Salón de té La Moderna - Ep 244
Category
📺
TVTranscript
00:00A FEW HOURS EARLIER
00:13How do you feel after dinner?
00:15Good, good.
00:17I feel better now.
00:20Do you know where Pietro is and who I am?
00:23Of course I do.
00:25We're at our house.
00:28And you're my wife, right?
00:29And the stewed potato omelette you made for me was delicious, as always.
00:35Oh, honey.
00:37It's a good thing my shirt didn't get to my body.
00:40I'm sorry.
00:42The last thing I want is to worry you.
00:44No, honey, don't apologize.
00:46It's not your fault.
00:50It's hard for me to believe what you've told me.
00:56I didn't know who you were or where you were.
00:59It's been terrible, really.
01:00You looked at me as if it were the first time you saw me.
01:06Pietro?
01:10Who is this?
01:12What do you mean, who am I?
01:14Pietro, I'm Antonia.
01:17I'm your wife, honey.
01:20Pietro, you're scaring me.
01:23Pietro.
01:25Let's go home.
01:27Let's go home, okay?
01:29Honey.
01:31Please.
01:33Pietro.
01:37Come on, Pietro.
01:39Calm down.
01:40Come on, Pietro.
01:42Calm down.
01:53I can only remember that we argued, Antonia.
01:56And...
01:58And then I have a big emptiness.
02:02That ends when we sit at this table.
02:10What's happening to me?
02:13I don't know.
02:16But don't worry, we'll figure it out.
02:22I'm so lucky to have you by my side.
02:24No.
02:25You're both lucky.
02:28Come on.
02:29Go to bed, you have to rest.
02:35I hope he wakes up tomorrow and discovers it was all a nightmare.
02:41Yes.
02:46I promise I'll get better.
02:50Okay?
02:51Okay.
02:55Good night.
02:56Good night.
03:02Antonia.
03:04I forgot something else.
03:11¿Qué ha pasado?
03:12Nada.
03:14No te he dicho que te quiero muchísimo.
03:16Sí, claro.
03:18Qué tonta.
03:21Venga, descansa.
03:41LOBBY
03:53Look at my hands, after the afternoon cleaning.
03:56Seems I have a lot of strength.
03:57Bookkeepers have delicate hands.
04:00No, my husband decided to clean the house with more tarpaulin
04:06than the one they should use to clean the East Palace.
04:08Come on, this is unnecessary.
04:10It's how they pay me for wanting to have a clean house.
04:12Well, clean and intoxicated.
04:14Because not even in World War XIV
04:16there were gases as harmful as the ones I noticed when I entered the corral.
04:19My mother, I don't know how you didn't stay there stiff.
04:21Look, that's better. I wouldn't have to put up with your mother's comments.
04:24Let's see, but my mother was wrong.
04:27Could we have stayed there in the house?
04:29No, but for once you could have done it on my behalf.
04:32Well, look, I did what I could, okay?
04:34I did what I could.
04:35But she was right.
04:37If it wasn't for her who asked me to open the windows...
04:39She's a heroine.
04:41They propose the same thing for the medal of civil merit.
04:44Well, enough already.
04:45Let me get an idea of what happened.
04:47Miguel, you're going to have to take a very thorough course
04:51with hope so that I can explain to you the commandments of cleanliness.
04:53Look, if even Cañete gives me the right.
04:55Well, I'm going to the showroom. I have to change the environment, mate.
05:02Don't get upset, friend, but Trini is more right than a saint.
05:05A little more and you'll be on the headlines.
05:07Yes, I know. I know you're right.
05:10But apart from the little mistake with the salfumán,
05:13I made the bottom of the drawers shine.
05:16If they can't deny it to you, it's because you did everything with your best intentions.
05:19Yes, but you've forgotten very little.
05:21I killed you at work and I've only gotten scolding and bad faces.
05:25You'll have to persevere.
05:27Or give up and let it go.
05:29Of course.
05:30And that Leonora camps around your house like a general for a taken city.
05:33It's not that I like it, but it will be temporary.
05:36I don't see you letting yourself be carried away by the current.
05:39There are times in life when it's better to close your eyes and let the storm pass.
05:42I don't agree, Miguel.
05:44You've lost a battle, but the war continues and you can't give up.
05:47You have to persist, persist and persist again.
05:50I don't see it clearly. Trini is fed up with fighting.
05:53Miguel, persist, persist and persist again.
05:56And then persist again.
05:58Or do you want Leonora to stay in your house until Leon makes the first communion?
06:01No, shut up, shut up, shut up. I prefer to be in hell inside a cauldron.
06:04Well, Leonora's wish can be fulfilled if you give up now. Think about it.
06:07Well, yes, I'm in a hurry.
06:09Well, you already have the recipe for your evils.
06:12Persist, persist and persist again.
06:15Persist, persist and persist again.
06:18That's it.
06:20Persist, persist and persist again.
06:23You got it.
06:26Leave it.
06:37Good morning. Enjoy your meal.
06:39Good morning, Rodrigo.
06:40Sir, I'll wait for you outside.
06:42No, no, no, stay, stay. We're leaving soon.
06:48Good morning, Rodrigo.
06:50Nice show you saw yesterday.
06:52I'm very sorry about what happened.
06:54It's too late to be sorry.
06:56But I'm afraid that what happened yesterday
06:58will have very bad consequences for the Foundation.
07:01It wasn't Rodrigo's fault. The lieutenant provoked him.
07:03I'm not going to get involved in that, Paula.
07:06I don't think so.
07:08But your aunt Abuela, Countess Cristina de Tucci,
07:11is a character of high society.
07:13Not only are we going to lose donations from the Foundation,
07:16surely, but this incident can end up
07:19becoming a major scandal.
07:22I shouldn't have lost the stripes.
07:24Of course not.
07:25You should have kept your forms.
07:27At all times.
