Quiereme Siempre (Ya Çok Seversen) - Capitulo 38 (Español)
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Short filmTranscript
00:00Why did we stop here?
00:26I can't open it.
00:33Come here, Berit. Slowly.
00:36Wait for me, Hilgast.
00:43I'll do it alone.
00:44Let's go.
00:45I'm hungry.
00:48Where have we come?
00:50I don't think this is the school.
00:52We've come to pick up Hilter.
00:54Hilter is going home alive.
00:56It's a surprise.
01:01My God.
01:03Who could it be?
01:14Surprise!
01:16We've missed you, Hilter.
01:18A lot.
01:21Oh, my God.
01:23Children, what a surprise to see you here.
01:25Come in.
01:27Come in.
01:29Come on.
01:31We won't be long.
01:33Welcome.
01:35Berit, come in.
01:37That's it. Come in.
01:39Leila, come in.
01:41It's so pretty.
01:43It's very pretty.
01:45Hilter, your house is almost as old as yours.
01:49You have the prettiest house, Hilter.
01:51Mercier, are you a painter?
01:53No. I wish I was.
01:58We couldn't go without you, Hilter.
02:00I hope you like it.
02:02Of course.
02:04Hilter.
02:06You know I feel very guilty about what happened.
02:10I'm sorry.
02:12Yes.
02:14We all miss you a lot.
02:16Yes.
02:17Come back, Hilter.
02:19We won't be able to visit you again
02:21because school starts soon.
02:24Come on, please. Come back.
02:26Please.
02:28Come on, please. Come back, Hilter.
02:30Come on, Hilter. Come back.
02:32Please. Please.
02:34We want you to come back.
02:36Okay, you know what?
02:38I'm not used to silence either.
02:41Even one night has been too much.
02:44Well, come back.
02:46I've missed you.
02:48Well, why don't we have breakfast?
02:50I'm very hungry.
02:52Of course. Come on.
02:54Let's set the table.
02:56We bought some simmits for breakfast.
02:58Simmits, simmits, simmits.
03:00Where's the kitchen, Mr. Hilter?
03:02Excuse me.
03:04In front. In front.
03:06That's it.
03:08The Chorex are here.
03:10Chorex, over here.
03:12Ates, put the stove on that side.
03:14The gas, this is for you.
03:16Thank you very much.
03:18Hey, Hilter. Are you coming back?
03:20Are you coming back, Hilter?
03:24Look, Hilter.
03:26Ates and Leila haven't slept
03:28just to make you the comet.
03:30Please, come back.
03:32Ates and Leila haven't slept
03:34just to make you the comet.
03:36Please, come back.
03:38Hilter, we've missed you a lot.
03:42I'll never call you Messiah again.
03:46You can call me Messiah
03:48or whatever you want, my little damsel.
03:52So what?
03:54Will you come back, Hilter?
03:56What do you say?
04:02If you want me to come back so much,
04:04how can I not do it?
04:06Then we'll have you at home.
04:08Got it!
04:12Thank you very much.
04:14Then...
04:16Bon appetit.
04:18Bon appetit.
04:20Let's eat breakfast.
04:22But first, Hilter.
04:32Bon appetit.
04:38Will you give me the honey?
04:40Eat it.
04:46In your feet, Kundra
04:48In your feet, Kundra
04:50In your feet, Kundra
04:52In your feet, Kundra
04:54If you come back, Dura
04:56If you come back, Dura
04:58I'll die, I'll die
05:00Keep it.
05:08Today, everyone has left except you and me.
05:12Have you seen Meriem and Varys
05:14hiding somewhere?
05:16Huh? What's wrong?
05:18Are you mute?
05:20Of course not.
05:22Who do you think you are, huh?
05:24Hilter brought you here, didn't he?
05:26You've got a big head, too.
05:28Look, son, you don't know this place.
05:30It's like Texas, like Texas.
