Salón de té La Moderna - Ep 244
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00:00A FEW HOURS EARLIER
00:13How do you feel after dinner?
00:15Good, good.
00:17I feel better now.
00:20Do you know where Pietro is and who I am?
00:23Of course I do.
00:25We're at our house.
00:28And you're my wife, right?
00:29And the stewed potato omelette you made for me was delicious, as always.
00:35Oh, honey.
00:37It's a good thing my shirt didn't get to my body.
00:40I'm sorry.
00:42The last thing I want is to worry you.
00:44No, honey, don't apologize.
00:46It's not your fault.
00:50It's hard for me to believe what you've told me.
00:56I didn't know who you were or where you were.
00:59It's been terrible, really.
01:00You looked at me as if it were the first time you saw me.
01:06Pietro?
01:10Who is this?
01:12What do you mean, who am I?
01:14Pietro, I'm Antonia.
01:17I'm your wife, honey.
01:20Pietro, you're scaring me.
01:23Pietro.
01:25Let's go home.
01:27Let's go home, okay?
01:29Honey.
01:31Please.
01:33Pietro.
01:37Come on, Pietro.
01:39Calm down.
01:40Come on, Pietro.
01:42Calm down.
01:53I can only remember that we argued, Antonia.
01:56And...
01:58And then I have a big emptiness.
02:02That ends when we sit at this table.
02:10What's happening to me?
02:13I don't know.
02:16But don't worry, we'll figure it out.
02:22I'm so lucky to have you by my side.
02:24No.
02:25You're both lucky.
02:28Come on.
02:29Go to bed, you have to rest.
02:35I hope he wakes up tomorrow and discovers it was all a nightmare.
02:41Yes.
02:46I promise I'll get better.
02:50Okay?
02:51Okay.
02:55Good night.
02:56Good night.
03:02Antonia.
03:04I forgot something else.
03:11¿Qué ha pasado?
03:12Nada.
03:14No te he dicho que te quiero muchísimo.
03:16Sí, claro.
03:18Qué tonta.
03:21Venga, descansa.
03:41Mas alfomán
03:52Mira.
03:53Mira cómo tengo las manos después de pasarme la tarde limpiando.
03:56Parece que las he metido en calviva.
03:57Es que los libreros tienen las manos más delicaditas.
04:00No. Lo que pasa es que aquí mi maridito
04:03decidió limpiar la casa con más alfomán
04:06que el que deben usar para limpiar el Palacio de Oriente.
04:08Vamos, una salvajada.
04:09See? That's how they pay me for wanting to have a clean house.
04:12Well, clean and intoxicated.
04:14Because not even in World War XIV there were gases as harmful as the ones I noticed when I entered the corral.
04:19My God, I don't know how you didn't stay there still.
04:21Look, that's better. I wouldn't have to put up with your mother's comments.
04:24Let's see, but my mother was wrong.
04:26Could we have stayed there in the house?
04:29No, but for once you could have done my part.
04:32Well, look, I did what I could, okay? I did what I could.
04:35But she was right.
04:36If it wasn't for her, who asked me to open the windows...
04:39Well, yes, the heroine.
04:40They propose the same thing for the medal of civil merit.
04:43Well, enough already. Let me get an idea of what happened.
04:46Miguel, you're going to have to take a very in-depth course with Esperanza,
04:50so that she can explain to you the commandments of cleanliness.
04:52Look, if she's up to it, she's right.
04:54Well, I'm going to the showroom. I have to change the environment, mate.
05:01Don't get upset, friend, but Trini is more right than a saint.
05:04A little more and you'd be on the headlines.
05:06Yes, I know. I know you're right.
05:09But, apart from the little mistake with the salfumán,
05:12I made the bottom of the drawers shine.
05:15What they can't deny is that you did it all with your best intentions.
05:18Yes, but I've forgotten very little.
05:20I killed you at work and I've only made bad faces.
05:24You'll have to persevere.
05:26Or give up and let it go.
05:28Of course, and honor Campe for your house as a general for a beloved city.
05:32It's not that I like it, but it'll be temporary.
05:35I don't see you letting yourself be carried away by the current.
05:37Look, Francisco, there are times in life when it's better to close your eyes and let the storm pass.
05:41I don't agree, Miguel.
05:43You've lost a battle, but the war continues and you can't give up.
05:46You have to persist, persist and persist again.
05:49I don't see it clearly. Trini is fed up with these fights.
05:52Miguel, persist, persist and persist again.
05:55And then persist again.
05:58Or do you want Leonora to stay in your house until Leon makes the first communion?
06:01Shut up, shut up, shut up. I prefer to be in hell inside the cauldron.
06:04Well, Leonora's can be fulfilled if you give up now. Think about it.
06:07Well, yes, I'm in a hurry.
06:09Well, you already have the recipe for your evils.
06:12Persist, persist and persist again.
06:15Persist, persist and persist again.
06:18That's it.
06:20Persist, persist and persist again.
06:23You've got it.
06:26Leave it.
06:31Leave it.
06:37Good morning. Enjoy your meal.
06:39Good morning, Rodrigo.
06:41Sir, I'll wait for you outside.
06:42Thank you. No, no, no. Stay, stay. We're leaving soon.
06:48Good morning, Rodrigo.
06:50Nice show you put on yesterday.
06:52I'm very sorry about what happened.
06:54It's too late to be sorry.
06:56But I'm afraid that what happened yesterday
06:58will have very bad consequences for the Foundation.
