• 3 months ago
Η κατάρα της Τζέλας Δελαφράγκα Επεισόδιο 1 HD | H KATARA THS TZELAS DELAFRAGKA Epeisodio 1 HD





Transcript
00:00Did you see our cat in Moschoula?
00:02No, I didn't.
00:03No?
00:04Are you sure?
00:05Of course I'm sure. She's been in Moschoula for 20 years.
00:07They stole her.
00:09They stole her?
00:10She will give birth.
00:11Archontis Avrotatsena! Archontis Avrotatsena!
00:18What are you doing here?
00:20Archontis Avrotatsena is in a big trouble.
00:23I want to see your head. What is it?
00:26They stole our cat in Moschoula.
00:28They stole her?
00:29They stole her?
00:30Yes!
00:31Who?
00:32I don't know, but I don't want to believe Archontis Alexis.
00:35Michael! Michael!
00:38Yes, mother?
00:41They stole our cat in Moschoula.
00:44They stole Moschoula?
00:45Who?
00:46We read your mind. We read your mind.
00:50Fortune-tellers.
00:51Those black girls.
00:54They are crazy again. They ruined the wedding.
00:57Vendetta begins.
00:58They stole our cat.
01:00They ate our cat.
01:02We have to avenge Archontis Avrotatsena.
01:04If I don't make them pay with blood, they won't call me Alexis Vrontatsi.
01:09Death to fortune-tellers!
01:11Death to fortune-tellers!
01:17Mother! Mother!
01:19Why are you shouting, my girl?
01:21Where are you, mother?
01:22You were in the bread.
01:24Leave the bread and go get my ball.
01:26Vendetta begins.
01:27They are crazy again.
01:30Mother, fortune-tellers are coming.
01:33What if they are crazy?
01:34They say they stole a cat.
01:36They say such bread?
01:38Yes, mother. They insulted my honor.
01:40This? Only blood pays off.
01:43Death to fortune-tellers!
01:44Death to fortune-tellers!
01:47Let's go.
01:57Death to fortune-tellers!
01:58Death to fortune-tellers!
01:59Death to fortune-tellers!
02:00Death to fortune-tellers!
02:01Death to fortune-tellers!
02:02Death to fortune-tellers!
02:03Death to fortune-tellers!
02:04Death to fortune-tellers!
02:05Death to fortune-tellers!
02:06Death to fortune-tellers!
02:07Death to fortune-tellers!
02:08Death to fortune-tellers!
02:09Death to fortune-tellers!
02:10Death to fortune-tellers!
02:11Death to fortune-tellers!
02:12Death to fortune-tellers!
02:13Death to fortune-tellers!
02:14Death to fortune-tellers!
02:15Death to fortune-tellers!
02:16Death to fortune-tellers!
02:17Death to fortune-tellers!
02:18Death to fortune-tellers!
02:19follow me on twitter
02:22Follow me on snapchat
02:25and give me your opinion
02:28follow me on instagram
02:31follow me on ringtone
02:33Pay for Delta
02:44My love, my love, my love
02:46I feel so happy, so happy after such a long time. I feel so happy again, Stefan.
02:52Finally, the time has come to live freely our love, my love.
02:59Do you think so?
03:01Konstantin?
03:02Did you believe that you will escape, Stefan?
03:04That you will forget the hatred of my ancestors for your ruined life?
03:09Konstantin, we are new people, we have nothing to separate.
03:12Please, put the gun down and let's kiss again.
03:15Our ancestors did what they did, let's not continue the hatred.
03:18Your words are always wrong. Your brother honoured us!
03:22What a bunch of idiots they are! Put the gun down and leave.
03:25Please, Konstantin. Please, Stefan. Let's not destroy our lives for a wrong, wrong thing.
03:31Go, Myrto. Go and save the island at least. Stefan is out of danger. Run!
03:36Go. Go. Go, Myrto.
03:38No.
03:39Go, I'm telling you, go!
03:42Myrto? Myrto? Myrto?
03:45Myrto, talk to me.
03:47Myrto, don't leave, please.
03:49What did you do, Konstantin?
03:51What did I do wrong? I'm sorry.
03:53Don't be sad, Konstantin. I forgive you.
03:56Oh, what a great soul!
03:59Stefan, I love you.
04:02I love you too. And we will get married and have four children.
04:05Don't talk nonsense, my love. This is our last hour.
04:10No.
04:11Yes, Stefan. Yes, Stefan.
04:14And I wish, I wish to be the last Greek girl who loses her life for no reason.
04:21For a joke, for an old joke.
04:24I wish all my villagers to be exemplified by me
04:30and to live their lives with love, one for the other,
04:35without hatred, without jokes, without passion.
04:39I wish this sacrifice to be the foundation for all Greeks.
04:45For all Greeks.
04:47Peace, Greeks. Peace and harmony.
04:51Cut, cut, cut, cut, cut. That's it, that's it.
04:55Guys, you were great. How can I tell you? I was moved.
05:10Did you like it?
05:11Very much. I had a lot of fun.
05:13Did you like it?
05:14Very much.
05:15Let me introduce you. This is Firas Moteris. He studies in London.
05:19And this is Maro Gronto.
05:21Nice to meet you.
05:22Nice to meet you more.
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09:46Mother, come and give your blessing.
09:51Mother.
09:53Mother.
09:56Come on, mother.
09:57Zaza.
09:59Zaza.
10:00Zaza.
10:01Don't move, mother.
10:02Look, are you breathing?
10:04Are you breathing?
10:05I don't know, mother.
10:06Are you thirsty?
10:07Probably.
10:08Oh, that the drunk found me, I was orphaned by mother.
10:14Today is a black sky, today is a black day.
10:19Today the birds are crying and the mountains are mourning.
10:24Let my little heart cry.
10:27What's going on?
10:28Mother.
10:29What's going on, my daughter? Why are you crying?
10:31Did you catch a myrologist?
10:32Who are you?
10:33The wife of a myrologist.
10:35I'm not a myrologist.
10:36Then what are you doing?
10:37I'm singing.
10:38Today is a black sky, today is a black day.
10:41Today the birds are crying and the mountains are mourning.
10:46Why are you singing?
10:47Because you caught me.
10:48Leave me alone, mother.
