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00:00What?
00:04Let's go in.
00:07Come in.
00:11Mrs. Arcos.
00:12Come in, Santos.
00:14Come in and close the door.
00:25And that face, Santos.
00:28Santos Pellicer always keeps his word.
00:33You did it.
00:35Did you doubt it?
00:37No.
00:38Actually, no.
00:40Have you found any information?
00:42I haven't been able to read it yet.
00:44I just picked it up from Maria Fernandez's room.
00:47Nobody saw you, did they, Santos?
00:49Of course not.
00:52Let's go. Sit down.
00:58And read something.
01:01About what?
01:02I don't know. Open it and the first thing you find...
01:05I'm looking forward to seeing if Maria Fernandez
01:08writes the same nonsense she says.
01:12Let's see...
01:16This one.
01:19But despite how much she loved her lover,
01:23something was wrong with the girl.
01:25Every time they talked about marriage,
01:27she was like... like a paralysed person.
01:32And she didn't know why.
01:35Well, I guess you're not reading the spelling mistakes.
01:38No, because you can't.
01:40But she has a few, she's very boring.
01:42Although that's the least of it.
01:44This brochure is unsmokable.
01:46Yes, I think it would be more useful
01:48to liven up the fire in the chimneys.
01:50But keep reading.
01:51Maybe you'll find something more interesting.
01:54You choose, whatever you want.
01:57Let's see. I'm so clueless.
02:02Look. Here, for example.
02:06But then, why did her departure hurt so much?
02:13Maybe it wasn't just the distance, but...
02:17But something had broken between them.
02:20No, no, don't continue, please. I'm going to cry.
02:23Well, I guess this whole paragraph
02:26is dedicated to her beloved Salvador.
02:28To his such-and-such.
02:29Cursing and cursing at the same time.
02:32Well, look.
02:33Maybe you'll find something more interesting.
02:38Let's see...
02:42This one, for example.
02:45He was a fair and kind man,
02:48he was a fair and kind man.
02:51So kind, so kind,
02:53that many thought he was too soft.
02:57She was the complete opposite.
02:59Hard as a stone.
03:01Maybe she had a heart,
03:03but it was so cold
03:05that she never showed any kindness or closeness.
03:09Stop it.
03:10Don't keep reading.
03:11What's going on?
03:13It's clear that he's talking about the Marquises.
03:17Do you think so?
03:18Yes.
03:19It's obvious that this notebook
03:21contains something more than innocent notes.
03:25This notebook contains
03:27grievances that we must not let pass.
03:36Santos.
03:38Don't tell anyone what you just read.
03:41Of course not.
03:44If you don't mind, I'm going to return it right now.
03:46No.
03:47No, no.
03:48Don't do it.
03:51I think this notebook will be much more useful
03:55than I imagined.
03:59I'm going to examine it in detail.
04:04I'm going to examine it in detail.
04:14Curro.
04:16Are you here?
04:17Yes, I was trying to read the newspaper.
04:20So you're not very busy.
04:22No, not really.
04:30Great, why do I have to talk to you?
04:33I see.
04:34What's going on?
04:39It's about my wedding to Hanna.
04:43Do you know the date?
04:45Yes.
04:47It will be tomorrow.
04:49What? Really?
04:50Yes.
04:51But Manuel, that's wonderful.
04:53I know.
04:54And I'm sorry I can't tell you more.
04:56You already explained to me the reasons.
04:58You don't want me to ruin it.
05:00Curro, that's not it.
05:01What I don't want is to compromise you.
05:03If you don't know anything,
05:04they can't force you to say anything.
05:06Do you understand?
05:09So why are you telling me the date?
05:15Because your dear sister did the same with María Fernández.
05:20I see that something has failed in your perfect plan
05:23to keep everything in the most absolute of secrets, right?
05:26Yes.
05:28And given the circumstances,
05:30I think it's fair that you are also aware.
05:32Yes.
05:33Since I am the brother of both traitors,
05:36I thank you for the gesture, yes.
05:39Although you know perfectly well that
05:41what I would like to do
05:43would be to take you to the altar.
05:45Yes, I know.
05:46Don't worry.
05:47I know it's impossible.
05:48It's okay.
06:00Manuel, you're in a good mood.
06:02Why do you say that?
06:04Well, because you're shaking like a flan
06:06and because you just drank my coffee.
06:09Forgive me.
06:10It's okay.
06:12After all, this is going to be the most important day of my life.
06:16The only thing I feel is that it won't be the wedding I dreamed of for Hanna.
06:19And why do you say that?
06:21Because it will be.
06:23Ángel would love it if we could share this day
06:25with the people who love her the most.
06:27And there are many.
06:28Yes, starting with María Fernández, from what I see.
06:31And for you.
06:36I swear I would love to shout the four winds
06:38that I'm going to marry her.
06:41But unfortunately, it's impossible.
06:44I see.
06:46Well, you told me.
06:49Even if it's not shouting.
06:53Curro, you know that one way or another
06:55you'll be there with us, right?
06:59I know.
07:03And now, tell me.
07:06How can I help you?
07:10You've already helped me a lot.
07:11Yes, yes, I know.
07:12But I'm sure I can do something else
07:14to make you feel more at ease.
07:18Well, actually, you can.
07:20Let's see, tell me.