05:32Look, the employees and the money
05:34have disappeared.
05:36And now...
05:38I don't know.
05:40If I make a new team
05:42or stay to work honestly,
05:44I'll be one of the good guys.
05:46What do you think?
05:50Well,
05:52being a gardener isn't bad.
05:54But it's not exciting.
05:56No, it's not exciting.
05:58Not at all.
06:00Look, this house is very good.
06:02You like it?
06:04You'll see.
06:06There's never a lack of action here.
06:08It's like a movie.
06:10There's love, there's intrigue.
06:12Unleashed passions.
06:14It's like a movie, I swear.
06:16There are family conflicts.
06:18It's barbaric.
06:20And when you see Atesia Leila,
06:22you feel that love does exist.
06:24What are you telling me?
06:26You wouldn't understand.
06:28You're a fool.
06:30I'd better go get the money.
06:32Where is it?
06:34How barbaric.
06:44It'll be better if this time
06:46you come home with me.
06:54Let's go.
07:08Let's go.
07:14Come on, let's go.
07:16Who is Ilter?
07:18She is...
07:20She's an old friend, Miss Berit.
07:22Of course, like everything,
07:24yours is very old.
07:28Mr. Ilter, the trunk is full.
07:30I'll put your things in the back seat.
07:32Okay, be careful.
07:34I'll take what you have in your hand.
07:38Ilgas, I think you want to go
07:40in the car with Berit again.
07:42Berit, shut up, shut up.
07:46Okay, let's go.
07:48Come on, let's go.
07:52Let's go.
08:10Berit sees everything.
08:12What does she see?
08:14Well, she can't escape
08:16a relationship.
08:18What do you mean?
08:20Well, ours.
08:22For example.
08:26Don't you think?
08:28Do we have
08:30a relationship?
08:32You'll see.
08:34I don't know.
08:36She sees it that way.
08:38That's what it seems.
08:40That's how it is.
08:42She's always aware
08:44of everything that happens.
08:46She has realized everything.
08:48Although I haven't said anything.
08:50Yes, of course.
08:56When do you want to start studying?
08:58Well, whenever you want.
09:00Well, as soon as you have free time.
09:04I always have time for you.
09:06Are you always available for me?
09:10I'll always be.
09:14Me too for you.
09:18Let's go.
09:32Let's go, Hilder.
09:34Hilder, let's go.
09:36Look, let's go there. It's beautiful.
09:38Mr. Hilder.
09:40Here is our comet.
09:42Thank you very much.
09:44I want to go there.
09:46Let's go.
09:56God, how boring.
09:58We'll stay here for a while
10:00and then we'll leave.
10:02Ah, our escape bride is here.
10:04Welcome.
10:08I wasn't expecting you.
10:10Beautiful comet.
10:12Hey, you came very prepared.
10:16You may not know, but I come every year.
10:20You didn't like these things,
10:22but look, this year you came as a family.
10:24Well, Vigée doesn't like
10:26this kind of events either,
10:28but you never know what people will surprise you with.
10:30Who would have thought that you would marry
10:32an institute that is dedicated to
10:34swindling people, but life is full of surprises.
10:36It's true.
10:38It's true.
10:40Vigée, let's go with the kids.
10:42Have a good time.
11:08No, no, there's a much better place later.
11:10I'd like to take you there.
11:14You're so charismatic.
11:16You have it all.
11:18It seems you know what you're doing.
11:20You deserve the best, Myriam.
11:24It's for my job.
11:26I'm learning from Mr. Athes.
11:34Oh, no, number 8.
11:36Number 8?
11:38Number 8's ex-husband.
11:40Ex-husband?
11:42Sister-in-law?
11:44Are you kidding? I'm not your sister-in-law.
11:46I'm sure you're mistaken. I don't know you.
11:48Sure, people can look a lot alike.
11:50She's mistaken.
11:52No, I'm sure I know you, but you don't have to run away.