10:50Don't be angry, my daughter.
10:52Come on, come on.
10:53Come now and give your blessing to the child.
10:55Which child?
10:56Of Zebedee.
10:57What child, mother?
10:58My son, your grandson.
10:59Let me give you my blessing.
11:01Is the girl getting married?
11:02You are my blessing, my daughter.
11:04No, mother, she is not getting married.
11:06Are you complaining?
11:07No, mother.
11:08Let me give you my blessing.
11:09To get rid of our enemies.
11:11The Fortunacids.
11:13Don't say that.
11:14I'm going to drown her.
11:16We are the Fortunacids.
11:19Our enemies are the Fortunacids.
11:21Yes, I know.
11:23The Fortunacids.
11:25The black, bad dogs that I stole from the priestess.
11:29Hello, grandma.
11:30They cheated my husband and left me alone.
11:33Are you a man?
11:34I was when I was a mother.
11:35And of course I had.
11:36How did they do it to Michael?
11:39And where is your husband now?
11:40For bowling.
11:41Don't ask, mother.
11:42We've been talking for so long.
11:44Don't we say that our enemies killed my husband?
11:47The Fortunacids.
11:48You take it.
11:49You take it, please.
11:50Because today I have no peace of mind.
11:53Hey, grandma.
11:54Listen carefully.
11:55We are the Fortunacids.
11:56Our enemies are the Fortunacids.
11:58The ones who cheated my father.
12:01Your father?
12:02Yes, of course.
12:03Oh, my poor little Mary.
12:07She gave birth to my daughter.
12:09When did this happen?
12:11Yesterday.
12:12Oh, no, no, no.
12:13We will be black again.
12:16Grandmother, this happened 20 years ago.
12:19All right, all right.
12:21Calm down.
12:22Now come and give your blessing.
12:23The girl is getting married?
12:24I heard it from the priestess.
12:25Roulemane.
12:27Grandmother, grandmother.
12:28I, Michalios, will go and avenge our enemies!
12:35The Brontacides!
12:37You talk, Michalios! You talk!
12:40Because I will shoot her like Bekatsa!
12:43Varone, do something to stop Makelio!
12:46What can I do, Gabriela?
12:48Father, now that we found them with the monastery of Panagia Syntrechtra,
12:53and we will take the revenue and the surrounding area to build the Pulchileas Resort,
12:58a bloodbath in Ano Paparia will be a big blow for the investment.
13:03Tell me, Panagos!
13:05Who investor will put their money in a theatre where the bullets fall like the sea?
13:10Your son is right, Varone. You have to do everything to stop this plague.
13:15Immediately find your companion, Mirsini, of Fortunaki.
13:19Mirsini can listen to me.
13:21You are tired. You are exhausted.
13:23Not yet.
13:24Not yet!
13:25Tomorrow or the day after tomorrow, as soon as her son returns from London,
13:29they will not be happy with your TV.
13:31Father is right.
13:32Mirsini can listen to me.
13:34What are we going to do with the other one? Alexi Vrontaki?
13:37Who will take care of her?
13:39There is a person.
13:41Who?
13:42A mysterious person that few have met.
13:46She is the new abbess of the monastery.
13:49Sister Katsamba. Do you know her?
13:51No. We solve all our problems with sister Tzavara.
13:54And yet, sister Katsamba is the key right now.
13:57I don't know her yet.
13:59You have to do everything to meet her.
14:01And convince her to help me become the abbess.
14:04But why especially the abbess?
14:08Because Alexis owes a lot of money to the monastery.
14:14Panagos, I'm going to the abbess.
14:17And I'm going to talk to Mirsini.
14:19Today.
14:20Good morning, Panagos.
14:22I worship the abbess.
14:24The abbess will tell you first, my child.
14:26What did you say, abbess?
14:28Nothing.
14:30I say, who brought you to the house of God, my child?
14:34You have to help me, abbess.
14:36Because a huge scandal is about to break out.
14:38A scandal that will shake the foundation of our two villages.
14:42And the upper and the lower part.
14:44What are you talking about, my child?
14:46I have to talk to the abbess.
14:48Sister Katsamba.
14:49The abbess is praying right now.
14:51I understand, abbess.
14:52Because she is a saint.
14:53But I have to talk to her.
14:55Before something bad happens.
14:57What can I tell you?
14:58I will try.
14:59Wait a minute.
15:00Sister Katsimiha.
15:01Sister Katsimiha.
15:03Bless you, sister.
15:07Sister Christos Katsimiha is our new test.
15:12Bless you, sister Katsimiha.
15:16The Lord, my brother.
15:33Panagos.
15:34Panagos.
15:35Where is your mind, brother Panagos?
15:38I am busy with some architectural issues.
15:41Don't you think about work all day?
15:44Here, in the house of God, the spirit must be calm.
15:47And communicate with the uncle.
15:49Which uncle?
15:50The uncle from Chicago.
15:51What uncle?
15:52The uncle of Nixis.
15:53Yes, you are right.
15:55Sister Katsimiha.
15:56Notify sister Katsamba that Mr. Panagos Sevastos is asking for her.
16:00Immediately, sister.
16:01Quickly.
16:09It's okay, brother Christos.
16:13The Lord will accept you.
16:16Bless you.
16:17The Lord.
16:18Come in.
16:24Thank you for accepting me, sister Katsamba.
16:27Good morning, uncle.
16:28How can I help you?
16:30I have to talk to you in private.
16:32I'm listening.
16:34Good morning, Varona Sebastian.
16:38Good morning, Myrsini Orthobisi.
16:41Thank you for your kind words, Varona.
16:44Always a compliment.
16:46You are welcome, Orthobisi.
16:48Did you expect such a bad thing to happen?
16:50Yes, sister Katsamba.
16:52They want to start the old vendetta again.
16:54If so, you have to do something, sister Katsamba.
16:57My father is talking to Myrsini Futunaki right now.
17:00Myrsini Futunaki, you have to adopt Alexis Vrontakis.
17:05Alexis Vrontakis?
17:07Alexis Vrontakis.
17:09If it is so necessary.
17:11Yes, brothers.
17:12Think about what happened in the previous vendetta that shocked the population, our beloved Paparia.
17:17Twenty-five elephants were lost.
