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00:00Today, the trial of Gerasimos Venetopoulos, who is accused of the murder of a 24-year-old student of the Medical School of Thessaloniki, has begun.
00:07The defense of the accused was brought to Mr. Nikolaos Kaniaris,
00:11after the inability of Venetopoulos to find a lawyer to take over his defense.
00:15While on the side of political persuasion, the young lawyer, Mr. Stavrianides Evangelos, is presented.
00:24I don't understand, what did he do in the trial?
00:27Ah, it was... political persuasion.
00:31What is political persuasion?
00:33You know, that lesson we did in high school.
00:36Papa Ioannou did it for us, he was in charge of democracy.
00:38What kind of persuasion is that?
00:40Papa Ioannou?
00:42It's the persuasion of the citizen.
00:45Ah, sorry.
00:47He was a lawyer, guys.
00:49The lawyer who took over the case of freedom.
00:52That's what he was looking for.
00:5330 years later...
00:56Are you going to fall?
00:57No, Marie.
00:59Stavrianides, that is, is the one who has Venetopoulos in prison.
01:05Yes.
01:06And Venetopoulos punished him and killed him.
01:09That's it.
01:11It's a story of revenge.
01:13Yes, but Kastelis said that he killed the freedom.
01:17Yes, but he wasn't alone.
01:19Venetopoulos was an innocent man.
01:21He wrote it in the newspaper.
01:22Yes, the evidence is irrefutable.
01:24And he was convicted.
01:26What?
01:28And Angela is a suspect without having done it.
01:32What are you trying to say?
01:36I don't know.
01:48In my sleep I saw him holding a gun
01:50And next to me there were many robbers
01:52And in the rain and in the snow
01:55I was shooting and I was skiing
01:58I was an angel of Charlie, of Charlie, of Charlie
02:01In my boots I was wearing golden spurs
02:03I was an angel of Charlie, of Charlie, of Charlie
02:06I was chasing the robbers in the mountains
02:14In my sleep I saw him drinking tea
02:17And he was calling me the boss
02:20And they told me how much he loved me
02:23And how to go on a trip in peace
02:25I was an angel of Charlie, of Charlie, of Charlie
02:28In my boots I was wearing golden spurs
02:31I was an angel of Charlie, of Charlie, of Charlie
02:34I was chasing the robbers in the mountains
02:37Spiros is not guilty.
02:39For what?
02:41Something doesn't fit in the story.
02:43Stavrianidis' syndrome.
02:45But Stavrianidis' syndrome
02:47was to escape from the prison he was in
02:49and from those who were still outside.
02:51It doesn't make sense what you're saying.
02:53You don't understand.
02:54It comes from everywhere.
02:56But it was the evidence of the case.
02:58Again?
02:5930 years of research is not fair.
03:02We have to catch the story from the beginning.
03:04We have to have forgotten things.
03:06That's why nothing locks.
03:11It locks.
03:12It locks.
03:14We have found a key, if I remember correctly.
03:16What does it open?
03:18Something old, isn't the key new?
03:20No.
03:21Exactly.
03:23From an old house.
03:25Something like that.
03:27We have left basic questions unanswered
03:29from Stavrianidis' past.
03:31That's why we don't go far.
03:44STAVRIANIDIS PRISON
04:00Mrs. Dahlia?
04:01Alexi?
04:05Are you sleeping?
04:06I was next to you in the office.
04:07What happened?
04:09I fell.
04:10Come, come.
04:11Wait a minute.
04:17What happened?
04:18I can't move.
04:20What can I say?
04:21I'm in a coma in my sleep.
04:23A seizure?
04:24Tell me.
04:25Nothing.
04:26That's it.
04:28Where is Spyros?
04:29Why didn't he come?
04:30He passed out late at night.
04:32And now?
04:33Now nothing.
04:35Alexi is with the doctor.
04:39What happened?
04:40Your leg is back.
04:41Why? Where did it go?
04:43I'm sorry.
04:44It's from the fall.
04:45Where are we now?
04:47It's nothing.
04:48You've been running here for two days.
04:50What happened last night?
04:52Did you fall in Foufoukas' court?
04:54Did an iron man fall on your leg?
04:57Do you know what you need to do?
04:58Anti-titanic.
04:59What's that?
