La promesa - Temporada 3 - Ep 433
Category
📺
TVTranscript
00:00♪♪♪♪
00:05I don't know how you could do something like that.
00:08When I realized it, it was too late.
00:13I'm having a hard time understanding it now,
00:16but I was locked up in the hangar,
00:18angry with the world.
00:20You make it worse.
00:21It doesn't seem like a good time to be in love.
00:23Love?
00:25I'm having a hard time calling it that.
00:27I didn't look for it.
00:29And I thought something like that would happen to me
00:31when I moved to the hangar.
00:35By the way, if you lived locked up,
00:37how did you meet that man?
00:39It was Tadeo.
00:42I didn't want to see anyone, not even my own family.
00:45But Tadeo insisted that I help a friend of his
00:48who had a problem.
00:50And that friend turned out to be that Adriano, right?
00:55That's how it was. Yes.
00:57I couldn't deny it. Tadeo...
00:59Tadeo had done me a lot of favors.
01:03And what did that guy need from you?
01:07He had lost his father overnight.
01:11And he had to get his lands back.
01:13And he didn't know how.
01:15And Tadeo asked me to help him.
01:17And you accepted.
01:19I told you I owed Tadeo a lot.
01:23At first, Adriano and I
01:25didn't make good friends.
01:27On the contrary.
01:28But you ended up making them.
01:32The truth is, Catalina, I don't understand.
01:35Why?
01:36Because I know you.
01:39I find it very strange
01:41that you ended up doing something like that.
01:45Deep down, we were very similar.
01:47Similar?
01:48What were you similar in?
01:50Well...
01:51He had lost his father and his life took a turn.
01:54And mine too, when everything ended between us.
01:57I don't know. In the end, it was my fault
01:59that you got together with him.
02:00No, I don't think it's anyone's fault.
02:03In fact, it was a stroke of luck to meet him.
02:06But how is it going to be a stroke of luck
02:08that you get in bed with that guy?
02:09You don't have to talk like that.
02:11It's what happened.
02:12No more, no less.
02:14It was much more.
02:16Thanks to Adriano, I had the courage to get out of the hangar,
02:19to face life again.
02:21You have an ear.
02:22It was like that.
02:23He helped me regain my courage, my joy.
02:26And you got it back,
02:28shooting together in the hangar.
02:29Don't be so vulgar, please.
02:31What you're telling me is a very vulgar story.
02:34In any case, it's a story that ended.
02:36No, it didn't end, Catalina.
02:38I don't know if you've realized it,
02:39but you're pregnant with that man.
02:45And to think that I always respected you
02:47and behaved with you like a gentleman.
02:49You and I were together.
02:51Adriano and I met.
02:52We supported each other in a bad moment.
02:54Enough, please. It's okay.
02:56It's okay.
03:00Are those the best explanations you have?
03:03Yes, they're the only ones I have.
03:08Well, they don't work for me.
03:21I love you.
03:43This is very serious.
03:44Very serious.
03:46Marrying a maid.
03:47We know it's very serious, Lorenzo.
03:49You don't have to repeat it every minute.
03:51But you've shown Manuel that this is a mess.
03:53Of course.
03:54But he's obsessed with marrying that girl.
03:56There's no one to get him out of there.
03:57He doesn't get out of the mud.
03:58He's always been very stubborn.
04:00Well, one can be stubborn with their political ideas.
04:03Or if he likes a bullfighter more than another,
04:04but in something like that.
04:05Well, he's doing it.
04:06He doesn't listen.
04:07He doesn't listen.
04:08My God, this youth.
04:10Yes.
04:11They're deaf to any kind of advice.
04:13Until they mature and acquire a little knowledge.
04:16They can.
04:17But we can't wait for him to mature to solve this.
04:19No, of course not.
04:21Just imagining Manuel marrying a maid
04:23makes my body shake.
04:25Imagine that.
04:26And we would be the food of the whole country.
04:28I think that from something like that,
04:29they would be in a mess.
04:31Thank you very much for your words to everyone.
04:33It's very relieving to hear you.
04:35I'm sorry.
04:36I'm sorry because we didn't want you to be worse.
04:38Well, that's exactly what you're achieving.
04:40Well, we just want to help them.
04:42And I think I speak on behalf of everyone.
04:45Yes.
04:46Of course.
04:47Yes.
04:48If we can do anything to prevent him from marrying that maid,
04:51you don't have to ask for anything else.
04:53Is that whore still here?
04:55Yes, unfortunately.
04:57I hope I don't run into her because I don't answer.
04:59It's better this way.
05:00Yes, it's better this way.
05:01As soon as I see her, I pull her hair.
05:03And why don't you kick her in the street?
05:05Lorenzo, you were at dinner.
05:07Manuel has been very clear.
05:08If Hanna leaves the promise,
05:10she will announce what happened to everyone.
05:12It's true.
05:13All you have to do is negotiate with him.
05:15As you wish.
05:17But in a negotiation, both parties must agree.
05:21How far are you willing to consent?
05:24I just know that we are not going to allow him to marry a whore.
05:27We can't let something like this happen.
