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00:00:00Did you hear what he said? What did he mean by the law?
00:00:03What did he do to Argyris? Where is he?
00:00:05They have him in the cellar.
00:00:07What? Why? What category am I?
00:00:09Forgive them, ma'am.
00:00:11You can.
00:00:13Can I?
00:00:14I love this woman.
00:00:16I want to spend the rest of my life with her.
00:00:18As you understand, I came to stay for good in Sterna.
00:00:21You won't leave again?
00:00:22No, no.
00:00:23You will be bored to see me.
00:00:25This is very nice news.
00:00:27Not for everyone.
00:00:28I forgot to tell you. You have visitors.
00:00:31From whom?
00:00:32From Kyriakos Pavlidis.
00:00:34Go back.
00:00:35Stay away from Markopoulos.
00:00:38Stay away from his daughter.
00:00:47I know very well what happened between you and Maros.
00:00:50Where did you learn that?
00:00:51It doesn't matter.
00:00:52Who told you?
00:00:53It doesn't matter. Do you know what matters?
00:00:55Ever since I saw him, I feel for you.
00:00:58Things are dangerous for you now.
00:01:01You have to stop before we cause trouble.
00:01:05I don't want anyone to get hurt.
00:01:07Neither you nor Argyris.
00:01:09Come here. I'm talking to you.
00:01:11You left your lesson.
00:01:13And you ran to the cellar to see an analyst?
00:01:15Don't talk like that about Argyris. He is not an analyst.
00:01:17What is he not?
00:01:18He is a scoundrel.
00:01:19A scoundrel.
00:01:20A lost corpse.
00:01:21Leave me. It hurts. Leave me.
00:01:23How did you get there?
00:01:25How did you get there? By bus?
00:01:27Did anyone follow you?
00:01:29Leave me. Leave me.
00:01:54You came and said everything is fine.
00:01:59You woke up something inside me.
00:02:03I said this will be love.
00:02:07A love to light a candle.
00:02:12Holy love.
00:02:17Holy love.
00:02:19Holy love.
00:02:31Holy love.
00:02:35Holy love.
00:02:49Holy love.
00:02:53Who are you?
00:02:55Here you are.
00:02:57What is your relationship with my mother?
00:02:59If you tell me who your mother is, it is very likely that I will tell you my relationship with your mother.
00:03:05Thalia Markopoulou.
00:03:07And don't you dare tell me that you don't know her.
00:03:09I saw you together. I left your room.
00:03:11I beg you, lady.
00:03:13Go to God's blessing. Thank you.
00:03:16I am not going anywhere if you don't answer my question.
00:03:21It is a shame to ruin our hearts.
00:03:25I am asking you. What is your relationship with my mother?
00:03:29I see.
00:03:35Are you sure you want to know?
00:03:37Yes.
00:03:43There are some bureaucratic issues that concern the school.
00:03:47Will you find the solution to these issues at my house?
00:03:51I was looking for the papers.
00:03:53What papers were you looking for in my drawer?
00:03:55Some that I had given to the poor Velissarius. He didn't return them to me.
00:03:59Next time, if you are looking for something, ask me.
00:04:01Everything that was in my possession, I put it in a box in the storage.
00:04:06You have no right to look for my things.
00:04:11One moment. How did you get in here?
00:04:16With the keys that Father Velissarius had given me.
00:04:21I always have a second husband, just in case.
00:04:28You know, we had an excellent relationship with Ekliponta.
00:04:31Absolute trust. That's why I would like to...
00:04:34Trust is something you build.
00:04:44Thank you. If I find anything in here, I will return it to you.
00:04:50You can go now.
00:05:05Do you want me to bring you something?
00:05:07A glass of water, my lady. Thank you.
00:05:11So, you are welcome.
00:05:12I will stay, though.
00:05:14Why didn't I know anything about this meeting?
00:05:17The well-known Pavlos wants to know everything first.
00:05:20So what? Is that bad?
00:05:22My love, we met at the hotel.
00:05:25Where I had gone with Christina, this morning.
00:05:27You didn't mention it, though.
00:05:29Come on, Pavlos. She left me.
00:05:31We had our own things here, too, and I forgot.
00:05:33So, where is my favorite basketball player?
00:05:36He is resting now. He reads a lot.
00:05:38The lessons of the eighth grade are difficult.
00:05:40You are right, Pavlos. I can't go down to see him.
00:05:43Thank you, Virginia. Cheers.
00:05:46Would you mind calling Chloe to see him?
00:05:52Come on, let's sit down.
00:05:54Why are we standing up?
00:05:56I don't know.
00:05:58Why are we standing up?
00:06:01You haven't been in the capital for a long time, Kyriakos.
00:06:04It seems to me that you have forgotten the customs of our place.
00:06:07What do you mean?
00:06:09The hostesses are given by the bosses, not the foreigners.
00:06:13I am a foreigner, Pavlos.
00:06:16The word says it all.
00:06:18Come on, let's sit down.
00:06:20Are you going to leave me alone on the couch?
00:06:29What am I going to do, my God?
00:06:31Give me a light. How am I going to get my child out of there?
00:06:35I told you before. I was just a lawyer.
00:06:38But, as you said, with what money?
00:06:40That's the problem. The customs.
00:06:58We'll get him out of there.
00:07:00He's good enough for a lawyer.
00:07:02We can even get him out of Athens.
00:07:04Mom, what are you talking about?
00:07:06These are all our savings.
00:07:08I don't know. I had them for an emergency.
00:07:11But if it's not an emergency now, when is it?
00:07:14What if something happens to your brother?
00:07:17What am I going to do?
00:07:19Be quiet, Mom.
00:07:21Nothing will happen, Argyris.
00:07:23If we don't find another solution, we'll give it to them.
00:07:26Argyris will come back and we'll give it all to the lawyers.
00:07:31Don't cry, Mom. Don't cry.
00:07:37Listen to me.
00:07:38Stop what you're doing to my mother.
00:07:41Otherwise, I'll tell my father everything.
00:07:44And you'll regret it.
00:07:46You've taken it too far.
00:07:48Believe me, you don't want to mess with him.
00:07:50Do you understand?
00:07:51I understand.