07:28I don't even want to think about what would have happened
07:31if it weren't for your intervention and Don Fermín's.
07:34It would have been a nice fight.
07:36Although I would have bet on the lieutenant.
07:38I apologize again.
07:40But I also have to say that I only defended my mother from that guy.
07:43But let's see, we all listen to him.
07:45If someone has to be scandalized, it's us.
07:48Rodrigo's reaction was out of place
07:50taking into account the circumstances.
07:52You are clear that lately you have taken pleasure in this
07:54of taking me the opposite, right?
07:56I don't see anything wrong with thinking differently.
07:58It's neither good nor bad.
08:00I just expect something else from you.
08:03The breakfast.
08:06Emiliano.
08:07What are you going to do
08:09to fix yesterday's mess?
08:11You mean, apart from the check I signed?
08:13It wasn't small.
08:15Yesterday I asked Fermin to send the countess
08:17a supply of his best chocolates
08:19from the Pedraza family.
08:21With a note written by me
08:23trying to take the iron out of the matter.
08:27Do you really think you can please them with a gift?
08:30Well, yes, son, yes.
08:32I hope so.
08:33We're not talking about the Philippines either.
08:35Excuse me.
08:36A masseur has brought this.
08:40Go for God's sake.
08:47The countess says she can't accept our gift.
08:51And that her nephew, Lieutenant Marquez,
08:54is still waiting for an apology from Rodrigo.
08:58In that case, it would be better for him to sit down.
09:00Do you care if I decide that, Rodrigo?
09:02Do you care?
09:09Let's all calm down.
09:12I'll see what I can do.
09:14I'll go talk to the countess
09:16to see if I can convince her
09:18to lower the fumes to her nephew's pettimetre.
09:21Thank you, Mr. Emiliano.
09:23You're welcome. Go to the office.
09:26I'm going to the cinema.
09:31These chocolates are delicious.
09:33You should go around making more gifts.
09:36Maybe they'll give them back to us.
09:42Rodrigo.
09:44What?
09:56What?
09:58Don't you have anything to tell me
10:00about yesterday's party?
10:03About the auction?
10:06I don't know.
10:08Maybe what you saw in the library?
10:12No.
10:15If you want to hurt me,
10:17I warn you that I don't care anymore.
10:21And if what you're looking for is my approval,
10:24that will never come.
10:26What I expect from you
10:29is that you settle this matter
10:31before it affects my foundation.
10:37And now I'm going to the library
10:42to read.
10:54And that little smile?
10:56Nothing, it's my thing.
10:58You know this is your house.
11:02Hey, who is that lady?
11:05And how does she know Mrs. Lázaro?
11:07What else, Teresa?
11:09The important thing is that Mr. Fermin's wife
11:11has been very entertaining for a few days
11:13and softer than silk.
11:15Well, I don't know if it's that bad.
11:18You don't believe me?
11:20No.
11:22It's not that bad.
11:24You don't believe me?
11:25Yesterday afternoon Vanessa
11:26dropped a tray full of cakes on the floor
11:28and the vampire didn't scold her.
11:30In fact, she helped her pick it up.
11:33Well, that's a novelty.
11:36Come in.
11:38You scared me.
11:39I've noticed that you haven't taken your eyes off me for a while.
11:42Is there something you want to ask me?
11:44We were just checking if clients were coming in.
11:47Anyway, I'm going to get you out of doubt.
11:49That lady I was talking to
11:51was the wife of an important industrialist
11:53who left a good amount of money
11:55at the charity auction yesterday.
11:57Happy?
12:04But who does she think she is?
12:05Queen of Saba, all of a sudden?
12:08Well, look, she's going to get along with high society
12:10but she hasn't achieved it because of her merits,
12:12but because she married Mr. Fermin.
12:13Well, Teresa, whatever I do or stop doing,
12:15the vampire is none of our business.
12:16Oh, I know, but it makes me angry
12:17to see her with those airs of greatness out there
12:19when she doesn't deserve it.
12:20Don't get mad, woman.
12:22Look, I'll invite you to the movies.
12:24I've been wanting to go
12:26after seeing the one that's being organized for a shoot.
12:29I don't know if I'm going to be able to focus on the movie.
12:33I can't get my head around Antonia and Pietro.
12:36Hey, what if we go through La Corrala first and visit them?
12:39I think it's a good idea.
12:40As long as we don't run into Miguel.
12:43Come on, why?
12:44I can't tell you.
12:46What do you mean you can't tell me?
12:48It's like in those spy movies,
12:50like the one Inés is shooting.
12:51Yes.
12:52If I told you,
12:55I'd have to kill you.
12:59Come on, you watch a lot of movies.
13:01Come on.
13:02I just cleaned up.
13:10Well, how are you?
13:12Have you recovered from the blow
13:13that the Caesar animal gave you?
13:15Yes.
13:16I'll be ready for a good fight.
13:18I have to recover these days that I've been locked up here.
13:20We're going to burn Madrid when you get out.
13:22You'll see.
13:25I was hoping you'd stop by the auction yesterday.
13:27I sent you a note inviting you.
13:29I...
13:30I was in charge of the push-ups.
13:31I got the message late
13:33and I already had other much better plans
13:34with the Apollo racers.
13:38Bad move.
13:39I also wanted to tell you about a business
13:41that I'm running with my father.
13:42You can tell me now, if you want.
13:44Excuse me, Mr. Iván.
13:46Do you want me to order something to eat?
13:48Yes, we'll have a stand-up tea.
13:50Very well.
13:51I'll bring it to you right now.
13:55She's not bad, the maid.
13:57I'm sure you and her...
13:59Don't be silly.
14:00I've known her since I was born.
14:01Much better.
14:02If you've had time to catch her, it's enough.
14:05Look, better focus on what we're talking about,
14:07which is much more important.
14:08This business can make us very rich.
14:11Well, congratulations to your father and to you.