05:30The thing is to know how far you can pressure Manuel.
05:35To think that there would be so many women
05:37who would want to go to the altar with him.
05:39You have to look at a maid.
05:41It is very common for a man to flirt with a maid.
05:44That has always happened.
05:46But everyone knows that it is for a while,
05:48not to take her to the altar.
05:52Well, my son is not enough for a while.
06:05Aren't you going to say good night?
06:08I'm ashamed to look at your face after everything I've done to you.
06:12Maria, let it be for once.
06:14The fact is that it is done.
06:15I can't stop thinking about how my notebook
06:17could get into the hands of the Marquise.
06:21Well, the point is that I'm here.
06:22So it's no use to you to torture yourself.
06:24Let it be.
06:25Do you have to think that because of me,
06:27right now you are not married to your Manolito?
06:31Torturing yourself is no use to you.
06:33I don't understand how it could have happened.
06:36If I always carried my notebook with me.
06:38Or I had it hidden under the pillow.
06:42Do you think they could have entered the room to get it?
06:44I don't know, Maria.
06:45But I don't care.
06:49Well, now that I think about it,
06:50once I was sewing.
06:53And...
06:54And I had to leave it in a basket.
06:57Because Mrs. Petra came to pick me up.
07:03Come on.
07:04Go upstairs to fix the ladies' bedrooms.
07:06They have already gotten up from the nap.
07:08Now?
07:09Of course now.
07:10You'll regret that later.
07:15Maria Fernández, what are you waiting for?
07:17I'm coming, Mrs. Petra.
07:23Maria!
07:25I'm coming, I'm coming.
07:26Fly!
07:34Come on.
07:40But of course, I came back for him shortly after.
07:42And the notebook was right where I had left it.
07:46But when you left, Petra stayed there.
07:50Not that I know, she came after me.
07:53But of course, now I'm not sure.
07:56Well, don't think about it anymore.
07:58It was her.
08:00But I came back shortly after, Hanna.
08:03And I don't think I gave it to her to read it,
08:05take it to the Marquise and ask her to read it.
08:09I understand.
08:10Besides, I didn't even write when your wedding would be.
08:13I don't even know if I knew it or not back then.
08:17Well, one way or another, the point is that she found out, Maria.
08:20That can't be solved anymore.
08:22Well, if she found out, and it's my fault that she found out.
08:24So what?
08:26It's what happened, right?
08:27Maria, enough already.
08:29I just can't stop looking for you, Hanna.
08:33Do you want to listen to me and stop saying nonsense?
08:36Well, what do I think, Hanna?
08:41Well, you don't have to think about that.
08:45Let's see.
08:51Because the most important thing that has happened to me in this life
08:54has been meeting you.
08:56And no matter how many times you meddle, that will never change.
09:04No.
09:24Don't you like my company?
09:29I understand, it's not the happiest in the world.
09:33No, it's not that, Manuel.
09:36I just didn't want to bother you.
09:38I was surprised to see you so calm after how happy you were this morning.
09:46That's what it's like not to stop thinking about it.
09:54The thing is that I wanted to talk about something, but ...
09:58looking at everything you're going through, I don't think it's the best time.
10:02More problems?
10:05No, I wouldn't call it that, exactly.
10:09My mother has said another nonsense about Hanna.
10:12No, no.
10:13It's not about Hanna.
10:16It's about Julia.
10:18Julia?
10:21What about her?
10:24Do you remember that you were familiar with her face?
10:29Yes.
10:31Yes, she said she looked like a French actress, which was said a lot.
10:34Yes, yes, that's what she said, but ...
10:36Now I know you weren't familiar with that.
10:39No?
10:41And why?
10:44Because you had already seen a picture of her, just like me.
10:49Me?
10:50Where?
10:52On your forehead.
10:56What do you mean on my forehead?
10:58Manuel, she is the young woman in the picture that Paco always wore.
11:02The one who always taught us as soon as she could.
11:06The picture Paco always wore was the one of his fiancée, Matilde.
11:13We always talked about her.
11:16That's what Julia's real name is.
11:23Julia is Matilde?
11:25The same.
11:30But what is she doing here?
11:33She came looking for explanations.
11:35The same ones that José Juan didn't want to give her.
11:37And that's why she made up all this farce.
11:41What explanations are you talking about?
11:45She wanted to know how.
11:48And why her fiancée died.
11:50And why her fiancée died.
12:21Sit down, mother.
12:23I hope you have called me here to tell me where the money you took is.
12:28I want to talk about the money, yes.
12:30I'm glad you finally come to your senses.
12:34Are you tired of pretending you don't have it?
12:37I'm afraid I haven't pretended.
12:39And that you may have lost that money.
12:42What?
12:43What I told you, mother.
12:45I haven't lied to you.
12:47I've lost that money and therefore you can't get it back.
12:50Yes, of course.
12:51The money has vanished.
12:53Mother, I've really lost that money.
12:55No.
12:56You don't lose a suitcase full of money as if it were an umbrella or a hat
13:01that you leave forgotten anywhere, no.
13:03Well, this is what happened.
13:05I hid that money in the promise so that no one would find it
13:08and, incidentally, so that they wouldn't reveal my identity.