00:07:53You're the one who doesn't understand anything.
00:07:55He's the one who's not trustworthy.
00:07:57Not your mother.
00:07:58What did you say?
00:08:01Normally, our work requires full care.
00:08:04That's what I've promised your mother.
00:08:06Just like I always promise my clients.
00:08:09Clients?
00:08:12Since the moment things turned out this way,
00:08:15and this misunderstanding has been created...
00:08:17Speak!
00:08:19Your mother invited me to watch her husband.
00:08:25Don't leave my father alone.
00:08:28He hasn't done anything.
00:08:30We'll see about that.
00:08:31You won't see anything.
00:08:33Stop the investigation immediately.
00:08:36I'm getting married in a few days.
00:08:38If my mother goes crazy and sees things that don't happen,
00:08:41I won't blame her for ruining my wedding.
00:08:43Hold on, hold on.
00:08:45You're asking me, because you're getting married,
00:08:48to hide the investigation and...
00:08:51all this illegal stuff, just to avoid a scandal?
00:08:57Nice, nice.
00:08:58It's interesting. I like it.
00:09:00I like it a lot, but...
00:09:02as you understand...
00:09:04this...
00:09:05costs.
00:09:08I don't have any money on me.
00:09:11Then, what are we talking about?
00:09:13God willing.
00:09:16I have to continue my investigation and bring her back.
00:09:20Goodbye.
00:09:21Goodbye.
00:09:22Goodbye.
00:09:23Goodbye.
00:09:34Look, my dear.
00:09:35Don't worry.
00:09:36Your father is your father-in-law.
00:09:38Your father-in-law.
00:09:39Well done.
00:09:47Yes, yes.
00:09:48Finally.
00:09:49Welcome.
00:09:50Chloe, my girl.
00:09:52What do you mean, my girl?
00:09:53Turn around.
00:09:55You look like a country girl.
00:09:57Thank you very much.
00:09:59When did you come?
00:10:00Are you going to stay for days?
00:10:01You'll get bored if you see me.
00:10:04I brought you something.
00:10:05Really?
00:10:06What is it?
00:10:07You haven't been here in a while.
00:10:09Something special from Athens.
00:10:11I didn't need it, Kyriakos.
00:10:12What are you talking about?
00:10:14Come, Chloe.
00:10:15What is it?
00:10:18Chuck Berry.
00:10:19Unbelievable.
00:10:20Thank you very much.
00:10:21How do you know Chuck Berry?
00:10:25I don't know him.
00:10:26But he looks amazing from the outside.
00:10:28A special order from abroad, please.
00:10:31When did you get it?
00:10:32I had time in Athens to order it and receive it and bring it to you.
00:10:35Was it worth the wait?
00:10:37Such a gift?
00:10:38Everyone talks about him.
00:10:40They say he's the king of rock and roll.
00:10:42Do you know rock and roll?
00:10:44No.
00:10:45No?
00:10:46It's nothing special.
00:10:47Let me show you.
00:10:48Come here.
00:10:49Look.
00:10:50Two in front.
00:10:51Two behind.
00:10:52And open.
00:10:53And two in front.
00:10:54Two behind.
00:10:55And open.
00:10:56That's it.
00:10:57Okay, okay.
00:10:58That's enough.
00:10:59We had it all set up in our country.
00:11:00Pablo.
00:11:01What?
00:11:02Do you want to see your daughter turn around
00:11:04and let the public see what you can imagine?
00:11:06Probably not.
00:11:07So, boy.
00:11:08Thank you very much.
00:11:10But you'll keep this.
00:11:17Pablo.
00:11:18I spoke.
00:11:19And you, boy.
00:11:20Since you intend to stay here for a long time,
00:11:22as far as I understand,
00:11:23try to remember our customs
00:11:25and adapt to them.
00:11:27Customs are meant to change, boy.
00:11:31We can't stay the same
00:11:33when everyone around us changes.
00:11:36But it doesn't matter.
00:11:37I won't insist on the album.
00:11:38It doesn't matter.
00:11:39Let me talk to my daughter.
00:11:40How's school going?
00:11:41Your father says it's difficult here.
00:11:44Be patient.
00:11:45You'll get over it in a year.
00:11:47Then the best things start.
00:11:48Remember that.
00:11:49Like your brother.
00:11:50We're getting ready to get married.
00:11:52Where's Sofia?
00:11:53She's running around for the wedding.
00:11:55You understand.
00:11:56Too bad.
00:11:57I'd like to say good evening.
00:11:58Where's Vasilakis?
00:11:59He's out.
00:12:00He's playing with his friends.
00:12:01He's grown up.
00:12:02Yes.
00:12:03But let's leave you alone now.
00:12:04Good evening.
00:12:05The time has passed.
00:12:06Yes.
00:12:07Yes, Pablo.
00:12:08You're right.
00:12:09I have a lot of work.
00:12:10I didn't want to stay any longer.
00:12:13See you next time.
00:12:14It was a pleasure.
00:12:15Likewise.
00:12:18Goodbye.
00:12:22Chuck Berry.
00:12:23Goodbye.
00:12:26End of the break.
00:12:27Back to your room.
00:12:29Move!
00:12:37Why were you so rude to him?
00:12:40Kyriakos is...
00:12:41He's nothing to us.
00:12:43It's a mistake.
00:12:44We buried him while we were apart.
00:12:50Why are you...
00:12:52Hello.
00:12:53What's up?
00:12:54Why are you rejecting me?
00:12:55I'm not in the mood for a walk.
00:12:56I told you.
00:12:57I told you too.
00:12:58And you say you don't get it.
00:13:00Come here.
00:13:03If you have even the slightest idea
00:13:05that I'm in love with you
00:13:08we have to admit that
00:13:09there's nothing going on between us.
00:13:10Do you understand?
00:13:11And stop being like that.
00:13:12Smile.
00:13:15Like this.
00:13:16So it's obvious that we're good together.
00:13:17I don't get it.
00:13:18Why do you have such a passion for theater?
00:13:19I don't have any at all.
00:13:21Too bad.
00:13:22Because you know very well
00:13:23that you're a hypocrite.
00:13:25So do it for our daughter
00:13:26and stop being a hypocrite.