14:13You'll tell me what I paint in all this.
14:16I want to make more money
14:18than my father would be willing to give me.
14:20And for that, I need you.
14:23How much money would we make?
14:25If everything goes as planned
14:26and the product is a success,
14:28we could be talking about...
14:31several million pesetas.
14:36Give me more information.
14:37What does the business consist of
14:38and what should I do exactly?
14:41I'll tell you as the story grows.
14:44For now, I just wanted to know
14:46if I could count on you.
14:47But, man, please.
14:49We're friends, aren't we?
14:51Of course.
14:53Pellado,
14:55we're going to be immensely rich.
15:04What a mess these dolphins have set up.
15:07I hope that when they finish,
15:09they leave it as clean as it was.
15:11But don't be so picky.
15:13The art that Inés has
15:14deserves to be done.
15:16Of course, because you don't have to clean it.
15:18Cleaning does have merit.
15:20Well, and carrying a tray full of coffees every day
15:22also has merit and a lot of art.
15:26Come on, let's roll.
15:28First take.
15:31Sound.
15:33Action.
15:39And action.
15:44Cut, cut, cut.
15:46Inés, look up a little more.
15:48Yes, thank you.
15:49Come on, let's do it again.
15:50First take.
15:52Sound.
15:57And action.
15:59Inés, Inés.
16:00Look up.
16:01Look up.
16:04Up.
16:07Cut.
16:09Inés, look up.
16:11Up.
16:12Inés, let's concentrate a little.
16:15Come on, let's do it again.
16:17First take.
16:19Silence.
16:20Sound.
16:25And action.
16:31Cut. We've got it.
16:32Come on, let's continue with the opening.
16:34Come on.
16:36First take.
16:41Well, you can leave it now, please.
16:43But I didn't say anything.
16:45What a bore, I was sleeping.
16:47Let's see, were we distracting you?
16:49Well, yes, yes.
16:51Why don't you go to work?
16:52And when the atmosphere is more relaxed, you know.
16:54Man, of course.
16:55Let's go back to work, really.
16:56The hope is that you don't fall under the water.
17:02Inés, are you okay?
17:04You look a little tense.
17:05Yes, I'm fine, I'm fine.
17:06But I don't know if I can shoot today.
17:09I feel empty, blank.
17:11You have to overdo it.
17:13Do you want me to help you review the dialogue?
17:15No, but if that's not it, it's just that...
17:17I can't interpret my role because...
17:19Well, because I need to stop.
17:21Agustín already said that you can't stop anymore.
17:23But you'll see that when they say action, your nerves go away.
17:26This is a disaster, we can't go on like this.
17:28What's going on?
17:29The actress who was going to work with Inés doesn't show up.
17:31They say she's fallen asleep.
17:32They're going to have to go get her.
17:35This is going to delay the shoot a lot.
17:39Let's see, attention, attention.
17:43We're going to stop for a couple of hours, okay?
17:49Do you want us to go to Agustín's office and you can relax there?
17:51Yes, yes, let's go.
17:59This is a catastrophe, Agustín.
18:00We can't afford to stop.
18:02Well, you know that there are always unforeseen events in the shoots.
18:04You know it by heart.
18:05Yes, yes, we can count on them, but we can't waste any more time.
18:07Let's go right on schedule because of Inés.
18:09Her insecurities are going to ruin this movie.
18:11I fully trust that little by little she will focus.
18:14Yes, well, let's hope she does soon because otherwise we are lost.
18:23Yes, right?
18:26Emiliano, a pleasure to have you here.
18:28I hope the meeting with the countess yesterday has been settled.
18:32We're working on it.
18:34I'm sure everything will be fine.
18:36Anyway, I'm going to take a walk around the living room.
18:39If the cat is entertained, the mice take advantage of it.
18:43It's admirable.
18:45It's admirable how talented your wife is.
18:48You know, you're lucky to have a woman by your side at your disposal.
18:53We could say the same about Maruja, right?
18:57It's commendable the work they do at that foundation.
19:00It's a shame about that unpleasant incident between Rodrigo and the military.
19:05Yes.
19:07It was going to be a real headache.
19:09Because now it will be my turn to fix the mess.
19:13You mean the apology note was useless?
19:17The countess rejected the sweets.
19:20So I'm afraid those sweets only worked on my son's stomach.
19:25At this point, she must have swallowed them all.
19:27What are you going to do now?
19:30What am I going to do, Fermin?
19:32Interview her?
19:34Whatever it takes to put Maruja in a good place.
19:39I don't want her reputation to be affected by an absurd incident like that.
19:44I think we're both capable of doing anything for the love of our wives.
19:49Yes, yes.
19:52The love we have for them forces us to make certain sacrifices.
19:58Anyway, I trust you'll forgive me, but as you can imagine, I have a lot of homework.
20:04I'll go with you, Meliano.
20:18What happened to you?
20:20I didn't know you were willing to do anything for your wife.
20:25Your suspicions about the lack of love in that marriage are baseless.
20:29Are you sure? I don't usually make mistakes with these things.
20:32Sometimes you have to be the first.
20:35She's going to confront the countess to put an end to yesterday's scandal once and for all.
20:39And that's not a good thing for anyone.
20:42What surprises me the most is that it's now that Emilia doesn't worry so much about Maruja.
20:47Especially after what I saw before the altercation with Rodrigo.
20:53Apparently, your friend was alone at the library with Miss Cavalieri.
20:58That doesn't mean anything. Maybe he was looking for a book to lend her.
21:02No, maybe he was doing other things when Maruja found them.
21:05They're your delusions. We shouldn't make such ugly comments.
21:09You say that because you didn't see Maruja's face when she came out of there.
21:12She was out of her mind.
21:15And two minutes later, the couple came out laughing.
21:17I don't know how Maruja didn't say anything.
21:19Maybe he didn't say anything because nothing happened.
