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00:00[♪ Funky
00:118-bit music plays, phone ringing ♪
00:13What's up?
00:14Hello Spiro...
00:15Amalia?
00:16How did you know it was me?
00:18Huh. What's wrong?
00:20Spiro, I left him.
00:23Who?
00:24Vangelis.
00:25Which Vangelis?
00:26Vangelis, who owns the volcano in Zotero.
00:29I left you. We broke up.
00:33Are you shocked?
00:35I didn't even know you had them, Vangeli.
00:38Didn't we have them, Vangeli? The one and only Vulcanizer Vangelis?
00:41Since when?
00:43Vulcanizer has had them for four years.
00:45We had them for two and a half weeks.
00:47Maybe it's because we've had them for three months.
00:50Maybe that's why I didn't know.
00:52Yes?
00:53I'm talking.
00:54But Larissa told me everything.
00:56You had them in Tripoli. Where is Larissa?
00:58I'm in Tripoli. I'm in Larissa.
01:00What are you doing there?
01:02I thought I had found my port.
01:04In the countryside?
01:06Nothing.
01:07You were in Tripoli a few months ago.
01:09You were going to visit half of your friends.
01:11In the end, you ended up in Larissa.
01:13Spiros never loved me.
01:15He played with me so he could laugh.
01:18And his rich friends.
01:20Who?
01:21What's his name?
01:23How are you?
01:25Did you go to the last lesson about success?
01:27That's how I asked.
01:29For the eyes of the world.
01:31I can't see anything but my own drama.
01:34Spiros.
01:35Amalia.
01:36I packed all my things in a suitcase.
01:39And I'm coming to Athens.
01:41I got you some rings from the store.
01:44Italian and amazing. You'll go crazy.
01:48It's for the car.
01:49Why? Is it for the screening?
01:51Can you come and pick me up from the station in the afternoon?
01:54Amalia, I don't even know if I'll be in Athens in the afternoon.
01:57And where will you be?
01:59Wait, I'll look at the map and I'll tell you.
02:25I was an angel of Charlie, of Charlie, of Charlie.
02:28I chased the thieves in the mountains.
02:36In my sleep I saw him drinking tea.
02:39And the boss was calling me.
02:42And they told me the password, how he will love me.
02:45And how to travel to the peaceful.
02:47I was an angel of Charlie, of Charlie, of Charlie.
02:50I was wearing golden earrings in my eyes.
02:53I was an angel of Charlie, of Charlie, of Charlie.
02:56I chased the thieves in the mountains.
02:59What are we going to do now?
03:01How are we going to find Venetoglou's house?
03:03Aha! The letter is fake.
03:05Ledaki Stylianos.
03:07But he doesn't write an address.
03:09But he's the problem with the villages. They don't have an address.
03:11Let me ask you something.
03:12Here on the road we were coming,
03:14some big white dogs with a lot of hair,
03:16that were climbing the mountain all together...
03:18Sheep.
03:19Sheep?
03:20Oh, you've seen them again, haven't you?
03:22We are ten people in the village.
03:24We know each other, we are friends.
03:26But you need them now.
03:27How are we going to find the house?
03:29Some other dogs that have two things on their heads.
03:31Goats.
03:32Goats?
03:33Ah, very nice.
03:35When a letter comes to the village, where do you get it from?
03:37From the community.
03:38If it's a big issue, it comes with a cocktail.
03:40Nice. Let's go to the community.
03:42Maybe we should knock on the house's door.
03:44Who knows, maybe someone can tell us something.
03:46Another dog, in chocolate color.
03:48Let me tell you, please, before we finish.
03:51A flock of sheep.
03:52Ten goats that were grazing over there.
03:54Another one with a brown hair was a fox.
03:56A pig.
03:57And some other dogs, with two legs,
03:59that were eating some seeds and looking at the sky.
04:01They call themselves goats.
04:02Goats.
04:03So, Thoti, listen.
04:04So we don't get late.
04:05We split up into two teams.
04:07I take Zoumbi, you take Dalia.
04:08Oh, how nice, we'll be together.
04:10You don't understand.
04:11Why should you take Zoumbi?
04:13You take Dalia, I'll take Zoumboulia.
