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00:00:00My aunt, my aunt, my aunt, my aunt.
00:00:02Don't cry, don't cry, my dear.
00:00:04Talk to me. Talk to me so you can breathe again.
00:00:07I can't, aunt. I can't.
00:00:10I can't talk to you.
00:00:12I'm a disgrace, a disgrace. I'm ashamed. I can't.
00:00:14You, my aunt, will also burn yourself in the black
00:00:17when your husband dies for the sake of your son, Giorgis.
00:00:20You never looked at another man.
00:00:23Yes, you're right.
00:00:24I never looked at anyone, and whenever I see a man,
00:00:28I change my mind.
00:00:30My aunt, my aunt, my aunt, my aunt.
00:00:35Of course, my aunt,
00:00:37because we all know how honest and faithful you were to your husband,
00:00:40and not only to those he loved.
00:00:42But when he left us, you became a moral rock.
00:00:46Yes, I'm a rock, I'm a granite.
00:00:50Even though you were young.
00:00:51And now I'm young.
00:00:53Young?
00:00:54What? Look at my legs, look at my legs.
00:00:57You look like a baby.
00:00:59Yes, aunt, of course, of course.
00:01:01How old are you? Are you the same age as your mother?
00:01:04I'm not the same age as Zozos, my dear.
00:01:06I'm sorry, aunt, how old are you?
00:01:08Let it go, baby. You and your questions.
00:01:11I'm saying this because you're too young for your age.
00:01:14Because when I was young, I was an athlete.
00:01:17I was running, I was a gymnast.
00:01:21And now, aunt, you've stopped being a gymnast.
00:01:23No, not at all. I'm still running.
00:01:27I mean, organically.
00:01:28Meches, meches.
00:01:30Meches, meches.
00:01:32Meches, meches.
00:01:34Well done, aunt, well done.
00:01:36You're putting Kosara down, too.
00:01:37Don't you get bored?
00:01:39I've been through all this.
00:01:41I've been through it all.
00:01:44I've forgotten everything.
00:01:46Even the shape of the uterus.
00:01:48That's why, aunt, I'm ashamed.
00:01:51How can I say all these things I've done
00:01:53to a holy woman like you?
00:01:55I'm a witch.
00:01:57That's why I know how to forgive.
00:01:59Well, aunt, I fell in love.
00:02:02I fell in love with someone I shouldn't have.
00:02:03Who?
00:02:05Derry Fortunaki.
00:02:06The tapas?
00:02:08What you heard, aunt. Derry Fortunaki.
00:02:10That's why you were dancing so sadly to his arabesque?
00:02:14I know how much I was in pain at the time.
00:02:17I looked so beautiful, sweet and happy from the outside.
00:02:20And inside me, I was bleeding. I was dying.
00:02:23You lit me up, you lit me up
00:02:26Your kisses burned me up
00:02:28I'm not going to come out alive
00:02:32Sea, sea
00:02:34Let me be your embrace
00:02:37Let me drown in it
00:02:39What are you planning to do now?
00:02:41I don't know, but I've been thinking about everything.
00:02:43Even suicide.
00:02:45Are you crazy?
00:02:46But I'm Fortunaki, and I'm a virgin.
00:02:47I didn't experience it either.
00:02:49I was a virgin and I loved Fortunaki.
00:02:52But I hit my head on the floor
00:02:55and in the end, I married him.
00:02:57Was it easy?
00:02:58It wasn't easy, but I told my mother and my husband.
00:03:02Mother and husband.
00:03:04If I don't get Fortunaki, I'm going to get high.
00:03:08I'm going to drink chlorine.
00:03:09And you drank it?
00:03:10Are you crazy? I put in the chlorine bottle
00:03:14orange juice and I drank it.
00:03:16I drank it all.
00:03:17I was dying, and after they cried at me
00:03:20and they put me to sleep, I woke up.
00:03:22You woke up?
00:03:24Why? So they could bury me alive?
00:03:27I mean, didn't your family get mad at you?
00:03:29They did, but they drank chlorine and that's how it happened.
00:03:32Is that how you married your uncle?
00:03:34But to stay a virgin, you have to get married first.
00:03:37And we got married, and the Vendetta started.
00:03:41The Vrodacids got mad at me for taking Mitsos.
00:03:44The Fortunacids got mad at me for taking him.
00:03:47And the bad started.
00:03:49And that's how uncle Mitsos died.
00:03:50My uncle died the third year we got married.
00:03:55I was still a virgin, my Georgie.
00:03:57We had gone to the Resurrection, the day of the Mass.
00:04:01Oh, the whole family was crying.
00:04:04And at the Resurrection,
00:04:07as soon as the priest said, Christ is risen,
00:04:10I heard a bang.
00:04:11Did the Vrodacids kill him?
00:04:13No.
00:04:14Did the Fortunacids kill him?
00:04:16No.
00:04:17He dropped his sickle right next to him,
00:04:19and the priest scared him,
00:04:21and he fainted,
00:04:23and he died.
00:04:24Is that how you got married, auntie?
00:04:26We all get married in this ruined place,
00:04:29in Ano Papazia.
00:04:31Oh, auntie, how much pain you are in.
00:04:34That's why I'm telling you, Marousso,
00:04:36you may be lucky
00:04:38that you won't get married to Terry,
00:04:40because you won't get married.
00:04:42I can't, I can't, I can't forget him.
00:04:46You learn little by little,
00:04:47and you live with the memory.
00:04:50But you, auntie, you speak as if I were a snake.
00:04:51But Terry is now officially
00:04:54with the Lord of the Respected.
00:04:56Yes, auntie, you're right, you're right.
00:04:57I have to forget him.
00:05:03Are you waiting for someone, auntie?
00:05:04No.
00:05:05Let's see who it is.
00:05:09Who is it, please?
00:05:11Calimera!
00:06:11I tried, but I couldn't take it anymore. Get out of my way.
00:06:14Then why did you wait so long?
00:06:19What a romantic story.
00:06:21But we are unlucky, auntie.
00:06:23No, if you love me, you have to fight.
00:06:26But Laura is preparing a wedding.
00:06:28Do you love Laura?
00:06:29Do you love her and you want her as much as you love me?
00:06:32No, I don't love Laura.
00:06:33Is that so, my love?
00:06:35Then what are you waiting for?
00:06:37You have to do the trick of mine.
00:06:39What trick? What are you talking about?
00:06:40The best trick of all.
00:06:42It will make our in-laws accept our marriage for sure.
00:06:45The trick with the orange.
00:06:47I don't understand. What do you want to say, my boy?
00:06:51Mom, it's hard for me to express myself.
00:06:53But I can't complain anymore.
00:06:57I don't want to marry Laura.
00:06:58What about the ring?
00:06:59I don't want Laura for my wife.
00:07:01The ring? Isn't it expensive?
00:07:03I don't have that kind of information.
00:07:06Then why?
00:07:08Is it because of that scoundrel, that monster, Varonos,
00:07:12who gives less money?
00:07:14Who cares about the money?
00:07:15Me!
00:07:16I don't care.
00:07:17If Varonos gives you what I said,
00:07:19take Laura with you.
00:07:21And when he dies,
00:07:22do you know how much time he will leave you?
00:07:26Do you know how many jobs you have abroad?
00:07:30Geneva, Zurich, Monaco.
00:07:32He won't let you do all the strange jobs.
00:07:37He will take you abroad.
00:07:39Medellin, Barbados, Cayman Islands.
00:07:43Mom, how do you know all this?
00:07:45What do you mean?
00:07:47These are the secrets of the respectable businesses.
00:07:49What secrets?
00:07:50The people have it all.
00:07:52And the respectable is a shy man.
00:07:55All the rich people know about the black money he makes.
00:07:58Only the tax office doesn't know.
00:08:00Don't talk to me like that, Marusso.
00:08:02Mom, Sifis is a very good boy.
00:08:05A handsome boy.
00:08:06And he's tall.
