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00:01You love that boy very much, but it's not your blood.
00:04It's time to do justice.
00:07I promise you, you'll be quick and you won't even feel it.
00:13Is something wrong?
00:14His brother is having trouble breathing.
00:16It's very likely that his brother won't make it through tonight.
00:20He was fine.
00:21And this afternoon he looked better.
00:23These are not my herbs.
00:24Who gave them to his brother?
00:26What did you make the boy drink, Isabel?
00:28I don't know what you're talking about.
00:29I confused the herbs that Mr. Rafael brought with others.
00:33I beg you to forgive me.
00:35I thank you for bearing the guilt.
00:37You've earned it.
00:39It would be best if I took care of this.
00:45I came to get some clothes and clean water for Pedrita.
00:48Tell me what you want to tell me.
00:49Come in and take whatever you want, Menester.
00:51Do you know whose it is?
00:53It will be yours.
00:54I had never seen it.
00:57How many prayers have we had to sacrifice?
00:59About ten.
01:00What?
01:01It's not my fault. What could I do?
01:03They have complaints about your work.
01:05Then do it better and shut up.
01:08I understand that you don't want to celebrate the wedding until your brother is fully recovered.
01:12It is understandable and human.
01:14I apologize for that.
01:16I have finished my work.
01:17And I would like to know your opinion.
01:19See?
01:20For things like that you are my favorite nephew.
01:27You haven't learned to love this place yet.
01:29I doubt you will ever do it.
01:31I am convinced that you will find something here that you like.
01:35Maybe, I don't deny it.
01:37Everything is already underway.
01:39The wedding will be celebrated in five days.
01:42To the grooms.
01:44To the grooms.
01:57I come from the fields and I can't find Gaspar anywhere.
02:00I have ordered him to talk to the people who store the crops.
02:03It won't take long.
02:11And leaving the cattle locked up in the stables is also an order of yours?
02:15Don't you get money from the animals?
02:18I had to open the fences myself.
02:20It must have been a mistake. I will talk to him.
02:22Because of such mistakes, we are in this situation.
02:25We can't lose more animals, Julio.
02:28All the farms in the region are having problems with the cattle.
02:30I don't live in all the farms in the region. I live in this one.
02:33Only with the crops we will not get ahead, Julio.
02:35And you should know that.
02:38I will talk to him.
02:40Okay?
02:41Why do you defend him?
02:43Because not everything is a mistake.
02:45And you should know that.
02:47Why do you defend him?
02:49Because not everything is a mistake.
02:51Gaspar also does a lot of good things.
02:53Really?
02:54What are they?
02:55Keeping the farmers in line, for example.
02:57And he has personally achieved several salvations for the crops.
03:00All that is missing is that after so many years he didn't do anything right.
03:03You know he won't help us with the crops, or the cattle, or anything.
03:07Your attitude.
03:09You have been very irascible since you arrived.
03:11I don't recognize you, brother.
03:14Rafael, you are no longer in the front.
03:16We are no longer enemies, this is not a war.
03:18Gaspar is a good man.
03:20And he has been working for us for years.
03:22He works hard for this farm.
03:23It's not enough, Julio.
03:25Have you seen how the lands are?
03:28What's wrong with the lands?
03:30Have you dared to step on them at least once since I left?
03:34No.
03:35I can see that you haven't.
03:36If you had, you would have realized that those lands have not rotated.
03:39Why do you think the crops are getting more and more scarce?
03:41The lands have to rest, just like the animals.
03:44You know what I'm talking about, don't you?
03:46I don't have to have them.
03:47That's what Gaspar is for, to deal with these issues.
03:49Gaspar is for the crops.
03:51But so are you.
03:54And that's how it goes.
04:14I have a wound that does not heal over time
04:27For a betrayal that pierced my heart
04:32As if it were a dagger
04:38That locked me in this torment
04:46Of silence and lies
04:49Everything I knew is getting further away
04:56I live dreaming
04:59With what fate decided to deny us
05:04Condemned to the taste of bitterness
05:08Dancing with madness
05:10Imagining that it is you
05:15I live dreaming
05:17Eternally waiting
05:20For your light to illuminate me in this wild valley
05:25For your light to illuminate me in this wild valley
05:35A year later
05:48Luisa, I've been told you've been looking for me.
05:53How beautiful!
05:54They're for the house.
05:55It's my way of thanking you for how well you've been treating me.
06:04But I'm the one who has to thank you
06:07for how well you've been taking care of my brother.
06:09It's a pleasure to see you like this, Miss Adriana.
