Η ΚΑΤΑΡΑ ΤΗΣ ΤΖΕΛΑΣ ΔΕΛΑΦΡΑΓΚΑ Επεισόδιο 3
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00:00:00My aunt, my aunt, my aunt, my aunt.
00:00:02Don't cry, don't cry, Marousso.
00:00:04Talk to me. Talk to me so you can breathe again.
00:00:07I can't, aunt. I can't.
00:00:10I can't talk to you.
00:00:12I'm a disgrace, a disgrace. I'm ashamed. I can't.
00:00:14You, aunt, will also burn yourself in the black
00:00:17when your husband dies for the sake of your son, Giorgi.
00:00:20You never looked at another man.
00:00:23Yes, you're right.
00:00:24I never looked at anyone, and whenever I see a man,
00:00:28I change my mind.
00:00:30My aunt, my aunt, my aunt, my aunt.
00:00:35Of course, aunt, because we all know
00:00:38how honest and faithful you were to your husband,
00:00:40and not just to the people he loved.
00:00:42But when he left us, you became a moral rock.
00:00:46Yes, I'm a rock, I'm a granite.
00:00:50Even though you were a young woman.
00:00:51And now I'm a young woman, Marousso.
00:00:53A young woman?
00:00:54Yes. Look at my legs, look at my legs.
00:00:57You look like a swallow, a swallow.
00:00:59Yes, aunt, of course, of course.
00:01:01How old are you? Are you the same age as your mother?
00:01:04I'm not the same age as Zozos, my dear.
00:01:06I'm sorry, aunt, how old are you?
00:01:08Let it go, baby. You and your questions.
00:01:11I'm saying this because you're too young for your age.
00:01:14Because when I was young, I was an athlete.
00:01:17I was running, I was a gymnast.
00:01:21And now, aunt, have you stopped being a gymnast?
00:01:23No, not at all. I'm still running.
00:01:27I mean, organically.
00:01:28Meches, meches.
00:01:30Meches, meches.
00:01:32Meches, meches.
00:01:34Well done, aunt, well done.
00:01:36You're putting down twenty.
00:01:37Don't get bored.
00:01:39All this time, I've been through a lot.
00:01:44I've forgotten everything.
00:01:46Even the shape of my uterus.
00:01:48That's why I'm ashamed, aunt.
00:01:51How can I say all these things I've done
00:01:53to a holy woman like you?
00:01:55I'm a witch.
00:01:57That's why I know how to forgive.
00:01:59Well, aunt, I fell in love.
00:02:02I fell in love with someone I shouldn't have.
00:02:03Who?
00:02:05Derry Fortunaki.
00:02:06The tapas?
00:02:08What you heard, aunt. Derry Fortunaki.
00:02:10That's why you were dancing so sadly to his arabesque?
00:02:14I know how much I was in pain at that moment.
00:02:17I looked so beautiful, sweet and happy from the outside.
00:02:20And inside me, I was crying. I was dying.
00:02:23You set me on fire, you set me on fire
00:02:26Your kisses burned me
00:02:28I'm not going to come out alive
00:02:32Sea, sea
00:02:34Let me be your embrace
00:02:37Let me drown in it
00:02:39What are you planning to do now?
00:02:41I don't know, but I've been thinking about everything.
00:02:43Even suicide.
00:02:45Are you crazy?
00:02:46But I'm Fortunaki, and I'm a witch.
00:02:47I was a witch, too.
00:02:50And I loved Fortunaki.
00:02:52But I hit my head on the floor
00:02:55and in the end, I married him.
00:02:57Was it easy?
00:02:58It wasn't easy, but I told my mother and my husband.
00:03:02Mother and husband.
00:03:04If I don't take the mitso, the Fortunaki,
00:03:07I'm going to get high.
00:03:08I'm going to drink chlorine.
00:03:09And you drank it?
00:03:10Are you crazy? I put in the chlorine bottle
00:03:14orange juice and I drank it.
00:03:16I drank it all.
00:03:17I was dying, and after they cried and cursed me,
00:03:21I resurrected.
00:03:23You resurrected?
00:03:24Why? So they could bury me alive?
00:03:27I mean, didn't your family get angry?
00:03:29They were angry, but they drank the chlorine
00:03:31and that's how it went.
00:03:33Is that how you married your uncle?
00:03:34To stay strong, you have to get married first.
00:03:38And we got married, and the Vendetta started.
00:03:41The Vrotakis got angry because Mitso took me,
00:03:44the Fortunakis got angry because I took him,
00:03:47and the evil started.
00:03:49Is that how Uncle Mitso died?
00:03:50Uncle died the third year we got married.
00:03:55I still had my Byzantine, my George.
00:03:57We had gone to the Resurrection, the day of the Mass.
00:04:01Oh, all the faithful were praying.
00:04:04And on the Resurrection,
00:04:07when the priest said, Christ is risen,
00:04:10I heard a bang.
00:04:11Did the Vrotakis kill him?
00:04:13No.
00:04:14Did the Fortunakis kill him?
00:04:16No.
00:04:17He dropped a barrel next to him,
00:04:19and he got scared by the bang,
00:04:22and he got a heart attack,
00:04:23and he died.
00:04:25Is that how you got married, Aunt?
00:04:26We all get married in this ruined place,
00:04:29in Ano Papagia.
00:04:31Oh, Aunt, how sorry you are.
00:04:34That's why I'm telling you, Marousso,
00:04:36you may be lucky
00:04:38that you won't marry Terry,
00:04:40because you won't get married.
00:04:42I can't, I can't, I can't forget him, I can't.
00:04:46You're slowly learning,
00:04:47and you live with the memory.
00:04:49But you, Aunt, you speak as if I were a snake.
00:04:51But Terry is now officially with the Lord of the Respected.
00:04:56Yes, Aunt, you're right, you're right.
00:04:57I have to forget him.
00:05:03Are you waiting for someone, Aunt?
00:05:04No.
00:05:05Let's see who it is.
00:05:09Who is it, please?
00:05:14Good morning.
00:05:15Good morning.
00:05:46THE LORD OF THE RESPECTED
00:06:09Why did you come here, Terry?
00:06:11I tried, but I couldn't take it anymore.
00:06:14Why did you have to wait so long?
00:06:19What a romantic story.
00:06:21But we're unlucky, auntie.
00:06:23No, if you love me, you have to fight.
00:06:26But Laura is preparing a wedding.
00:06:27Do you love Laura?
00:06:29Do you love her and adore her as much as you love and adore me?
00:06:32No, I don't love Laura.
00:06:33Is that so? Well done, my love.
00:06:35Then what are you waiting for?
00:06:37You have to do the trick of mine.
00:06:39What trick? What are you talking about?
00:06:40The best trick of all.
00:06:42It will make our in-laws accept our marriage for sure.
00:06:45The trick with the orange.
00:06:47I don't understand. What are you trying to say, my boy?
00:06:50Mom, it's hard for me to express myself.
00:06:53But I can't complain anymore.
00:06:57I don't want to marry Laura.
00:06:58You don't?
00:06:59I don't want Laura for my wife.
00:07:01You don't? Isn't she a carpenter?
00:07:03I don't have that kind of information.
00:07:06Then why?
00:07:08Is it possible that this Tsitsikounanos, the monster,
00:07:11the baron, is giving less money?