00:08:08He's three meters tall.
00:08:10Mom, let's have a nice talk.
00:08:13Sifis is a nice boy.
00:08:14I agree.
00:08:15I think he deserves something better than me.
00:08:18What's wrong?
00:08:20No, mom.
00:08:21I don't love Sifis.
00:08:23I tried to love him, but I couldn't.
00:08:25You should try harder.
00:08:27But it's all about trying, love.
00:08:29Everything is about trying.
00:08:31Did anyone expect you to be in the parliament?
00:08:34No, but he tried.
00:08:37With his heart, his smile, his kisses, and he got in.
00:08:43That's what he wanted.
00:08:44Yes, but I don't want him, Sifis.
00:08:46I want him, too.
00:08:47Take him then, with my blessing.
00:08:49Don't talk to your mother like that.
00:08:53I can't believe it.
00:08:54My mother is hurting me.
00:08:56She's killing me because I love you.
00:08:59Who do you love? Tell me.
00:09:00Not Sifis, anyway.
00:09:01I know that.
00:09:02Tell me the name of the man you love.
00:09:05Tell me.
00:09:07Mom, don't push me. I can't think straight.
00:09:10I love the man, I won't leave him.
00:09:12What's the name of the orphan?
00:09:16Mom, kill me. I can't think straight.
00:09:20You give me wood and he gives me sweet kisses.
00:09:25What's wrong with you?
00:09:27Laura is a fox.
00:09:29You'll get a fox.
00:09:31And when he dies, he'll be a good man.
00:09:33I don't want a fox. Don't talk to me about foxes.
00:09:35I don't want to sell my beauty for money.
00:09:38My dear, you'll find beautiful girls every day.
00:09:44It's not easy for Laura to succeed.
00:09:47Don't be so lucky.
00:09:49If you find her so lucky,
00:09:51you should marry her to your other son, Manolio.
00:09:53Don't remind me of that useless man.
00:09:55He's in his forties and I don't know what he's doing.
00:09:59He hasn't brought me a single flower yet.
00:10:01Kiss me, kiss me, kiss me, kiss me.
00:10:06You found a bride for Manolio.
00:10:08Laura, let's get this over with.
00:10:10Fine.
00:10:12Who will you marry?
00:10:13Fate has decided something else for me.
00:10:15I can decide what fate has decided for you.
00:10:18I won't marry Laura.
00:10:20Let me remind you that you said yes to Aravon.
00:10:24What will you say now?
00:10:26I said it. I said it. I don't care.
00:10:29Don't lower your voice.
00:10:31Tell me, you talker.
00:10:34What will you say to Laura?
00:10:37Laura?
00:10:39You're a very good girl.
00:10:41You have a good heart, but my heart is given to someone else.
00:10:43And she will answer you.
00:10:48What kind of a man are you?
00:10:51I'm asking you.
00:10:52You're making me suffer.
00:10:56You said yes to my father, and now you're turning it around?
00:11:00Then I'll tell her that I don't sell my heart, nor do I throw it away.
00:11:03I've given it to someone else.
00:11:04Who?
00:11:06Marusso.
00:11:07Who's Marusso?
00:11:08Doesn't she have a surname?
00:11:10Does she have a career with the little one?
00:11:13Like Marinella?
00:11:14Of course she does.
00:11:15Can I learn it too?
00:11:17Vrondaki.
00:11:18Say it again.
00:11:20Vrondaki.
00:11:21Vrondaki?
00:11:22The one who was dancing in the centre?
00:11:31Yes, the one who was dancing in the centre.
00:11:38Manolio!
00:11:41Manolio!
00:11:43Manolio!
00:11:44What is it, mother? Why are you shouting?
00:11:45Your brother, my son.
00:11:48Terskou, is sick.
00:11:51What?
00:11:52He doesn't want to be called Lora Sevastou
00:11:56and he wants to be called... Who do you think?
00:11:59Who?
00:12:00Who? I don't even dare to say her name.
00:12:03Say it, mother. Who?
00:12:05I'll say it.
00:12:07Marusso Vrondaki.
00:12:08Who?
00:12:09Marusso Vrondaki.
00:12:11The one who was dancing in the centre?
00:12:18Yes, her.
00:12:19The one who was dancing in the centre?
00:12:22Oh, I'm so angry.
00:12:26What did you say to Gria?
00:12:29Griana Seppi, the firstborn.
00:12:32Idiot.
00:12:35Mother!
00:12:37Tell me, Gemila, who is the groom?
00:12:41I'll tell you. I can't keep it to myself.
00:12:44Know it.
00:12:45Theris Fortunakis.
00:12:48You said it.
00:12:49Theris Fortunakis.
00:12:51You said it again. Theris Fortunakis.
00:12:54What? The golden Theris?
00:12:55You should have said the golden Theris.
00:12:59Yes, but my heart chose Theris Fortunakis.
00:13:03Michalou.
00:13:04Michalou.
00:13:08Yes, mother?
00:13:10The worst, my son.
00:13:13Your sister wants to marry Theris Fortunakis.
00:13:16Our enemy?
00:13:17Yes, my son.
00:13:20Enough.
00:13:23You're talking nonsense, Esterios.
00:13:25Don't you know we have vendetta with the Vrontakis?
00:13:28I knew it.
00:13:29Didn't my heart tell you?
00:13:30I'll tear your heart apart, too.
00:13:33Did you see what you did? You killed our mother.
00:13:36Mother, my mother.
00:13:38Bring the chillers.
00:13:40Call the myrmidons to make our mother cry.
00:13:44I don't think she died.
00:13:46She's lying.
00:13:47Lies, mother?
00:13:50God will burn you alive.
00:13:53What did I tell you?
00:13:55She doesn't trust me.
00:13:59She doesn't trust me when I'm dying.
00:14:04See? She didn't die before, she died now.
00:14:08She won't die.
00:14:09I'll marry Marousseau and our mother will dance to our wedding.
00:14:13That wedding can't happen.
00:14:15The Fortunakis will get up because we gave a girl to the Vrontakis.
00:14:19And the Vrontakis will get up because we took a girl, the Fortunakis.
00:14:23Do you understand what blood and vendetta this is?
00:14:26Tell me, my son.
00:14:27Mother, you're here.
00:14:29Just a minute.
00:14:31See? She fell again. How can she stand it?
00:14:34I told you not to call me that.
00:14:36Idiot.
00:14:38Mother, instead of hitting me, you hit me.
00:14:41Why are you talking nonsense and suffocating me like a woman?
00:14:44Oh, mother, wake up. Wake up and I won't hit you again.
00:14:51Leave him alone.
00:14:54Mother? Mother?
00:14:56What do you want me to do, mother? Hit her?
00:14:59To hit her? To put her in a coffin and bury her?
00:15:02I don't know what to choose.
00:15:03Whatever you do, you can't erase the love I feel inside me
00:15:08for this angel, my darling.
00:15:11He locked her in the closet.
00:15:12With or without food?
00:15:14Put some water and a piece of bread.
00:15:17The day before yesterday. No, not the day before yesterday.
00:15:19I want it for the patties.
00:15:21Put it in the Arabic pies we got at the supermarket and they're sweet.
00:15:24Will you give me sweet pies?
00:15:26If you don't like them, put some water in them.
00:15:28So that she can eat them from the sofa in the closet.
00:15:31You're so heartless, mother.
00:15:33I'm honourable and presentable.
00:15:34And I defend the honor of the Fortunakis.
00:15:38Oh, my heart.
00:15:40What a tragedy, my son.
00:15:42The mother who gave birth to us is dead
00:15:44and my brother is ready to destroy the chasm.
00:15:47As if Greece didn't have other girls to find.
00:15:49And he went and found the daughter of our enemies.
00:15:51But you're wrong, my good brother.
00:15:53I'm sure that my love for my good brother
00:15:56will make them all give us their blessing
00:15:58and that the Brontacids and the Fortunacids will become friends.
00:16:02I demand reconciliation.