07:00It wasn't Rodrigo's fault. The lieutenant provoked him.
07:03I'm not going to get into that, Paula.
07:04But, Mother...
07:05I'm not going to.
07:07But his great-aunt, Countess Cristina de Tucci,
07:10is a character of high society.
07:12Not only are we going to lose the Foundation's donations,
07:15surely,
07:16but this incident could end up becoming a major scandal.
07:21I shouldn't have lost the stripes.
07:23Of course not.
07:24You should have kept your forms.
07:26At all times.
07:27I don't even want to think about what would have happened
07:29if it hadn't been for your intervention and Mr. Fermin's.
07:32It would have been a nice fight.
07:34Although I would have bet on the lieutenant.
07:37I apologize again.
07:39But I also have to say that I only defended my mother from that guy.
07:42But let's see. We all listen to him.
07:45If someone has to be scandalized, it's us.
07:48Rodrigo's reaction was out of place,
07:50taking into account the circumstances.
07:51It's clear that lately you've taken pleasure in this,
07:53of taking me the opposite, right?
07:55I don't see anything wrong in thinking differently.
07:57It's neither good nor bad.
07:59I just expect something else from you.
08:01Well, let's have breakfast in peace.
08:05Emiliano,
08:06what are you going to do
08:08to fix yesterday's mess?
08:10You mean, apart from the check I signed?
08:12It wasn't small.
08:14Yesterday I asked Fermin to send the countess
08:16a supply of his best chocolates
08:18from the Pedraza family.
08:21With a note written by me,
08:23trying to clear the air.
08:26Do you really think you can please them with a gift?
08:30Well, yes, son, yes. I hope so.
08:32We're not talking about the Philippines either.
08:35Excuse me.
08:36A masseur has brought this.
08:39Go for God's sake.
08:46The countess says she can't accept our gift.
08:51And that her nephew, Lieutenant Márquez,
08:54is still waiting for an apology from Rodrigo.
08:57In that case, it would be better for him to sit down.
09:00Do you care if I decide that, Rodrigo?
09:02Do you care?
09:06Well.
09:09Let's all calm down, okay?
09:11I'll see what I can do.
09:14I'll go talk to the countess directly.
09:16Let's see if I can convince her to lower the fumes
09:19to her nephew's pedometer.
09:21Thank you, Mr. Emiliano.
09:23You're welcome. Go to the office.
09:26I'm going to the cinema.
09:30These chocolates are delicious.
09:33You should make more gifts.
09:36So they won't return them.
09:41Rodrigo.
09:44What?
09:46What?
09:57What?
09:59Don't you have anything to tell me about yesterday's party?
10:04About the auction?
10:06I don't know.
10:08Maybe what you saw in the library?
10:13No.
10:16If you want to hurt me,
10:18I warn you that I don't care anymore.
10:22And if what you're looking for is my approval,
10:25that will never come.
10:27What I expect from you
10:30is that you fix this matter
10:32before it affects my foundation.
10:38And now I'm going to the library.
10:42To read.
10:59And that smile?
11:01Nothing, nothing more.
11:03You know this is your house.
11:07Hey, who is that lady?
11:10What does Mrs. Lázaro know about?
11:12What else, Teresa?
11:14The important thing is that Mr. Fermín's wife
11:16has been very entertaining for a few days.
11:18And softer than silk.
11:20Well, I don't know if it's that bad.
11:22Don't believe it.
11:23Yesterday afternoon Vanessa
11:25dropped a tray full of cakes on the floor.
11:27The vampire didn't scold her.
11:29In fact, she helped her pick it up.
11:32Well, that's a novelty.
11:34Come in.
11:36You scared me.
11:37I've noticed that you haven't taken your eyes off me for a while.
11:40Is there anything you want to ask me?
11:42We were just checking if clients were coming in.
11:45Anyway, I'm going to get you out of doubt.
11:48That lady I was talking to
11:50was the wife of an important industrialist
11:52who left a good amount of money
11:54at the auction yesterday.
11:56Happy?
12:03But who do you think she is?
12:04Queen of Saba, all of a sudden?
12:07Well, look.
12:08She's going to marry high society,
12:09but not because of her merits,
12:10but because she wants to marry Mr. Fermín.
12:12Ana Teresa,
12:13whatever I do, stop being a vampire.
12:14It's none of our business.
12:15Oh, I know, but it makes me angry
12:16to see her with those big-headed airs out there
12:18when she doesn't deserve it.
12:20Don't get mad, woman.
12:22Look, I'll invite you to the movies.
12:24I've been wanting to go
12:25after seeing the one that's being organized for a shoot.
12:29I don't know if I'll be able to focus on the movie.
12:33I can't get my head out of Antonia and Pietro's heads.
12:36Hey, what if we go through La Corrala first and visit them?
12:39I think it's a good idea.
12:40As long as we don't run into Miguel.
12:43Why?
12:44I can't tell you.
12:46What do you mean you can't tell me?
12:48It's like in those spy movies,
12:50like the one that Inés is shooting.
12:51Yes.
12:52If I told you,
12:54I'd have to kill you.
12:58Come on.
12:59You watch a lot of movies.
13:00Come on.
13:01I just cleaned up.
13:07How are you?
13:08Have you recovered from the blow that Cesar's animal gave you?
13:12Yes.
13:13I'll be ready for a good fight.
13:15I have to recover these days that I've been locked up here.
13:17We're going to burn Madrid when you get out.
13:19You'll see.
