Salón de té La Moderna - Ep 244
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00:00A FEW HOURS EARLIER
00:13How do you feel after dinner?
00:15Good, good.
00:17I feel better now.
00:20Do you know where Pietro is and who I am?
00:23Of course I do.
00:25We're at our house.
00:28And you're my wife, right?
00:29And the stewed potato omelette you made for me was delicious, as always.
00:35Oh, honey.
00:37It's a good thing my shirt didn't get to my body.
00:40I'm sorry.
00:42The last thing I want is to worry you.
00:44No, honey, don't apologize.
00:46It's not your fault.
00:50It's hard for me to believe what you've told me.
00:56I didn't know who you were or where you were.
00:59It's been terrible, really.
01:00You looked at me as if it were the first time you saw me.
01:06Pietro?
01:10Who is this?
01:12What do you mean, who am I?
01:14Pietro, I'm Antonia.
01:17I'm your wife, honey.
01:20Pietro, you're scaring me.
01:23Pietro.
01:25Let's go home.
01:27Let's go home, okay?
01:29Honey.
01:31Please.
01:33Pietro.
01:37Come on, Pietro.
01:39Calm down.
01:40Come on, Pietro.
01:42Calm down.
01:53I can only remember that we argued, Antonia.
01:56And...
01:58And then I have a big emptiness.
02:02That ends when we sit at this table.
02:10What's happening to me?
02:13I don't know.
02:16But don't worry, we'll figure it out.
02:22I'm so lucky to have you by my side.
02:24No.
02:25You're both lucky.
02:28Come on.
02:29Go to bed, you have to rest.
02:35I hope he wakes up tomorrow and discovers it was all a nightmare.
02:41Yes.
02:46I promise I'll get better.
02:50Okay?
02:51Okay.
02:55Good night.
02:56Good night.
03:02Antonia.
03:04I forgot something else.
03:11¿Qué ha pasado?
03:12Nada.
03:14No te he dicho que te quiero muchísimo.
03:16Sí, claro.
03:18Qué tonta.
03:21Venga, descansa.
03:41Lo que pasa es que aquí mi maridito
03:44decidió limpiar la casa con más alfuman
03:47que el que deben usar para limpiar el palacio de Oriente.
03:49Vamos, una salvajada.
03:51¿Ves? ¿Ves?
03:52Gracias, mi querida.
03:53Adelante.
03:56¿A dónde vas?
03:57¿A dónde vas?
03:58¿A dónde vas?
03:59¿A dónde vas?
04:01A la casa.
04:02¿A la casa?
04:03¿A la casa?
04:04¿A la casa?
04:05¿A la casa?
04:07A la casa.
04:08¿A la casa?
04:09You see? That's how they pay me for wanting to have a clean house.
04:12Well, clean and intoxicated.
04:14Because not even in World War XIV there were gases as harmful as the ones I noticed when I entered the corral.
04:19My mother, I don't know how you didn't stay there stiff.
04:21Look, that's better. I wouldn't have to put up with your mother's comments.
04:24Let's see, but my mother was wrong.
04:27Could we have stayed there in the house?
04:29No, but for once you could have done my part.
04:32Well, look, I did what I could, okay? I did what I could.
04:35But she was right.
04:36If it was because of her, who asked me to open the windows...
04:39Well, yes, the heroine.
04:41They propose the same thing for the medal of civil merit.
04:44Well, enough already. Let me get an idea of what happened.
04:47Miguel, you're going to have to take a very deep course with Esperanza so that she can explain to you the commandments of cleaning.
04:53Look, if she's up to it, she'll be right.
04:55Well, I'm going to the showroom. I have to change the environment, mate.
05:02Don't bother, friend, but Trini is more right than a saint.
05:05A little more and you'll be on the headlines.
05:07Yes, I know. I know you're right.
05:10But, apart from the little mistake with the salfumán, I made the bottom of the drawers shine.
05:16If they can't deny it, it's because you did everything with your best intentions.
05:19Yes, but you've forgotten very little.
05:20I killed you at work and I've only gotten scolding and bad faces.
05:25You'll have to persevere.
05:26Or give up and let it go.
05:28Of course.
05:29And that Leonora walks around your house like a general for a taken city.
05:33It's not that I like it, but it'll be temporary.
05:36I don't see you letting yourself be carried away by the current.
05:38Look, Francisco, there are times in life when it's better to close your eyes and let the storm pass.
05:42I don't agree, Miguel.
05:43You've lost a battle, but the war continues and you can't give up.
05:47You have to persist, persist and persist again.
05:50I don't see it clearly. Trini is fed up with these fights.
05:52Miguel, persist, persist and persist again.
05:56And then, persist again.
05:58Or do you want Leonora to stay in your house until Leon makes the first communion?
06:01No, shut up, shut up, shut up.
06:02I prefer to be in hell inside the cauldron.
06:04Well, Leonora's wish can be fulfilled if you give up now. Think about it.
06:07Well, yes. I'm in a hurry.
06:10Well, you already have the recipe for your evils.
06:12Persist, persist and persist again.
06:16Persist, persist and persist again.
06:18That's it.
06:20Persist, persist and persist again.
06:23You've got it.
06:27Leave it.
06:31Leave it.
06:38Good morning. Enjoy your meal.
06:40Good morning, Rodrigo.
06:42Sir, I'll wait for you outside.
06:43Thank you. No, no, no. Stay, stay. We're leaving soon.
06:49Good morning, Rodrigo.
