The Kiss (Comedy, Romance) Full Movie
romantic hollywood movie
#romanticmovie #hollywoodkissing
#romanticmovie #hollywoodkissing
Category
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Short filmTranscript
00:00:00Lover, where did you go?
00:00:17You told me that you'd love me till the end of ever after
00:00:24Lover, you were the one
00:00:38You said the sun would shine upon our love forever after
00:00:45It took you all this time for you to realize I'm not what I seem
00:01:01Memories leave you cold, the future seems so old
00:01:10You awoke from my dream
00:01:16Goodbye, my little one
00:01:21Since you're gone, the love we made has come undone
00:01:33The love we made has come undone
00:01:39Yeah!
00:01:40Leg!
00:01:45Zig!
00:02:04May I help you?
00:02:06I'm here about the ad.
00:02:10And which ad might that be?
00:02:12Single, white, female, seeks quiet, responsible roommate.
00:02:16And I found her. You're responsible and very quiet.
00:02:20Well, did that mean that I had to be too?
00:02:23Come on, Megan. I'd like to get some sleep. Tomorrow's my big day.
00:02:27I know. You're right. Please forgive me. Things just kind of got out of hand.
00:02:31Right.
00:02:32Hey.
00:02:33You know how it is.
00:02:34Yeah.
00:02:35It took you all this time for you to realize I'm not what I seem
00:02:48Memories leave you cold, the future seems so old
00:02:55You awoke from my dream
00:03:01Goodbye, my little one
00:03:06Since you're gone, the love we made has come undone
00:03:18The love we made has come undone
00:03:22The love we made has come undone
00:03:53Morning.
00:03:55Hey. Sleep well?
00:03:57Oh, right.
00:04:01Uh, this is Zig.
00:04:05Ziggy, actually.
00:04:07But my friends call me Zig.
00:04:10Megan's told me all about you.
00:04:13We just met last night.
00:04:15Over the phone.
00:04:17How did you refer to him?
00:04:19The man of your dreams.
00:04:22I can see why.
00:04:24Ziggy's the new bartender.
00:04:26This is my soon-to-be ex-roommate, Cara.
00:04:29Hi.
00:04:30Nice meeting you.
00:04:31I've got to get going.
00:04:33Can't be late on my first day.
00:04:35Cara's just been promoted.
00:04:37Sweet. What do you do?
00:04:39She's an editor.
00:04:41Associate editor at Owens & Zeller.
00:04:44Explains the books.
00:04:46I was worried they were yours.
00:05:17No place like home.
00:05:24I guess we're not in Kansas anymore.
00:05:28No.
00:05:31Did they lose the keys to this room?
00:05:35They didn't want anything to do with us.
00:05:38I'm sure they did.
00:05:41Did they lose the keys to this room?
00:05:44They didn't want anything to disturb
00:05:46in case Gilbert was working on something important when he died.
00:05:49So on top of everything else, it's our job to figure that out.
00:05:52Think of it as a mission.
00:05:54Unlocking the secrets of Harry Gilbert.
00:05:56The wizard.
00:05:57Do you know how many bestsellers he had in you?
00:05:59No.
00:06:00Let's just hope he left his wizardry here for me.
00:06:11Fred?
00:06:15What's the status on Northern Lights?
00:06:17I spoke to Jonathan over the weekend.
00:06:19Does he understand what a million-copy first printing is?
00:06:21Of course. It's just...
00:06:23We paid him $600,000 for this book
00:06:26that is scheduled to be our big Christmas release.
00:06:28Do I have to remind you of that?
00:06:30No.
00:06:31Good.
00:06:32Then inform Mr. Gray that he better stop fucking around
00:06:34and get his manuscript in on time.
00:06:36Cara, are you all moved in?
00:06:38It's underway.
00:06:39Let me know if you find anything interesting.
00:06:41Meanwhile, Diet for a Sensuous You?
00:06:44Ready for copy editing.
00:06:46We're going to push the release date till this November.
00:06:49I think it'll make a perfect stocking stuffer.
00:06:55How'd it go?
00:06:56She wants Diet for a Sensuous You ready for Christmas.
00:07:00This Christmas?
00:07:01Uh-huh.
00:07:03Oh, and then there's this.
00:07:05Looking for a husband in all the wrong places.
00:07:08After the meeting, she pulled me aside,
00:07:10told me this is right up my alley.
00:07:13Was that a compliment?
00:07:15I'm not sure.
00:07:22Will you look at this?
00:07:24I don't believe there's a sufficient market for legal thrillers.
00:07:28Huh.
00:07:29This guy's been at the top of the bestseller list
00:07:31for the past decade.
00:07:32I wonder if Joyce knew about the wizard's letter.
00:07:34Probably not. His death wasn't ruled a homicide.
00:07:37Hey, girl, it's happy hour.
00:07:39I can't tonight.
00:07:40I'm buying.
00:07:41I'll take a rain check. I've got a date.
00:07:43One, I don't do rain checks.
00:07:45Two, anyone I know?
00:07:46Doubt it.
00:07:47Then I'm at a photo gallery downtown.
00:07:49Seems nice.
00:07:50Is he cute?
00:07:51Very.
00:07:55Yeah, no, I don't know.
00:07:56She's supposed to be in here.
00:07:57I'm already on my first glass of wine.
00:07:59Yeah.
00:08:00I'll give her a few more minutes.
00:08:05Hi.
00:08:06How are you?
00:08:07Sorry I'm so late.
00:08:08That's all right. No problem.
00:08:09I had my phone to keep me company.
00:08:14So, tough first day?
00:08:16Something like that. Just trying to settle in.
00:08:19Yeah, I understand.
00:08:21You know, Carrie, you really ought to think about your future there.
00:08:24What do you mean?
00:08:26Books. Come on.
00:08:30Let me show you something.
00:08:33The entire 22-volume Oxford English Dictionary in here.
00:08:38Compressed into 4 megs of RAM.
00:08:42I thought you missed the whole tactile sensation,
00:08:45the smell of the ink and paper when it was crackling.
00:08:47Cara, this is the future.
00:08:50It's just the start.
00:08:51There's a tech firm out in Seattle that's embedding microcircuits
00:08:54into monkeys' brains.
00:08:55It takes less than three nanoseconds
00:08:57to upload one piece into the chimp's memory.
00:09:00And we're next.
00:09:02It's just a matter of time.
00:09:04So, you hungry?
00:09:06Yeah.
00:09:07Good, good, good.
00:09:20Oh.
00:09:22Hi.
00:09:24So?
00:09:26Date sucked, huh?
00:09:28Date sucked, huh?
00:09:31He's no Ziggy.
00:09:33The man of my dreams?
00:09:34Mm-hmm.
00:09:36Let me tell you something about Ziggy.
00:09:38I mean, he's got some interesting qualities,
00:09:40but, oh, he, like, smells funny.
00:09:42Really? I didn't notice anything.
00:09:45Next time, get closer.
00:09:47No, thanks.
00:09:48A guy's got to smell nice, among other things.
00:09:52Ooh, like guitar player boy?
00:09:54Ed.