04:15Oh, how nice, we'll be together.
04:17No, no, no.
04:18So we split up into two teams.
04:21Oh, how nice, we'll be together.
04:23You don't get along.
04:24You won't leave me alone with Zoumboulia.
04:26Who says?
04:27What do you understand?
04:28What I understand is that we all want me in their team.
04:31There are three of us now.
04:32So get ready to go to the fourth one.
04:34Angela, you and Zoumboulia in a team.
04:36I live alone for a second.
04:37And Dalia alone.
04:38Let's have our heads together.
04:39And what am I going to do?
04:40A team on my own?
04:41I don't know, Dalia.
04:42Anyway, I'm not taking you with me.
04:44Let's go.
04:45Come on.
04:46Come on.
04:49He's mad.
04:55Stylianos, right?
04:56Yes.
04:59It must be a small village.
05:01We'll find him easily.
05:02The point is to clear it easily.
05:04Are we close?
05:07We'll be there in an hour.
05:10Be patient.
05:16It will be a sunset, it will be a sunset of the sky.
05:21Good morning.
05:23You too.
05:27Are you from the bird?
05:29Which bird?
05:30The Sunday bird, Grigoris, I think.
05:32No.
05:34Your son is the new dad?
05:37No, he's not my dad.
05:38He has a channel.
05:39A TV channel?
05:41A channel on TV.
05:43I told you, you're from Grigoris.
05:45Grigoris has such a big son.
05:47Don't mention Grigoris again.
05:48Are you talking about TV?
05:50Yes, I'm not on TV.
05:51Why don't you tell your father to put you on TV?
05:53Yes, if I tell him, he'll put me on TV.
05:54Won't Grigoris put you on TV?
05:56Listen to me, listen to me carefully.
05:59We have put Grigoris on TV.
06:03But he shouldn't.
06:04Do you understand?
06:05Who are you?
06:06Who is your dad?
06:08My dad is...
06:11My dad is my dad.
06:12And he has a small channel that you can't catch up with.
06:14And they call it TV.
06:16What is TV?
06:18It has a double meaning.
06:19It's both a snake and a snake.
06:21What we call.
06:22Or Toundouka?
06:23That's right.
06:24I'm lost.
06:25Why do you call the channel Toundouka and you call it TV?
06:30In the end, it's better to talk about Grigoris.
06:32Whatever you want.
06:34Let me tell you.
06:35A man named Ledaki Stylianos.
06:37Do you know him?
06:38Lidaki.
06:39Ledaki.
06:40Elidaki.
06:42Tell him.
06:44Which series does he play?
06:45None.
06:46He lives here in the village.
06:47Ah, Lidaki Stylianos.
06:49We don't know him.
06:51It doesn't matter.
06:53Do you mean Stelios Mungos?
06:55Is he Mungos?
06:56No.
06:57That's how we call him here.
06:58Oh, I got it.
07:00I have a friend who knows them.
07:01That's how he calls them.
07:02Go ahead, go ahead.
07:03Yes.
07:04Lidaki is his name.
07:05What can I tell you?
07:06He is a quiet man.
07:07He neither talks nor laughs.
07:08And his heart is soft.
07:10He doesn't get angry or grumpy.
07:13He is a lonely man.
07:16Does he live here in the village?
07:17Once upon a time.
07:18How old is he?
07:19Fifty, fifty-five.
07:21Somewhere around there.
07:22That's him.
07:23Where does he live?
07:25There are two goats back there.
07:27Two goats is a bit difficult.
07:28One goat and a rooster.
07:30Another animal?
07:35Get in!
07:36Get in!
07:37Get in!
07:38Hurry up!
08:08Get in.
08:21Good morning.
08:22Are you Mr. Lidaki?
08:26And who are you?
08:28My name is Fotis.
08:30Mr. Venetopoulos.
09:08I don't know who you are, but I know you've been convicted of a crime you've never committed.
09:31Who are you?
09:33I was there when Stavrianidis died.
09:35Four of us.
09:38What he couldn't complete because someone raped him, we took over.
09:46I know, I mean, I know it's not easy to trust someone, but I can get through.
10:03And what are you doing here?