11:54What? Why?
11:56It's over.
11:58What's over?
12:00What are you talking about, Myriam?
12:02It's in the past. Ex-husbands, you know.
12:04Oh, you're one of the ex-husbands.
12:06I'm so sorry.
12:08Thank you very much.
12:10With Mr. Athes?
12:12He paid your debt.
12:14That's why I took the complaint.
12:16Is that true?
12:18It is.
12:20Hey, forgive what we did to you.
12:24Athes?
12:28We have to wait for the wind to blow.
12:30Okay.
12:32Merid, be careful.
12:34What happened?
12:36Nothing happened.
12:38Ilter, you've done it very badly.
12:40Merid, honey, let's fly this one.
12:42Okay.
12:44But Mr. Umut, isn't it a little big for Miss Merid?
12:46It's not that big.
12:48Ilter, don't worry. I'll teach her.
12:50Do you know how to make a comet fly?
12:52Of course I do.
12:54I used to play with comets when I was little.
12:56I taught the kids at my school to play with them.
12:58Wow, is that true?
13:00Of course. Hey, if you want, I'll teach you too.
13:02Okay.
13:04Umut has a lot to teach the kids.
13:06Before Athes came here,
13:08you two used to have a lot of fun together, right Umut?
13:10Wouldn't it be great if you two could be together again?
13:12It would be great, right?
13:14Great.
13:16Hit it.
13:18Are you two dating?
13:24Merid, honey,
13:26aren't you a little too young to ask about those things?
13:28No, because I know everything.
13:30Yes, she knows.
13:32Really?
13:34What kind of things do you know, for example?
13:36For example, Athes and Leila are more fun than you.
13:38Miss Merid,
13:40you're going to have to excuse us for a moment.
13:42Come on, we'll fly her over there.
13:44Let's go.
13:46You're so smart.
13:48Kids are like that.
13:50It's what they are.
13:54Besides,
13:56it doesn't seem like they're having
13:58a great time either.
14:00Well,
14:02they're not usually like that.
14:04They've been having problems lately.
14:06It's normal, Aidos.
14:08After all, their marriage isn't real.
14:10What do you mean?
14:12Umut.
14:14What?
14:16It's true.
14:18They don't have a real relationship.
14:20How are they going to have fun like that?
14:22It's impossible.
14:24Anyway,
14:26I'll take care of everything.
14:28Don't worry.
14:30Are we going to fly a kite?
14:32Come on, let's go.
15:00Well, well, well.
15:06Let's see.
15:08Who are Leila's parents?
15:18Good morning, Elsa.
15:20Good morning, Aidos.
15:22Good morning, Miss Merid.
15:24Good morning, Aidos.
15:26Good morning, Aidos.
15:28Good morning.
15:30Mr. Haldun is here.
15:32And you are?
15:34Fusun Arjali.
15:36You may come in.
15:38I'll let him know.
15:44Mr. Haldun,
15:46Fusun Arjali is here.
15:48Let him in.
15:50Come in.
15:52Hello.
15:54Good morning.
15:56Fusun Arjali.
15:58I'm here to talk about your daughter,
16:00Leila Denise.
16:08Good.
16:14Let's go.
16:16It's not like that.
16:18Look, look, look.
16:20It's not like that.
16:22You're lucky.
16:26I call them bad boys.
16:28What do you mean?
16:30It's how I call rich kids.
16:32Bad kids.
16:38Here they come.
16:42Hi, Ilgars.
16:44How are you?
16:46Very well.
16:48Aren't you going to introduce us to your friend?
16:50How are you?
16:52I'm Buse.
16:54What class are you in?
16:56I'm Ilgars' driver.
16:58What?
17:00His driver, you say?
17:02You don't look like a poor guy.
17:04But he's got money written on his forehead.
17:06Get out of here.
17:08Let's go.
17:10I broke up with Zeynep years ago.
17:14Although I did take care of Leila.