13:11What happened? Have they stolen it from you here?
13:13Yes.
13:14I guess someone found it.
13:16It went from hand to hand and ended up in the hands of the Marquise.
13:20Cruz has it?
13:22Or at least he had it.
13:24To know where that money could be at this point.
13:27Oh my God.
13:29And what are we going to do now?
13:32Mother, but don't get like that.
13:34It was a lot of money, I don't deny it, but not so much for you.
13:37You have no idea.
13:39You don't know what we're going through, your father and I.
13:43What do you mean? Has something happened?
13:46We are going through a very delicate situation.
13:49What?
13:50What you hear.
13:51We are on the brink of ruin.
13:54Your father has spent many rooms trying to solve the problems you left in your way.
13:59So many to be in such a desperate situation?
14:02It has been a lot of money, Mercedes.
14:04In addition, your father did some business that did not go well and we have lost several thousand pesetas.
14:11Father, always the same with his business.
14:14And as I have known that it is not going well for us,
14:16they do not grant us a loan and we are with the water to the neck, daughter.
14:20Don't worry, mother.
14:21Your father is very cunning and I'm sure he will find someone to intimidate to get ahead.
14:25And you make fun of him.
14:27It's what he's always done, right?
14:31And what about you?
14:35Do you think you are better than him?
14:38You stole your parents.
14:40You entered this house with lies, deceiving everyone.
14:44So don't you dare give us any moral lesson.
14:47But not one.
14:50Come.
15:04Yes, yes, yes, of course the Duchess of Carril can appear here whenever she feels like it.
15:09But at least she could give notice, right?
15:11Because what is happening does not make any sense.
15:14Come on, go to the door of my office and when the Duchess of Carril comes out, let me know.
15:18Immediately.
15:45It's Mrs. Alcor.
15:48Is something wrong?
15:51What do you mean?
15:53No, how she has been there, dumbfounded, looking at me.
15:58Am I doing the job wrong or something?
16:01No, no.
16:04It was just that ...
16:07I've been thinking about how bad your father feels that you and I get along.
16:14Yes, lately.
16:17He doesn't care about everything I do, it's better not to take it into account.
16:20I just want there to be peace between you two, but that's not why I'm going to ...
16:25I'm not going to leave the complicity between you and me out of the way.
16:29Well, of course not.
16:30He can say whatever he wants on this matter.
16:34Has he told you anything about our conversation?
16:40What is he talking about?
16:43Nothing.
16:44Better let him be.
16:45No, Mrs. Alcor.
16:46If this affects you and me, I need to know.
16:52Okay.
16:55I'm going to tell you, but ...
16:58because I think it's better that you find out about me.
17:01Your father reproached me for neglecting my ... my tasks
17:05to take care of you when you were sick.
17:08Did he tell you that?
17:10And in such an open tone that I had no choice but to stop the clock.
17:14I told him that what I did in my free time was just my business.
17:18Well, very well said.
17:19Because I already tell him that lately everything bothers him.
17:24Has he told you anything?
17:26Yes.
17:27For the bouquet of flowers that I gave him.
17:29That I shouldn't have spent so much money.
17:32You see.
17:33It annoys him that we do good things for each other.
17:36Well, I'm starting to get fed up.
17:38I'm going to have to talk to him and make it very clear.
17:40No.
17:41Don't do anything, son.
17:43You leave things as they are.
17:45Better not to do anything.
17:46If I have told you, it is because of the trust that we have.
17:52But ...
17:53It's better not to make a world of this.
17:56Agree?
18:08Agree.
18:27They told me they wanted to see me.
18:31Julia.
18:33Yes.
18:34I wanted to congratulate you on how the painting turned out.
18:38I started from a good work and that helps a lot.
18:42You know, my father is delighted with the result.
18:45And my sister Catalina.
18:47In fact, I think that if the promise were broken at this very moment,
18:50they would save this painting before their own jewels.
18:53Let's hope they don't see each other in that mess.
18:58I was sorry to finish the restoration.
19:00I spent a few very entertaining days working on the painting.
19:04I almost felt that that woman and I were friends.
19:09You must think I'm crazy, right?
19:11No, not at all.
19:13Artists go through things like that.
19:16Thank you, but the word artist is too big for me.
19:19Not at the sight of how this painting turned out.
19:24She must have been a great woman.
19:26At least that's what the painter reflected.
19:31Yes.
19:33From what I've been told, she was.
19:36You know, she made my father very happy.
19:40And that's not something common in all marriages.
19:45Are you okay, Manuel?
19:50I'm trying.
19:56I don't want to meddle where I'm not called.
19:58But if I could do something to help...
20:01I'd appreciate it.
20:04But it won't be necessary.
20:08Julia, I've actually called you for another reason.
20:12Not to talk about this painting.
20:15I can imagine.
20:17So imagine what I want to talk to you about.
20:21I sense it.
20:23What has the promise brought you, Matilde?
20:27I don't mind telling you.
20:30And since we're here, I'd like us to talk about Paco.
20:35About everything that happened to him.
20:38Of course.
20:42Please, sit down.