13:21I was hoping you'd stop by the auction yesterday.
13:24I sent you a note inviting you.
13:26I was directing the push-ups.
13:28The message arrived late.
13:30I already had much better plans with the Apollo racers.
13:33Malhecho.
13:34I also wanted to tell you about a business I'm running with my father.
13:37You can tell me now, if you want.
13:39Excuse me, Mr. Iván.
13:40Do you want me to order something to eat?
13:42Yes.
13:43We'll have a stand-up.
13:45Very well.
13:46I'll bring it to you right now.
13:49The maid is not bad.
13:51I'm sure you and her...
13:53Don't say nonsense.
13:54I've known her since I was born.
13:56Much better.
13:57If you've had time to catch her, get rid of her.
14:00I've known her since I was born.
14:01Much better.
14:02If you've had time to catch her, get rid of her.
14:04Look, focus on what we're talking about.
14:06It's much more important.
14:08This business can make us very rich.
14:10Well, congratulations to your father and to you.
14:12You'll tell me what I paint in all this.
14:16I want to make more money.
14:18Something my father would be willing to give me.
14:20And for that, I need you.
14:23How much money would we make?
14:25If everything goes as planned and the product is a success,
14:28we could be talking about...
14:31several million pesetas.
14:36Give me more information.
14:37What is the business and what should I do exactly?
14:41I'll tell you as the story grows.
14:44For now, I just wanted to know if I could count on you.
14:46But, man, please.
14:48We're friends, aren't we?
14:50Of course.
14:52Deal?
14:55We're going to be immensely rich.
14:59THE END
15:04These dolphins are so naughty.
15:06I hope that when they finish, they leave everything as clean as it was.
15:10Don't be so picky, woman.
15:12Inés' art deserves to be done and untidied as necessary.
15:15Of course, because you don't have to clean it.
15:17Cleaning does have merit.
15:19And carrying a tray full of coffees every day also has merit and a lot of art.
15:24Come on, let's roll.
15:26First take.
15:29Sound.
15:31Action.
15:37And action.
15:45Cut, cut, cut.
15:47Inés, look up a little more.
15:49Yes, thank you.
15:50Let's do it again.
15:53First take.
15:55Sound.
16:01And action.
16:03Inés, Inés, look up.
16:05Look up.
16:08Up.
16:11Cut.
16:13Inés, let's concentrate a little.
16:16Let's do it again.
16:18First take.
16:20Silence.
16:21Sound.
16:25And action.
16:31Cut.
16:32We have it.
16:33Come on, let's continue with the first take.
16:35Come on.
16:40Well, you can leave it now, please.
16:42But I didn't say anything.
16:44What a bore. I was sleeping.
16:46Let's see, were we distracting you?
16:48Yes, yes.
16:50Why don't you go to work?
16:52And when the atmosphere calms down, you know.
16:54Of course, let's go back to work.
16:56I hope you don't fall under the water.
17:01Inés, are you okay?
17:03You seem a little tense.
17:05Yes, I'm fine, I'm fine.
17:06But I don't know if I can shoot today.
17:09I feel empty, blank.
17:11You have to overcome yourself.
17:13Do you want me to help you review the dialogue?
17:15No, but if that's not it,
17:17I can't interpret my role because...
17:19Well, because I need to stop.
17:21Agustín already said that you can't stop anymore.
17:23But you'll see that when they give action, your nerves go away.
17:25Yes.
17:26This is a disaster, we can't go on like this.
17:28What's going on?
17:29The actress who was going to work with Inés doesn't show up.
17:31They say she's fallen asleep.
17:32They're going to have to go get her.
17:34This is going to delay the shooting plan a lot.
17:38Let's see.
17:39Attention.
17:40Attention.
17:42We're going to stop for a couple of hours, okay?
17:45Action.
17:48Do you want to go to Agustín's office and relax there?
17:51Yes, let's go.
17:58This is a catastrophe, Agustín.
18:00We can't afford to stop.
18:02Well, you know that there are always unexpected shots.
18:04You know it by heart.
18:05Yes, yes.
18:06We can count on them, but we can't waste any more time.
18:08Let's go right on schedule because of Inés.
18:10Her insecurities are going to ruin this film.
18:12I fully trust that little by little she will focus.
18:14Let's hope she does soon, because if not, we're lost.
18:22Yes, right?
18:25Emiliano.
18:26It's a pleasure to have you here.
18:28I hope the fight with the Countess has been settled.
18:32We're working on it.
18:34I'm sure everything will be fine.
18:36Anyway, I'm going to take a walk around the room.
18:39If the cat is entertained, the mice take advantage of it.
18:43It's admirable.
18:45It's admirable how talented your wife is.
18:48You know, you're lucky to have a woman by your side,
18:51with a good disposition.
18:53We could say the same about Maruja, right?
18:56The work they do at that foundation is unparalleled.
18:59It's a shame about that unpleasant incident between Rodrigo and the military.
19:04Yes.
19:06Yes, it's going to be a real headache.
19:08Because now it's my turn to fix the mess.
19:12Do you mean the apology letter was useless?
19:16The Countess rejected the sweets.
19:19So I'm afraid those sweets only worked on my son's stomach,
19:24who must have swallowed them all by now.
19:26Well, what are you going to do now?
19:30What am I going to do, Fermín?
19:32Interview her.
19:34Whatever it takes to put Maruja in a good place.
19:37I don't want her reputation to be affected by an absurd incident like that.
