Salón de té La Moderna - Ep 245
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00:00A FEW HOURS EARLIER
00:15Let me help you, Antonia.
00:18Are you okay? You look pale.
00:21Well, I'm a bit worried.
00:23Pietro has the tests at the hospital today.
00:27Yes, Mr. Fermin was able to postpone the appointment.
00:30That's great.
00:31I was wondering if I could sit down this afternoon to accompany you.
00:36Of course, you should accompany him.
00:39Good morning.
00:42Ricardo, leave it here.
00:51It's not for nothing, but when one arrives and the others shut up,
00:55the first thing you think is that they're talking about him.
00:58And I can imagine why.
01:00I was telling Mrs. Teresa that, thanks to Mr. Fermin,
01:03they postponed the appointment to do the tests at the hospital.
01:08Oh, okay.
01:10Antonia, why don't you post it on the ad board?
01:15That way, everyone will know.
01:17Pietro, don't be mad at her. I brought it up.
01:20Well, I'm going to get the tray.
01:26Pietro, I'm sorry, don't be mad at her.
01:29It's normal for your colleagues to be worried about you.
01:32You should be proud.
01:34Why don't they worry about themselves, Antonia?
01:36And stop looking at me like I'm a weirdo,
01:38like what they've been doing lately.
01:41Who hasn't had an unimportant misunderstanding?
01:45An unimportant misunderstanding?
01:47I'm sorry, but that's not what happened at the corral, and you know that.
01:51Mrs. Teresa has given me permission to accompany you to the hospital this afternoon.
01:54No, Antonia, no.
01:55Pietro.
01:56No. Let's not make this a melodrama, please.
01:59Even if one of us is absent, she's more than enough.
02:05Okay, as you wish.
02:11Sorry, going to the hospital is always a bad habit.
02:16I know.
02:19Well, I'll make you a delicious dinner and I'll wait for you at home to celebrate it.
02:23Is everything okay?
02:26Yes.
02:27Yes?
02:28Did you need a Croatian or a Swiss?
02:31You.
02:32Me?
02:33Yes, just you.
02:35I hope you're okay.
02:54Can I know why?
02:56Because I kissed you.
02:58Don't worry, no one saw us.
03:00No.
03:01Why are you going to apologize to Lieutenant Marquez?
03:04Your mother told me.
03:06And I don't understand, Rodrigo.
03:08Why are you going to apologize when all you've done is defend yourself?
03:12I wasn't going to do it.
03:13But after talking to my mother, I think it's more convenient.
03:16I don't understand.
03:19I wasn't going to do it.
03:20But after talking to my mother, I think it's more convenient.
03:23More convenient for whom?
03:25For you or for my family?
03:27For your dignity or for your pride?
03:29Stop asking me questions, please.
03:31You forget that I owe your father a lot.
03:33And that sometimes the smartest thing is not always the fairest thing.
03:36And that you have to put out the fire instead of reviving it.
03:38No, Rodrigo.
03:39If you kneel once, you'll always have to do it.
03:41That man humiliated you.
03:43And I'm not going to look the other way.
03:45I'll talk to my father.
03:46No, Paula, no.
03:47I don't need your condescension.
03:49I'm able to make my own decisions.
03:51And the least I expect from you is that you respect them.
03:55Your mother asked you, didn't she?
03:57You know how much I respect her.
03:59But her opinion is very conditioned by her age.
04:02Of course it is.
04:03But it turns out that not everyone can be free to do and say what we like without fearing the consequences.
04:09Not everyone is like you.
04:12Don't forget what it means to belong to one social class or another.
04:17You and that lieutenant are up, but we are down.
04:21Don't get me in that bag.
04:23I know you're on my side.
04:25Forgive me.
04:27No, you forgive me.
04:29Sometimes I don't put myself in your place and I talk more about the bill.
04:33You know I'm from ...
04:35Those who step on the accelerator when they are close to the curve.
04:38And you are one of those who stop before taking it.
04:42Maybe that's why we complement each other too.
04:52By the way,
04:55I found out that my father is building a factory in the outskirts of Madrid.
04:59For his synthetic fiber manufacturing project.
05:02And do you think it's good?
05:04Synthetic fiber is going to revolutionize the textile market.
05:07It is something irreversible and unstoppable.
05:09It is progress.
05:10I already told you.
05:12You call progress to make humble people lose their jobs?
05:15Why don't you talk to him and let him explain his project to you?
05:18Because we have completely different visions of business and he will try to impose his own as he always does.
05:24Talk to him before going to war.
05:26Don't be stubborn.
05:34No one goes through the gallery.
05:36What?
05:55And in life there are only two types of situations.
05:57Those that benefit you and those that harm you.
06:00I can't agree with you anymore.
06:02What can I say? I'm talking about the latter.
06:05But it is not admissible
06:08that the impetuosity of a simple employee
06:10can have such nefarious consequences for our beneficial cause.
06:14Has your husband already spoken to the lieutenant?