10:05Me or you?
10:06Me.
10:07No, the truth is, we came alone.
10:09Yes, you admit it.
10:10What did I confess, girl?
10:12Stop, Maraki, stop.
10:13Because if you talk...
10:14I confess.
10:15No, you're lying.
10:16Shut up!
10:17And you?
10:18Will you talk?
10:19What the fuck do I have? I told you I was leaving.
10:21And have you written to my brother?
10:23You fucking bitch!
10:25Watch out, what are you saying, bitch, watch out, because I have nothing to clean up, and they want you too.
10:31Why did you come here?
10:32Shut up!
10:33Okay, but remember, I'll ask you again later.
10:36What are you going to do with the paintings? What are you going to do with them, just to eat them?
10:39Why? What are you going to do?
10:41I have children to marry.
10:43And with the paintings, you mean you're going to marry your ugly child?
10:46And when you miss him, you talk like this.
10:48And when you miss him, he talks like this.
10:50Oh, great.
10:51What are these two, sisters?
10:53That's what it looks like.
10:54Why are they fighting?
10:55And you?
10:56You've gone mad.
10:58As soon as you got the money, you ran like crazy.
11:01Did you give it to the lawyer's daughter from Athens today?
11:04Worse.
11:05Do we look like lawyers from Athens to you?
11:08Look.
11:09That's how it is, Rosenberg.
11:11What?
11:12Who's Rosenberg?
11:13Come on, don't talk like that.
11:15You're going to kill him.
11:16No, no, no, let her say it.
11:17What do you mean?
11:18Stop it, I don't understand what's going on.
11:19What don't you understand?
11:20They're fighting over the paintings.
11:22Do you know how many brothers have been killed over the paintings?
11:25The man with his sister, Eftimoula.
11:27The woman with her brother, Zissi.
11:30The two children, Thoma and Varela.
11:32Is it a curse?
11:33A curse, a curse.
11:34Then they paint a big tree.
11:36What curse, Maris?
11:37I'm telling you, they're getting killed.
11:38Come here.
11:41I'm going to kill you all.
11:43I can't believe what I'm seeing.
11:44You're not going to live long.
11:46Why, sir?
11:47We didn't do anything.
11:48Shut up.
11:49Tell him, Maris.
11:50Don't you know us?
11:51No.
11:52Where did I tell him?
11:55Why?
11:56You think I can't?
11:57I'll show you.
11:58I can't.
11:59What do you think?
12:00Can I or can't I?
12:01What do you mean, you can't?
12:02Can you?
12:03Can you?
12:04Fine.
12:05What do you think?
12:06Can I?
12:07No, you can't.
12:08I can't.
12:09What are you saying, Maris?
12:10He's just saying the same thing.
12:11I can't.
12:12I don't know.
12:13I'm getting worried.
12:14Sir, we saved him from so much trouble.
12:16It's a shame.
12:17They're getting killed over the paintings.
12:19The paintings aren't the paintings.
12:21They're not the paintings.
12:22What do you mean?
12:23Let's sit down and talk about it.
12:26She was very beautiful.
12:29And I wanted her.
12:32I wanted her a lot from the first moment.
12:36Of course, it wasn't easy.
12:41Because she couldn't look at someone easily.
12:45I mean, she was a snob.
12:48But she was kind of distant.
12:53Of course, that gave her a special charm.
13:03That night, we stayed late at a cafe.
13:08And when we left, we went straight to my bus.
13:12We were alone.
13:13We were alone.
13:16And I...
13:20kissed her.
13:25For the first time.
13:28For the first and last time.
13:32She didn't say anything, just smiled.
13:39I got on the bus and went home.
13:44I remember that night, the only thing I did was to push the time.
13:47I pushed the time.
13:48I pushed it so that another day would come and I would see her again.
13:54Of course, if you asked me now,
13:57I wish I could make it and freeze time.
14:04And if that day would never come.
14:08Another day, no matter how much I searched for her,
14:13I couldn't find her anywhere.
14:15Neither in her school, nor in her house.
14:17Nowhere.
14:21After four days, they picked me up.
14:25All of a sudden?
14:29All of a sudden.
14:33There was supposed to be a meeting.