21:23Think whatever you want, Fermin, but I know very well what I saw.
21:27Emiliano is an honest man and his marriage is exemplary.
21:30And it bothers me to be talking about this matter.
21:34Well, that's it. I don't insist anymore.
21:36But come on, I would have a doubt more than reasonable.
21:45Inés, you know the role perfectly.
21:47Now you just have to do what suits you so well, which is acting.
21:51And you'll see that it ends up being the Spanish Greta Garbo.
21:57What happened?
22:00The actress who was going to shoot with you hasn't fallen asleep.
22:04She got a more important role in another production, and she hasn't doubted it.
22:09She got a more important role in another production,
22:12and she hasn't doubted it.
22:14She left us stranded.
22:16But what a lack of professionalism, right?
22:18I guess you'll sue her.
22:20No, no, no, we can't.
22:22We had a contract with specific dates.
22:25The problem is that her scenes would have to have been shot days ago.
22:28That is, legally, she has no commitment to us.
22:33Then you'll have to find another actress.
22:35We're on it.
22:38It's all my fault. The shoot was delayed because of me.
22:41No, it's not your fault. You needed those days.
22:43Yes, but I haven't thought about my colleagues or you.
22:46First the failure of The Shadow of Love, and now this.
22:48I'm putting you on the brink of ruin.
22:50Almost on the brink.
22:51I risk everything with this film.
22:54The problem is that every day the losses increase.
22:58But I'm sure, Inés, I'm sure we're going to move on.
23:02But I can't do anything while you're looking for a replacement.
23:05No, I...
23:06The best thing you can do is go home and rest.
23:08You can make sure she's going to rest.
23:10Yes, yes, I'll take care of it, even if I have to work hard.
23:12No, really, there's no need. I'm better now.
23:14Trust me, please.
23:15Of course I do.
23:16Ballesteros and I are going to look for another actress,
23:18to change the shooting plan,
23:20to rewrite the script if necessary in order to move on.
23:23And Ballesteros, how is all this being taken?
23:27Bad.
23:30Sorry.
23:32Yes?
23:35I'll be right there, yes.
23:38Excuse me.
23:49Well, it's a shame that the shooting has stopped.
23:51I know.
23:53I think there's a lot of bad luck in that guild.
23:57I saw too many people to do so little work.
24:01So the film has stopped.
24:03It seems so.
24:05Is Antonia okay?
24:09Oh, are you here for Pietro?
24:10How is he?
24:13Well, not very well.
24:16Yesterday he stayed...
24:17He stayed in Mablanco, in the middle of the corral.
24:20I didn't even know who I was or where he was.
24:23Horrible.
24:24But he had come to work.
24:26Yes, and so normal.
24:28We've already argued twice.
24:31He recovered after a while,
24:34but then he didn't remember anything of what had happened.
24:38But did they go to the hospital?
24:40Because these misgivings are already too frequent.
24:43Well, I would have liked that.
24:45But he insisted that he didn't want to.
24:47And this morning he got up well
24:49and also insisted that he wanted to come to work.
24:52He should have stayed at home, resting.
24:54Yes, I would have liked that.
24:57But at least here I want to think that I have it under control.
24:59Imagine that it happens to him alone in the middle of the street.
25:04Well, I already told him that he can count on us for whatever he needs.
25:08We will be aware, right?
25:09Yes, I will keep an eye on him.
25:11With the excuse that the floor of the workshop is always full of flour.
25:16Look, and we could also tell the boys
25:18who come to help him
25:20to stay longer.
25:22And so Pietro is accompanied as long as possible.
25:26Yeah, well, they can't notice that we are controlling him either.
25:29Don't worry, I'll tell him to teach them
25:31in case they stay as apprentices and that's it.
25:34Yes, it's a good idea, really.
25:36I really don't know how to thank you
25:38for everything you are doing for me.
25:40I alone could not cope with this.
25:43If I were not here, Marta.
25:45You haven't told him anything?
25:47No, I don't want him to be calm.
25:50You have to be strong, Antonia.
25:52I'm sure everything will be fine.
25:55At least with yesterday's scare,
25:58it seems that Pietro has opened his eyes a little
26:00and now he wants to see a doctor.
26:02I hope he can advance the hospital appointment.
26:05Well, I don't know how he's going to do that.
26:08It's not that easy.
26:12Listen Antonia, maybe
26:14we could talk to Don Fermin.
26:16Don't tell me how it was for you in Germany.
26:18I know everything about Celia and her loves
26:20but very little about you.
26:22Well, Germany is not the best place to live now.
26:24The housing is very expensive,
26:26there is no work,
26:28prices are going up from one moment to another.
26:30Yes, I know it hasn't been very good for them
26:32after the war,
26:34but what I want to know is
26:36if they are going to be happy
26:38and if they are going to be happy
26:40and if they are going to be happy
26:42and if they are going to be happy
26:44but what I want to know
26:46is what kind of life did you have there?
26:48A normal life.
26:50I worked as much as I could,
26:52I slept, I ate, I worked again.
26:54But what did you do in your free time?
26:56I don't know, did you meet someone interesting?
26:58No,
27:00none of that in my free time.
27:02I went out for a walk and nothing more.
27:04Are you sure you don't want to tell me anything else?
27:06No.
27:09I have good news.
27:11We have already found candidates
27:13to replace the actress who has left us.
27:15We are going to start the tests as soon as possible.
27:17Well, I can go
27:19to give them the replica of my character,
27:21if they want.
27:23It's not a bad idea,
27:25but Ballesteros
27:27doesn't want you to spend energy on that,
27:29he prefers to reserve you for the shoot.
27:31In any case, we will find a suitable person
27:33for that profile.
27:35I don't know, but it makes me angry.
27:37And Laurita?
27:39She could collaborate.
27:41After so much reviewing with me,
27:43she knows the text better than me
27:45and you would only have to give the replica
27:47in a casting test and nothing more.