06:17I had an appointment with him.
06:18But I'm not very optimistic, really.
06:22Well, I guess the countess will be valuing withdrawing her economic contribution.
06:28I just don't count on that money anymore.
06:31So I hope that as a penance,
06:33Emiliano puts it in his own pocket
06:36and we manage to save the scholarships.
06:39But that's not what worries me the most.
06:42The foundation is your Trojan horse.
06:45It is the way that high society opens its doors to you.
06:48Exactly, Lázaro.
06:49And once inside, to be able to show how much I am worth
06:52and everything I can contribute.
06:54Well, I suppose that if the countess has enough influence,
06:57that could be a problem for you.
06:59But don't worry,
07:00because we are not going to be left with our arms crossed.
07:03What do you mean?
07:05That we will have to look for allies.
07:08If I have learned something in this life,
07:10it is that no one can please everyone.
07:12And I suppose that the countess will have enemies.
07:15Well, she is the one we should turn to.
07:19I like the way you think, Lázaro.
07:21And that we see things the same way.
07:24It's nice to have someone to talk to
07:26and someone to vent.
07:28Yes, because I have felt very alone since I have been in Spain.
07:32And thanks to you, it has been easier for me.
07:35Because Emiliano is always very busy with his business.
07:39And when he is at home, or he is working, or ...
07:45Well.
07:47The reality is that we don't spend much time together.
07:51The other day it caught my attention.
07:52At the party, I spent a lot of time talking to a guest.
07:55I don't remember the name.
07:56Elena Cavalieri.
07:58I suppose they would be talking about business.
08:01No.
08:02They didn't talk about that.
08:06I'm sorry, I didn't want to ...
08:07No, no.
08:08You don't have to apologize, Lázaro.
08:11If we are going to be friends,
08:13it is better to call things by their name.
08:17All marriages have secrets and more or less tacit agreements.
08:22Emiliano loves parties.
08:24And all I can do is not give them importance.
08:28But they have it.
08:32Well.
08:34In the end, one gets used to everything.
08:42Well.
08:43And maybe I have exaggerated a little.
08:46You know me.
08:48I forgot that I have to do some messages.
08:50Yes, for God's sake.
08:51I won't entertain you anymore.
08:52Thank you for everything.
08:54And remember that it is an honor to be your friend.
08:58You can count on me for anything.
09:00And it's not a way of speaking.
09:02Thank you, Lázaro.
09:03See you later.
09:17Please don't look at me with that air of superiority.
09:20I have no intention of becoming a heroine.
09:24By the way, where did that hairstyle come from?
09:27I hope they give it back to ...
09:31Ready to give the replicas to the candidates?
09:34Yes.
09:35Where is Ballesteros?
09:36He is meeting with the art director.
09:38He has asked me to take care of it and then he will see the material we film.
09:45Laura, I wanted ...
09:46Laura, I wanted ...
09:48I wanted to thank you for everything you are doing for us.
09:52I know the situation is not easy.
09:54But I had promised your uncle that I would take care of you.
09:58I don't know if you're okay, if you need anything, ask me ...
10:01No, I'm fine.
10:02And if you have to take care of someone, it's not me.
10:04It's Inés.
10:05That's why I'm here.
10:07Shall we start? We have a lot of tests ahead.
10:10Perfect.
10:16Sofía Vargas.
10:22As you can see, she is not Inés Balbuena, it is Laura, her sister, who is doing us a favor.
10:27Do you have any questions about the character?
10:29No, no sir. None.
10:30Perfect. Well, please stand in position.
10:33Over here.
10:35Martín, whenever you want.
10:42Engine.
10:44Camera.
10:46Claqueta, please.
10:51Action.
10:54Pretend to make me go through the secretary of the German ambassador with the purpose of spying on him.
11:00They have asked me very strange things, but this one undoubtedly takes the palm.
11:04And please, don't look at me with that air of superiority.
11:08I don't intend to be any heroine.
11:10By the way, where ...
11:11Where have they done that hairstyle?
11:13It's to get the money back.
11:20Action.
11:23Appeal to my patriotism, but I appeal to your common sense.
11:26What will happen if I make a mistake and they discover me?
11:29I'll tell you.
11:30That they will torture me and shoot me.
11:32Look, I don't know about you, but I have a good reason to live.
11:35His name is Eduardo and he is the love of my life.
11:38If you give me a piece of advice, look for someone who has nothing to lose.
11:44Action.
11:46He went to fight against the Germans, convinced that they were doing it on the right side.
11:50That they were the aggressors.
11:52I told him no, that I didn't agree, that it wasn't our war.
11:56But he didn't listen to me.
11:58And now he's dead.
12:05Action.
12:08I still believe that this war is not with me.
12:11But if the Germans killed Eduardo, they will have to pay for it.
12:16I accept the mission.
12:18I just want to know one thing.
12:21How did he die?
12:23How were his last moments?
12:27Cut.
12:29Thank you very much.
12:32We're done.
12:38Thank you, Martin.