14:36And I was the last one to see her alive.
14:40What evidence did they have?
14:42This.
14:48And the ones they didn't have, they made them.
14:51I told you, someone had to see her alive.
14:54Yesterday, she was in a crime, she couldn't stay unpunished.
15:01She was almost...
15:05What?
15:07I don't know.
15:09She was in a bad condition.
15:11They showed me some pictures.
15:16I didn't believe that a person could do such a thing.
15:22But how?
15:25What?
15:27Were you expecting something complicated?
15:30A perfectly organized plan?
15:32A well-planned conspiracy?
15:36Yes.
15:38This happened later.
15:40After I was picked up.
15:42I told you.
15:44From the moment they found someone, they had to take care of him.
15:50And that's when Vangelis comes into the picture.
15:54Stavrianidis?
15:56He impressed you.
15:57Such an important case.
15:59To put him in a new and endless trial.
16:02He didn't even have time to go to work.
16:07Who did this?
16:08What kind of question is that?
16:11The real question.
16:14I was constantly giving him new information.
16:16Constantly.
16:20Here he is.
16:23A self-proclaimed witness.
16:26He said he wanted me to leave the place of the crime.
16:33They paid and bought one lie after another.
16:40And then they sold them everywhere.
16:56That's how you look at everything.
16:58They say the same thing.
17:05They fooled the guy.
17:08The guy.
17:10He wanted to be fooled.
17:12He probably wanted to sell.
17:15Because it's easier to find a lie than to sell it.
17:19And it sells more.
17:22The truth is binding.
17:24If you have the ability to plan a lie,
17:28you can let your imagination run wild.
17:32It's binding.
17:34Doesn't this apply to everyone?
17:37Tell me about someone who doesn't apply.
17:43You have to understand something.
17:45There is no logic in everything.
17:48Everything has its own logic.
17:51In this case, you want to sell lies.
17:54You have to get permission from five different ministries.
17:58And the last stranger has the right to write anything he wants for life.
18:04Without any approval, without any consequences.
18:07And above all, without shame.
18:21Yes, what are we doing?
18:22I'm going to ask where his house is.
18:24Someone might see you like this.
18:25What do you want me to do? We don't have permission.
18:27You go.
18:28Where should I go?
18:29Near here.
18:30Just make sure the car is not in sight.
18:31And if necessary, be ready to intervene.
18:32Okay.
18:33And be careful.
18:34What?
18:35Don't let them show up from any corner.
18:36From where and where?
18:37From wherever you expect them to be.
18:39Do you understand?
18:40I'm going to ask where his house is.
18:42And if necessary, be ready to intervene.
18:48Look, Mr. Fedonas, as I see it, it's a good share.
18:53Because indeed, Mrs. Koula might have taken the biggest part of the fields.
18:56But you have this, the land.
18:59This is the manure for the goats.
19:01Help me a little.
19:03Goats are the goats.
19:05And manure is what they put in.
19:07And what is the manure?
19:09It's mine.
19:11Oh, I see.
19:12We have to share the goats, too.
19:14And the rhododendrons.
19:15Oh, the rhododendrons? Why, guys?
19:17Yes, there are five of them.
19:19Everyone will take one.
19:20The rhododendrons, of course.
19:22But it's made.
19:23I see.
19:24How many rhododendrons are we talking about?
19:26In bundles?
19:27In fruit trees, if possible.
19:28Why? In bundles?
19:29I don't understand.
19:30Our forgiven barber has shared them well.
19:33Before he died, he sat down and wrote them all down.
19:36Paper and squid.
19:38I should do that sometime.
19:40I have a lot of them, you know.
19:42But you see, Mrs. Podoli, these papers don't exist.
19:45Come on, Mr. Fedona.
19:47That's why you got us in trouble.
19:49We?
19:50Who are you?
19:51We can't find them.
19:52I've been looking all over the house.
19:54Did you look in Kotetsi?
19:55No.
19:56You should look in Kotetsi.
19:58Once, I, Makaritsos Charalambas, my husband,
20:01hid his mother's entire pension.
20:03Where?
20:04Where?
20:05In Kotetsi.
20:06In Traisto.