00:13:28Wherever we go
00:13:29we have to go as a family.
00:13:30What are we running around for?
00:13:31Where are we going anyway?
00:13:32We're going on a visit.
00:13:35Yes.
00:13:36Goodbye.
00:13:37Where are we going?
00:13:38That's what I'm asking.
00:13:39Wherever we go
00:13:40for your sake and my sake.
00:14:05What a lovely colony, Father.
00:14:07You, the faithful,
00:14:08are doing a wonderful job.
00:14:09Although, to be honest,
00:14:10I was expecting a bigger reception.
00:14:13It's a daily sin.
00:14:15On Sundays,
00:14:16you're supposed to walk on foot.
00:14:18You can't find a place to sit.
00:14:20All the nuns are religious.
00:14:23I'm glad to hear that.
00:14:25Father,
00:14:26I wanted to tell you
00:14:27that I'm very sorry
00:14:28for what happened earlier.
00:14:30When I used my key
00:14:31and entered your house,
00:14:33you were right
00:14:34about your trust.
00:14:35And I'm sorry.
00:14:37What happened
00:14:38happened in the past.
00:14:40I understand that you regretted it
00:14:41and it won't happen again.
00:14:43Of course.
00:14:44Thank you for your understanding.
00:14:45You're welcome.
00:14:47Father,
00:14:48I dare to suggest
00:14:49that we have dinner together tonight.
00:14:52It will be an opportunity
00:14:53to get to know each other better
00:14:54and build our trust.
00:14:56Thank you for the invitation.
00:14:58You know,
00:14:59I eat all night.
00:15:00We can do it
00:15:01some other time.
00:15:02Of course.
00:15:03Whenever you want.
00:15:06Maybe tomorrow
00:15:07after school?
00:15:08Yes.
00:15:09Of course.
00:15:10It's better at noon.
00:15:12Good night, father.
00:15:13Good night, Mrs. Kardonaki.
00:15:21He didn't even have time
00:15:22to press the cistern's button
00:15:23and you went and carried him
00:15:24in here.
00:15:25Don't you know
00:15:26that I don't want to have
00:15:27a lot to do with this man?
00:15:29He's our husband, Pavlos.
00:15:30He baptized our child.
00:15:32No.
00:15:33His wife baptized Chloe.
00:15:34But you see,
00:15:35she died
00:15:36and the title was transferred to him.
00:15:38He does the same thing.
00:15:39No, he doesn't.
00:15:41Anyway,
00:15:42I'm telling you for the last time.
00:15:43I don't want to have
00:15:44frequent contacts
00:15:45with this man.
00:15:47Okay.
00:15:49Okay.
00:15:50But why?
00:15:51Because I'm jealous.
00:15:55Is Kyriakos jealous of you?
00:15:57Can't you see?
00:15:59He's jealous of everything I have.
00:16:00Do you know why
00:16:01he went back to the cistern?
00:16:02To become
00:16:03the president of the community.
00:16:05Everyone in the city
00:16:06is talking about it.
00:16:07But he's going to get it.
00:16:08I'll take care of it.
00:16:14Where were you this morning?
00:16:16With Harry.
00:16:18We went to see
00:16:19the room
00:16:20you booked for us at the hotel.
00:16:21It's wonderful.
00:16:23I'm going to lay down a bit.
00:16:24I'm very tired today.
00:16:25Go get some rest, girl.
00:16:27Go.
00:16:33Something's wrong
00:16:34in this house.
00:16:35One of them
00:16:36is chasing a thief.
00:16:37The other one is
00:16:38walking around at night
00:16:39and is tired.
00:16:40She's hiding something.
00:16:42Calm down, please.
00:16:44It's not your fault, girls.
00:16:45It's your fault.
00:16:46It's your fault
00:16:47that the control
00:16:48in this house has been lost.
00:16:49And what's my fault?
00:16:51I don't understand.
00:16:52You understand very well.
00:16:53And be careful.
00:16:54You are the mother
00:16:55and you have to
00:16:56set a good example
00:16:57for the girls.
00:17:03The only one
00:17:04who understands me
00:17:05is Him.
00:17:07It's the first time
00:17:08I meet such a just man,
00:17:10such a good heart.
00:17:12It's as if God sent him
00:17:13to help me
00:17:14with what I'm going through
00:17:15with my father
00:17:16and Argyris.
00:17:22The harder
00:17:23my sister was brought up,
00:17:25the more kindness
00:17:26she showed me.
00:17:28She was so kind
00:17:29to me.
00:17:30My sister
00:17:31was so kind
00:17:32to our new priests.
00:17:35If he wasn't a man
00:17:36of the Church,
00:17:38he would have been
00:17:39my best friend.
00:17:50Are you leaving, dad?
00:17:52You got to know our village.
00:17:53You're starting to get used to it.
00:17:54I'm slowly getting used to it.
00:17:57Nature here is beautiful,
00:17:58bright.
00:17:59The land looks rich.
00:18:00Thank God.
00:18:02I suppose
00:18:03in the fall,
00:18:05many workers
00:18:06gather for the harvest.
00:18:07The field is big,
00:18:08lots of olives.
00:18:09Of course.
00:18:10People from all over Greece
00:18:11come here.
00:18:12They look for
00:18:13apricots, Kosmakis.
00:18:14Do they behave well?
00:18:16Or do they have them
00:18:17as slaves?
00:18:19Now, dad,
00:18:20you know how things are.
00:18:22The farmers here
00:18:24give a room
00:18:25for sleep,
00:18:27they give food,
00:18:28water,
00:18:29and that's it.
00:18:30It's good.
00:18:32They don't get rid
00:18:33of poverty,
00:18:34but what can they do?
00:18:35It's simple.
00:18:37I see.
00:18:38There are shops all around.
00:18:39They will always need hands.
00:18:40Isn't that right?
00:18:42And Markopoulos?
00:18:44What?
00:18:46I mean,
00:18:47does Markopoulos have shops?
00:18:49He
00:18:51is the leader.
00:18:53He has the shop,
00:18:54he has his fields,
00:18:56and he employs a lot of people.
00:18:58He employs a lot of people
00:18:59here in the area.
00:19:01What can I say?