07:23Brother, when ...
07:25when we get married,
07:26I'm going to ask Father Samuel
07:27to bring a letter to La Promesa.
07:30A letter?
07:31Yes.
07:32In it, I'll explain what happened
07:33and why I acted that way.
07:36So you're going to tell your love story to Hanna?
07:40That's right.
07:42And something tells me that the news will be devastating.
07:44Your mother won't take it well.
07:46No.
07:47But my mother's is not fixed.
07:49What matters to me
07:50is how our father is going to take it.
07:54And you want me to be there?
07:57That's right.
07:59And why don't you prefer
08:00that I give him the letter directly?
08:02No.
08:03Not in any way,
08:04because that would make you my accomplice.
08:06And I don't want to put you in that situation
08:08even when I'm going to put Tierra de Por Medio.
08:10So?
08:13So I need you to be there.
08:15I need you to support our father in whatever he needs.
08:21And most importantly,
08:23I need you to show him the good side of all this.
08:29Is that okay?
08:30Yes, like, for example,
08:32showing him that you're going to be very happy.
08:35Right?
08:38Immensely happy.
08:39Well, count on it, brother.
08:43Don't worry.
08:45Calm down.
08:59Am I interrupting any captivating reading?
09:02No, no, no.
09:03No, no, no.
09:04No, no, no.
09:05No, no, no.
09:06No, no, no.
09:07Am I interrupting any captivating reading?
09:10Actually, I can't get past the first page.
09:14Well, then it's not that captivating, right?
09:17I'm afraid the problem is not the reading,
09:19but myself.
09:24Let's see ...
09:27To be honest,
09:28I couldn't either with this novel, huh?
09:31You're right.
09:32The election didn't help either.
09:37Why do you spend your hours locked up here?
09:40If you were interested in reading
09:42and you were drunk, I could understand, but ...
09:45I don't know.
09:46I'm surprised not to see you wandering around the farm,
09:49watching the crops, or ...
09:51that the grain grows properly.
09:55The grain grows well without surveillance.
09:59Let's see, I'm an ignorant in everything that has to do with the field,
10:02we all know that.
10:03But ...
10:05This ignorant is worried about you.
10:07I'm just tired.
10:09I don't think it's anything serious.
10:11But thank you for worrying about me.
10:14You are my favorite cousin.
10:16Thank you, Martina.
10:21And how are you?
10:23Fine.
10:25Well,
10:26I think I'm dying of jealousy, cousin.
10:30Jealous of whom?
10:32They are my feelings.
10:33So let's not talk about it.
10:35Come on, tell me. Jealous of whom?
10:38Well, I know that those jealousies are not justified.
10:41Because I was the one ...
10:43who insisted that she stay with us.
10:45So ...
10:46Are you talking about Julia?
10:48I couldn't imagine that she would be interested in that job.
10:52Really?
10:53Well, she doesn't leave it alone or in the shade.
10:55But, let's see, one moment, one moment.
10:57How is it that you are jealous of Julia?
10:59Well, maybe I chose the wrong word.
11:02What I mean is ...
11:05that I feel displaced.
11:07That's what I mean by being jealous.
11:09But now Curro and you have a friendship relationship, right?
11:12Yes, that's why I told you that I chose the wrong word.
11:14But ...
11:15we have known Julia for a very short time.
11:18And now they seem inseparable.
11:21Curro has been at the forefront.
11:23I think he knows how to take care of himself.
11:25Yes.
11:26In many aspects, yes.
11:27But in many others ...
11:29I don't think so.
11:30And I would be afraid ...
11:32to let Julia hurt him.
11:35Are you listening to yourself, cousin?
11:38Why?
11:40Well, I think you have chosen the right words and you are ...
11:43dead jealous.
11:45What is there between Curro and you?
11:47Is that you are together again?
11:49No.
11:51We are fine.
11:53But we are not ...
11:56You don't know what you are.
11:58It's not true.
12:00I know we are not dating.
12:02And I know we are not engaged.
12:05But I know we are fine.
12:07And maybe there is some possibility that there is something more.
12:12And do you think Julia's presence can ruin that possibility?
12:16I'm afraid so.
12:18Then talk to him.
12:20Let him know you're worried.
12:22No.
12:23No, I can't.
12:25Be honest with him.
12:27And so he will be honest with you.
12:29Maybe that can help you find out ...
12:31who you really are.
12:46Yes.
12:56Vera.
12:57Do you know where Javel's water is?
12:59What?
13:00I just had some tablecloths with María Fernández and ...
13:03we have realized that one has a stain and does not come out with soap.
13:06Yes, yes, of course, sorry.
13:08The point is that it has run out.
13:10I guess they will bring it now when they go shopping in town.
13:13Well, in that case, the tablecloth will have to wait.
13:16I have to go up to attend to the gentlemen.
13:18If you want, I can clean it.
13:21As soon as they bring Javel's water.
13:23Would you do that for me?
13:25Of course, it costs me nothing.
13:28Thank you, Vera, you are a heaven.
13:30I hope so.
13:32No, really, I'm not exaggerating.
13:34You are one of those people who deserve to have returned the promise.
13:37Now I'm going to smile, Teresa.
13:39Well, that's what I feel.
13:41I think so too.
13:42They are all delighted with you.
13:44Thank you very much.