20:07Didn't you see?
20:08When I come back home,
20:09and I see all the girls with their bags in their mouths
20:12going for walks,
20:13I get a headache.
20:14I'm ready for the shopping.
20:16I just miss my bag.
20:17Really?
20:18I swear I do.
20:19Oh, so it's true.
20:20Oh, my God.
20:21So, you know what I'm saying?
20:23Just like we're all together,
20:24let's go to Kotetsi and...
20:26No one gets out of here if I don't say so.
20:28I see.
20:30And what's going to happen now?
20:32Oh, calm down.
20:34How are the fields doing, my love?
20:36What?
20:37What?
20:38You've been bothering us all this time.
20:40We've got work to do.
20:41Tell us how much.
20:42I'll finish it.
20:45Here.
20:46For the flowers.
20:47Here.
20:48And for the rags.
20:49Rags.
20:50Rags.
20:51And I don't eat them anyway.
20:52Here.
20:53For the...
20:54Fertilizers.
20:55Fertilizers.
20:56Here.
20:57And for the plants.
21:07Now!
21:10Four years later,
21:11I got a visit at the prison.
21:14I was with Vangelis.
21:16A black circle in front of his eyes,
21:18a darkened face.
21:20As if he had killed someone.
21:25But when he saw me, he started crying.
21:27I didn't remember it.
21:29Of course, I saw in his eyes that it was for the best.
21:32He explained to me who he was.
21:34I remembered.
21:35And I asked him why he came.
21:38And he replied,
21:39to make you sad.
21:42To make you and me sad.
21:45Did he discover anything?
21:46No.
21:47He had seen himself in the witness of my case,
21:50now in another case,
21:52with another name, another appearance.
21:54He even showed me some photos.
21:57I didn't recognize him.
21:58But he was sure.
22:00Since then, he started looking.
22:03And what did he find?
22:05His brother.
22:06Kastelis?
22:08We talked to him.
22:09He told us that he killed Eleftheria.
22:12I made him believe it.
22:15And he did it.
22:16There was no way he had set up
22:18all this fairy tale that followed.
22:20What was Kastelis now?
22:21The last car driver.
22:23An innocent man, as Vangelis called him.
22:26A man for other people's wishes.
22:29The most dangerous thing was to keep
22:32the gun when they killed her.
22:34Who were the others?
22:35Did Stavrianides find them?
22:37He didn't tell me everything.
22:39Especially after my interrogation.
22:41Did he organize it?
22:42Yes.
22:44And Piskalavis was our difficult contact.
22:47I knew that he was looking for his brother,
22:50in his friends, in his school.
22:54And when he got closer,
22:55the problems started.
22:58Meaning?
22:59I lost him for a year.
23:01He stopped sending me letters.
23:03I was afraid he had stopped completely.
23:05But he was trying to protect me.
23:08He had hit a nail,
23:09and that bothered someone.
23:11I started to watch him.
23:15Do you know that they had tried
23:17to murder him again?
23:18When?
23:19In 1999.
23:22He resigned from the government then.
23:23He was a minister.
23:24And when he calmed down,
23:26he gave up everything.
23:27Politics.
23:30And he was only concerned with that.
23:31To find the truth.
23:33To find the truth,
23:34to save his life.
23:36And I want to hope for my own.
23:38Did they kill Eleftheria's brother?
23:42What are you talking about?
23:44He was looking for us.
23:46Angelis and Pavlos.
23:49Pavlos is the only one
23:50who can help you now.
23:52Who is Pavlos?
23:55You don't know anything about him?
23:57No.
23:59Who is he?
24:00Where can I find him?
24:01Who is he?
24:04The first time Angelis started
24:06to look for him,
24:08was Pavlos.
24:32No!
24:39This way!
24:40No, this way!
24:41It's Fedoras Kikoulas!
24:42This way!
24:43It's the guy in black!
24:44What?
24:45This way!
24:46Who is Fedoras Kikoulas?
24:49Please contact
24:50the number you have dialed.
24:54Please leave a message
24:55after the tone.
24:58Hey, where are you?
24:59I've arrived.
25:00I'm outside the village.
25:01I've been walking around
25:02and I don't know where to go.