00:19:02God bless him.
00:19:03I suppose
00:19:04Markopoulos is not the only one
00:19:05who has shops.
00:19:06There are others.
00:19:08Why are you asking so many questions, dad?
00:19:09Do you want to know something?
00:19:11No, I don't.
00:19:13I just said,
00:19:14since I'm going to stay here
00:19:15for a while,
00:19:16I should start learning
00:19:17about the important people
00:19:18of this place.
00:19:19Ah, I see.
00:19:20I understand.
00:19:21Come on, go.
00:19:22I can't keep you any longer.
00:19:23Go and get some rest.
00:19:24Okay.
00:19:25I've closed the shops.
00:19:26Have a good evening, dad.
00:19:29God bless you.
00:19:38Ah, Kyriakos.
00:19:40You don't know how happy I am
00:19:41that you're back.
00:19:44Cheers.
00:19:45Cheers.
00:19:46I'm happy to see you again.
00:19:48You reminded me of our old friend.
00:19:51Of course, among us.
00:19:53I don't know if it's a good idea
00:19:54to go to the press conferences.
00:19:56It's a difficult path
00:19:57for your election.
00:19:59I know it's difficult,
00:20:00but if it was easy,
00:20:01I wouldn't care.
00:20:04I can't wait to finish school,
00:20:05no matter what.
00:20:06To throw a big party.
00:20:08To make me feel like it.
00:20:10Should we do it here,
00:20:11in the hotel?
00:20:12Look at what people are saying.
00:20:13Wherever we party,
00:20:14Helen is the first.
00:20:16Even if the president has come out,
00:20:17we should party in Sterna.
00:20:19No one should sleep.
00:20:20We should party until morning.
00:20:27Ah!
00:20:28What are you doing?
00:20:29What are you doing?
00:20:30Be careful, please.
00:20:31What a mess.
00:20:33I'm sorry.
00:20:34Christina,
00:20:35Anastasia didn't mean it.
00:20:37It was an accident.
00:20:38What's on your mind?
00:20:39Where?
00:20:40I'm sorry.
00:20:41I'm so sorry.
00:20:42I can't.
00:20:43I can't.
00:20:44I can't find anyone
00:20:45in this family.
00:20:46No one.
00:20:47I can't.
00:20:53What can we do?
00:20:56This happens.
00:20:58I'm sorry again.
00:21:00It's okay, Anastasia.
00:21:01Keep doing your job, my dear.
00:21:10What can she do?
00:21:12After what happened to her brother?
00:21:14Her brother?
00:21:15What happened to him?
00:21:17They blackened the wood.
00:21:19In the cellar where they keep him.
00:21:20What?
00:21:22When did this happen?
00:21:23Today.
00:21:24I heard them talking about it.
00:21:30I can't.
00:21:31My mood is ruined after this.
00:21:33Let's go, Kleanthi.
00:21:34Wait, Christina.
00:21:35Sit down.
00:21:36No, no.
00:21:37Get up, my dear.
00:21:38Let's go.
00:21:39Good night.
00:21:45Kleanthi!
00:21:46Thank you, Kyriakos.
00:21:48It's okay, Klea.
00:21:49It's okay.
00:21:51I know you don't like what you're going through.
00:21:53But try to think that at least we'll make it.
00:22:02Good evening.
00:22:04What are you doing here?
00:22:06I'm here for Manolopoulos.
00:22:08I want to see him.
00:22:09Now?
00:22:10Come tomorrow.
00:22:11I heard he's injured.
00:22:14I should take care of him.
00:22:17He's fine.
00:22:18He'll be fine until he gets married.
00:22:23Listen to me, Mr...
00:22:25Chief of Staff.
00:22:26Chief of Staff.
00:22:30Chief of Staff.
00:22:33Manolopoulos is a prisoner.
00:22:35If anything happens to him in the prison,
00:22:37someone will have to speak for him.
00:22:40The leadership of the Royal Prison
00:22:44will probably ask for an explanation.
00:22:48What do you say?
00:22:49Do you really want an explanation?
00:22:55Okay.
00:22:58I'm listening.
00:23:19I'm listening.
00:23:28I heard you were beaten and I came to see you.
00:23:30I'm fine.
00:23:31I'm fine.
00:23:33I'll tell you if you're fine.
00:23:44Did Markopoulos send you?
00:23:46To finish me off?
00:23:48Are you out of your mind?
00:23:49What are you talking about?
00:23:51He'll be fine.
00:23:52So?
00:23:54I know you, Argyris.
00:23:56Your mother has been working for us for years.
00:23:58I'm a doctor.
00:23:59I gave her an order.
00:24:01Okay. I'm sorry.
00:24:03He's just scared of Markopoulos.
00:24:05Leave him alone.
00:24:08Does it hurt here?
00:24:09Yes, a little.
00:24:11Take a breath.
00:24:14Here?
00:24:15Yes, it hurts.
00:24:19It's okay.
00:24:21You'll be fine.
00:24:23You're a man.
00:24:24A young man.
00:24:27You're okay, doctor.
00:24:29It's not like I had something against you.
00:24:31But I didn't expect you to be so heartless.
00:24:34Did you expect me to be tough?
00:24:41Come here.
00:24:42Come here.
00:24:46Whoa, whoa, whoa!
00:24:47Easy, easy, easy.
00:24:50You see?
00:24:51I'm a man.
00:24:52I'm a man of my word.
00:24:56Easy.
00:25:03You'll be fine.
00:25:12You'll be fine.
00:25:39What is this?
00:25:40This is a bookshelf.
00:25:43What am I supposed to do with it?
00:25:44There's money in here.
00:25:47I'll give you money every month.
00:25:49When you grow up and become 21,
00:25:52you can take it and do whatever you want with it.
00:26:10I came to tidy up your room.
00:26:12Where are you going?
00:26:13Are you leaving?
00:26:14Leave me alone.
00:26:23Look what I brought you.
00:26:26Mom made it for you.
00:26:28Pita.
00:26:29Nice.
00:26:34Does it hurt a lot?
00:26:35It's okay.
00:26:36It'll pass.
00:26:38Haris came by yesterday and treated me.
00:26:40Really?
00:26:41Yes.