06:13Seeing Pedrito better gives me life.
06:16Poor creature.
06:17He had so many bruises on his stomach.
06:19What a bad night he had to spend.
06:22If Rafael hadn't realized the mistake with the herbs,
06:25I don't know what would have happened.
06:29What a fright we've had, Luisa.
06:31But well, even Isabel seems to have a better face, doesn't she?
06:34Although I still find her a little expensive and shabby.
06:39What's going on?
06:42Has something happened with Isabel?
06:43No.
06:44Luisa, you know you can tell me, right?
06:47It's none of your business.
06:48But I don't think she likes having me around.
06:52Why do you think that?
06:53I don't know.
06:54Yesterday, when I told her you told me not to leave Pedrito,
06:58no one said anything more than my great-grandchildren.
07:01No, Luisa.
07:03It's your imagination, really.
07:05Isabel is a love.
07:08The thing is that everything about Pedrito has been very hard for her.
07:11She's had a very bad time.
07:13The boy is happy with you.
07:15And just because Isabel adores him, she's going to love you.
07:18You'll see.
07:19I'm happier than a peacock with Pedrito.
07:21That boy is to be eaten by the fish.
07:23So innocent and so happy.
07:25I had a feeling he was going to heal.
07:27Until the grass thing happened, of course.
07:31A terrible carelessness.
07:33And strange.
07:35You think?
07:36Don't you think it's weird?
07:38That Juana said first that she wasn't ready for that Tizana
07:41and then she changed her mind and admitted that she was.
07:43I guess I'd be afraid to admit such a mistake to my aunt.
07:47And I don't blame her.
07:48Because it's often spent.
07:53Do you know who fired her?
07:55I don't know.
07:57It was useless for the girl to admit her mistake.
08:01A little compassion...
08:03Victoria is relentless.
08:05You'll get to know her.
08:26Do you mind?
08:27Barbara.
08:28No.
08:29Of course not.
08:30Come in.
08:34I came to return the book I borrowed.
08:37Since Pedrito is better, we've eaten him.
08:39Book eaters, like me.
08:41A rare bird in these lands.
08:43My favorite species.
08:45Don't our cows, chickens or pigs captivate you?
08:49I've never had a taste for animals.
08:51It's a shame.
08:52Me neither.
08:53That's why I hide here, whenever I can.
08:57Do you want me to recommend another book?
08:59We still have the last book he lent me.
09:02Rinconete y cortadillo.
09:08Have you all read it already?
09:11Many.
09:13Although, to be honest, I also enjoy reading books.
09:16Many.
09:18Although, to be honest, I also enjoy the vertigo of having so many stories to know.
09:24Isn't it exciting?
09:25Yes.
09:27Yes, of course.
09:36Well, I think I should go home.
09:38Yes, of course.
09:39I'll see you around.
09:40Of course.
09:47Bárbara.
09:50Do you have anything to do today?
09:53Today?
09:55Let's see.
09:57First, I'll go to the café with my friends.
09:59Then, I have a date with the fashion designer.
10:01And at night, a string concert.
10:03A string concert.
10:05What do you think?
10:07Any day I'll find myself milking a cow for not having anything better to do.
10:11Until that happens, I'd like to get to know the surroundings of the valley with you.
10:17What do you say?
10:20If you ask me so, I think I can cancel all my commitments.
10:25I'll follow you.
10:47Pedrito.
10:49What are you doing there?
10:51That's what happens to the sleeping beauty.
10:53You're going to sleep for a hundred years, Aya.
10:56God forbid.
10:57With all the work I have ahead of me.
11:02Come here.
11:03Come here, my sun.
11:09How are you?
11:12I'm fine.
11:13How are you?
11:17Uy.
11:19What's with that sad face?
11:22Is something wrong?
11:25What is it, my boy?
11:29Pedrito, it's me, Aya.
11:31You can tell me everything.
11:34What's wrong?
11:36I want to apologize for getting lost in the mountains.
11:41I'm sorry, Aya.
11:43I'm sorry.
11:46I shouldn't have let you down.
11:49I shouldn't have driven so much.
11:53But I've already told Adriana.
11:55And I'm going to tell Aunt Victoria so she won't scold you.
12:01But you don't have to say anything, my dear.
12:03It wasn't anyone's fault.
12:06The bad drink is over.
12:07We'd better forget it.
12:08Okay?
12:10But I don't know how it happened.
12:12I tripped over a rock and then you weren't there.
12:17It's as if you had run away.
12:20What a coincidence, my God.
12:22What a coincidence.
12:24I know.
