I take it.
16:44I talked to my lawyer.
16:47José will spend the rest of his days in prison.
16:50Not only for the crime of rape, but for attempted murder against Sebastián, Armando Juárez and me.
16:58That is very good news.
17:00Maybe he also did something against Oscar.
17:03We still don't know anything about him.
17:07But I give you my word that José will not hurt you again.
17:11I swear.
17:41I leave the universe to love you.
17:46Thanks to fate that put you in my way.
17:51I swear that I will never stop loving you.
17:56And even if they want to steal our intense love.
18:05I will fight to the death.
18:10To love you and protect you.
18:15My timeless love.
18:19A deep love.
18:21Love of the soul.
18:24Love without pride.
18:26This timeless love.
18:29That time is one.
18:31The appropriate lover.
18:34Second by second.
18:45Don't kiss me again, Sebastián.
18:48I can't help being close to you.
18:50Well, control your desires, Sebastián.
18:52Don't touch me.
18:55You and I have nothing anymore.
19:04Thank you for everything, but I need to rest, okay?
19:08Don't you want me to stay with you?
19:10Oh no.
19:11Don't really insist on that.
19:13You already know my position.
19:15I don't care how many times you reject me, Renata.
19:18I'm not going to claudicate.
19:21I'm going to amend my mistake until you forgive me.
19:25And I want you to know that I'm not going to see Greta again.
19:28And I'm going to leave the Barbara thing behind.
19:31You are free to do with Greta whatever you want.
19:36Now,
19:38regarding the Barbara thing,
19:40I think you have to take a paternity test.
19:43If you don't do it, one day you will regret it.
19:46Don't leave assignments pending.
19:49Like Sebastián, I...
19:51I don't think she's your daughter.
19:55Now, you need to be certain.
19:58Maybe Sebastián and I are wrong and...
20:01I don't know, maybe she does have your blood.
20:07Carolina.
20:09How nice to see you.
20:10How are you?
20:11Fine, and you?
20:12Very well.
20:15Henry.
20:17Hi, Fatima.
20:19What are you doing here?
20:21I came to have dinner with a friend, Diego.
20:23Hi.
20:25How are you?
20:26How are you?
20:27It was a pleasure to see you.
20:28Likewise.
20:30Enjoy.
20:31Likewise.
20:44The world is so small, isn't it?
20:47I didn't think we were going to meet Fatima.
20:51Or did you know and that's why you booked here?
20:54No, I had no idea.
21:07When I found out, I thought so much about you.
21:09How difficult that situation must have been for you because...
21:13The love between Barbara and Daniel must be dividing the family.
21:18That's right, Ana.
21:20Lucia and I had planned to go to Spain to see Rosa Maria.
21:26But with all this, we decided to change our plans.
21:30How do we see her if we don't tell her anything?
21:34I don't know how my sister is going to react when she finds out.
21:37Well, but you are not responsible for the decisions they made.
21:41Although I do understand what affects them and the conflict they are in.
21:46Do you know if Greta already knows?
21:49No.
21:50Well, the truth is that I don't think so.
21:53Greta is busy with other things.
21:58And the worst thing is that she can get Barbara into a bigger conflict than she already has.
22:03Why do you say that, Ana?
22:04What's going on?
22:08I'll tell you in due time.
22:11But I'm going to prove that Greta is a mythomaniac.
22:13And when that happens,
22:15maybe not just Barbara, but Pablo and Fatima will also stay away from her.
22:20Ana, you're worrying me.
22:25It's not my intention, Álvaro, really.
22:27But what Greta is doing in the absence of my brother is very serious.
22:39What a bad luck to find them, right?
22:42Yes, I know.
22:44Does it matter if we ask for the bill and leave?
22:46Are you sure you want us to leave?
22:48I mean, don't give him the luxury of believing that seeing him with another woman affected you.
22:52Look, he already knows that she affected me.
22:54Don't worry about that.
22:55I really prefer to leave.
22:57Okay, okay.
22:58Ask for the bill.
22:59Okay.
23:07Mom, I had a nightmare.
23:09My love, no, come here.