00:26:42God bless him.
00:26:44Haris is a good man.
00:26:46You see?
00:26:48Not everyone is rich or bad.
00:26:50Okay.
00:26:51Now I know where you're going.
00:26:53I didn't say that Chloe is bad.
00:26:55She's not.
00:26:56I know she's not.
00:26:58What kind of job do you have with her?
00:27:00She's not on our list.
00:27:02None.
00:27:03Fine, I want her.
00:27:04Unfortunately,
00:27:05we can't always have what we want.
00:27:07I love this woman, Anastasia.
00:27:09And I can't get her out of my mind or my heart.
00:27:12I love this woman. Don't you understand?
00:27:15Please.
00:27:16You have to help me.
00:27:18What do you want me to do?
00:27:20I have to find a way to talk to her.
00:27:22You can't do that.
00:27:23You have to get her out of your mind.
00:27:24I can.
00:27:25Kourofilaka!
00:27:27Kourofilaka!
00:27:28Come on, are you crazy?
00:27:30I'd like a piece of paper and a pencil.
00:27:31To write something for my sister.
00:27:33Do you think this is a fairytale?
00:27:35Sit down and tell me the truth.
00:27:36I can't do this anymore.
00:27:37I'm going to kill you.
00:27:38You made me jealous.
00:27:39Fine.
00:28:03Chloe.
00:28:04Margyri.
00:28:05These aren't drugs.
00:28:06I know.
00:28:07You have to find a way to help me.
00:28:08I have to talk to her.
00:28:09Let's do this, sister.
00:28:10Please.
00:28:34Good morning, father.
00:28:35Good morning, Chloe.
00:28:36How are you?
00:28:37I'm fine.
00:28:38What is that you are reading with such interest?
00:28:42Tomas Man.
00:28:44The Magic Mountain.
00:28:45A great novel.
00:28:47Nobel prize in 1929.
00:28:51I read it when I was little.
00:28:52I want to read it again.
00:28:53It's a great novel.
00:28:54It's a great novel.
00:28:55It's a great novel.
00:28:56I want to read it again.
00:28:57It's a great novel.
00:28:58I want to read it again.
00:28:59I want to read it again.
00:29:00I want to read it again.
00:29:01It's a great novel.
00:29:02Ah.
00:29:04Have you read literature?
00:29:07No, I only read school books. I don't have any extracurriculars.
00:29:13Reading helps us see things from many perspectives.
00:29:17It makes us relax, travel, learn.
00:29:21It opens up a window to life.
00:29:26Do you want it?
00:29:28Yes, I would love it if you could do it too.
00:29:34Good.
00:29:39I have to go. Don't be late.
00:29:57Can you tell me what you are doing in Efhi?
00:30:01Are you monitoring me? Why are you always so late?
00:30:05I didn't come for you.
00:30:08Before you arrived, our friend used to come here more often.
00:30:13Come on, do your thing and let's go see him.
00:30:28What happened, Kleanthi? Is something wrong?
00:30:32I came for Argyris.
00:30:34They insisted that you put him in jail.
00:30:37We talked about it. Why did you come back?
00:30:40Because I asked you to get Argyris out of jail and ignore me.
00:30:44What has this kid done to you?
00:30:47Are you asking me what he has done to me?
00:30:50You don't know. Last time I told you he was going to blow his mother's milk.
00:30:54And you started it again. Why?
00:30:57Why are you defending him so much?
00:31:01This kid is where he deserves to be.
00:31:04He and everyone who dares to flirt with underage girls.
00:31:08Especially those who don't belong to his class.
00:31:12He flirted, Pavlos. Not a crime.
00:31:15I don't understand this nonsense.
00:31:17So, Kleanthi, are you done?
00:31:20Do you want something else?
00:31:21Go away, please. We have work to do.
00:31:23No, I don't want to.
00:31:25Thank you for your kindness.
00:31:27I'll find my way out on my own.
00:31:42What is he doing here?
00:31:45He wants me to free Argyris.
00:31:47He has a plan.
00:31:48He wants me to leave him alone.
00:31:50And then I'll watch him seduce my daughter.
00:31:53Really, Thrasos?
00:31:55Look how much you care about this kid.
00:31:58Anyway, you are being unfair.
00:32:01I have many reasons to be unfair, Pavlos.
00:32:04You don't know, that's why you say it.
00:32:06Tell me. I want to know.
00:32:11I'll tell you.
00:32:13This bastard.
00:32:15The son of the maid.
00:32:18He is Kleanthi's son.
00:32:20That's why he has been ordered to be released from prison.
00:32:23What are you saying, Christina?
00:32:25Is Kleanthi possible?
00:32:27Yes, he is.
00:32:29He is possible.
00:32:31He is possible.
00:32:33My husband has made me a child with the maid.
00:32:35And not only that.
00:32:37He keeps her in our house for 25 years.
00:32:39He is possible.
00:32:40He is.
00:32:42And I live this thing.
00:32:44I live it, do you understand?
00:32:46That's why I don't want to see him in front of me.
00:32:48And I don't even know how I've been living with him for so many years.
00:32:50He seems unworthy to me.
00:32:52Yes, he would be unworthy to me, too.
00:32:54If I wasn't sure.
00:32:56He accepted it himself.
00:32:58Yes, he accepted it himself.
00:33:00The day I pressured him a lot.
00:33:02In the end,
00:33:04you shouldn't put your hand in the fire for anyone.
00:33:07Kleanthi is silent and silent.
00:33:10Behind our back.
00:33:12Do you understand now why I don't feel guilty for us?
00:33:15No regret.
00:33:17None.
00:33:19What can a man do to a woman?
00:33:22With the maid in my house.
00:33:25So many years.
00:33:27What's worse?
00:33:36My dear.
00:33:38Good morning, Mrs. Thalia.
00:33:40How are you, my boy?
00:33:42I'm fine. Is Sofia better?
00:33:44How?
00:33:46If she got over yesterday's divorce.
00:33:48I didn't have time to talk to her because I was busy.
00:33:51She didn't tell me anything.
00:33:53Obviously, not to worry me.
00:33:55Anyway, I saw her tired.
00:33:57As soon as she came back from the date, she told you to go to bed.