13:45All but saints, of course.
13:47And I don't understand why.
13:49María Fernández told me in one of her letters that you became a couple.
13:56Well, a lot has happened since then.
14:00Yes, of course.
14:02I guess it's something personal, but I just want you to know that ...
14:05you can count on me for everything you need.
14:16Actually, there is not much to tell.
14:20I was never very convinced of that relationship.
14:23Oh no?
14:25No.
14:26I never felt very comfortable with Santos.
14:30I didn't know.
14:33Don't worry.
14:35No one knew, or almost no one.
14:39And then why were you with him?
14:42Well, it's ... it's hard to explain.
14:45Not even your past?
14:49Let's say that ...
14:51Santos always found a way to keep me by his side.
14:56That doesn't sound good at all.
15:00So ...
15:02you didn't have feelings for him?
15:05No.
15:07Although the situation between Santos and me could seem like it from the outside,
15:10it was always very tense.
15:12I'm sorry, but ...
15:15But hey, that's already part of the past.
15:18And ...
15:19Are you happy now?
15:22Yes, I think so.
15:24I'm glad.
15:25And I'm very sorry I couldn't have been there before to help you.
15:29Well, actually, all this happened while you were traveling and ...
15:33And even if you had been here, you couldn't have done much.
15:36You can always do something,
15:38even if it's giving unasked advice.
15:42And ... what advice would you have given me?
15:46Well, I guess I would have told you ...
15:49that it is important to face the truth.
15:53And that you have to face the problems head-on.
15:56It makes perfect sense.
16:00And it's not even my advice.
16:04It's something Feliciano always told me.
16:12Well, it's very good advice.
16:14Very sensible.
16:17It's a shame that sometimes it's so hard for us to act that way.
16:22Yes.
16:24Of course it is.
16:34A letter from Mr. Castillo
16:40An envelope.
16:41With the pledge of the promise, sir.
16:44Wow.
16:45And in the name of Don Gregorio Castillo.
17:00I'm going to leave this letter to the innkeeper.
17:02To give it to him as soon as he sees it.
17:05And what did you write?
17:06Nothing new, it's the same location as last time.
17:08And I'm not going to tell you when.
17:13Yes, I know what I put in that envelope, Mr. Baeza.
17:20I wrote it myself.
17:21I knew it.
17:23I didn't tell Sergeant Bordino.
17:25I know.
17:26Because otherwise I would be making a statement in the barracks.
17:30I have to, sir.
17:34So we can deduce that the sergeant found the envelope but not the note that was inside.
17:38Considering the questions he asked me, it seems so.
17:42What did that note say?
17:47Just the time and place of the citation.
17:49It didn't say anything that personally intrigued him.
17:52No.
17:54I don't think so, at least.
17:56But you can know why that man kept only the envelope.
17:59Maybe he took a mental note of the address and got rid of it.
18:04That's what would go through that poor devil's head.
18:07The one you call the devil, from memory, is a murderer.
18:09I know.
18:11If he was willing to kill himself again, Mr. Baeza.
18:13Anyway, what we do know now is that the Civil Guard has proof that relates the promise to that man.
18:20And everything seems to indicate that I am one of the last people who saw him alive.
18:23That's right.
18:25Which makes me one of the main suspects.
18:29Yes.
18:36It seems so.
18:39Mr. Baeza, I assure you that I have nothing to do with his death.
18:41You don't need to tell me. I totally believe your innocence, sir.
18:45And don't worry because the envelope doesn't show anything.
18:48What it shows is that I was with that man a few hours before he died.
18:51The envelope doesn't show anything if it doesn't find anything else.
18:54Nothing else.
18:58Listen, I know it's not going to seem like a good idea, but I think you should go talk to that sergeant.
19:03That would be to succumb to panic, sir.
19:05Let things go at their course.
19:08It is not convenient for him to personalize himself on that bridge.
19:24The noble seamstress guild allows only single girls
19:32who meet every week in the house of each sister
19:40so that they can sew and sing, sew and sing, sew and sing, sew and sing at work.
19:50Hello, María Fernández.
19:53Well, we already know what I can do if they fire me.
19:56A seamstress and a seamstress too.
19:59Look at the most beautiful arrangement that the waist of the dress throws at him.
20:04María, for God's sake.
20:06Thank you very much.
20:08Today for you, tomorrow for me.
20:10Although the one who gets married tomorrow is you.
20:13It will be your turn tomorrow.
20:15This step is not me.
20:20Let's see.
20:23You know what?
20:27I still can't believe that tomorrow at this time I'm going to be married
20:31and that Manuel and I are going to be husband and wife.
20:33Until death do us part.
20:35And let's hope that happens in many, many, many, many years.
20:38I don't care about that.
20:40As long as I can live the rest of my days with him and as long as we don't have to hide our love.
20:45Who was going to tell you, huh?
20:47Who was going to tell you, huh?
20:49That a month ago your fiancé was having sex in the trenches.
20:53And at that moment I thought I was never going to see him again.
20:57But well, things have changed a lot.
21:00And let's hope they stay there.
21:02That you were right and things in the promise change very quickly.
21:05I'm just optimistic that you were there this morning.
21:07Oh, and I'm still there.
21:09But one thing doesn't take away the other and you're going to get married in Lujan, right?
21:13Near the Marquise.