12:25And I got really scared.
12:27I ran, but I screamed and you didn't hear me.
12:33That's what happened, Pedrito.
12:34When you ran, you went where Christ gave the three voices.
12:37And that's it.
12:39But I screamed a lot.
12:41Should I show you how much?
12:43No, no, no.
12:44You don't have to, my dear.
12:46I don't know.
12:47What happened?
12:48The wind was blowing.
12:49I don't know.
12:51Let's not think about it anymore.
12:54Do you want to eat something?
12:56I'm not hungry.
13:09Luisa, let's play.
13:12Let's play?
13:13But first, eat something that you like the most, like Silvio.
13:18First, herbal tea.
13:21And then, hot bread and milk with a lot of cream.
13:32Did you know that Luisa was the one who found me in the forest?
13:36And we'll never thank you enough.
13:49I've explained it to you in active and passive.
13:52But insist on charging us a third more than last year.
13:56Okay, Aspar.
13:58Leave it to me.
13:59I'll take care of renegotiating the storage price.
14:03Aspar.
14:06We're in a very delicate situation.
14:09We can't make mistakes.
14:11Because we can't take any more losses.
14:14I'm aware of that, Mr. Julio.
14:16I don't think that's enough.
14:18You didn't give the order to get the animals out this morning.
14:22I'm very sorry.
14:24We don't like the tension in the army.
14:27I'm going to increase the error right now.
14:29You don't have to.
14:31Rafael has managed to open the fences.
14:35Aspar.
14:38I finally find you.
14:40The meeting this morning was long.
14:43I hope it was also productive.
14:46What can I do for you, Mr. Rafael?
14:48Have everything you need to start clearing the fields right now.
14:59You haven't informed him yet?
15:01We were dealing with other matters.
15:03Well, this is of vital importance.
15:05Along with feeding the cattle properly and keeping them healthy.
15:10Let's get it going now.
15:13I'm sorry.
15:15But I don't think it's time to stop any of the land.
15:17We must increase the harvests, not reduce them.
15:24That's bread for today and hunger for tomorrow.
15:27The land we put to rest this year will be twice as productive next year.
15:31Let's start the rotation right now, Aspar.
15:33Starting with the western fields.
15:42I'm giving you an order.
15:45Whatever you say.
16:04When I become a writer,
16:07I will invent moving stories.
16:09Those that catch you,
16:11that make you yearn for the happiness of the characters.
16:16How do you want to read your works, Alejo?
16:20My works will be like the books I like.
16:24Moving.
16:26That read with the heart.
16:28That read with the heart.
16:30That read with the heart.
16:32That read with the heart.
16:43You don't know how grateful I am for your presence in Wild Valley.
16:47And being able to share my great passion with you.
16:51Yes.
16:53I'm glad.
16:55You are also being a great comfort to me in this place.
16:59But reading is not my only passion.
17:01Really?
17:04Actually, you know what I like the most?
17:07I'm waiting for you to tell me.
17:10Dancing.
17:12I really want to dance.
17:16Do you know how to dance?
17:18No, I'm very clumsy.
17:20I don't think I'm as clumsy as you say.
17:23It's not that I'm clumsy.
17:25It's just that my feet are made of wood.
17:28Show me how you do it.
17:32I didn't want to make a fool of myself in front of you.
17:37But I must warn you that I will not settle.
17:41Because I am a magnificent dance teacher.
17:47Can I help you with something, Bernardo?
17:50I didn't want to bother you.
17:52I've seen you in our monasteries and I thought you might want to freshen up.
17:56Thank you very much.
18:01Anything else?
18:13That silence of yours.
18:15Always there.
18:17Without saying anything all these years.
18:22There was a time when we were like them.
18:27I look at you and I feel envy.
18:31Envy is not healthy, by the way.
18:33Love is a matter of courage.
18:35Courage, you say? No.
18:37Love is a matter of two.
18:41With our hair turning silver,
18:43feeling that they no longer belong to us, Bernardo.
18:45Desire has no age, Mercedes.
18:49How gallant that sounds in the mouth of a man.
18:52Say it yourself and I won't judge you.
18:56No.
18:58I won't say it.
18:59And not because of my condition as a woman,
19:03but because saying it would be deceiving me.
19:06I don't want you anymore.
19:10My desire to teach you to dance is totally selfish.
19:14Really? Don't tell me.
19:17In a little while,
19:19the reception of our brothers' wedding will be celebrated.
19:24And I'll need a dance partner.
19:27Is it a proposition?
19:29I thought it was the gentlemen who invited the ladies.