00:33:59What date?
00:34:01The one you had to see the room that Pavlos invited you to.
00:34:04For the wedding.
00:34:06But we saw the room the day before yesterday.
00:34:09When you were at the hotel and you were waiting for my mother.
00:34:13But we didn't see it because it wasn't available.
00:34:16Oh, then I got confused.
00:34:18I didn't understand something.
00:34:21Yes, only some confusion would have happened.
00:34:24Anyway, it doesn't matter.
00:34:26Will Sofia be at home to see her?
00:34:28Yes, of course.
00:34:30Unless she has arranged a date with the fashionista today.
00:34:32That's not how it is, my dear.
00:34:33Yes, my dear.
00:34:35They run from their anxiety and we make it in time.
00:34:37Yes, I understood something.
00:34:39Anyway, I'm glad I saw you.
00:34:41I'll see you in the afternoon when I go to see Sofia.
00:34:43Of course. Good luck.
00:34:49Poverty.
00:34:51Neither this nor that.
00:34:52Poverty.
00:35:03The poor man of God, Kazantzaki.
00:35:08A priest and to propose to Kazantzaki?
00:35:11Let it be better.
00:35:17Papa Diamantis.
00:35:19Yes.
00:35:20This one.
00:35:44Father Nikos, is the meal we were talking about valid today?
00:35:48Yes, of course.
00:35:58Chloe?
00:36:00Chloe?
00:36:02Come here.
00:36:04Anastasia, did you have any news from your brother?
00:36:08Look, Chloe.
00:36:10I don't know if I'm doing well.
00:36:14This is from Argyris.
00:36:17Thank you very much.
00:36:18Goodbye.
00:36:20Take care.
00:36:49Anastasia!
00:36:52No, no. This is mine. Give it back to me.
00:36:55Chloe, I'm a prisoner.
00:36:57I have no right. Give it back to me now.
00:36:59What's going on here?
00:37:02They have something of mine.
00:37:04Please.
00:37:07Is this it?
00:37:12You have no right to take something that belongs to someone else.
00:37:15You know that.
00:37:16What you obviously need to know
00:37:19is that the identification of someone is confidential.
00:37:23Otherwise, you would publish it in the papers.
00:37:26Everyone's personal life
00:37:29is their own matter and must be unbiased.
00:37:34Today, you respect me. Tomorrow, they will respect you.
00:37:38Yes, father.
00:37:43Tomorrow, before the lesson,
00:37:46I want you to come and talk to me.
00:37:48You have to understand what happened.
00:37:50Go now.
00:38:01Chloe.
00:38:03Father Nikolaos was right. I don't doubt him.
00:38:07But something tells me that this letter is wrong and is in your hands.
00:38:11No, no, ma'am. I beg you.
00:38:14Go to your class now.
00:38:16I won't say it again.
00:38:22Why are you going to the gym?
00:38:24What's this?
00:38:26You're going to school, Chloe.
00:38:28Don't call him that.
00:38:29Okay?
00:38:43Virginia?
00:38:45Is Sofia here?
00:38:47No, she's not here. She's missing.
00:38:49Do you know where she is?
00:38:51Where could she be?
00:38:53She must have gone somewhere with Mr. Charis.
00:38:55She's not with Mr. Charis.
00:38:56I would really like to know where she is.
00:38:59Today and yesterday.
00:39:22Come in.
00:39:30These are for you to leave my father alone.
00:39:34Take them and stop the investigation.
00:39:47It's not enough.
00:39:49It looks like it.
00:39:51It's not enough. Can't I secure my silence?
00:39:53I don't have any more.
00:39:54I'm sorry.
00:39:56I can't do anything. I'm really sorry.
00:39:58Wait a minute.
00:40:00How much do you want?
00:40:03As much as you can.
00:40:17I see.
00:40:20Something's going to happen now.
00:40:21What's going to happen?
00:40:23You're going to talk to my mother and tell her you didn't find anything for my father.
00:40:26And then you're going to leave Sterna.
00:40:28You're going to disappear.
00:40:30I'll be waiting for you.
00:40:32Look, I don't need these kind of advice.
00:40:35How much, then?
00:40:37Soon.
00:40:39Be patient.
00:40:51Thank you, Markopoulos.
00:41:11I'm sorry.
00:41:13I'm sorry.
00:41:14I'm sorry.
00:41:39Did you write it down?
00:41:41Yes.
00:41:42Good.
00:41:44Let's move on to the next letter.
00:41:46Oh, Angelina!
00:41:51I'm telling you again.
00:41:53What you're doing with Argyris is not right.
00:41:55Leave me alone.
00:41:57Can you imagine what would have happened
00:41:59if the director had given your father the letter?
00:42:01Do you want me to go and beg him to give it to you?
00:42:03Do you want me to be a victim?
00:42:07No.
00:42:09No, I don't want that.
00:42:12Angelina.
00:42:14Yes?
00:42:16Can I go to my place?
00:42:18Of course you can.
00:42:28We continue.
00:43:13Good evening.
00:43:15Good evening.
00:43:17You must have some news for me.
00:43:20Did we learn anything about our priest?
00:43:23I learned something not so important.
00:43:25As a descendant of the Church of Chania,
00:43:28a theologian and a priest,
00:43:30I was told that he had great prospects
00:43:33in the hierarchy of the clergy.
00:43:35But he chose to leave them
00:43:37and ask to come to Sterna.
00:43:39He asked for it, didn't he?
00:43:40Why?
00:43:42I don't know.
00:43:44Maybe he wanted a quiet place.
00:43:46That's strange.
00:43:48Did you learn anything else?
00:43:50Mr. Markopoulos, I can't do anything else.
00:43:52All this was already beyond my power.
00:43:54I went to his house to look for him
00:43:56and he almost caught me red-handed.
00:43:58I understand.
00:44:00I appreciate your help
00:44:02and you know I won't leave you like this.
00:44:04I know how to respond.
00:44:06Thank you very much.
00:44:08Also,
00:44:10there is something else.
00:44:16What is this?
00:44:18It fell from the window in the school.
00:44:20The students found it
00:44:22and Father Nikolaos refused to give it back to them.
00:44:25But I managed to tear it off and bring it to you.