12:40So, have you thought about it properly?
12:44I don't know, Fermin, I don't know.
12:46You know, if it were up to me, I would kick Lieutenant Arrogant's ass.
12:50What happens is that these social relations are ...
12:54They are another matter of politics.
12:56And my wife doesn't want to make friends with the countess.
12:58I understand perfectly.
13:00And what time is the sussudicho coming?
13:02It should be coming.
13:03The military.
13:04They are supposed to be punctual.
13:09Excuse me.
13:11Come in, come in.
13:14Sir, I need to talk to you.
13:17Well.
13:19Fermin is like my brother.
13:20Anything you have to tell me, you can tell me in front of him.
13:24Come on, sit down.
13:27It's about the matter of apologies.
13:31I have decided that it is not necessary for him to be present.
13:33I assume the responsibility.
13:35How did you decide?
13:36Rodrigo, come on, please, since when do you decide?
13:40When someone attacks one of mine, it's like attacking me.
13:43You understand, right?
13:45No more talk.
13:46We all stay here.
13:47Excuse me, Don Fermin, the gentleman you were expecting.
13:50What's up, Elias?
13:58Welcome, Lieutenant.
14:00I imagine you already know Don Fermin, the owner of this place.
14:04Well.
14:06Shall we sit down?
14:14Well.
14:15Well, here, Rodrigo, my assistant, has something to tell you.
14:19Right, Rodrigo?
14:20If I'm here, it's because my great-aunt is a very generous woman.
14:26Too much.
14:27And because I thought this was a gentleman's matter.
14:30And it would be you who would apologize to me.
14:33And not your servant.
14:35To begin with, Rodrigo is not my servant.
14:38But it doesn't matter, it doesn't matter.
14:40You have come here for an apology, right?
14:43Well, you won't leave without it.
14:45Rodrigo, please.
14:51I regret what happened.
14:54And I beg you to accept my most sincere and respectful apologies.
14:59My behavior was completely inappropriate.
15:02As far as I'm concerned, I only have good words to say about my employee.
15:08And I trust his repentance and his good intentions.
15:14It's a settled matter.
15:16Well, and now, if you want to have a drink, we can call a waiter.
15:20Invite him to the house.
15:21But do you really think that a few forced words will be enough for me?
15:27It's what you want.
15:29I want you to dismiss this insolent plebeian as a sign of goodwill.
15:37Let's see, Lieutenant.
15:40Maybe I haven't explained myself well.
15:48Have they insisted on going to the hospital alone?
15:51If anyone says no.
15:53More stubborn than a mule.
15:55My God.
15:57Well, what does he tell me about the doctor who is going to treat him?
16:00It is known that he is an eminence.
16:02And all thanks to Don Fermín.
16:04I know.
16:06Also thanks to Don Fermín, they have postponed the appointment.
16:10I would have to live several lives to repay him all the favors he has done to me.
16:14If Sandra comes home here and Petro tells me that everything is fine.
16:17He will be, Antonia, he will be.
16:20The only thing is that if they are going to do tests for him, the results will take a few days, I say.
16:24I see.
16:26Well, I don't know if he can tell me the truth with so much uncertainty.
16:29It's just that he made me very worried about the corral.
16:32And the worst of all is that he doesn't care.
16:37Hey, didn't he tell me this morning that he had received a letter from Matilde?
16:41Oh, it's true. I had forgotten.
16:43Oh, mother, what a pain in the ass, Antonia.
16:45Well, what does he say? How is it going for La Rioja?
16:48I don't know, I haven't even read it.
16:50Come on, why don't you read it to us?
16:52So he gets distracted and doesn't think so much about Pietro.
16:54Oh, that.
16:56Come on.
17:13Dear Antonia,
17:15I can't imagine how much I miss you.
17:18But also how happy I am to be here.
17:21My baby is still growing inside me.
17:23Oh, how little it is to get pregnant.
17:27Reminding me every day how well we started a new life somewhere else.
17:32Clarita is delighted with the idea of being an aunt.
17:35Aunt? But if it's a renaissance.
17:37There is hope. If he says each phrase, we never finish.
17:40Go on, Antonia, please.
17:43Iñigo has managed to get the winery going
17:46and is revealing himself as a great winemaker.
17:49He shouldn't have given away any bottles.
17:52Give a lot of memories to all the companions, especially ...
17:56Esperanza.
17:58Trini, Teresa, Elías, Cañete, Pietro and Esperanza.
18:04Of course, they are all invited for when the baby is born.
18:12I hope you continue to be as happy with Pietro as I am with Iñigo.
18:17Iñigo.
18:19His love story is an example and an inspiration for me.
18:26Antonia.
18:28Sorry.
18:39And now Rodrigo will reiterate his apologies.
18:42Rodrigo.
18:43Rodrigo.
18:47I apologize and I hope you accept them this time.
18:53Now yes, I think we finally have the matter settled.
18:57Thank you, Lieutenant, for your time and for your interest.