20:47We have a lot to tell each other.
20:57Paco.
21:21It's you, isn't it? Don't deny it.
21:23María Fernández.
21:25How dare you talk to the keymaker?
21:29You gave my notebook to the Marquise.
21:32Because you knew I wrote.
21:34I even broke some papers once.
21:37Admit it.
21:39It was you.
21:43You can think whatever you want.
21:54And we couldn't do much more for Paco.
22:05He died thinking about you.
22:09He kept your last breath in his mind.
22:16He loved life.
22:19Yes.
22:20And he loved you.
22:23Madly.
22:33Can I ask you a question?
22:36Go ahead.
22:39All this just happened, right?
22:41That's right, but...
22:44I also prefer to know your version of events.
22:48My version?
22:53Don't you trust that our stories coincide?
22:57No.
22:59I don't want to distrust anyone.
23:02But...
23:04I trust you.
23:06And I trust you.
23:08I don't trust anyone.
23:10But...
23:12José Juan spoke very badly of Curro.
23:17I see.
23:22Although...
23:25the truth is that...
23:27during these days I've been able to get to know Curro a bit and...
23:31he seems like a good person to me.
23:34He doesn't just seem like it.
23:36He is.
23:38I guarantee it.
23:40That's why I'm so surprised.
23:42I don't understand José Juan's words towards him.
23:45Look, Matilde, you don't have to think too much about it.
23:50We were in a war.
23:52And that can affect anyone's understanding.
23:56But all of you were companions.
24:00I know.
24:01I know.
24:05But in such an extreme situation,
24:08thoughts go wild.
24:11And they lose control.
24:15You have to try to forget.
24:18No matter how hard it is.
24:24I know, but...
24:28in that war, I lost the love of my life.
24:31My only love.
24:35Do you know what that is?
24:39You are capable of getting on my nerves, Manuel.
24:50I swear it wasn't my fault.
24:51It's never your fault.
24:52Let me explain.
24:53I don't want you to explain anything to me, Marcelo.
24:54What I want is for you to do things right for once.
24:56Because if you continue like this, what you're going to achieve is that they kick you in the street.
25:02María, why don't you look where you're going?
25:06I'm sorry, Teresa. I didn't see you.
25:09Can I know what's wrong with you?
25:11What's wrong with me?
25:12That I'm a fool and a fool without any knowledge.
25:16You don't have to talk about yourself like that.
25:18I deserve it.
25:19For being a fool.
25:21If it weren't for me,
25:23Jana and Manuel would already be married.
25:25What?
25:27Of course, you mean you knew everything.
25:29Of course I knew it from the beginning.
25:32And I covered it up because I would do anything for her.
25:34And that's why I didn't tell her.
25:37So how did Mrs. Marquesa find out?
25:39Because I didn't tell her with my mouth.
25:41I wrote it.
25:42What do you mean you wrote it?
25:43Yes.
25:44For a while, I've been accused of writing love stories in a notebook.
25:48Yes, yes, I've seen you with that notebook more than once.
25:50So what did you do?
25:51Did you write the story of Jana and Don Manuel?
25:53Well, not with their names.
25:55But anyone who read it and knew them would realize what I meant.
26:00And what did you do?
26:01Did you give it to Mrs. Marquesa to read?
26:03No, daughter, I'm not that unconscious.
26:04But someone took it and gave it to Mrs. Cruz.
26:07And who would be able to do such a bad thing?
26:09Who do we know?
26:10Teresa.
26:11Who is the baddest person in the whole palace, huh?
26:12Goodbye.
26:14Mrs. Petra.
26:15Precisely.
26:17So Mrs. Petra took your notebook.
26:19I think that because she already knew that I wrote.
26:22Even before starting the notebook, she broke a sheet of paper because she caught me writing at work hours.
26:27Knowing her, you are capable of that and much more.
26:30Well, yes, I think it was her.
26:32Although he doesn't admit it.
26:35The point is that he has annoyed my best friend's life.
26:38María, this is not your fault.
26:41Directly, yes, Teresa.
26:44Because in the end, Jana and Don Manuel have been able to get married.
26:48And let's see if they can get married someday.
26:51Yes.
27:07Father.
27:08When you enter this office, call me first.
27:11Even if you are my son, you have to keep certain forms.
27:14Apply the story with that of the forms.
27:19But what happens now?
27:21Well, the usual.
27:22That he has taken her with Mrs. Arcos.
27:24I find it mean that the other day he recriminated her for taking care of me during my convalescence.
27:29I only asked for information.
27:31I have to know what the key soul is doing during the working hours.
27:34But Mrs. Arcos was not taking care of me during her working hours, but in her free time.
27:39Well, that's what she told you.
27:40And that's what I think.
27:43Above what your father tells you, right?
27:45Why does it bother you so much that someone wants to take care of their son?
27:50I tell you that what bothers me is that it is done during the working hours.
27:55Just as it bothers him that I am a grateful person.
27:57And that's why he asked me to give him a bouquet of flowers.
28:01I only told you to spend your rooms with Césera.
28:03Your salary is not enough to pay off.