05:00The pink one when you fall off a mountain.
05:02No, it's for the skin.
05:04Anti-titanic then.
05:06Anti-titanic.
05:07Didn't I say that?
05:08Do you want me to do that?
05:09No, you don't.
05:10All you need to do is get some rest and don't step on it.
05:13And how can I walk?
05:14You won't walk.
05:15And what will I do? Will they come?
05:16You'll just sit inside.
05:18Don't tell me you can't.
05:19Yes, but...
05:20There's no but.
05:21Research is over for a while.
05:22For you at least.
05:30Did you ask?
05:31I couldn't.
05:32The doctor was here.
05:33Did you hurry him so much?
05:34What are you talking about?
05:35But you won't take her with you?
05:37No.
05:38He asked me to find out all the financial details of Stavrianidis until his death.
05:41We know his house and his office.
05:43Something more than that.
05:44You know.
05:45You know all these things.
05:46You don't know what's going on in Europe and America.
05:49You'll stick to that.
05:50Okay, okay.
05:51That's right.
05:52And quickly, because we're bored.
05:53I'm working.
05:54Where are you?
05:55I'm coming back from Vienna.
05:57Did you find anything?
05:58Distant relatives.
05:59Her mother remarried.
06:01No one knew where she was.
06:03And they haven't seen Angela since last summer, when she was working here as a janitor.
06:08A singer?
06:09A flower.
06:10I see.
06:12They're chasing me for flowers now.
06:15You can't imagine what I've been through this week.
06:18You can't catch a flower.
06:20Neither can the police.
06:21When will you arrive?
06:22Tonight.
06:23I have a job for you.
06:29So, Stavrianidis is the one who took Venetopoulos to prison.
06:33Yes.
06:34And Venetopoulos raped and killed him.
06:36That's it.
06:37It's a story of revenge.
06:39Yes, but Kastelis said that he killed Eleftheria.
06:42Yes, but he wasn't alone.
06:44Venetopoulos doesn't blame anyone.
06:46He says it in the newspaper.
06:47There are different facts.
06:49You can judge for yourself.
06:52It's going to have a result, right?
06:54The ad says it's a miracle.
06:56Oh, I wish.
06:57Because summer is coming, we needed it.
07:00I'm not talking about it.
07:01I'm already sweeping.
07:02Grandma.
07:03I don't want to bother.
07:05You see me all the time.
07:06I don't talk, I don't talk.
07:07I must have my reasons.
07:09Does electricity work?
07:10It works well.
07:11Don't throw away the general one.
07:13Batteries, you idiot.
07:15No matter what it is, it doesn't work.
07:17It has electricity.
07:18We don't suffer.
07:19I know.
07:20I'm the only one who suffers in this house.
07:24Keep it low.
07:25Yes, yes.
07:30Yes.
07:31Foti's house.
07:32Now.
07:33What kind of house is this?
07:34It's the old man Stavrianidis' house.
07:36He rarely visited it.
07:37Now he lives with his uncle.
07:39He lives in the same apartment.
07:41And who discovered it?
07:43Alexis.
07:44Yes, but you promised me that you wouldn't kick Mrs. Hatzia-Alexandrou out.
07:47Okay, we'll do it.
07:49And now his uncle lives there.
07:51He gave him permission and he rents it.
07:53The key is from something old.
07:55It could be from this house too.
07:57As we have our own, he might have his own.
08:00And be careful, he himself has never rented it.
08:03Why?
08:04Because he didn't live there.
08:05Yes, but now it's empty.
08:06What are we going to look for?
08:07There's always something left behind.
08:09A man who had made a whole construction in his office to hide a key.
08:13He must have found a hiding place there.
08:15The key is the element that is missing.
08:17So?
08:23So, do you remember the names?
08:25Filippos, Stefanos, Elina and Lilia.
08:30Okay.
08:31Wait a minute.
08:32Filippos, Stefanos, Elina and Lilia.
08:38Maria.
08:39Maria, better. She's my mother-in-law.
08:41Come on.
08:46It's here. I'll knock.
08:47I'll knock.
08:57Good morning.
08:59What's that?
09:01Good morning. We're here for the apartment.
09:06Come on in. Come on in.
09:22I've already announced it.
09:24Why are you shouting?
09:25I haven't heard what the man is saying.
