Category
🦄
CreativityTranscript
00:00I met you, before I met you, when I was a child, in my silent dreams.
00:24It was too late then, and how can I make up for it?
00:31I said, from this world, let's leave together.
00:40And if the sea gives us all its possibilities,
00:47and if it gives everything that is precious to the soul,
00:54there are those who love until their death,
01:01and to the next life from the beginning.
01:09And to the next life from the beginning.
01:39And to the next life from the beginning.
01:54Remember Stefanos for the good things he did, but also for his mistakes.
02:04Above all, however, remember the love he gave you.
02:10Only love can survive death.
02:15Every minute that God gives us in this life is precious.
02:21Have your soul open to the fellow man.
02:26And above all, glorify the name of the Lord and pray that He will watch over you.
02:36Feels like falling down
02:43Could we turn back around?
03:05The sky is red
03:13We should be careful now
03:36Feels like falling down
03:55We should be careful now
04:05Feels like falling down
04:11We should be careful now
04:18Feels like falling down
04:25Feels like falling down
04:42Guys!
04:44Good morning!
04:46You're smiling!
04:47I can't believe it!
04:48Are you happy?
04:49Let me tell you something.
04:52Look at the squirrel.
04:56Saridakis!
04:57Come here.
04:59Leave him alone, Noti.
05:00He's not green, he's got a moustache.
05:03And he's wearing a hoodie.
05:04Stop it!
05:06I'm listening.
05:07Are you going to teach me how to play with that thing you always carry with you?
05:11They call it a funk.
05:12Sounds like an oxygen tank.
05:15The problem is that in order to learn how to play, you have to stay up all night.
05:19What are you up to?
05:20Nothing.
05:21I'm telling you so you don't get in trouble.
05:24Come on, come on, I'm coming.
05:27Am I going to let the squirrel tell me?
05:29Yes, go away!
05:30I'm going to break your hood and you won't have anywhere to hide.
05:38Someone's looking for you.
05:43Yes.
05:44Smile and say hello.
05:46Ralu!
05:47What are you waiting for?
05:48If you didn't want to tell me, who did you call?
05:50He called me.
05:51If you're playing hard to get, tell me to come.
05:53Slow down, bodyguard.
05:55Guys, see you.
06:07What's up?
06:13He's playing hard to get.
06:15He's doing well.
06:16You need all the boys for that.
06:18Bah!
06:31Sorry about the last few days.
06:34We didn't meet as much as I wanted.
06:38I guess you didn't want to.
06:41Fotini, I'm serious.
06:42I needed to be alone for a while.
06:48Have you heard about the new convention center
06:50that's being built in Posidon?
06:53It's a gift from my mother.
06:54She's asking for interviews everywhere
06:56and she's pushing me to be with her all the time.
06:58And believe me, I don't like it at all.
07:00So you didn't answer my message
07:01that I'll be at the pool and I'll be waiting for you
07:03to hide from the journalists.
07:07I wanted to see you.
07:10I need you.
07:22Okay.
07:23I fell in the pool.
07:24Okay.
07:35I'll pick you up after school.
07:40Listen to me.
07:42I want you to understand.
07:44It's hard these days.
07:48Bye.
07:49Bye.
07:54I need you.
07:58I'll take a cab.
08:00Okay.
08:20Some will fall.
08:25And when we rise,
08:27we're called towards the vision.
08:32We're called towards the vision.
08:39The vision.
08:41The vision.
09:11The vision.
09:13The vision.
09:14The vision.
09:15The vision.
09:16The vision.
09:17The vision.
09:18The vision.
09:19The vision.
09:20The vision.
09:21The vision.
09:22The vision.
09:23The vision.
09:24The vision.
09:25The vision.
09:26The vision.
09:27The vision.
09:28The vision.
09:29The vision.
09:30The vision.
09:31The vision.
09:32The vision.
09:33The vision.
09:34The vision.
09:35The vision.
09:36The vision.
09:37The vision.
09:38The vision.
09:39The vision.
09:40The vision.
09:41The vision.
09:42The vision.
09:43The vision.
09:44The vision.
09:45The vision.
09:46The vision.
09:47The vision.
09:48The vision.
09:49The vision.
09:50The vision.
09:51The vision.
09:52The vision.
09:53The vision.
09:54The vision.
09:55The vision.
09:56The vision.
09:57The vision.
09:58The vision.
09:59The vision.
10:00The vision.
10:01The vision.
10:02The vision.
10:03The vision.
10:04The vision.
10:05The vision.
10:06The vision.
10:07The vision.
10:08The vision.
10:10My love, please be brave.
10:14For the sake of our child.
10:28Isn't that what everyone would want?
10:34To be able to see their own vision.
10:37To know what others believe about them, without anyone being able to see them.
10:42You see me.
10:45Asona.
10:46You?
10:51Of course.
10:53Stefanos Leontis.
10:55He fell at the hour of his death.
11:00The vision is breaking from up here.
11:03Only the vision.
11:04The company, no.
11:06No, man.
11:08What happened? What happened?
11:09Can't you see them?
11:12Who?
11:13Look, paparazzi.