27:49It's a good idea.
27:51Of course.
27:53Would you do us that favor?
27:55No, I'm so ashamed.
27:57And if I do it so badly that because of me
27:59you don't like any candidate?
28:01No, it's not that complicated.
28:03You just have to read the lines
28:06first.
28:08Say yes, please.
28:10It's fine,
28:12but only if you promise me
28:14that you won't laugh at me
28:16when you see the test.
28:30You shouldn't have insisted on coming here.
28:36I don't know how he's going to react.
28:42This is a very nice place.
28:44He has thought that if one day
28:46he comes and finds it destroyed,
28:48he could do little.
28:50Because people of our class
28:52are way above the trash.
28:56My sister has just asked you
28:58to leave in a very good way.
29:00And I also advise you
29:02not to come here again.
29:04And I hope that the next time
29:06you open the place,
29:08you find it as it is.
29:10Okay?
29:14Let's pretend
29:16you and I haven't had this conversation.
29:18I don't know.
29:32Four coffee's.
29:34And two ice.
29:36Is there any table for us?
29:40Of course.
29:42As for any client.
29:44Take a seat, they'll serve you right away.
29:48I
29:56Yeah, we'll do some people for a key for Travis I see yes, he was a tenderly comes in other
30:04Podria charles un poquito de legion las copas solo poquito no me hables de elegía por favor era una broma
30:11La legión me parece suave yo les pondría algo tan venenoso como ellos dejate de tonterías
30:17Ahora que las aguas han vuelto a su cauce no quiero tener más problemas
30:22En cualquier caso te agradezco que fueras a hablar con la pedraza me parece una buena idea
30:27aunque solo fuera por ver el palacete donde viven
30:30algún día tendremos nosotros una casa igual sabes que no
30:34ya
30:36para eso necesitaríamos las ganancias de tres o cuatro cabarets como éste
30:41qué impresión te causó la madre de iván
30:43y
30:44elegante educada pero sin nada afectación para mí que es bastante sencilla
30:50pese a ser toda una señora a mí también me lo pareció
30:54parece mentira que una señora con tanta clase tenga un hijo con tan poca verdad
31:00Me dio recuerdos para ti yo diría que con mucho interés me parece que le caíste bien
31:09A mí también me pareció muy agradable
31:12No lo dudo por cómo te brillan los ojos
31:15quieres dejarte de tonterías hermanita
31:17póngase por favor a atender a sus voluntarias
31:20a los niños clientes
31:23No puede ir atrás no te ha tocado a ti por la estilla
31:26Jesús una bandeja
31:28tenemos que brindar por la vida que nos corremos a costa de invocar a barbillas
31:31como le van pedazos
31:33tengo como un dedo de limana
31:34estamos ofreciendo un negocio
31:38¿Quieren tomar algo?
31:41Pues nos tomaríamos un par de camareras como tú
31:44No se sirven
31:46¿Quieren tomar algo o no?
31:48No te enfades bombón mira de momento nos vas a traer una botellita de champán
31:51ya pediremos más cuando venga que nos invite
31:59Dos whiskeys para Don Luis Bocanera
32:03No soporto a ese tipo
32:06Yo tampoco aguanto a ese tipo de gente
32:09Pero desgraciadamente son los que hacen que la caja registradora rozca hermanita
32:13Aunque ellos nunca pagan
32:15Estoy segura de que está esperando a que llegue Iván
32:17para que corra con los gastos de la farra que se van a pegar esta noche
32:20De eso no te quepa ninguna duda
32:22¿Vas a hacer algo para impedirlo?
32:24No
32:26Ya salí trasquilada la última vez que trate de advertirle el tipo de amistades que frecuenta
32:31¿Segura?
32:33¿Vas a permitir que se aprovechen del hijo del hospedaza?
32:36Me da pena pero no me queda otra opción
32:40Más tarde o más temprano se dará cuenta el mismo de la clase de gente con la que se va
32:44O se quedará sin una peseta
32:47Voy a por el champán
32:56Gracias Jesús
32:59Me da una pena que nadie creó a Pietro
33:01Aunque no sé que no está pasando por si Pietro o Antonio
33:04Yo es que no quiero pensar en otra posibilidad que no sea su recompensa
33:07Yo espero que sea algo pasajero
33:09Pero menos
33:11¿Qué haces aquí? ¿No tendrías que estar pronto con el niño?
33:14Es que ahí sigue apestando a salfumán que echa para atrás
33:18Y el pobre niño no para de toser
33:20Se ve que el olor le irrita la garganta
33:22Ah, pues si está tosiendo tanto
33:25Habrá que ir ahora mismo al médico para ver si está resfriado
33:28Eso es mucho gasto
33:30Bueno, pero es la única forma que tenemos de quedarnos tranquilos
33:35Además tendremos que ir los cuatro
33:37¿Los cuatro para qué yo? ¿Para qué?
33:39Hombre, porque así le cuentas al médico los síntomas de León
33:41No puede ponernos pegas, le encanta que la escuchen
33:44Bueno, puede que no haya tosido tanto
33:46Un par de veces lo mismo, se ha tragantado el pobre
33:48Vamos, que estaba exagerando un poquito
33:50Por no decir que lo del olor a salfumán
33:52Cuidadito con lo que dices de mí, que una de mentirosa no tiene ni un pelo
33:56Sigue apestando
33:57Y yo he tenido que sacar al niño con el riesgo de que se constipe
34:00Ya, comprendo
34:01Yo sigo siendo el padre responsable
34:03Y usted la abuela que no deja de salvar a León de todos estos peligros
34:06Lo has dicho tú, no yo
34:10Prefiero estar un rato solo
34:13Ya está, ya lo has conseguido
34:15¿Sabes tú lo que has hecho?
34:17¿Qué has hecho?