06:51Nice show you put on yesterday.
06:53I'm very sorry about what happened.
06:55It's too late to be sorry.
06:57What happened yesterday will have very bad consequences for the Foundation.
07:01It wasn't Rodrigo's fault. The lieutenant provoked him.
07:03I'm not going to get into that, Paula.
07:05But, Mother...
07:06I'm not going to.
07:08But his aunt, Grandma, Countess Cristina de Tucci, is a character of high society.
07:13We're not only going to lose the Foundation's donations,
07:17but this incident could end up becoming a major scandal.
07:21I shouldn't have lost the stripes.
07:23Of course not.
07:24You should have kept your form. At all times.
07:27I don't even want to think about what would have happened
07:30if it hadn't been for your intervention and Mr. Fermin's.
07:33It would have been a nice fight.
07:35Although I would have bet on the lieutenant.
07:37I apologize again.
07:39But I also have to say that I only defended my mother from that guy.
07:43But let's see, we all listen to him.
07:45If someone has to be scandalized, it's us.
07:48Rodrigo's reaction was out of place, taking into account the circumstances.
07:52It's clear that lately you've taken pleasure in doing the opposite.
07:55I don't see anything wrong in thinking differently.
07:57It's not good or bad, I just expect something else from you.
08:01Well, let's have breakfast in peace.
08:05Emiliano, what are you going to do to fix yesterday's mess?
08:10You mean, apart from the check I signed?
08:13It wasn't small.
08:14Yesterday I asked Fermin to send the Countess
08:17a supply of his best chocolates from the Pedraza family.
08:21With a note written by me.
08:23Trying to get him off the hook.
08:26Do you really think you can please them with a gift?
08:30Well, yes, son, yes. I hope so.
08:33We're not talking about the Philippine war either.
08:35Excuse me, a masseur has brought this.
08:40Go for God's sake.
08:47The Countess says she can't accept our gift.
08:51And that her nephew, Lieutenant Marquez,
08:55is still waiting for an apology from Rodrigo.
08:58In that case, it would be better for him to sit down.
09:01Do you mind if I decide that, Rodrigo?
09:03Do you mind?
09:07Well.
09:09Let's all calm down, okay?
09:12I'll see what I can do.
09:14I'll go talk to the Countess directly.
09:17See if I can convince her to lower the fumes to her nephew's pedometer.
09:21Thank you, Mr. Emiliano.
09:23You're welcome. Go on, go to the office.
09:26I'm going to the store.
09:31These chocolates are delicious.
09:33You should go around making more gifts.
09:36So they don't give them back to us.
09:42Rodrigo.
09:44What?
09:57What?
10:00Don't you have anything to tell me about yesterday's party?
10:04About the auction?
10:07I don't know.
10:09Maybe what you saw at the library?
10:14No.
10:17If you want to hurt me, I warn you that I don't care anymore.
10:23And if what you're looking for is my approval,
10:26that will never come.
10:27All I expect from you
10:31is that you settle this matter before it affects my foundation.
10:39And now I'm going to the library.
10:44To read.
10:58And that little smile?
11:00Nothing, it's my thing.
11:02You know this is your house.
11:06Hey, who is that lady?
11:09And how does she know Mrs. Lazaro?
11:11What else, Teresa?
11:13The important thing is that Mr. Fermin's wife has been very entertained for a few days.
11:16And softer than silk.
11:18Well, I don't know if it's that bad.
11:21Don't believe me?
11:22Yesterday afternoon Vanessa was on the floor with a tray full of pastries.
11:25And the vampire didn't scold her.
11:27What's more, she helped her pick it up.
11:30Well, that's a novelty.
11:33Come in.
11:35What a scare.
11:36I've noticed that you haven't taken your eyes off me for a while.
11:39Is there anything you want to ask me?
11:41We were just checking if clients were coming in.
11:44Anyway, I'm going to get you out of doubt.
11:46That lady I was talking to
11:48was the wife of an important industrialist
11:50who left a good amount of money yesterday.
11:53Happy?
12:00But who does she think she is?
12:02Queen of Saba, all of a sudden?
12:04Well, look.
12:05She will make peace with high society,
12:07but she hasn't achieved it for her merits,
12:09but to marry Mr. Fermin.
12:10Come on, Teresa.
12:11Whatever the vampire does, it's none of our business.
12:13Oh, I know, but it gives me courage to see her with those airs of grandeur out there,
12:16when she doesn't deserve it.
12:18Don't get mad, woman.
12:20Don't get mad, woman.
12:23Look, I invite you to the movies.
12:25I feel like going after seeing what's being organized for a shoot.
12:29I don't know if I'm going to be able to focus on the movie.
12:33I can't get my head around Antonia and Pietro.
12:36Hey, what if we go through La Corrala first and visit them?
12:39I think it's a good idea.
12:41As long as we don't run into Miguel.
12:43Come on, why?
12:44I can't tell you.
12:46What do you mean you can't tell me?
12:48It's like in those spy movies, like the one Inés is shooting.
12:51Yes.
12:52If I told you, I'd have to kill you.
12:59Come on, you watch a lot of movies.
13:01Come on, he just cleaned up.
13:10Well, how are you?
13:12Have you recovered from the blow the Caesar animal gave you?
13:15Yes.
13:16I'll be ready for a good fight.
13:18I have to recover these days that I've been locked up here.
13:21We're going to burn Madrid when you get out.
13:23You'll see.
13:25I was hoping you'd stop by the auction yesterday.