09:29A month ago, I had the masters here.
09:32They changed everything. The tiles, everything.
09:36It's a pity that it's not furnished.
09:39There was nothing.
09:40Some archeology.
09:42A bed and two old mattresses.
09:45And all the old junk on the floor.
09:48It's still there.
09:50You, who are young, you can move around.
09:53I see.
09:54Is it for you?
09:56It's for us. Don't shout. We're here.
09:59Are you students?
10:01Yes.
10:02What?
10:03Yes.
10:04You made me do everything.
10:05Cleaning, swimming, lesbians.
10:08Now I'm going to be a student.
10:09You scared me. I didn't recognize you.
10:11I thought you were a student.
10:15You didn't tell me your names.
10:18Stefanos.
10:19Stefanos.
10:21Filippos.
10:22What?
10:24Filippos.
10:27It's stuck.
10:29Stefanos.
10:30Stefanos.
10:31Filippos.
10:34Stop it. You're forcing it.
10:37Where are you?
10:38This one.
10:39Stefanos.
10:40Stefanos.
10:41We have it.
10:44Stefanos.
10:46This one is also Stefanos.
10:47If you do this, we'll be full.
10:49Look now.
10:50This one.
10:51Stefania.
10:53Stefania.
10:54That's it.
10:55You heard it all.
10:56And I'm Elina.
10:59Melina.
11:00That's right.
11:01But you didn't tell us your names.
11:05What?
11:06Your names.
11:08Me?
11:09Yes.
11:11Charalambos.
11:14A historical name.
11:16Why?
11:17Charalambos was the name of Melina's son.
11:21He's a student too.
11:23A student?
11:24A student?
11:25I only hang out with students.
11:27And what do you study?
11:29Geology.
11:30I can't study anything else.
11:34And you?
11:35I study English philology.
11:38And you?
11:39Me too.
11:40I wouldn't study English philology.
11:42First class.
11:43I'm a reporter.
11:44Nice.
11:45English philology.
11:47You are a pretty girl.
11:49Don't bother.
11:50I'm all about the person.
11:53Come on.
11:54I'll show you the other rooms.
11:56Show us.
12:17Come on.
12:18Now?
12:19Yes.
12:20Hurry up.
12:24Come on.
12:26And this is the big bedroom.
12:29Bravo, bravo.
12:31Very nice.
12:33Where did they go?
12:35And this is where Melina will sleep and dream.
12:40What's going on?
12:56What's going on?
12:57I found something.
12:58What?
12:59There's a chest.
13:00What chest?
13:01A big chest.
13:03Grandpa caught me in the pool.
13:07What is he doing up there?
13:08Go to grandpa's office.
13:09Don't touch me.
13:10I'm telling you.
13:11It doesn't matter.
13:12It doesn't matter.
13:13Go to grandpa's office.
13:14Please.
13:15Go to grandpa's office.
13:16Go, go, go.
13:17Melina?
13:18Where are you?
13:19I'm going to grandpa's office.
13:21Please.
13:30Why did you leave, Melina?
13:32I left because I wanted to be close to you.
13:35I didn't want to interrupt you.
13:37The kids wanted to learn English.
13:39I explained it to them and I came back.
13:46That's right.
13:47Because today we are here, tomorrow we are not.
13:50The boys were happy.
13:53They were happy.
13:54And they will know all your secrets.
13:58Now?
13:59And they want me to hide them.
14:00I can't.
14:01I would like you to meet him.
14:04It's easy.
14:05I will meet him.
14:07But not now.
14:09In a week.
14:15Did you open it?
14:16It's locked.
14:17Can you put it down?
14:24I can't.
14:25It's useless.
14:26The key?
14:27In the medicine bag?
14:28Should I bring it upstairs?
14:29Should I bring it?
14:30Yes!
14:33We are leaving.
14:34Now.
14:40Do you hear me?
14:41I hear you.
14:42Every now and then you hit me in the head.
14:44Did we finally win the house?
14:46It's not the time to talk about contracts.
14:48Why do we want to go to grandpa?
14:50What are we looking for?
14:51He is not missing a single lesson.
14:53We don't do any other job.
14:54We are just doing our job.
14:56What is she doing?
14:57How is her leg?
14:58What are you talking about?
14:59It's an expression.