00:07:14Who cares about the money?
00:07:15Me!
00:07:16I don't care.
00:07:17If the baron is giving what I said,
00:07:19take Laura with you.
00:07:21And when she dies,
00:07:22do you know how much time he will leave you?
00:07:26Do you know how many jobs you have abroad?
00:07:30Geneva, Zurich, Monaco.
00:07:32All the black ones, from the strange jobs.
00:07:36He doesn't let them in. He takes them abroad.
00:07:39Merchants.
00:07:40Barbados, Cayman Islands.
00:07:43How do you know all this?
00:07:45What do you mean?
00:07:47These are the secrets of the respectable businessmen.
00:07:49What secrets?
00:07:50The people have it all.
00:07:52And the respectable is a shy guy.
00:07:55All the rich people know about the black money he makes.
00:07:58Only the tax office doesn't know.
00:08:00Don't talk to me like that.
00:08:02Mom, Sifis is a very good boy.
00:08:05And a beautiful boy. And a lioness.
00:08:07A lioness, three meters tall.
00:08:10Mom, we just wanted to have a good talk.
00:08:13Sifis is a good boy.
00:08:14I agree.
00:08:15And I think he deserves something better than me.
00:08:18Zanta, what's wrong?
00:08:20No, mom, no.
00:08:21I don't love Sifis.
00:08:23I tried so hard to love him, but I couldn't.
00:08:25You should try harder.
00:08:27But it's all about trying, love.
00:08:29Everything is about trying.
00:08:31Did anyone expect you to be in the parliament?
00:08:34No, but she tried, she tried.
00:08:37With all her heart, with all her smiles,
00:08:41with all her kisses, and she got in.
00:08:43That's what she wanted.
00:08:44Yes, but I don't want him, Sifis.
00:08:46I want him too, that's enough.
00:08:47Then take him, with my blessing.
00:08:49Don't talk to your mother like that.
00:08:53I can't believe it.
00:08:54My mother is hurting me, I'm in pain.
00:08:56She's hurting me, she's killing me, because I love you.
00:08:59Who do you love? Tell me.
00:09:00Not Sifis, anyway.
00:09:01I know that.
00:09:02Tell me the name of the man you love.
00:09:05Tell me.
00:09:07Mom, don't push me. I can't think straight.
00:09:10I love the man, I can't give him up.
00:09:12What is the name of the orphan?
00:09:16Mom, kill me. I can't think straight.
00:09:20You give me wood, and he gives me sweet kisses.
00:09:25What's wrong with you, kid?
00:09:27Laura is a fox, too.
00:09:29You'll get a fox.
00:09:31And when she dies, with her good omen...
00:09:33I don't want a fox. Don't tell me about the fox again.
00:09:35I don't want to sell my beauty for money.
00:09:38My son, you find little girls to make you laugh every day.
00:09:44It's not easy for Laura to succeed.
00:09:47Don't be so lucky, my boy.
00:09:49If you find her so lucky,
00:09:51you should marry her to your other son, Manolio.
00:09:53Don't remind me of that useless man.
00:09:55He's in his forties, and I don't know what he's doing.
00:09:59He hasn't brought me a single cloud.
00:10:01Kiss me, kiss me, kiss me, kiss me, kiss me, kiss me, kiss me, kiss me.
00:10:06You found a wife for Manolio.
00:10:08What about Laura? Give her to me, we're done.
00:10:10Fine.
00:10:12Who will you marry?
00:10:13Fate has decided something else for me.
00:10:15I can find out what fate has decided for you.
00:10:18That I won't marry Laura.
00:10:20Let me remind you that you said yes to Aravon.
00:10:24What will you say now?
00:10:26I said it, I said it, I don't care.
00:10:29Don't lower the level of the conversation.
00:10:31Tell me, you talker, what will you say to Laura?
00:10:37Laura, you're a very good girl.
00:10:41You have a good heart, but my heart is given to someone else.
00:10:43And she will answer you.
00:10:48What kind of a man are you?
00:10:51I'm asking you, why are you beating me?
00:10:54I'm in pain.
00:10:56You said yes to my father, and now you're beating me?
00:11:00Then I'll tell her that I don't sell my heart, nor do I throw it away.
00:11:03I've given it to someone else.
00:11:05Who?
00:11:06Marusso.
00:11:07Who's Marusso?
00:11:08Doesn't she have a surname?
00:11:10Does she have a career with the little one?
00:11:13Like Marinella?
00:11:14Of course she does.
00:11:15Can I learn it too?
00:11:17Vrondaki.
00:11:18Say it again.
00:11:20Vrondaki.
00:11:21Vrondaki.
00:11:22The one who was dancing in the centre like this?
00:11:31Yes, the one who was dancing in the centre like this.
00:11:38Manolio!
00:11:41Manolio!
00:11:43Manolio!
00:11:44What is it, mother? Why are you shouting?
00:11:45Your brother, my son,
00:11:48Terskou, is pregnant.
00:11:51What?
00:11:52He doesn't want to get the Lora Sevastou
00:11:56and he wants to get... Who do you think?
00:11:59Who?
00:12:00Who? I don't even dare to say her name.
00:12:03Say it, mother. Who?
00:12:05I'll say it.
00:12:07Marusso Vrondaki.
00:12:08Who?
00:12:09Marusso Vrondaki.
00:12:11The one who was dancing in the centre like this?
00:12:18Yes, her.
00:12:19The one who was dancing in the centre like this?
00:12:22Oh, I'm so angry.
00:12:26What did you say to Gria?
00:12:29Gria, the first child, is a fool.
00:12:35Mother! Mother!
00:12:37Tell me, Gemila, who is the groom?
00:12:41I'll tell you, I can't keep it to myself.
00:12:44Know it.
00:12:45The father of Fortunaki.
00:12:48You said it.
00:12:49The father of Fortunaki.
00:12:51You said it again. The father of Fortunaki.
00:12:54What? The father of gold?
00:12:55You should have said the father of gold.
00:12:59Yes, but my heart chose the father of Fortunaki.
00:13:03Michalou! Michalou!
00:13:08What is it, mother?
00:13:10The worst, my son, the worst.
00:13:13Your sister wants to marry the father of Fortunaki.
00:13:16Our enemy?
00:13:17Yes, my son.
00:13:20Leave me alone.
00:13:23You're talking nonsense, Esteria.
00:13:25Don't you know that we have vendetta with the Vrontakis?
00:13:28I knew it.
00:13:29My heart knew it.
00:13:30I'll tear your heart apart, too.
00:13:33Did you see what you did? You killed our mother.
00:13:36Mother, my mother.
00:13:38Bring the chilirarides.
00:13:40Call the chimerologists to cry for our mother.
00:13:44I think he didn't die, really.
00:13:46He's lying.
00:13:47Lies, mother.
00:13:50God will burn you, you devil.
00:13:53What did I tell you?
00:13:55He doesn't believe me, my daughter.
00:13:59He doesn't believe me. I'm dying.
00:14:04There. He didn't die before, he's dying now.
00:14:08He's not dying. That's how he does it.
00:14:09I'll marry Marousseau,
00:14:11and my mother will dance our wedding in Pentozali.
00:14:13That wedding can't happen.
00:14:15The Fortunakis will get up, because we gave a girl to the Vrontakis,
00:14:19and the Vrontakis will get up, because we took a girl, the Fortunakis.