13:27I sent you a note inviting you.
13:29I...
13:30I was in charge of the push-ups.
13:32I got the message late.
13:33And I already had much better plans with the Apollo racers.
13:38Bad move.
13:39I also wanted to talk to you about a business I'm running with my father.
13:43You can tell me now, if you want.
13:45Excuse me, Mr. Iván.
13:46Do you want me to order something to eat?
13:48Yes, we'll have a stand-up tea.
13:51Very well, I'll bring it to you right now.
13:55The maid is not bad, huh?
13:57I'm sure you and her...
13:59Don't be silly.
14:00I've known her since I was born.
14:02Much better.
14:03If you've had time to catch her, it's enough.
14:05Look, better focus on what we're talking about,
14:07which is much more important.
14:09This business can make us very rich.
14:11Well, congratulations to your father and to you.
14:13You tell me, what do I get out of all this?
14:17I want to make more money,
14:19than my father would be willing to give me.
14:21And for that, I need you.
14:24How much money would we make?
14:26If everything goes as planned and the product is a success,
14:29we could be talking about...
14:31several million pesetas.
14:36Give me more information.
14:38What is the business and what should I do exactly?
14:41I'll tell you as the story grows.
14:44At the moment, I just wanted to know if I could count on you.
14:47But man, please.
14:48We're friends, right?
14:51Of course.
14:53Deal?
14:55We're going to be immensely rich.
15:04What a mess these dolphins have set up.
15:07I hope that when they finish,
15:09they leave it as clean as it was.
15:11But don't be so picky, woman.
15:13The art that Inés has,
15:15deserves to be done.
15:17Of course, because you don't have to clean it.
15:19Cleaning does have merit.
15:21Well, and carrying a tray full of coffees every day
15:23also has merit and a lot of art.
15:27Come on, let's roll.
15:29First.
15:32Sound.
15:34Engine.
15:39And action.
15:47Cut, cut, cut.
15:48Inés, look up a little more.
15:51Yes, thank you.
15:52Come on, let's repeat.
15:53First position.
15:55Engine.
16:01And action.
16:03Inés, Inés.
16:04Look up.
16:05Look up.
16:06Look up.
16:08Look up.
16:11Cut.
16:13Inés, let's concentrate a little.
16:16Come on, let's repeat.
16:18First.
16:20Silence.
16:21Engine.
16:26And action.
16:32Cut. We've got it.
16:33Come on, let's continue with the intro.
16:35Come on.
16:41Well, you can leave it now, please.
16:43But I didn't say anything.
16:45What a bore, I was sleeping.
16:47Let's see, were we distracting you?
16:49Well, yes, yes.
16:51Why don't you go to work?
16:52And when the atmosphere is more relaxed, you know.
16:54Man, of course.
16:55Let's go back to work, really.
16:56Hope you don't fall under the water.
17:02Inés, are you okay?
17:04You look a little tense.
17:05Yes, I'm fine, I'm fine.
17:06But I don't know if I can shoot today.
17:09I feel empty, blank.
17:11You have to overcome yourself.
17:13Do you want me to help you review the dialogue?
17:15No, but if that's not it, it's just that...
17:17I can't interpret my role because...
17:19Well, because I need to stop.
17:21Agustín already said that you can't stop anymore.
17:23But you'll see that when they say action, your nerves go away.
17:27This is a disaster, we can't go on like this.
17:29What's going on?
17:30The actress who was going to work with Inés doesn't show up.
17:32They say she fell asleep.
17:33They're going to have to go get her.
17:35This is going to delay the shooting plan a lot.
17:39Let's see, attention, attention.
17:43We're going to stop for a couple of hours, okay?
17:49Do you want us to go to Agustín's office and you relax there?
17:51Yes, yes, let's go.
17:53This is a catastrophe, Agustín.
17:55We can't afford to stop.
17:57Well, you know that there are always unforeseen events in the filming.
17:59You know it by heart.
18:00Yes, yes, you can count on them, but we can't waste any more time.
18:03Let's go right on dates because of Inés.
18:05Her insecurities are going to ruin this film.
18:07I fully trust that little by little she will focus.
18:09Yes, yes, well, let's hope she does soon, because if not, we're lost.
18:12I fully trust that little by little she will focus.
18:14Yes, yes, well, let's hope she does soon, because if not, we're lost.
18:23Yes, right?
18:26Emiliano, it's a pleasure to have you here.
18:29I hope the disagreement yesterday with the countess has been settled.
18:33We're on it.
18:35I'm sure everything will be fine.
18:37Anyway, I'm going to take a walk around the room.
18:40If the cat is entertained, the mice take advantage of it.
18:44It's admirable.
18:46It's admirable how talented your wife is.
18:49You know, you're lucky to have a woman by your side at your disposal.
18:54We could say the same about Maruja, right?
18:57The work she does at that foundation is unparalleled.
19:00It's a shame about that unpleasant incident between Rodrigo and the military.
19:05Yes.
19:07It was going to be a real headache.
19:09Because now it's up to me to fix the mess.
19:13You mean the apology letter was of no use?
19:17The countess rejected the sweets.
19:19So I'm afraid those sweets only worked on my son's stomach.
19:24He must have swallowed them all by now.
19:27Well, what are you going to do now?
19:30Well, what am I going to do, Fermin?
19:32Interview her.
19:34Whatever it takes to put Maruja in a good place.
19:39I don't want her reputation to be affected by an absurd incident like that.