21:14And that's playing with fire.
21:16I already know, I could get married further away.
21:19But well, it's true that having the priest nearby has helped us streamline it and plan things well.
21:24I don't intend to convince you.
21:26But come on, I could have married you in Puebla de Tera, which is a shot from an airplane.
21:31Manuel doesn't have the plane here.
21:33I see.
21:35Yes, I just ...
21:36I already know, Maria.
21:38And I appreciate your advice.
21:40Because I know you give them to me with good intentions.
21:43I see.
21:44But you're going to be submissive, right?
21:46As if I were watching you.
21:48Well, yes, I'm going to marry Manuel and the hermit of Lujan tomorrow.
21:52It has been quite difficult for Manuel to manage them so as not to reveal the priest's identity.
21:56If it were Don Fermín, he would have slapped each one of you twice.
22:01That's the luck of having a new priest who doesn't know his dangers.
22:06You'll see, Ana.
22:08But lying to a priest, that has to be a sin.
22:10And a very big sin.
22:12Maria, we are not lying to him about the essentials.
22:14And we love each other.
22:15Yes, yes, I know we have no choice.
22:18As if I wasn't going to formalize yours.
22:21Of course.
22:23So what's wrong with you? Don't you want me to get married or what?
22:27It's not that.
22:29I wish you would get married, Ana.
22:32But it's going to be the most special day of your life and ...
22:35And I'm not going to be able to see it.
22:38You're going to be with me.
22:40One way or another, but ...
22:42You're going to be with me.
22:45And you know what?
22:48You have to remember what Teresa said.
22:50That the important thing is not the day of the wedding, but what comes next.
22:54For the rest of our lives.
22:57Yeah, and we're going to share that.
22:59Of course.
23:01Ana, how often does she complain that she's going to hit Marquesa?
23:05You're going to rent balconies to see it.
23:07You're going to rent a good one because ...
23:09No one can stop this.
23:12Come here.
23:21I'm not proud to have lied.
23:23But I'm proud of you.
23:25And I'm proud of you.
23:28I'm not proud to have lied.
23:31But it was the only way I could get to you.
23:35Well, but tell me about yourself.
23:37I barely know Matilde.
23:39Well, before being Julia,
23:41she was the institute of the grandchildren of the Duchess of Ferino.
23:45Matilde, a babysitter.
23:47I didn't expect that.
23:49Well, some of the Duchess's grandchildren are no longer exactly children.
23:53Oh no?
23:54No.
23:55In fact, the eldest granddaughter is quite a woman.
23:58Her name is Carolina and she is a kind and sweet young woman.
24:03I taught them to read, to write, history, art ...
24:08And well, to be up to the task, I had to train myself.
24:13That shows that you have a lot of ambition.
24:16It shows that it has come this far.
24:18But that's another story.
24:20Well, we'll have time.
24:22Besides, I want to meet her.
24:24Well, that girl, Carolina, had lived outside of Spain for a long time
24:28and she barely had friends.
24:30That's why my lady got her granddaughter to go to the feast of the Duchess of Frezuelos.
24:35The one that Martino went to.
24:37That's right.
24:38But Carolina was not in the mood to attend.
24:41She only agreed if I accompanied her.
24:44Yeah.
24:45But that reception was only for young ladies.
24:50That's why we agreed that I would go through one of them.
24:54At first, I didn't think it was a good idea.
24:56But then I found out that Martina de Luján was also invited to the feast.
25:00And by then, you already knew the relationship you had with Manuel.
25:03And with me, it was Luján's request, right?
25:05That's right.
25:07So I agreed to play your game and ...
25:10I stopped being Matilde of the Institute and I became Miss Julia.
25:15I understand.
25:18I only went to the feast to meet Martina.
25:21And so I could get to you.
25:24I needed to talk about Paco.
25:26To know everything about his death.
25:30There is only one thing that I don't quite understand.
25:35You came to this palace to give Martina the pendant, right?
25:40Did you steal it?
25:42No, please, no.
25:44No, no, no.
25:45I took advantage of a moment of carelessness in which he kept the pendants in his bag
25:49and I borrowed one.
25:51And so I could make an excuse to visit La Promesa.
25:56An immeasurable excuse.
25:58Just like all those who came later to extend their stay in La Promesa.
26:01Their dizziness, the trip of their parents, restoring the painting ...
26:07I already told you that I hate lies.
26:10But I had to do one.
26:12For Paco.
26:19For Paco.
26:35Come in.
26:39What are you coming for, Petra?
26:41To bring me another bouquet, as if it were for me?
26:44Sorry, ma'am.
26:46That was just a carelessness.
26:49One of many.
26:50Ma'am, I actually ...
26:51Petra, I'm almost ready to go down to have a snack, so ...
26:54Whoever has to wait, let them wait.
26:57Actually, ma'am, I came for another matter.
27:03And why should I be interested in your needs?
27:06The truth is that I still think about it.
27:08Yes, it was a mistake to ascend the bed of keys.
27:12Yes, you have already told me that on several occasions, ma'am.
27:17But both of us know the answer.
27:19The mistake would have been to ascend.
27:24Tell me what you came for.
27:27What is this?
27:28A notebook?
27:30It is the proof of my efficiency as a key lover.
27:34Read it yourself and you will see for yourself.