17:16My driver used to go to the orphanage
17:18to visit her.
17:20But they told us she had escaped
17:22and we lost contact with her.
17:24But why did you leave your daughter?
17:26Leila is not my daughter.
17:28What are you saying?
17:32So why did you decide to worry about Leila?
17:34Look,
17:36you don't have to hide anything from me.
17:38Don't worry.
17:40I'm not here to cause you any trouble.
17:42Look,
17:44I don't know why
17:46you're investigating her,
17:48but she's not my daughter.
17:50I have nothing more to say about this.
17:52If you'll excuse me.
17:54But...
17:58I'll go with you.
18:00Look,
18:02Leila has to find her mother.
18:04The poor thing has been looking for her
18:06for many years. Please.
18:10I'll tell you everything I know.
18:12But I don't want this to affect us at all.
18:14Don't worry.
18:16I promise you that none of this will affect you.
18:18Promise me you'll keep that woman
18:20and her daughter away.
18:22Of course.
18:38Is this your scandal of the year?
18:40In love with a driver.
18:42The gas and the driver are great.
18:44And that poor man's name...
18:46What are you saying?
18:48What did you think?
18:50Forget it. Let's get out of here, Ilgas.
18:52Why are you so angry?
18:54If you're ashamed, don't go out with him.
18:56I'm not going out with the bad guys, Chris.
18:58What did you say? What did you call me?
19:00What are you doing?
19:02Shut up!
19:04Shut up!
19:06I'll kill you!
19:08I'll kill you!
19:10Get out of here!
19:12I'm going to kill you!
19:14Don't fight.
19:16Don't let go of my hand.
19:18Calm down.
19:20She insulted me.
19:22I only called you Malky.
19:24I'm sorry, guys.
19:26Come on, Ilgas. Apologize and that's it.
19:28Apologize to them.
19:30It was a misunderstanding.
19:32Malky is not an insult.
19:34It's more like a nickname.
19:36They're just kids.
19:38Our children don't know that word.
19:40But it's something you're familiar with.
19:42The con woman?
19:44I'm sorry, what are you saying?
19:46She's not the con woman.
19:48She's been promoted to Mrs. D'Argelly.
19:50What are you saying?
19:52Let's all calm down.
19:54Let's not talk about this anymore.
19:56That's our intention.
19:58I'll call the board.
20:00Ilgas has messed with the driver
20:02because his brother married the con woman.
20:04What are you talking about?
20:06Didn't your parents teach you?
20:08Who do you think you are?
20:10Don't say anything again.
20:12Get out of here.
20:14Calm down.
20:16He's right.
20:18He's just like his brother.
20:20Look, I won't warn you again.
20:22So be careful with what you say.
20:24Let's go.
20:26Wait a minute.
20:28Did you see that?
20:30He wanted to attack me.
20:32Ilgas attacked me too.
20:34But it was the other way around.
20:36What's the problem?
20:38I have a complaint.
20:40You insulted us first.
20:42Calling the board is an insult?
20:44Look, school starts today.
20:46They scared the kids.
20:48Can we end this, please?
20:50Clear this area.
20:52Miss.
20:54What have you done?
20:56My God.
20:58Can you clear the area?
21:00What can we do?
21:02How do we clean this?
21:04What do I do?
21:06You ruined my clothes.
21:08Let's go.
21:10You'll pay for this.
21:16What are we going to do?
21:18We don't have time.
21:20Yes, we do.
21:22The model is ready.
21:24We need her approval.
21:26We'll wait.
21:28Yes?
21:30Hello, Miss.
21:32How are the preparations going?
21:34Everything is going well.
21:36Unfortunately,
21:38the session has been postponed.
21:40And now chaos reigns.
21:44Has Leila arrived?
21:46No, she hasn't answered my offer yet.
21:48But I'm trying to contact her.
21:50She doesn't change.
21:52She's always a little late.