23:12Come here with mom.
23:15Come, little one.
23:17I'm very scared.
23:18No, come.
23:23Don't be afraid, it was a nightmare.
23:26And what did you dream?
23:27That you and my dad were going very far away.
23:30And they left me alone in this house.
23:32And I never saw them again.
23:35My love, that will never happen.
23:38Today was a difficult day for you.
23:40You were with the psychologist, you got more anger and pain.
23:45And that's always difficult.
23:47Yes.
23:49Mom, can I stay here with you?
23:52Of course, my love.
23:54Of course you can stay here.
23:56Today and always.
24:00Sometimes you think I don't love you like before.
24:03But that's not true.
24:05I adore you.
24:07Are you sure?
24:09Very sure, my love.
24:11And I hope that one day you can forgive me for everything I have made you suffer.
24:17I promise you that it has never been my intention.
24:22And hopefully, hopefully life gives me time to amend all my mistakes.
24:31By the way, Fatima asked me to recommend a psychologist for Bárbara.
24:37She would have loved it if you were, but you can't, right?
24:41Of course not, it's against professional ethics to consult close friends and family,
24:46but I'll give you some recommendations.
24:50You're really going to make Bárbara feel good about going into therapy.
24:53Very good.
24:54Oh yes, the world came to her when she fell in love with Daniel.
24:57I don't know if in her condition she should know that Mr. Federico could be her father.
25:02No, no, no.
25:04That would put her under a lot more stress than she already has.
25:08Yes.
25:10But it won't take long for the bomb to explode and we won't be able to prevent her from finding out.
25:15Well, no, but it's always better to know the truth, no matter how painful it is.
25:19Yes, as long as it's true.
25:21As long as it's true.
25:25But at this point, whatever the result of what Jesusa investigates, will come to light.
25:31Well, if it turns out that everything is a lie by Greta, I don't know if Bárbara and Pablo are going to forgive her.
25:37And with the bad relationship I've always had with Fatima, I do doubt she'll do it.
25:41And even less after keeping her away from Sebastián's love.
25:45No, for that reason.
25:51Hello?
25:58It's my mom.
26:00Do you mind if I take the call?
26:03No, no, of course. Go ahead.
26:06Hello?
26:08Mom?
26:10Yes, I'm here. I'm here in a restaurant.
26:13Brother, what happened between you and Fatima?
26:16She was cutting her tension with a knife.
26:18I'm dying of thirst.
26:20I know why I kept away from her, but when I did, I left the way open for others.
26:24Well, yes, but you already knew that.
26:26But one thing is to know her, and another thing is to see her.
26:29Right now Fatima hates me.
26:31She's sad, vulnerable, and anyone can take advantage of that.
26:35Yes, yes, of course.
26:39I couldn't control my jealousy when I saw her with Diego and...
26:45And what?
26:46I don't know.
26:48You know, and...
26:50She...
26:52She rejected me. She told me not to touch her ever again.
26:55Do you know how much it hurt me when she told me that?
26:59Sebas, you have to control yourself, okay? I'm serious.
27:02You can't keep her away and then want to keep her close.
27:05I mean, you're confusing her. You're going to drive her crazy.
27:07I know, I know, but I couldn't help it.
27:09I couldn't help it.
27:17Come in.
27:21Hey, I'm sorry I took you out of the restaurant the way I did.
27:24Really.
27:26Don't worry.
27:28All I want is for you to be okay, and then we'll have our dinner.
27:31Thank you for understanding.
27:33But well, I'd better let you rest, you still have to pack.
27:36Well, I don't know if I'll spend the night in Morelia,
27:39but yes, I'm going to pack anyway.
27:42Are you leaving very early?
27:43Claudio Altamirano is supposed to pick me up at nine.
27:47I hope we can solve the plastic factory soon.
27:50I hope so.
27:52So that you can soon dedicate yourself to your work,
27:55let me know when you get back that you have to celebrate.
27:58Celebrate what?
28:00Knowing you, you will be able to transform your father's factory.
28:03You always achieve everything you set out to do,
28:06and you don't know how much I admire you for that.