28:05But I already told him that it is not his business what I spend my money on.
28:08Just as it is not what Mrs. Arcos does in her free time.
28:11Just as it is not what Mrs. Arcos does in her free time.
28:15That's why I forbid him to reproach her again.
28:18You forbid me?
28:19Yes.
28:20That's what I said.
28:21Leave us alone once.
28:24Son,
28:26don't you see that woman is behaving as if she were your own mother?
28:31I know very well what she is doing.
28:33But...
28:36I like to feel that someone is worried about me.
28:39To vary.
28:53Well, yes. I can stay in La Promesa.
28:56And your uncles have accepted?
28:58They have said that this is like my home and that it will continue to be as long as I want.
29:03I see, I see.
29:04Well, it's just that ...
29:05Deep down I knew they were going to tell me something like that.
29:07Because I have always been like a daughter to them.
29:09And I knew they were going to dislike the fact that ...
29:12But your uncles are not your parents, Martina.
29:16Yeah, I know.
29:17Well, it doesn't seem so.
29:21Does it bother you that they are happy that I stay with them?
29:25No.
29:27No, what bothers me, daughter, is that you don't come to live with me.
29:31But I can't face that because I already told you that I accepted that marriage.
29:36As long as I could stay here in La Promesa. That was the pact.
29:39I know. I know. I have it very present, Martina.
29:43And I promise you that I will keep my word.
29:46Although...
29:47Conde de Ayala is ...
29:49What?
29:50What about Conde de Ayala?
29:52Well, he was the one who asked me to convince you to live with us.
29:55No one can convince me of something like that.
29:57Daughter, and you can't try it even for a few months?
29:59Let's leave it, please. No.
30:03Well, I just hope he takes it well.
30:05He will understand that I don't care how the count takes it.
30:07I'm going to stay here, yes or yes.
30:09Martina, if I'm insisting, it's ...
30:13Well, because you are my daughter and because I love you.
30:15And I would like you to be by my side.
30:18But I'm going to visit you from time to time.
30:20And you can come to La Promesa whenever you want.
30:23I will go wherever you are.
30:29I don't like hurting you, mother.
30:32Well, don't worry, because I understand it perfectly.
30:36Who has seen us and who sees us, huh?
30:41Before the father was missing, we were always like the dog and the cat,
30:44arguing about anything.
30:47Well, after your father died, we also argued about ours.
30:50Yes, but hey, we ended up getting closer, right?
30:54Yes.
30:56For ...
30:57For now, we separate.
30:59Let's see ...
31:01We will be far away, but ...
31:04I will always keep her very present.
31:07And remember that there were days when we were in the same room and I didn't even want to see her.
31:11Don't look at me like that, girl.
31:12Well, but that has already changed.
31:15We will be separated, but we love each other more than ever.
31:18Well, that's a consolation, daughter.
31:21But that's all.
31:22A consolation.
31:27Ana, don't get sad.
31:30I thought you were going to be very happy.
31:33Don't get into that.
31:46Mrs. Petra.
31:47Come for a moment, please.
31:51Tell me, what do you offer?
31:53I just argued with my son because of you.
31:56Will I ever have the fault again that you are at odds with Santos?
31:59Well, this time, yes.
32:01Because he would not face me like that if there was no one behind him pushing him.
32:04What does one have to hear?
32:06Stop getting in our way.
32:08I have not done such a thing.
32:10So if you want to find out the cause of your discomfort with your son, look elsewhere.
32:14The cause is you.
32:17Goodbye.
32:18Wait, I'm not done.
32:21But I am.
32:22Because I plan to continue treating your son as I have done so far.
32:25That is, with the same affection that he treats me.
32:29And we both know what bothers you so much.
32:33And it is that your son has me more at risk than you.
32:56Yes?
32:58Yes.
33:03María Fernández told me that you wanted to see me.
33:08Yes, that's right.
33:11Well, you tell me.
33:20From what I see, you have returned to work.
33:23Yes, I already warned you, so I don't know what you are surprised about.
33:26I already told you that I didn't think it was appropriate.
33:29Manuel, I'm not going to stay in my room as if I were afraid of something.
33:33I don't want to discuss this issue again.
33:35I don't want to discuss it with you either.
33:37Well, look, one thing we agree on.
33:41I have a hard time when we are angry.
33:44And me too.
33:49If I sent you a call, it's because I wanted us to make peace.
33:57Well then, let's stop talking about this, Tom.
34:03You're right.
34:08What happened to us, Manuel?
34:11Because it's as if everything had twisted in just two days.
34:15No.
34:19Everything has not twisted.
34:22You and I still love each other.
34:25And that has not changed.
34:28No, that has not changed.
34:31Nor will it change.
34:34Look.
34:36My life has taken a turn for the worse.
34:38My colleagues keep asking me what I'm going to do, what I'm going to stop doing.
34:42And my job, well ...
34:44Has something happened at work?
34:46No, but ...
34:48Every time I go up to the noble floor, I think I'm going to meet your mother or your father.
34:55Actually, for my father, you don't have to worry.
34:58He spends most of his time in his bedroom.
35:01I'm more afraid of your mother.