25:04Call me when you hear the message.
25:06Bye.
25:30Come on!
26:01What's that?
26:02It's a whistle.
26:03It's an ad from Pizzeria.
26:04Really?
26:05Get out of here!
26:19It's Spiros!
26:20Spiros!
26:21Spiros!
26:22Spiros!
26:23Spiros!
26:24Where is he?
26:25Here.
26:31I'm sorry.
26:32It's all right.
26:34Come on.
26:47What if the train
26:48stops at the same time?
26:49It will be late.
26:50From the moment the train stops,
26:52I don't know how many kilometers
26:54it will take to stop.
26:56That's what I wanted to ask.
26:58That's what I wanted to ask.
27:03What was that?
27:04Where is it coming from?
27:06From where?
27:29Kisses and blankets
27:32Smiles and steps
27:35Suitcases and suitcases
27:38Two blue eyes
27:41We went up together
27:43We traveled together
27:45We flew together from the train
27:51But tonight
27:53the cloudy
27:56You will leave, I will leave
27:58We will change trains
28:04The trains whistle
28:07People get together
28:10People separate
28:12They whistle
28:14At night
28:15And the trains leave
28:19For you, Greece
28:23For me, the tear
28:38One night in the night
28:41We lost the train
28:44We see the pain
28:47Lonely we passed
28:50On the rails they roll
28:53Hearts that hurt
28:56They roll, they roll
28:58People, waves, kisses and blankets
29:01Smiles and steps
29:05The trains whistle
29:08People get together
29:11People separate
29:13They whistle
29:14At night
29:16And the trains leave
29:19For you, Greece
29:22For me, the tear
29:25For you, Greece
29:28For me, the tear
29:30For me, for me
29:33For me
29:50What happened?
29:52He stepped on us
29:54This train is here?
29:56That's how it works
29:58You die
30:00And when you open your eyes
30:02The first thing you see is the last second on earth
30:05Are you sure?
30:06No chance
30:07If we are dead, what chance do we have?
30:09A cologne?
30:10And where will I find it to give it to you?
30:12We are dead
30:14To put it logically
30:16Thank you
30:17Thank you
30:18So, right now, I am dead?
30:20Yes
30:21What? And how do I speak?
30:23You might be a zombie
30:25The zombie is the zombie
30:27We might live
30:28What did he say?
30:29Zombie
30:30What is that?
30:31It's...
30:32Is it good?
30:33It's not good for the living
30:35It might be valuable for the dead
30:37I don't know
30:39What was that?
30:40I sneezed
30:41Guys, we are alive!
30:42You can't sneeze and be dead!
30:44What are you saying?
30:45Make a decision
30:46Are we alive or dead?
30:48I would suggest to be rational and not to get excited
30:51Let's not let this sneeze blow our minds
30:54That's what I will do
30:56I think I am dead
30:59Let me tell you a number
31:01628
31:03We are alive
31:04Is he dead or alive?
31:05He says so many stupid things
31:07Who is the zombie talking about?
31:08No one, you don't know
31:11But the train is stopped, can't you see it?
31:13And who stopped it?
31:17I can't believe it
31:19How did he do that?
31:20I am so sorry
31:23I am so ashamed
31:28Where is the front?
31:30From here?
31:31I am sorry
31:32I am sorry
31:34Driver!
31:36Driver!
31:39I am so sorry
31:40I didn't understand what happened
31:42I was walking with my suitcase
31:44I lost my balance
31:46And I got caught
31:48I don't know what to tell you
31:50I am so sorry
31:52Did you pull the brake?
31:54No, I pulled it by mistake
31:56I am so sorry
31:57I swear on my mother
31:59I was holding the suitcase in one hand
32:01And in the other...
32:03Oh!
32:10Is it a therapy?
32:16Piratoulis! Piratoulis!
32:18Election Piratoulis!
32:20Hurry up and go to your polling station
32:24And cast your vote in the ballot box
32:28Because how are we going to find out who is our new governess?
32:33Who will be the prime minister?
32:36I am so anxious
32:38Today we have elections
32:40And our show will be all about this
32:45Let's go to two adverts
32:48And then we will be back here for discussions
32:55What was that?