00:09:55Oh, please.
00:09:57Oh, he was so cute.
00:09:59He was cheap.
00:10:01I had to pay for everything.
00:10:03His smell, the cologne, I bought him.
00:10:07I even bought him his strings.
00:10:10So, let me get this straight.
00:10:12You're looking for a relationship with no strings attached.
00:10:16Or you could just become celibate.
00:10:20I am celibate.
00:10:21Not always cracked up to be.
00:10:23Hmm.
00:10:25I want passion.
00:10:27Ah, the dreaded P word.
00:10:29I want my toes to tingle.
00:10:32Hey, you know, I think there's a personal ad in here
00:10:34promising just that.
00:10:36I want to be swept off my feet.
00:10:39Relax, you've got time.
00:10:41You're, what, 28?
00:10:4229.
00:10:44I'm 31.
00:10:46Really?
00:10:48Well, you've still got your looks, honey.
00:10:50I'm sure Mr. Right is out there somewhere right now
00:10:52with flowers in one hand, down on one knee.
00:10:59Am I missing something here?
00:11:03No, it's a long story, Megan.
00:11:05Oh, come on, tell me.
00:11:09It's just...
00:11:12I think maybe I already let Mr. Right get away.
00:11:16This guy I dated in college.
00:11:19Alan Roberts.
00:11:22Okay, why is it that I'm only hearing about this Alan Roberts right now?
00:11:26It's something I try not to think about.
00:11:29I get it.
00:11:31Hey, how did he smell?
00:11:34Great.
00:11:36Unfortunately.
00:11:38And I'm guessing he occasionally picked up the check.
00:11:41More than occasionally.
00:11:43So what did he do?
00:11:45He was an artist.
00:11:47A painter.
00:11:49Oh, what did he do?
00:11:51Oh.
00:11:53The day before graduation,
00:11:56he showed up at my dorm and out of nowhere
00:11:59drops to his knees, whips out a ring and says,
00:12:02Cara, I can't imagine living a day without you.
00:12:04I love you. Marry me.
00:12:06What an asshole.
00:12:08Come on, you've got to understand.
00:12:10I mean, I was 22.
00:12:13I wasn't ready for that sort of commitment.
00:12:15He said no?
00:12:17I didn't know what to say.
00:12:19He just kept pressing me for an answer,
00:12:21and I didn't have one.
00:12:23And then he just disappeared.
00:12:27Well, that's not too depressing or anything.
00:12:30Do you have any pictures of this Alan guy?
00:12:33Or is that a stupid question?
00:12:35I've got boxes full.
00:12:43I know, you're right.
00:12:48But that's all been changed.
00:12:51The book's been fast-tracked for Christmas release.
00:12:54Yes, this Christmas.
00:12:58Look, this is coming directly from Joyce.
00:13:02I thought it would.
00:13:04All right, bye-bye.
00:13:13Bye-bye.
00:13:32What's the deal with those?
00:13:34What do you mean?
00:13:36There must be hundreds of editors.
00:13:38Thousands.
00:13:40Okay, thousands.
00:13:42And each of you brings home three or four manuscripts to read.
00:13:45We're all searching for that perfect book.
00:13:48Is there such a thing?
00:13:50Yes.
00:13:53I don't know.
00:13:57I hope so.
00:14:01The Kiss, for Claire.
00:14:05Their language had not yet been invented
00:14:08as love was a mere word,
00:14:10a worn cliché compared to their unique experience.
00:14:14What awakened within them was a phenomenon
00:14:17unfamiliar to each,
00:14:19which enclosed them like a gossamer blanket of joy.
00:14:24This isn't me.
00:14:27Who is it?
00:14:29I don't do this.
00:14:31Do what?
00:14:33Spend the night with a stranger
00:14:35who's too quick, too weird,
00:14:38too beautiful.
00:14:41I don't know.
00:14:43I don't know.
00:14:45I don't know.
00:14:47I don't know.
00:14:49I don't know.
00:14:51Beautiful.
00:14:58They became addicted to their passion.
00:15:01Every other heartbeat was communal property,
00:15:04and yet she discovered a fragile bliss
00:15:07threatened by the frightening possibility
00:15:09of it all dissolving in the demanding reality of life.
00:15:17Is anything wrong?
00:15:21No, I...
00:15:25What?
00:15:27Come on, tell me.
00:15:29Just years from now, I was just...
00:15:34I'm trying to save this moment,
00:15:36this feeling for then.
00:15:39I'll be there to remind you.
00:15:41Will you?
00:15:52She felt exhilarated and simultaneously suffocated
00:15:56by the totality of them,
00:15:58to the point of dreading the prospect of a meltdown,
00:16:02leaving her with a tangible emptiness scraping her soul.
00:16:15Apparently, there's a renowned Japanese theater company in town
00:16:20performing a series of these heightened minimalist plays.
00:16:23It's kind of like a commedia.
00:16:25They use masks and dance and music.
00:16:27Anyway, I thought we'd go with Renée and Isabelle tomorrow...
00:16:30Philip.
00:16:31After dinner.
00:16:33We can go tonight, but we'd have to cancel with your mother.
00:16:36Philip, I...
00:16:39What is it, dear?
00:16:42I love you.
00:16:46I love you.
00:16:50I love you like I have never loved anyone else.
00:16:54You know that.
00:16:56And I have done things with you that I never dreamed of.
00:17:01And it's gone even beyond that.
00:17:04Good. Something crazy about you.
00:17:07I've completely lost myself in you.
00:17:09All I think about, all I dream about is you, is us.
00:17:13What are you saying?
00:17:15It's too much, Philip. We're too much.
00:17:20Okay.
00:17:25I love you.
00:17:28Claire.
00:17:33Claire!
00:17:36Claire!
00:17:40Claire!
00:17:41He stormed the streets, his personal hell of abandonment.
00:17:44His vanished connection to the meaning of life
00:17:47took the form of heated writing
00:17:49in hopes of alleviating the desperate pain of loss.
00:17:52Claire!
00:17:55Lifting his hand, he struck the first key and...
00:17:59What?
00:18:04Lifting his hand, he struck the first key and...
00:18:10What?
00:18:17What?
00:18:47What?
00:19:01I can't believe this.
00:19:12Good morning.
00:19:14Not yet.
00:19:18Julie.
00:19:20Something wrong?
00:19:21The rest of the old manuscripts.
00:19:23Well, I threw them out.
00:19:24What?
00:19:25Like you said.
00:19:27Is something missing?
00:19:29Just the ending to an incredible book.
00:19:31Incredible?
00:19:33I can't believe that.
00:19:48We're sorry.
00:19:49The number you have reached is no longer in service.
00:19:52Damn it.
00:19:54Do a web search.
00:19:56Okay.
00:20:02Director of Assistance, what city, please?
00:20:04Brookdale, please.
00:20:05I'd like the number for Conway Hall.
00:20:07Can you spell that, please?
00:20:09Hall. H-A-L-L.
00:20:13There's no listing for Hall in Brookdale.
00:20:16Nothing at all.
00:20:22No hits.
00:20:42Well?