19:33That's how it should be.
19:35But I have to do something to prevent my cousin Gaspar
19:39from becoming my dance partner.
19:43Or that man.
19:45Take pity on me.
19:54All right.
19:56I accept your dance classes.
19:59But don't hold too much hope in my possibilities.
20:03And please,
20:05don't be too hard on me. I beg you.
20:08I promise.
20:11Your words hurt, Mercedes.
20:16Because you know they're true.
20:19I loved you.
20:22I loved you for years.
20:24I waited for you for years.
20:25I waited for you for years.
20:28The only thing I found were lies.
20:31I never did such a thing.
20:35Do it.
20:37Do it if you're going to feel better.
20:40If that's going to mitigate the resentment you feel for me.
20:44You could have me.
20:47And now
20:49we'd walk through this valley,
20:52chasing our children.
20:56But you took my happiness away
20:59and turned me into a ghost.
21:04Don't expect me to be grateful for that, Bernardo.
21:10You owe me a life.
21:14That man wasn't the same as he is now in front of you.
21:17You can't see him.
21:22I fell in love with that man.
21:26Not this one.
21:28He lives on his knees to please my sister and my brother-in-law.
21:33I live on my knees to be close to you.
21:36I know.
21:39And that's why I hate you.
21:51I hate you.
22:21I hate you.
22:37Where did you put my bag? I can't find it.
22:44What's wrong?
22:46Why don't you talk?
22:48Your bag is in the bedroom.
22:49Anything else?
22:51Why do you sound so tense?
22:54Talk!
22:56What good would it do?
22:59I'm tired of your contempt.
23:04You reject me.
23:06You're humiliating.
23:07Humiliating?
23:10I'll tell you what's humiliating.
23:13Do you know how Rafael treats me?
23:17Like a dog.
23:19Do you understand?
23:21I'm sick of losing my job.
23:22So don't come to me with your nonsense.
23:23I don't have the body for that.
23:24Not for that, not at all.
23:29What?
23:30What are you saying?
23:33What do you mean?
23:37It's never good for you to give me even a little attention.
23:40You don't understand, woman.
23:43I'm telling you that I can lose my job.
23:44That we'll run out of sustenance and your R.K.R.
23:46That you'll bring your bread home when Rafael fires me.
23:50Tell me.
23:53Don't torture me with your imaginary problems.
23:56They're not imaginary.
24:01The problems of our marriage
24:03started long before Rafael came back.
24:09What are you accusing me of, Gaspar?
24:11Why do you hate me?
24:13Don't provoke me anymore, Matilde.
24:14Not today.
24:18I don't know how you've become.
24:20What?
24:21In a...
24:22What?
24:23Hey!
24:25Come on, say it.
24:27No.
24:32Then shut up and bring me your Zorro.
24:35Then shut up and bring me your Zorro.
24:43Come on!
24:44I'm sorry.
25:01Well, we need all the storage space they have.
25:06If they ask for more real ones, we'll have to pay them.
25:09Before accessing...
25:10I'd like to negotiate at a low price, if you'll allow me.
25:12Of course, Ico.
25:14We have nothing to lose.
25:15There's a lot to win.
25:20Father,
25:22I've wanted to ask you for a long time.
25:26Do you already know the terms of the will of Grandpa Antonio?
25:30Has the issue of inheritance been resolved?
25:32Yes.
25:33It has been resolved, yes.
25:34Of course it has.
25:36Couldn't we use it?
25:38It would be of great help.
25:40I'm afraid not, Ico.
25:43Because the only thing that has left us in inheritance, Grandpa Antonio,
25:46is a good handful of problems.
25:49Problems? What kind?
25:50Numerous holes in his disastrous account.
25:53What can I tell you?
25:55That's terrible news.
25:57You didn't know anything?
25:58Absolutely nothing.
26:00Grandpa was a very proud man.
26:03If he had asked me for help,
26:05to hide the problems, or to prevent them from being resolved,
26:09what mess would he have gotten himself into?
26:12Rafael told me that he saw him restless days before his death.
26:16He didn't give good explanations about the Holy Brotherhood.
26:18Yes, he also told me something.
26:20But those are just rumors about your brother.
26:22I don't see it likely.
26:24Very likely.
26:25Grandpa Antonio had won many enemies in recent times.
26:28The Holy Brotherhood concluded that it was a robbery.
26:31Yes, Father, but...
26:35Adriana.
26:37Sorry to interrupt.
26:38I was supposed to meet with Julio, but I didn't want to bother you.
26:41Not at all.