32:56What was that?
32:58Because we have elections
33:00I will not suppress my artistic commitment
33:04Is that it?
33:05Or are you drunk because your birthday is coming up and you become...
33:08Twenty-six!
33:09Which is the tenth time?
33:10You will be lost!
33:11Idiot!
33:13Don't go away!
33:14The adverts are ending!
33:27Yes?
33:28Come on, did you cast your vote?
33:30What?
33:31Did you vote?
33:32Now, in the polling station
33:34What's wrong?
33:36I can't tell you
33:37Why?
33:38Because I can't
33:39Who is it?
33:41Is it valid for tonight?
33:43What time does the parliament meet?
33:45Late, but it's inside
33:46Ok, I'll go too
33:48Come on
33:51Say it!
33:52No
33:53But why?
33:54Say it!
33:55No
33:56But why?
33:57Because I don't want to
33:58Yes, but now we gave our vote to Georgia
33:59You gave it, not me
34:00Yes, but the girl is waiting for three votes
34:02I know that you vote in this polling station
34:04Grandma, for the first time in Greece, things are not so complicated
34:08For the first time, three parties are calling for the prime minister
34:11And now that every vote counts
34:13Do you want me to vote for...
34:15Revolutionary movement for the salvation of Panagia
34:18Because she is a candidate for Georgia's daughter
34:20What do you think of the photo? How nice is it?
34:22But why would you vote for someone who looks good in her photo?
34:25But why would you vote for her?
34:27For her work
34:28My boy, you will never see her work
34:31The photo is visible
34:33What work have you seen in our neighborhood?
34:35Ah, let's go to a movie now that you mention it
34:38Wait a minute, my dear Theopoula, we are serious now
34:42But have you seen the posters?
34:44And don't tell me that Georgia's daughter is not nice
34:46I liked Garbi very much
34:48Not those posters
34:50And Karafotis
34:51Anyway, because I have seen the posters
34:54And I have read the programmable statements of the party
34:57God will make it a party
34:59Of the party
35:00Of Georgia's daughter
35:01Yes?
35:02I can't go and vote for a candidate
35:04Who for four pages talks about rabbits and their protection
35:07But you love rabbits
35:09But I will not vote for the rabbits, I will vote for Georgia's daughter
35:12Yes, but the party has a rabbit symbol
35:15Grandma, I don't want to vote for the revolutionary movement for the salvation of Panagia
35:18What do they call it?
35:19Shhh
35:21I'm sorry
35:23I'm getting jealous
35:25You will eat rabbits tomorrow
35:27Why?
35:28Either you vote for it or you will eat it
35:30They told me to make bread
35:32Shhh
35:34You will make me jealous in the neighborhood
35:36I had told everyone three votes
35:38I will throw three in the penitentiary
35:39And then Georgia hugs me and says
35:41Will you do such a good thing for my daughter?
35:44I say yes
35:45And she starts crying
35:48I will make a mistake
35:50What?
35:51I will throw two rabbits in the penitentiary
35:53You can't
35:54I will try
35:55Grandma will come, they will catch you and we will go to court
35:58You don't listen to these
35:59You will make me jealous now in the courtyards
36:01The courtyards, wherever you want
36:03You remember
36:10Three votes are waiting
36:11I told her, three votes
36:13She says to me, are you kidding me?
36:14I say, I swear
36:15And she takes the cross
36:17I remember her crying
36:19And she takes the cross
36:20Yes, yes, yes
36:21And you kiss it and you cry
36:22Because grandpa gave it to her before going to war
36:24And so on, and so on
36:25Have mercy on this cross
36:27I will vote for it
36:28Are you serious?
36:30What kind of a cross is this?
36:32A cross that...
36:33No, no
36:34A cross that my grandpa gave her before going to war in Korea
36:37She gave it to him, I'm carrying it
36:40I will never find out what kind of a cross is this
36:43And it's not grandpa's
36:45Where did you get the cross from?
36:47Didn't she give it to you?
36:49Wasn't her husband a goldsmith?