21:54She's with the kids right now.
21:56But I'm sure she'll accept.
21:58I hope so.
22:00By the way,
22:02there's something I wanted to talk to you about.
22:04I'm going to the studio.
22:06Wait for me there.
22:08Okay, I'll wait for you.
22:18Berit is sleeping.
22:20He's fallen asleep.
22:22That's better.
22:24Well, let's see what kind of punishment
22:26we give you two.
22:28What punishment?
22:30What did I do?
22:32What did you do?
22:34You put on a show.
22:36I don't know if you noticed,
22:38but you'll be punished at school.
22:40Who's going to punish you?
22:42You attacked that man.
22:46Ilgas, I think Leila deserves a punishment too.
22:48Not just our brother.
22:50What?
22:52Me? Why me?
22:54Do you know why these things happen?
22:56Because of the games you play with us.
22:58The games?
23:00That's right.
23:02I'm sorry.
23:04What are you talking about?
23:06Umut told me everything.
23:08I know your marriage is not real.
23:10It's a fraud. I know everything.
23:12Let's see, Eidos.
23:14I think your brother Umut
23:16has been fooling you.
23:18Because none of that is true.
23:20If it were, why would we even live in the same house?
23:22Yes, my love, that's right.
23:24Honey, say something.
23:26Is that so? Okay, I'll believe you.
23:28I'm going to my room.
23:32You only fool yourselves,
23:34not us.
23:36Always throwing darts before leaving.
23:44That's enough.
23:46Where's Meriem?
23:48Where? I need a cup of tea.
23:50I beg you, Messiah,
23:52never leave again.
23:54I'm sorry, Mr. Hilter.
23:56I'm happy and excited to see you.
23:58Welcome.
24:00Welcome, welcome.
24:02Hello, Mr. Hilter.
24:04We're happy. We missed you.
24:06It was heartbreaking to lose you.
24:08Let's go, let's go.
24:10Thank you, Mr. Jakub,
24:12but I can't teach you the meaning
24:14of the word heartbreaking anymore.
24:18I'll never be able to get this man to accept me.
24:20Come here.
24:22Hurry.
24:26Hey, what's going on?
24:28You won't believe it.
24:30What?
24:32I went out for a walk with Merty,
24:34and guess who I saw?
24:36The ex-husband number eight.
24:38What are you saying?
24:40Did you talk?
24:42Yes, he came up to talk to me
24:44and nothing happened.
24:46What do you mean, nothing happened?
24:48Explain yourself.
24:50He paid the debts of the ex-husbands
24:52and he saved us.
24:54Meryem, what are you saying?
24:56Are you serious?
24:58Of course it's true.
25:00How could I make that up?
25:02I'm sure he saw the announcement
25:04of your engagement in a magazine
25:06or a newspaper.
25:08Then he looked for Ates,
25:10told him everything,
25:12and he paid him for what we had stolen.
25:14And he went and withdrew the complaint.
25:16That's how Ates found out about everything?
25:18What if he did the same thing
25:20with the others?
25:24Okay.
25:26I'm going to talk to him.
25:28Go, go, go.
25:34I have to get the trash out.
25:42Why did you do that, Ates?
25:44Do what?
25:48Ed,
25:50you gave money to one of the men
25:52we swindled.
25:54I gave money to all of them,
25:56but
25:58they withdrew their complaints,
26:00so you're innocent.
26:02Yes, but why?
26:04Why did you help me like that?
26:06It wasn't just you,
26:08it was all of you.
26:10I wanted to believe you did it
26:12because you had no other choice.
26:14You wanted to believe it
26:16and now you don't believe me?
26:18It's not that I don't believe you,
26:20I just didn't know at the time,
26:22or I have to remind you that you lied to me.
26:24So I had plenty of reasons
26:26not to believe you.
26:28How was I supposed to know
26:30you did it to find your mother?
26:32I understand.
26:34They're calling you.