19:42I see that we are both capable of doing anything for the love of our wives.
19:47Yes.
19:49Yes.
19:51The affection we have for them forces us to make certain sacrifices.
19:56Anyway, I trust you'll forgive me, but as you can imagine, I have a lot of homework.
20:02I'll go with you, Meliano.
20:06Yes.
20:18What did he tell you?
20:20Nothing he didn't know.
20:21That he is willing to do anything for his wife.
20:25Your suspicions about the lack of love in that marriage are unfounded.
20:29Are you sure? I don't usually make mistakes with these things.
20:32Well, sometimes you have to be the first.
20:34He's going to face the countess to make amends for yesterday's scandal once and for all.
20:38And that's not a good thing for anyone.
20:42What surprises me the most is that it is now that Emiliano is so worried about Maruja.
20:47Especially after what I saw before the altercation with Rodrigo.
20:53Apparently your friend was alone in the library with Miss Cavalieri.
20:57Well, that doesn't mean anything.
20:59Maybe he was looking for a book to lend him.
21:01No, maybe he was doing other things when Maruja found them.
21:04They are your delusions.
21:06We shouldn't make such ugly comments.
21:09You say that because you didn't see Maruja's face when she left there.
21:12She was decomposed.
21:13And two minutes later, the couple left laughing.
21:16The truth is that I don't know how Maruja didn't say anything.
21:18Maybe he didn't say anything because nothing happened.
21:22Think whatever you want, Fermín.
21:23But I know very well what I saw.
21:26Emiliano is an honest man and his marriage is exemplary.
21:29And it bothers me to be talking about this matter.
21:33Well, that's it. I don't insist anymore.
21:35But come on, I would have a doubt more than reasonable.
21:49Inés, you know the role perfectly.
21:52Now you just have to do what suits you so well, which is acting.
21:55And you'll see that you end up being the Spanish Greta Garbo.
22:00What happened?
22:04The actress who was going to shoot with you didn't fall asleep.
22:08She got a more important role in another production.
22:11And she didn't doubt it.
22:13She left us stranded.
22:15But what a lack of professionalism, right?
22:17I guess you'll sue her.
22:19No, no, no, we can't.
22:21We had a contract with specific dates.
22:24The problem is that their scenes should have been shot days ago.
22:27I mean, legally, she has no commitment to us.
22:32Then you'll have to find another actress.
22:35We're on it.
22:36This is all my fault.
22:38The shooting was delayed because of me.
22:40No, it's not your fault. You needed those days.
22:42Yes, but I haven't thought about my colleagues or you.
22:44First the failure of The Shadow of Love and now this.
22:46I'm putting you on the brink of ruin.
22:48Almost on the brink.
22:50I risk everything with this film.
22:53The problem is that every day the losses increase.
22:56But I'm sure.
22:58Inés, I'm sure we're going to make it.
23:01But I can't do anything while you're looking for a replacement.
23:04No, I...
23:05The best thing you can do is go home and rest.
23:08You can make sure she's going to rest.
23:10Yes, yes, I'll take care of it.
23:12No, really, you don't have to. I'm better.
23:14Trust me, please.
23:15Of course I do.
23:16Ballesteros and I are going to find another actress,
23:18to change the shooting plan,
23:19to rewrite the script if necessary in order to move on.
23:22And Ballesteros, how is all this being taken?
23:26Bad.
23:29Excuse me.
23:32Yes?
23:34I'm coming, yes.
23:37Excuse me.
23:48Well, it's a shame that the shooting has stopped.
23:51Yeah.
23:53I think there's a lot of bad luck in that guild.
23:57I saw too many people to do so little work.
24:01So the movie has stopped.
24:03Well, it seems so.
24:05Is Antonia okay?
24:09Oh, are you here for Pietro?
24:11How is he?
24:13Well, not very well.
24:16Yesterday he stayed...
24:17He stayed in Mablanco, in the middle of the corral.
24:20I didn't even know who I was, or where he was.
24:23It was horrible.
24:24But he had come to work.
24:26Yes, and so normal.
24:28We've already argued twice.
24:31He recovered after a while, but then he didn't remember anything
24:35of what had happened.
24:37But did they go to the hospital?
24:39Because these misgivings are too frequent.
24:42Well, I would have liked that.
24:44But he insisted that he didn't want to.
24:46And this morning he got up well,
24:48and also insisted that he wanted to come to work.
24:51He should have stayed at home, resting.
24:53Yeah, I would have liked that.
24:56But at least here I want to think that I have him under control.
24:59Imagine what happens to him alone in the middle of the street.
25:03Well, I already told him that he can count on us for whatever he needs.
25:07We'll be on the lookout, right?
25:09Yes, I'll keep an eye on him.
25:10With the excuse that the floor of the workshop is always full of flour.
25:15Look, and we could also tell the boys who come to help him
25:19to stay longer.
25:21And so Pietro is accompanied as long as possible.
25:25Yeah, well, he can't notice that we're controlling him either.
25:29Don't worry, I'll tell him to teach them,
25:31in case they stay as apprentices and that's it.
25:34Yes, it's a good idea, really.
25:36I really don't know how to thank you for everything you're doing for me.
25:39I alone couldn't cope with this.
25:43If only Marta wasn't here.
25:45You haven't told her anything?
25:46No, I don't want her to worry.
25:49You have to be strong, Antonia.
25:51I'm sure everything will be fine.
25:55At least with yesterday's scare, it seems that Pietro has opened his eyes a little
25:58and now he does want to see a doctor.