00:44:28Good.
00:44:32I have to go now.
00:44:34I have an appointment with the priest.
00:44:36What can we do?
00:44:38I have to gain his trust.
00:44:40You handle the matter very well.
00:44:42Thank you very much.
00:44:44Goodbye.
00:44:46Take care.
00:44:58Come, Vlassi.
00:45:00I want you to do something for me.
00:45:02No, no.
00:45:04No violence.
00:45:06This Manalopoulos you have in the prison
00:45:07has a strong bond with his family.
00:45:09I think it's time
00:45:11to break those bonds.
00:45:15So,
00:45:17listen to me carefully.
00:45:37I'm sorry.
00:45:57Welcome.
00:46:01You are very tired, my brother.
00:46:03You should go to the doctor.
00:46:05They are crazy about the newspapers.
00:46:07Is this how my job is?
00:46:09Yes, but you are getting married soon.
00:46:11Can't you be at the hospital all the time?
00:46:15I wasn't at the hospital.
00:46:17Where were you?
00:46:19With Sofia, right?
00:46:21I went to the priest.
00:46:23What did he say?
00:46:25What are you doing with him?
00:46:27Don't react like that.
00:46:29I'm a doctor.
00:46:31I have to see his injuries.
00:46:33You have no obligation.
00:46:34I'm sorry.
00:46:47What's going on here?
00:46:49Hello, mother.
00:46:53We had a disagreement with Irina.
00:46:56But we solved it.
00:46:57I'm sorry.
00:47:03What's wrong with you, my girl?
00:47:05You are always upset.
00:47:07I wish I could tell you, mom.
00:47:09Tell me.
00:47:11Tell me, my heart.
00:47:13Nothing.
00:47:15I'm leaving.
00:47:17Let me go and you go.
00:47:19Just one more kiss.
00:47:21Are you out of your mind?
00:47:23Just one.
00:47:33Go.
00:47:35Do you want to be seen and have more to say?
00:47:37I wanted to see you.
00:47:39You saw me.
00:47:41You saw me.
00:47:43You saw me.
00:47:44I wanted to see you.
00:47:46You saw me.
00:47:48Go now.
00:48:14Go.
00:48:31Take this.
00:48:41Don't be sad, my child.
00:48:42You destroyed your life.
00:48:45Others destroy it.
00:48:47Of course.
00:48:49You have a right.
00:48:51But what about the girls' fathers?
00:48:53Won't they protect them?
00:48:56That's how we are, fathers.
00:48:58Don't tell me your father never recognized you.
00:49:02What are you talking about?
00:49:04My father is a hero.
00:49:06How do you know your father?
00:49:09Oh, you mean the one who raised you.
00:49:12We treat him like a traitor.
00:49:15Just like all the others.
00:49:17What can I tell you about the one who raped you?
00:49:20Maybe he's a hero too, the one who raped your mother.
00:49:28It's a tough truth, but don't put it with me.
00:49:31Put it with someone else.
00:49:33Or maybe you should put it with someone else.
00:49:35The one who raised you for so many years.
00:49:36Don't lie to me.
00:49:38You don't know what you're talking about.
00:49:40And don't mention my mother again.
00:49:42What I'm telling you is the truth.
00:49:44And you?
00:49:46Believe whatever you want.
00:49:53Come in.
00:50:06Come in.
00:50:22Where have you been? I was worried.
00:50:24I went for a walk, mom.
00:50:26I'm glad I found you here.
00:50:28Are you coming with me to dad's shop?
00:50:30What are we going to do there?
00:50:32I have to choose a dress for the wedding.
00:50:34Aren't we going to sit at the table with the wedding dress?
00:50:37No, of course not.
00:50:39You're not going to sit at the table with the wedding dress.
00:50:41Come on, let's go.
00:50:59Good morning.
00:51:01Good morning.
00:51:02Can I talk to you for a minute?
00:51:04Yes, of course. I'm listening. Sit down.
00:51:07Would you like some coffee?
00:51:09No, thank you.
00:51:11What's going on? You look upset.
00:51:13Yes, I am.
00:51:15I'm listening.
00:51:17I need your help.
00:51:19For what?
00:51:21It's about my client's son.
00:51:23He's been put in jail unjustly.
00:51:26We have to get him out of there.
00:51:28Make a sacrifice.
00:51:30Yes, how can I help?
00:51:32I need a lawyer.
00:51:34You have your people in Athens.
00:51:37You know people.
00:51:39Find me one and we'll get him out of there.
00:51:42I'll find one.
00:51:44Of course, it costs money to find a lawyer.
00:51:46But...
00:51:48No, forget that. This is the last one.
00:51:50Why did you come to help me?
00:51:53I...
00:51:55Because...
00:51:57This child grew up in my house, Kyriakos.
00:52:00He's like a son to me.
00:52:02Oh, man.
00:52:04You're a soul.
00:52:06We'll get him out.
00:52:08He's your son.
00:52:10I'll drink this coffee.
00:52:19I heard this car on the street again.
00:52:22The others were running and looking at it.
00:52:25They were saying how nice it was.
00:52:27Exactly.
00:52:29I liked looking at it too.
00:52:30It was red.
00:52:32It was shiny.
00:52:34And it made a lot of money.
00:52:42Hello, Mrs. Karantonaki.
00:52:44Hello, father. I just got here.
00:52:46I'm glad I didn't keep you waiting.
00:52:48Let me pass.
00:53:01How does this look to you?
00:53:03Oh, my love.
00:53:05You're a doll.
00:53:07A real princess.
00:53:09My father calls you Chloe.
00:53:12I always see a princess in front of me.
00:53:16My girl.
00:53:18You'll be the most beautiful bride of all time.
00:53:25We have to talk.
00:53:27What?
00:53:28We have to talk.
00:53:30Chloe is...
00:53:32Excuse me, Mr. Markopoulos.
00:53:34Can I talk to you in private?
00:53:36Sure.
00:53:43Someone left this letter for you.
00:53:46He asked me to give it to Mr. Markopoulos.
00:53:49He said it was in his hands.
00:53:51Do we know who it was?
00:53:53No, I haven't seen it again.
00:53:59I have to go.