17:20Twenty-five boys.
17:22Twenty-five sunburned men.
17:24Their skin was soaked by the sweat of the elephants.
17:27And it was masticated by the sadness of the elephants.
17:30Their bodies had the cool fragrance of the mountain and the meadow.
17:33Their rags could become a warm blanket for every woman.
17:38Think about it, brother.
17:40These poor and miserable men were lost. It's true.
17:44That's why you have to pressure Alexis Vrontakis to resign.
17:48I will do everything I can, my child. Believe me.
17:51You are an elephant, Varona.
17:53And you have elephant sons.
17:55But you also have beautiful daughters.
17:58Yes, I have beautiful daughters.
18:00Fortunately, they didn't take them from you.
18:02And they took them from your wife, Zanette.
18:05Because otherwise, my bad luck, you wouldn't have married them in the afterlife.
18:11Always with good reason, Ortho Vizi.
18:21Good morning, Alexis.
18:23Samantha, is that you?
18:25How did you get here?
18:27What can I say, Sympethras? I see you are dark.
18:31Didn't you come again to tell me where your daughters are?
18:34No, Sympethras.
18:35No, because I'm telling you clearly.
18:38If you don't give me your daughters,
18:43your father-in-law,
18:45your uncle,
18:48your father-in-law,
18:50my son,
18:52I won't give them to you.
18:54Sympethras, my daughter Lora and your father-in-law love each other with pure love.
18:58Who needs the money?
19:00Varona,
19:01don't be so cunning with the pure love.
19:05And don't think I'm going to make you a fool.
19:09If you are looking for idiots, go elsewhere.
19:12The place is full.
19:14Samantha,
19:16how did you find your father-in-law again after so many years?
19:19And even a good son-in-law?
19:21It's a long story.
19:23Since I left here in pursuit,
19:25I traveled around the world,
19:27until I found myself in Capernaum.
19:29There I became a good son-in-law,
19:31because I had repented for what I had done then.
19:34I don't give my son-in-law a beer.
19:38Do you know how much money I spent to educate him?
19:42First in Athens and then in London.
19:45School of Economics, please.
19:48Why, Orthovisi?
19:49I didn't spend money to educate my daughter.
19:52Where did you spend money, poor man?
19:55Did your daughter go to school and we didn't know?
19:58Except, of course, for the exit to Koumotria,
20:01where she went to tickle Malia Davies,
20:05where she went to tickle the mute,
20:09where she went to tickle the Brazilian guy.
20:15What are you doing here?
20:17It's a long story. I'll tell you some other time.
20:19Now we have to talk about something that happened.
20:22You're scaring me, Samantha.
20:24Don't call me Samantha.
20:26Now I'm called brother Katsamba,
20:28and I'm dedicated to the Lord.
20:30Your aunt died.
20:32Don't be afraid, Orthovisi.
20:34And listen to what I'm telling you.
20:36No one benefits from bloodshed.
20:38Why are you looking at me like that?
20:40Because you're an entrepreneur and a capitalist,
20:43and you have God the money.
20:44What's going to happen, you have to stop it, Alexis.
20:47What?
20:48The vendetta that's going to start with the Fortunakis.
20:51Fortunakis, listen to me.
20:53Or don't I listen to you?
20:54The words, the gossip.
20:57You, in gossip, are obsessed with money and tourism.
21:03Are you crazy, Samantha?
21:05After I went to Istanbul and stole the musk.
21:07You know, even God forgave those who crucified him.
21:11God forgives.
21:13The little worms, no.
21:15Don't talk to me, don't talk to me.
21:17They insulted us.
21:18The little worms stole our honor.
21:21They said we stole their bodies.
21:24We, the musk, the musk.
21:27We didn't need you.
21:29The honored Fortunakis, their little musk.
21:32You didn't take the musk.
21:34Of course not.
21:35No, no, we don't do it.
21:38Soup.
21:39The musk makes a nice soup.
21:40Slowly, I boiled the musk for 30 hours and it didn't soften.
21:45I got pregnant.
21:46You boiled it?
21:47What did you say?
21:48You said you boiled the musk.
21:50No, of course.
21:52I said.
21:53If I boiled it, even 30 hours wouldn't be enough for me.
21:58It seems to me that you boiled the musk with potatoes and carrots.
22:02And anise.
22:03And anise?
22:04What if I tell you that you boiled it?
22:06What did I boil, my Christian?
22:08You didn't say you boiled it with anise.
22:10Where did you put the anise?
22:12I didn't boil it.
22:13I said.
22:14If I boiled it, I wouldn't boil it with anise.
22:18How did you put potatoes and carrots?
22:21You don't tell me well, Orthoviz.
22:23You don't tell me well at all.
22:25Whatever grace you want, Samantha.
22:28But I don't want that.
22:29I want to avenge Lamia and Myrsini.
22:32You call me Samantha.
22:34Now I'm naked.
22:35I can see that.
22:36But I met you as Samantha.
22:38All these years we lived in the cell of the prison, held together.
22:41Don't talk about the prison, girl.
22:43No one knows.
22:44Someone might hear us.
22:45And who will hear us?
22:46We are all here.
22:48And Androulakis thought he was alone.
22:50And the storm clouds were coming.
22:52Do you think they have put fire in me?
22:54The predator?
22:55After you ate the cat, Orthoviz, let him go to hell.
23:00He doesn't need to be slaughtered.
23:02We didn't bother him with his cat, I'm telling you.
23:05It's impossible.
23:07Alexis, don't be crazy.
23:10Think about what happened to the previous Vendetta.
23:13They were lost.
23:15Twenty-five Leventas.
23:17Twenty-five young men.
23:19Twenty-five men naked.
23:21Their skin was stained.
23:23They were soaked in sweat.
23:25And they had suffocated.
23:27Their bodies had the warmth of the mountain and the meadow.
23:31Their arms could have become a warm shelter for every woman.
23:36That's what men do.
23:38They die for the TV.
23:39So you don't care about the young men.
23:41If they are young men, they have to be slaughtered.
23:44Good. Since you don't care about the young men, you might care about yourself.
23:48What do you mean?
23:49If Vendetta breaks, there is a danger that our painful past will come to life.
23:54What do you mean?
23:55Tell me clearly.