26:01I wish they could advance the hospital appointment.
26:04Well, I don't know how he's going to get that.
26:07It's not that easy.
26:08Listen Antonia, maybe we could talk to Mr. Fermin.
26:23You haven't told me how it was for you in Germany.
26:26I know everything about Celia and her loves, but very little about you.
26:30Well, Germany is not the best place to live now.
26:33The housing is very expensive, there is no work,
26:36the prices go up from one moment to another.
26:39Yes, I know it hasn't been very good for them after the war,
26:42but what I want to know is what kind of life you had there.
26:46A normal life.
26:47I worked as much as I could.
26:49I slept, ate, worked again.
26:52But what did you do in your free time?
26:54I don't know, did you meet someone interesting?
26:56No, no, none of that in my free time.
26:59I went out for a walk and nothing more.
27:02Are you sure you don't want to tell me?
27:05Are you sure you don't want to tell me anything else?
27:07No.
27:12I have good news.
27:14We have already found candidates to replace the actress who has left us.
27:18We are going to start the tests as soon as possible.
27:20Well, I can go and give them the replica of my character if they want.
27:25It's not a bad idea, but Ballesteros doesn't want you to spend energy on that.
27:30He prefers to reserve you for the shoot.
27:32In any case, we will find a person suitable for that profile.
27:35I don't know, but it makes me angry.
27:39And Laurita?
27:40She could collaborate.
27:42After so much reviewing with me, she knows the text better than me.
27:45And you would only have to give the replica in a casting test and nothing more.
27:49It's a good idea.
27:50Of course.
27:51Would you do us that favor?
27:53No, I'm ashamed.
27:55And if I do it so badly that because of me you don't like any candidate?
27:58No, no, no, it's not that complicated.
28:00You would only have to read the lines of his character.
28:04Of course.
28:06Say yes, please.
28:10Okay, but only if you promise me that you won't laugh at me when you see the test.
28:16No.
28:30You shouldn't have insisted on coming here.
28:36I don't know how he's going to react.
28:42This is a very nice place.
28:44Has he thought if one day he comes and finds it destroyed?
28:48He could do little.
28:50Because people of our class are way above garbage.
28:55My sister has just asked him to leave in very good manners.
29:00And I also advise him not to come here again.
29:04And I hope that the next time he opens the place, he finds it as it is.
29:08Agree?
29:15Let's pretend you and I haven't had this conversation.
29:37Is there a table for us?
29:40Of course.
29:41As for any client.
29:43Take a seat, they'll serve you right away.
29:56Has that guy come back again?
29:59That's right.
30:00And we're going to serve him as if nothing happened.
30:03Could I pour a little bit of bleach on his glasses?
30:06Just a little bit.
30:07Don't talk to me about bleach, please.
30:09It was a joke.
30:10The bleach seems smooth to me.
30:12You know, I'd give them something as poisonous as they are.
30:15Don't be silly.
30:17Now that the waters have returned to their source, I don't want any more problems.
30:22In any case, I'd appreciate it if you went to talk to the landlady.
30:25I think it's a good idea.
30:27Even if it was just to see the palace where they live.
30:30Someday we'll have a house like that.
30:32You know we won't.
30:34I see.
30:36For that we would need the profits of three or four cabarets like this one.
30:40What impression did Iván's mother give you?
30:44Elegant, polite, but without any affectation.
30:47For me, she's quite simple.
30:50Despite being such a lady.
30:52I thought so too.
30:54It's a lie that a lady with so much class has a son with so little, isn't it?
31:00It gave me memories for you.
31:02I would say that with a lot of interest.
31:05I think you like her.
31:07She's fine.
31:09I also thought she was very nice.
31:12I don't doubt it.
31:13Because of how your eyes shine.
31:15Do you want to stop talking nonsense, sister?
31:17Please take care of those vultures.
31:19Well, sorry.
31:20Of the million customers.
31:23Can't I go back?
31:24No.
31:25It's up to you.
31:26Put the chair down.
31:27Jesús, a tray.
31:28We have to toast for the life that we are running at the cost of invoking barbarians,
31:31as Iván Pedraza.
31:33I have a common enemy.
31:34We are offered a business.
31:37Do you want to drink something?
31:40Well, we would have a couple of beers.
31:43Like you.
31:44They don't work.
31:45Do you want to drink something or not?
31:46Don't get mad, honey.
31:48Look, for now you're going to bring us a bottle of champagne.
31:51We'll ask for more when you come to invite us.
31:58Two whiskeys for Don Luis Bocañera.
32:02I can't stand that guy.
32:03I can't stand that kind of people either.
32:06But unfortunately, they are the ones who make the register box rumble, sister.
32:10Although they never pay.
32:12I'm sure he's waiting for Iván to arrive
32:14so he can run with the expenses of the farra that are going to be paid tonight.
32:17You have no doubt about that.
32:19Are you going to do something to stop him?
32:21No.
32:23I've already been transferred.
32:24The last time I tried to warn him about the kind of friendships he frequents.
32:28Are you sure?
32:30Are you going to allow it?
32:31Are you sure?
32:33Are you going to allow them to take advantage of the son of the hostess?
32:36I'm sorry, but I have no other option.
32:40Later, sooner or later, he will realize the kind of people he's going with.
32:44Or he will be left with nothing.
32:47I'm going to get the champagne.
32:56Thank you, Jesús.
33:01I'm really sorry that no one wants to see Pietro.