15:00I thought we knew her from somewhere.
15:02How are you?
15:04I'm not well.
15:05Why?
15:07I had a dream.
15:09What dream?
15:10There were five of us.
15:12But not all of us.
15:13Someone was missing.
15:14Who?
15:15One of the boys.
15:17I don't remember.
15:18And we met in a train.
15:20In the lines of a train.
15:21And?
15:22And we saw him coming towards us.
15:24And we didn't do anything.
15:25We stayed there.
15:27We couldn't walk.
15:29And what happened?
15:30I don't know.
15:31I woke up later.
15:32But for some reason we couldn't leave.
15:35We couldn't move.
15:37What could that mean?
15:39Nothing, Marie.
15:40Don't believe in dreams.
15:42It's nothing.
15:43You are alone with your leg.
15:46You can't walk.
15:47That's why you saw him.
15:49That someone was missing.
15:51And we couldn't walk.
15:53That's what it means.
15:54It's nothing.
15:55But I don't see now that I've hit my leg.
15:58When did you see it?
15:59Before.
16:00The night I fell.
16:02And then nothing had happened.
16:11Yes?
16:12Mr. Haralabe?
16:14It's Stefanos from yesterday.
16:17Who?
16:19Stefanos, I say.
16:21Melina's classmate.
16:24Ah, Melina.
16:27That's right.
16:29Mr. Haralabe?
16:32Could we come back tomorrow?
16:37We have a problem and we want to see the house again.
16:42We liked it a lot, you know.
16:45Come, come.
16:46Just hurry up a bit because everyone is watching.
16:50Now I have a gentleman here who is interested.
16:53Good.
16:54We will be there in the morning.
16:58As you wish.
17:00I'll be there from 6 to 4.
17:03Yes.
17:04Is it okay at 10?
17:06Okay.
17:07Will Melina be there too?
17:09Of course.
17:11Melina won't be there.
17:13She was afraid to come back.
17:16So, we'll see you tomorrow at 10.
17:20Okay?
17:22Bye!
17:23Bye.
17:26What did he say?
17:27Okay, he's waiting for us tomorrow at 10.
17:30Let's go to Zumbulia and see who's going to tell him.
17:32Who?
17:33The one we have in mind.
17:34I have to go to the bathroom, I won't do that either.
17:37Do you live alone?
17:39Alone, alone.
17:41Husband?
17:42He doesn't exist.
17:43I'm cold.
17:45A woman is a blessing from God, not mine.
17:48The rest.
17:50So, I'm going to rent it.
17:53So, it's closed.
17:54It's closed.
17:55Good.
17:56Tomorrow, bring me two units and I'll prepare the contracts for you.
18:01Let's go upstairs now, so you can give me your information.
18:03Upstairs?
18:04I live on the 4th floor.
18:06Ah, I see.
18:07So, tomorrow, what time should I be there?
18:10Whatever time you want.
18:11I'll be there from 6 to 4.
18:14I heard that.
18:15Is it okay at 10.30?
18:17Perfect.
18:18How did you find out about this house?
18:21It was the first house I bought when I moved to Athens.
18:24I had visited it a few times.
18:27In the past, with Kastelis.
18:29I recently found out that he never sold it.
18:32I see.
18:33He kept it for himself.
18:35His signature was neither in his house nor in his office.
18:39And obviously, there is no file in front of his hands,
18:42because if there was, it would be written directly on his target.
18:45After all, it is our target.
18:49You will search everywhere.
18:51You will dig, if necessary, even the floors.
18:55Do you understand?
18:57Tomorrow, anyway.
19:00I'm sorry.
19:12I've become a stranger.
19:14I finally called the police.
19:16To see how you are.
19:18They told me you collapsed.
19:20How?
19:21This kid is now in my house and I'm afraid of him.
19:25So, you will take care of him.
19:42What's the matter?
19:43Theopoula walks and changes channels.
19:45What?
19:46What you heard.
19:47I don't know how much power she has of electricity.
19:50But she walks out with this stuff.
19:52But it can pose risks.
19:54It is not for normal people like Theopoula.
19:59Are you doing this too?
20:01What?
20:07Yes?
20:08Foti's house. Now.
20:12Come on, what happened this time?
20:14It's over.
20:16Do you hear me, you idiot?