26:40Tell me, Firuzid.
26:42Leila, how are you?
26:44I'm fine, thank you.
26:46I'm calling because I wanted to know
26:48your answer because the photo shoot
26:50was postponed.
26:52If you say yes, I can send a car
26:54to pick you up right now.
27:00What do you say?
27:04I accept your offer.
27:08If you send me the address,
27:10I'll get there myself.
27:12Okay.
27:14Thank you very much.
27:18Is that the offer you hid from me?
27:20It's the offer we're talking about.
27:22As you've heard, it's already been accepted.
27:24I have to go.
27:28Will you never stop being so clueless?
27:30I don't think so.
27:32I understand.
27:34Anyway, go get ready.
27:36I think I'll go with you.
27:38I'm his partner for a reason.
27:40Come on.
27:46Let's check everything, okay?
27:48The food, the drink...
27:50Ah! Leila!
27:52Welcome, thank you for coming.
27:54Thank you, Firuzid.
27:56Although everything is quite sudden,
27:58so I don't know if I'll be able to do it right.
28:00You'll do it right, don't worry.
28:02Come on, they have to make you up.
28:04I've already put on make-up.
28:06It'll be better if they touch you up.
28:08Of course, of course.
28:10This way.
28:16You haven't introduced yourselves.
28:18I'm Firuzid.
28:20I'm Atesh, nice to meet you.
28:22Ms. Firuzid,
28:24I'm sorry, but I have to tell you this.
28:26You've come into our lives
28:28all of a sudden,
28:30and you've signed a contract
28:32with our company,
28:34and Leila will be the image of your brand.
28:36That's strange.
28:38Actually, being in the same industry,
28:40we have many mutual acquaintances,
28:42hence the speed.
28:44In fact, you may not know this,
28:46but I went to your wedding,
28:48and for me, the strangest thing of all,
28:50happened at that wedding, right?
28:52Yes, it was strange.
29:00Hello, everyone.
29:02Dear Atesh.
29:04What are you doing here?
29:06Oh, Atesh,
29:08being here is the most normal thing,
29:10because I was the one who closed the deal.
29:12However,
29:14the surprising thing is that I find you here.
29:16Don't you like these things?
29:18What happened?
29:20Ah, of course,
29:22you didn't want to leave your fake wife alone,
29:24did you?
29:26That's right.
29:28I didn't want to leave my wife alone.
29:30You know what happens
29:32when a person alone ends up interfering
29:34in the lives of others and bothering them.
29:36I'm very excited
29:38to collaborate with Arjali.
29:40I hope we all end up satisfied with this.
29:42Well,
29:44Mrs. Atesh, I'd like to talk about the deal,
29:46if you have time.
29:48That would be great.
29:50I don't think we should bother you,
29:52Mrs. Seine.
29:54Did I say Seine?
29:56Oh, sorry, I got confused.
29:58It's Firouzeh.
30:00We could talk about it
30:02among ourselves.
30:06Where?
30:08Over there? Let's go.
30:10Okay, see you later.
30:14My name is Berk.
30:16Thank you very much, my name is Leila.
30:18Very nice to meet you.
30:20You're very kind, thank you very much.
30:22What should I do?
30:24Sit down.
30:26Yes.
30:28Let me help you.
30:34Very good, great.
30:36Great.
30:56You must be proud of Leila.
30:58She has become
31:00a very beautiful and talented woman,
31:02don't you think?
31:04Although you have not had
31:06to see anything
31:08in your education,
31:10and that's very embarrassing, don't you think?
31:12Mrs. Seine.
31:20It's a real shame.
31:22You are the only one
31:24responsible for all this.
31:26How can someone
31:28leave a little,
31:30innocent girl
31:32in the middle of the park?
31:34And to do that
31:36just for a man.
31:38Mr. Haldun did not want her.
31:40He gave up his daughter
31:42for the sole reason
31:44of becoming rich.