00:14:23Do you understand what blood and vendetta is going to happen?
00:14:26Tell me, my child.
00:14:27Mother, you're here.
00:14:29Just a minute.
00:14:31There. He fell again. How will he bear it, ma'am?
00:14:34I told you not to call me that again.
00:14:36Idiot.
00:14:38Mother, instead of hitting him, you hit me.
00:14:41Why do you talk nonsense and make me feel like a woman?
00:14:44Oh, mother, wake up, wake up, and I won't call you a woman again.
00:14:51Leave him alone.
00:14:54Mother? Mother?
00:14:56What do you want me to do, mother? Hit her?
00:14:59To hit her? To put her in a coffin and bury her?
00:15:02I don't know what to choose first.
00:15:03Whatever you do, you can't get rid of the love I feel for this angel,
00:15:09my darling.
00:15:11Lock her up in the storage room.
00:15:12With or without food?
00:15:14Put some water in it. And a piece of bread.
00:15:17The day before yesterday. No, not the day before yesterday.
00:15:19I want it for the patties.
00:15:21Put it in the Arabic pies we got at the supermarket and they're sweet.
00:15:24Will you give me sweet pies?
00:15:26If you don't like them, put some water in them.
00:15:28So she can eat them from the storage room.
00:15:31You're so heartless, mother.
00:15:32I'm honourable and traditional.
00:15:34And I defend the honour of Fortunakis.
00:15:38Oh, my heart.
00:15:40What a tragedy, my son.
00:15:42The mother who gave birth to us is dead
00:15:44and my brother is ready to destroy the statue.
00:15:47As if there were no other girls in Greece to find.
00:15:49And he went and found our enemy's daughter.
00:15:51But you're wrong, my good brother.
00:15:53I'm sure that my love for my good brother
00:15:56will make them all give us their blessing
00:15:58and that the Brontacids and the Fortunacids will become friends.
00:16:02I demand reconciliation.
00:16:04I have such a foolish brother.
00:16:07Where are you going, Teri?
00:16:09I'm going to find my good brother and steal.
00:16:11You're making a mistake, Teri.
00:16:17What are you waiting for?
00:16:19Mother, you're here.
00:16:20What can I do for you? I'm in a hurry.
00:16:30Wait.
00:16:32Wait. Where are you going? I'll come, too. Wait.
00:16:36Wait.
00:16:38Wait.
00:16:41Please, my good brother. I'm sorry.
00:16:44I'm sorry.
00:16:45Then let me go.
00:16:47No, no. I'm sorry, my good brother.
00:16:49But as a Brontacid,
00:16:51I can't let you go before you're punished.
00:16:55What is it?
00:16:56My husband.
00:17:01Mother!
00:17:03The dog bit me.
00:17:04What? You bit the kid?
00:17:06Bring the oxygen tank. I don't want to get infected.
00:17:12He's gone. Run to find him.
00:17:15The dog. The dog bit me.
00:17:18He bit me, mother.
00:17:19Let's get out of the window.
00:17:21The window with the dog.
00:17:22Come on.
00:17:36Come on.
00:17:59My love.
00:18:00Yes, my baby.
00:18:01Are you psychologically ready for the big trick, my love?
00:18:04Yes, my husband. I am.
00:18:06I am.
00:18:15Terry?
00:18:16Yes, bro.
00:18:17What are you doing here?
00:18:18I'm kissing the woman I'm going to marry.
00:18:20She's sleeping on this side.
00:18:24Marusso.
00:18:25Go away, Michalio. Go home.
00:18:27And I'll leave you here with this...
00:18:29our villain, Terry, Fortunacci.
00:18:31I love Terry and I'm going to marry him.
00:18:33And you'll be left alone.
00:18:36Did you dare to kiss my brother?
00:18:38Yes, I did. What's your problem?
00:18:40Oh, my God. It's going to be a funeral.
00:18:45What do you want now?
00:18:47Come here.
00:18:48Come here.
00:18:50Michalio!
00:18:52Mother, son!
00:18:54Michalio!
00:18:55Sousa. Sit down, Sousa.
00:18:57What do you want, mother?
00:18:58What do you want, mother?
00:18:59Shut up!
00:19:01We came here to stop the wedding.
00:19:04What the hell are you doing here?
00:19:07Mother!
00:19:08I said shut up!
00:19:09And you, go home now! Now! Now!
00:19:13No, mother. I'll go home only with my wife, Marusso.
00:19:16You're going to marry my daughter
00:19:19and you're going to ruin Fortunacci's house.
00:19:21Yes, mother.
00:19:22Sorry.
00:19:23Did you just call me mother?
00:19:25I don't know, son.
00:19:26I called you, Mrs Alexis.
00:19:28I called you mother because, you know,
00:19:30my mother is going to get angry.
00:19:32Forget about the anger.
00:19:34It's never going to go away.
00:19:35Give us your blessing so we can finally get married.
00:19:38I can't even hold a stick.
00:19:41What do you mean, you won't give us your blessing?
00:19:43You're late, but you're going to get it.
00:19:45Mommy, give us your blessing, please.
00:19:47Bless this wedding.
00:19:49I'd rather kill you.
00:19:52That's what's going to happen.
00:19:54We've decided to die.
00:19:57If you don't give us your blessing, we'll drink chlorine.
00:19:59Right, my love?
00:20:00Yes, my baby.
00:20:02What did he say?
00:20:03That he's going to drink chlorine.
00:20:04Give us your blessing.
00:20:07Give us your blessing?
00:20:08No!
00:20:09No.
00:20:12You have a gift for me.
00:20:15Bravo, my baby.
00:20:18White bottom.
00:20:21Michael!
00:20:22Don't drink it so fast.
00:20:24You'll drop it hard.
00:20:32Where did they go?
00:20:33Probably.
00:20:34What do you mean, probably?
00:20:35With all the chlorine they drank?
00:20:36Here's a lid.
00:20:37You put it on and all the marbles in the toilet will go away.
00:20:40My baby!
00:20:42My baby!
00:20:48My baby!
00:20:50My baby!
00:20:51My baby!
00:20:53What did you do?
00:20:54Instead of a little fox next to a little mouse,
00:20:56you went and married a black bear.
00:20:58Wake up, my baby!
00:21:00Wake up, my baby!
00:21:02Wake up!
00:21:04Laura is waiting for you with the baby.
00:21:09Instead of a little monkey next to a little frog,
00:21:13you went and married a little chick.
00:21:16My baby!
00:21:19My baby!
00:21:22Get up!
00:21:23Get up and go to London School of Economics!
00:21:27What did we do?
00:21:29What did we do?
00:21:33We killed our children.
00:21:37It's our fault that we didn't let them get married.
00:21:40It's our fault, Myrsini,
00:21:43and our cursed Vendetta, who gave birth to Paparzha.
00:21:46Instead of seeing the great love our children had,
00:21:51we went blind and killed them.
00:21:54My dear, let them be alive
00:21:57and let them marry Fortunati.
00:22:00And you, my dear, let them be alive
00:22:04and let them marry the dog's daughter.
00:22:09Yes, I'm a dog.
00:22:11A mother dog who didn't feel her daughter.
00:22:14And me.
00:22:15And you two are dogs.
00:22:18We are possessed.
00:22:21We are brainwashed.