23:57What I understood.
23:59Besides me and you, who have died.
24:04Yes.
24:06Who?
24:08Tell me, who?
24:12Sotospoulos.
24:13Then we have to eat him right away.
24:16Sit down, you idiot.
24:19Yes, but if he knows that we stabbed him, he will hold our hand.
24:22He can stab us.
24:24He can do it.
24:26How do you know?
24:27I have my way and I stop him.
24:29You stop him in many ways.
24:32Tell me.
24:34I give him.
24:35Tell me.
24:37I give him once a week.
24:39Do you give Sotospoulos to this abomination of the underworld?
24:44I don't want him.
24:45You don't want him, you don't want him, but once a week you sit him like a chicken.
24:49Who can say no to the chicken?
24:51Sotospoulos.
24:52He is the fear and the terror of the whole region.
24:55Tziano and Tzikato Papazias.
24:58Everyone is close to Sotospoulos.
25:00Because he is the most dangerous abomination.
25:04Impulsive, angry and relentless.
25:13Baby!
25:14Soto?
25:17Baby, baby, I missed you, baby.
25:20Don't say baby.
25:21Now I'm a pregnant woman.
25:24You may be pregnant, but deep down you are a woman.
25:28When I saw his active sternocleidomastoid, and my feminine nature made me submit to him.
25:36Oh, my buttocks.
25:39Do you go through such temptation?
25:42Yes.
25:43And as much as the abomination sold me, the more I want him.
25:47At least...
25:48I love you a lot.
25:51Tell me, baby.
25:53Do you feel a little love for me?
25:55Not as much as I feel.
25:57Even half?
25:59A quarter?
26:01A eighth?
26:02A sixteenth?
26:04Opa!
26:05We, real men, do two things.
26:08We never talk about our feelings, and we never...
26:13...we don't use an abomination.
26:15Oh, Soto.
26:17Oh, wild desire.
26:18That's me.
26:19Piripolitis!
26:23You too, Nartikatschamba?
26:25Did you play a tough game of fate?
26:27Yes.
26:28I try, Satan.
26:29Because the bird may be tough and relentless, but he is also beautiful.
26:34And he sticks to me.
26:35Did you fall in love, Nartikatschamba?
26:38Yes.
26:39I keep falling.
26:40And then I regret it.
26:42And I ask for forgiveness.
26:43And I go and confess.
26:44To whom do you confess?
26:45Since you are sad.
26:47I confess to myself.
26:48Who do you confess to, Martion?
26:50Kale?
26:51Me, Kale. Who else?
26:52Oh, I get it.
26:53John Cherna and John Pini.
26:56Orthovisi.
26:57If you are a quiet girl, you and your son will win.
27:01Teris?
27:02Your Teris, of course.
27:03What do you want?
27:04Do you want me to give birth to your son, too?
27:05What will you give them, Tsikounas?
27:08What will you give them?
27:09I'll take them out of you with a knife.
27:12Orthovisi, didn't I give you a house?
27:14And the apple tree in Kakorema.
27:16And the olive tree in Anambukitsi.
27:18Yes, mother-in-law.
27:19Don't do that.
27:20She is my daughter, Lora.
27:21I won't hurt her.
27:22And if you cut the vegetables and the cucumbers with the scissors,
27:26you'll get a head.
27:28Oh, you're going to buy me out, Varona.
27:32But how can you take it like that, Orthovisi?
27:34Why are you so stubborn?
27:36Because I am honest and unyielding.
27:40And we don't bargain.
27:42What will you give me, Panopreki?
27:44I have a piece of eight strings in my ears.
27:47What am I supposed to do with this, uncle?
27:49What am I supposed to get out of this?
27:51I hit it with the oranges in Pimpelona.
27:53What does it tell you?
27:54This?
27:55I see.
27:56I'll give you half.
27:57No, I don't want it.
27:58If it's half, I don't want it.
28:00I don't want it.
28:01I don't want it.
28:02But I have four children, Orthovisi.
28:04Let Lora take half and Panagos take the other half.
28:07No, if you want to do good, do it all.
28:09All?
28:10All?
28:11Take it all.
28:12Are we done?
28:13And the other two.
28:14Out of the six you have, you took advantage of me.
28:17What are you talking about, Mersini?
28:19Look.
28:20Look.
28:21Look what I'm giving you.
28:24Flouris Constantinatos.
28:27Because what am I giving you?
28:28A fishbowl?
28:30Well, to finish the job,
28:32I also want the knifepins that your poor mother left you before.
28:35What?
28:36The servitio of the tsai of Versace that you took last year.
28:39I saw it.
28:40I fell in love with it.
28:41Boy, are you out of your mind?
28:43The servitio and the knifepins belong to the house.
28:46Lora will take them when I die.
28:48Why do you have to wait so long for your soul to come out?
28:53Isn't it a pity?
28:55Why don't we be happy from now on?
28:57I don't understand one thing, Nara Katsamba.
29:00How did this villain, Sotos Poulos, learn our secret?
29:04He went to dig a hole in the forest.
29:07And where he was digging, he found a bone.
29:09And he found it where we buried them?
29:11Yes.
29:12I had told him not to bother you.
29:14Six months ago.
29:16And he didn't go to plant the forest?
29:18He didn't go to plant it.
29:20Then he didn't go to plant it.
29:22Don't you understand?
29:23What?
29:24Oh, my Christian.
29:25Why would he go to plant it?
29:26Is he crazy?
29:27After all, it's a curse.
29:28The curse.
29:29That's why I'm telling you.
29:31Leave the flies and the cat, the fly.
29:34It's better to do it in a high place.
29:36You're right.
29:37It's better to eat, Nara Katsamba.
29:39Fine.
29:40I'll give you the swords and the machete.
29:43I'll give you the service of Versace.
29:45Are you happy?
29:46Let's say yes.
29:47Are you out of your mind, orthophysicist?
29:49Yes, okay, okay.
29:50I'm happy.
29:51And we forget flies and bugs?
29:53Yes, yes.
29:54I mean, we can't forget it.
30:01I'm sorry.
30:02I'm sorry.
30:03I'm sorry.
30:04I'm sorry.
30:05I'm sorry.
30:06I'm sorry.
30:07I'm sorry.