26:42You're always welcome.
26:44Besides, I was leaving.
26:46It's a joy for all of us to know that your brother, Pedrito, is recovering.
26:52Thank you, Mr. Duque.
26:54That's how it is, thank God.
26:57I'm going to show Adriana the Valley, Father.
26:59With everything that has happened,
27:00she hasn't had the opportunity to get to know our lands well.
27:03Great, great.
27:04It's important that you know how we win our lives in the Valleys of Aguirre.
27:08And now, if you'll allow me,
27:10I have other matters that require my attention.
27:18Let's go.
27:35Alejo.
27:37I won't interrupt you.
27:38I'm just going to return this book to the shelf and I'm leaving.
27:45Don't be in a hurry, Mercedes.
27:48You can help your favorite nephew find the place that suits him.
27:53I'm not in a hurry.
27:55I'm not in a hurry.
27:57I'm not in a hurry.
27:59I'm not in a hurry.
28:01I'm not in a hurry.
28:02You can help your favorite nephew find the place that suits him.
28:06It's not necessary.
28:09Keep writing.
28:11You seemed very inspired.
28:13As if something new would feed your spirit.
28:20It's possible.
28:22I've taken a very nice walk.
28:24It has connected me with nature and with...
28:28with the joy of living.
28:32I'm happy for you.
28:35And for the little girl who was with you.
28:39If you'll excuse me.
28:45Wouldn't you have bothered to see me with Miss Bárbara in the gardens?
28:53Why would I bother?
28:56You're a free man.
28:59You have the right to court whoever you like.
29:02In that case,
29:04it wouldn't seem bad to her
29:06that she accepted to be her dancing partner
29:09at Julio's wedding.
29:12It seems natural to you
29:14that you're gallant with her.
29:16You're of the same age.
29:19First, she'll give me dancing lessons.
29:22We'll have to match
29:25the rhythm of our bodies with the music.
29:29That won't bother her either.
29:33No.
29:35Not at all.
29:45Find your place in the book
29:47since you've stopped writing.
29:49If that's what you want.
30:03Pedrito.
30:05Are you feeling better today?
30:08The drawing is looking very nice.
30:12It's for Luisa.
30:14To thank her for finding me in the mountains.
30:18You seem very happy with her.
30:20Is she nice to you?
30:22Yes.
30:24She's very nice to me.
30:26And she knows a lot about the game of the forest.
30:29She's a very nice girl.
30:30And she knows a lot about fun games.
30:37I was very, very cold, aunt.
30:40Luisa saved my life.
30:42Well, that was a bit...
30:44between all of us.
30:47You should also thank your sisters,
30:51Isabel,
30:53Galeno.
30:55Excuse me.
30:57Pedrito, I finally find you.
31:01What are you doing there?
31:03Nothing.
31:05It's a surprise you can't see.
31:07For me?
31:09But I like surprises.
31:11I'd better go somewhere else.
31:13Don't look.
31:22If you'll excuse me,
31:24I'm going to make lunch for the kids.
31:26Very well.
31:30See you later.
31:40I've been told you're Fausto's niece.
31:43Yes, ma'am.
31:45A very respected capataz in these lands.
31:48God bless him.
32:01Before going to war,
32:03my brother was responsible for the land and the animals.
32:06But when he left,
32:08it was his cousin Gaspar who took care of it.
32:10We don't just have cattle.
32:12We also grow corn, wheat, vegetables.
32:18Is something wrong?
32:20No. No, please go on.
32:23Adriana, I'm sorry.
32:25I'm boring you.
32:27No, no, I'm sorry.
32:28I've lost my mind.
32:30But it's fair that I know these details,
32:32so please go on.
32:34It doesn't have to be today.
32:36There'll be time.
32:39We're here alone, Adriana.
32:41You know you can talk to me freely.
32:48It's nothing.
32:51I don't...
32:53I hope I'm not disappointing you.
32:56I'm not disappointing myself.
32:58I tried to convince my father
33:00to postpone the wedding as I promised.
33:04I'm not disappointed in you, Mr. Julio.
33:09I know you did what you could.
33:11I hope you don't get the wrong idea about my father.
33:14He's a man of strong convictions
33:17and sometimes he seems inflexible.
33:19But when he gets to know you better,
33:22he'll see he's a good person.
33:24I'm sure he is.
33:27So why are you upset?
33:31Trust me.
33:33Soon we'll be husband and wife.
33:47Ever since I arrived in Valle Salvaje,
33:49I've been overwhelmed by...
33:51unexpected events.