00:20:43He's just not cooperating.
00:20:46I have legal. Give him a call.
00:20:49Kara, I read it last night.
00:20:52What did you think?
00:20:54Well, I have to say, it's not exactly my taste,
00:20:57my cup of tea, as it were.
00:21:00But I have to admit, it has bestseller written all over it,
00:21:03assuming it were complete and we knew where it came from.
00:21:07Steve, see what you can do with it.
00:21:12Okay.
00:21:19Yes?
00:21:21This just came.
00:21:30Doesn't matter anyway.
00:21:33She just took it away from me.
00:21:35Okay, call it.
00:21:36People at Choice walk all over you.
00:21:38She's my boss. What am I supposed to do?
00:21:41A glass of wine.
00:21:42No, I mean...
00:21:43I know what you mean.
00:21:44Look, tomorrow's Saturday, right?
00:21:46Get up early, rent a car.
00:21:48Yeah, but all I've got is a post office box.
00:21:51It's a start, right?
00:21:52But...
00:21:53But nothing.
00:21:54Every night you search for the perfect book, remember?
00:21:57Just a sec.
00:21:58Look, if you've found it, don't give up so easily.
00:22:02Bye.
00:22:33Excuse me, where's box 708?
00:22:35There is no box 708.
00:22:37That doesn't make sense.
00:22:39Walt!
00:22:40Yep?
00:22:41Before we remodeled, was there a box 708?
00:22:45Oh, you betcha.
00:22:46It went all the way up to 850.
00:22:48Would you have any information about box 708?
00:22:52No.
00:22:53A forwarding address?
00:22:54Mm-mm.
00:22:55A phone number?
00:22:56No.
00:22:57We really don't keep those sort of records, miss.
00:23:00That was so long ago.
00:23:01Back when the prep school closed.
00:23:04Everybody moved away then.
00:23:06How long ago?
00:23:08Walt!
00:23:10How long ago was that?
00:23:12Oh, I guess 20 years back now.
00:23:16Wait a minute.
00:23:17You're saying that there hasn't been a box 708 in at least...
00:23:2120 years.
00:24:02You were here.
00:24:12Joyce, could I speak with you for a moment?
00:24:15Sure.
00:24:16I just wanted to talk to you about something.
00:24:19What is it?
00:24:20I don't know.
00:24:21It's a long story.
00:24:22It's a long story.
00:24:23It's a long story.
00:24:25It's a long story.
00:24:27It's a long story.
00:24:29Joyce, could I speak with you for a moment?
00:24:32It's about the kiss.
00:24:33I want to find the author.
00:24:34I have a whole set of problems with this.
00:24:36You've only been on the job 10 days.
00:24:38Your plate is full, Kara.
00:24:39I'll make the time.
00:24:40Well, what about the fact that Steve is a fiction editor and you are not?
00:24:43Joyce, give me a chance.
00:24:45I know this book.
00:24:46I'm only asking for one week.
00:24:4720 years is a long time.
00:24:49He could be dead.
00:24:50I'm willing to take that chance.
00:24:52You know, there are plenty of assistants that are waiting to see you screw up
00:24:55so that they can take your slot.
00:25:00Do not make me regret this.
00:25:07A leave of absence?
00:25:09Just a week?
00:25:11I'm the impetuous one.
00:25:13You're supposed to be responsible and quiet.
00:25:17Some example you're setting.
00:25:19I'm very quiet.
00:25:21It's just time for a little role reversal.
00:25:25A week, huh?
00:25:29Holy...
00:25:33You know, this sort of looks like you.
00:25:35You think so?
00:25:37Yeah.
00:25:38Holy...
00:25:42When I was reading the book, I actually thought it was me.
00:25:44Let's see.
00:25:47What are you doing?
00:25:48I want to know if you're totally whacked.
00:25:59What are you doing?
00:26:00I want to know if you're totally whacked.
00:26:02What are you doing?
00:26:03I want to know if you're totally whacked.
00:26:04What are you doing?
00:26:05I want to know if you're totally whacked.
00:26:06What are you doing?
00:26:07I want to know if you're totally whacked.
00:26:08What are you doing?
00:26:09I want to know if you're totally whacked.
00:26:10What are you doing?
00:26:11I want to know if you're totally whacked.
00:26:12What are you doing?
00:26:13I want to know if you're totally whacked.
00:26:14What are you doing?
00:26:15I want to know if you're totally whacked.
00:26:16What are you doing?
00:26:17I want to know if you're totally whacked.
00:26:18What are you doing?
00:26:19I want to know if you're totally whacked.
00:26:20What are you doing?
00:26:21I want to know if you're totally whacked.
00:26:22What are you doing?
00:26:23I want to know if you're totally whacked.
00:26:24What are you doing?
00:26:25I want to know if you're totally whacked.
00:26:26What are you doing?
00:26:27I want to know if you're totally whacked.
00:26:28What are you doing?
00:26:29I want to know if you're totally whacked.
00:26:30What are you doing?
00:26:31I want to know if you're totally whacked.
00:26:32What are you doing?
00:26:33I want to know if you're totally whacked.
00:26:34What are you doing?
00:26:35I want to know if you're totally whacked.
00:26:36What are you doing?
00:26:37I want to know if you're totally whacked.
00:26:38What are you doing?
00:26:39I want to know if you're totally whacked.
00:26:40What are you doing?
00:26:41I want to know if you're totally whacked.
00:26:42What are you doing?
00:26:43I want to know if you're totally whacked.
00:26:45What's the rush?!
00:26:46Let's go!
00:26:47What's the rush?!
00:26:48Let's go!
00:26:49Silence!
00:26:50What's the rush?!
00:26:51Let's go!
00:26:52Silence!
00:26:53What's the rush?!
00:26:54Let's go!
00:27:03Hello?
00:27:06Hi, Zach.
00:27:06Yeah.
00:27:07It's me, Megan.
00:27:08I'm shocked!
00:27:09I'll bet you are.
00:27:12Uh, hey, I need a favor.
00:27:14What?
00:27:15Could you cover my shift for a couple of nights?
00:27:17Oh, I don't know.
00:27:18I understand.
00:27:19I'll be back on Wednesday, I promise.
00:27:21All right.
00:27:22Great.
00:27:23How are you going to repay me?
00:27:24How will I repay you?
00:27:28Uh, I'll think of something.
00:27:31Yeah, you better.
00:27:32Be good.
00:27:33OK.
00:27:34Oh, thanks again.
00:27:35Bye.
00:27:36OK, bye.
00:27:38Beep.
00:27:43We should call it a night.
00:27:46Since when do you get to bed before 4 AM?
00:27:49When I'm driving to Brookdale first thing in the morning.
00:27:51Night.
00:27:52Bye.
00:27:53Bye.
00:27:54Bye.
00:27:55Bye.
00:28:22Oh, whenever I'm blue, I know you're mine.
00:28:33What about the headmaster?
00:28:35Do you remember his name?
00:28:36Hmm, it was a German name.
00:28:39Weiss.
00:28:40No.
00:28:41Fleiss.
00:28:42Bonner.