28:08You don't know how much I admire you for that.
28:13Carla, I've been calling you eight times.
28:16You don't answer, you don't answer my messages. Where are you?
28:19I haven't heard from you since this morning.
28:21Call me, damn it!
28:23Hey, is everything okay? I heard you screaming.
28:27Carla doesn't answer her cell phone and I don't know where she is.
28:30And did you look for her where she hangs out? I don't know, with her kids?
28:34No, no, she's not with the kids.
28:35Maybe she went to the casino, but she didn't have the money to bet.
28:39I see.
28:41Well, if you need anything, anything, let me know, okay?
28:47Wait.
28:51How's Barbara? Did you tell Mom?
28:54You can imagine.
28:56It would be nice if you went to see her and give her your support.
28:59I mean, beyond what she decides to do.
29:01No, no, no, I'd rather not get involved.
29:03Pablo, Barbara is our sister.
29:06My mom is not supporting her and my dad is no longer there.
29:10Only the two of us are left.
29:12Yes, yes, I know, but things with Barbara are not like they used to be.
29:15Before what?
29:17Nothing, nothing, forget it, I don't want to get into trouble, that's it.
29:20What trouble, Pablo? What are you talking about?
29:22Nothing, don't listen to me. I'm going to look for Carla, that's it.
29:33Things have changed.
29:37What I felt for you, which also with madness, became affection.
29:47Even if we are both free, my feelings for Renata have not changed.
29:53She broke up with me because she felt betrayed when I hid our reunion.
29:59I don't want to give her reasons to stay away from me.
30:04I'm just telling you how things are.
30:08You know I loved you madly, but that belongs to the past.
30:14I already made my life without you, I'm sorry.
30:19I don't know what the hell you see in Renata's insignificance,
30:23but one thing I do tell you, if it's not for me, it won't be for anyone, much less for her.
30:30And if I'm suffering, you're going to be too, Federico, you'll see.
30:35I swear, you'll see.
31:01How do we make what's ours possible?
31:17And that once and for all it stops being something impossible.
31:26I'll put a six and an eight and a half to the side.
31:30It's the same, right?
31:31It's the same, yes.
31:32Yes, it's the same.
31:41Sebas.
31:48Are you okay?
31:50Which one did you like more?
31:51I don't know.
31:52I don't know either.
31:57Either of the two.
31:59It's just that both were very good.
32:00I prefer yours, the truth is that the chocolate one was much better.
32:04Yes.
32:08Pedro.
32:10Pedro, behave yourself.
32:15You're making me drunk.
32:17Why, who am I?
32:19I don't know, maybe you need something.
32:22Carla, Carla.
32:24Hey, Carla.
32:27Carla, I'm talking to you.
32:29Pablo, what are you doing here?
32:32It's Pablo.
32:34You're completely drunk.
32:36Me, drunk?
32:38You drank more.
32:41Who is he, who is Pablo?
32:42I'm his husband, idiot.
32:44Who are you?
32:45I don't know, Pele.
32:46Who are you?
32:47Hey, Pablo, what are you doing?
32:48Who are you?
32:49Who are you?
32:50Pablo, help!
32:51Help!
32:52What's going on here?
32:53Hey, hey, hey, hey, hey.
32:54Please.
32:55What's going on here?
32:56Please withdraw the three of you from here.
32:58You are in a state of drunkenness.
33:00And we don't want problems in the casino.
33:02So please withdraw.
33:03We're playing.
33:04Please withdraw.
33:06Grab your bag, now let's go.
33:07Let's go.
33:08My bag.
33:11Look, you're just a disaster.
33:13What a disaster, me?
33:15Pablo, I didn't tell you.
33:16I won.
33:17And then I lost.
33:19And then I won again.
33:21And then I lost everything, Pablo.
33:23I lost everything.
33:24You're a disgrace.
33:25That's why you didn't answer the phone.
33:26Let's go, now.
33:27Stop!
33:28Grab your bag and let's go.
33:29Let's go.
33:30I was having such a good time.
33:46You miss me so much, don't you?
33:48I miss you too.