30:08I'm sorry.
30:09I'm sorry.
30:10I'm sorry.
30:11I'm sorry.
30:12I'm sorry.
30:13I'm sorry.
30:14I'm sorry.
30:15I'm sorry.
30:16I'm sorry.
30:17I'm sorry.
30:18I'm sorry.
30:19I'm sorry.
30:20I'm sorry.
30:21I'm sorry.
30:22I'm sorry.
30:23I'm sorry.
30:24I'm sorry.
30:25I'm sorry.
30:26I'm sorry.
30:27I'm sorry.
30:28I'm sorry.
30:29I'm sorry.
30:30I'm sorry.
30:32I'm sorry.
30:34I'm sorry.
30:36I'm sorry.
30:40Why?
30:42Why you?
30:44Why?
30:45Why you did this to me?
31:00Saint Erotas premieres tomorrow at 9 p.m. with a double episode.
31:12Are you doing your duty?
31:17Oh, you're not in the bathroom?
31:20Oh, my God, she left.
31:24Oh, she left me a letter.
31:27Let's read it.
31:30Dear my love,
31:33you are the most beautiful thing I have in the world.
31:36When did you fall in love with me in one day?
31:39Who am I?
31:41I felt next to you like I've never felt with anyone else.
31:43You found me at the G-spot.
31:45And without looking for me, bravo!
31:47Last night I reached the top with you seven times.
31:50But I have to go.
31:53I have to go far away from you and we'll never meet again.
31:55Oh, Maro, why?
31:58Let me read further.
32:00Because what we lived cannot continue.
32:02My fate is written differently.
32:05Follow your path, Terry, and I will follow mine.
32:08Farewell forever, I will never forget you.
32:11Your eternal slave, Maro.
32:14Oh, no!
32:16I can't stand it.
32:18I mean, I can't stand it.
32:20I'll look for her everywhere.
32:22Oh, Maro!
32:23Maro!
32:25Maro!
32:27Maro!
32:29Maro!
32:31Maro!
32:33Maro!
32:35Maro!
32:37Maro!
32:39I ate the whole world,
32:41and not even a single mark of yours.
32:46In my mouth,
32:48now your kiss is gone.
32:54I was nothing to you,
32:58I was nothing to you.
33:01I was nothing to you,
33:05I was nothing to you.
33:09Oh, and you should know what you are to me.
33:13You came and threw away the past.
33:17But our love,
33:19before it begins,
33:22it must end.
33:27In Amber Alert, I'm looking for you, my baby.
33:32In Amber Alert.
33:35Because our own, our own Blair can't be lost.
33:42In Amber Alert, I'm looking for you, my baby.
33:46In Amber Alert.
33:50Because our own, our own Blair can't be lost.
34:17Laura, my love, what are you saying to her now?
34:22Hello?
34:23Baby? Baby?
34:25Laura?
34:26Oh, what a nice surprise!
34:28I'm lying.
34:29Oh, my dear, where are you now?
34:32I've been looking for you all night and you didn't pick up.
34:35I had it closed because I threw it in the study.
34:38Oh, Laura has a study show tonight?
34:41Not this study, my love.
34:43It's completely stupid.
34:45It's a simple study, reading, how do you say it?
34:47Ah, I get it.
34:49Finally.
34:50And when will Paparganas come here, my love?
34:54I've been waiting for you.
34:56Me too, me too.
34:57Nice, when will you come to make love?
35:00Soon, I say, to start in the afternoon.
35:03So soon?
35:04Oh, you don't know how happy you make me.
35:06I'm running, running to go have a halawa,
35:09to find me light and cool like a rose.
35:12Hello, my friend. Hello, my love.
35:15Terry was on the phone and he's busy.
35:18Aren't you jealous, Laura?
35:19Oh, yes, I am. I'm very happy.
35:22Yes, I can see that.
35:23You love him very much, my sister.
35:26I love him, I love him very much.
35:28Because he's the perfect man.
35:30For you to understand how perfect he is,
35:32I, without having been given to him,
35:34because I'm honest,
35:35he has found the spot for me
35:37and he brings me to the top every day.
35:41Yes, because he's the mage of love.
35:43And he has found the spot for you without touching you?
35:46Yes.
35:47Me, this useless Vangelis,
35:49he's been looking for hours and he hasn't found it yet.
35:52Can't you see all of Terry's abilities?
35:55Yes, I can see.
35:56I'm very happy that you have found Terry, my sister.
35:59Well, what are we waiting for?
36:01Let's go get your breakfast with the whole family.
36:04They're waiting for you.
36:05Let's go, let's go.
36:07Let's go.
36:10Good morning, mom.
36:11Good morning, dad.
36:12Good morning, mom.
36:13Good morning, dad.
36:14Laura, where have you been for so long
36:16and you didn't come to eat with us?
36:18Nothing, mom.
36:19I was in my room.
36:20We were talking about something girly.
36:22And you, humble one,
36:23where have you been?
36:26What are you doing, mom?
36:28Immediately?
36:29Flap?
36:30Hustle?
36:31What hustle?
36:32Because she's a maid, Laura.
36:33How else would she know?
36:34With the sweet nostalgia.
36:36With the sweet nostalgia.
36:37With the sweet nostalgia.
36:38Mom!
36:39We don't raise the tone of our voice to our mother.
36:42Even if she's wrong, dad?
36:44Mom is never wrong.
36:47Ah!
36:48You should hit me again.
36:50You're making me angry.
36:51How can I hit you?
36:52I'm sorry, mom.
36:53You're angry with me and you're hitting the humble one.
36:56Laura, if I don't hit the maid,
36:57how will I get over the anger?
36:59If you're angry,
37:00take pills.
37:02Laura!
37:03What are you saying to our sweet mother?
37:06Thank you, my husband.
37:07Your brother is right.
37:09Be quiet.
37:10I have a heavy conscience in my head.
37:12Can I get you some coffee, Mr. Varone?
37:15I said be quiet, didn't you hear?
37:17Shut up!
37:19Mom, finally.
37:21The girl didn't say anything.
37:22Your husband asked for silence to think.
37:26And she unconsciously interrupted his thinking
37:28to ask stupid questions.
37:30To put coffee without asking questions.
37:32Do you understand?