33:04I don't know what's bothering him, if it's Pietro or Antonio.
33:07I just don't want to think about another possibility other than his recovery.
33:10I hope it's something peaceful.
33:12But at least, what are you doing here?
33:14Shouldn't you be with the boy?
33:17It's just that Salfumán is still there.
33:19He's back there.
33:20And the poor boy doesn't stop coughing.
33:22You can see that the smell irritates his throat.
33:25Well, if he's coughing so much,
33:27we'll have to go to the doctor right now to see if he's cold.
33:31That's a lot of expense.
33:33Well, but it's the only way we have to stay calm.
33:38Besides, we'll have to go all four of us.
33:40All four of us? Why?
33:41Well, because that way you can tell the doctor Leon's symptoms.
33:44He can't give us a hard time.
33:46He loves to be heard.
33:47Well, he may not have coughed so much.
33:49A couple of times, the same thing, the poor boy has choked.
33:51Come on, I was exaggerating a little.
33:53Not to mention that the smell of Salfumán was a disaster.
33:57Be careful with what you say about me,
33:59that a liar has no hair.
34:01It still stinks.
34:02And I had to get the boy out at the risk of becoming constipated.
34:05I understand.
34:06I'm still the responsible father,
34:08and you're the grandmother who doesn't stop saving Leon
34:10from all these dangers.
34:11You said it, not me.
34:15I prefer to be alone for a while.
34:18That's it.
34:19We've got it.
34:20Did you see what you've done?
34:21Me?
34:22Do you want to say what your husband has done?
34:24Please.
34:25Come on, come on, inside.
34:26Please, father.
34:27No, no, no, no, no, no, no.
34:28You leave the boy to me.
34:30Well, then you pay.
34:36What's wrong with him?
34:38Slow down.
34:44Thank you very much.
34:45And come back soon, we'll have many more news.
34:51Good afternoon.
34:52Hello.
34:53Paula.
34:54This is a success.
34:55You have the store full at all hours.
34:58Yes, the truth is that I can't complain.
35:00And I haven't bought you anything yet.
35:02I must be looking like a very bad mother.
35:04Wait until I get a second order,
35:06which is going to be a much more modern genre.
35:08But with the taste you have for clothes,
35:10I'm sure they'll take it off your hands.
35:12I had thought of inviting the niece of the Italian ambassador,
35:16who I met yesterday at the party.
35:18I don't think inviting Elena Cavalieri to the store is a good idea.
35:22Besides, she will surely be busy with other matters.
35:26And anyway, if you don't need advertising,
35:29your clothes sell by themselves.
35:31No, but yesterday at the auction ...
35:33Paula, Paula, I'd rather not talk about that.
35:37So what have you come to, mother?
35:39If it's not to buy clothes or talk about the auction?
35:44My father has sent you to fix the discussions we've had.
35:48No, he hasn't sent me.
35:50But the truth is that you would have to solve your disagreements.
35:53He's still your father, don't forget that.
35:55I don't understand how you can accept his plans without quarreling.
35:58It's not true that he's going to keep both production models.
36:01Synthetic fiber will end up with the crops
36:04and with the people who live from it.
36:06Well, I don't think he lied to me.
36:08And besides, no matter how much fiber is invented,
36:10natural fabric will always be used.
36:12So don't get dramatic with that, we know each other.
36:15Come on, do you want me to go to his office now
36:17and give him the reason, even if I don't have it?
36:19No, I'm not asking you so much either.
36:22Mainly because he's not here.
36:25He has tried to fix things with the countess of Tucci
36:28so that he would intercede before his nephew, the lieutenant.
36:31And he hasn't succeeded.
36:33Those people are arrogant.
36:35They will never admit that they were wrong.
36:37Well, yes, they are.
36:39But they can hurt us a lot.
36:43Your father wants the lieutenant and Rodrigo to meet tomorrow
36:46and that Rodrigo apologize to him.
36:48Is it a joke?
36:49No.
36:50Rodrigo is not to blame for anything, he only defended himself.
36:53You can't force him to do something so humiliating for him.
36:56Paula, the prestige of our family is at stake.
36:59We just settled in Madrid.
37:01We can't fall into misfortune or have a scandal.
37:04I just don't understand it.
37:05Is what you are asking Rodrigo so humiliating?
37:08The future of the donations of the foundation is also at stake.
37:11Let's see if you understand it that way.
37:13Rodrigo will have to do it.
37:16His duty is to serve the hospitality.
37:20Excuse me, I have to attend to the lady.
37:27Hello, good afternoon.
37:38Aren't you going to say anything?
37:41You better start.
37:43Are you sure?
37:46Let's see.
37:47I already know that our problems are short
37:50compared to those of Pietro and Antonia.
37:53Well, we also have Leon, which is a joy.
37:56And we love each other madly.
37:59Yes, well, there is no doubt about that.
38:01But I can't stand your mother one more minute.
38:04It annoys me, it makes me sick, it decomposes me.
38:06Well, that's it, that's it.
38:07You don't have to talk anymore, I understand you.
38:09And I'm not saying that she doesn't get out of it taking care of her grandson.
38:12But I can't live with her anymore.
38:14Every patient has a limit and mine has exceeded it twice.
38:17Let's see, Leonora is my mother, but it's true that she's a pain in the ass.
38:20And I realize how difficult it is for you.
38:23It's normal.
38:25And what do we do?
38:26Well, we can't do anything.
38:28Although I have good news.