27:41Vera, I left the soufflé in the middle.
27:43The soufflé can wait. We can't.
27:45I just put it in the oven. I need to know that it goes up well.
27:48López, it always goes up perfectly.
27:51That's why you are López, the best cook in the region.
27:54Vera, I'm just a cook.
27:56The soufflé is a very complicated dessert.
27:58Look, that's exactly what I wanted to talk to you about.
28:01The soufflé?
28:02No.
28:03The one you always miss, López.
28:05And it's not fair that you treat yourself like that.
28:07Vera, I know what I am.
28:08And the place I occupy in the world.
28:10And what about the place you occupy in my heart?
28:13Because what demoralizes me is that we have already talked about this before
28:16and no matter how much I repeat it to you, it seems that you do not finish believing me.
28:18It's not about believing or not believing.
28:20No.
28:21There you are right.
28:23The truly important thing is that I am willing to continue insisting.
28:27What do you mean?
28:28That I'm tired, López.
28:30And that I can't continue with this loose thread.
28:34So what do we do?
28:35No, the question is what are you going to do.
28:37Are you going to continue pretending to be the victim?
28:39Or are you going to accept once and for all that for me you are just as worthy as any of the gentlemen?
28:45López, I am very clear who I was, who I am and what I want to be.
28:49And if my past makes you feel inferior, you may not be prepared for the present.
28:53Much less for what comes next.
28:57So if that's the case, it will be better if we leave it as soon as possible.
29:02I can't be with a person who feels inferior to me.
29:05My love, it's not you.
29:07What do you mean it's not me?
29:08No, it's everything that surrounds you.
29:11Everything that I have abandoned, you mean.
29:18Forgive me.
29:22You forgive me.
29:23I love you more than my life.
29:25And I promise you that I will not doubt again and that I will be up to it.
29:30Well, let's see if it's true.
29:39At López's level, it's hard for me to believe that there is a cook who has as much art in the kitchens as he does.
29:44Well, it's the truth. He is one of the best cooks in Madrid.
29:47And he will take care of the banquet of our wedding.
29:50Well, I share Margarita's skepticism.
29:52I don't think he cooks better than López.
29:54That's right. Come on, there is no guest who has ever left without dedicating a compliment to one of his dishes.
29:59Not to mention that you would realize more than that Madrid cook.
30:02Money is not a problem.
30:04And yes, I do not doubt that López is excellent, but he has neither the prestige nor the name that I propose.
30:09Don't tell me that your cook is going to sign menus.
30:13That he is an oil painter.
30:16You can laugh at everything you want, Cruz.
30:18But the truth is that it has been very difficult for him to access to cook for us.
30:21In fact, it has been almost a miracle.
30:23Oh yeah? And how has the miracle been left over?
30:26Well, through a good friend.
30:28Who?
30:30For discretion, I prefer to keep the name secret.
30:33I will only tell you that he works for the royal house.
30:36Please, how fantastic.
30:39And why would Ignacio have to invent something like that?
30:42To give importance, for example.
30:44No, because my fiancé doesn't need to do that.
30:46Leave it, Margarita. It's not worth it.
30:50When you tell us the specific identity of that genius of the stoves, I will believe you, Ignacio.
30:55Cruz, that's it, please.
30:57Oh yes, that's fine.
30:59We are organizing our wedding with the greatest excitement.
31:01I don't understand why you can't share our joy.
31:04Yes, what should I be happy about?
31:06Margarita, don't push yourself.
31:07It is obvious that you are resentful of something.
31:09Resentful of me? What nonsense.
31:11We better talk about something else.
31:13Or we don't talk about anything at all, and that's it.
31:17Lately, in La Promesa, it seems that everyone is very upset.
31:20What do you mean?
31:22Well, that even young people behave in a strange way.
31:26If you mean my son Manuel, I remind you that he has just arrived from a war.
31:29I mean Manuel, Catalina, who is closed all day.
31:33Are you going to compare me being in the front with the leg of a spoiled little girl?
31:37Now you are going to attack my daughter.
31:38Let her mature at once.
31:39Stop it, Cruz.
31:40You are going to take her side, as always.
31:43Catalina is making a lot of effort with the issue of the jams and she is a little upset.
31:47You should understand her.
31:48You seem to understand everyone but me.
31:51I wish I could, dear, but you don't let yourself.
31:53You don't want anyone to understand you.
32:00I love you.
32:06Come on, miss.
32:07Give the snack a try.
32:08We have prepared it with a lot of love.
32:11I appreciate it, but I wasn't kidding when I said I wasn't hungry.
32:15Oh, oh, oh, Miss Catalina without hunger.
32:20The thing is serious.
32:21Let's see if you're going to have a little temper.
32:24No, no, I'm fine.
32:26Yes, yes, you don't look bad.
32:30And how is the jam business going?
32:33Any news?
32:35Well, I have barely had time to review the accounts and analyze the state in which it is.
32:41Yeah, but with everything he told us, I'm sure the business will go ahead, whatever it is.
32:48Yes, we will have to adapt to the current market and the new times.
32:53The market in Plaza de Alto?
32:55But they haven't changed the place, have they?
32:56No, Candela, I don't mean that market, but a more global market.
33:00Well, as soon as you know the news, let us know that we will be delighted to get down to work,
33:06even if it is with more current flavors.