37:33Bitch!
37:34Here we are.
37:35Ah!
37:36The girl has hit the wood.
37:38Will you be quiet for a moment?
37:40I'm sorry, sir.
37:41But this humble one is making me angry.
37:44You, my husband,
37:45what's wrong with you?
37:46Do you have a toothache?
37:47I'm trying to keep the honor of our company
37:49on the same track, Zanette.
37:50Do you hear?
37:51Do you hear and note?
37:53We have more than ten successful businesses.
37:56Well done!
37:57Industries, shops and, most importantly,
38:00most of the papaya trees in the area.
38:03I am truly honored.
38:06But we also have problematic businesses.
38:10Don't worry, Varone.
38:11You are so smart
38:13that you will bring them all to the same level.
38:16Don't eat so much, Marga Panago.
38:18Look at what I'm eating.
38:20I wanted to know what you looked like.
38:22Go on, my husband.
38:24I have to make a big opening.
38:26What opening, father?
38:27I have to buy that area of the monastery.
38:30Do you know Panagos?
38:32Yes, father.
38:33And I have to build a multi-purpose hotel
38:35with spa, private pools,
38:38and, most importantly, a casino.
38:41Guys, that's where the money is.
38:44My husband, you are a genius.
38:46Did you hear what he thought?
38:49Yes, ma'am.
38:51He didn't ask you, kid.
38:53Mother, have mercy.
38:54Panagos,
38:55the girl from the many buffaloes is a troublemaker.
38:57She should learn not to play like the Portuguese.
39:00Yes, ma'am.
39:01Go on, my husband.
39:03But there is someone I am very afraid of.
39:06The biggest competitor in the area.
39:09Sotopoulos.
39:11That bastard.
39:12He is a criminal of the common criminal law.
39:15How can this lost body
39:17hurt such a respected person like you?
39:19You are a king by default.
39:23You are the top entrepreneur
39:25and family manager of Paparia.
39:28We didn't ask you.
39:33What can Poulos do to you?
39:35I'm afraid he will ruin my plans.
39:38How can he ruin them?
39:40People told me
39:41that they saw him entering and leaving
39:43at the monastery of Panagia Syntrechtra.
39:45Oh, thank God.
39:48That's why I have to make the purchase
39:50as soon as possible.
39:52Yes, my baroness.
39:59Who is it?
40:00Sister Katsamba.
40:02It's me, sister Tsavara.
40:04I have something very serious to tell you.
40:06Come in.
40:10These buffaloes are worth something.
40:14They are worth something.
40:17Tell me, sister Tsavara,
40:18don't keep me in suspense.
40:20Oh, my sweet buffaloes.
40:22After the evening,
40:23I didn't go straight to my cell
40:25because there was a sweet sunset
40:27that pulled me out into the wild
40:29to admire the moss
40:31and all the works of the Lord.
40:33I wandered in the bush
40:34and everything around me was beautiful even today.
40:37The little birds,
40:39the little goats,
40:41the little cat,
40:42the little dog,
40:44the little cat.
40:45And the little rooster,
40:46does it wake you up every morning?
40:48No, I didn't see the rooster.
40:50I see, sister Tsavara.
40:51Go on.
40:52I was walking in the bush
40:54when suddenly something struck me.
40:56What struck you?
40:57Did you forget that you left the thermometer in the cell open?
40:59No.
41:00The coffee maker in the socket?
41:01No.
41:02I don't drink espresso at night.
41:03It disturbs my nervous system.
41:05And without espresso,
41:06the nerves are like dolls.
41:07What did you say?
41:08Nothing, nothing, sister.
41:09Tell me, my sweet sister,
41:10what struck you?
41:11Because I have to get up early in the morning.
41:13I have to do an orthoplasty.
41:14I was walking in the bush.
41:16And something struck you.
41:17What?
41:18A song.
41:19From Algiers?
41:20No.
41:21It was coming from the monastery's metohi.
41:23From the metohi?
41:24Yes.
41:25Was it a psalm?
41:27No.
41:28It was a gigantic song.
41:47The fire is burning,
41:50every glance of yours,
41:53black for you,
41:55I'm crying a lot.
41:58You don't stop me,
42:01to look at me.
42:04Let the fire burn,
42:07every glance of yours,
42:10black for you,
42:13I'm crying a lot.
42:15You don't stop me,
42:18to look at me.
42:21Let the fire burn,
42:24every glance of yours,
42:27black for you,
42:30I'm crying a lot.
42:33You don't stop me,
42:36to look at me.
42:39Let the fire burn,
42:42every glance of yours,
42:45black for you,
42:48I'm crying a lot.
43:13Laugh, sky,
43:15summer, yes,
43:18sunrises,
43:20and rain colors.
43:25My magic night,
43:28hide me, reveal me,
43:30inside of me, I stumbled.
43:33Tonight or never,
43:35my magic night,
43:38hide me, reveal me,
43:40inside of me, I stumbled.
43:43Tonight or never.
44:05Laugh, sky,
44:08summer, yes,
44:10sunrises,
44:12and rain colors.
44:17My magic night,
44:20hide me, reveal me,
44:22inside of me, I stumbled.
44:25Tonight or never,
44:27my magic night,
44:30hide me, reveal me,
44:32inside of me, I stumbled.
44:35Tonight or never.
44:45Tonight or never.
45:05Tonight or never.
45:35Do I look like my daughter Zalobi?
45:37With your tuxedo.
45:39Do you want a tuxedo of Zalobi?
45:41He's crazy, Kyrzakoula, he's crazy.
45:43Get up, boy, what are you looking at?
45:45I don't want the tuxedo.
45:46Why don't you want it?
45:48Why don't you want it?
45:49And it's a doll.
45:50And his father has eight daughters,
45:53four with bananas,
45:55four with candy.
45:56I want to love first.
45:58Marry him first and then you'll love him.
46:00Is that what you did with our dad?
46:02Don't look at me, my man.
46:06I loved him first,
46:08then I married him,
46:09and now I don't even want to see his face.
46:12I want to love first.
46:14Make sure you get a useless man like your father.
46:18What do you say, what do you say, mother, daughter?
46:20What a good conversation we had, my man.
46:23I'll give you what you asked for.
46:25Why?