38:30This morning my mother asked me where we had left the suitcase.
38:35Do you think she's thinking of leaving?
38:38But my love, that's the best news they've given me in ten years.
38:42Well, not the best, because the first was when you told me we were going to be parents.
38:46Well, no, the second, because the third, come on.
38:48Because the second was when we got married.
38:50What are you doing?
38:52Oh, you're kissing him again.
38:53What's wrong? Look, they're applauding.
38:56Oh, how nice to be your father.
39:00You have to live, my love.
39:03Oh, no, no, no.
39:06What's going on?
39:07What's going on?
39:08What's wrong with you?
39:10I know a very discreet snack bar near Villa del Pardo.
39:15I think you'd like it.
39:18Elena.
39:20It's just a matter of having a nice time.
39:23And in good company.
39:26Yes, of course, I understand that you have other commitments, but...
39:30No, no, I thought we could meet soon.
39:34Well...
39:37No, no, no, of course, as you wish.
39:40Maybe another time.
39:42It's been a pleasure talking to you, of course.
39:45See you soon.
39:48Stupid.
39:57Pepita, can you come for a second?
40:02Tell me, sir.
40:03Were you listening?
40:05Me?
40:06Yes, and you?
40:07No.
40:09Your business is none of my business.
40:11Besides, who cares what I hear?
40:13I know how you deal with women.
40:15I won't be surprised.
40:17I love that you know me so well.
40:19And that you accept me as I am.
40:21I guess that's why I'm still here.
40:26You look very beautiful this afternoon.
40:28More than usual.
40:31Don't be in such a hurry, don't be in such a hurry.
40:33Stay with me for a while.
40:35No, Emiliano, I have a lot of homework.
40:37Well, I'll talk to you later, maid.
40:39Let's go to your room.
40:40No, the house is full of people, they can't see us.
40:42Listen, listen.
40:43Maruja won't be back for dinner.
40:45Paula is at the store.
40:46And Iván.
40:47Anyone knows where Iván is.
40:49But the rest of the service is there.
40:51Why do you give me so many hits and in the end you're going to do what I ask you?
40:54Or am I wrong?
40:56No, right?
40:58Let's go.
40:59Let's go to your room.
41:01Come on.
41:03Come on.
41:17Don Fermín, what a surprise.
41:19What are you doing here?
41:20I wanted to talk to Pietro as soon as possible.
41:22Please, come in.
41:24No, no, don't get up, please, Pietro, don't get up.
41:29How are you?
41:30More or less well, Don Fermín.
41:32I appreciate your visit.
41:33It's the least I could do.
41:35Besides, I bring you good news.
41:38Well, sit down, please.
41:41Do you want a coffee?
41:42No, no, thank you, Antonia.
41:45Look, after talking to Antonia and thanks to Teresa's mediation,
41:50I have contacted a very recognized doctor, a friend of mine.
41:55And I have asked him to take care of your case.
41:58And how has he been so upset?
42:00He hasn't been upset at all, Pietro.
42:02Besides, Antonia told me that there is no way they can be treated in the hospital.
42:06I couldn't stay with my arms crossed.
42:09Honey, don't get upset for telling him, but we couldn't go on like this.
42:12Pietro, we've known each other for many years.
42:16I know you're not one of those who are obsessed with your health,
42:19but what happened yesterday,
42:22that has to be taken very seriously.
42:26I don't know how to thank you, Don Fermín, for being so concerned about me.
42:29You don't have to thank me for anything.
42:31The people of La Moderna are my family.
42:33All you have to worry about now is getting well.
42:39I know.
42:45The truth is that...
42:47I'm afraid, Don Fermín.
42:53I don't know what's happening to me.
42:55I don't know.
42:59I don't know if I'm going to lose my mind,
43:01if I'm going to stop being who I am,
43:05if I'm going to forget everything I've lived in this life.
43:10Don't worry about it, Pietro.
43:12Everything can happen.
43:16What if I forget even the love, Don Fermín?
43:23What if I forget how much I love my wife?
43:27Cariño, I'm going to be here forever.
43:30And you're going to be here for a long time, Antonia.
43:32Don't doubt it.
43:34Pietro, my friend, Dr. Ramiro,
43:37is going to visit you very soon
43:39and I'm sure he'll give you the right treatment.
43:42Now, before you see him,
43:44you'll have to go through some tests.
43:47Yes, of course.
43:48When will they tell me?
43:50Well, I've got them to be tomorrow.
43:54So soon?
43:55Yes, yes. We don't have time to lose.
43:59Besides, they need a 100% worker.
44:01You know that.
44:03I'll be there.
44:05I assure you.
44:07You don't know how much we thank you for everything you do for us.
44:11Pietro, why are you so serious?
44:13I assure you it's in the best hands.
44:17Because I feel ashamed, Don Fermín.
44:20A lot.
44:21I'll have to move a lot of strings
44:23for them to see me so soon.
44:26You'd be ashamed to know
44:28if I hadn't done anything for you.
44:29We've been friends for a long time, Pietro.
44:32It's the law that we help each other.
44:36It's an honor for me to have you
44:38in so much consideration.
44:40Really.
44:42Everything will be fine.
44:43You'll see.
44:51I love you.
45:01You don't know how much I needed this.
45:05It's been a long day.
45:07You have to go now. I have to keep working.
45:10Why are you in such a hurry?
45:11Go back to bed, woman.
45:13No, it's too late. Your wife should be about to arrive.