33:53It's been too emotional.
33:57The possibility of losing Pedrito has been devastating.
34:03It's perfectly understandable.
34:07And I feel relieved.
34:11I thought you had doubts about our marriage.
34:18Would it bother you so much if it did?
34:23I must confess I had my doubts.
34:27It was before I met her in person.
34:30As soon as I saw her, she disappeared.
34:36You're very kind.
34:42The farm is really big,
34:46but we've only seen this small part, right?
34:56Luisa, you must be extremely careful
34:59with Pedrito's diet.
35:01Of course, ma'am.
35:03I suppose you know what happened with the maid.
35:06Yes.
35:12Don't worry about me, Mrs. Victoria.
35:14I'm a clean wheat.
35:18The truth is, with Juana's dismissal,
35:21her position is vacant.
35:23Would you be interested in covering for her?
35:24Me?
35:27You mean if I could do Juana's job?
35:30As long as your position allows it, of course.
35:33Well...
35:35You've come to this house on good terms.
35:37The boy loves you, his sisters too.
35:39I'm sure it's in our best interest.
35:41No, you're very kind,
35:43but Adriana asked me to focus on Pedrito.
35:45Of course, Pedrito's care will be a priority.
35:48But the boy is getting better and needs less attention.
35:50And Adriana will move in with her husband in a few days.
35:56I see.
36:01I'll do it. I'll do it with pleasure.
36:03Thank you very much, Mrs. Victoria.
36:05From now on, I'll do everything Juana does.
36:07But with much more care and attention,
36:10if you want this to last.
36:12Yes, yes, of course.
36:14If you'll excuse me, I'm going to feed the boy.
36:24Excuse me, Mrs. Victoria.
36:26How are we going to carry out our plans
36:29with that slut getting her nose in everything?
36:32I know perfectly well what I'm doing.
36:35It's much better to have Luisa under our control
36:38than under Adriana's.
36:40Trust me.
36:45I know.
36:52That's as far as our land goes.
36:54It's the largest property in the region.
36:56It's a shame they've been so long
36:58at the mercy of an inept like Gaspar.
37:00Can you tell me where he is now?
37:02Rafael, please lower your voice.
37:04You're going to scare Adriana.
37:06I need to speak to Gaspar urgently.
37:08I have no idea where he is.
37:10What's going on?
37:12I come from the western fields
37:13and no one knows anything about the barbeque.
37:15Wasn't it clear what he had to do?
37:17He must have come up with something unexpected.
37:20We'll talk about it later, Rafael.
37:22It's not the time.
37:24We'll talk about it now, right now.
37:26Every day we pass without solving the problems of the hacienda
37:28is another step towards ruin.
37:30Enough!
37:32I repeat, it's not the time.
37:34It's enough, Rafael.
37:36I'm starting to think that Gaspar is not the only one
37:38responsible for everything that's happening.
37:40Are you blaming me for something?
37:41I'm blaming you for everything.
37:45Don't you dare talk to me like that.
37:47Much less in front of my fiancé.
37:50Why not?
37:52That way you know who you're going to marry.
37:54Someone who doesn't care about his family's lands.
38:00Rafael.
38:07Stop, please! Stop!
38:11Stop!
38:23Stop! Stop!
38:25Please!
38:27Please!
38:36Please, no!
38:38I beg you.
38:39Don't do it.
39:06Matilde.
39:08Are you okay?
39:10What's wrong?
39:12No, no.
39:14It's nothing. It doesn't matter, really.
39:16How can it not matter if you're suffering?
39:18What has my son done to you?
39:20No, no. It has nothing to do with Gaspar.
39:23It's...
39:25These blankets that my mother embroidered
39:28and her reproach makes me very sad.
39:30Matilde, come.
39:32Let's sit down. Come.
39:38Come.
39:44I know perfectly well what Gaspar is like.
39:47You don't need to protect him. Trust me.
39:51It's nothing. I assure you.
39:56You know you're like a daughter to me, Matilde.
40:02Let me help you.
40:04I also had a husband.
40:05I know men's weaknesses.
40:09I'm so ashamed.
40:12In the intimacy of a marriage, there's nothing to be ashamed of.
40:17What intimacy are you talking about?
40:20I don't have intimacy with my husband.
40:25He doesn't want me.
40:28You must have misinterpreted the signs, dear.
40:36Gaspar is seeing another woman.
40:45Why didn't you tell me before, dear?
40:48You would have avoided a lot of suffering.
40:51This handkerchief is mine, Matilde.
40:57Is that true?
41:00Yes.