11:15They came to take a picture of Maxim Delimani.
11:18Along with the girl next to him.
11:20I can already see the headlines.
11:21The media is going to go crazy.
11:23And what do they say?
11:24They say you hit the jackpot.
11:26The most beautiful and smartest girl in Piraeus.
11:28Hidden from his mother, though.
11:30Problem.
11:31Come here.
11:36No, no, no.
11:41You know what you are to me, right?
11:42You know.
11:46Fire.
12:03Why did you pull? What did I say?
12:05No, you didn't say anything.
12:08Maxim, lately a lot of strange things have been happening to me.
12:12That's why I sent you a message. I wanted to talk to you.
12:15Okay, calm down.
12:17Calm down.
12:19You will find a way to get over it.
12:21I'm sorry, you don't want to know.
12:22No, I don't.
12:23It's only logical at your age.
12:25It has nothing to do with my age.
12:27Fotini, I have my own problems.
12:28I can't think about yours right now.
12:31Seriously.
12:32Okay?
12:33Do you understand?
12:34Absolutely.
12:56Fotini, what I like about you is that you have nothing to do with the people around you.
13:00Do you have any idea what's going on?
13:01Do you want to live in a cage?
13:02Why are you looking at me like that?
13:04Stop running! Cut the crap!
13:06She wants me to be jealous.
13:07She wants me to be jealous of you.
13:09Fine, what are you going to do with me?
13:10Come on.
13:11Stop driving now.
13:14Whatever you say.
13:29So, you're a bachelor.
13:30Yes.
13:32You don't like me, do you?
13:34Story of my life.
13:36On the contrary.
13:38I used to have a friend who was a cop.
13:40A close friend.
13:41Really?
13:44What job did you do?
13:47I...
13:49I thought I could do anything.
13:52That nothing would stop me.
13:54But I stepped on it.
13:56I look like him.
14:03Are there others like us?
14:06I've met some.
14:12It's very difficult.
14:13I don't know, I feel...
14:15It's very strange.
14:16You're struggling.
14:17Because you see that life continues to move on, even without you.
14:21You'll get used to it.
14:22I don't understand how it works.
14:24I mean, we have three of the five basic senses.
14:26We have sight.
14:27We have hearing.
14:30Hearing.
14:32What do you mean there are only five?
14:35What do you mean?
14:37The paradox with death is that we discover things about us that we didn't care about while we were alive.
14:42Or we didn't realize we had them.
15:02I don't know.
15:13Anna?
15:19I brought you the...
15:21the things from Stefan.
15:26Don't you want to go outside?
15:28No.
15:31I don't want to see anyone.
15:34Come on, don't stay here alone.
15:37Come on.
15:39No, Spyros.
15:41Some wine.
15:43It'll do you good, trust me.
15:47Come on.
15:49Okay, I can go by myself.
15:51I'm not alone.
15:56I'm sorry, Spyros.
15:59Come on.
16:06He was a great kid.
16:08Really brave.
16:10We had him as our son.
16:12What did you have him as?
16:15Anna.
16:17You never liked him.
16:18You never wanted him.
16:19Anna.
16:20Anna.
16:26Please, girl.
16:27Please, not in front of everyone.
16:31Do you remember?
16:33Typical smile.
16:34I don't want to show my teeth.
16:35And no matter what my father says, don't answer.
16:38You know I can't resist challenges.
16:42Because I know, that's why I'm telling you again.
16:44You won't make a fool out of me, will you?
16:46Yes.
16:47But tonight, you'll make a fool out of me.
16:51Deal.
16:57Deal.
17:11Fantastic painting.
17:15It's the same painter we have on our bed.
17:18Yes.
17:19It's obvious.
17:20The colors, the lines, they're...
17:24similar.
17:25Are you interested in contemporary art?
17:27Very much.
17:29I'm not an expert, but...
17:31I like it.
17:33Not all of it.
17:34Not all of it.
17:35Some of it catches my eye.
17:39You're right, though.
17:41Besides Anna's bed,
17:43the works are of the same artist.
17:44High artistic value.
17:46I gave her as a gift when she got older.
17:48I'm glad.
17:50That the lines and the colors satisfy you.
17:53Where are you from?
17:56I grew up in an orphanage.
18:03So, who knows.
18:09Can I use the toilet?
18:11Of course.
18:12The second door on the right, in the hallway.
18:16Great house.
18:19Super.
18:28So, you're with him now?
18:31Him?
18:32They call him Stefano.
18:34You'll get used to his name, because...
18:38we're getting married.
18:42What?
18:43Seriously?
18:44Seriously.
18:46I don't get it.
18:47Out of nowhere?
18:48Out of nowhere?
18:49We decided to get married.
18:52Isn't it a bit...
18:53sudden?
18:54Maybe for you.
18:55Not for us.
18:56We don't even know who he is.
18:57I'll get married, not you.
19:00Romantic or silly?
19:03Why do you talk when you eat?
19:05About rapes and murders?
19:07About sex, dad.
19:10About good and healthy sex.
19:18Mom.
19:19Go into the world.
19:22My love, please try to calm down.