00:16:04I have such a stupid brother.
00:16:07Where are you going, Teri?
00:16:09I'm going to find my good brother and steal.
00:16:11You're making a mistake, Teri.
00:16:17What are you waiting for?
00:16:19Mother, you're here.
00:16:20What can I do for you? I'm waiting for you to catch him.
00:16:30Wait.
00:16:32Wait. Where are you going? I'll come, too. Wait.
00:16:36Sit down.
00:16:38Sit down.
00:16:41Please, my brother, we're sorry.
00:16:44We're sorry.
00:16:45Then let me go.
00:16:47No, no. We're sorry, my good brother.
00:16:49But as a Brontacid,
00:16:51you can't leave before you're born.
00:16:55Who is it?
00:16:56My husband.
00:17:01Mother, the dog bit me.
00:17:04What? You bit the kid?
00:17:06Mother, bring the dog so he won't get bitten.
00:17:12He ran away. I didn't know he was coming.
00:17:15The dog. The dog.
00:17:17He opened the door and locked us in.
00:17:19Let's get out of the window.
00:17:21The window with the dog.
00:17:22Come on.
00:17:36Come on.
00:17:59My love.
00:18:00Yes, my baby.
00:18:01Are you psychologically ready for the big trick, my love?
00:18:04Yes, my husband. I am.
00:18:06I am.
00:18:15Terry?
00:18:16Yes, bro.
00:18:17What are you doing here?
00:18:18I'm kissing the woman I'm going to marry.
00:18:20You're sleeping on this side.
00:18:24Marusso.
00:18:25Go away, Michalio. Go home.
00:18:27And I'll leave you here to have fun with this...
00:18:29with our 8-year-old, Terry, Fortunacci.
00:18:31I love Terry and I'm going to marry him.
00:18:33And you'll be left alone for the rest of your life.
00:18:36Did you dare to threaten my brother?
00:18:38Yes, I did. What's your problem?
00:18:40Oh, my God. It's going to be a funeral.
00:18:45What do you want now?
00:18:47Come here. Come to the center now.
00:18:48Come here, you bastard.
00:18:50Come here.
00:18:51Michalio!
00:18:52Manolio!
00:18:54Michalio!
00:18:55Sousa. Sit down, Sousa.
00:18:57What do you want, Mom?
00:18:58What do you want, Mom?
00:18:59Shut up!
00:19:01We came here to stop the wedding.
00:19:04What are you doing in your underwear?
00:19:07Mom!
00:19:08I said shut up!
00:19:09And you, go home now! Now! Now!
00:19:13No, Mom. I'm going home only with my Marusso wife.
00:19:16You're going to take your daughter-in-law
00:19:19and you're going to take Fortunacci home.
00:19:21Yes, Mother.
00:19:22Sorry.
00:19:23Did you say Mother?
00:19:25I don't know, kid.
00:19:26I said you, Mr. Alexis.
00:19:28I said you, Mother, because, you know,
00:19:30in a little while, my mother is going to get anxious.
00:19:32Don't worry about that. She's never going to get anxious.
00:19:35Give us your blessing, so we can finally get married.
00:19:38I can't even hug my daughter-in-law.
00:19:41What do you mean, you're not going to give us your blessing?
00:19:43You're late, but you're going to get them.
00:19:45Mom, give us your blessing, please.
00:19:47Bless this wedding.
00:19:49I'd rather kill you.
00:19:52That's what's going to happen.
00:19:54We've decided to die.
00:19:57If you don't give us your blessing, we'll drink chlorine.
00:19:59Right, honey?
00:20:00Yes, baby.
00:20:02Get up.
00:20:03Who's chlorine?
00:20:04Give us your blessing.
00:20:07Give us your blessing?
00:20:08No! No.
00:20:12You have a gift.
00:20:15Bravo, baby.
00:20:18White bottom.
00:20:21Michal!
00:20:22Don't drink it so fast.
00:20:23You'll drop it.
00:20:32Where did they go?
00:20:33Probably.
00:20:34What do you mean, probably? With all the chlorine they drank?
00:20:37Here's a lid. You put it on and all the marbles in the toilet will go away.
00:20:40My daughter!
00:20:42My daughter!
00:20:49My daughter!
00:20:50My daughter!
00:20:52What have you done?
00:20:54Instead of a little fox next to a sheep,
00:20:56you're getting married to a black sheep.
00:20:58Wake up, my dear.
00:21:00Wake up, my dear.
00:21:02Wake up.
00:21:04Laura is waiting for you with the bride.
00:21:09Instead of a little fox next to a sheep,
00:21:13you're getting married to a black sheep.
00:21:16My little sister!
00:21:19My little sister!
00:21:22Get up!
00:21:23Get up and go to London School of Economics.
00:21:27What have we done?
00:21:29What have we done?
00:21:33We killed our children.
00:21:37It's our fault that we didn't let them get married.
00:21:40It's our fault, Myrsini,
00:21:43and our cursed Vendetta, who gave birth to Paparzha.
00:21:46Instead of seeing the great love our children had,
00:21:51we went blind and killed them.
00:21:54My daughter, let them be alive
00:21:57and let them marry Fortunati.
00:22:00And you, my dear, let them be alive
00:22:04and let them marry the dog's daughter.
00:22:09Yes, I'm a dog.
00:22:11A mother dog who didn't feel her daughter.
00:22:14And me.
00:22:15And you two are dogs.
00:22:18We are married, my dear.
00:22:21We are brainless.
00:22:23And that's how life paid us.
00:22:28I told them about the orange.
00:22:31Why did you say that, mother?
00:22:33Because instead of putting an orange in a bottle,
00:22:38they put an orange in a bottle.
00:22:41And now you understand how the bottle worked.
00:22:44That's how life paid us.
00:22:48That's what I heard.
00:22:50The date.
00:22:51I don't know. I didn't hear anyone.
00:22:53No, mother. We're alone.
00:22:55That's strange.
00:22:56Anyway, let's continue with the orange.
00:22:59Let's continue with the orange.
00:23:03With the two.
00:23:04With the three.
00:23:06Oh, my son.
00:23:09My daughter.
00:23:12It was that again.
00:23:13I don't understand the orange.
00:23:15Moshi, did you choke on the orange too much
00:23:19and no one came out?
00:23:21Are you serious?
00:23:22Don't get worse.
00:23:24Did the girls give birth to a little boy?
00:23:27No, mother. That's not what you're saying.
00:23:30You're embarrassing me.
00:23:31Come on.
00:23:33These things happen when you're very sad.
00:23:36Enough of that.
00:23:39Let's continue with the orange.
00:23:42With the two.
00:23:43With the three.
00:23:45Oh, my son.
00:23:48Oh, my dear.
00:23:50The grave will unite you.
00:23:53I can't believe what's happening.
00:23:55What's going on?
00:23:57It's all a mess.
00:23:59Someone vomited. I heard it clearly.
00:24:01Mother, who vomited?
00:24:03What else? Did the deceased vomit?
00:24:05Yes, mother. Teris vomited.
00:24:07How can that be?
00:24:09Either someone else vomited
00:24:12or he vomited and he's not dead.
00:24:16Mr. Amirsini, he's not dead.
00:24:19Who's half a kilo, Chlorine?
00:24:21And who are you, Robocop?
00:24:24Wait a minute. Let me see.
00:24:31That's not chlorine. It's orange.
00:24:35Orange?
00:24:37Yes, orange.
00:24:40That's why the border is being torn down.
00:24:42Come on. Live.
00:24:44Yes, mother. We're living.
00:24:46Get up, Maroussou.
00:24:47Oh, my mother.
00:24:48We're dying to teach you a good lesson.
00:24:51You went to mock me and hit my sister, Teris Fortunatis.
00:24:57Well, here she is.
00:25:01Oh, my God.
00:25:02I vomited.
00:25:03My son.
00:25:04Teris, my love.
00:25:06You killed my brother, you son of a bitch.