33:09Be careful, Lope.
33:11And I guarantee you that we will not diminish your creativity, even if we have to focus it in another way.
33:16Yes, of course, when things are the way they are in the world ...
33:20Yes, offering a product as innovative as the one we offered will be difficult to sell now.
33:25Excuse me, Miss Catalina, but I don't quite understand.
33:28Well, because of the situation we are in, we are at war.
33:32People don't have rooms or are up for new things.
33:34They want things to be like before.
33:37Sure, people want strawberry jam to be strawberry jam.
33:42That's right.
33:43Don't worry, Lope.
33:45We will find a way to make the jams from before.
33:48No, no, Miss Catalina, these are very logical arguments.
33:52Now is the time to do things as God commands, with quality products.
33:56Very well said.
33:57You have already heard Lope.
33:59When he has news, let us know.
34:02Yes.
34:07Lope, Candela, don't you have to go to Alhacena to do a little inventory?
34:11Us?
34:13Yes, because these days we have had a lot of trajín.
34:17Be careful, Mrs. Simona, that we are going now.
34:19So, come on, Mrs. Candela.
34:20Don't be stubborn.
34:22Let's go, let's go, let's go.
34:23So we'll stay at Catalina and Joa's date alone for a while.
34:26I wasn't going to stay much longer either.
34:28Nothing, just a little while, to give her the humidity.
34:30It will have to be at another time.
34:33As you wish, Miss.
34:35Thank you very much for the snack.
34:37You're welcome.
34:46Something is wrong with this girl.
34:48I already told you that she is weirder than a green dog today.
34:52It's normal that she didn't eat the snack.
34:54No, what is not normal is that she didn't tell me what happened to her.
34:58Well, then, are we going to Alhacena, Lope, and I to do the inventory or not?
35:02Candela, it was just an excuse.
35:04I knew it.
35:05Come on, you're like to play the mouse.
35:07I'm not going to pick her up as a playmate.
35:09Come on, how smart, both of you.
35:12Come on.
35:14What a smartness around here.
35:18No, no, no, she's playing with me.
35:29Olé!
35:33Olé!
35:35There are more beautiful things out there.
35:41Olé! We had a great time.
35:43Let's go.
35:46Let's go, let's go.
35:48To the square.
35:55Let's go.
35:59Olé!
36:06Marcelo.
36:08Come here for a moment.
36:10What?
36:11Me?
36:13But I was just shaking the carpets.
36:16I see.
36:17And with what were you shaking them?
36:18With your tongue?
36:19Why do you say that?
36:21I say it because I'm not Leila.
36:22I know perfectly well what you were doing.
36:24Camelart a la Trini.
36:25Hey, I didn't do any of that.
36:27Well, that's not what my little eyes have seen.
36:30I was shaking the carpets,
36:31and it turns out that one of them was so small that it almost looked like a crutch.
36:36I see.
36:37I see.
36:39Hey, it's not my fault.
36:41The girl made it funny, don't you think?
36:43We're here to work, not to make fun of others.
36:46Because to laugh, there are already clowns in the circus.
36:48Hey, it was an innocent joke, woman.
36:50Well, you seem less innocent to me anyway.
36:53So work and concentrate, you've had enough of that.
36:57Are you sure you don't want me to shake you too?
37:00I'm jealous of Joselito the Rooster.
37:02Don't even think about it, Marcelo.
37:03Don't even think about it.
37:04Don't even think about it.
37:05But why are you so mad at me, woman?
37:07Come to work.
37:30The potato is ready to fry.
37:33Can I have a look at López's dessert?
37:36Oh, no, I'll be right there.
37:37You told me that five minutes ago.
37:39As soon as it's fried,
37:40the mess the boy is going to make is going to be anthological.
37:44You're right, Candela.
37:45I'm sorry.
37:46I'm very sorry,
37:47but I'm not the one who's going to go to the oven.
37:57Nothing.
37:58It's not enough.
37:59It wasn't that much.
38:00It wasn't that much, but I had to.
38:02You know what's wrong with you?
38:04Why are you so upset?
38:06I don't get it, Miss Catalina.
38:09The boy is fine.
38:11But we have work to do.
38:13Yes, yes, yes, of course.
38:14Yes, of course, of course.
38:15But there's no one.
38:17I'm heartbroken.
38:19Have you seen the little enthusiasm
38:21when I asked him about the jam?
38:23Of course, she's not.
38:25She's unrecognizable.
38:26She's unrecognizable.
38:27Look, look.
38:28What a bad omen the captain has.
38:30Look at what he's done to the business.
38:32Yeah, but I don't think that's why.
38:35I think something else is wrong with him.
38:38Why?
38:39Well, that's what I'd like to know, Candela.
38:42But it has to be something very big
38:44so that he doesn't trust me and tell me.
38:46Will he have something to do with Nadañi?
38:49It could be.
38:50Can you imagine if,
38:51after having settled in the palace,
38:53having convinced him to come here,
38:55in the end, the girl doesn't fall in love with him?
38:57It could happen.
38:59But Miss Catalina has to tell the truth.
39:02It's hard for her, like everyone else,
39:04but in the end, she does.
39:05So?
39:07So it has to be something very big.
39:11But I don't feel like it at all.
39:19As you can hear,
39:20he was making a pass at her,
39:21as if he were a bullfighter.