00:28:43That's it?
00:28:44Yeah.
00:28:45Do you know where we can find him?
00:28:47Oh, sure.
00:28:48Over at the Heavenly Hills Cemetery.
00:28:51He died a couple of years after the school closed.
00:28:54Shit.
00:28:59Now what?
00:29:01Here you go.
00:29:02Enjoy.
00:29:03Dessert?
00:29:04Thanks.
00:29:05That's not what I meant.
00:29:06I know, but that cherry pie looks awesome.
00:29:15Karen.
00:29:16Yeah?
00:29:18The local paper.
00:29:20What about it?
00:29:21Maybe there's some kind of lead.
00:29:22You know, something about the school.
00:29:25What, a Derek Conway column?
00:29:27You never know.
00:29:30It's worth a try.
00:29:33Excuse me.
00:29:34Check, please.
00:29:35I'll be right there.
00:29:36No cherry pie.
00:29:37Do you see the sacrifices I make for you?
00:29:43Told you it was a mess.
00:29:46This is why God invented the internet.
00:29:50You two will be all right down here?
00:29:52Yeah, we'll be fine.
00:29:53All righty.
00:29:54You're just standing.
00:29:56Where do you want to start?
00:29:58If I go back to the womb, my life held promise at that point.
00:30:02You work back.
00:30:03I'll work forwards.
00:30:20Hey, listen to this.
00:30:22Services will be held Thursday for Claire Noday.
00:30:25Claire, like in the book.
00:30:27Claire Noday, who died Monday, April 14, 1980,
00:30:30at Brookdale Hospital after a long illness.
00:30:32The time frame is right.
00:30:34Oh, my God.
00:30:35She was married to Philip Noday, English instructor
00:30:38at Westerberg Prep.
00:30:39Philip and Claire.
00:30:40He used their real names.
00:30:41I think I've got it.
00:30:43Address or phone number would be great.
00:30:46How about a photo of the faculty?
00:30:48Donald Kellerman, Priscilla Hopewell,
00:30:50Athene Mumford, and Philip Noday.
00:30:53Yes, all we have to do now is wait.
00:30:56I'm going to have to wait.
00:30:57I'll be back.
00:30:58Oh, my God.
00:30:59Oh, my God.
00:31:00Oh, my God.
00:31:01Oh, my God.
00:31:02Oh, my God.
00:31:03Oh, my God.
00:31:04Oh, my God.
00:31:05Oh, my God.
00:31:06Oh, my God.
00:31:07Oh, my God.
00:31:08Oh, my God.
00:31:09Oh, my God.
00:31:10It's my turn. Let's go.
00:31:12♪♪♪
00:31:17♪♪♪
00:31:22♪♪♪
00:31:27-♪♪♪
00:31:32Can I help you?
00:31:33Uh, yes. Priscilla Hopa?
00:31:35Yes.
00:31:36We'd like to ask you a question
00:31:37about one of your colleagues at Westerberg Prep.
00:31:40Are you with the police?
00:31:43No.
00:31:44Not at all.
00:31:45We're...
00:31:46We're trying to locate Philip Noday.
00:31:49You sure you're not with the police?
00:31:54Huh?
00:31:55Yeah.
00:31:57Sorry I can't help you.
00:31:59But, Mr. Kellerman, I...
00:32:00Look.
00:32:03Philip and I didn't exactly see eye to eye.
00:32:07I have no idea where he is.
00:32:09But believe me, I wish I did.
00:32:11That son of a bitch owes me 35 bucks.
00:32:21Are we crazy?
00:32:24You tell me.
00:32:27You know, I don't even care if this thing ever gets published.
00:32:30I just want to find out how it ends.
00:32:32Sometimes I feel the same way.
00:32:34Like I don't want to share this story
00:32:36with the rest of the world.
00:32:38I want it to be all mine.
00:32:41Do you think they reunite?
00:32:44Maybe.
00:32:45This is a clue.
00:32:47I thought about that,
00:32:48but I don't know if it's supposed to show them
00:32:50at the beginning or at the end.
00:32:53End.
00:32:54Right?
00:32:55It's got to be the end.
00:32:57Why?
00:32:58Because all that searching.
00:33:00I mean, he's got to find her.
00:33:02Twin hearts.
00:33:04Hmm?
00:33:06Twin hearts.
00:33:07The idea that there's one person out there
00:33:10who's perfect for you.
00:33:12Alan.
00:33:14It's mushy.
00:33:16I hate mushy.
00:33:18We would lie in bed at night and hold each other,
00:33:21his chest pressing against mine,
00:33:23and I swear we could feel our hearts beating together
00:33:26as one.
00:33:39It's not that mushy.
00:33:47I've got one.
00:33:49No day?
00:33:50Chemistry teacher.
00:33:52Afain Q. Mumford.
00:33:54Ah, parents can be so mean.
00:33:56Which one is he?
00:33:58The one with the mustache.
00:34:03He lives in Waterbury.
00:34:09That's about two inches north of here.
00:34:14Radio chatter.
00:34:22Let's do it.
00:34:24Yep.
00:34:30Vicky.
00:34:31Shh.
00:34:32You get us thrown out of here.
00:34:35Over here.
00:34:44Damn.
00:34:51Ladies.
00:34:52We're sorry to interrupt.
00:34:54Oh, no, no. Forget about it.
00:34:56I've been trying for two weeks now
00:34:58to rescue the princess from the demon spaceship.
00:35:01She can wait for another hour or so.
00:35:03We'd like to ask you...
00:35:05I know. I know.
00:35:07You're looking for Philip Noday.
00:35:09Priscilla Hopewell told me all about it.
00:35:12She put it on the Internet.
00:35:14She even described what you were wearing.
00:35:17She told you about the book?
00:35:19Yeah, and the missing ending.
00:35:21Philip.
00:35:23Do you know where he is?
00:35:25I might.
00:35:31Is it any good, the book?
00:35:33We wouldn't be here.
00:35:35Yeah, I suppose.
00:35:37Can you help us?
00:35:39I'm not sure he wants to be bothered.
00:35:42Mr. Mumford, I can't publish his book
00:35:45unless I find him.
00:35:47I'm not sure he wants to be bothered.
00:35:49Look, we've come a long way, and we're pretty desperate.
00:35:51Oh, now, are you threatening to beat it out of me?
00:35:53No, no, I just meant...
00:35:55No, that's a joke.
00:35:57Old man's fantasy.
00:36:06On one condition.
00:36:08You name it.
00:36:10You got the manuscript with you?
00:36:12In here.
00:36:13Let me read it.
00:36:15Tonight.
00:36:17Joyce, it's Kara.
00:36:19I think I've got something.
00:36:21No, not an ending.
00:36:23Not yet, anyway, but...
00:36:26No.
00:36:28Looking for a Husband is with the copy editor.
00:36:31We're right on schedule with that.
00:36:34You'll be back on Monday, right?
00:36:36Yes, I will be there on Monday.
00:36:38Monday. Love you.
00:36:43The witch?
00:36:45I want to kill her.
00:36:49Water.
00:36:50Try a big bucket of water.