00:25:09Now you'll see the consequences.
00:25:11Oh!
00:25:14I'm dying, mother.
00:25:16For the honor of the Vrondakis.
00:25:19You killed my son.
00:25:22You're dead for sure.
00:25:24Ah!
00:25:27I'm dying, mother.
00:25:28Long live the Fortunakis.
00:25:31My little boy.
00:25:32My little boy.
00:25:35Dog!
00:25:41Oh, my God.
00:25:43Oh, my God.
00:25:44Oh, my God.
00:25:45What a dreamer.
00:25:47What a dreamer he was.
00:25:49And what a teacher.
00:25:51What did he teach me?
00:25:53Yes.
00:25:54He taught me that love with Teris is a way out.
00:25:59This love can only lead us to hell.
00:26:06Oh, my God.
00:26:07Oh, my God.
00:26:08What the hell?
00:26:11I can't stand him.
00:26:12I don't care.
00:26:14Heold me right last night.
00:26:16Maybe from fear.
00:26:19Did say anything last night?
00:26:21No, I didn't.
00:26:24I did my autopsy.
00:26:26Did you see results?
00:26:27Four pounds.
00:26:28Nice!
00:26:30Should I have done it?
00:26:32Shall we do the autopsy together?
00:26:33Good idea.
00:26:36I can't even come here, to the courtyard, to see you painting.
00:26:41Panagos, the more we meet, the more we are under attack.
00:26:45Sister Karamazov told me that we have to break up.
00:26:48You are a cosmic, and I want to become a sister.
00:26:52Our paths separate us.
00:26:53Our paths will never separate us, Zanet.
00:26:56You are made for me, and I am made for you.
00:26:58I gave you everything, Soto.
00:27:00And you ruined me, you ruined my dignity.
00:27:04You went and said, and I don't know where I paid my husband.
00:27:07How much did I trust you?
00:27:09Because I trusted you, Soto.
00:27:11My love, my love.
00:27:13There is a misunderstanding. Give me a second chance.
00:27:15Don't ask me for a second chance.
00:27:17The more we don't break up, the more we torture ourselves and those around us.
00:27:20I don't care what they will say.
00:27:22I don't count my parents.
00:27:24I don't count Paparia's high society.
00:27:26Whatever they want to say.
00:27:28I'm interested, they say, the sisters.
00:27:30Why? What will they do to you?
00:27:34You don't have two sisters, Johnny.
00:27:36That's why you say that.
00:27:38Zanet, Zanet, I beg you.
00:27:41Don't put Elias in our relationship.
00:27:43Why, Soto? What can I expect?
00:27:45To explain to our in-laws about our love.
00:27:48Only our love will erase the bandage that separates them.
00:27:51My boy, what do you drink and don't give us?
00:27:53Why do you say that, my love?
00:27:54Because it's not possible for you not to drink anything,
00:27:56and to believe that the two of us can erase the bandage between our in-laws.
00:27:59And why do you deny it?
00:28:00Because the road we walk is a dead end.
00:28:03We lived a dream, Soto.
00:28:05But the opposite reality came and brought me to life, Dinira.
00:28:09Accept it without tears.
00:28:11Everything between us is over.
00:28:30Remember
00:28:32Tomorrow you won't remember me
00:28:39When the hearts part
00:28:44Tears fill the nights
00:28:49When the hearts look
00:28:54Empty nights wake up
00:29:25Empty nights wake up
00:29:31I gave this crossroad
00:29:35Not much left
00:29:40And everything we have lived together
00:29:45Until morning it will have gone
00:29:51When the hearts are parting Tears fill the hearts
00:30:02When the hearts are parting Empty nights are dawning
00:30:16When the hearts are parting Tears fill the hearts
00:30:26When the hearts are parting Empty nights are dawning
00:30:45Why are you like this, sister Karamazov?
00:30:47Aren't you sick?
00:30:48Yes, I am. Because I am a murderous prostitute.
00:30:52Are you talking about me? I kicked Panagos out.
00:30:55I know. I've been watching you for a few days. I know you're drunk.
00:30:59You danced and I got drunk.
00:31:01How was I? How was I?
00:31:02Very good. You danced very well.
00:31:04When the hearts are parting Tears fill the hearts
00:31:14Thank you, sister.
00:31:16You're welcome.
00:31:17I can't sleep at night. What do they do?
00:31:21What are they doing to sister Katsamba?
00:31:24I mean sister Tzavara's daughter-in-law.
00:31:27I guess they're fasting and praying.
00:31:29Them? They're praying to Satan.
00:31:32Get out of here. Why do you say that?
00:31:34They're up to something.
00:31:36With Sotoupoulos? With Varonos Sivastos? I don't know.
00:31:41They're planning something bad for our monastery.
00:31:44What if you were a priest?
00:31:46I'd kill them.
00:31:47I killed Ingoumenitsa for two votes in favor of my democratic cause.
00:31:51Don't you remember? That's what happened.
00:31:53Now she's a priestess, sister Katsamba.
00:31:55That's why I'd kill them.
00:31:57If I don't kill Ingoumenitsa, I'm going to lose her.
00:32:00How can you lose her?
00:32:02We have to report her to the Archbishop.
00:32:06For what?
00:32:07I don't know. We have to find out.
00:32:10I have an idea.
00:32:11What is it?
00:32:13I have an idea.
00:32:14You have an idea?
00:32:17Tell me.
00:32:18Let's report her to the Archbishop.
00:32:21That's not enough to kill her.
00:32:24Let's say she's eating a third meal.
00:32:26That's not enough.
00:32:27She's eating sweets.
00:32:29That's not enough either.
00:32:30No, sister Karamazov.
00:32:32She's eating sweets with sugar.
00:32:34Look at her eating.
00:32:37That's not enough.
00:32:39What did she tell you?
00:32:40That she's cooking a barbecue next to her cell.
00:32:42And she's eating steak and kontosouvli.
00:32:45That's a sin.
00:32:47But not a big one.
00:32:50So we can't do anything about Volimiya.
00:32:53What can we do about her?
00:32:56Lagnia?
00:32:58That's a good idea.
00:33:02What is it, Jeanette?
00:33:03Don't bother me.
00:33:04Tania.
00:33:05My dear Tania.
00:33:06As you know, you're my best friend.
00:33:08Yes.
00:33:09That's what the scriptwriters of the series decided.
00:33:12It's a bit ambiguous, isn't it?
00:33:14It's a bit ambiguous, but we have to accept it.
00:33:17You're my best friend.
00:33:19You're the only one who understands me.
00:33:22Thank you very much, Jeanette, for honoring me with your friendship.
00:33:25How?
00:33:26You're the only one who didn't fall for all the jokes
00:33:28in my husband's shop.
00:33:31But he did.
00:33:32I'm sure of it.
00:33:33The baron is a sex-addict.
00:33:35He doesn't have sex with women.
00:33:37He's called the Perlusconi of Paparia.
00:33:40All he does is party.
00:33:43But I rejected him proudly, Jeanette.
00:33:45Well done, my dear Tania.
00:33:47That's how you got rid of the old man and became my best friend.
00:33:50That's why, my dear friend.
00:33:52Talk to me.
00:33:53Open your heart to me.
00:33:54Tania.
00:33:55You know very well that my husband has driven me crazy.
00:33:59Yes.
00:34:00Especially with that prostitute, Gavriela Partolou.
00:34:02For a few years now,
00:34:04with the baron, we've been husband and wife only on paper.
00:34:06He lived a white marriage.
00:34:08How white?
00:34:09The white that sets us apart.
00:34:10As you can see, I've been paralyzed for so many years.
00:34:14Of course, my dear Jeanette.
00:34:16Because I'm a new woman, my dear Tania.
00:34:18Young.
00:34:19That's right.
00:34:20Couldn't I have lived the good life?
00:34:22A doll like you doesn't deserve such a fate.
00:34:26That's right.
00:34:27I fell in the nets of a pregnant man.
00:34:30It happened by chance.