00:22:23And this is how you pay for our lives.
00:22:28I told them about the orange.
00:22:31Why did you say that, mother?
00:22:33Because instead of putting an orange in a bottle of chlorine,
00:22:38they put an anthracite in an orange.
00:22:41And now you see how the anthracite worked.
00:22:44This is how you pay for our lives.
00:22:48That's what I heard.
00:22:50The date.
00:22:51I don't know. No one came.
00:22:53No, mother. We're alone.
00:22:55Strange.
00:22:56Anyway, let's continue with the threesome.
00:22:59Come on, Sympethera.
00:23:01With one, with two, with three.
00:23:06Oh, my son.
00:23:09My daughter.
00:23:12It was that again.
00:23:13I don't understand, Sympethera.
00:23:15Moshi, did you choke because of the threesome
00:23:19and none of them came out?
00:23:21Are you serious?
00:23:22Don't make it worse.
00:23:24Did the girls give birth to a little boy?
00:23:27No, mother. That's not what you're saying.
00:23:30You're embarrassing me.
00:23:31Come on.
00:23:33These things happen when you're very sad.
00:23:36Come on, Sympethera.
00:23:39Let's continue with the threesome.
00:23:40With one, with two, with three.
00:23:45Oh, my son.
00:23:48Oh, my dear Stefan.
00:23:50The grave will bring you together.
00:23:53I can't believe what's happening.
00:23:55What's going on?
00:23:57It's a mess.
00:23:59Someone gave birth. I heard it clearly.
00:24:01Mother, who told you that?
00:24:03What else? Did the dead give birth?
00:24:05Yes, mother. Teris gave birth.
00:24:06How can that be?
00:24:09Either someone else gave birth
00:24:12or he gave birth and he's not dead.
00:24:16Mr. Amirsini, he's not dead.
00:24:19Who's half a kilo, Chlorine?
00:24:21And who are you, Robocop?
00:24:24Give me half a minute and I'll tell you.
00:24:31That's not chlorine. It's orange.
00:24:35Orange?
00:24:37Yes, yes, yes. Mandarin orange.
00:24:40That's why they're fighting so much.
00:24:42Come on, live.
00:24:44Yes, mother. We're living.
00:24:46Get up, Maroussou.
00:24:47My mother.
00:24:48We're dying to give you a good lesson.
00:24:51You went to make fun of my sister Teris Fortunatis.
00:24:57Well, here she is.
00:25:01Mom, I'm dead.
00:25:03My son.
00:25:05Teris, my love.
00:25:06You killed my brother, you son of a bitch.
00:25:09Now you'll see the consequences.
00:25:14I'm dying, mother.
00:25:16For the honor of the little bastard.
00:25:19You killed my son.
00:25:22You're dead for sure.
00:25:27I'm dying, mother.
00:25:28Long live the Fortunatis.
00:25:31My little boy, my little boy.
00:25:35Dog.
00:25:47Oh, my God, oh, my God, oh, my God.
00:25:50What a nightmare, what a nightmare he was.
00:25:54But how instructive.
00:25:56What does he teach me?
00:25:59He teaches me that my love for Teris is inexhaustible.
00:26:04This love can only lead us to hell.
00:26:11I don't accept it.
00:26:12I don't care.
00:26:14Last night, my dream told me everything.
00:26:16It was a nightmare. You might have a stomach ache.
00:26:19Did you eat anything last night?
00:26:21I didn't eat anything last night.
00:26:24I'm on a diet.
00:26:25And?
00:26:26Did you see the results?
00:26:27I've lost four kilos.
00:26:28Oh, nice.
00:26:30Should I start it too?
00:26:32Do you want to do the diet together?
00:26:33I don't want to do anything together anymore.
00:26:36I can't even come here, to the courtyard, to see you draw.
00:26:41Panagos, the more we meet, the more we are under attack.
00:26:45Sister Karamazov told me that we have to break up.
00:26:48You are a worldly man and I want to be a sister.
00:26:52Our paths separate us.
00:26:53Our paths will never separate, Zanet.
00:26:56You are made for me and I am made for you.
00:26:59I gave you everything, Soto.
00:27:00And you ruined me, you ruined my dignity.
00:27:04You went and said, and I don't know where my husband's secrets were.
00:27:07How much did I trust you?
00:27:09Because I trusted you, Soto.
00:27:11My love, my love.
00:27:13There's been a misunderstanding. Give me a second chance.
00:27:15Don't ask for a second chance.
00:27:17The more we don't break up, the more we torture each other.
00:27:20I don't care what they say.
00:27:22I don't count my parents.
00:27:24I don't count Paparia's high society.
00:27:26Whatever they want to say.
00:27:28I'm interested in what the sisters are saying.
00:27:30Why? What will they do to you?
00:27:34Haven't you seen Sister Trinzoni?
00:27:37Is that why you say that?
00:27:38Zanet, Zanet, I beg you.
00:27:41Don't put a mark on our relationship.
00:27:43Why, Soto? What can I expect?
00:27:45To explain to our sisters about our love.
00:27:48Only our love will erase the bandage that separates them.
00:27:51My boy, what do you drink and don't give us?
00:27:53Why do you say that, my love?
00:27:54Because it's impossible not to drink anything
00:27:56and to believe that the two of us can erase the bandage
00:27:58between our sisters.
00:27:59And why do you deny it?
00:28:00Because the path we walk is a dead end.
00:28:03We lived a dream, Soto.
00:28:05But the opposite reality came and brought me to life, Odinira.
00:28:09Accept it without tears.
00:28:11Everything between us is over.
00:28:17Here the roads separate us
00:28:22The words don't come back
00:28:28And as much as you are sorry tonight
00:28:32Tomorrow you won't remember me
00:28:39When the hearts are parting
00:28:45The nights are filled with tears
00:28:50When the hearts are looking
00:28:55The nights are filled with tears
00:29:25When the hearts are looking
00:29:30The nights are filled with tears
00:29:35When the hearts are looking
00:29:40The nights are filled with tears
00:29:45When the hearts are looking
00:29:50When the hearts are looking
00:29:55The nights are filled with tears
00:30:01When the hearts are looking
00:30:06The nights are filled with tears
00:30:11When the hearts are looking
00:30:17When the hearts are parting
00:30:22The nights are filled with tears
00:30:27When the hearts are looking
00:30:32The nights are filled with tears
00:30:41When the hearts are looking
00:30:46The nights are filled with tears
00:30:51When the hearts are looking
00:30:57The nights are filled with tears
00:31:02When the hearts are looking
00:31:07The nights are filled with tears
00:31:12When the hearts are looking
00:31:17When the hearts are looking
00:31:22When the hearts are looking
00:31:27When the hearts are looking
00:31:32Why are you saying that?
00:31:35They're up to something.
00:31:37With Sotoupoulos, with Varonos Sivastos, I don't know.
00:31:41They're up to something bad for our monastery.
00:31:45What if you were in charge?
00:31:47I'd kill them. I killed Mr. Minets for two votes.
00:31:49It's a matter of democracy.
00:31:52Don't you remember? That's what happened.
00:31:54Now he's in charge.
00:31:56That's why I'd kill them.
00:31:57If he doesn't kill Mr. Minets, I'll kill you.
00:32:01How can he kill her?
00:32:02We have to report him to the Archbishop.