00:54:01Aren't you going to tell me?
00:54:03Something happened and they want me right now.
00:54:11I'm going to put the other one on my watch.
00:54:13Yes, yes. Go, my girl.
00:54:19Thank you very much.
00:54:23You don't know how bad I felt when I realized what happened.
00:54:26I shouldn't have come into your house without informing you.
00:54:29I'm terribly sorry.
00:54:31I told you before.
00:54:33Don't bring it up again.
00:54:35This issue is over for me.
00:54:37You are brave.
00:54:39That's why I'd like to give you some advice, if you don't mind.
00:54:43Please.
00:54:45This morning, at school,
00:54:47you asked me to talk to the girls who received Chloe's letter.
00:54:51Yes, indeed.
00:54:53I'd advise you not to do it.
00:54:55I'd advise you not to do it.
00:54:57Don't go too far with this issue.
00:55:00But I have an obligation to talk to them about what's right and what's wrong.
00:55:04What they did was a big mistake.
00:55:08I also see it as an opportunity
00:55:11to be a moral teacher.
00:55:14You know,
00:55:16our society is closed.
00:55:18And you are new here.
00:55:20You have to understand that.
00:55:22What exactly should I understand, Mrs. Karadonaki?
00:55:24People talk a lot.
00:55:26You don't want them to hear from Chloe's father that...
00:55:30Please, don't go on.
00:55:32I'm not willing to change my beliefs,
00:55:35nor to violate my values.
00:55:37But I didn't ask you to change anything.
00:55:39Listen, Mrs. Karadonaki.
00:55:41I will pass on the Lord's Word to the girls,
00:55:44as my conscience forbids it.
00:55:46I don't care if it's Mr. Markopoulos or anyone else.
00:55:51I'm saying this for your own good.
00:55:52Because as far as I understand,
00:55:54you don't want to create enemies in this place.
00:55:57I don't want to create enemies in any place.
00:56:00That's right.
00:56:02If you have friends and allies like Mr. Markopoulos...
00:56:05I don't need strong allies, Mrs. Karadonaki.
00:56:08But it will be easier for them,
00:56:10for your good reason and your philanthropic work,
00:56:13to reach even more people.
00:56:16I have my ally,
00:56:18the Lord.
00:56:20Of course.
00:56:22Besides, I can't force you to do anything.
00:56:25But as friends,
00:56:27I suggest you think about it.
00:56:34All right.
00:56:36You may be right.
00:56:38So, yes.
00:56:40Yes.
00:56:42I will think about your proposal
00:56:44and I will see what the girls will do.
00:56:47The red one here is wonderful.
00:56:49Ah!
00:56:51Our beloved Mr. Pavlidis.
00:56:53How are you?
00:56:55Mr. Varela.
00:56:57I'm fine, Mrs. Karadonaki. How are you?
00:56:59I'm fine.
00:57:01I'll leave you to it.
00:57:03My dear, don't worry.
00:57:06Let me introduce our new priest.
00:57:08Father Nikolaos, Mr. Kyriakos Pavlidis.
00:57:11My dear.
00:57:13Nice to meet you.
00:57:15Have you returned?
00:57:16Yes, of course.
00:57:18I have your daughter as a student in the village.
00:57:20Ah, nice.
00:57:22Then allow me to welcome you in turn to our town.
00:57:24Excuse me.
00:57:26What is it, Matina?
00:57:28Could I bother you for a moment?
00:57:30Yes, yes, I'm coming.
00:57:32Excuse me again. Thank you.
00:57:34God bless you.
00:57:36An excellent gentleman.
00:57:40Yes, indeed.
00:58:00What happened, son? Did they beat you again?
00:58:04Sit down, mother.
00:58:13Mother,
00:58:14I want to ask you a question.
00:58:16And I want you to tell me the truth.
00:58:18What do you want, son?
00:58:20You will tell me the truth.
00:58:22If you lie to me, I will understand.
00:58:25What happened, son?
00:58:27Of course I will tell you the truth.
00:58:29I always tell you the truth.
00:58:31You tell me?
00:58:33So you have told me the whole truth about my father?
00:58:44Yes.
00:58:49Are you looking for something?
00:58:51No.
00:58:54Something impressed me before I got here.
00:58:58A car.
00:59:14Hurry.
00:59:42Hurry.
00:59:44What are you doing here?
00:59:47I came for you.
00:59:49For what reason?
00:59:51What do you want?
00:59:53To ask me for a favor again?
00:59:55Please.
00:59:57Please, don't refuse me.
00:59:59Only you can help me.
01:00:11Damn devil.
01:00:14What's going on?
01:00:23What's going on? What happened?
01:00:25What was that envelope?
01:00:27Who?
01:00:29The one you hid in the drawer.
01:00:33What's inside?
01:00:40We are not friends.
01:00:42There is no way we can be friends.
01:00:44I am your teacher and editor of Stern.
01:00:46And you are...
01:00:48And I am a person who needs you.
01:00:51The one I thought was my father all these years, is he or is he not?
01:00:54Who put such thoughts in your head?
01:00:56Of course he is your father. Why are you asking me such things?
01:00:59Swear to me, mother, that you are telling me the truth.
01:01:05Sins are paid.
01:01:08I am sure he is lying to me.
01:01:10What do you want from me?
01:01:11What do you mean?
01:01:13To find the envelope and see what's inside.
01:01:15What?
01:01:17Christina, you can do it.
01:01:20What are you doing here?
01:01:22Who gave you the freedom to look for my photos?
01:01:25What are these photos, Pavlos?
01:01:27Don't rely on him.
01:01:29You have your friends.
01:01:31Not the father of the scriptwriters.
01:01:33Help the girl, I mean.
01:01:35But to a certain extent.
01:01:37Doesn't she have parents? Is he an orphan?
01:01:39She has. Her mother's parents are Markopoulos.
01:01:41I found him and he opened it.
01:01:43You have no right to accuse your husband.
01:01:46He told you the truth.
01:01:48This envelope belongs to one of his suppliers.
01:01:51I came to talk to you.
01:01:53I would like to confess.
01:01:55What's wrong with your soul?
01:01:57I have done something for which I have repented a lot.
01:01:59I had some doubts about my husband.