33:49I miss you too.
33:51I miss you too.
34:08I love you.
34:10Oh, no, Daniel.
34:11I think it was a mistake to come here.
34:14Love is never a mistake.
34:16I'm sorry.
34:18We hurt the people we love.
34:22Mario asked me to reconsider the decision to divorce him for Maca.
34:27And are you going to do it?
34:29I don't know.
34:31But I think that as long as I think about it,
34:33the best thing is that we don't see each other.
34:38I just hope you like my playlist.
34:40I'm sure I do.
34:42I really like music.
34:43It's something I inherited from my dad.
34:46You know, you talk so much about him,
34:47that it would have been an honor to meet him.
34:49I'm sure you would have gotten along very well.
34:51Not only at work, but also personally.
34:54Well, if you're so similar to him,
34:55I think we would have been great friends.
34:57Don't you think?
34:59I saw your exhibition in Los Angeles.
35:01The review.
35:03It was amazing.
35:04Congratulations.
35:05Thank you very much.
35:07You know,
35:08my dad was the first to support me
35:10when I told him I wanted to dedicate myself to art.
35:14I miss him so much.
35:15I miss him so much.
35:18In the family,
35:19I no longer have anyone to share those gifts with.
35:21Well,
35:22we'll have to find someone to do it, right?
35:24Nice to meet you, Claudio Altamirano.
35:26I applied for the candidate.
35:27I like art,
35:28and I would like to know your works.
35:30Count on it.
35:31Then promise me that you will invite me
35:32to your next exhibition.
35:34Yes, of course.
35:35I mean, well,
35:36I don't know when the next one will be,
35:37because first I have to see
35:39everything about the remodeling of the factory,
35:41see that my mom accepts the transformation
35:43before he wants to sell it,
35:44as Pablo wants.
35:46Fatima, if you want to keep it,
35:47I can help you.
35:48Yes?
35:49And convincing your mom,
35:50we can do it together.
35:52I don't know.
35:53Mrs. Greta is not easy to convince.
35:56Don't underestimate me.
35:57I can also be stubborn
35:58and I don't like to receive a no as an answer.
36:05Well, let's go get my suitcase.
36:07Let's go.
36:14I don't want to get away from you.
36:16Now more than ever,
36:17we need to be close.
36:19I'm willing to do everything for you.
36:20Everything, everything, everything.
36:22I know.
36:23But understand,
36:24this is the most important decision of my life.
36:27And like Mario,
36:28Maca is my priority.
36:31It seems very good to me that it is, my love.
36:34But you can continue being it
36:35without the need for you to continue
36:36married to my cousin.
36:40Yes, but you don't know the fear
36:41that gives me that Mario takes Maca to Guadalajara.
36:45If really Maca is also Mario's priority,
36:47there will be nothing that can hurt her
36:49and much less keep her away from you.
36:51A girl needs to be with her mom
36:53and she knows that.
36:57Don't let Mario pressure you, my love.
37:00Our love has to overcome all obstacles.
37:03And this is just one of them.
37:07I love you.
37:08And nothing, nothing, nothing, nothing
37:09will separate us.
37:12Ay, como si nada.
37:19She is the lady who wants to see you, doctor.
37:22Good morning.
37:23Good morning.
37:24Thank you, Vero.
37:27Tell me,
37:29what can I do for you?
37:31Look, doctor, I ...
37:33My name is Jesusa Martínez.
37:35I don't know if you remember me, but
37:37I worked for Mrs. Greta Saraldi,
37:40daughter of Mr. Agustín Saraldi,
37:42owner of the plastic factory.
37:44Jesusa?
37:45Yes, Jesusa.
37:47Jesusa, Jesusa.
37:50No, I don't remember you,
37:52but I do remember Mr. Saraldi's factory.
37:56I think he died many years ago, right?
38:00Yes, almost 30 years ago.
38:02But well, his daughter Greta was his patient.
38:05He had his first daughter with you 33 years ago.
38:09Then we went to live in Mexico City
38:12and well, he stopped being his patient.
38:16Tell me, Jesusa,
38:18how can I help you? What do you need?