36:50No, no
36:51No, but I know what I have done to this cross since I was a child
37:00Go on, it's your turn
37:10In Greece, all religious families
37:12pick up their grandmothers from their beds
37:14and give them a piece of paper
37:16so that they can vote
37:18and then they kiss it and go to sleep
37:20We do the exact opposite
37:22Did you want me to be in bed?
37:24I wanted to vote
37:26You're not going to vote?
37:28No, I'm not going to vote
37:30No, I'm not going to vote
37:32No, I'm not going to vote
37:34No, I'm not going to vote
37:36No, I'm not going to vote
37:38You're going to vote?
37:40Yes, I'm going to vote
38:02Why didn't you vote?
38:04Because I'm a Swede
38:06Why didn't you vote?
38:07Because I'm a Swede
38:09You're a Zombie
38:11I'm a Swede
38:13I don't care if I'm a Swede
38:15Who won in the end?
38:17Is that what you want to know now?
38:19Why didn't you vote?
38:20Forget what I voted
38:23So, tell me, what are we doing?
38:25What we're doing now
38:27But Venetopoulos is dead now
38:29What are you saying?
38:30Are we giving up? Are we lost?
38:31I didn't say that
38:32Then?
38:33I'm never giving up
38:34What?
38:35I'm never giving up
38:37I'm never giving up either
38:39I didn't say that I lost and I'm never giving up
38:42What did she say?
38:43Exactly
38:44And when I think that all of them are out there
38:46and they think that they won
38:48the more I go crazy
38:50Disgusting
38:51That's what's going to happen
38:52That's what's going to happen from now on
38:54What do you mean?
38:55We're going to call him
38:56Who?
38:57The guy with the black hair
38:58I don't agree with that
38:59It's better for us to keep looking secretly
39:01and not reveal our goals
39:04And we're going to let him celebrate
39:06because he's going to think that he won?
39:08No way
39:09She's lying, Camilla
39:10She's lying, Camilla
39:11Shut up, Zoubi
39:15I guess the results of the elections came out
39:20There is no official reaction
39:22neither from New Democracy nor from PASOK
39:25In the meantime, in all the election centers
39:27of the Greek Democratic Struggle
39:29there have been outrageous protests
39:31The Greek Democratic Struggle came out
39:33That's better
39:34They all hate him
39:35The rabbits, anyway
39:37What?
39:38Nothing
39:39Come on, tell me, what should we do?
39:41There's nothing to do
39:42We're going to make a phone call
39:44If the phone call that Zana gave us is valid
39:46It will be valid
39:47And I'm telling you, OK
39:48We lost the first half
39:49What are we going to do?
39:50Are we going to let it go like this?
39:55No
40:01No
40:06No
40:10No
40:13With a very small difference
40:15the Greek Democratic Struggle has won so far
40:19And the new prime minister, it seems
40:21is Mr. Aris Pavrinos
40:24In the offices of the other two big parties
40:27he's holding a cold
40:29I mean, not even Mr. Pavrinos
40:31has testified
40:33because of the result of the election
40:46That was it
40:49Did you believe it?
40:50Congratulations, Mr. President
40:52Congratulations
40:54What do the others say?
40:56Have they come out to testify?
40:58Aren't you going to come out first?
41:00I'll wait to see what they're going to say
41:03They gave us a third party
41:06The press is already in the office
41:08and they're waiting
41:09Let them wait
41:13Leave me alone, please
41:15and then we'll start the press interview
41:29What?
41:31What?
41:32What?
41:59Hello?
42:05Thank you
42:07It's me
42:10You know you're leaving, don't you?
42:12In secret?
42:14Exactly
42:17That doesn't change
42:21Yes?
42:22Hi
42:24Who is it?
42:25Don't you understand who I am?
42:27No, who are you?
42:31Fotis
42:32Angela
42:33Dalia
42:34Spyros
42:35Zumbulia
42:37How did you find my number?
42:38What do you want?
42:40We came to tell you
42:41don't think you got away
42:42What?
42:43What you heard
42:45We'll be back
42:46What did you say, Marie?
42:48What?
42:49Now the good starts
42:58I saw it in my sleep
42:59I was holding a gun
43:01and next to me
43:02there were many robbers
43:04and in the storm
43:05and in the snow
43:07I was shooting
43:08and I was skiing