19:44I think we're both capable of doing anything for the love of our wives.
19:49Yes.
19:51Yes.
19:52The love we have for them forces us to make certain sacrifices.
19:58Anyway, I trust you'll forgive me.
20:00But as you can imagine, I have a lot of homework.
20:04I'll go with you, Meliano.
20:09Bye.
20:18What did he tell you?
20:20Nothing he didn't know.
20:22That he's willing to do anything for his wife.
20:25Your suspicions about the lack of love in that marriage are unfounded.
20:30Are you sure?
20:31I don't usually make mistakes with these things.
20:33Have you ever had to be the first?
20:35He's going to confront the countess.
20:37To put an end to yesterday's scandal once and for all.
20:39And that's not a good thing for anyone.
20:42What surprises me the most is that it's now that Emiliano is so worried about Maruja.
20:48Especially after what I saw before the altercation with Rodrigo.
20:54Apparently, your friend was alone in the library with Miss Cavalieri.
20:58Well, that doesn't mean anything.
21:00Maybe he was looking for a book to lend her.
21:02Or maybe he was doing other things when Maruja found them.
21:05Those are your delusions.
21:07We shouldn't make such ugly comments.
21:10You say that because you didn't see Maruja's face when she left.
21:13She was decomposed.
21:14And after two minutes, the couple left laughing.
21:17The truth is that I don't know how Maruja didn't say anything.
21:19Maybe he didn't say anything because nothing happened.
21:22Think whatever you want, Fermín.
21:24But I know very well what I saw.
21:26Emiliano is an honest man and his marriage is exemplary.
21:30And it bothers me to be talking about this.
21:33Well, that's it. I don't insist anymore.
21:36But come on, I would have a doubt more than reasonable.
21:50Inés, you know the role perfectly.
21:53Now you just have to do what suits you so well, which is acting.
21:56And you'll see that you end up being the Spanish Greta Garbo.
22:01What happened?
22:05The actress who was going to shoot with you didn't fall asleep.
22:09She got a more important role in another production.
22:12And she didn't hesitate.
22:14She didn't give up.
22:16But what a lack of professionalism, right?
22:18I guess you'll sue her.
22:20No, no, no, we can't.
22:22We had a contract with specific dates.
22:25The problem is that her scenes should have been shot days ago.
22:28I mean, legally, she has no commitment to us.
22:33Then you'll have to find another actress.
22:36We're on it.
22:37This is all my fault.
22:39The shooting was delayed because of me.
22:41No, it's not your fault. You needed those days.
22:43Yes, but I haven't thought about my colleagues or you.
22:45First the failure of The Shadow of Love and now this.
22:47I'm putting you on the brink of ruin.
22:49Almost on the brink.
22:51I risk everything with this film.
22:53The problem is that every day the losses increase.
22:57But I'm sure.
22:59Inés, I'm sure we're going to make it.
23:02But I can't do anything while you're looking for a replacement.
23:05No, I...
23:06The best thing you can do is go home and rest.
23:09You can make sure she'll rest.
23:10Yes, yes, I'll take care of it.
23:12No, really, there's no need. I'm better.
23:14Trust me, please.
23:15Of course I do.
23:16Ballesteros and I are going to find another actress,
23:18to change the shooting plan,
23:20to rewrite the script if necessary in order to make it.
23:23And Ballesteros, how is all this going?
23:27Bad.
23:30Excuse me.
23:32Yes.
23:35I'm coming, yes.
23:38Excuse me.
23:49It's a shame that the shooting has stopped.
23:51I know.
23:53I think there's a lot of bad luck in that guild.
23:57I saw too many people to do so little work.
24:01So the movie has stopped.
24:03It seems so.
24:05Is Antonia okay?
24:09Oh, are you here for Pietro?
24:11How is he?
24:13Well, not very well.
24:16Yesterday he stayed...
24:17He stayed in Mablanco, in the middle of the corral.
24:20I didn't know who I was or where he was.
24:24It was horrible.
24:25But he had come to work.
24:27Yes, and so normal.
24:29We've already argued twice.
24:32He recovered a while later,
24:34but then he didn't remember anything of what had happened.
24:38But did they go to the hospital?
24:40Because these misgivings are too frequent.
24:43Well, I would have liked that.
24:45But he insisted that he didn't want to.
24:47And this morning he got up well
24:49and insisted that he wanted to come to work.
24:51He should have stayed at home, resting.
24:53Yes, I would have liked that.
24:56But at least here I want to think that I have him under control.
24:59Imagine what happens to him alone in the middle of the street.
25:04Well, I already told him that he can count on us for whatever he needs.
25:08We'll be watching, right?
25:09Yes, I'll keep an eye on him.
25:11With the excuse that the floor of the lab is always full of flour.
25:16Look, and we could also tell the boys who come to help him
25:20to stay longer.
25:22And so Pietro is accompanied as long as possible.
25:26Yeah, well, they can't notice that we're controlling him either.
25:30Don't worry, I'll tell him to teach them
25:32in case they stay as apprentices and that's it.
25:34Yes, it's a good idea, really.
25:37I really don't know how to thank you for everything you're doing for me.
25:40I alone couldn't handle this.
25:43If only Marta wasn't here.
25:45You haven't told her anything?
25:47No, I don't want her to worry.
25:50You have to be strong, Antonia.
25:52I'm sure everything will be fine.
25:56At least with yesterday's scare, it seems that Pietro has opened his eyes a little
25:59and now he does want to see a doctor.