00:36:57The first thing you have to do
00:36:59is to be able to tell the difference
00:37:01between an electrolyte and a non-electrolyte.
00:37:03That's a no-brainer.
00:37:05Then you have to be able to predict the solubility
00:37:07of ionic compounds in water.
00:37:09What if he hated it?
00:37:11He didn't say he had to like it,
00:37:13just that he wanted to read it.
00:37:15It's all there in chapter six.
00:37:17Saved by the bell.
00:37:19All right, for tomorrow,
00:37:21we're gonna review chapter six.
00:37:23You got me? Review chapter six.
00:37:32Mr. Mumford.
00:37:36The Literary Angels.
00:37:43It'd sell a million copies, wouldn't it?
00:37:45If I can get the ending.
00:37:47Yes, maybe more.
00:37:52You've got his number?
00:37:55As far as I know, he doesn't have one.
00:38:02He, uh...
00:38:04He lives in East Wellfield.
00:38:06Um, that's up the coast on Route 1.
00:38:10I'm guessing it's about three hours from here.
00:38:13A mile into East Wellfield,
00:38:15you'll see an old gas station on the right.
00:38:18Does it have a name?
00:38:20No, it just says old here, underlined,
00:38:22and that you can't miss it.
00:38:26And?
00:38:28You're supposed to ask for him there.
00:38:32Sure you can't stay?
00:38:34One of us has to have a job.
00:38:38Bring back the ending, okay?
00:38:40I don't like to be kept hanging.
00:38:42I'll do what I can.
00:38:44Get going. You've got a long drive.
00:38:46Right. I'll call.
00:38:48You better.
00:38:50Good luck. Thanks.
00:38:52Peace, Mama.
00:39:02♪
00:39:14♪ You get so alone at times that it just makes sense
00:39:21♪ Even when I talk to myself
00:39:25♪ The fear crackles up again
00:39:28♪ And there's something coming into my life
00:39:33♪ A vision today
00:39:37♪ A memory rings while my mind unveils
00:39:40♪ All the shit that you say
00:39:45♪ But I'm bad to choose
00:39:48♪ And I easily bruise
00:39:52♪ And you know my ways
00:39:56♪ I'm drunk and dazed
00:39:59♪ What am I supposed to do now that you're not here?
00:40:07♪ What am I supposed to do now that you're not here?
00:40:22Fill her up.
00:40:24Uh, sure.
00:40:28Regular, please.
00:40:40Open the gas cap.
00:40:42Huh?
00:40:44Gas cap. On the floor, left of your seat.
00:40:46Oh.
00:40:49Rent a car?
00:40:51Yeah. How did you know?
00:40:53Us, my area of expertise.
00:40:57What are you doing up here this time of year?
00:40:59I'm looking for someone.
00:41:01I'm hoping you can help me. I was told to ask here.
00:41:04Oh.
00:41:05Do you know where I can find Philip Nodet?
00:41:07Hmm?
00:41:08Philip Nodet.
00:41:10N-A-U-D-E-T.
00:41:12Never heard of him.
00:41:14But I'm sure this is...
00:41:17Sorry.
00:41:19That'll be 12 bucks.
00:41:33Is there someone else who works here who might be able to...
00:41:36Afraid not. I wish I could help you.
00:41:39Well, drive safely, miss.
00:41:42Is there any place around here where I can get some food?
00:41:45Well, there's a diner, but it's a good hour north.
00:41:49Figures.
00:41:51I might have some crackers in the office.
00:41:54Right now, crackers sound great.
00:42:03Um, I'm sure I have some somewhere.
00:42:06Wait here, miss.
00:42:39This is my home, miss.
00:42:41Oh, I'm sorry. I-I just followed you in.
00:42:46That should hold you.
00:42:48You'll be on your way now, huh?
00:42:50Uh, sure.
00:43:08You're him.
00:43:10I told you, I don't know this...
00:43:12No, that's you in the pictures.
00:43:13No, it isn't.
00:43:14Yes, it is.
00:43:18Who sent you here?
00:43:20A faint Mumford.
00:43:22Mumford?
00:43:24That's the science himself.
00:43:27What do you want?
00:43:28An ending.
00:43:30An ending?
00:43:32Yes, to this.
00:43:40Where on earth did you find this?
00:43:42At Owen's in Zeller.
00:43:44It was there, and I think I can get it published
00:43:46if you give me the missing pages.
00:43:48We threw them away by mistake.
00:43:52Where were you 20 years ago?
00:43:54In fourth grade.
00:44:01You'd like it?
00:44:04I think it's... it's wonderful.
00:44:15It was our honeymoon.
00:44:17We kissed.
00:44:20When the picture became so...
00:44:22Popular.
00:44:24Overexposed.
00:44:26Every goddamn poster shop had one in the window.
00:44:29It stopped being us.
00:44:31Claire and I would imagine about these two people
00:44:34in front of the bookstore.
00:44:36How they met, the passion, the separation.
00:44:39In Claire's version, they were always reunited in the end.
00:44:44And in this one?
00:44:49Are you okay?
00:44:52Yes.
00:44:54Time for a cigarette.
00:44:58In fact, I'm a bit tired.
00:45:00I wonder if we could continue tomorrow.
00:45:04Uh, sure.
00:45:06I'll be fine.
00:45:08Tomorrow's fine.
00:45:14Just one more question.
00:45:16Is that a promise?
00:45:18Yep.
00:45:19Why Jake?
00:45:21Oh, it's the guy I bought the station from.
00:45:23I got dozens. You want one?
00:45:25No, but thanks anyway.
00:45:27I'll see you in the morning.
00:45:29See you in the morning.
00:45:44That's him in the picture.
00:45:46They were on their honeymoon in Paris.
00:45:49You're kidding.
00:45:50Does he look anything like the guy in the picture?
00:45:53Yeah, sort of.
00:45:56There's something about him.
00:45:58Do I detect a May-December thing here?
00:46:02No, I don't think so, Megan.
00:46:04Hey, don't rule it out.
00:46:06Okay, I'm gonna say goodnight now.
00:46:08Call me when you have an ending.
00:46:13Good night.
00:46:43Good night.
00:47:13Hey, Kilgore.
00:47:15Hey, buddy.
00:47:23Mr. Noday?
00:47:25Mr. Noday?
00:47:55How many are there?
00:48:15Had a lot of spare time since Claire died.
00:48:18How many are there?
00:48:25Some groceries. You want to come? We can talk in the car.
00:48:28Sure. We'll watch the station.
00:48:30Oh, locals need gas. They'll come by later.
00:48:33Come on, Kilgore. Walk it through. Come on, man.
00:48:37You were pretty hard to find.
00:48:39That was the plan.
00:48:42Why?
00:48:45I feel more alone in company.
00:48:50Have you been up here long?
00:48:53Since the school closed.
00:48:56I didn't feel like teaching anymore,
00:48:58and I had a little money stashed away, so...
00:49:01How about a gas station?
00:49:04Suits me fine.
00:49:06I don't do repairs. I don't sell tires.
00:49:11It's a perfect five minutes of interaction,
00:49:14and back to the tie-bride-up.