41:02Is that true?
41:05So...
41:08Forgive me.
41:10Forgive me.
41:12I thought that...
41:14My son is clumsy with his feelings.
41:17That's undeniable.
41:19But you and I know he's a good man.
41:21What happens is that, like all husbands,
41:24he needs to be guided by a feminine hand.
41:26I don't know how I could do that.
41:29Matilde.
41:31Don't look down on him again.
41:34My son is a lucky idiot because he has a wonderful wife.
41:38You.
41:40Never forget that.
41:43And if he hasn't fully realized it yet,
41:46you'll have to give him a little push.
41:50He doesn't even look at me.
41:52The only thing he does is look at me.
41:54Look at me.
41:56The only thing that worries Gaspar right now
41:59is his job, his problems with Rafael.
42:05So...
42:08Maybe that's where you have to intervene
42:11and show him your worth.
42:23Thank you for making me laugh, sister.
42:34I've sent the medication to Ms. Pilar.
42:37I've removed the old one from her sequences.
42:39She was exhausted.
42:41Thank you. You may leave.
42:50It's amazing
42:53how this medicine gives me back my strength.
42:57I hope everything will be fixed so easily.
43:10Zuchesa, Mrs. Mercedes.
43:13Bárbara.
43:15What an unexpected surprise.
43:17Come in.
43:19Please, sit with us.
43:21How can we help you?
43:24I don't want to bother you,
43:26but I'd like to ask you a favor.
43:28You tell me.
43:30I dared to come because I've been told
43:32that the priest who works for the Galdedaguirres
43:34is one of the best in the country.
43:36That's right.
43:37Don Eugenio does amazing things with scissors.
43:41What do you need?
43:43I was wondering if I could make a dress for the wedding.
43:46The wedding?
43:48I don't think it's possible
43:50in such a short time.
43:52Don Eugenio is very meticulous
43:55and perfectionist.
43:57I know.
43:59We never thought the wedding would be so soon.
44:01And I don't have anything prepared.
44:02I could ask Don Eugenio
44:04if he could make a hole for you
44:06as a personal favor.
44:08Really?
44:10That would be wonderful.
44:12I'll see what I can do,
44:14but I won't promise anything.
44:16Thank you very much, Mrs. Duquesa.
44:18I thank you from the bottom of my heart.
44:20Wait, wait a second.
44:22How is Adriana?
44:24Is she more willing to get married
44:26now that Pedrito has recovered?
44:28Yes.
44:30Yes, yes, yes.
44:32My sister is delighted with the engagement.
44:34Of course she is.
44:37Is something wrong, Bárbara?
44:40That man seems very familiar to me.
44:43Don Antonio?
44:45I'm sure it's him.
44:47I've seen that man in my house,
44:49on the Via de Madrid.
44:51He came a few times to visit my father at his office.
44:53Well, I've said it.
44:56I'm leaving.
44:58I won't interrupt you anymore.
45:00Thank you again.
45:12Pilara.
45:14She's just a stubborn girl.
45:16She must have confused Don Antonio
45:18with some other man.
45:19A loan shark must receive a lot of visits.
45:21Don't you think so?
45:39Are you sure you don't want me to bring you something for the blow?
45:42A little ice would be very good for the swelling.
45:45I'm fine.
45:46Go on, please.
45:49I was telling him that...
45:52that my husband is broken.
45:55Gaspar thinks that nothing he does is enough for you.
45:58The truth is that he has recently made some mistakes
46:00that are going to cost us dearly.
46:02And he knows it.
46:04He's making an effort to mend them.
46:06What do you want from me, Matilde?
46:10I want you to forgive me.
46:12I'm sorry.
46:13What do you want from me, Matilde?
46:16I want to tell you
46:18everything my husband says
46:20out of respect for you.
46:22Gaspar is no longer an employee.
46:25He works from sun to sun,
46:27far beyond his responsibilities.
46:30He gives his life for his land.
46:34But it's hard to do things right
46:36when you're constantly judged.
46:38Your effort deserves recognition.
46:43And not just from you.
46:46Also from your brother, Don Rafael.
47:08If he comes from my brother,
47:10don't bother him.
47:12I'm no one's errand boy.
47:17I just wanted to know how he's doing.
47:21Today isn't the best day of my life.
47:25The lands you raised me on
47:27are starting to fall apart.
47:30Is there anyone who cares?
47:33No.
47:34Just me.
47:36How do you want me to feel?
47:40Do you really think it's worth
47:42killing your own brother
47:44for a piece of land?
47:47My brother is the problem, Adriana.