00:34:31By chance.
00:34:32In a crossroad.
00:34:40Where are you going?
00:34:42Can't you see the whole car?
00:34:44Listen to the rooster.
00:34:46Go wash a plate.
00:34:47Get out of here.
00:34:48Or I'll call the police and you'll kill us all.
00:34:50What kind of animal is this?
00:34:52Get out, Gavi.
00:34:54Get out, Gavi.
00:34:56I get out of the car
00:34:58and I detect the absolute male.
00:35:03I'm sorry, ma'am. I didn't mean to.
00:35:05No, no, ma'am. Don't talk about it.
00:35:07It's all my fault.
00:35:08It's my fault that I got in the way.
00:35:10No, no, no. I'm not talking about it. It's my fault.
00:35:12No, no.
00:35:13It can't be my fault that I saw a mermaid like you.
00:35:15It's my fault.
00:35:16It's my fault.
00:35:17I'm begging you.
00:35:19Push me down with your butt.
00:35:23It was a compliment.
00:35:25And very sexy, the man.
00:35:27No, no. Don't talk about it. It's my fault.
00:35:29I'll give you the details.
00:35:30My name is Jeanette Sevastou.
00:35:32My phone number is 6868357.
00:35:34My name is Sotos.
00:35:36Sotos Poulos.
00:35:37But you didn't write down my number.
00:35:39I don't need to write it down.
00:35:41As soon as I heard it, it was engraved in my memory.
00:35:43It will never be erased.
00:35:45Here.
00:35:47Take my number, too.
00:35:49And you took it?
00:35:50I mean the number.
00:35:51Whatever you mean, you're in.
00:35:53We had a relationship.
00:35:55A relationship full of passion, secrets, and lies.
00:35:58Until the day before yesterday.
00:36:00The day before yesterday, I broke up with him.
00:36:02Why, Jeanette?
00:36:04Don't say Samantha.
00:36:05Don't call me Samantha, kid.
00:36:06Cut it out.
00:36:07Now who?
00:36:08They call me sister Katsamba.
00:36:09Do you know what you want?
00:36:10Do you want me to disown you?
00:36:11No, no, no.
00:36:12Let's not get to the bad stuff.
00:36:14So cut out Samantha.
00:36:15Sotos Poulos.
00:36:16He declared war on me.
00:36:18Jeanette.
00:36:19You told me you had a boyfriend.
00:36:20Even though I gave him to him several times.
00:36:22And he's hot.
00:36:24And when he found out I was talking to the Baron, he got mad.
00:36:29Jeanette.
00:36:30Why?
00:36:31He wants to buy the monastery's share.
00:36:34While the Baron has a perfect offer.
00:36:37Half of it is black.
00:36:39100,000 euros for the land.
00:36:41The black ones in advance.
00:36:42And the rest in 24 installments.
00:36:45Perfect arrangement.
00:36:47You take the black ones and leave the monastery to wait for the installments.
00:36:52Exactly.
00:36:53You're going to sell to the Baron?
00:36:54Are you crazy?
00:36:55Yes, but Sotos Poulos is going to start raping me.
00:36:59He knows your mother-in-law is dead.
00:37:01But?
00:37:02Sotos Poulos must remain silent forever.
00:37:05But are you sure that Poulos set you up to follow your husband's business moves?
00:37:10Of course.
00:37:11Because I told him a secret.
00:37:13And I don't know where he went and said it.
00:37:15Until I found out from my husband.
00:37:17Poor Jeanette.
00:37:18You fell victim.
00:37:20But so far, no matter how much I've hurt him, I've torn him from my heart.
00:37:25Hello, hello.
00:37:26Daisy, good chief.
00:37:27Daisy, good chief.
00:37:28Over.
00:37:29Daisy, good chief.
00:37:31Good chief, can you hear me?
00:37:33Over.
00:37:34Come on, Manitsa.
00:37:35Where are you, chief?
00:37:36Over.
00:37:37I can't find you, Manitsa.
00:37:38I can't reach you on the phone.
00:37:40Chief, I have shocking news.
00:37:42Over.
00:37:43Tell me, who's keeping you?
00:37:44Over.
00:37:45Jeanette Sevastou invited me to her house.
00:37:47That's why I was hungry since morning.
00:37:49Chief, Jeanette broke up with Poulos.
00:37:51Over.
00:37:52Seriously?
00:37:53I've been hurt like that?
00:37:55Now you're interested.
00:37:56But when Daisy talks...
00:37:58How did it go?
00:37:59First of all, Jeanette invited me and told me about her relationship with Sotopoulos.
00:38:03Even though I only knew about paper and squid because I watch them all the time,
00:38:07she surprised me.
00:38:09Because I'm a very good actress when I want to.
00:38:11Well done, Manitsa.
00:38:13And then she told me that they broke up yesterday.
00:38:15Over.
00:38:16What is she saying now?
00:38:18Now she's hurting us.
00:38:19Why are you saying that, Chief?
00:38:20Over.
00:38:24Adrithi Vlogison.
00:38:25Yes, Adrithi.
00:38:26I have shocking news.
00:38:28For what?
00:38:29For Adrithi Katsamba.
00:38:31She has coronavirus.
00:38:32Okay.
00:38:33She has diarrhea.
00:38:34Okay.
00:38:35Worse.
00:38:36What happened?
00:38:37She's losing her baby.
00:38:39Yippee!
00:38:40How did that happen?
00:38:41It didn't happen.
00:38:42She's pregnant.
00:38:43Look at this.
00:38:44Look at this.
00:38:46Oh, oh, oh.
00:38:47Sin.
00:38:50And another sin.
00:38:54And a worse sin.
00:38:57I'll send these to the Archbishop right away and they'll punish her.
00:39:06But where did you find such strange photos, Adrithi?
00:39:10Your friend, Adrithi Katsamba.
00:39:12She has thousands of followers.
00:39:14What is this?
00:39:15A cooking site.
00:39:17Why is she cooking here?
00:39:19I don't know.
00:39:20And why is she bending like that?
00:39:22Because she's cooking and she's nervous about her success.
00:39:26Wait a minute, wait a minute.
00:39:29Are you sure this is Adrithi Katsamba?
00:39:31Do you see it?
00:39:34This thing seems to me to be photomontage.
00:39:36Adrithi Katsamba shouldn't have such a butt.
00:39:39It's more of a booty.
00:39:40Yes.
00:39:41Don't send it to the Archbishop, Adrithi.
00:39:43It's photomontage.
00:39:44They'll understand.
00:39:45I understood it right away.
00:39:47If you understand it, that's a very bad sign.
00:39:51My dear Adrithi, whoever gave you these photos wanted to make you laugh.
00:39:56To make you feel bad.
00:39:59Because I'm good-natured and trustworthy.
00:40:02And I'm afraid they'll arrest me.
00:40:06Don't you understand, Manitsa?
00:40:08Zanetti was the best way to follow Poulos' movements.
00:40:12They broke up now. What can we do, Archbishop?
00:40:14You have to prove that Poulos loves her and find her again.
00:40:19How can I prove it, Archbishop?
00:40:21You have to find a smart way to prove it without her or Poulos getting caught.
00:40:27As you wish, Archbishop.
00:40:29Think of a smart way to catch them again.
00:40:32I've already thought of a way, because I'm very smart.
00:40:35A personal key, over.
00:40:37He's a trustworthy man.
00:40:39I've been working with him for a long time.
00:40:41He's my most valuable informant.
00:40:44I'm talking to you about jackals, Archbishop.
00:40:49Hello, beautiful.
00:40:51Pretend you don't know me.
00:40:53I don't know you.
00:40:55The secret police are pretending they don't know you.
00:40:58Fine, I'll pretend I don't know you.
00:41:00Good morning. What's your name, ma'am?
00:41:02Don't talk to me.
00:41:03I'll pretend I don't know you. That's why I asked you your name.
00:41:06Don't talk to me.
00:41:07How can I pretend I don't know you?