45:16Maruja,
45:17now you're going to worry about that.
45:19But she knows who I spend my nights with.
45:22She's delighted not to have to share a bed with me.
45:25Maybe she knows,
45:26but you don't have to show it to her face.
45:28If you don't care, I'll decide.
45:30Go on.
45:32Go back.
45:33Sit down, woman.
45:41Listen.
45:43Maruja doesn't have to complain.
45:45She has everything she wants.
45:47Today, without going any further,
45:49I spent the whole day trying to fix the mess
45:52that happened here during the auction,
45:54the fight.
45:56That countess and her nephew are horrible people.
45:58Yes, and very stubborn.
46:01During my interview with the countess,
46:03she seemed willing to admit
46:05that her nephew had taken things out of Kizio.
46:07That's exactly what the lieutenant did,
46:09taking things out of Kizio.
46:10Of course.
46:11But in the middle of our conversation,
46:13she received a phone call from her nephew.
46:17She told him she was meeting with me.
46:19I don't know what the nephew had to tell her,
46:22that she had changed completely.
46:24And that's it.
46:25She didn't admit her guilt.
46:29I guess the lieutenant didn't like you talking to his uncle.
46:32You're right.
46:33So she told me
46:34that I have to talk to him directly,
46:36to the lieutenant,
46:38who is supposed to be the aggravated one.
46:40The aggravated one.
46:41He's a pain in the ass.
46:43So what I did
46:44was to arrange a meeting at the reserve of La Moderna,
46:47where Fermin and Rodrigo will also go.
46:49And I'm very sorry, Pepita,
46:51but your son is going to have to apologize.
46:55Let's hope everything stays there.
46:57Yes, because I need this matter to be settled as soon as possible.
47:00I have more important things to do.
47:02Of course.
47:04By the way,
47:05has Ivan made any profit today
47:07or has he spent the day lying on the couch?
47:09He came to see his friend Mejado,
47:11and I thought they were talking about business.
47:14We'll have to see.
47:15The only business Ivan knows
47:17is to empty my wallet.
47:21Mother, are you there?
47:27Mother, I need to talk to you.
47:29It's important.
47:30Mother?
47:38I was telling Mrs. Teresa
47:40that thanks to Mr. Fermin
47:41you were given an early appointment
47:43to do the tests at the hospital.
47:45Antonia, why don't you publish it in the ad board?
47:48Why are you going to apologize to Lieutenant Marquez?
47:51If you kneel once, you'll have to do it again.
47:53That man humiliated you,
47:54and I'm not going to look the other way.
47:56The other day he caught my attention.
47:57At the party, he spent a lot of time talking to a guest.
48:00I don't remember the name.
48:01Elena Cavalieri.
48:02That's it.
48:03I guess they were talking about business.
48:05No.
48:07I'm sorry, I didn't want to...
48:08If we're going to be friends,
48:10it's better to call things by their names.
48:12You came here to apologize, right?
48:14Well, you won't leave without her.
48:16Rodrigo, please.
48:19Ready to give the candidates the replicas?
48:21Yes.
48:22Where's Ballesteros?
48:23He's meeting with the art director.
48:25He asked me to take care of it,
48:26and then he'll see the material we film.
48:28I didn't think Madrid Cavalieri
48:30would fit into your idea of entertainment.
48:32I don't think he knows me.
48:33I wanted to organize a charity gala,
48:35and I thought I'd do it here.
48:37What do you think?
48:38I'm glad you came to me.
48:40I wanted to see her again,
48:41and I didn't know if that was going to happen.
48:44You shouldn't have threatened me.
48:46You know I'd never do anything that could hurt you.
48:49You choose.
48:50What do you prefer?
48:51Being my worst enemy or my best ally?
48:54A four-leaf clover?
48:55A lucky charm.
48:57It's beautiful,
48:58but it shouldn't have bothered you.
49:00Everything I do for you is little.
49:02Don't think this has anything to do
49:04with the generous gesture you had
49:06when you dissolved society
49:08and shared the inheritance with me.
49:10Why not?
49:11You have to believe me.
49:12Millado wants to scam you.
49:14You're insistent.
49:15I'm just trying to stop an injustice.
49:17Did you really think he'd bite the bait?
49:19That he wouldn't tell me about you?
49:21What have they told you about me?
49:22That you're not clean wheat?
49:23Do you know how easy it is to defame someone?
49:26If they're against me,
49:27it could be for another reason.
49:28Tell us, when did you buy the ticket?
49:30What ticket?
49:31The bus ticket.
49:32Is that why you're packing?
49:33No, I wasn't packing.
49:35Then you're not leaving?
49:37I've invested a lot of money in this film,
49:40and I can't afford another failure.
49:42That's why I feel so responsible when I'm not up to it.
49:45We have the actress,
49:46and she's a gem.
49:47Perfect.
49:48Which one is she?
49:49None.
49:51What do you mean, none?
49:52If it's not one of these, who the hell is she?
49:54You've been very exciting.
49:55When you want to realize it,
49:56you're so into the role.
49:58We already have an actress.
49:59You can relax,
50:00because all of them were very good.
50:02You should be as euphoric as I am,
50:04because you've just witnessed something unique.
50:06The birth of a star.
50:09They gave me the results, Antonia,
50:10and that's why it took me a little longer.
50:13And?
50:14And they told me that they would
50:17meet me with the doctor as soon as possible.
50:28Now you're not so brave, huh?
50:30Cat-head!
50:34No!