20:18I've been thinking about it and my head is spinning.
20:20Twice. Twice.
20:21One got me and the other got me.
20:23And now I don't even know where to go.
20:26As you can understand, Zumbulia,
20:28it's necessary for us to go back.
20:30Go. Bring the trunk here.
20:32Yes, that's what we'll do.
20:34Angela will go up on the step,
20:36she'll open the trunk with the key,
20:38she'll drop us the contents,
20:40we'll put it in bags and then we'll leave.
20:42Grandpa will leave you.
20:46That's why I wanted us to talk like this,
20:48the two of us, without the others.
20:50Why without the others?
20:52Because we made a conclusion
20:54and who will tell you?
20:56You won.
20:57No, I lost.
20:58I don't understand.
21:00Yes.
21:02First of all, Zumbulia, I want to tell you this.
21:04I don't like all this behavior of Mr. Thara,
21:06but I find it...
21:10I don't like it at all, okay?
21:12And I don't like it as an image.
21:14What did you say when you saw Ann Nicole Smith
21:16with that old man in his underwear?
21:18What did I say?
21:20Never mind.
21:24Also,
21:26I want to tell you that
21:28Fotis and Angela came up with the plan,
21:30not me.
21:32Yes.
21:38But as you understand,
21:40we have to get the contents of the trunk.
21:42And of course,
21:44we need the necessary time
21:46to be able to get it.
21:48But how can we not understand anything?
21:50You'll tie it.
21:52Someone
21:54has to take care of it.
21:56Who?
22:00You.
22:06But...
22:12I want you to act cold.
22:18Good morning.
22:20Good morning.
22:22Good morning.
22:24What do you want here?
22:28Didn't I call you yesterday
22:30and tell you that we'll come
22:32today at 10 o'clock?
22:34Ah, yes, yes.
22:36I gave it.
22:38What?
22:40The apartment.
22:42When?
22:44Yesterday afternoon,
22:46when the man will come to take the keys
22:48Ah, yes.
22:56Hello.
22:58Hello.
23:00You're so cute.
23:02Don't look at yourself.
23:04It's your fault.
23:06Did you see that?
23:08Mr. Charalambe,
23:10could we see it again?
23:12It doesn't matter.
23:14So that we can compare it
23:16Yes, because we are also from the district.
23:18We don't act as if we don't care
23:20about anyone else
23:22to be caught.
23:24At least metaphorically, because literally
23:26it doesn't matter to us.
23:28Of course.
23:30Come in.
23:32Come in.
23:38It's a pity,
23:40because you won't see
23:42another apartment like this in the neighborhood.
23:44What will happen now?
23:46Will we stay here?
23:48Won't we go inside?
23:50Yes, yes, we'll go to see it
23:52because you won't see it again
23:54except if Melina wants to go for a walk.
23:56Search nearby,
23:58in the neighborhood,
24:00to be together.
24:02Come in.
24:12Oh, guys!
24:14What?
24:16We forgot to check the living room.
24:18Oh, yes!
24:20Let's go inside
24:22and come back.
24:33Come on!
24:35Hurry up!
24:42Go and hold the keys.
24:44Okay, okay, don't worry.
24:46We closed the door, we are fine.
24:48Melina, Melanouraki,
24:50you are
24:52the most beautiful
24:54girl in the world.
24:56Yes, yes.
24:58One hand
25:00and the other
25:02and both the face.
25:04That's why I say
25:06I will make you a queen.
25:08Of the underworld?
25:10That was a request of my uncle.
25:12He forgave me.
25:14Do you know how many I still have?
25:16How many?
25:18Five.
25:20Why do you keep them?
25:22That's why I say
25:24I will make you a queen.
25:26I don't want you to make me a queen.
25:28You have a better chance.
25:30Come here.
25:32No, no.
25:34I am ashamed.
25:36What are you ashamed of?
25:38The kids.
25:40You say the kids didn't get it.
25:42They did.
25:44Oh, my God.
25:46Your eye is hurting.
25:48Oh, my God.
25:50We made a mistake.
25:54What happened?
25:56It opened.
25:58Really? What's inside?
26:00I can't see. It's dark.
26:02Flashlight. Flashlight. Flashlight. Flashlight.
26:04Flashlight.
26:18Letters.