00:49:16So, how many of my colleagues did you meet on this journey?
00:49:20A few.
00:49:22Priscilla Hopewell, Donald Kellerman...
00:49:25Kellerman? Hell'll freeze over before he gets his 35 bucks.
00:49:32Damn tourists.
00:49:39Claire and I used to spend our vacations up here.
00:49:44Afterwards,
00:49:47it seemed like a good place to scribble.
00:49:49Actually, could we talk about...
00:49:51later?
00:49:54If I'm going to let you publish it,
00:49:56I should get to know you a bit first.
00:49:59Such as?
00:50:01Well, name would be good.
00:50:04My God.
00:50:06Kara Thompson.
00:50:08Kara. It's a nice name.
00:50:10We're off to a good start.
00:50:12What do you say, Kilgore?
00:50:16Woof. Woof.
00:50:18He's a cheap date.
00:50:22It's beautiful.
00:50:25Claire used to say,
00:50:27if you squinted, you could see the top of the Eiffel Tower from here.
00:50:32It was her favorite place on Earth.
00:50:35I laid it to rest here.
00:50:39Come on, lads.
00:50:43Was she like the Claire in the book?
00:50:46In small ways.
00:50:48People just liked to be around her.
00:50:51When we were apart, I'd be longing for her return.
00:50:54But when we were together, I...
00:50:56I couldn't relax.
00:50:58I was dreading her absence.
00:51:17CLICKS
00:51:22CLICKS
00:51:30CLICKS
00:51:38What happens at the end?
00:51:40You're the publishing expert.
00:51:43How do you think it should end?
00:51:45With a kiss.
00:51:50I should be getting back to the station.
00:51:56MUSIC PLAYS
00:52:15MUSIC CONTINUES
00:52:45MUSIC STOPS
00:52:49So how much of the book is true?
00:52:53Oh.
00:52:56A lot of it.
00:53:00I was just trying to capture the feeling of how it was.
00:53:05Most of the manuscript's the same.
00:53:08Just shuffling the memories.
00:53:11How about their relationship?
00:53:16I got most of it right.
00:53:19Did Claire leave when I proposed?
00:53:24No.
00:53:26Probably should have, but she didn't.
00:53:31Was the, um, passion so...
00:53:35Overwhelming?
00:53:38Absolutely.
00:53:46And Paris?
00:53:50Paris.
00:53:56Paris I got right, at least.
00:54:04You seem to have a passion for bookshops.
00:54:08Good memories.
00:54:10So why not get your pen name from one?
00:54:13Instead of Conway Hall.
00:54:15Oh, it was a joke.
00:54:17The building was falling down on our heads.
00:54:21An homage?
00:54:24To my crumbling existence.
00:54:30So, what are you passionate about?
00:54:33Books. Literature.
00:54:35Ah, too obvious.
00:54:37Tell me something I don't know.
00:54:39Tell me...
00:54:41Who in history you would have liked to have had a love affair with?
00:54:47Anyone? Anyone.
00:54:51Botticelli, maybe.
00:54:55You see yourself as Venus.
00:54:57The goddess of love.
00:54:59No, that's my roommate.
00:55:02Maybe he would have painted me after we made love.
00:55:06That's original.
00:55:08And you?
00:55:10Me?
00:55:15Cleopatra.
00:55:17And I did have a lot of fancies about Ava Gardner.
00:55:23But then I remembered how it was with Claire.
00:55:28It couldn't possibly have been better with anyone else.
00:55:33Hopeless, aren't I?
00:55:36I don't think so.
00:55:38So, tell me about the man in your life.
00:55:43There isn't one at the moment.
00:55:45But please tell me you truly have been in love.
00:55:52Well...
00:55:54Once?
00:55:58Okay, once.
00:56:00And what did he do to make you foreso in love with him?
00:56:05He made me feel like we were the only two people alive
00:56:10and everything that existed, existed for us.
00:56:14So where is he?
00:56:16I don't know.
00:56:18So suddenly you weren't so alone anymore?
00:56:24Not at all.
00:56:26What happened?
00:56:28What happened?
00:56:33I panicked.
00:56:36Well, we all panic.
00:56:39I haven't heard from him since.
00:56:42So find him.
00:56:45Who knows if he'd remember me.
00:56:51I think you'd be pretty hard to forget.
00:57:07I know a secret about cocoa.
00:57:11Triggers the release of endorphins.
00:57:14Your body's own opium.
00:57:17Produces the same feeling as when you're in love.
00:57:23So let's eliminate love.
00:57:25So let's eliminate love.
00:57:27Replace it with cocoa.
00:57:30Heartbreak out the window.
00:57:37By the way, how did you meet Claire?
00:57:42We met in a bookshop in Greenwich Village.
00:57:47I heard this couple arguing.
00:57:49The guy was banging on about how TV had made books redundant.
00:57:54I looked over.
00:57:56I saw Claire clutching a book to her chest.
00:58:01When I saw what it was, I came to her defense.
00:58:04I said it was the most beautiful depiction of unrequited love I'd ever read.
00:58:10She...
00:58:12She handed the book to her date and said,
00:58:16apparently you need this more than me.
00:58:19What was the book?
00:58:21Sentimental Education by Flaubert.
00:58:25I don't think anybody's ever got it that right, in my opinion.
00:58:30Until now.
00:58:32Oh.
00:58:34Silver-tongued devil.
00:58:37Well, listen.
00:58:41See for yourself.
00:58:52Has there been anyone since?
00:58:56Is that a euphemism?
00:58:59No.
00:59:02I mean...
00:59:04Well, you're intelligent, attractive.
00:59:08Passed my so by date.
00:59:14No, having you here the last few days, it's been a pleasure.
00:59:18No, having you here the last few days, it's been...
00:59:24It's been...
00:59:35It's late.
00:59:37Maybe we'd better call it a night.
00:59:40Yeah.
00:59:42See you in the morning.
00:59:44We'll discuss the ending.
00:59:46I promise.
00:59:48We got a bit sidetracked tonight.
00:59:53Good night, Philip.
00:59:55Good night.
01:00:16Something so lonely
01:00:21Something so tender
01:00:24In your gaze
01:00:26Something so strange
01:00:29So fierce
01:00:32And so lonely
01:00:35In your gaze
01:00:38Fascinated me
01:00:42In Saint-Germain-des-Prés
01:00:47This morning of June
01:00:50But what happened?
01:00:56In Saint-Germain
01:00:59This morning of June
01:01:03I wanted nothing more
01:01:09You stayed there
01:01:13In the middle of the sidewalk
01:01:18Come in.
01:01:23That smells great.
01:01:26Would you like some omelette?
01:01:28Between the food and the cocoa, this is going to be a pleasure to edit.
01:01:32Perhaps not.
01:01:34What? You're going to stop cooking for me once I buy your book?
01:01:39That wasn't what I meant exactly.
01:01:47You didn't lose the ending, Cora.
01:01:51Come. I've got something to show you.
01:01:56There's no ending.
01:01:58Happy, sad, or otherwise.