34:19Ya lo has conseguido
34:21¿Sabes tú lo que has hecho?
34:22¿Tú querrás decir lo que ha hecho tu marido?
34:24Por favor
34:25Venga, venga, para adentro, por favor, padre
34:27No, no, no, al niño me lo dejas
34:30Bueno, pues paga tú
34:36Pero bueno, ¿qué le pasa, Leónito?
34:44Muchísimas gracias, y volved pronto que tendremos muchas más novedades
34:50Buenas tardes
34:52Hola
34:53Paula, esto está siendo un éxito
34:55Tienes la tienda llena a todas horas
34:58Sí, la verdad que no me puedo quejar
35:00Y yo todavía no te he comprado nada
35:02Debo de estar quedando como una muy mala madre
35:04Espérate a que me llegue un segundo pedido que va a ser un género mucho más moderno
35:08Pero es que con el gusto que tú tienes para las ropas seguro que te lo quitan de las manos
35:12Había pensado en invitar a la sobrina del embajador de Italia
35:16Que la conocí ayer en la fiesta
35:18No creo que invitar a Elena Cavalieri a la tienda sea una buena idea
35:22Además, seguramente ella estará ocupada en otros asuntos
35:26Y de todas formas, si tú no necesitas publicidad, tu ropa se vende sola
35:31No, pero es que ayer en la subasta...
35:33Paula, es que prefiero no hablar de eso
35:37Entonces, ¿a qué has venido, madre?
35:39Si no es a comprar ropa ni hablar de la subasta
35:44Te ha mandado a mi padre a que arregles las discusiones que hemos tenido
35:48No, no me ha mandado él
35:50Pero lo cierto es que tendríais que solucionar vuestras desavenencias
35:53Sigue siendo tu padre, no lo olvides
35:55No comprendo cómo puedes aceptar sus planes sin rechistar
35:59No es cierto que vaya a mantener ambos modelos de producción
36:02La fibra sintética acabará con los cultivos y con la gente que vive de ello
36:06Pues yo no creo que me haya mentido
36:08Y además, por mucha fibra que se invente, siempre se utilizará el tejido natural
36:12Así que no te pongas dramática con eso, que nos conocemos
36:15Vamos, ¿qué quieres que me pase ahora por su despacho y le dé la razón, aunque no la tenga?
36:19No, tampoco te pido tanto, principalmente porque no está
36:25Ha intentado arreglar las cosas con la condesa de Tucci
36:28Para que interceda ante su sobrino, el teniente, y no lo ha conseguido
36:33Esa gente son unos soberbios, nunca van a admitir que se han equivocado
36:37Pues sí, sí que lo son
36:40Pero pueden hacernos mucho daño
36:43Tu padre quiere que el teniente y Rodrigo se encuentren mañana y que Rodrigo le pida disculpas
36:48¿Será una broma?
36:49No
36:50Rodrigo no tiene la culpa de nada, él solo se defendió
36:53No le podéis obligar a que haga algo tan humillante para él
36:56Paula, está en juego el prestigio de nuestra familia
36:59Acabamos de instalarnos en Madrid, no podemos caer en desgracia ni tener un escándalo
37:04Es que no lo puedo entender, ¿es tan humillante lo que le estáis pidiendo a Rodrigo?
37:08También está en juego el futuro de las donaciones de la fundación, a ver si así lo entiendes
37:13Rodrigo tendrá que hacerlo, su obligación es servir a la hospedaja
37:20Discúlpame, debo atender a la señora
37:27Hola, buenas tardes
37:38¿No vas a decir nada?
37:42Mejor empiezas tú
37:43¿Estás segura?
37:47A ver, ya sé que nuestros problemas se quedan cortos comparados con los de Pietro y Antonia
37:54Bueno y además nosotros tenemos a León, que es una alegría
37:57Y nos queremos con locura
38:00Sí, bueno, no he dudado de eso
38:02Pero es que yo no puedo soportar a tu madre ni un minuto más
38:05Me nerva, me saca de quicio, me descompone
38:07Bueno, bueno, ya está, ya está, no hace falta que hables más que lo he entendido
38:10Y yo no digo que no se desviva cuidando a su nieto
38:13Pero es que no puedo vivir más con ella
38:15Toda paciencia tiene un límite y el mío lo ha superado dos veces
38:18A ver, León ahora es mi madre, pero es verdad que es un latazo
38:21Y me doy cuenta de lo difícil que te lo está poniendo
38:25Menos mal
38:27¿Y qué hacemos?
38:28Pues no podemos hacer nada, aunque tenga una buena noticia
38:32Esta mañana mi madre me ha preguntado que dónde habíamos dejado la maleta
38:36¿Tú crees que está pensando en irse?
38:40Pero, mi amor, esa es la mejor noticia que me han dado en diez años
38:43Bueno, la mejor no, porque la primera fue cuando me dijiste que íbamos a ser padres
38:47Bueno, no, la segunda, porque la tercera, vamos
38:49Porque la segunda fue cuando nos casamos
38:51¿Qué hacía?
38:54¿Qué pasa? Es que miren y aplaudan
38:58¡Qué hermoso ha sido tu padre!
39:01¡Mira qué bonito es, mi amor!
39:06¿Qué pasa? ¿Qué pasa?
39:12Conozco un merendero muy discreto que está cerca de la Villa del Pardo
39:16Que creo que te gustaría
39:19Elena
39:21Solo se trata de pasar un rato agradable
39:24Y en buena compañía
39:27Sí, claro, comprendo que tengas otros compromisos
39:30Pero, no, no, yo pensé que podríamos vernos pronto
39:36Bueno
39:38No, no, por supuesto, como tú quieras
39:41¿Otra vez será?
39:43Ha sido un placer hablar contigo, claro
39:46Hasta pronto
39:49Estúpida
39:58Pepita
39:59¿Puedes venir un segundo?
40:03Dígame, señor
40:04¿Estabas escuchando?