26:02I wish they could advance the hospital appointment.
26:05Well, I don't know how he's going to get that.
26:08It's not that easy.
26:10No.
26:12Listen, Antonia, maybe we could talk to Mr. Fermin.
26:27You haven't told me how it was in Germany.
26:29I know everything about Celia and her loves, but very little about you.
26:33Well, Germany is not the best place to live now.
26:36The housing is very expensive, there's no work.
26:38Prices go up from one moment to the next.
26:41Yes, I know it hasn't been very good for them after the war,
26:44but what I want to know is what kind of life you had there.
26:48A normal life.
26:49I worked as much as I could.
26:51I slept, I ate, I worked again.
26:55But what did you do in your free time?
26:57I don't know, did you meet someone interesting?
26:59No.
27:00No, nothing like that in my free time.
27:02I went out for a walk and nothing more.
27:05Are you sure you don't want to tell me anything else?
27:08No.
27:12I have good news.
27:14We have already found candidates to replace the actress who has left us.
27:18We are going to start the tests as soon as possible.
27:20Well, I can go and give them the replica of my character if they want.
27:25It's not a bad idea, but Ballesteros doesn't want you to spend energy on that.
27:31He prefers to reserve you for the shoot.
27:33In any case, we will find a suitable person for that profile.
27:36I don't know, but it makes me angry.
27:40And Laurita?
27:41She could collaborate.
27:43After so much reviewing with me, she knows the text better than me.
27:46And you would only have to give the replica in a casting test and nothing more.
27:50It's a good idea.
27:51Of course.
27:52Would you do us that favor?
27:54No, I'm ashamed.
27:56And if I do it so badly that because of me you don't like any candidate?
27:59No, no, no, it's not that complicated.
28:01You would only have to read the lines of his character.
28:05Of course.
28:07Say yes, please.
28:11Okay, but only if you promise me that you won't laugh at me when you see the test.
28:17I'm sorry.
28:30You shouldn't have insisted on coming here.
28:37I don't know how he's going to react.
28:43This is a very nice place.
28:45He hasn't thought if one day he'll find it destroyed.
28:49He could do little.
28:51Because people of our class are way above garbage.
28:56My sister has just asked him to leave in a very good way.
29:01And I also advise him not to come here again.
29:05And I hope that the next time he opens the place, he finds it as it is.
29:09Okay?
29:15Let's pretend you and I haven't had this conversation.
29:37Is there a table for us?
29:40Of course.
29:41As for any client.
29:43Take a seat, they'll serve you right away.
29:56Is that guy back here again?
29:59That's right.
30:01And we're going to serve him as if nothing happened.
30:04Could I pour a little bit of bleach on his glasses?
30:07Just a little bit.
30:08Don't talk to me about bleach, please.
30:09It was a joke.
30:10It was a joke.
30:11Bleach seems soft to me.
30:13I'd put something as poisonous as them.
30:15Stop talking nonsense.
30:17Now that the waters have returned to their source, I don't want to have any more problems.
30:22In any case, I appreciate you talking to the Pedraza family.
30:25I think it's a good idea.
30:27Even if it was just to see the palace where they live.
30:30Someday we'll have a house like that.
30:33You know we won't.
30:35Yeah.
30:36For that, we'd need the earnings of three or four guys like him.
30:41What an impression Iván's mother gave you.
30:44Elegant, polite, but without any affectation.
30:48For me, she's quite simple.
30:50Despite being such a lady.
30:52I thought so, too.
30:54It's a lie that a lady with so much class has a son with so little, right?
31:00She gave me memories for you.
31:02I'd say that with a lot of interest.
31:05I think you like her.
31:10I also thought she was very nice.
31:12I don't doubt it.
31:13Because of how bright your eyes are.
31:15Do you want to stop talking nonsense, sister?
31:17Please start taking care of those vultures.
31:20Well, sorry.
31:21The young clients.
31:23Can't I go back?
31:24No.
31:25It suits you.
31:26Put the chair down.
31:27Jesús, a tray.
31:28We have to toast to the life we're running at the cost of provoking vultures.
31:32Like Iván Pedraza.
31:33I have a common enemy.
31:35We're offered a business.
31:38Do you want to drink something?
31:41Well, we'd have a couple of waitresses.
31:44Like you.
31:45They don't serve.
31:46Do you want to drink something or not?
31:48Don't be mad at the candy.
31:49Look, for now, you're going to bring us a bottle of champagne.
31:52We'll ask for more when someone invites us.
31:59Two whiskeys for Don Luis Bocanera.
32:03I can't stand that guy.
32:06I can't stand that kind of people either.
32:09But unfortunately, they're the ones who make the register box rumble, sister.
32:13Although they never pay.
32:15I'm sure he's waiting for Iván to arrive
32:17so he can run with the expenses of the farra that are going to be paid tonight.
32:20You have no doubt about that.
32:22Are you going to do something to stop him?
32:24No.
32:26I've already been transferred.
32:27The last time I tried to warn him about the kind of friendships he frequents.
32:31Are you sure?
32:33Are you going to let them take advantage of the son of the hostess?
32:36I'm sorry, but I have no other option.
32:40Later, sooner or later, he'll realize the kind of people he's going with.
32:44Or he'll be left with no money.
32:47I'm going to get the champagne.
32:56Thank you, Jesús.
33:02I'm sorry, but I don't want to see Pietro.
33:04I don't know who's putting the smell on him, if it's Pietro or Antonio.