26:20Letters and notes.
26:22What letters? I don't know.
26:24It is written.
26:26Let me see.
26:32Prost.
26:34Stavrianidis.
26:36Evangelos.
26:38Opus.
26:40Venetopoulos.
26:42Gerasim.
26:44Corvidalos prison.
26:46They were writing letters.
26:48Why were they threatening him?
26:50No.
26:52He was helping him. That's what he was following.
26:55What was Stavrianidis' goal after 30 years?
26:58Venetopoulos was innocent.
27:01Stavrianidis put an innocent man in prison forever.
27:05That was what was driving him.
27:07At first he was convinced, like everyone else, that he was the murderer.
27:11But in time, somehow, he discovered that he was innocent.
27:16And from then on, he started looking.
27:20And he never stopped.
27:22That was his motive.
27:24That's right. Now I know that you believe me.
27:29We are both victims of the same conspiracy.
27:33And I know that you, even though you are free,
27:38were in your own prison.
27:41The one that some others built for their sons.
27:46Help me.
27:48You are the only one who can.
27:50The only one.
27:51Sit down.
27:53Give me your hand.
27:56Come on, sit down.
27:58Like a lady, like a lady.
28:00Like a lady, like a lady.
28:02My little lady, come on.
28:12What are we doing?
28:13They are chasing us.
28:14Let them chase.
28:16Come on, help me. Come on, faster.
28:22Who is it?
28:23Have you heard of the new owner?
28:26I'm going to see.
28:38What did you say?
28:40Who is it? Do you know?
28:42The one that is chasing us.
28:54Stop it. Stop it. Stop it.
28:57Can't you hear the bell?
28:58Who?
28:59The bell.
29:00Souvelia.
29:01Melina.
29:02Anything.
29:03Nothing.
29:04It doesn't matter to us now.
29:06Don't say it doesn't matter. It doesn't matter. Sit down.
29:08Mr. Haralabe.
29:09Yes.
29:10The man you rented the house to.
29:12Is he a blond man with straight black hair?
29:15Yes.
29:16How does he know?
29:17It doesn't matter. You know him too.
29:18He is the guy with the black hair.
29:19What?
29:20The one that is hitting on girls.
29:21I'm going to kick his ass.
29:22You are going to kick my ass.
29:23Is this what you rented the house to?
29:25My little lady, what did I say?
29:27You are going to get in trouble.
29:28Souvelia.
29:29Calm down.
29:30Let's see what we are going to do.
29:31What are you saying?
29:32Don't talk. Don't talk. I told you.
29:34You shouldn't go inside.
29:36Of course not.
29:37Did you find anything?
29:38Everything.
29:39Are you jealous?
29:40Stop talking.
29:41Get out.
29:42Get out.
29:43I'm going to kick his ass.
29:44I'm going to kick his ass too.
29:45I'm going to kick his ass.
29:47Haralabe.
29:50I have a great news for you.
29:53Today,
29:54my dear Haralabe,
29:56is your lucky day.
29:58I'm going to give it to you.
30:00What?
30:01What you heard.
30:03We are going to do it.
30:05Are you serious?
30:06Are you serious?
30:08I'm not lying.
30:10Because as you can see,
30:12I'm going to give it to you,
30:13or to Charo.
30:14And because I don't really care,
30:16and I hope you do,
30:17I'm telling you this,
30:18so don't get me wrong.
30:20I'm going to give it to you.
30:22Let the other one hit him,
30:24and you win.
30:26Here?
30:27Here, here, here.
30:28We are going to put a newspaper down here,
30:30and we are going to do it.
30:31Because that's where we are going to end up.
30:33Me at the police station,
30:35and you at the social one.
30:38At weddings, huh?
30:42For example.
30:51What happened?
30:52Isn't your husband in?
30:55What do you want from him?
30:56Don't you remember me from yesterday?
30:57When I came for the house?
30:59Ah, yes.
31:00Isn't Haralabe in?
31:02I don't know.
31:03Haven't you locked the house?
31:04No.
31:05Did he know you were coming?
31:07Yes, we had arranged it.
31:08Ah, someone must have thrown it nearby.
31:10Come and wait for him.
31:13Come.
31:28Hurry up.
31:29Hurry up.
31:30I'm going to throw the rest of the boxes.