47:50He refuses to make the necessary decisions
47:52to avoid ruin.
47:54He's desperate.
47:56He's your brother, Rafael.
47:59If I had to choose
48:01between Barbara and Pedrito,
48:02and a handful of lands,
48:04I'd burn all the villages and forests.
48:06I'd flood all the fields.
48:08Nothing would ever separate me from them.
48:10It's our home.
48:13Defending the land is defending the family.
48:15That's what Julio doesn't understand.
48:17And from what I see, you don't either.
48:19Rafael, you told me you loved your brother.
48:23Do you really care so much about these lands?
48:25Are they worth so much to you?
48:26It's hard for me to believe it.
48:29Okay, do you want to know the truth?
48:33Do you want to know why I hit my brother?
48:36Why I'd rather die in the war?
48:38Why I have a broken soul?
48:43Because my brother is going to marry
48:45the woman I love.
48:48Because in a few days,
48:50he's going to lose her,
48:52and I'm going to lose him.
48:53Because in a few days,
48:55I'm going to lose her forever, Adriana.
48:59I wish the land would open up.
49:02The rivers would dry up.
49:04All the crops would rot.
49:09If only I could have her.
49:23Come on, let's go.
49:53Let's go.
50:08Pilar.
50:11Aren't those your valet's private documents?
50:15That's right. Close the door, Mercedes.
50:21What are you looking for?
50:23I don't know, Luis could come at any moment.
50:25I'm sure there are many things
50:27that my husband doesn't tell me,
50:29and that's going to end today.
50:31You're getting too upset.
50:33Maybe he's where he's not.
50:35I don't think so. Hold this.
50:37Pilar, this state of nerves is not good for you.
50:40Leave it, please.
50:42You're going to get sick. You're going to pay dearly.
50:44I don't care, Mercedes.
50:46My husband is hiding something from me,
50:48and I'm not going to let him.
50:50Don't you understand?
50:51I think you're obsessing with something
50:53that doesn't exist, sister.
50:55It exists. I think it exists.
50:57If you say so.
50:59Come here.
51:01I don't want to get involved in all this.
51:04For God's sake,
51:06get your husband out of here right now.
51:08Well, if he comes back,
51:10he'll have to explain to me what's going on.
51:12Why is he so eager to marry Julio?
51:17Why with Victoria's niece?
51:21And why did his father
51:23have relations with Adriana's family?
51:26Too many things without an explanation.
51:47As is well known,
51:48misunderstandings between brothers
51:50are settled by slapping.
51:52That's why I apologize to you
51:54and Rafael.
51:56Julio has apologized and behaved like a man
51:58while you kept silent.
52:00So you found out about him.
52:02Why else?
52:04If it had been for you, I would never have known.
52:06And why didn't you think what was coming was good?
52:08What? Living in this house?
52:10Marrying Julio?
52:12Marrying someone you don't know
52:14has to be difficult.
52:16I would have liked to marry for love.
52:18With my hand in my heart.
52:20To forget her.
52:23And I swear to God that I will.
52:27I'm your aunt.
52:29I'm your mother's sister.
52:31Imagine the storm that would break loose.
52:33We'll catch her together.
52:35Accept her once it's over
52:37or I'll have to tell you everything, Bernardo.
52:40Mercy, for God's sake.
52:42The choice is in your hands, Bernardo.
52:45If you want her to know,
52:46all you have to do is keep talking.
52:48From now on, you'll be in charge of Valle Salvaje
52:51with the power to make
52:53as many decisions as necessary
52:55without anyone questioning you.
52:57This blow doesn't look good.
53:00It hasn't healed, has it?
53:07You're going to tell me
53:09whose nose you're hiding from
53:11and why you're hiding.
53:13I was playing.
53:14Playing?
53:16What happened?
53:18I don't understand
53:20how you can harm children by hiding.
53:22When my illness is over,
53:24Pilar will.
53:26She will.
53:28And that day,
53:30my family will need someone
53:32to support this house.
53:34Bárbara and Adriana
53:36lost their father
53:38shortly before coming to Valle Salvaje.
53:40What did he die of?
53:42What?
53:44Did he talk to her
53:46with the excuse of chatting?
53:48Pilar chatting with you?
53:50He said he understood
53:52that someone could have killed him.
53:54I think Mrs. Pilar knows something.
53:56What if she asks me again?
53:59That won't happen.
54:01You have my word.
54:03But how can you enter my house like that?
54:06And how can you go around
54:08talking about my brother?
54:12Be careful, Pilar.
54:14You have it.