33:07I just don't want to think about another possibility other than his recovery.
33:10I hope it's something temporary.
33:12But at least, what are you doing here?
33:14Shouldn't you be with the boy?
33:17It's just that Salfumán is still there.
33:19He's back there.
33:21And the poor boy doesn't stop coughing.
33:23It looks like his throat is itching.
33:26Well, if he's coughing so much,
33:28we'll have to go to the doctor right now to see if he's cold.
33:32That's a lot of work.
33:34Well, but it's the only way we have to stay calm.
33:39Besides, we'll have to go all four of us.
33:41All four of us? Why?
33:42Because if you tell the doctor the symptoms of Leon...
33:45He can't give us a hard time. He loves to be heard.
33:48Well, he may not have coughed so much.
33:50A couple of times, the same thing, he has choked.
33:52Come on, I was exaggerating a little.
33:54Not to mention that the smell of Salfumán was a disgrace.
33:58Be careful with what you say about me,
34:00that a liar has no hair.
34:02It still stinks.
34:03And I had to get the boy out at the risk of becoming constipated.
34:06I understand.
34:07I'm still the responsible father,
34:09and you're the grandmother who keeps saving Leon from all these dangers.
34:12You said it, not me.
34:16I prefer to be alone for a while.
34:19That's it.
34:20How did you do it?
34:21Did you see what you've done?
34:22You want to say what your husband has done?
34:24Please.
34:25Come on, come on.
34:26Inside, please, father.
34:27No, no, no, no, no, no.
34:28You leave the boy to me.
34:30Well, you pay.
34:36But hey, what's wrong with the little boy?
34:44Thank you very much.
34:45And come back soon, we'll have many more news.
34:51Good afternoon.
34:53Hello.
34:54Paula, this is a success.
34:56You have the store full at all hours.
34:59Yes, the truth is that I can't complain.
35:01And I haven't bought you anything yet.
35:03I must be looking like a very bad mother.
35:05Wait until I get a second order,
35:07which is going to be a much more modern genre.
35:09But with the taste you have for clothes,
35:11I'm sure they'll take it off your hands.
35:13I had thought of inviting the niece of the Italian ambassador,
35:16whom I met yesterday at the party.
35:18I don't think inviting Elena Cavalieri to the store is a good idea.
35:22Besides, she will surely be busy with other matters.
35:26And anyway, if you don't need advertising,
35:29your clothes sell by themselves.
35:31No, but yesterday at the auction ...
35:33Paula, Paula, I'd rather not talk about that.
35:37So what have you come to, mother?
35:39If it's not to buy clothes or talk about the auction?
35:43My father has sent you to fix the arguments we've had.
35:46No, he hasn't sent me.
35:48But the truth is that you would have to solve your disagreements.
35:51He's still your father, don't forget it.
35:53I don't understand how you can accept his plans without gossiping.
35:56It's not true that he's going to keep both production models.
35:59The synthetic fiber will end up with the crops
36:02and with the people who live from it.
36:04Well, I don't think he lied to me.
36:06And besides, no matter how much fiber is invented,
36:09the fabric will always be used.
36:11The natural fabric will always be used.
36:13So don't get dramatic with that, we know each other.
36:16Come on, do you want me to go through his office now
36:19and give him the reason even if he doesn't have it?
36:21No, I'm not asking you so much either.
36:23Mainly because he's not here.
36:26He has tried to fix things with the countess of Tucci
36:29so that he would intercede before his nephew, the lieutenant,
36:32and he has not succeeded.
36:34Those people are arrogant.
36:36They will never admit that they were wrong.
36:38Well, yes, they are.
36:40But they can hurt us a lot.
36:43Your father wants the lieutenant and Rodrigo to meet tomorrow
36:46and that Rodrigo apologize to him.
36:48Is it a joke?
36:49No.
36:50Rodrigo is not to blame for anything, he only defended himself.
36:53You can't force him to do something so humiliating for him.
36:56Paula, the prestige of our family is at stake.
36:59We just settled in Madrid.
37:01We can't fall into misfortune or have a scandal.
37:04I just don't understand it.
37:05Is what you are asking Rodrigo so humiliating?
37:08The future of the donations of the foundation is also at stake.
37:12Let's see if you understand that.
37:14Rodrigo will have to do it.
37:16His obligation is to serve the Pedraza family.
37:20Excuse me.
37:22I have to attend to the lady.
37:27Hello, good afternoon.
37:38Aren't you going to say anything?
37:42You better start.
37:43Are you sure?
37:47Let's see, I know that our problems are short
37:51compared to those of Pietro and Antonia.
37:54Well, we also have Leon, which is a joy.
37:57And we love each other madly.
38:00Yes, well, there is no doubt about that.
38:02But I can't stand your mother for another minute.
38:05She makes me nervous.
38:06She takes me out of balance.
38:07Well, well, that's it.
38:08You don't need to talk anymore.
38:10I'm not saying that she doesn't take care of her grandson.
38:13But I can't live with her anymore.
38:15Every patient has a limit.
38:17And mine has exceeded it twice.
38:19Let's see, Leonora is my mother.
38:20But it's true that she's a pain in the ass.
38:22And I realize how difficult it is for you.
38:25It's normal.
38:27And what do we do?
38:28Well, we can't do anything.
38:29Although I have good news.
38:32This morning my mother asked me where we had left the suitcase.
38:37Do you think she's thinking of leaving?