46:26Because I don't want the tuxedo.
46:27Get out of my way, boy.
46:29You're talking to me.
46:31I don't want the tuxedo.
46:32You get out of my way.
46:34How can you talk to your father like that?
46:37You're a bad boy.
46:39What's wrong, man?
46:40Can you hear me?
46:41Your brother is talking to you.
46:43Why don't I want the tuxedo?
46:44You heard your mother.
46:45Don't be so loud.
46:47Get out of my way.
46:48I don't want the tuxedo.
46:49Boy, you'll get the tuxedo,
46:51or I'll throw you in the dirt.
46:54Get out of my way, old man.
46:56Stay calm, brothers.
46:58You scared me to death.
47:00God bless you, brothers.
47:02God bless you, sir.
47:04What brings you here, ladies and gentlemen?
47:06Zakoula, I want to talk to you in private.
47:08In private?
47:09In private.
47:10Tete-a-tete, Zakoula.
47:12She's been talking all day.
47:14Bad sign.
47:17Baby?
47:20Baby?
47:22Baby?
47:23Baby?
47:25Where is she?
47:26Baby?
47:31Baby?
47:33What do you think of my brother, Marathobis?
47:36You're a good boy, Marathobis.
47:38But look what you've done to him.
47:40He's become so tasteless.
47:42Maratho.
47:44You've done something else, too.
47:46Why don't you tell us?
47:47Nothing good.
47:50What are you doing with the carabiner?
47:52Lady, let's talk for a minute.
47:54What are you doing with the weapons?
47:56We must always be ready
47:58with these ungrateful brats.
48:00But didn't you promise
48:02Baron Sevastotis and his sister Katsamba
48:05to make a deal?
48:06Do you have confidence in brats?
48:09Of course I do. I'm a brat, too.
48:12Yes, but you married Fortunaki.
48:15It's our wedding.
48:16You're ours now.
48:18And your son is called Fortunakis.
48:21The late Fortunakis.
48:23Like our grandfather.
48:25Yes, but Alexis is my cousin and I love her.
48:28Do you have confidence in me?
48:30Is Alexis pregnant?
48:33Come on, Mersini.
48:35Don't be so pessimistic.
48:37Yes, because the brats
48:39swindled me.
48:40They killed my husband,
48:42my son-in-law.
48:43And they made me a whore.
48:46We're all whores in this place.
48:49The old men and the old women
48:51haven't lost their husbands.
48:53We're all whores.
48:55I haven't lost my husband.
48:57Yes, but he's still alive.
48:59I know who killed him.
49:02The brats.
49:04The brats.
49:05I heard it.
49:07It was him.
49:09It was the brats.
49:12I told you so.
49:15Mommy.
49:16Daddy.
49:17Let me hold the gun, Mommy.
49:18My son.
49:20My son.
49:21Mommy.
49:24My sweet boy is here.
49:27Hello, my dear.
49:28You're here, my love.
49:29I'm here, my love.
49:32And I'm all yours.
49:35Because I had it,
49:37I had talent and I had faith.
49:40Until I fell on you
49:43and you set me on fire.
49:45Love, from the beginning,
49:48now I'm going to learn
49:50with tears in my eyes
49:53how much I have to suffer.
50:00I'm sorry, I'm going to learn,
50:03I'm going to grow up.
50:05Where I was with you,
50:08I was a big fool.
50:10When I was two,
50:13I was a little boy.
50:16And when I came back,
50:19I was in the same house.
50:22Oh, Tanya Pipiza.
50:24She's driving me crazy.
50:25Why did you ask her to do a duet with Zelton?
50:27Because she's successful, my love.
50:29What can I do?
50:30Customers want her.
50:31Customers know Karamlachis
50:33because of her voice and her art.
50:34Art is not enough now.
50:36We didn't say that Maria Kalas is there,
50:39but as you say,
50:40Tanya Pipiza is a nice song.
50:42Yes, she's a nice song.
50:44Okay, she's not like you.
50:46You're out of the competition.
50:48Barone, it's been years
50:50since I've seen a woman like me in this store.
50:53My girl, you're the boss.
50:55I have you on top.
50:56Normally, she shouldn't even be on the board with me
51:00because I'm the queen of the clarinet.
51:02You're the queen, my girl.
51:04You.
51:05Gabriela Partolou is a legend in the folk song.
51:07You're a legend, my girl.
51:09It was enough for you to prove it to me.
51:12How?
51:13To kick her out of the store.
51:16Our children look good together, Zanette.
51:20Here you are.
51:21I'm waiting for you, mother-in-law.
51:23I'm talking and you don't understand anything.
51:26Yes, I'm thinking about the jobs.
51:28Are you doing any jobs?
51:30I have countless appointments.
51:32With the cosmetics, with the make-up, with the sound.
51:36I told you to go and wash the dishes, but...
51:40What were you saying?
51:41How happy are the children together?
51:44Oh, yes. Very.
51:46Yes, yes.
51:47It's a hot topic. I can see it.
51:50My dear, are you as happy as I am?
51:54I think I am.
51:55You think?
51:56Aren't you sure?
51:58No, no, I am.
52:00Because I see a shadow in your eyes.
52:04A shadow?
52:05But I haven't put on any shadow today.
52:07Just a little bit.
52:08Not that kind of shadow.
52:10I'm talking metaphorically.
52:13Ah.
52:14Yes.
52:15As if you're constantly busy with something.
52:17As if you have your mind elsewhere.
52:19Yes, I'm taking some classes at the university.
52:22Ah, okay.
52:24Because I was afraid you were thinking of some other girl.
52:28What are you saying, my dear?
52:30Am I the only girl in my life or is it you?
52:32Yes, it's you.
52:37What are you doing there, my dear?
52:39I'm cleaning some rhombuses.
52:41I have them in my bag.
52:43They say they're getting ready to start the Vendetta again.
52:46The black ones, the girls.
52:48The blondes.
52:50What are you saying, mother?
52:51We're the blondes.
52:53Yes, son, I know.
52:54Since you know it, who's getting ready for the Vendetta?
52:57The others.
52:58Who are the others?
52:59The eight of us.
53:00And who are the eight of us?
53:03The Germans.
53:04Mother, you're wrong.
53:05The Italians.