00:41:09Don't pretend you don't know me.
00:41:11Turn around and talk through your teeth.
00:41:14Through my teeth?
00:41:15Yes.
00:41:16Fine, I'll do it.
00:41:18Good morning. What's your name, ma'am?
00:41:21Don't talk to me.
00:41:23Why, ma'am?
00:41:24Because the walls have ears.
00:41:26Do you see a wall around me?
00:41:28We're on a secret mission.
00:41:30Don't talk to me.
00:41:31Turn around.
00:41:33Fine, I'll turn around.
00:41:34How am I supposed to talk if I look that way?
00:41:36Talk on the phone.
00:41:38Fine, I'll talk on the phone.
00:41:41Good morning. What's your name, ma'am?
00:41:44Don't talk to me, Christian.
00:41:46Who am I supposed to talk to on the phone?
00:41:48I'm talking to you.
00:41:49Yes, but you shouldn't say my name.
00:41:51Fine, I won't say your name.
00:41:53Good morning. What's your name, ma'am?
00:41:55What's your name, ma'am?
00:41:57How did you end up in Kumudura with Kasselaki?
00:41:59Can you stop talking nonsense?
00:42:01You didn't tell me to say your name.
00:42:03You don't even have to say Alexis Tsipras' name.
00:42:05Should I say Mitsotakis' name?
00:42:06No name.
00:42:08You're very nervous today.
00:42:10Fine, turn around and listen to me.
00:42:12Fine, I turned around. I'm listening.
00:42:15You have to convince your wife to be a medium.
00:42:19My wife, Halima?
00:42:20Not your wife, Michelle Obama.
00:42:22Halima, of course.
00:42:23You have to convince her to be a medium.
00:42:26How can she be a medium?
00:42:28I'll give you 100 euros
00:42:30for every visit that my client will make to your wife.
00:42:34Leave me alone, I'll make her a medium.
00:42:37You're not a normal medium.
00:42:40You're not going to make any prophecies.
00:42:44Whatever she says, you say to her,
00:42:46and you get money.
00:42:47You give her money, you say to her.
00:42:50How much?
00:42:5150 euros for a visit.
00:42:5350?
00:42:54Yes, isn't that good?
00:42:5650 euros is good.
00:42:58You like it.
00:43:00So, out of the 50 euros you like,
00:43:02you'll keep the 30 and give me the 20.
00:43:05I've hired you.
00:43:07So, I say whatever comes to my mind,
00:43:09and I get 30 euros?
00:43:11Yes.
00:43:12Spend the money your client will give you.
00:43:15Who is my client?
00:43:17Oh, Zanette Sevastou.
00:43:20We're talking about a lot of money.
00:43:25Baby.
00:43:26What is it, baby?
00:43:28Don't tell me.
00:43:29When we get married,
00:43:30do you want me to eat waffles with bananas and rum
00:43:34or cupcakes with cranberries and jicobiloba?
00:43:36What should I say to those idiots?
00:43:38I think waffles with rum and bananas.
00:43:41Oh, my love.
00:43:42Well done.
00:43:43You always make the best choice.
00:43:45Because you know,
00:43:46waffles with bananas and rum
00:43:48are very beneficial for metabolism
00:43:51and help with digestion.
00:43:53Oh, how nice.
00:43:54I feel great.
00:43:55I feel great now that I know.
00:43:57That's why when we get married,
00:43:59I'll bring you waffles in our bed
00:44:02and we'll cuddle.
00:44:04Oh, my God.
00:44:05I'll do it later.
00:44:06Baby.
00:44:07What is it, baby?
00:44:08When we get married,
00:44:09what color do you want our bedroom to be?
00:44:12Pink, purple, pink-blue or pink-pink?
00:44:15Whatever you want, my love.
00:44:16I want pink-pink.
00:44:18I want that, too.
00:44:19Oh, my love.
00:44:20You see how much we look good together?
00:44:23I'll put a gun here
00:44:24to finish my torture for an hour.
00:44:26Baby.
00:44:27Should I strangle him?
00:44:29What is it, baby?
00:44:30When we get married,
00:44:31what color do you want our bedroom to be?
00:44:34Pink, purple, or pink-pink?
00:44:37Whatever you want, my love.
00:44:38Oh, my love.
00:44:39You took it from my mouth.
00:44:41You see how much we look good together?
00:44:43Oh, my God.
00:44:44Take that whip from in front of me
00:44:46and bring me my beloved,
00:44:47my sweet Maruson.
00:44:49What are you thinking about, my love?
00:44:52My diploma at the university.
00:44:54What's wrong with your diploma?
00:44:56How long can someone live
00:44:58if they kill their lover?
00:45:00Yes, but you don't study criminology.
00:45:03I say I should turn it around next year
00:45:06and become a criminologist.
00:45:13Maybe I should put an end to my life.
00:45:16That's what I should do.
00:45:18Stella Violandi was so much better than me.
00:45:21I'll be a legend.
00:45:23They'll write a play for me.
00:45:25Maybe a TV series.
00:45:27Who would want to play me?
00:45:32Who else?
00:45:33Zetta Makripoulia.
00:45:35Because we're the same.
00:45:36Innocent, romantic,
00:45:38and effervescent.
00:45:40Oh, a message.
00:45:42Who could it be?
00:45:45It's him.
00:45:47It's him.
00:45:49He wants to see me.
00:45:51No.
00:45:52No, no, no, no.
00:45:54I'm not going to see him
00:45:56no matter how much he begs me.
00:45:58What do you want?
00:45:59Why do you bother with the stupid messages?
00:46:01I want to become a couple again.
00:46:03They didn't kill him.
00:46:05You're obsessed with Laura and you hid it from me.
00:46:08What do you want from me?
00:46:09A spicy adventure?
00:46:10Who do you think I am?
00:46:12An easy one?
00:46:13No, forget him.
00:46:14Maruson, I want you to understand me.
00:46:16Marus, please.
00:46:17I don't want Laura.
00:46:18I want you and only you.
00:46:20I don't care.
00:46:22You go marry your Laura
00:46:24and I'll go marry Sifi.
00:46:26I've made up my mind.
00:46:27How did you tell Medium?
00:46:29Madame Halima.
00:46:30I haven't heard of her.
00:46:31Is she good?
00:46:32There's no one better in Paparia.
00:46:34Really?
00:46:35They come from all over Greece
00:46:36to tell them about Mira.
00:46:37And from abroad.
00:46:39Imagine, she's been visited by
00:46:40Emmanuel Macron,
00:46:41Mick Jagger,
00:46:42and Popi Tzapanidou.
00:46:44And did she find them?
00:46:45Everything.
00:46:46Imagine,
00:46:47Popi Tzapanidou told her
00:46:48she'd get 17.83.
00:46:50Medium didn't even
00:46:52think about it.
00:46:53Oh, my.
00:46:54My hair is a mess.
00:46:56In Despina Vandi,
00:46:57she found a man
00:46:58from everywhere.
00:47:00Really?
00:47:01Unbelievable.
00:47:02Yes, unbelievable.
00:47:03My child,
00:47:04in Evridiki Vallavani,
00:47:05she found out
00:47:06she'd divorce Kostas Vassalos.
00:47:08And in Katerina Kenouri,
00:47:09she found out
00:47:10she'd make her a widow.
00:47:12If Madame Halima found all this,
00:47:14it's amazing.
00:47:15Yes.
00:47:16That's why I'm telling you,
00:47:17whatever Madame Halima tells you
00:47:19will be the absolute truth.
00:47:21You should trust her blindly,
00:47:22my dear Jeanette.
00:47:24Good evening,
00:47:25dear Jeanette.
00:47:27Good evening,
00:47:28dear Zakoula.
00:47:31Are you a medium, too?
00:47:33No, I'm a helper medium.
00:47:35I help the prophetess to prophesy.
00:47:38And where is the prophetess now?
00:47:40Right now,
00:47:41the prophetess is doing self-concentration.