00:32:06For what?
00:32:07I don't know. We have to find out.
00:32:10I have an idea.
00:32:12What idea?
00:32:13My idea.
00:32:14You have an idea? Good.
00:32:17Tell me.
00:32:18We should report him for eating a second portion of our food.
00:32:22That's not enough to kill him.
00:32:25What if he eats a third portion?
00:32:27That won't work.
00:32:28But he eats sweets.
00:32:29That won't work either.
00:32:30No, sister Karamazov.
00:32:32Regular sweets. With sugar.
00:32:35Look at him. Look at the way he's eating.
00:32:38That won't work with your food.
00:32:40Not even the fact that he has a barbecue next to her cell
00:32:43and he's grilling steaks and kontosouvli.
00:32:45That's a sin.
00:32:47But not a big one.
00:32:50So, we can't do anything with the bulimia.
00:32:53What should we do with it?
00:32:57A fire?
00:32:58That's a good idea.
00:33:02What is it, Jeanette? Don't bother me.
00:33:04Tania, my dear Tania.
00:33:07As you know, you're my best friend.
00:33:09Yes. That's what the screenwriters of the series decided.
00:33:13You're a bit indifferent.
00:33:14I am a bit indifferent, but we have to accept it.
00:33:18You're my best friend.
00:33:19You're the only one who understands me.
00:33:22Thank you, Jeanette, for honoring me with your friendship.
00:33:26So, you're the only one of all the women
00:33:28who got a job at my husband's shop and you didn't fire her.
00:33:31But he fired her.
00:33:33I'm sure of it.
00:33:34Varonos is a sex-addict.
00:33:36He doesn't flirt with women
00:33:38because they call him the Perlusconi of Paparia.
00:33:41He only does bunga-bunga parties.
00:33:44But I rejected him proudly, Jeanette.
00:33:46Well done, my dear Tania.
00:33:47That's how you got rid of the old man and became my best friend.
00:33:51That's why, my dear friend.
00:33:52Talk to me. Open your heart to me.
00:33:55Tania, you know very well
00:33:57that my husband has driven me crazy.
00:33:59Yes, especially with that prostitute, Gabriela Partolou.
00:34:03For some years now,
00:34:04Varonos and I have been married only on paper.
00:34:07I've had a white marriage.
00:34:09How white?
00:34:09The white that sets us apart.
00:34:11As you can see, I've been single for so many years.
00:34:15Of course, my dear Jeanette.
00:34:17Because I'm a new woman, Tania.
00:34:19A young woman.
00:34:20That's right.
00:34:21I couldn't live like a good woman.
00:34:23A doll like you doesn't deserve such a fate.
00:34:27That's how I fell in the nets of a pregnant man.
00:34:31It happened by chance, on a crossroad.
00:34:40Where are you going, you little brat?
00:34:42Can't you see the whole car?
00:34:44Listen to the rooster.
00:34:46Go wash a plate.
00:34:48Get out of here.
00:34:49If you catch the cop, you'll kill us all.
00:34:51What kind of animal is that?
00:34:53Get out of here, you little brat.
00:34:54Get out of here, you little brat.
00:34:57I get out of the car
00:34:59and I detect the absolute male genitalia.
00:35:04I'm sorry, sir. I didn't mean to.
00:35:06No, madam. Don't talk about it. It's all my fault.
00:35:09It's my fault for being on the street.
00:35:10No, no. I'm not talking about it. It's my fault.
00:35:13No, no.
00:35:13It can't be a girl's fault like yours.
00:35:15It's my fault. It's my fault.
00:35:18I'm begging you.
00:35:20Kiss me on the cheek.
00:35:23It was a compliment.
00:35:26And he was very sexy.
00:35:27No, no. Don't talk about it. It's my fault.
00:35:29I'll give you the details. My name is Jeanette Sevastou.
00:35:32My phone number is 6868357.
00:35:35My name is Sotos. Sotos Poulos.
00:35:38But you didn't write my number.
00:35:39I don't need to write it.
00:35:41As soon as I heard it, it was engraved on my memory.
00:35:44It's never going to be erased. Here you go.
00:35:48Take my number, too.
00:35:49And you took it?
00:35:50I mean the phone.
00:35:51Whatever you mean, you're in.
00:35:54We had a relationship.
00:35:55A relationship full of passion, secrets and lies.
00:35:59Until the day before yesterday.
00:36:00I broke up with him the day before yesterday.
00:36:02Why, Jeanette?
00:36:04Don't call me Samantha.
00:36:05Don't call me Samantha, kid.
00:36:07Cut it out.
00:36:07They call me Katsamba now.
00:36:10What do you want? Do you want me to disown you?
00:36:12No, no, no. Let's not go to extremes.
00:36:14So, Samantha, cut it out.
00:36:16Sotos Poulos declared war on me.
00:36:18Jeanette, you told me he was a scoundrel.
00:36:21Even though I gave him a lot of money.
00:36:23And with passion.
00:36:24When he found out that I was talking to Baron Sebastos,
00:36:28he was furious.
00:36:29Jeanette.
00:36:30Because he wants to buy the monastery's share.
00:36:33He took a loan.
00:36:34While the Baron has a perfect offer.
00:36:38Half of it in black.
00:36:39100,000 euros per hectare.
00:36:41The black ones in the front.
00:36:42And the rest in 24 acres.
00:36:45Perfect arrangement.
00:36:47And the rest in black.
00:36:48And the monastery is waiting for the money.
00:36:52Exactly.
00:36:53You're going to sell to the Baron? Are you crazy?
00:36:56Yes, but Sotos Poulos is going to start raping me.
00:36:59He knows your mother-in-law is dead.
00:37:02But?
00:37:03Sotos Poulos must be silenced forever.
00:37:06Are you sure Poulos set you up
00:37:08to follow your husband's business moves?
00:37:11Of course.
00:37:12Because I told him a secret.
00:37:14And I don't know where he went and said it.
00:37:16Until my husband found out.
00:37:17Poor Jeanette.
00:37:19You fell victim.
00:37:20But so far,
00:37:22no matter how much I've suffered,
00:37:24I've torn him from my heart.
00:37:26Hello, hello. Daisy, good chief.
00:37:27Daisy, good chief. Over.
00:37:30Daisy, good chief.
00:37:32Good chief, can you hear me? Over.
00:37:34Come on, Manitsa.
00:37:36Where are you, chief? Over.
00:37:37I'm in a hurry, Manitsa.
00:37:39I can't reach you on the phone.
00:37:41Chief, I have shocking news. Over.
00:37:43Speak up, who's holding you? Over.
00:37:45Jeanette Sevastou invited me to her house.
00:37:48That's why I was hungry this morning.
00:37:50Chief, Jeanette broke up with Poulos. Over.
00:37:52Seriously?
00:37:54Did I get hurt?
00:37:55Now you're interested.
00:37:57But when Daisy talks...
00:37:58How did it go?
00:38:00First of all, Jeanette invited me
00:38:02and she told me about her relationship with Sotos Poulos.
00:38:04I, who knew nothing but paper and squid
00:38:07because I watch them all the time,
00:38:08was surprised.
00:38:10Because I'm a very good actress when I want to.
00:38:12Well done, Manitsa.
00:38:14And then she told me that they broke up. Over.
00:38:16What is she talking about?