53:06You're wrong.
53:08The Turks.
53:09The Fortunatides, mother.
53:11Didn't I say the opposite?
53:13That's why we have to be ready for war.
53:16Because you never know when the Bambesides are going to strike.
53:20These days and nights, they dream of when they're going to get rid of us and hit us in the back.
53:25The black dogs.
53:26The blondes.
53:28What are you saying, mother?
53:29We're the blondes.
53:31Didn't I say the opposite?
53:32And the Fortunatides are the eight of us.
53:34Yes, son, I know.
53:35But don't get mad.
53:37And if you pull the wrong pin, the fuse will go out and they'll live in here.
53:43Oh, I heard a noise.
53:45Mother, get the gun quickly.
53:47Come on, come on.
53:48Come on, let's get out of here.
53:49Come on, because the eight of us are coming.
53:51Come on, let's get out of here.
53:52Come on.
53:53Get back.
53:54Get back and I'll eat you.
53:56Damned Fortunatides.
53:59Mother, I'm going to throw you the fuse.
54:01We're the Fortunatides.
54:02Yes, son, I know.
54:07Why are you yelling? I was listening to you until now.
54:10Marousso, my little girl, you came.
54:14Yes, mother, yes.
54:16And I was about to throw you the fuse.
54:18Welcome to my grave.
54:20Welcome, mother.
54:22Who is the little girl?
54:25She's my daughter, mother.
54:26Your granddaughter, Marousso.
54:28Oh, my granddaughter.
54:32My grandma, my grandma.
54:34My dear, why don't you eat, my girl?
54:38I'm eating, mom.
54:40You're cheating.
54:42That's how men eat.
54:44Look at your brother eating.
54:46He ate the whole goat.
54:48He'll eat me in a minute.
54:49Look how he drinks the wine.
54:52Muscovite and cinnamon and the king's girl.
54:56That's how men eat.
54:58You, my dear, you ate the whole goat.
55:02I'm not hungry, mom.
55:04It's probably the climate change.
55:06It's not the climate change.
55:08Someone else is eating you.
55:10I can see you.
55:12And with your charming Laura, when you found each other,
55:16you didn't have the same erotic urge.
55:19You're right, mom. I love Laura.
55:21I wish I was wrong.
55:24I wish I didn't respect you, my boy.
55:29She's right, mom.
55:31I should be happy.
55:33And I'm happy because I'm in my sweet homeland,
55:36the beautiful Paparia.
55:37Look.
55:39Show me the other one.
55:42Camera on me.
55:44But instead of taking the phone,
55:46my sweet Laura,
55:48to go and eat an ice cream,
55:50to drink a cocktail like a couple,
55:52I'm alone and melancholic.
55:55My heart aches for her,
55:57because I see in front of me the sweet Maros.
56:00I fell madly in love with her.
56:02Because I still see her in my sleep and in my wake.
56:04Oh, there she is, as I see her now.
56:06What a sweet sweetheart.
56:08Yes, Maros, yes. You've seen me a lot, too.
56:11But she's talking.
56:12Yes, we'll meet for sure.
56:14Isn't she Oktasia?
56:16She's Maros.
56:17Hello, Maros. Bye.
56:19Maros?
56:22Terry?
56:23What are you doing here?
56:31Chloe, I love you.
56:34I love you very much.
56:45Chloe!
56:47Come here.
56:48Leave me alone. You're hurting me.
56:50He loves me and I love him.
56:51Who can stop us?
56:53I'll kill you with my own hands.
56:58Please, please, don't hurt him.
57:00Please.
57:03He learned his lesson.
57:06Holy Love.
57:07Premiere tomorrow at 9 p.m. with a double episode.
57:13Terry?
57:14Why don't you love me anymore?
57:15I love you. I love you more than anything in the world.
57:18And I hate you at the same time.
57:19You hate me? Why? What have I done to you?
57:21You're lying, Terry.
57:22Me?
57:23No, Foufoutos.
57:24Who is Foufoutos?
57:25You don't know him.
57:26Is your relationship with Foufoutos?
57:27You or Laura? What's your relationship, Terry?
57:29Who?
57:30Laura.
57:31How did you get that name, my love?
57:33We were sleeping together in the hotel.
57:35You were sleeping soundly.
57:36And you were talking in your sleep.
57:38I was talking?
57:39And what was I saying?
57:40Laura.
57:42Laura, forgive me, Laura.
57:44What's going on, Terry?
57:46Laura.
57:47Laura.
57:48Laura?
57:49Who is Laura?
57:51Laura, forgive me.
57:53I went with another woman.
57:55No, who is Laura?
57:57Laura.
57:59Laura.
58:00Laura.
58:01I became unfaithful and you fell.
58:03Forgive me.
58:05So, now you understand why I left my bed like a madwoman?
58:08Oh, Maro.
58:09I broke your heart, didn't I?
58:10Yes, you bastard.
58:11You broke it.
58:12I'm sorry.
58:13I didn't mean it.
58:14Are you a drunk drunkard?
58:15Yes, I am.
58:16I don't know, I don't know why I can't take my eyes off you.
58:18I don't know.
58:19But maybe I can't take them off you because I adore those eyes.
58:24Where are you going?
58:25Get away.
58:26Get away so I can be cured of the pain of love.
58:28No, please.
58:29Don't leave me.
58:30God damn it.
58:31I've been looking for you all over Athens and I found you here in Paparia.
58:33Leave me alone.
58:34Leave me alone.
58:35You're hurting me, man.
58:36And let me tell you something.
58:38If you want to hear it, I'm also in love.
58:41In love?
58:42Yes, man.
58:43In love.
58:44With whom?
58:45With Fufuto.
58:58I love you.
58:59I love you.
59:00I love you.
59:01I love you.
59:02I love you.
59:03I love you.
59:04I love you.
59:05I love you.
59:06I love you.
59:07I love you.
59:08I love you.
59:09I love you.
59:10I love you.
59:11I love you.
59:12I love you.
59:13I love you.
59:14I love you.
59:15I love you.
59:16I love you.
59:17I love you.
59:18I love you.
59:19I love you.
59:20I love you.
59:21I love you.
59:22I love you.
59:23I love you.
59:24I love you.
59:25I love you.
59:26I love you.

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