19:00I imagine that in the inhospitable lands from which you and your servant come from,
19:05violence and intimidation are the order of the day.
19:09But now we are in civilization.
19:12Don Fermin, you are a respectable person and you have witnessed what has happened.
19:17At some point I would like to have your testimony.
19:20Quiet, quiet there.
19:22You are not going to get up from this table without accepting our apologies.
19:26And you insist on ignoring my demands.
19:30As we go down that path, I do not respond to my actions.
19:34Are you threatening me? I am an officer of the Spanish army.
19:37I belong to the aristocracy.
19:38An officer of the Spanish army who has made me lose my patience.
19:41Do you know what I'm telling you?
19:43We had come to apologize to you because I had promised my wife.
19:47But after meeting you, after seeing how stubborn you are,
19:52I have just changed my mind.
19:54You know, I think you are the one who has to apologize to us.
19:58Especially to Rodrigo.
20:00Do it and you can leave.
20:02But have you gone crazy?
20:04Have you forgotten what your place is?
20:05No, on the contrary, thanks to you I have remembered it.
20:08Before you die, you have to ask forgiveness for your servitude.
20:11Let me go.
20:13You have been a witness of your own.
20:15Witness of your cowardice and your stupidity.
20:18Get out.
20:20Get out, go cry to your aunt.
20:23Yes, I'm leaving, but this is not going to stay that way.
20:26I'm afraid you are not aware of the mistake you have just made.
20:29If you had any hope that your wife would be accepted into society,
20:32you have lost it.
20:41I'm sorry.
20:43No, Fermín, sorry.
20:45Now I'm the one who has to apologize to you.
20:48I shouldn't have behaved like that, much less in your own house.
20:52Forgive me, but I got angry.
20:54Besides, I have compromised your position.
20:57No, on the contrary, I was about to applaud you when you put him in his place.
21:00And now what are we going to do, sir?
21:03I don't know, Rodrigo, I don't know.
21:05For the moment, get out of my sight because you have me very high.
21:08All of you.
21:20And the contribution of the countess to the foundation of Maruja?
21:23Contribution of the countess? I will cover it.
21:26In one thing, that imbecile is right.
21:28The countess is going to close many doors for us.
21:31But do you know what I'm telling you?
21:33That we will call others.
21:35Because there is a message that will reach them clearly and clearly.
21:39We are not willing to sell our dignity in exchange for being invited to their parties.
21:44Don't you think so?
21:59Good afternoon, Mercedes.
22:01Good afternoon.
22:03I didn't expect to see you here.
22:06How is Ivan?
22:08He is better.
22:10Thank you for your interest.
22:13After what happened, it is the least I can do.
22:17And I hope you believe me if I tell you how happy I am.
22:21I believe you.
22:24I had never been in this position.
22:27I had never been in this place.
22:29Although his fame precedes him.
22:31And I have to admit that it is very cozy.
22:33And that is still early.
22:35When it is a little later, with the live music and the warmth of the people,
22:39it becomes a magical place.
22:44Why don't you spend a night to check it out?
22:47Not to mention that the house invites.
22:50The truth is that since I arrived in Madrid,
22:53I have hardly enjoyed the city.
22:56I wanted to talk to Cesar, if he is in the place.
22:59Sure.
23:01Yes, he is in his office. I'll let him know.
23:19Maruja.
23:22I'm glad to see you.
23:23I didn't think Madrid would fit your idea of entertainment.
23:28And what do you think that idea is?
23:30I don't know.
23:32Private parties in luxurious palaces, nobility, aristocracy.
23:37Here we don't take ourselves so seriously.
23:40And that's what it's about, don't you think?
23:42What I think is that you don't know me.
23:45I wanted to organize a charity gala.
23:48And I thought I'd do it here.
23:50And you tell me that.
23:51I'm very glad you came to me.
23:55I wanted to see you again and I didn't know if that was going to happen.
24:00Another thing.
24:02Sooner or later, Iván will come here.
24:05And I need to know that he won't have problems with you.
24:09As long as he behaves properly, there will be no problem.
24:12In any case, I reiterate that using violence was a mistake on my part.
24:16And it won't happen again.
24:18You have my word.
24:21And when will you have the budget?
24:24Tomorrow without fail.
24:26Well, thank you very much.
24:28Let me go with you and ask for a taxi.
24:30No, it's not necessary.
24:32My driver is waiting for me.
24:34Maruja.
24:38From any time in the afternoon I will be available for you.
24:52I'm glad everything is going well over there.
24:55Yes, of course, I'm serious.
24:57Well, I have to hang up.
24:59See you soon.
25:04I can't deny that ability you have to surprise me.
25:08Sometimes so strict, other times so rebellious.
25:13I didn't expect you to stand up to that lieutenant.
25:16But I congratulate you for it.
25:19But I congratulate you for it.
25:21Well.
25:23I think I did what I had to do.
25:28Although...
25:30I admit that I enjoyed seeing that cowardly guy.