00:47:43Yoga,
00:47:44Dialogism,
00:47:45Hare Krishna,
00:47:46Hare Rama,
00:47:47Hare Roma,
00:47:48things like that.
00:47:49So much?
00:47:50Are you preparing?
00:47:51Yes, yes.
00:47:52What is it?
00:47:53A Pateronis?
00:47:54No, Madame Halima
00:47:55is doing scientific work.
00:47:56She's inside now
00:47:57and she's smoking a bay leaf.
00:47:59Don't tell me.
00:48:00Yes,
00:48:01whatever bay leaves
00:48:02we put in the vases,
00:48:03the prophetess takes it
00:48:04and smokes it.
00:48:05And does the bay do good?
00:48:06In the vases,
00:48:07a lot.
00:48:08It gives aroma.
00:48:09Not in the vases.
00:48:10The prophetess,
00:48:11I mean,
00:48:12smokes the bay leaves.
00:48:13Yes,
00:48:14and she helps her a lot
00:48:15because she smokes the bay leaves
00:48:16and something happens
00:48:17like a masturbation,
00:48:18like a fever,
00:48:19a cold,
00:48:20something bad happens
00:48:21and so
00:48:22the chakratis relaxes
00:48:23so that the spirit of Baba Vanga
00:48:24can easily enter her.
00:48:25What is Baba Vanga?
00:48:26A great Bulgarian
00:48:27blind prophetess.
00:48:28Bulgarian?
00:48:29And in what language
00:48:30will she use it?
00:48:31Bulgarian,
00:48:32but with a subtitle
00:48:33in Balama,
00:48:34do you understand?
00:48:35Ah, I understand.
00:48:36So,
00:48:37Baba Vanga
00:48:38is a Bulgarian
00:48:39blind prophetess.
00:48:40Bulgarian,
00:48:41I understand.
00:48:42Ah,
00:48:43half a minute,
00:48:44half a minute
00:48:45because I hear now
00:48:46and the prophetess comes.
00:48:47Come,
00:48:48Madame Halima.
00:48:49Come,
00:48:50prophetess,
00:48:51to tell us
00:48:52your story.
00:48:53Who is good?
00:48:54The black chariot.
00:48:55Who is good?
00:48:56Madame Sevastou,
00:48:57the greatest lady
00:48:58of Paparia.
00:48:59Good evening,
00:49:00prophetess.
00:49:01They are talking to you,
00:49:02I can't hear you.
00:49:03Good evening,
00:49:04prophetess.
00:49:05Good evening,
00:49:06prophetess.
00:49:07Good evening,
00:49:08prophetess.
00:49:09Good evening,
00:49:10prophetess.
00:49:11I can't hear you.
00:49:12It's the black chariot.
00:49:13Come,
00:49:14prophetess,
00:49:15prophetess,
00:49:16come.
00:49:17Come,
00:49:18sit,
00:49:19sit,
00:49:20you too,
00:49:21Madame Sevastou,
00:49:22sit please.
00:49:24Is the prophetess
00:49:25Baba Vanga here?
00:49:26She's here.
00:49:27She's here.
00:49:28Let's see
00:49:29if Baba Vanga
00:49:30will answer us.
00:49:31She will answer us.
00:49:32Good,
00:49:33ask,
00:49:34Mrs. Sevastou.
00:49:35Baba Vanga?
00:49:36Here.
00:49:37Let me ask you a question.
00:49:39I'll give you twenty first.
00:49:47Ask a question now.
00:49:49What do you see in me, Baba Vanga?
00:49:51I see that you are a living doll.
00:49:57You don't even show how old you are.
00:50:00And you don't even need to say it? You don't need to?
00:50:03Why should I say it? You are thirty, thirty-two.
00:50:08That many?
00:50:09Twenty-five.
00:50:10Well done, you found it.
00:50:12In the end, Baba Vanga finds everything.
00:50:14I'm telling you, she's a great prophetess.
00:50:16Baba Vanga, should I ask the next question?
00:50:19Give me seven first.
00:50:23I said twenty, not twenty.
00:50:27I'm sorry, I got confused.
00:50:29Blind, blind, but the prophetess sees everything.
00:50:33I said twenty.
00:50:35Say it.
00:50:36What do you see in my erotic life, Baba Vanga?
00:50:41You are a very lucky woman.
00:50:45A man next to you is a diamond.
00:50:49He adores you.
00:50:51My husband?
00:50:52Don't listen to those idiots.
00:50:55Don't listen to Varona.
00:50:57I'm talking about someone else.
00:50:59A man who adores you like a goddess.
00:51:03What's his name, Baba Vanga?
00:51:05His name starts with a S.
00:51:09Sakis?
00:51:10No, no, no.
00:51:11Soulis?
00:51:12No.
00:51:13Solos?
00:51:14Like the ancient one?
00:51:15No, not Solos.
00:51:18Sotos.
00:51:19Sotos is his name.
00:51:21Sotos.
00:51:22Oh, I'm so confused.
00:51:25How many more times will you get confused?
00:51:28Tell us, prophetess.
00:51:30Say his last name.
00:51:32His last name starts with a P.
00:51:35It ends with a L.
00:51:37What's that?
00:51:39It starts with a P.
00:51:40It ends with a L.
00:51:41It's Poulos.
00:51:42What's that?
00:51:43It's Poulos.
00:51:45I'm suffocating.
00:51:46This man adores you.
00:51:49He adores you and he's crying because you're a girl.
00:51:53Sotos?
00:51:54Him.
00:51:55Is he serious?
00:51:56Always.
00:51:57He must have smoked a lot.
00:51:59Or did he smoke anything else?
00:52:01No.
00:52:02How did he come up with his name and last name?
00:52:04So, Sotos loves me a lot?
00:52:07Like a man.
00:52:09I'll miss him.
00:52:12You have to change Poulos' mind.
00:52:14How?
00:52:15Do you want your wife or do you have a wife?
00:52:18I've given him my wife for a long time.
00:52:20He only cares about money.
00:52:23Ever since he found out I'm selling the house,
00:52:25he wants to take it from me.
00:52:27But he won't get it.
00:52:28Or you'll do it.
00:52:30I won't do it alone.
00:52:32We'll do it together.
00:52:33Do you have in your mind a heretic?
00:52:35We have to kill him.
00:52:38I have to find something.
00:52:40I have to find something to accuse him of.
00:52:43I'm thinking now.
00:52:46What if we accuse him of not having a relapse?
00:52:48Okay, okay.
00:52:49That's not a good idea.
00:52:51But isn't he a psychologist?
00:52:53I've seen him with my own eyes drinking Frappé with a plastic straw.
00:52:56But that paper straw isn't good either.
00:52:59He'll be fine after a while.
00:53:01What should I say?
00:53:04Should I say he doesn't love animals?
00:53:06Why? Did he hurt a dog?
00:53:08No.
00:53:09Did he attack a cat or a mule?
00:53:10No.
00:53:11Did he put the mosquito net in the pots?
00:53:13No, no, no.
00:53:15Think of something else.
00:53:17If you can.
00:53:19Then let's say that as a doctor,
00:53:21he does occupational bullying.
00:53:23Why? What did he do to you?
00:53:25One day, he raped me.
00:53:27We'll talk about it later.
00:53:29If he doesn't feel like it.
00:53:31Have you lost your mind?
00:53:33Do you have another solution?
00:53:34Of course.
00:53:35The bird is threatening you.
00:53:37With my mother-in-law's body.
00:53:39And she's telling you that if you don't sell it to her,
00:53:41she'll come out to drink from the body.
00:53:43Yes.
00:53:44There are two solutions.
00:53:46Either the bird disappears, which is difficult,
00:53:49or the body disappears.
00:53:51What do you mean?
00:53:52This week, we're going to bury him.
00:53:55Yes.
00:53:56Then the bird will threaten you.
00:54:03I don't know if I still have the right
00:54:06to come to this room.