31:37What have you done here?
31:39The cord is different.
31:41If I had taken it out,
31:42do you know what we would have gone through?
31:43Not even the first light.
31:44A dream, a dream.
31:46Don't you think the kids will be next to us?
31:48Of course they will be next to us.
31:50Where can they go now?
31:51Don't you feel sorry for them?
31:52They don't matter to you.
31:53I can't operate if there are others.
31:55You can't?
31:56Then I'm leaving too.
31:57No, you can stay here.
31:59I can stay here?
32:01Fine.
32:02Leave me alone.
32:03I'm going to the bathroom.
32:05Wait there.
32:06Don't move.
32:07Wait.
32:08Don't move.
32:10Yes?
32:11What are you doing?
32:12I'm missing you.
32:13I'm missing you.
32:14I'll tell you everything
32:16because we have work to do.
32:17All three of them are outside.
32:18They have found everything.
32:19Bravo.
32:20Wait.
32:21The guy in black is outside
32:22knocking on the door.
32:24Me and grandpa
32:25are getting ready to do it.
32:27Do you realize that your kid
32:28knocked on your door
32:30and I told you that there are worse?
32:32That's it.
32:34I'm hanging up now.
32:35Bye.
32:40Charalambe?
32:45Charalambe?
32:55Charalambe?
33:00Charalambe Jock.
33:02What do you mean?
33:03What do I mean?
33:04He's gone.
33:06There's another one.
33:09We have two Charalambes.
33:13What do you mean he's gone?
33:17He's gone.
33:18Just so you understand.
33:21Dad.
33:23Charalambe is now
33:26a bird.
33:27He's flying high up in the sky.
33:30He's watching from above
33:32the whole world
33:34and with his wings
33:36he's protecting Charalambe.
33:40Melisaki, Melinaki, Melisaki.
33:42Charalambe the bird.
33:45And now
33:46I'm sorry
33:49that the show is over
33:53and that I brought you
33:55to my mission.
33:57Please allow me
34:00to leave.
34:14Mr. Charalambe?
34:16Mr. Charalambe?
34:18He's breathing.
34:19Thank God.
34:20Are you okay?
34:21Is he alive?
34:22My love.
34:23Your love?
34:24Where is she?
34:25Upstairs in the house.
34:26Which house?
34:28Upstairs in the house.
34:29Someone has to bring her to me.
34:31Right away.
34:36Which house?
34:37The house where everything is.
34:39Are you still here?
34:41You know I can't go.
34:43What?
34:44Don't look at me.
34:45I've arranged it.
34:46Together?
34:47Together.
34:48That's why even Stefania can't go.
34:50I'm telling you.
34:51Yes, you're telling us.
34:52But let me tell you.
34:53It's very important to you.
34:55It's over.
34:56It's over.
34:57It's over.
34:58Other symptoms?
35:00My heart.
35:02Maybe it's not a heart.
35:03You've been drinking.
35:04Maybe it's just a cold.
35:05It's a cold.
35:06It's a cold.
35:07It's a cold.
35:08It's a cold.
35:09Yes, yes, yes.
35:10Because your color
35:11is good.
35:12You don't need drugs.
35:13You just want to drink a lot of liquids.
35:15Are you crazy?
35:16Are you going to let me die?
35:18Don't say that, Mr. Charalambe.
35:20We, and someone else
35:21who was in our hands
35:22at the right time,
35:23until the end,
35:24we were with him.
35:25What are we going to tell you?
35:26Are we going to leave you alone?
35:27I'm telling you, I'm dying.
35:28No, no.
35:29It's a cold
35:30and you have to drink
35:31a lot of liquids.
35:32What are you telling him?
35:33What can we tell him?
35:34Who's going upstairs?
35:35Upstairs is someone else
35:36and he's waiting.
35:37And what are we going to do?
35:38Are we going to let a person die?
35:39Spyro.
35:40It's either him or us.
35:41How can you say that?
35:42It's not good to say.
35:43After all,
35:44somebody's bringing me drugs.
35:45Stop it, you, too.
35:46It's an end to everything.
35:47Anyone who is a spy
35:48is going to die
35:49and he's not going to say anything.
35:50He's going to die in silence.
35:51No thanks,
35:52nothing.
35:53That's what it is.