35:08I don't know, maybe ...
35:13Maybe you should avoid setting foot on the noble floor.
35:15Don't tell me that again, Manuel.
35:18That hiding is not the solution.
35:20I'm not talking about hiding.
35:22I'm talking about being prudent.
35:25But we haven't done a single thing that we've been prudent about.
35:29Not even this love is prudent, so don't tell me it's now.
35:36You're right.
35:39This time I won't hate you anymore.
35:43What are we going to do?
35:48You see, my father asked me for a few days to think.
35:50But tomorrow won't happen.
35:52I'll go see him and tell him how things are.
35:55And how are things?
35:58I'm going to marry you, Hanna Expósito.
36:01Say what you say.
36:03And whatever they say.
36:06And you know it perfectly well.
36:21I'm telling you.
36:22María Fernández knew it.
36:25She knew so much about Hanna and Don Manuel.
36:28That's for sure.
36:29She doesn't have to.
36:31Don't be naïve, Simona.
36:33Let those two sleep in the same room and tell her everything.
36:36Sometimes a secret can be kept for a long time until the most beloved agenda.
36:40It's true.
36:41Yeah, but María Fernández ...
36:43Ah!
36:44María is coming this way.
36:45What's going on?
36:47What's going on here?
36:51Did you order three passes?
36:53Come on, María.
36:54Leave the packages and sit with us for a moment.
37:05Well, has anyone ever explained to me what this is all about?
37:09What are you doing here?
37:11I'm here to see you.
37:12Can you tell me what this is all about?
37:14You're already seated, aren't you?
37:16Come on.
37:18You knew.
37:20About what?
37:22What are you going to do?
37:24What are we talking about here every day?
37:26I don't know.
37:27About the price of the lamb?
37:28Stop whining, María.
37:30Did you know from the beginning that Hanna was sleeping with Mr. Manuel?
37:35Let's see, from the beginning, from the beginning, no.
37:38And they weren't sleeping.
37:40They were ...
37:42Drinking.
37:44It must be the same.
37:45No, I don't know.
37:47And whether I knew it or not,
37:49even if I had known, I would have kept my mouth shut.
37:52Because I'm not like others.
37:54Yeah.
37:55That mouth that you never close.
37:59Well, Hanna has the right to fall in love with whoever she wants.
38:02Yes, I know.
38:04But what a coincidence
38:06that of all the men who walk around here,
38:09she has fallen in love with the most suitable one.
38:12Mr. Manuel.
38:14That your friend Hanna
38:16is a fresh one.
38:17I don't allow you to talk like that about my friend, huh?
38:21It is clear that this relationship
38:25is the most convenient.
38:27Mrs. Arcos, one does not decide who falls in love.
38:29You can't judge a book by its cover.
38:32It seems to me that too many pamphlets are read here.
38:36On the one hand there is love
38:37and on the other there is interest.
38:39It is clear that this relationship is the most interesting.
38:42Hanna is not like that.
38:44No, Hanna is like all of them.
38:46Or like almost all of them.
38:48That a waitress has been in this world for a long time
38:50to make mistakes with these things.
38:52Well, I think she really loves him.
38:55I have not said otherwise.
38:57She loves him, yes.
38:59But because of her rooms and her position.
39:01That Hanna is too crazy
39:04to fall in love with a poor man.
39:05Poor Mrs. Jimena.
39:07How bad it had to happen.
39:10I can't get my head off
39:12seeing what is happening.
39:14I'll tell you what that woman is now.
39:16You know it too well.
39:18Hanna was the beloved
39:20to whom Mr. Manuel spoke at the time
39:22and to whom Mrs. Jimena sought so much.
39:24And the sincerity of your little friend Hanna
39:26proves that she has been cheating on you with pamphlets
39:29and she has made a fool of you.
39:32Don't you know how much she loves you?
39:33Don't you know how much she loves you?
39:35Don't you know how much she loves you?
39:37Don't you know how much she loves you?
39:39God knows how long she has been cheating on you.
39:41What a bunch of idiots.
39:57Each sheep must go with her partner
39:59because if not, there will be problems.
40:01What do you mean?
40:03The gentlemen have to marry each other
40:05and the poor people the same.
40:07Well, if I meet a noble woman of good looks,
40:11I don't disgust her.
40:14Let's see, for a few days,
40:16but a man marries a maiden,
40:19that can't end well.
40:21Well, there have been cases.
40:23Where?
40:25In the soap operas, for example.
40:27Yeah, Lope, but the soap operas are not life.
40:29Let's see, I don't know of any case that has gone well.
40:31Don Manuel should have spent more knowledge.
40:34It must be said that the girl is beautiful.
40:37It is normal that the gentleman has clouded his understanding.
40:40Yes, but a cloud lasts a few hours.
40:42They have moved on and are harming
40:44Don Manuel's parents and his last name.
40:47Marcelo, the Marquis has many years, he will move on.
40:50But very unprestigious.
40:52A noble must make his title be respected
40:54and this is just the opposite.
40:56Well, I think that if they love each other,
40:58one must not stop them from being noble and the other not.
40:59How naive, Lope.