31:46Of course,
31:48that was much more
31:50important.
31:52It was not as you think.
31:54And how was it?
31:56I had things to take care of,
31:58but I regret it.
32:00Because that man did not let me see my daughter.
32:04Mr. Haldun sent
32:06his driver to see Leila from time to time
32:08to ease his conscience.
32:10That was enough for him.
32:12But what I do not understand
32:14is how he could not
32:16find a clue
32:18about Leila
32:20after leaving Mr. Haldun
32:22in a more tragic situation today.
32:26Leila.
32:28If I knew
32:30that your mother left you
32:32for a simple man,
32:34do not tell Leila anything about this.
32:36Please.
32:40I do not see why I should not
32:42tell you anything, dear.
32:44I have organized all this
32:46and I am here now precisely
32:48to tell you that I am your mother.
32:50Why are you here if not?
32:52Yes, that's why I'm here.
32:54I know well that you hate me now.
32:56But I have to tell you that I am your mother.
32:58I just want you to be fine.
33:00I just want to do something for your future.
33:02Nothing else.
33:04Well, I'm sorry.
33:06Because when I tell Leila that I am her mother,
33:08she will take it.
33:10It will be very hard for her.
33:12It will be terrible.
33:14You know what?
33:16What happened at the wedding
33:18was quite traumatic for her.
33:20But this is worse.
33:22You're right.
33:24I'm not such a bad person, you know?
33:26I'm willing
33:28not to ruin
33:30the relationship you have
33:32if you behave well.
33:36Okay.
33:40Excuse me.
33:42Do you think it's funny?
33:46So?
33:48I'm sorry.
33:50Do not worry.
33:52Oh,
33:54she finally gets it.
33:56How smart.
34:02You know, it's wonderful.
34:04I love it. What a great session.
34:06Congratulations.
34:08Leila doesn't look like a beginner at all.
34:10Well done.
34:12Let's do the following.
34:16What I want is that only my name
34:18is mentioned in this collaboration.
34:20So,
34:22you won't talk about Arjali
34:24as a company.
34:26You will mention Fusun Arjali everywhere.
34:28And, of course,
34:30we will increase the price
34:32we agreed on just a little bit.
34:34Okay.
34:36Deal?
34:38Great.
34:40Then we have a deal.
34:46Why don't you go see your daughter
34:48up close?
34:50What a shame.
34:52It's too traumatic.
34:54I'll leave her alone with her daughter for a while.
35:02Leila, I appreciate it.
35:04You've made my job a lot easier.
35:06Thank you very much.
35:08Hey, do you think I could take a look at the photos?
35:10Sure, sure. Let's go.
35:12Let's look at them.
35:14Let's see.
35:18Oh, they're beautiful.
35:20I love them.
35:22You look gorgeous.
35:30I really appreciate it.
35:32You have a beautiful profile and a beautiful smile.
35:34Thank you very much.
35:38If you still have time,
35:40why don't we go for a coffee?
35:42I'm afraid my wife and I have work to do.
35:44Is that true?
35:46Yes, my love.
35:48Leila, you've done a great job.
35:50Thank you very much.
35:52I'm glad you're here.
35:56Mrs. Firouze, if you don't mind,
35:58let's go over the details of the contract
36:00when it's ready.
36:02I'll go over it with Mrs. Fusun and send it to her.
36:04That's right. Don't worry.
36:06See you later.
36:08Goodbye, everyone.
36:10Goodbye.
36:12Okay.
36:14Well, honey,
36:16we should go now.
36:18Sure, but let me change first, okay?
36:20Sure. It's been a pleasure.
36:22Yes.
36:26Thank you very much, honey.
36:32Well, see you later.
36:34See you later.
36:36And thank you for everything.
36:44Good night.
36:46Good night.
36:52Good night, Silgas.
36:54Good night.
36:56Good night.
36:58Are you going to each of your rooms?