38:40But my love, that's the best news I've heard in ten years.
38:43Well, not the best.
38:44Because the first was when you told me we were going to be parents.
38:47Well, no, the second.
38:48Because, the third, come on.
38:49Because the second was when we got married.
38:51What are you doing?
38:53Oh, you're going to kiss me again?
38:54What's wrong?
38:55Look, Mica, clap.
38:59How nice to be your father.
39:01Look, how nice, my love.
39:07What's going on?
39:08What's going on?
39:09How nice.
39:12I know a very discreet snack bar that is near Villa del Pardo.
39:16I think you would like it.
39:19Elena.
39:21It's just a matter of having a nice time.
39:24And in good company.
39:27Yes, of course, I understand that you have other commitments.
39:30But...
39:31No, no, I thought we could see each other soon.
39:36Well...
39:38No, no, no, of course, as you wish.
39:41Will it be again?
39:43It's been a pleasure talking to you.
39:44Of course.
39:46See you soon.
39:49Stupid.
39:58Pepita.
39:59Can you come here for a second?
40:02Tell me, sir.
40:04Were you listening?
40:06Me?
40:07Yes, and you?
40:08No.
40:10Your business is none of my business.
40:12Besides, who cares what I hear?
40:14If I already know how you deal with women, I won't be surprised.
40:18I love that you know me so well.
40:20And that you accept me as I am.
40:22I guess that's why I'm still here.
40:25You look very beautiful this afternoon.
40:27More than usual.
40:29Emiliano.
40:30Don't be in such a hurry, don't be in such a hurry.
40:32Stay with me for a while.
40:33No, Emiliano, I have a lot of work to do.
40:35Well, I'll talk to another maid.
40:37Let's go to your room.
40:38No, the house is full of people, they can't see us.
40:40Listen, listen.
40:41Maruja won't be at dinner again. Paula is at the store.
40:44And Iván.
40:46Anyone knows where Iván is.
40:48But the rest of the service is there.
40:50Why are you giving me so many glances?
40:51Why are you giving me so many glances and in the end you're going to do what I ask?
40:54Or am I wrong?
40:56No, right?
40:58Let's go.
41:00Let's go to your room.
41:01Come on.
41:17Don Germín, what a surprise.
41:19What are you doing here?
41:20I wanted to talk to Pietro as soon as possible.
41:22Please, come in.
41:24No, no, don't get up, please, Pietro, don't get up.
41:29How are you?
41:30More or less well, doctor.
41:33I appreciate your visit.
41:34It's the least I could do.
41:36Besides, I bring you good news.
41:39Well, sit down, please.
41:41Do you want a coffee?
41:42No, no, thank you, Antonia, thank you.
41:45Look, after talking to Antonia and thanks to Teresa's mediation,
41:51I have contacted a very well-known doctor, a friend of mine,
41:55and I have asked him to take care of your case.
41:59And how did he get so upset?
42:01No, not at all, Pietro.
42:03Besides, Antonia told me that there is no way they can be treated in the hospital.
42:06I couldn't stay with my arms crossed.
42:09Honey, don't get upset for telling him, but we couldn't go on like this.
42:12Pietro,
42:14we've known each other for many years,
42:16and I know you're not one of those who are obsessed with your health,
42:19but what happened yesterday,
42:22you have to take that very seriously.
42:26I don't know how to thank you, Mr. Fermin, for caring so much for me.
42:29You don't have to thank me for anything.
42:31The people of La Moderna are my family.
42:33All you have to worry about now is getting well.
42:39I know.
42:43The truth is that I'm afraid, Mr. Fermin.
42:51I don't know what's happening to me.
42:53I don't know.
42:57I don't know if I'm going to lose my mind,
43:00if I'm going to stop being who I am,
43:03if I'm going to forget everything I've lived in this life.
43:07I don't suppose you'll forget it.
43:09I don't suppose it's the worst, Pietro.
43:11Everything can be temporary.
43:15What if I forget even love, Mr. Fermin?
43:21What if I forget how much I love my wife?
43:27Darling, he'll always be here.
43:29And he'll be here for a long time, Antonia, don't doubt it.
43:33Pietro,
43:34my friend, Dr. Ramiro,
43:36my friend, Dr. Ramiro,
43:38is going to visit him very soon
43:40and I'm sure he'll be given the right treatment.
43:43Now, before I see him,
43:45I'll have to go through some tests.
43:48Yes, of course.
43:50When will they tell me?
43:51Well, I've got them to be done tomorrow.
43:55So soon?
43:56Yes, yes, we don't have time to lose.
44:00Besides, they need a 100% laborer, you know that.
44:04I'll be there.
44:05Yes, I assure you.
44:08You don't know how much we thank you for everything you do for us.
44:12Pietro, why are you so serious?
44:14I assure you you're in the best hands.
44:18Because I feel ashamed, Mr. Fermin.
44:21Very.
44:22I'll have had to move a lot of strings
44:24for them to attend to me so soon.
44:27You'd be ashamed if I hadn't done anything for you.
44:30We've been friends for a long time, Pietro.
44:32It's the law that we help each other.
44:37It's an honor for me to be taken into such consideration.
44:40Really.
44:43Everything will be fine.
44:44You'll see.
44:45I love you.
45:02You don't know how much I needed this.
45:06I've had such a bad day.
45:08You have to go now, I have to keep working.
45:11Why are you in such a hurry?
45:12Go back to bed, woman.
45:14No, it's too late.
45:15Your wife should be on her way.