41:01I think that here,
41:03Han has taken advantage of the opportunity to make himself rich.
41:06You would do the same, right, Lope?
41:08Santos, I'm talking about love.
41:10I'm not talking about making you rich.
41:12Let's see, the fact is that both
41:14should take a step back.
41:16Well, I think that if they love each other,
41:18they have to move on.
41:20If they get married, they will be miserable.
41:22Miserable?
41:24With the rooms that the Marquis has?
41:26I doubt it.
41:27If they allow that marriage,
41:29very likely,
41:31they will take away the inheritance from Mr. Manuel.
41:33Marcelo, that is very exaggerated.
41:35As little as I know the Marquis,
41:37I would not be surprised at the very least.
41:39Me neither.
41:41He will not let anyone humiliate him,
41:43not even his own son.
41:58Come in.
42:06Have you spoken to Manuel?
42:08No.
42:10I haven't seen him all day,
42:12nor have I pretended to see him.
42:14The truth.
42:16And you?
42:18No.
42:20I thought he was going to come to dinner,
42:22but since he hasn't shown up ...
42:23Doesn't he want us to insist on that absurd wedding?
42:25Well, of course we're going to insist,
42:27until that stupid idea gets out of his head.
42:29He's so stubborn.
42:31I know.
42:36What if we offer him a trip?
42:39I don't know,
42:41wherever he wants,
42:43with everything paid,
42:45a trip of three or four months.
42:47No, the world is not now for trips
42:49with Europe at war.
42:50And all those German submarines
42:52sinking all the ships they find.
42:54Yeah, maybe you're right.
42:56The one we should offer it to is her,
42:58and pray that the Germans
43:00torpedo her ship.
43:02Although, well, if Manuel left,
43:04she would go after him,
43:06and they would end up getting married
43:08in the first parish they find.
43:10But then what do we do?
43:12We can't allow him to make a fool of himself that way.
43:14The heir to the Marquis of Lujan
43:16married to a maid.
43:18Where is he?
43:20Where did he see that?
43:22I don't know, Alonso, I don't know what we can do.
43:24But any argument we give him
43:26would be useless.
43:28Well, if the arguments don't work,
43:30we'll have to be tougher.
43:32If you mean to threaten him,
43:34all I would do is beat him up.
43:36He would marry her tomorrow.
43:39What if we talk to someone?
43:41Someone he trusts?
43:43Someone who can convince him?
43:45I don't know, a friend of the nobility?
43:47Someone who has two fingers up?
43:48I don't know, Luz.
43:50And if we do something like that,
43:52the news would spread in two days.
43:54Well, then propose something, Alonso,
43:56because you put a stop to everything.
43:58I'm just trying not to make things worse, that's all.
44:00Things are like this thanks to you.
44:02What, now it's my fault
44:04that she wants to marry a maid?
44:06Well, with this maid, yes.
44:08I wanted to kick her out as soon as she got to the palace,
44:10but you stopped me.
44:12She was saved by life.
44:14We couldn't kick her out.
44:15She came to what she came.
44:17And now she's about to get it.
44:20We still have time to solve this.
44:22If we depend on what you do, we're ready.
44:26I'm going to leave.
44:28We'll talk tomorrow when you're calmer.
44:30No, I won't be calmer, Alonso.
44:32I'm not going to calm down
44:34until we finish this nonsense, man.
44:40Ma'am.
44:42What do you want?
44:44I just came to give him the last hour
44:46and check his menu for tomorrow,
44:48but if I bother you, I'm leaving.
44:50You bother me, yes, but stay.
44:52I have something to ask you. Close that door.
45:00I want to know how it all started.
45:02Why didn't anyone find out
45:04about what was going on between my son and that fresco?
45:06Because it's clear that this comes from afar.
45:08Well, ma'am, I don't know when or how it started.
45:11So you're the key master and once again
45:13you haven't noticed anything.
45:15I suppose, ma'am, that they would have been together for a long time.
45:18And...
45:20Who knows, maybe it all started
45:22when I was still the key master.
45:24Is that really your excuse?
45:26Do you think you're going to look better
45:28blaming her?
45:30Ma'am, I have to remind you that if it weren't for me
45:32that I gave him that notebook,
45:34his son, Don Manuel,
45:36would be married to Hanna right now.
45:38I don't know, I'll have to thank you.
45:40No, that's not what I want, ma'am.
45:41I just don't want him to be so unfair to me.
45:43I don't think I deserve it.
45:48You can go.
45:50As you wish.
46:12No!
46:14If I win the next point, I win the game.
46:16No, no, no, wait, don't take it out, don't take it out.
46:18I need a break.
46:20I don't know if the rules
46:22include these breaks.
46:24Do you want me to put my liver here?
46:26Okay, but two minutes.
46:28No, no, no, I need a minimum of a quarter of an hour.
46:31And eat something too.
46:33If we hadn't come down without breakfast,
46:35I wouldn't be like this.
46:37I don't like doing sports with a full belly
46:39because I feel very heavy.
46:41Well, with an empty stomach,
46:43you don't look very light either.
46:45She's very cocky because she's winning,
46:47but she should know that the game is not over yet.