25:34Although I would never have forced Rodrigo to apologize.
25:39Rodrigo is a good boy.
25:41But don't forget that he's not from our social class.
25:45But yes, I completely agree with you.
25:47For you to see.
25:49For once, I was wrong to think that he was the most convenient.
25:53Because it may be for the interests of your mother.
25:56But not for the honor of this family.
26:00There's something else I want to talk to you about.
26:03I see.
26:06I imagine you want to resume our discussion about synthetic fiber.
26:10Am I wrong?
26:12Well.
26:14Okay.
26:16What can I tell you to convince you that we're talking about the future?
26:20That because of its implementation, workers will not lose their jobs.
26:25They will lose them.
26:27But to be relocated to the factories.
26:30I already told you that.
26:32This is a revolution, Paula.
26:34It's a change of production model.
26:37It's unstoppable. If we don't do it, others will.
26:40But how are we going to do it well?
26:42No one will be harmed.
26:43On the contrary.
26:45We'll all win.
26:47Bosses, workers, and most importantly, society as a whole.
26:50We're building the future, daughter.
26:53And I'd like you to be by my side.
26:56Because I'm your daughter.
26:58Because you're brilliant.
27:02I shouldn't have threatened you.
27:05You know I'd never do anything that could harm you,
27:08or you, or this family.
27:10I'm sorry.
27:11You know what?
27:13I think you and I are the same.
27:15That's why we collided.
27:17Of course.
27:19So, you choose.
27:21What do you prefer?
27:23To be my worst enemy,
27:25or my best ally?
27:28I'd rather choose my own path.
27:31Oh, I see.
27:36All paths lead to Rome.
27:39Be patient.
27:42You know,
27:44I think if you had been in that reservation with the lieutenant,
27:48I would have been the one to hold you.
27:52You can be sure of that.
27:57He went to fight against the Germans,
27:59convinced that they were doing the right thing,
28:02that they were the aggressors.
28:04I told him I didn't agree,
28:06that it wasn't our war.
28:08He didn't listen to me.
28:09And now he's dead.
28:20Are you about to make me cry?
28:23Why?
28:25Because I've just been told
28:27that the Germans have killed Eduardo.
28:29I had to interpret this scene.
28:31The truth is that it was very exciting.
28:34When you want to realize it,
28:36you're so caught up in the role.
28:38By the way, do we have an actress?
28:41Well, I don't know if you have one or not,
28:43but you can rest assured
28:45because all of them were very good.
28:47I've lost count,
28:49but I think I've given the line to more than ten,
28:51so I'm sure the director will find what he's looking for.
28:56Come on, turn around,
28:58I'm going to give you a massage.
29:00You deserve it.
29:02Oh, it's just what I needed.
29:04The truth is that now I understand you more than ever.
29:07When you're sitting in the chair,
29:09you can't imagine
29:11that there's so much work behind a movie.
29:14But I have my head like a bomb.
29:16If anyone asks me about Mr. Fritz,
29:19I'll send him for a ride.
29:21Fritz?
29:23The German ambassador.
29:25Yes, I'm sorry.
29:27Really, you're going to fall in love with him.
29:30And can you imagine
29:31that after all this, Eduardo is alive?
29:34You'd have a big problem.
29:36Well, yes, it could be.
29:38How did it go with Agustín?
29:40Fine, but he was a little nervous.
29:43Some actresses gave him a lot of directions,
29:46others none.
29:48I've invested a lot of money in this movie
29:50and it can't afford another failure.
29:53That's why I feel so responsible
29:55when I'm not up to it.
29:57It's normal, but it'll be fine.
29:58Besides, from what I've seen on set,
30:01Ballesteros knows what he's doing.
30:03Yes, he was Benito Perojo's assistant director.
30:06And although he only directed one movie,
30:08it was a great success.
30:10And this one will be a success too.
30:12I noticed it when I played your role.
30:14It's a great story, Inés,
30:16and you're going to make the audience fall in love.
30:18Do you really think so?
30:20I accept the mission.
30:24By the way,
30:25Mrs. Lázara called to ask
30:28if she could come and see us,
30:30and I said yes.
30:32Do you mind?
30:34The truth is I don't feel like it.
30:36I'm very tired.
30:38But did she tell you what she wants to talk about?
30:40No, Laurita, don't ask her.
30:42I'm sure she wants to talk about the inheritance.
30:44It's the only thing she's interested in.
30:46I definitely don't feel like talking about this
30:48with this lady right now.
30:50Well, whether you like it or not,
30:52she's our aunt now.
30:53Our uncle loves her,
30:55so we have to be nice to her, please.
30:57Whether I like it or not.
31:01I think it's clear to you.
31:07But this time I heard it from his mouth, Iván.
31:10You have to believe me.
31:12Millado wants to cheat on you.
31:14I see you're insistent.
31:16I'm just trying to stop an injustice, nothing more.
31:18Well, thanks to you,
31:20I have time to check
31:21whether it's a trick or not.