00:38:18Now she's hurting us.
00:38:20Why did you call him, chief? Over.
00:38:24Hello, everyone.
00:38:26Hello, everyone.
00:38:27I have some news for you.
00:38:29What is it?
00:38:30I got a job.
00:38:31Do you have a coronavirus?
00:38:33Diarrhoea?
00:38:35No.
00:38:36Worse.
00:38:37What happened?
00:38:38I lost my husband.
00:38:40Yay!
00:38:41How did that happen?
00:38:42It happened and it's happening.
00:38:44Look at this.
00:38:47Oh, oh, oh, oh, sin.
00:38:51And another sin.
00:38:53Oh!
00:38:55And a worse sin.
00:38:58I'll send these to the archbishop right away
00:39:02and they'll report it to him.
00:39:07Where did you find such strange photos, sister?
00:39:11Your friend, Katsamba's brother.
00:39:13He has thousands of followers.
00:39:15What is this?
00:39:16A cooking site.
00:39:17And what does he cook here?
00:39:19Kapama.
00:39:20And why is he bending over like that?
00:39:22Because he's cooking and he's excited about his success.
00:39:26Wait a minute, wait a minute.
00:39:29Are you sure this is Katsamba's brother?
00:39:32Can't you see?
00:39:34This thing looks like a photo edit to me.
00:39:37Katsamba's brother shouldn't have such an attitude.
00:39:39He's more of a troublemaker.
00:39:41You're right.
00:39:42Don't send it to the archbishop, sister.
00:39:44It's a photo edit.
00:39:45They'll understand. I understood it right away.
00:39:47If you understand it,
00:39:49that's a very bad sign.
00:39:52My dear sister, whoever gave you these photos
00:39:56wanted to make you laugh, to make you feel bad.
00:39:59Because I'm a good person and I'm trustworthy.
00:40:03And I don't want to get caught.
00:40:06Don't you get it, Manitsa?
00:40:08Zanetti was the best way to follow Poulos' moves.
00:40:12They broke up now. What can we do, Archbishop?
00:40:14You have to prove that Poulos loves her and find her again.
00:40:19How can I prove it, Archbishop?
00:40:21You have to find a clever way to prove it
00:40:24without her or Poulos falling for it.
00:40:27As you wish, Archbishop.
00:40:29Think of a clever way to get them back together.
00:40:33I've already thought of a way, because I'm very smart.
00:40:36A personal key, over.
00:40:38Is he trustworthy?
00:40:39I've been working with him for a long time.
00:40:42He's my most valuable informant.
00:40:44I'm talking about jackals, Archbishop.
00:40:50How are you, beautiful?
00:40:52Pretend you don't know me.
00:40:54I don't know you.
00:40:55The secret police are pretending they don't know you.
00:40:58I don't know you.
00:41:00Good morning. What's your name, ma'am?
00:41:02Don't talk to me.
00:41:03I pretend I don't know you. That's why I asked you.
00:41:06Don't talk to me.
00:41:07How can I make you understand me?
00:41:10Don't pretend you don't know me.
00:41:11Turn around and speak with your teeth.
00:41:14With my teeth?
00:41:15Yes.
00:41:16All right, I'll do it.
00:41:18Good morning. My name is Tezi.
00:41:21Speak with your name.
00:41:23Why, ma'am?
00:41:25Because the walls have ears.
00:41:26Do you see a wall around you?
00:41:28We're on a secret mission. We can't speak with our names.
00:41:32Turn around.
00:41:33All right, I'll turn around. But how can I speak with my teeth?
00:41:37Speak on the phone.
00:41:39All right, I'll speak on the phone.
00:41:42Good morning. My name is Mr. Tezi.
00:41:45Speak with your name, Christian.
00:41:46Who am I to speak on the phone? Alexis Tsipras?
00:41:49Yes, but you can't say my name.
00:41:51All right, don't say your name.
00:41:53Good morning. My name is Alexis Tsipras.
00:41:56What's up, Alexis?
00:41:57How are you doing in Kumudura?
00:42:00Can you stop talking nonsense?
00:42:01Didn't you tell me not to say your name?
00:42:03Yes, but you can't say Alexis Tsipras' name.
00:42:05Should I say Mitsotakis' name?
00:42:06No name.
00:42:08You're very angry today.
00:42:10All right, turn around and listen to me.
00:42:13All right, I'm turning around. I'm listening.
00:42:15You should convince your wife to be a medium.
00:42:19My wife?
00:42:20Your wife, Michelle Obama, of course.
00:42:23You should convince her to be a medium.
00:42:26How can she be a medium?
00:42:29I'll give you 100 euros
00:42:31for every visit that my client will make to your wife.
00:42:35What else can I do as a medium?
00:42:38You can't be a normal medium.
00:42:41Don't be stupid.
00:42:42You can't make prophecies.
00:42:45Whatever you tell us, you tell Mr. Tezi and you get money.
00:42:48You give money, you tell Mr. Tezi.
00:42:51How much?
00:42:52A visit is 50 euros.
00:42:5450?
00:42:55Yes, isn't that good?
00:42:5750 is good.
00:42:59You like it.
00:43:00So, out of the 50 you like,
00:43:03you'll keep the 30 and give me the 20.
00:43:06I've hired you.
00:43:07You mean I get 30 euros for every visit?
00:43:12Yes, for the money your client will give you.
00:43:16Who is my client?
00:43:18Oh, Zanette Sevastou.
00:43:21We're talking about a lot of money.
00:43:24BABY
00:43:26Baby.
00:43:27What is it, baby?
00:43:28When we get married,
00:43:31do you want to have banana and rum waffles
00:43:35or cranberry cupcakes?
00:43:37What should I say?
00:43:39I think waffles with rum and banana.
00:43:42Oh, my love, well done.
00:43:44You always make the best choice.
00:43:46You know, banana and rum waffles
00:43:49are very beneficial for metabolism
00:43:52and help with weight loss.
00:43:54Oh, that's great. I feel great now that I know.
00:43:57That's why when we get married,
00:43:59I'll bring you the roses in our bed
00:44:03and we'll cuddle.
00:44:04Thank you, I'll do it later.
00:44:06Baby.
00:44:07What is it, baby?
00:44:08When we get married, what color do you want our bedroom to be?
00:44:12Pink, purple, pink-blue or pink-pink?
00:44:15Whatever you want, my love.
00:44:17I want pink-pink.
00:44:18I want that, too.
00:44:19Oh, my love, you see how much we look good together.
00:44:23There's no gun around here.
00:44:24My torture will end in an hour.
00:44:27Baby.
00:44:28Should I strangle him?
00:44:30What is it, baby?
00:44:31When we get married,
00:44:33what color do you want our bedroom to be?
00:44:36Pink, purple or pink-pink?
00:44:38Whatever you want, pink-pink.
00:44:40Oh, my love, you took it from my mouth.
00:44:42You see how much we look good together.
00:44:44Oh, my God, take that whore in front of me
00:44:47and bring me my beloved, my sweet Maroussou.
00:44:50What are you thinking about, my love?
00:44:53My diploma at the university.
00:44:55What's wrong with your diploma?
00:44:57How long can someone live
00:44:58if they kill their partner?
00:45:00Yes, but you're studying criminology.
00:45:04I'm thinking about turning it around next year.