46:50I think for you, yes.
46:52It's going to be hard for you to come back.
46:55You know, I think he's cheated on me.
46:57And that he's played badminton more than once
46:59because otherwise I don't understand
47:01that he always beats me.
47:03I repeat, only once.
47:05No, no, I don't believe it.
47:07He's played more times.
47:09Tell me the truth, I don't like lying people.
47:11Yeah, me neither.
47:13And still, life.
47:15What's wrong?
47:18Nothing.
47:20Did what I said bother you?
47:22Because it was a joke.
47:24No, it's not that.
47:26Besides, you're right.
47:29I lied to him.
47:31So he's an expert at badminton
47:33and that's why he always beats me.
47:35It's true that I lied to him,
47:37but not about that.
47:38Not about that.
47:40About what?
47:44Yesterday you were honest with me
47:46when you told me about your fiancé.
47:49Of course, because friends are supposed to be honest, right?
47:53Yes.
47:56That's why I think I have to tell you who I really am.
48:09Come in.
48:13Come in, Lope.
48:15Sit down.
48:17Don't you want me to go get Mrs. Simona?
48:19No, it's not necessary
48:21and I don't need you to explain any recipe to me.
48:24Sit down, please.
48:38You tell me.
48:41Lope, I came because I need your help.
48:45How can a simple cook help you?
48:48A lot.
48:50And you know very well why you don't need me to tell you.
48:53I don't know what you mean.
48:55I want to fix things between Vera and me.
49:00She doesn't like the way she's writing down the recipes...
49:03Lope, please.
49:05She wants to put the cards on the table.
49:08That's right.
49:10That way it will be easier to talk.
49:15Good.
49:18I know that Vera is your daughter.
49:23And now you will tell me that you don't like the relationship I have with her, right?
49:29That's something I already imagined.
49:30Of course I don't like it,
49:32because I wouldn't like anyone who has two fingers in front of them.
49:36Are you calling us stupid?
49:38No, in love.
49:40This kind of nonsense is typical of lovers.
49:44You're right about that.
49:46We're very in love.
49:48Yes, and I can understand that
49:50because love doesn't distinguish between social classes
49:53and intelligence shouldn't either.
49:55And that's what I'm here to ask you, Lope.
49:57A little intelligence.
49:58A little intelligence.
50:00And if I do it, it's because I know you're a very smart boy.
50:04I don't know if I am, ma'am.
50:07What I do know is that I love your daughter.
50:09And that your daughter loves me.
50:11Yes, you love her. I don't doubt it.
50:13But you don't live from love.
50:15I know that too. I'm not an illusionist.
50:17Then you will also have realized that my daughter is too much of a woman for you.
50:21And that you have nothing to offer her.
50:26Maybe...
50:29Shut up and listen.
50:33If you love my daughter so much,
50:35I guess you want the best for her.
50:38Don't you?
50:40Of course I do.
50:42Very well.
50:44Well, neither you nor the life you can offer her
50:46is the best for Mercedes.
50:48So I ask you, please,
50:50to leave her and convince her to come back to my house.
50:59They will all be aware of the infamous relationship between my son
51:04and one of the maids who works in this house.
51:07I want to warn you
51:09that I will take very harsh reprisals
51:11against everyone who spreads this matter.
51:14How are you with your Manolito?
51:16Bad, bad, terrible.
51:18A disaster, Maria. I don't know.
51:20The Marquesas will never allow us to live our love freely.
51:24Well, but with a couple of two.
51:26And the rest is too much.
51:28In the end, you will see how they go through the ring.
51:30Manuel is going to talk to his parents
51:32to give them his last warning.
51:34We go down a valley of tears.
51:36Well, I try to do my best not to be like that
51:39so as not to get too close to me.
51:41With Marcelo, for example,
51:43I give him wrong instructions
51:45and I make him work twice as hard.
51:47He doesn't realize it.
51:49That bastard doesn't know where his right hand is.
51:51What I don't understand is what you've come here for.
51:53Can't I have matters to deal with
51:55that have nothing to do with you?
51:58I'm very glad I'm not the center of his attention.
52:01Well, then this conversation is over.
52:04And now, if you'll excuse me,
52:06I have more important matters to deal with.
52:09Given your relationship with Don Manuel,
52:11I really don't know if I should give you orders
52:13or rather the opposite.
52:15Excuse me?
52:17Well, I understand that you have the power
52:19to do whatever you want, so
52:21I imagine I'll have to assign you lighter tasks.
52:24Because the last thing I would like
52:26is for you to complain about me to your boyfriend.
52:28I think I'm broken.
52:30Disappointed with you.
52:32I know I was wrong, Pelayo.
52:34But I couldn't do anything but move on.
52:37I can't speak for you.
52:39But as far as I'm concerned, I know I love you.
52:42What difference does that make now, Catalina?
52:44Your embarrassment changes everything.
52:46But what are you doing here?
52:48You and I have a conversation pending.
52:50We have nothing to talk about
52:52except for the temperature of the water
52:54I like for the bathroom.
52:56Well, you're wrong.
52:58You're wrong.