31:23Millado is here waiting for me.
31:25I'm glad to hear that.
31:27I'll leave you then.
31:29Thank you very much. Mercedes.
31:31Goodbye.
31:43I'm sorry I made you wait.
31:45I'm sure the wait was worth it.
31:47Honestly, I'm very curious
31:49about the business you told me about yesterday.
31:51I'd like to know more details.
31:53Me too.
31:55But about you.
31:57About me?
31:59I don't understand.
32:01Yes.
32:03We barely know each other
32:05from a few parties in Madrid Cabaret.
32:07And here you are,
32:09in my house.
32:11As if we were friends.
32:13Why should I trust you?
32:16I remember you were the one
32:18who offered me the business.
32:20No, seriously, Iván.
32:22I'm a respectable man.
32:24And you can't deny
32:26that we understand each other
32:28and that we know how to have fun.
32:30You're right about that.
32:32I'd like to make one thing clear.
32:34The only condition I demand
32:36to join a business
32:38is to go half-way.
32:4050% for each of us.
32:42I think there's no other way to be fair.
32:44Do you agree?
32:4650%?
32:51Did you really think
32:53you could fool me so easily?
32:55Fool you?
32:57I just told you my intention is to go half-way
32:59and that we both take the same risk.
33:01The same risk? About what?
33:03You don't even know what the business is about.
33:05That's why I came, to know more.
33:07In any case, my trust
33:09should serve as proof of my intentions.
33:11You trust someone you barely know.
33:13Someone who hasn't told you
33:14what he's going to do with your investment.
33:16Do you know what I think?
33:18That you're a fake
33:20and a cheap scammer.
33:23I don't know what happened to you,
33:25but I don't recognize you.
33:27And I don't understand why you insult me like that.
33:29What has changed from one day to the next?
33:31I thought a friendship was being forged
33:33and that you were grateful
33:35for being welcomed in a new city.
33:37I agree, Ivan.
33:39I haven't even asked you about the nature of the business.
33:41But I've told you.
33:42It's proof of the trust you inspire in me.
33:44No.
33:46It's proof of your greed.
33:48Your plan was very clear.
33:50Ensuring you half of the profits
33:52without having contributed the idea
33:54or the initial capital.
33:56Did you really think I was going to bite the bait?
33:58That I wasn't going to find out about you?
34:00I'm not that naive, you know?
34:02What have they told you about me?
34:04That you're not clean wheat.
34:06That I'm not clean wheat?
34:09Who?
34:10Someone who knows you very well.
34:13Ivan, do you know how easy it is
34:15to defame someone?
34:17To ruin their reputation without providing any proof
34:19because they haven't given you any proof, have they?
34:21Get out of my house.
34:24If you'll allow me some advice.
34:27When you want to know the truth,
34:29don't settle for a single source.
34:31Ivan.
34:35If they're talking badly about me,
34:37if they're putting you against me,
34:38it may be for another reason.
34:40To keep you away from someone
34:42who truly appreciates you.
34:45I said get out.
34:53Good afternoon.
35:03Remember what we've talked about.
35:06Yes, that Finja is kind.
35:08And now that you know what it's like to act,
35:10it won't be so difficult.
35:12So smile.
35:18My dear nieces.
35:22You must be wondering why I'm here.
35:24Yes, actually.
35:30I'm aware of the problems
35:32you're having with the film.
35:34Especially you, Inés.
35:36Agustín told me about it
35:38and that's why I'm here.
35:40To convey my support
35:42and my trust to you.
35:44And if that wasn't enough,
35:47I passed by the jewellery shop
35:49and as soon as I saw it, I knew.
35:51I thought, for my nieces.
35:54But...
35:58A four-leaf clover?
36:00A lucky charm.
36:02It's beautiful,
36:04but it shouldn't have bothered you.
36:06Thank you very much.
36:08Now that you've welcomed your family,
36:10everything I do for you will be little.
36:12I'm not surprised your uncle loves you so much.
36:16By the way, don't think
36:18that this has anything to do
36:20with the generous gesture you made
36:22when you dissolved society
36:24and shared the inheritance with me.
36:26Why not?
36:28This has to do
36:30with the fact that I love you too.
36:32And it's important for me that you know that.
36:35You can trust me.
36:37I have your aunt.
36:48If this isn't happiness,
36:50it looks a lot like it.
36:52Leon sleeps like a baby.
36:54His mother has gone for a walk.
36:56What else can you ask for?
36:58Wait, I've got it.
37:00Tell him to go home,
37:02as it seems to be.
37:04These olives are so good.
37:06They can be.
37:08I asked El Colmado to put me the best ones
37:10because there was something to celebrate tonight.
37:12Do you want me to open the wine?
37:14Let's have a toast.
37:16Don't tell me you don't deserve it.
37:18It's not good for me to talk to my mother like that.
37:20And it's true that she helps us a lot with Leon,
37:22but there's always a limit.
37:24Well, I'm euphoric.
37:26I'm sorry, but I can't help it.