35:54It's a lie.
35:55I see.
35:59I don't have anything else.
36:01I don't have anything else.
36:03I don't have anything else
36:05except for my house.
36:07We are the only ones left. Do you understand?
36:14Have we collected them all?
36:16Yes.
36:18Get up!
36:38What happened?
36:40I got a call. He picked it up.
36:42And what did you tell him?
36:44What do you mean? I told him the news this morning.
36:46I saw him alive. I called him.
36:48Where is he going?
36:50What do we have here?
36:52The same.
36:56I don't know.
36:58I don't know.
37:00I don't know.
37:02I don't know.
37:04I don't know.
37:06I don't know.
37:22Slowly. Slowly.
37:24I wanted to come too.
37:26I was sure.
37:28Believe me. You don't know what you have done.
37:30Walk. First and foremost.
37:32I am walking.
37:36Yes. We are still there.
37:42You said that what we do is stupid.
37:44Why did you help them?
37:46Because that's what you wanted me to do.
37:48I didn't say that it's stupid.
37:50It's not for all hours.
37:52I love you very much.
37:54You too.
37:56How?
37:58Serious. Very serious.
38:00Someone has to be serious here.
38:02That's right.
38:08Let's go now.
38:12Good night.
38:16Shall we open it?
38:26Did they die?
38:28Stefan.
38:30We have a lesson tomorrow.
38:32Where?
38:34At the university.
38:36English philology.
38:56We live.
38:58You sleep a lot.
39:04I am Melinaki.
39:08Who?
39:10Melinaki.
39:12Melanouraki.
39:14You sleep a lot. You are not Melinaki.
39:16You are not in English philology.
39:18What am I?
39:20You are not Melinaki. You don't speak English.
39:22How are you?
39:24You are a pretty girl.
39:28So, you are a good student.
39:30You are the most beautiful girl in the world.
39:36I am.
39:38Sleep now.
39:40And when you wake up, you will be fine.
39:52You are a pretty girl.
39:56So, you are a good student.
40:00You are the most beautiful girl in the world.
40:06You are a pretty girl.
40:08So, you are a good student.
40:12You are the most beautiful girl in the world.
40:16You are a pretty girl.
40:20So, you are a good student.
40:24It's horrible.
40:26This man was in prison for 22 years for a crime he never committed.
40:30How can you live after something like this?
40:32And how can you forget him from the moment I discovered him?
40:34You are talking about Stadrianidis, right?
40:36First, I put him in prison.
40:38And then I realized that everything was a lie.
40:40He was a good man, after all.
40:42At first, I thought he was a...
40:44What?
40:46I don't know. I thought he deserved what happened.
40:48Especially after what we discovered with Exeter.
40:50I thought he was a swindler.
40:52That he did it for money.
40:54But he was trying to justify his innocence.
40:56And to correct his mistake.
40:5850 years.
41:02Did you notice that after 1996,
41:04while the graphic character is still the same,
41:06the names of Paralyptos and Apostolos change?
41:08It's logical.
41:10Venetopoulos was no longer in charge.
41:12He had to hide.
41:14They communicated with a pseudonym.
41:16And Monimos has a different management.
41:18He has changed more than me.
41:20She knows about these things.
41:22So, let's put them down in chronological order
41:24and see which one is the most recent.
41:26The only one who knew where he was hiding
41:28was Stavrianidis.
41:30And now it's us.
41:32We have to meet him.
41:34And what should we tell him?
41:36That Stavrianidis may have died,
41:38but we have to take care of his case.
41:40We have to gain his trust.
41:42After all, Zoubi did it with Papoulis.
41:44If he did such a thing,
41:46we would kill him.
41:48I'm not saying anything. Go on.
41:52What is this?
41:54It's in a corner in Patari.
41:56What is it?
41:58Read it.
42:02Who is Aris Papadopoulos?
42:04That's what it says on the cover.
42:06See how he signs it.
42:16Gerasimos?
42:18Have we found him?
42:24I don't know.
42:26I don't know.
42:28I don't know.
42:30I don't know.
42:32I don't know.
42:34I don't know.
42:36I don't know.
42:38I don't know.
42:40I don't know.
42:42I don't know.
42:44I don't know.
42:46I don't know.
42:48I don't know.
42:50I don't know.