39:24And Trini was laughing at him.
39:26Isn't Trini supposed to know he's married?
39:29The one he's supposed to forget is him.
39:31He wanted to make a pass at me.
39:33Really?
39:34Yes.
39:35And the worst part is,
39:36according to him, he wasn't doing anything wrong.
39:38He must be shameless.
39:40Are you sure you're exaggerating?
39:42Not a little bit, Hanna. Not a little bit.
39:44Well, maybe all this we're imagining doesn't exist.
39:47Yes, of course.
39:48I would have imagined that he was cheating on her.
39:50María, maybe he likes gossip and gossip.
39:53He likes it that way. I'm telling you.
39:56Besides, you told me he was flirting with Josefa, right?
39:59Maybe he's just a good partner.
40:01That's it.
40:02Yes, maybe he's a good partner, yes.
40:05What I find strange is that Teresa
40:07has fallen for that man.
40:09I also find it quite strange.
40:10Yes.
40:14Teresa.
40:15What are you doing here?
40:17Well, I came to get the iron,
40:18but I happened to hear my name.
40:21Oh, really?
40:22Yes.
40:23No.
40:24No.
40:28We were saying that...
40:31that...
40:32that Hanna couldn't use the iron
40:34because I'm sure you were coming for her
40:36and that she couldn't use it.
40:38So yes, Hanna.
40:39Of course.
40:40Well, if you're using it, I'll come for her later.
40:43No, take it if you want.
40:44Yes, sure.
40:45Yes, of course.
40:46Of course.
40:47Will you take it?
40:48Of course.
40:49To the iron.
40:55Why didn't you tell us?
40:57Who, me?
40:58You.
40:59Who's going to tell you?
41:01Hanna.
41:03Because you're right,
41:04and the boy was in a bad mood.
41:07Well, even so, I think she should know.
41:11Besides,
41:12I've told her a few times
41:13that Marcelo was going too far.
41:16What did she tell you?
41:18She gave me the impression
41:19that she didn't really care.
41:21The truth.
41:40What do you want now, Petra?
41:43I don't know.
41:46Ma'am, I've heard
41:48that you didn't finish your lunch
41:50completely well.
41:51And I was wondering if you needed anything.
41:53No, I don't need anything.
41:55And less from you.
41:58If I may ask,
42:00have you had the opportunity
42:01to read the notebook I gave you?
42:05And why would I waste my time on that nonsense?
42:07Because I have the feeling
42:09that you have information
42:11that would be very interesting for you, ma'am.
42:14Well, once again, you're wrong.
42:16Before I went down to have lunch,
42:17I could take a look at it.
42:19And I've only found
42:20absurd rhymes and childish stories.
42:22Well,
42:24maybe, ma'am,
42:25it's just that
42:28you haven't read
42:29Masenjulia's pages.
42:31Where do you want to go?
42:33Nowhere, ma'am.
42:35But I insist
42:37that I should give you
42:38a second chance.
42:39If it's another waste of time,
42:40you'll be responsible for it.
42:43I assure you that, lately,
42:44the idea of degrading Fregona
42:45has been the most attractive to me.
42:48Let me show you
42:49the most succulent fragments.
42:53And you read it yourself, ma'am.
43:05Once she got sick,
43:07and she had to go
43:09for a season
43:11to a retirement home,
43:14and he suffered a lot
43:15from her absence.
43:18You could say
43:19that they loved each other
43:21more
43:23in the distance
43:24than in the proximity.
43:25But does this have to do with me?
43:27I think it does, ma'am.
43:29That fable dared
43:30to write about me
43:31and in this tone?
43:33I assure you
43:34that I'm going to kick it
43:35in the street.
43:37And no one in the region,
43:38no decent house,
43:39will hire me.
43:41Before you do that, ma'am,
43:43I'll keep reading.
43:45Because
43:46there's other information
43:48that's even more interesting.
43:56And who could imagine
44:00that those two
44:03servants
44:04united by chance
44:06would find love
44:08in the same palace
44:10where they lived?
44:12The first one
44:13fell in love
44:14with a
44:16son of a marquis,
44:19a young,
44:21brave,
44:23capable of flying through the sky.
44:29The two friends
44:30organized their wedding.
44:32The first one
44:33in intimacy
44:34because no one
44:36could find out
44:37about their romance.
44:38What is this?
44:40You can deduce it
44:41yourself, ma'am.
44:43That son of a marquis,
44:45capable of flying through the sky,
44:47is none other
44:48than his son Manuel.
44:50But then,
44:53then who the hell
44:54is the bride?
44:56Can't you guess, ma'am?
45:00I'll show you.
45:04I'll show you.
45:13Leave this notebook
45:14where you found it
45:16and pretend
45:17no one ever saw it.
45:28I'm intrigued.
45:29What's so secret
45:30that you have to tell me?
45:31I'm going to bed.
45:33You'll see,
45:34it's more than secret.
45:35It's serious.
45:36So I need
45:37your maximum discretion.
45:39Manuel, you're scaring me.
45:41Tell me
45:42what it's about.
45:45Catalina,
45:46do you remember
45:47the time you turned to me
45:48to cover your back
45:49when you visited Pelayo?
45:50Of course.
45:51And I'm very grateful to you.