01:02:01You sent the manuscript to Owens and Zeller incomplete?
01:02:04I was hoping for a response of some kind. An echo.
01:02:08So I'd know I wasn't alone.
01:02:10I guess I thought that if an editor liked the story,
01:02:14it would provide a spark of hope.
01:02:17I'm sorry.
01:02:19I'm sorry.
01:02:21I thought that if an editor liked the story, it would provide a spark.
01:02:26Give me the push I need to solving an ending.
01:02:33So here I am.
01:02:38Maybe that was how it was 20 years ago.
01:02:41It's not like that anymore.
01:02:44Can't they just find each other and live happily ever after?
01:02:49It's not like that now.
01:02:51It is, Philip. You can finish this book.
01:02:54I don't think so.
01:02:56At least try.
01:02:58I've been trying for 20 goddamn years. I've done nothing else.
01:03:03Let me help you.
01:03:05You don't understand.
01:03:07Then tell me.
01:03:09An ending means it's over.
01:03:20I'm sorry.
01:03:27I guess I should leave.
01:03:49Bye.
01:04:08Hey. Surprise.
01:04:13Oh. Oh, oh, oh, oh.
01:04:15I'm sorry. You don't like the poster.
01:04:18Get out of here. I never want to see that picture again.
01:04:22Come here.
01:04:24Everything sucks.
01:04:28That's life, sister.
01:04:30Can I get you a drink?
01:04:32Beer? Gin and tonic?
01:04:35Whiskey straight up?
01:04:37Or hot cocoa?
01:04:39Okay.
01:04:41Please.
01:04:42Coming right up.
01:04:48He just wouldn't do it.
01:04:51He couldn't.
01:04:53I believe him.
01:04:57No, if you had met him, you'd understand.
01:05:00He's still not over her.
01:05:01Come on, Kara. You've got to be able to move on.
01:05:04Otherwise, you—
01:05:05Die?
01:05:07I was going to say rot.
01:05:19When the day ever ends
01:05:24And the night begins
01:05:27You'll be there, be there
01:05:31Oh, you'll be there
01:05:38When the stars fade again
01:05:42And the sun comes in
01:05:45You'll be there, be there
01:05:49Oh, you'll be there
01:05:51As I'm sure you have heard, Kara has struck out with the kiss.
01:05:56You know I read the manuscript.
01:05:58Deidre Stone could tack on an ending in a day.
01:06:00Mr. No Day, Conway Hall was a pen name.
01:06:04His real name is Philip No Day.
01:06:06Like in the book.
01:06:08Right. He doesn't want the book published.
01:06:11With or without his ending, he's no longer interested.
01:06:14I can't believe that.
01:06:15Believe it, Steve.
01:06:17It was a good try, Kara.
01:06:19But now it is time to get serious.
01:06:28Kara Thompson. May I tell who's calling?
01:06:32Affine Mumford?
01:06:41Mr. Mumford, hello.
01:06:43Can you come up here? He's asking for you.
01:06:45Sure. How about this weekend?
01:06:47The weekend?
01:06:48Something's wrong, isn't it? Is Philip all right?
01:06:51Can you come sooner?
01:06:53Okay.
01:06:54When will you come?
01:06:55Well, I'm leaving now. I'll be there tonight.
01:06:58I'll see you later then.
01:06:59Okay.
01:07:01Okay.
01:07:02What's going on?
01:07:03Philip. I... Philip No Day.
01:07:04The kiss guy?
01:07:05Yeah. Tell Joyce I went home early.
01:07:07But you've got to...
01:07:08Tell her I was sick. Tell her anything. I don't care.
01:07:13Okay.
01:07:30He's upstairs.
01:07:32He, um...
01:07:35He doesn't look so good.
01:07:44Can I have a few minutes with my pal?
01:07:52I'll be right downstairs if he needs me.
01:08:00I guess I look pretty rough, huh?
01:08:03Is that more than you can handle?
01:08:06I don't know.
01:08:09I guess I look pretty rough, huh?
01:08:12Is that morphine?
01:08:14Yeah.
01:08:17Less distracting than the pain.
01:08:28I heard it's good to...
01:08:32...confront what you fear most before you die.
01:08:37Are you referring to me?
01:08:43After you left, I...
01:08:45I suddenly realized that although I've been living for years without Claire...
01:08:50...I've never lived without the memory of her.
01:08:56And then there was a silence.
01:09:00And it just...
01:09:02...embraced all the thoughts.
01:09:08A kind of vibrant peace.
01:09:12Empty yet...
01:09:14...never the same.
01:09:19Sounds like your luggage is packed.
01:09:23Yeah.
01:09:25Yeah.
01:09:28And I'm traveling light.
01:09:33All that time I was rummaging in the past and...
01:09:39...the end was waiting for me in the moment.
01:09:44She'll be there for you.
01:09:47We'll see.
01:09:55I want you to take care of my dog.
01:09:59Yep.
01:10:00Promise?
01:10:01Yes. Promise.
01:10:05This is for you.
01:10:16Kara.
01:10:19It's okay.
01:10:21Nothing real ever dies.
01:10:52Oh.
01:11:1720 years.
01:11:20I don't see him or hear from him...
01:11:24...and then he calls me up here to watch him die.
01:11:32I'm supposed to wrap up the loose ends I did.
01:11:35He told me to send a check for $35 to Donald Kellerman.
01:11:44All the rest of this goes to you.
01:11:49Thanks.
01:12:02Scotch. On the rocks.
01:12:04I don't drink scotch.
01:12:05Good day to start.
01:12:07Single malt, impeccably aged.
01:12:09The bar's private stash.
01:12:10You know, the owner thinks none of us knows where he keeps the key.
01:12:14What if it's... I mean...
01:12:16No guarantee. For all I know, it could be a stack of blank pages.
01:12:21Bottoms up, girl.
01:12:31Okay?
01:12:33Okay.
01:12:34All right.
01:12:46All right.
01:13:07In hopes of alleviating the desperate pain of loss...
01:13:11...lifting his hand, he struck the first key and wrote...
01:13:15...for Claire.
01:13:19Sales have been good, Monsieur Naudet.
01:13:21We sold eight copies of your book the last week alone.
01:13:26Very good.
01:13:33You waiting for someone?
01:13:37No.
01:13:39Why?
01:13:41No.
01:14:01Monsieur, would you please sign this for me?
01:14:06Claire?
01:14:10Yes.
01:14:12It's me.
01:14:17Oh, my God, Claire.
01:14:19I'm sorry.
01:14:21I'm so sorry.
01:14:23I never should have left you.
01:14:25I... I wasted so much time.
01:14:28I... I don't even remember what I was afraid of.
01:14:32It doesn't matter.
01:14:34No.
01:14:36What we had was...
01:14:38We have...
01:14:40What we have is that my feelings haven't changed for you.
01:14:44I was frightened.
01:14:46I... I was wrong to leave.
01:14:49I was wrong about so many things.
01:14:51I walked the streets of Paris until my feet bled.
01:14:55This guy wrote a book, um, in the hopes that you'd find me...