45:17Maruja,
45:18now you're going to worry about that?
45:20But she knows perfectly well who I spend the night with.
45:23Can't you see she's delighted not having to share a bed with me?
45:26She may know, but you don't have to show it to her face.
45:29If you don't care about that, I'll decide.
45:31Go on.
45:33Go back.
45:34Sit down a little, woman.
45:42Hey.
45:44Maruja doesn't have to complain.
45:46She really has everything she wants.
45:48Today, without going any further,
45:50I've spent all day trying to fix the mess that happened here during the auction.
45:55The fight.
45:56That countess and her nephew are horrible people.
45:59Yes, and very stubborn.
46:01During my interview with the countess,
46:04she seemed willing to admit that her nephew had taken things out of Kizio.
46:08That's exactly what the lieutenant did, take things out of Kizio.
46:11Of course.
46:12But in the middle of our conversation,
46:14she received a phone call from her nephew.
46:18So she told him she was meeting with me.
46:20And I don't know what that brat had to tell him.
46:23That she had completely changed her mind.
46:25And that's it.
46:26She didn't admit to her guilt.
46:29I guess the lieutenant didn't like you talking to his uncle.
46:32You're right.
46:33So she told me that what I have to do is talk directly to him.
46:37To the lieutenant.
46:39And he's supposed to be the aggravated one.
46:41And the aggravated one is a pain in the ass.
46:44So what I've done is arrange a meeting in the reserve of La Moderna,
46:48to which Fermin and Rodrigo will also go.
46:50And I'm very sorry, Pepita, but...
46:53your son is going to have to apologize.
46:56Well, let's hope everything stays there.
46:58Yes, because I need this matter settled as soon as possible.
47:01I have more important things to do.
47:03Of course.
47:05By the way,
47:06has he made any profit today?
47:08Or has he spent the day lying on the couch?
47:10His friend Mellado came to see him.
47:12And I think they were talking about business.
47:14About business?
47:15We'll have to see.
47:17The only business Ivan knows is emptying my wallet.
47:22Mother?
47:23Are you there?
47:28Mother, I need to talk to you.
47:30It's important.
47:31Mother?
47:37I was telling Mrs. Teresa that thanks to Mr. Fermin,
47:40you were given an early appointment to do the tests at the hospital.
47:44Antonia, why don't you publish it in the ad board?
47:47Why are you going to apologize to Lieutenant Marquez?
47:50If you kneel once, you'll have to do it always.
47:52That man humiliated you.
47:53And I'm not going to look the other way.
47:55The other day, he caught my attention.
47:57At the party, he spent a lot of time talking to a guest.
47:59I don't remember the name.
48:00He's the head.
48:01I guess they were talking about business.
48:04No.
48:05No.
48:07I'm sorry, I didn't want to...
48:08If we're going to be friends,
48:10it's better to call things by their names.
48:12You came here to apologize, right?
48:15Well, you won't leave without her.
48:16Rodrigo, please.
48:19Ready to give the replicas to the candidates?
48:21Yes.
48:22Where's Ballesteros?
48:24He's meeting with the art director.
48:26He asked me to take care of it,
48:27and then he'll see the material we film.
48:29I didn't think your husband would fit into your idea of entertainment.
48:32What I think is that he doesn't know me.
48:34I wanted to organize a charity gala,
48:36and I thought I'd do it here.
48:38What do you think?
48:39I'm glad you came to me.
48:41I wanted to see you again,
48:42and I didn't know if that was going to happen.
48:45You shouldn't have to be threatened.
48:47You know I'd never do anything that could hurt you.
48:50You choose.
48:51What do you prefer?
48:52Being my worst enemy,
48:53or my best ally?
48:55A four-leaf clover?
48:56A lucky charm.
48:58It's beautiful,
48:59but it shouldn't have bothered you.
49:01Everything I do for you is little.
49:03Don't think this has anything to do
49:05with your generous gesture
49:07to dissolve society
49:09and share the inheritance with me.
49:11Why not?
49:12You have to believe me.
49:13Millado wants to bribe you.
49:15I see you're insistent.
49:16I'm just trying to stop an injustice.
49:18Did you really think he'd bite the bait?
49:20That he wouldn't tell me about you?
49:22What have they told you about me?
49:23That you're not clean wheat.
49:24Do you know how easy it is to defame someone?
49:26If they're against me,
49:28it could be for another reason.
49:29Tell us, when did you buy the ticket?
49:31What ticket?
49:32The bus ticket.
49:33That's why you're packing.
49:34No, I wasn't packing.
49:36So you're not leaving?
49:38I've invested a lot of money in this film,
49:41and I can't afford another failure.
49:43That's why I feel so responsible
49:44when I'm not up to it.
49:46We have the actress,
49:47and she's a gem.
49:48Perfect.
49:49Which one is she?
49:50None.
49:52What do you mean, none?
49:53If it's not one of these,
49:54who the hell is she?
49:55You've been very exciting.
49:56When you want to realize it,
49:57you're so into the role.
49:59We already have an actress.
50:00You can rest assured,
50:01because all of them were very good.
50:03You should be as euphoric as I am,
50:04because you just witnessed something unique.
50:06The birth of a star.
50:09They gave me the results, Antonia,
50:11and that's why it took me a little longer.
50:13And?
50:14And they told me they would
50:16appoint me
50:18with the doctor as soon as possible.
50:20I'm sorry.
50:29Now you're not so brave,
50:31you little rat!