00:45:07I want to be a criminologist and a criminologist.
00:45:14Should I put an end to my life?
00:45:17This is what I have to do.
00:45:19Stella Violandi was so much better than me.
00:45:22I'll be a legend.
00:45:24They'll write a play for me.
00:45:26It might even be a TV series.
00:45:28Who would want to play me?
00:45:33Who else?
00:45:34Zetta Makripoulia.
00:45:36Because we're the same.
00:45:37We're both naïve, romantic and effervescent.
00:45:41Oh, a message.
00:45:43Who could it be?
00:45:45It's him.
00:45:47It's him.
00:45:48He wants to meet me.
00:45:50No.
00:45:52No, no, no, no, no.
00:45:54I'm not going to see him, no matter how much he begs me.
00:45:57Why do you bother with the stupid texts you send me?
00:46:01I want to be a couple again.
00:46:03They didn't kill him.
00:46:04You're obsessed with TV and you hid it from me.
00:46:07What do you want from me? A spicy adventure?
00:46:10Who do you think I am?
00:46:11An easy one?
00:46:12Easy?
00:46:14No, forget it.
00:46:15Marusso, I want you to understand.
00:46:17Please, I don't want Laura.
00:46:19I want you and only you.
00:46:21I don't care.
00:46:22You go marry your Laura
00:46:25and I'll go marry Sifi.
00:46:27I've made up my mind.
00:46:28What did you say to the medium?
00:46:29Madame Halima.
00:46:31I haven't heard of her. Is she good?
00:46:33There's no one better in Paparia.
00:46:34Really?
00:46:35People from all over Greece come to say goodbye.
00:46:38Even from abroad.
00:46:39Imagine, she's been visited by Emmanuel Macron,
00:46:42Mick Jagger and Poppe Tzapanidou.
00:46:44Did she find them?
00:46:45Everything. Imagine, Poppe Tzapanidou told her
00:46:48she'd get 17.83.
00:46:51Even the medium didn't take that approach.
00:46:53Oh, dear. My hair is a mess.
00:46:56In Despina Vandi,
00:46:57she found a man from everywhere.
00:47:01Really?
00:47:02Unbelievable.
00:47:03Yes, unbelievable.
00:47:04In Evridiki Vallavani,
00:47:06she found out she'd divorce Kostas Vassalos.
00:47:08And in Katerina Kenouriou,
00:47:10she found out she'd make her a widow.
00:47:12If Madame Halima found all this,
00:47:15it's amazing.
00:47:16Yes, that's why I'm telling you,
00:47:18whatever Madame Halima tells you will be the absolute truth.
00:47:21You should trust her blindly, Jeanette.
00:47:25Good evening, Jeanette.
00:47:28Good evening, Zakoulas Bochos.
00:47:32Are you a medium too?
00:47:34No, I'm a helper medium.
00:47:36I help the prophetess to prophesy.
00:47:38And where is the prophetess now?
00:47:40At the moment, the prophetess is doing self-concentration.
00:47:43Yoga, Dialogism, Hare Krishna, Hare Rama, Hare Roma.
00:47:48Things like that.
00:47:50You're getting ready so early?
00:47:51Yes, yes. What is it? A patrion?
00:47:53No, Madame Halima is doing scientific work.
00:47:57She's in there smoking a bay leaf.
00:47:59Don't tell me.
00:48:01Yes, whatever bay leaves we put in the vases,
00:48:03the prophetess takes it in and smokes it.
00:48:05And does the bay do good?
00:48:07In the vases, a lot. It smells good.
00:48:09Not in the vases.
00:48:11The prophetess, I mean, who helps the bay.
00:48:13Yes, and she helps her a lot because she smokes the bay leaves
00:48:17and something happens, like in Rome,
00:48:20like something goes wrong, bad things happen.
00:48:23And so, she relaxes her chakras
00:48:25so that she can easily enter the spirit of Baba Vanga.
00:48:29What is Baba Vanga?
00:48:30A great Bulgarian blind prophetess.
00:48:34Bulgarian?
00:48:36And what language does she use?
00:48:37Bulgarian, but with a subtitle in Balama, you understand?
00:48:41I understand.
00:48:42Wait a minute, wait a minute, because I'm hearing now
00:48:45and the prophetess is coming.
00:48:47Come, Madame Halima.
00:48:51Come, prophetess.
00:48:54Tell us your story.
00:48:56Who is good?
00:49:00The black-haired one. Who is good?
00:49:03Madame Sevastou, the greatest lady of Paparia.
00:49:07Good evening, prophetess.
00:49:09They're talking to you, but they can't hear you.
00:49:13Come, take a seat, Halima, take a seat.
00:49:17Come on, sit down.
00:49:18Sit down, Madame Sevastou.
00:49:23Is the prophetess, Baba Vanga, here?
00:49:26She's here.
00:49:27She's here. Let's see if Baba Vanga will answer us.
00:49:31She will answer.
00:49:33Well done. Ask her, Madame Sevastou.
00:49:35Baba Vanga?
00:49:37Yes?
00:49:38Can I ask you a question?
00:49:39Give me twenty first.
00:49:47Ask a question now.
00:49:49What do you see in me, Baba Vanga?
00:49:51I see that you are a living doll.
00:49:58You don't even show how old you are.
00:50:01And you don't even have to say it, you don't have to.
00:50:03Why should I say it?
00:50:05You are thirty, thirty-two.
00:50:08That many?
00:50:09Twenty-five.
00:50:10Well done, you found it.
00:50:12In the end, Baba Vanga finds everything.
00:50:14I'm telling you, she's a great prophetess.
00:50:17Baba Vanga, can I ask the next question?
00:50:19Give me seventy first.
00:50:24Don't be so stingy. We said twenty.
00:50:28I'm sorry, I got confused.
00:50:30She's blind, but she sees everything.
00:50:34I said twenty.
00:50:35Tell me.
00:50:37What do you see in me, Baba Vanga?
00:50:41You are a very lucky woman.
00:50:45A man next to you is a diamond.
00:50:50He adores you.
00:50:51My husband?
00:50:52Don't listen to those fools.
00:50:55Don't listen to those fools.
00:50:57I'm talking about someone else.
00:50:59A man who adores you like a goddess.
00:51:04What's his name, Baba Vanga?
00:51:05His name starts with a S.
00:51:09Sakis. No, no, no.
00:51:11Soulis. No.
00:51:13Solos, like the ancient one.
00:51:15No, not Solos.
00:51:19Sotos. His name is Sotos.
00:51:21Sotos.
00:51:23Well, I got confused.
00:51:25How many more times will you get confused?
00:51:28Tell us, prophetess.
00:51:30Tell us his last name.
00:51:32His last name starts with a P and ends with a L.
00:51:38What is it that starts with a P and ends with a L?
00:51:42Where is it? Where is it?
00:51:46I'm suffocating.
00:51:47This man adores you.
00:51:50He adores you and cries for you.
00:51:53Sotos.
00:51:55Him.
00:51:56Is he serious?
00:51:57Always.
00:51:58He must have smoked a lot.
00:52:00Or did he smoke anything else?
00:52:02No, how did he find his name and last name?
00:52:04So, Sotos adores me, Baba Vanga?
00:52:07Like a man.
00:52:10I'll remember him.
00:52:12You have to change the bird's mind.
00:52:14How?