40:06¿Yo?
40:07Sí, ¿y tú?
40:08No
40:10Tus asuntos no son de mi incumbencia
40:12Además, ¿qué más da lo que escuche yo?
40:14Si ya sé cómo eres con las mujeres, no me voy a sorprender
40:18Me encanta que me conozcas también
40:20Y que me aceptes tal y como soy
40:22Supongo que por eso sigo aquí
40:27Estás muy hermosa esta tarde
40:29Más que de costumbre
40:31Emiliano
40:32No tengas tanta prisa, no tengas tanta prisa
40:34Quédate un rato conmigo
40:35Que no, Emiliano, que tengo mucha tarea
40:37Bueno, ya a la hora de trasir vienta
40:39Vamos a tu cuarto
40:40Que no, que la casa está llena de gente, que nos pueden ver
40:42Escucha, escucha
40:43Maruja no volverá hasta la cena
40:45Paula está en la tienda
40:46E Iván
40:48Cualquiera sabe dónde está Iván
40:50Pero está el resto del servicio
40:52¿Por qué me ponéis tantas pegas y al final vas a hacer lo que yo te pida?
40:55¿O me equivoco?
40:56¿No, verdad?
40:58¿Vamos?
41:00Vamos a tu cuarto
41:01Venga
41:17Don Germín, qué sorpresa
41:19¿Qué haceste por aquí?
41:20Quería hablar con Pietro cuanto antes
41:22Por favor, pase
41:23Gracias
41:25No, no, no se levante, por favor, Pietro, no se levante
41:29¿Cómo se encuentra?
41:30Más o menos bien, don Fermier
41:32Gracias
41:33Le agradezco su visita
41:34Es lo menos que podía hacer
41:36Además, le traigo buenas noticias
41:39Bueno, siéntese, por favor
41:41Gracias
41:42¿Quiere un café?
41:43No, no, gracias, Antonia, gracias
41:46Espera, después de hablar con Antonia y gracias a la intermediación de Teresa
41:51Me he puesto en contacto con un reconocidísimo doctor amigo mío
41:55Y le he pedido que se encargue de su caso
41:59¿Y cómo se ha tomado tanta molestia?
42:01No, molestia ninguna, Pietro
42:03Además, Antonia me dijo que no hay manera de que les atiendan en el hospital
42:06Yo no podía quedarme con los brazos cruzados
42:09Cariño, no te molestes por haberle contado, pero no podíamos seguir así
42:12Pietro, nos conocemos hace muchos años
42:16Y yo sé que usted no es de los que se obsesiona por su salud
42:19Pero lo que ocurrió ayer
42:22Eso hay que tomárselo muy en serio
42:26No sé cómo agradecerle, don Fermín, que se preocupe tanto por mí
42:29No tiene que darme las gracias por nada
42:31La gente de La Moderna es mi familia
42:33Usted ahora lo único que se tiene que preocupar es de ponerse bien
42:39Lo sé, gracias
42:46La verdad es que... es que tengo miedo, don Fermín
42:50Que no sé qué me está pasando, no lo sé
42:56No sé si voy a perder la razón, si dejaré de ser lo que soy
43:02Si todo lo que he vivido en esta vida lo voy a olvidar
43:06No se ponga lo peor, Pietro
43:08Puede que todo sea algo pasajero
43:12¿Y si me olvido hasta de la muerte, don Fermín?
43:16¿Y si me olvido hasta de la muerte, don Fermín?
43:23¿Si me olvido cuánto amo a mi esposa?
43:29Cariño, yo voy a estar aquí siempre
43:31Y lo va a estar durante mucho tiempo, Antonia, no lo dude
43:35Pietro, mi amigo el doctor Ramiro
43:38Lo va a visitar muy pronto y seguro que le indica el tratamiento adecuado
43:43Ahora bien, antes de verle tendrá que pasar por algunas pruebas
43:48Sí, claro, ¿para cuándo me digan?
43:51Pues he conseguido que sean mañana mismo
43:55¿Tan pronto?
43:56Sí, sí, no tenemos tiempo que perder
44:00Además, le necesitan un labrador al 100%, ya lo sabe
44:04Allí estaré, se lo aseguro
44:07No sabes cuánto le agradecemos todo lo que hace por nosotros
44:12Pietro, ¿por qué está tan serio?
44:14Le aseguro que está en las mejores manos
44:18Porque me siento avergonzado, don Fermín
44:21Mucho
44:22Habrá tenido que mover muchos hilos para que me atiendan tan pronto
44:27Vergüenza tendría que sentir yo si no hubiera hecho nada por usted
44:30Somos amigos, Pietro, desde hace mucho tiempo
44:33Es de ley que nos ayudemos el uno al otro
44:37Es un honor para mí que me tenga en tanta consideración
44:41¿Verdad?
44:43Todo va a ir bien, ya lo verán
45:02No sabes cómo necesitaba esto
45:05Es porque vaya día de perro que llevo
45:08Ahora tienes que irte, que yo tengo que seguir trabajando
45:10¿A qué viene tanta prisa?
45:12Vuelve a la cama, mujer
45:14Que no, que es muy tarde, tu mujer debe estar a punto de llegar
45:16Maruja, ahora te vas a preocupar por eso
45:20Pero si ella sabe perfectamente con quién paso las noches
45:23¿No ves que está encantada de no tener que compartir cama conmigo?