45:55Do you remember
45:56what I told you?
45:57I need you
45:58to return the favor.
46:01What are you up to, brother?
46:04None right now,
46:06but everything will change tomorrow.
46:09What are you talking about?
46:12Do you trust me, sister?
46:14Of course I trust you,
46:15but I don't understand
46:16why there's so much mystery.
46:17I can't tell you anything else.
46:21Then you're not going to tell me
46:22anything you expect from me.
46:29I need
46:30you to defend me
46:31no matter what happens tomorrow.
46:33Will you do it?
46:35I've always done it.
46:36But what's going to happen tomorrow?
46:40Nothing bad.
46:41I give you my word.
46:43But I need you
46:44to defend me.
46:47Please, sister,
46:48I know this is very strange,
46:50but I need you
46:51to give me your word.
46:54I beg you.
46:56Okay, okay, I'll do it.
46:57You have my word.
46:58I'll defend you
46:59no matter what happens.
47:15First of all,
47:16I want to thank you
47:17for coming so early.
47:19Thank you for letting me know.
47:20I assume this is
47:21something important.
47:23That's right.
47:24Something you forgot
47:25to tell me this morning.
47:27I'm afraid so.
47:29I'm sorry for the inconvenience.
47:31You won't be
47:32if you manage to shed
47:33some light
47:34on Mr. Castillo's death.
47:36I understand
47:37that I have not advanced
47:38in your investigation.
47:40Do you really want
47:41to be the one
47:42to ask the questions?
47:43No, no, no, for God's sake, no.
47:44I'm sorry.
47:46But no.
47:47Unfortunately,
47:48we still have no leads.
47:49That's why I'm here.
47:50Because I hope
47:51you give them to me.
47:55I lied to you.
47:59What did you say?
48:00I didn't tell you
48:01the whole truth.
48:02I was scared.
48:04I didn't know
48:05the implications
48:06of revealing
48:07the name of the owner
48:08of the envelope.
48:11Do you know
48:12who did it?
48:13Who put the name
48:14of Gregorio Castillo
48:15on it?
48:17I did it.
48:19I was the one
48:20who sent the envelope
48:21to Mr. Castillo.
48:23You?
48:24Yes.
48:25There was a note inside
48:26that said
48:27to meet me.
48:29I don't understand.
48:30Why did you want
48:31to meet Mr. Castillo?
48:35I wanted to convince him
48:36to leave Mrs. Adarre
48:39alone.
48:45Mrs. Adarre?
48:47Your wife?
48:51I understand it less and less.
48:52Didn't you tell me
48:54that Mrs. Pia Adarre
48:56had died?
48:59I also lied to you today.
49:02Mrs. Adarre is alive,
49:04fortunately.
49:25And that rose?
49:26It's an attempt
49:27to make up for not arriving in time
49:29to talk to the cooks
49:30about the jams.
49:33Don't worry.
49:35I'm very sorry, Catalina.
49:36I went to Lujan
49:37and the saint
49:38went to heaven.
49:40It doesn't matter.
49:42I already went down
49:43and explained the situation to them.
49:45And what did they say?
49:47What they already told us
49:48that they are at our disposal.
49:51Lope seems a little more convinced
49:52of the decision
49:53to make more conventional jams.
49:56I'm very happy.
50:01Honey, do you forgive me?
50:04There's nothing to forgive.
50:09No, no.
50:16Catalina, what's going on?
50:23No, no, no.
50:24No.
50:26You're not going anywhere
50:27without telling me what's wrong with you.
50:29Speak at once.
50:37I'm pregnant.
50:50Mrs. Adarre,
50:51do you have
50:52a problem
50:53with registering the cabin?
50:56No.
50:57Of course not.
50:59Although I already told you
51:00that I'm not going to find anything.
51:01Where do you have the money?
51:05What money?
51:07Don't play dumb, Mercedes.
51:09And above all,
51:10don't take me for a fool.
51:11You know perfectly well
51:12what money I'm talking about.
51:14That would be wonderful.
51:26I want that sea to be ordered tomorrow
51:28and not the day after tomorrow.
51:30The thing is that tomorrow
51:31is my day off.
51:33And?
51:34I've been invited
51:35to a snack today.
51:36That's an excellent plan.
51:37Since you've got up
51:38in such a good mood,
51:39maybe you'd like
51:40to join me this afternoon.
51:42Well, yesterday I tried
51:43to assign him
51:44a task
51:45for this afternoon
51:47and he already
51:48said
51:49that it was
51:50his day off.
51:51I've proposed
51:52to my son
51:53a plan for this afternoon
51:54but he's come up
51:55with the most absurd excuse.
51:57It's obvious
51:58that you're hiding something, ma'am.
52:00And now all that's left
52:01is for Father Samuel
52:02to give us his blessing.
52:04Yes.
52:05You shouldn't be here.
52:06At the last moment
52:07I asked him to go
52:08looking for the photographer
52:09from Luján.
52:10You wanted a memory
52:11so our children could see it.
52:12But you don't want to go out
52:13in the picture
52:14with that cape
52:15covering all the dress
52:16you're wearing underneath.
52:17Today is the day.
52:19Or there are many possibilities
52:20for it to be.
52:22All we need
52:25is to find out
52:26where they're planning
52:27to get married,
52:28that pair of fools.