01:14:59in the hopes that you'd find me,
01:15:01and I really don't care about it because you're here now.
01:15:05I carry this.
01:15:29I carry this.
01:15:55As he drew her close,
01:15:57she could smell the wool of his coat,
01:15:59made wet by the warm Paris rain.
01:16:01With the touch of his lips,
01:16:03all her senses dissolved and surrendered to the kiss,
01:16:06the kiss which reached through time itself
01:16:09into the boundless, miraculous realm of eternity.
01:16:14Backed by a million-dollar ad campaign,
01:16:17this is going to be next summer's hot book.
01:16:20The ending's good, Cara. Really good.
01:16:26At long last, I'm home.
01:16:29Not for long.
01:16:31I've got the night off.
01:16:33I've got the night off.
01:16:35I've got the night off.
01:16:37I've got the night off.
01:16:39I've got the night off.
01:16:41Not for long. I've got the night off.
01:16:44Dinner out?
01:16:46Nah, I was thinking more along the lines of...
01:16:50an opening.
01:16:56Oh, my God.
01:17:01Uh-uh.
01:17:03No.
01:17:05I can't go to this. Not tonight.
01:17:07No, I can't.
01:17:10No.
01:17:12I don't have anything to wear.
01:17:14No. No.
01:17:19Are you sure about this?
01:17:22Trust me.
01:17:24What about Kilgore? I can't leave him alone.
01:17:27Oh, Doug, you'll be fine.
01:17:29I even got him a sitter.
01:17:31Speak of the devil.
01:17:34You remember Ziggy.
01:17:36Of course.
01:17:38Hi.
01:17:40Ziggy, this is Kilgore.
01:17:43Hi, buddy.
01:17:48Bye, boy.
01:17:50Enjoy.
01:17:58So that's how you repay him for covering his shift.
01:18:01You ask him to dog sit.
01:18:03He's nuts about animals.
01:18:05He goes to veterinarian school.
01:18:07That explains the smell.
01:18:09It explains a lot of things.
01:18:15I can't do this.
01:18:17Yes, you can.
01:18:19Who knows if he'll even recognize me?
01:18:25He'll recognize you.
01:18:27How can you be so sure?
01:18:32Oh, my God.
01:18:41I think you've just been swept off your feet.
01:18:44I...
01:18:47What are you waiting for?
01:18:49I...
01:18:51Go.
01:18:53Go.
01:18:56Are you sure about this?
01:18:58Go.
01:19:18Hi.
01:19:20Hi.
01:19:26Right.
01:19:28You look good.
01:19:32So do you.
01:19:36Interesting subject.
01:19:39Yeah.
01:19:42She was a charming girl.
01:19:45Never get her to sit still, though.
01:19:50So this is quite a departure for you.
01:19:54Yeah.
01:19:56A cheesy photorealism as revenge.
01:20:03What do you think?
01:20:05Oh, it works.
01:20:07Good, because they're selling like hotcakes.
01:20:11Bastard.
01:20:15I was going to invite you,
01:20:18but I didn't think you'd come.
01:20:22I'm glad I'm here.
01:20:25You sure?
01:20:27Yes.
01:20:29Good.
01:20:32Alan, meet my friend, Megan.
01:20:34Hi.
01:20:35Hello, friend Megan.
01:20:37Great hands.
01:20:40I'm gonna use them to strangle her later.
01:20:42Stalker.
01:20:43Coward.
01:20:44See you guys around.
01:20:47Oh, my God.
01:20:49Here's another ad from the Tingling Toes guy.
01:20:52He's gotta be pretty desperate.
01:20:54I don't know.
01:20:56I don't know.
01:20:58I don't know.
01:21:00I don't know.
01:21:02I don't know.
01:21:04I don't know.
01:21:06I don't know.
01:21:08I don't know.
01:21:10I don't know.
01:21:12I don't know.
01:21:14The Tingling Toes guy.
01:21:16He's gotta be pretty desperate to place an ad here.
01:21:23We'll be back around dinner time.
01:21:25I hope so.
01:21:27Neither of us knows how to cook, remember.
01:21:29Well, food, that is.
01:21:32Gilgore.
01:21:34Hi, baby.
01:21:44Hi, baby.
01:22:09Goodbye.
01:22:15They're together now.
01:22:33You're not gonna freak out on me again, are you?
01:22:37No.
01:22:40I promise.
01:22:44I don't want to be without you.
01:22:50It's beautiful here.
01:22:53Want to know the best part?
01:22:55Mm-hmm.
01:22:57If you squint, you can see the top of the Eiffel Tower from here.
01:23:01Oh, yeah?
01:23:03Mm-hmm.
01:23:05Where?
01:23:07There.
01:23:11There.
01:23:14She believes the greedy make the needy feel the way they do
01:23:20And everyone can make a difference, even me and you
01:23:25And he believes that destiny is following your dreams
01:23:30He says you gotta say the things you feel
01:23:33And always feel the things you mean
01:23:36And they buy each other coffees in a Brompty cafe
01:23:42And they talk about the music
01:23:45They heard last night on Rage
01:23:48Ain't nothing more to life
01:23:54Ain't nothing more to life
01:24:00Ain't nothing more to life
01:24:04Mm-hmm
01:24:07She believes that in the end it's love that matters most
01:24:12The greatest gift, the sweetest kiss, the reason that we're close
01:24:18And he believes in liberty and giving people choice
01:24:23He says the world outside his bedroom is just as loud as his own voice
01:24:29And the waitress wipes the table as they both get up to leave
01:24:35And he can almost smell the ocean, and she feels so at ease
01:24:41Ain't nothing more to life
01:24:47Ain't nothing more to life
01:24:53Ain't nothing more to life
01:24:57Mm-hmm
01:25:02Ooh, I hope that you can see me
01:25:07And I hope that you can hear me
01:25:13You know I love it when you're near me, near me
01:25:17There ain't nothing more to life
01:25:23There ain't nothing more to life
01:25:30Ain't there ain't nothing more to life
01:25:34I know, I know
01:25:37There's nothing, nothing, nothing, nothing more
01:25:52Mm-hmm
01:25:59Ooh, yeah, yeah, yeah, yeah
01:26:03Ain't nothing more to life
01:26:07Thinking, feeling
01:26:09Ain't nothing more to life
01:26:13Simply being
01:26:15Ain't nothing more to life
01:26:19There ain't nothing, nothing, nothing, nothing more
01:26:23No, no, no, no
01:26:29Ain't nothing more to life
01:26:34Ain't nothing more to life
01:26:39There ain't nothing, nothing, nothing, nothing more
01:26:43Ain't nothing more to life
01:26:47Laughing, crying
01:26:49Ain't nothing more to life
01:26:52Living, dying
01:26:54Ain't nothing more to life
01:27:16Mm-hmm
01:27:22Mm-hmm
01:27:30Mm-hmm
01:27:35Mm-hmm
01:27:39Mm-hmm
01:27:46Mm-hmm
01:27:52Mm-hmm
01:27:58Mm-hmm
01:28:05Mm-hmm
01:28:12Mm-hmm
01:28:16Mm-hmm