37:02Well,
37:04it's a habit.
37:06A habit?
37:08A habit.
37:10It's a habit.
37:12It's better if you come,
37:14you know.
37:16Yes.
37:18Let's go.
37:20Okay.
37:22Let's go.
37:32Let's see.
37:36I can't go out now.
37:42Well,
37:44no.
37:46And besides, there's no other bed.
37:48Well, let's take a shower now
37:50and we'll solve it.
37:52What do you think?
37:56Two beds or maybe a bunk bed.
38:02Okay.
38:04Great.
38:06Now,
38:08let's do this.
38:12I guess you're kidding, right?
38:14This isn't serious.
38:16This is your territory.
38:18Good night.
38:20Good night.
38:22Are you
38:24going to sleep with your shoes on?
38:26Huh?
38:32It seems you don't like it.
38:34Well, it's not very pleasant.
38:42Sorry, this is your limit.
38:44It's better if you don't cross it.
38:46Okay.
38:48I'll say the same.
38:52Should we turn off the lights?
39:12Good night.
39:14Good night.
39:42What are you doing?
39:56What are you doing?
39:58Hey, what are you doing?
40:00What?
40:02What are you doing?
40:04Let's see.
40:06Why were you hugging me?
40:08I was hugging you?
40:10What? Hey, I'm still in my zone.
40:12It was you. You're like an octopus.
40:14You stuck to me.
40:16Sorry, wait a minute.
40:18I was the one who put the pillows.
40:20Remember?
40:22Why was I going to cross your territory and hug you?
40:24If you open the borders, I cross them.
40:26I'm in my zone.
40:28In my zone.
40:30Do you think the pillows work?
40:32Do you really think they're going to stop us?
40:34What's wrong?
40:36You wanted to touch me, didn't you?
40:38And you pushed me.
40:40And you said, Leila, you're occupying my zone.
40:42Go to yours.
40:44I'm leaving.
40:46Goodbye.
40:48Now both zones are yours.
40:50Enjoy.
41:04Come on, kids, let's eat.
41:06Where are Tess and Leila?
41:08They'll be here soon.
41:10Let's eat.
41:12Good morning.
41:14You're finally here.
41:16Yes.
41:18Good morning, Silgas.
41:20It's late, let's go to Idost.
41:22Wait a minute.
41:24Mertos will take us.
41:26Eat slowly, don't choke.
41:28Okay.
41:30Wasn't it Varys?
41:32I don't think it's a good idea after what happened yesterday.
41:34I agree.
41:36I'm leaving.
41:38Goodbye, Meriem.
41:40I'll walk you to the door.
41:42Ilter, sit down.
41:44Eat something, please.
41:46Thank you very much.
41:52Good morning.
41:54Good morning.
41:56Your backpacks.
41:58That's it.
42:00Let's go.
42:04I wasn't going to take you.
42:06Tess wants Mert to do it.
42:08I understand.
42:10Okay.
42:12Be careful with those.
42:14Call me if you want.
42:16Okay.
42:18Goodbye.
42:26I'm going to close the door.
42:34Goodbye.
43:04Goodbye.
43:06Goodbye.
43:08Goodbye.
43:10Goodbye.
43:12Goodbye.
43:14Goodbye.
43:16Goodbye.
43:18Goodbye.
43:20Goodbye.
43:22Goodbye.
43:24Goodbye.
43:26Goodbye.
43:28Goodbye.
43:30Goodbye.
43:32Goodbye.
43:34Goodbye.
43:36Goodbye.
43:38Goodbye.
43:40Goodbye.
43:42Goodbye.
43:44Goodbye.
43:46Goodbye.
43:48Goodbye.
43:50Goodbye.
43:52Goodbye.
43:54Goodbye.
43:56Goodbye.
43:58Goodbye.
44:00Goodbye.
44:02Goodbye.
44:04Goodbye.
44:06Goodbye.