37:28Well, I just ask you to mix it a little
37:30and that you don't notice it so much
37:31because you don't want to lose sight of it.
37:33I promise.
37:35Hello.
37:37Hello.
37:39In this neighborhood,
37:41it's almost as funny as a dove.
37:43You always have to go with umbrellas.
37:45How are you, dear mother-in-law?
37:47Divinely. What are you celebrating?
37:49We're not celebrating anything.
37:51No, no, quite the opposite.
37:53We're devastated
37:55and we thought a little step
37:57could ease the pain.
37:59What pain?
38:01Well,
38:03we got a knot in our stomach
38:05when we found out
38:07what was about to happen.
38:09And what's going to happen?
38:11Leonora,
38:13I wanted to take this special moment
38:15to apologize to you.
38:17If these days
38:19I've been rude to you,
38:21it's because of the nervous disorder
38:23I've had since I was a father.
38:25In any case,
38:27I wanted to thank you
38:29for your inestimable
38:31support.
38:33You're welcome.
38:35My obligation as a grandmother
38:37is to take care of my grandson
38:39and as a mother, my daughter.
38:41And as a mother-in-law.
38:43I must admit Trini chose you.
38:45You never imagine
38:47that having a baby
38:49would make you so fragile, Trini.
38:51Luckily, my instinct told me in time.
38:53It can't be that a brat
38:55who doesn't get up
38:57will drive you crazy.
38:59You have to deal with him
39:01like you deal with the bus.
39:03Is that why you're packing?
39:05No, I wasn't packing.
39:07I was looking for some stockings
39:09I thought I'd put inside
39:11and I went to the store
39:13to buy some new ones.
39:15So you're not leaving?
39:17Seeing what I've seen?
39:19Of course not.
39:21Not even in my dreams.
39:23It would be irresponsible
39:25to leave you alone.
39:27Miguel, don't say anything.
39:29It's the emotion.
39:31It's the emotion.
39:33How can I not leave?
39:35Trini, Trini, Trini.
39:37I just hope the baby doesn't leave his father.
39:41Baby!
40:01Baby!
40:20I'm sorry, Antonia, I'm sorry.
40:22I told my mother I was going out for a bit of salt
40:24and it's a lie.
40:26I went out because I needed something.
40:28Yes, of course, come in.
40:29What happened?
40:31What didn't happen.
40:33He won't come back home.
40:35He didn't buy any tickets.
40:37He'll stay at my place indefinitely.
40:39Indefinitely.
40:41Antonia, he won't come back home.
40:45Antonia.
40:47I'm sorry, I'm sorry.
40:49I'm sorry.
40:51I have a headache somewhere else.
40:53Pietro hasn't come back from the hospital yet.
40:57I'm sorry, I'm sorry.
40:59I have a headache somewhere else.
41:01I'm telling you all this nonsense
41:03and I had completely forgotten
41:05that today Pietro had the tests at the hospital, right?
41:07Yes.
41:09So we don't know anything, then?
41:11No, no, no.
41:13But it's going to be good news.
41:15Of course.
41:17Well, as Teresa said,
41:19he'll probably get the results in a few days.
41:21Well, I suppose the doctor will be able to give him a head start.
41:23I say this because of his experience
41:25and because of the symptoms.
41:27I don't know, he'll have some idea.
41:29I'm going to give you some salt
41:31so that your mother doesn't suspect anything.
41:40Hello.
41:42Hello.
41:44Hi, Teddy.
41:46Hi, Antonia.
41:48Hi, honey.
41:50Well, how did it go at the hospital?
41:52Everything's fine.
41:54Everything's fine.
41:56As I thought, there's nothing to worry about.
41:57Well, that's good.
41:59Yes.
42:01Of course.
42:03Yes, yes, very good.
42:05The salt.
42:07Yes, yes, I'll leave you alone.
42:09Goodbye.
42:16What did they tell you?
42:18They gave me the results, Antonia,
42:20and that's why it took a little longer.
42:22And?
42:24And they did some tests on me
42:25and after a couple of hours
42:27a nurse gave me this envelope
42:29with the results
42:31and they told me
42:33that I should see the doctor
42:35as soon as possible.
42:44Don't read this.
42:46I wanted to get home and open it with you.
42:48Of course.
42:51Let's have dinner first.
42:53No, no, no.
42:55No, the sooner we open it
42:57the sooner we'll know you're okay.
42:59Because that's what the report will say,
43:01that my husband is okay
43:03and that he has something of little importance.
43:08Do you want me to open it?
43:10Yes, please.
43:25Okay.
43:36According to the symptoms presented
43:39and waiting for...
43:42it is suspected that the patient
43:45may have a glioblastoma.
43:47A glioblastoma?
43:54A brain tumour.
44:03Damn it.
44:08I'd appreciate it if you called when you came in.
44:11And I'd appreciate it if you stopped being in such a bad mood.
44:14It's not good for the team
44:15to have a doctor who looks like a bitter man.