00:52:15With your wife's wishes.
00:52:16Or do you have a wife?
00:52:18I've given him my wife's wishes for a long time.
00:52:20He only thinks about money.
00:52:23Since he found out I'm selling the nest,
00:52:25he wants to take it from me.
00:52:27But he won't get over it.
00:52:29Or will you do it?
00:52:30I won't do it alone.
00:52:32We'll do it together.
00:52:33Or do you have in your mind an evil plan?
00:52:36We have to kill him.
00:52:39I have to find something.
00:52:41I have to find something to accuse the dog of.
00:52:43I'm thinking.
00:52:46What if we accuse him of not having a revolution?
00:52:49Okay, okay. That's not serious.
00:52:51But isn't it ridiculous?
00:52:53I've seen him drinking Frappé with a plastic straw.
00:52:57But he doesn't like the paper straw either.
00:52:59He'll chew it after a while.
00:53:02What can I say?
00:53:04He doesn't like animals?
00:53:06Why? Did he hurt a dog?
00:53:08No.
00:53:09Did he attack a cat or a mule?
00:53:11No.
00:53:12He put the moktonos in the pots.
00:53:14Okay, okay.
00:53:15I'll think of something else.
00:53:17If you can.
00:53:19Then let's say he's a bully.
00:53:24Why? What did he do to you?
00:53:25One day, he threatened me.
00:53:27That's what we call it.
00:53:29If he doesn't have a reason for it.
00:53:32You're completely wrong.
00:53:33Do you have another solution?
00:53:34Of course.
00:53:35The dog threatens you.
00:53:37With my mother-in-law's body.
00:53:39And he tells you that if you don't sell it to him,
00:53:42he'll come out to drink from the body.
00:53:44Yes.
00:53:45There are two solutions.
00:53:46Either the dog disappears, which is difficult,
00:53:49or the body disappears.
00:53:52What do you mean?
00:53:53This week, we're going to bury him.
00:53:56With what he's going to threaten you with.
00:54:03I don't know if I still have the right
00:54:06to come to this room.
00:54:10Don't be afraid, baby.
00:54:13My love, my love.
00:54:15Calm down now.
00:54:19Sister, try to focus.
00:54:21They say there's a body buried in the forest.
00:54:24How can you say that?
00:54:26He buried a body last week.
00:54:29That's what happened to the cereals.
00:54:31The cereals are out of date.
00:54:33Did you kill your mother-in-law?
00:54:35What can I do? I buried her alive.
00:54:39Why did you kill her?
00:54:42She was getting on my nerves.
00:54:43She was telling my husband
00:54:45that the food I cook is unhealthy.
00:54:48She was telling me that my clothes are dirty.
00:54:52She was telling me that my living room is dusty.
00:54:56She wants a lot of people.
00:54:57Why didn't you say you had a girlfriend?
00:54:59That's what she said.
00:55:00That I have four girlfriends.
00:55:02When I heard about four girlfriends,
00:55:05I said, now I'm going to bury a dog.
00:55:08You were right to lie that you had four girlfriends.
00:55:11Big lies.
00:55:13I only had two.
00:55:14You were saying something.
00:55:16She was getting on my nerves.
00:55:19Are you going to the forest to bury her?
00:55:21No, we'll leave her there.
00:55:23She'll go and find the body.
00:55:25Then she'll come back.
00:55:26No, we'll go and bring the cereals.
00:55:28The murderer will go. What do you have to do?
00:55:30No, we'll bury her together.
00:55:33I've been in a relationship with my sister-in-law.
00:55:37Ever since the scandal in the villa.
00:55:40What scandal is that?
00:55:41It's an old story. We won't discuss it now.
00:55:44We'll discuss it later.
00:55:46What we have to do now is go and bury her in the forest.
00:55:51Have you brought the bags?
00:55:52What do I have in the car?
00:55:54Sister Tzavara, you'll wait for us in your cell.
00:55:57When we're done burying her, we'll call you.
00:56:00You'll open the door for us.
00:56:02Oh, God, what a terrible thing to do.
00:56:06Sister Tzavara, she's got a baby.
00:56:08A baby with a phone.
00:56:44I'm sorry.
00:56:46Out of the world and out of time
00:56:51Say it, only with one look
00:56:54It will be a lie anyway
00:56:57Say it, only with one look
00:57:01We'll never be apart
00:57:04Say it, with deep words
00:57:08That you can't live without me
00:57:11Say it, only with one look
00:57:14We'll never be apart
00:57:45A dance is love
00:57:48Steps in the dark
00:57:51And as long as a song lasts
00:57:55A dream becomes the night
00:57:58A dance is love
00:58:01A song to play alone
00:58:05And a couple embraced
00:58:08Out of the world and out of time
00:58:13Say it, only with one look
00:58:16It will be a lie anyway
00:58:19Say it, only with one look
00:58:23We'll never be apart
00:58:26Say it, with deep words
00:58:30That you can't live without me
00:58:33Say it, only with one look
00:58:36We'll never be apart
00:58:40There they are! We've found them!
00:58:42Let's put them in the box.
00:58:53Say it, only with one look
00:58:57It will be a lie anyway
00:58:59The bad guys are burying a body.
00:59:01Say it, only with one look
00:59:03We'll never be apart
00:59:06Say it, with deep words
00:59:10That you can't live without me
00:59:13Say it, only with one look
00:59:17We'll never be apart
00:59:25Karamazov was right.
00:59:27But it was only up to this point.
00:59:29Now you'll see what happens, you filthy slut.
00:59:32THE LAST TIME
00:59:35Eyes and stars
00:59:37And sparks and light
00:59:39Love is a secret
00:59:44Blood in the eye
00:59:46Beats hard
00:59:48A night that caught fire
00:59:56But you lit, you lit
00:59:59Your kisses burned me alive
01:00:02I'm not going to get out
01:00:05Sea, sea
01:00:08Let your arms be
01:00:10In them I'll fall, I'll drown
01:00:14But you lit, you lit
01:00:16Your kisses burned me alive
01:00:19I'm not going to get out
01:00:23Sea, sea
01:00:25Let your arms be
01:00:27In them I'll fall, I'll drown
01:00:49Mouth to mouth
01:00:52Hot breath
01:00:54You whisper in my ears
01:00:58Words that opened
01:01:00Heavy feasts
01:01:02Sweet words
01:01:04Knives
01:01:11But you lit, you lit
01:01:13Your kisses burned me alive
01:01:16I'm not going to get out
01:01:19Sea, sea
01:01:22Let your arms be
01:01:24In them I'll fall, I'll drown
01:01:28But you lit, you lit
01:01:31Your kisses burned me alive
01:01:33I'm not going to get out
01:01:37Sea, sea
01:01:39Let your arms be
01:01:42In them I'll fall, I'll drown
01:01:53But you lit, you lit
01:01:56Your kisses burned me alive
01:01:59I'm not going to get out
01:02:02Sea, sea
01:02:05Let your arms be
01:02:08In them I'll fall, I'll drown
01:02:12But you lit, you lit
01:02:14Your kisses burned me alive
01:02:17I'm not going to get out
01:02:21But you lit, you lit
01:02:23Your kisses burned me alive
01:02:25I'm not going to get out
01:02:29Sea, sea
01:02:32Let your arms be
01:02:34In them I'll fall, I'll drown