38:21We need Mrs. Greta's file, doctor.
38:24The ultrasound you gave her,
38:27the pregnancy record,
38:29in short, everything related to that.
38:36Miss Fátima, nice to see you.
38:39I take this opportunity to personally give you
38:41Mr. Gonzalo's condolences.
38:43Thank you, Martín.
38:45I want to introduce you, he is Claudio Altamirano.
38:47Nice to meet you.
38:49Likewise.
38:52Martín was my dad's right-hand man.
38:54He operates from here and my dad did it from Mexico City.
38:57You know, getting customers, making orders,
39:00well, anyway, things that I'm sure you know.
39:03Yes, I know perfectly well.
39:05You don't know the pleasure it gives us to receive you.
39:06The other day Pablo came to evaluate the factory
39:10and we were all very sad thinking they were going to sell it.
39:14But with your proposal to transform it, we are very excited.
39:18I hope we can do it, Martín.
39:20I hope, miss, because there are employees who have worked
39:23since your grandfather Agustín started the factory.
39:26There are many who are already retired,
39:28but who continue to come because of the affection they have for the factory.
39:31The idea is to rescue it, as Mr. Gonzalo would have liked.
39:33If it's not an inconvenience,
39:35I would like to take a tour of the factory.
39:37No, of course, that's what we came for.
39:39In fact, can we?
39:41Go ahead, of course.
39:47And what is that for?
39:49It's just that she's not doing very well in health
39:52and the doctors who are attending her
39:54need her clinical history to corroborate some data.
39:59Well, I honestly don't think I have that experience.
40:03Please, doctor, help us.
40:06It is of vital importance that we have them.
40:09Yes, yes, but when I left the office,
40:11I brought the files with the files that had not been digitized,
40:16but for the years that you tell me that Mrs. Saraldi was my patient,
40:21I don't think she still keeps them.
40:27Good morning, engineer.
40:29Excuse me.
40:31Is it possible to know where you got yesterday
40:34that we didn't find you anywhere?
40:36First of all, I offer an apology.
40:38I had to go to the hospital.
40:40They still don't give me a raise and I forgot my phone.
40:43Then I had many meetings outside the office.
40:45I recovered my phone until the night.
40:47I guess you already found out what happened yesterday with Brenda.
40:49Yes, yes, when I recovered my cell phone,
40:51I saw all the messages I had,
40:53but it was too late to report.
40:56Good morning.
40:58Come in, son.
41:00Adrián was explaining to me why he was out of touch yesterday,
41:03but well, he's here now.
41:05And what do you have to say about Brenda?
41:07Well, I talked to Brenda, she told me what had happened
41:10and she wants me to help her.
41:12And why would you have to help her?
41:15Are you involved in what she did?
41:17No, Federico.
41:19What Brenda did is my fault.
41:22I'm leaving.
41:24But you just got here.
41:26I know, but Maca was left alone with Gertrude
41:28and I don't want her to get anxious
41:30or suspect that I'm here with you.
41:33Barbara, we have to define this situation.
41:35We can't prolong it.
41:37Oh, I know, love.
41:39I don't want to prolong it,
41:41but I can't rush it either,
41:43because I don't want to get in trouble.
41:45I don't want to get in trouble,
41:47but I don't want to get in trouble,
41:49because I don't want to get in trouble,
41:51because I don't want to make any decisions.
41:53Mario proposed to you,
41:55to stay,
41:57to remarry,
41:59but you don't love him.
42:01And you know that's not going to work,
42:03so don't give him another chance.
42:06And, my love, I swear I'm going to dedicate my life
42:08to making you happy
42:10and making Maca forgive me
42:12and make her love me again.
42:14My love,
42:16I don't want to feel pressured.
42:18No, my love, it's not pressure.
42:19It's a reality.
42:21That's why I think you should get a divorce as soon as possible.
42:26Barbara,
42:28what do you think,
42:30if Maca and you move in with me
42:32to a house I rented in town
42:34and together with the baby you're expecting
42:36we can start a new family?
42:39What do you think?
42:49Yes.