44:17You still don't know that this is the business of illusion?
44:20Without money there is no illusion.
44:22The recovery of the shadow of love
44:25is on the ground.
44:27It's so small that I doubt it will ever come back.
44:31Now I can say without fear of making a mistake
44:34that my first film was a disaster.
44:38Instead, The Intrepid Spy will be a huge success.
44:41You'll see how you recover everything you've lost.
44:44I wish I could be as optimistic as you.
44:47Trust me.
44:49We have the actress and she's a gem.
44:52Perfect.
44:54Who is she?
44:57None.
45:00What do you mean, none?
45:02Ballesteros, I'm not in the mood to play.
45:05If she's not one of these, who the hell is she?
45:07The girl who gave them the replicas.
45:09The girl who...
45:10Yes, she's a real gem.
45:13The thing is, I've seen her on set.
45:15Who is she?
45:17She's...
45:19Laura, Inés' assistant.
45:21She's also her sister.
45:23And neither that actress nor does she pretend to be one.
45:26What does that matter?
45:28You don't choose to have talent, you just have it and that's it.
45:31And that girl has plenty of talent.
45:33You should have seen her.
45:35She's spontaneous, resolute,
45:37she unleashes truth, tenderness, strength, mystery.
45:40Her image is magnetic.
45:44Ballesteros, I don't think you understand.
45:47Forget about her.
45:52I think you're the one who doesn't understand.
45:55I wasn't asking for your opinion, Agustín.
45:58I want that girl.
46:00Have you gone mad?
46:02Don't you realize that Laura is too young for the role?
46:06Or have you forgotten that Eugenia's character is 40 years old?
46:08We can do two things.
46:10Make Laurita older or rejuvenate Eugenia.
46:12And I'll choose the latter.
46:14I'll retouch the script.
46:16You should be as euphoric as I am because you've just witnessed something unique.
46:20The birth of a star.
46:38The birth of a star.
47:02You're not so brave now, are you?
47:04You scoundrel!
47:09You scoundrel!
47:13I've been thinking about the idea of synthetic fiber.
47:16I think it's the business of the century.
47:18I want to be there to help you.
47:20There will be a fierce struggle to lead the market.
47:23Yes, tell me.
47:25We have to operate immediately.
47:27Yes, I'll tell you.
47:29Lieutenant Márquez has shown up at the office,
47:32he came in and attacked me from behind.
47:34How?
47:35He betrayed me.
47:36He beat me up.
47:38But what worries me is that he's been threatening Paula.
47:41Let's see.
47:43What do you mean, threatening Paula?
47:45Didn't he put a hand on her?
47:47What are we going to do now, sir?
47:52It will cost us a fortune.
47:54What are we going to do with him?
47:57You should go to the doctor.
47:59What I should do is go to the barracks and beat Márquez in front of all his colleagues.
48:03But your father told me that he will take care of it.
48:06But how are you so in a bad mood? What's wrong with you?
48:08The mother-in-law, who brings her bitterness on the street.
48:10I have to live at home, Teresa.
48:13Ah, the young man would prefer that the woman lived in a pension.
48:17Is that it?
48:19Well, that wouldn't be bad, would it?
48:21No, that would be very bad, Miguel.
48:23That would be an injustice.
48:25Laura, would you mind leaving us alone?
48:27I would like to talk to Inés.
48:33The woman is an intruder.
48:34And the poor man has not had a moment of peace with Trini since he has had the child.
48:38I would love to help you, but I don't know how.
48:42Well, I'm thinking of a way.
48:44Welcome, Lieutenant.
48:46I guess you already know why we brought you here.
48:49You didn't bring me here.
48:51I'm here on orders from General Fariñas.
48:53But isn't Laurita an actress?
48:56Laura is not an actress, it is true.
48:58But it is also true that she has done it wonderfully well.
49:01And the character is very small.
49:04Agustín, please.
49:06She doesn't understand well.
49:08He is a crucial character in the film.
49:10But no, no, I'm like this, without arrangements.
49:12Take it!
49:14Let's see, if what is not broken, there is no need to fix it.
49:16And Leonora, you are the one who breaks it.
49:20We're leaving.
49:22Now you take it.
49:26There is no bad news, and go ahead with that.
49:29There are only small setbacks, nothing more.
49:34Inés' sister will not be able to make the film.
49:38Are you going to put your son to work as if he were a miserable worker?
49:41Of miserable, nothing.
49:43You want to learn the business, I think it's very good.
49:45But you are going to do it from below.
49:47As I have done.
49:49As Rodrigo has done.
49:51Don't compare me with Rodrigo.
49:53Of course I don't compare you with Rodrigo, because there is no point of comparison.
49:55These are the unforeseen.
49:57Finally, the client does not usually pay,
50:00but I like to foresee in case something unexpected happens.
50:02Of course, you can never rule out that something unexpected happens,
50:06that it complicates everything.
50:13I have always wanted you to be my successor,
50:16but as you go, you will end up being Paula.