45:26Sí puede que lo sepa, pero tampoco hace falta mostrárselo tan en la cara, digo yo
45:29Si no te importa eso, lo decido yo
45:31Eh, anda, vuelve
45:34Siéntate un poquito, mujer
45:41Oye, Maruja no tiene de qué quejarse
45:46En serio, tiene todo lo que quiere
45:48Hoy sin ir más lejos me he pasado todo el día tratando de arreglar el lío que se produjo aquí durante la subasta
45:54Lo de la pelea
45:56Esa condesa y su sobrino son unas personas horribles
45:59Sí, y muy tercos
46:01Durante mi entrevista con la condesa
46:03Ella parecía dispuesta a admitir que su sobrino había sacado las cosas de Kizio
46:07Es que eso fue justo lo que hizo el teniente, sacar las cosas de Kizio
46:10Por supuesto, pero en mitad de nuestra conversación ha recibido una llamada telefónica de su sobrino
46:17Entonces ella le ha dicho que estaba reunida conmigo
46:19Y no sé qué le ha debido decir el niñato ese que ella ha cambiado completamente de éxito
46:24Y ya está, no admitía su culpa
46:29Supongo que al teniente no le ha gustado mucho que vayas a hablar con su tío
46:32Supones bien
46:33Entonces ella me ha dicho que lo que tengo que hacer es hablar directamente con él
46:37Con el teniente, que se supone que es el agraviado
46:40El agraviado
46:42Manda narices
46:43Así que lo que he hecho es concertar una cita en el reservado de la Moderna
46:47A la que también acudirán Fermín y Rodrigo
46:49Y lo siento mucho Pepita, pero...
46:53Tu hijo va a tener que pedir una disculpa
46:55Bueno, esperemos que todo quede ahí
46:57Pues sí, porque yo necesito que este asunto quede zanjado lo antes posible
47:00Tengo cosas más importantes que hacer
47:02Claro
47:04Por cierto, ¿Iván ha hecho hoy algo de provecho o se ha pasado el día tumbado en el sofá?
47:09Ha venido a verlo su amigo Mellado
47:11Y me pareció que hablaban de negocios
47:13¿De negocios?
47:15Habrá que verlo
47:16El único negocio que conoce Iván es el de vaciarme la cartera
47:22¿Madre?
47:23¿Está ahí?
47:28Madre, necesito hablar con usted, es importante
47:31¿Madre?
47:39Le estaba contando a doña Teresa que gracias a don Fermín
47:42Te han adelantado a la cita para hacerte las pruebas en el hospital
47:45Antonia, ¿y por qué no lo publicas en el tablón de los anuncios?
47:48¿Por qué piensas disculparte con el Teniente Márquez?
47:51Si te arrodillas una vez tendrás que hacerlo siempre
47:53Ese hombre te humilló y yo no pienso mirar a otro lado
47:56Este día me llamó la atención
47:58La fiesta pasó mucho tiempo hablando con una invitada, no recuerdo el nombre
48:01Él es la caballería
48:02Eso se puede
48:03Supongo que estarían hablando de negocios
48:05No
48:07Lo siento, yo no quería...
48:09Si vamos a ser amigas, mejor llamar a las cosas por su nombre
48:13Usted ha venido aquí por una disculpa, ¿verdad?
48:15Bueno, pues no se irá sin ella
48:17Rodrigo, por favor
48:19¿Lista para dar las réplicas a las candidatas?
48:22Sí
48:23¿Dónde está Ballesteros?
48:24Está reunido con el director de arte
48:26Le he pedido que me ocupe yo y luego ya él verá el material que filmemos
48:29No pensaba que el marido caballero te encajara en su idea de entretenimiento
48:32Lo que me parece es que no me conoce
48:34Quería organizar una gala benéfica y he pensado hacerlo aquí
48:37¿Y usted qué me dice eso?
48:39Que me alegro mucho de que haya acudido a mí
48:41Tenía ganas de volver a verla y no sabía si eso iba a ocurrir
48:45No tendría que haberte amenazado
48:47Ya sabes que nunca haría nada que pudiera perjudicarte
48:50Tú eliges, ¿qué prefieres?
48:52¿Ser mi peor enemiga o mi mejor aliada?
48:55¿El de cuatro hojas?
48:56Un amuleto de la buena suerte
48:58Es precioso, pero no tendría que haberse molestado
49:00Todo lo que haga por vosotras era poco
49:02No vayáis a pensar que esto tiene algo que ver con el gesto tan generoso que habéis tenido
49:07a la hora de disolver la sociedad y compartir la herencia conmigo
49:11¿Por qué no?
49:12Tienes que creerme, Millado quiere estafarte
49:14Creo que eres insistente
49:15Tan solo intento parar una injusticia, nada más
49:18¿De verdad creías que iba a morder el anzuelo?
49:20¿Que no iba a informarme sobre ti?
49:22¿Qué te han dicho de mí?
49:23Que no eres trigo limpio
49:24¿Tú sabes lo fácil que resulta difamar a alguien?
49:26Si te están poniendo a mi contra, puede ser por otra razón
49:29Y díganos, ¿para cuándo ha comprado el billete?
49:31¿Qué billete?
49:32El del autobús, por eso está haciendo la maleta
49:34No, no estaba haciendo la maleta
49:36¿Pero entonces no piensas irte?
49:38Es que he invertido mucho dinero en esta película
49:41Y no puede permitirse otro fracaso
49:43Por eso yo me siento tan responsable cuando no estoy a la altura
49:46Tenemos a la actriz y es una joya
49:48Perfecto
49:49¿Quién de ellas es?
49:50Ninguna
49:52¿Cómo que ninguna?
49:53Si no es ninguna de estas, ¿quién demonios es?
49:55Has sido muy emocionante
49:56Cuando te quieres dar cuenta, estás tan metida en el papel
49:59¿Ya tenemos actriz?
50:00Puedes estar tranquila porque todas eran muy buenas
50:03Deberías estar tan eufórico como yo porque acabas de asistir a algo único
50:06El nacimiento de una estrella
50:09Me dieron los resultados, Antonia, y por eso he tardado un poco más
50:13¿Y?
50:14Y me dijeron que me citarían con el médico lo antes posible
50:24¿Qué?
50:29Ahora ya no eres tan valiente, ¿eh?
50:31¿Pelagatos?