00:54:10Don't be afraid, baby.
00:54:13My love, my love.
00:54:15Calm down now.
00:54:18Sister, try to concentrate.
00:54:21But he's telling me that there's a body in the forest.
00:54:24How can you do that?
00:54:26My love, it's best to bury him this week.
00:54:28That's what happened with the cereals.
00:54:30The cereals are out of date.
00:54:32Did you kill your mother-in-law?
00:54:35What can I do?
00:54:36I buried her alive.
00:54:38And why did you kill her?
00:54:41She was getting on my nerves.
00:54:43She was telling my husband
00:54:45that the food I cook is unhealthy.
00:54:48She was telling him that my white clothes are dirty.
00:54:52She was telling him that my living room is dusty.
00:54:55He's a man of his word.
00:54:57Why didn't you say you had a girlfriend?
00:54:59That's what she said.
00:55:00That I have four girlfriends.
00:55:02When I heard that I had four girlfriends,
00:55:05I said,
00:55:06now I'm going to have a grave in Kologria.
00:55:08You were right to lie
00:55:09that you had four girlfriends.
00:55:11Big lies.
00:55:13I only had two.
00:55:14You were up to something.
00:55:16I was getting on my nerves with the old hag.
00:55:18Are you going to bury her now?
00:55:21No.
00:55:22We're going to leave her there
00:55:23to go and see who buried her.
00:55:25And then she's going to rape us.
00:55:26No.
00:55:27We're going to bring the bones.
00:55:28She's going to be a murderer.
00:55:29What's your job?
00:55:30No, no.
00:55:31We buried her together.
00:55:32We're going to bury her together.
00:55:33I've been in a relationship with the old hag
00:55:35since then with the scandal
00:55:37in the villa De La Franca.
00:55:39What scandal is that?
00:55:41That's an old story.
00:55:42We're not going to talk about it now.
00:55:44We'll talk about it some other time.
00:55:46What we have to do now
00:55:49is go to the woods.
00:55:51Have you brought the bags?
00:55:52What do I have in the car?
00:55:54Sister Tzavara,
00:55:55you'll wait for us in your cell.
00:55:57When we're done with the excavation,
00:55:59we'll call you
00:56:00when we get to the gate
00:56:01so you can open it for us.
00:56:02Oh, God.
00:56:03What a dangerous thing to do.
00:56:06Sister Tzavara,
00:56:07there's a baby.
00:56:08A baby with a phone.
00:56:10What?
00:56:11What?
00:56:12What?
00:56:13What?
00:56:14What?
00:56:15What?
00:56:16What?
00:56:17What?
00:56:18What?
00:56:19What?
00:56:20What?
00:56:21What?
00:56:22What?
00:56:23What?
00:56:24What?
00:56:25What?
00:56:26What?
00:56:27What?
00:56:28What?
00:56:29What?
00:56:30What?
00:56:31What?
00:56:32What?
00:56:33What?
00:56:34What?
00:56:35What?
00:56:36What?
00:56:37What?
00:56:38What?
00:56:39What?
00:56:40What?
00:56:41What?
00:56:42What?
00:56:43What?
00:56:44What?
00:56:45What?
00:56:46What?
00:56:47What?
00:56:48What?
00:56:49What?
00:56:50What?
00:56:51What?
00:56:52What?
00:56:53What?
00:56:54What?
00:56:55What?
00:56:56What?
00:56:57What?
00:56:58What?
00:56:59What?
00:57:00What?
00:57:01What?
00:57:02What?
00:57:03What?
00:57:04What?
00:57:05What?
00:57:06What?
00:57:07What?
00:57:08What?
00:57:09What?
00:57:10What?
00:57:11What?
00:57:12What?
00:57:13What?
00:57:14What?
00:57:15What?
00:57:16What?
00:57:17What?
00:57:18What?
00:57:19What?
00:57:20What?
00:57:21What?
00:57:22What?
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00:57:24What?
00:57:25What?
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00:57:27What?
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00:57:29What?
00:57:30What?
00:57:31What?
00:57:32What?
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00:57:35What?
00:57:36What?
00:57:37What?
00:57:38What?
00:57:39What?
00:57:40What?
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00:57:42What?
00:57:43What?
00:57:44What?
00:57:45What?
00:57:46What?
00:57:47What?
00:57:48What?
00:57:49What?
00:57:50What?
00:57:51What?
00:57:52What?
00:57:53What?
00:57:54What?
00:57:55What?
00:57:56What?
00:57:57What?
00:57:58What?
00:57:59What?
00:58:00What?
00:58:01What?
00:58:02What?
00:58:03What?
00:58:04What?
00:58:05What?
00:58:06What?
00:58:07What?
00:58:08What?
00:58:09What?
00:58:10What?
00:58:11What?
00:58:12What?
00:58:13What?
00:58:14What?
00:58:15What?
00:58:16What?
00:58:17What?
00:58:18What?
00:58:19What?
00:58:20What?
00:58:21What?
00:58:22What?
00:58:23What?
00:58:24What?
00:58:25What?
00:58:26What?
00:58:27What?
00:58:28What?
00:58:29What?
00:58:30What?
00:58:31What?
00:58:32What?
00:58:33What?
00:58:34What?
00:58:35What?
00:58:36What?
00:58:37What?
00:58:38What?
00:58:39What?
00:58:40What!?
00:58:41What!?
00:58:42What!?
00:58:43What!?
00:58:44What!?
00:58:45It was wrong!
00:58:46What!?
00:58:47Let's go!
00:58:48What!?
00:58:49What!?
00:58:50What!?
00:58:51Who are you?
00:58:52What!?
00:58:53Who are you?
00:58:54What!?
00:58:55What!?
00:58:56That is amazing!
00:58:57Where is Audrey?
00:58:58What!?
00:58:59What!?
00:59:00Is that so?
00:59:01People always get evicted.
00:59:02They bring them here.
00:59:03Oh...
00:59:04We will never be apart.
00:59:06Say it, with deep words,
00:59:10that you can't live without me.
00:59:13Say it, only with one look,
00:59:17we will never be apart.
00:59:24Sister Karamazov was right,
00:59:26but it was only up to this point.
00:59:28Now you will see what will happen,
00:59:30like a mad cat.
00:59:35Eyes and stars,
00:59:37and sparks and light,
00:59:39love is hidden.
00:59:43Blood in the eye,
00:59:46beats hard,
00:59:48the night that caught fire.
00:59:56But you lit, you lit,
00:59:59your kisses burned me.
01:00:01I won't come out alive.
01:00:05Sea, sea,
01:00:07let your embrace be,
01:00:09so that I can drown in it.
01:00:13But you lit, you lit,
01:00:16your kisses burned me.
01:00:18I won't come out alive.
01:00:22Sea, sea,
01:00:25let your embrace be,
01:00:27so that I can drown in it.
01:00:49Mouth to mouth,
01:00:51hot breath,
01:00:53you whisper in my ears,
01:00:57words that opened,
01:01:00heavy feasts,
01:01:02sweet words,
01:01:04knives.
01:01:10But you lit, you lit,
01:01:13your kisses burned me.
01:01:15I won't come out alive.
01:01:19Sea, sea,
01:01:22let your embrace be,
01:01:24so that I can drown in it.
01:01:28But you lit, you lit,
01:01:30your kisses burned me.
01:01:32I won't come out alive.
01:01:36Sea, sea,
01:01:39let your embrace be,
01:01:41so that I can drown in it.
01:01:52But you lit, you lit,
01:01:55your kisses burned me.
01:01:58I won't come out alive.
01:02:02Sea, sea,
01:02:05let your embrace be,
01:02:08so that I can drown in it.
01:02:12But you lit, you lit,
01:02:15your kisses burned me.
01:02:18I won't come out alive.
01:02:21But you lit, you lit,
01:02:23your kisses burned me.
01:02:25I won't come out alive.
01:02:29Sea, sea,
01:02:32let your embrace be,
01:02:34so that I can drown in it.