19:30I can't stand talking, I hate it.
19:36Maybe we should leave.
19:39I'm sorry.
19:41She's a bit upset and...
19:42Don't even talk about it.
19:44I understand.
19:52I'm sorry.
19:59They put all the dirt on him and came to honor him.
20:02Most of them didn't give a damn about Stefano.
20:05I did.
20:12The one who called me last night...
20:16told me I was in danger and I shouldn't trust anyone.
20:19He sounded young.
20:21Maybe not.
20:22I don't know.
20:23I'm scared, Victoria.
20:26I'm sure it's a farce.
20:30He told me he got a message from Stefano.
20:33That's what you should understand, Anna.
20:35A message from Stefano.
20:37It's possible.
20:41I'm sorry I yelled earlier.
20:45I didn't want to put you in a difficult position.
20:47You're joking.
20:50You just lost your husband.
20:52It's good to break up. You have to break up.
20:55Especially now.
20:57You shouldn't keep anything inside you.
21:00No one should know about the pregnancy.
21:02Okay?
21:03Especially the parents.
21:05Just you and me.
21:06You promised me.
21:07Yes.
21:08You have my word.
21:10Don't worry.
21:18Look over there.
21:20Nikitas texted Sofia.
21:23But she's replying to messages with hearts and faces sent by someone else.
21:28Kids, if you're wondering...
21:30I've already read their names in the student ID.
21:33We can't do anything. We just have to look.
21:36How?
21:38There's a girl.
21:40She can see me and hear me.
21:43Alive?
21:44In between?
21:45In between.
21:46Yes.
21:47I saw it in the movies, but I didn't believe it.
21:52Are there others like her?
21:54Yes, there are.
21:55But I never believed them.
21:58Most people who say it's a myth and the truth are usually psychopharmacists.
22:03Can we contact those who can't see us?
22:06I think my wife can feel my presence sometimes.
22:11As long as we lived, we were energy kids.
22:14Our energy is the last thing that will be lost.
22:23Wherever there is a strong feeling or desire, we can control our energy and achieve something.
22:32How do you do that?
22:34It's not difficult.
22:36You just focus on what you want and use your energy to achieve it.
22:41With a little practice, you'll learn.
22:45Besides, you've already achieved something very important.
22:50You didn't make it.
22:53Why did you give up?
22:55Why didn't you leave?
22:59I saw an image of the future.
23:02I saw my wife, Anna, threaten her with the gun that killed me.
23:06You have to find a way to stop it.
23:08I don't know who he is. I didn't see his face.
23:11I can't stop him.
23:14How?
23:16If not, what were you doing here?
23:26You are very good at this.
23:28Very good.
23:30Why did you stay?
23:38I didn't.
23:42Goodbye.
23:48Say goodnight to Mr. Ragusis.
23:50Goodnight.
23:53Goodnight.
23:55Goodnight, daddy. I love you.
23:57I love you too. Goodnight.
23:59Daddy, come.
24:08Goodnight.
24:11I hope you'll come again to eat together in another occasion.
24:17Thank you, Katerina.
24:19I'll prepare the kids for bed.
24:22Goodnight.
24:24Mom, I'm running out of cream.
24:27I'm coming, girls.
24:32You are lucky to have this wonderful family.
24:36Well done.
24:38It's been a long time since I've had Katerina.
24:44Oh, God.
24:54I'm trying to keep the job away from home, but...
25:03It's not easy.
25:06You know that.
25:08When my wife left, my family became a service.
25:13Stefanos is...
25:20Stefanos was like a son to me.
25:25When I met him, he was a kid.
25:27Was he still at the Foundation?
25:29I found him in our department, on the street,
25:31when he was accused of stealing a video game console.
25:35And he had it?
25:36No.
25:38It had been done by another guy from a gang.
25:41But he didn't give us his name.
25:45I know his brain.
25:47He was wild.
25:49He was crazy.
25:51But he was different from the kids his age.
25:54He had something.
25:56He had an extraordinary vision.
25:58He was about to turn 18,
26:00and he would be involved in something worse.
26:03I thought I'd give him a chance.
26:04But I was wrong.
26:06So I told him,
26:08do you like playing thieves and cops?
26:11Choose your side of the story.
26:15In a little while,
26:18I saw him in a suit.
26:20Yes, he told me he owes you a lot, but that's it.
26:24If he didn't want to, he wouldn't talk about it.
26:27Yes.
26:29He didn't like talking about his past.
26:32I thought I had taught him everything I could.
26:39But it wasn't enough.
27:02We're going back now.
27:03Yes, we're leaving.
27:27Hello, hello, hello.
27:29When I see people in love, I fall in love with life again.
27:32How are you, man?
27:33Good, how are you?
27:34Good.
27:35If we buy something, we'll be better.
27:36Okay, how much?
27:38Ten euro, they will bring lucky and five demons.
27:42Five demons? Okay, give them all.
27:45All?
27:46Yes, all, all.
27:47Nobody do this wise man.
27:51Thank you very much.
27:53Have a nice day.
27:54Bye.
27:55Bye.
28:00You are right, you are a wise man.
28:02I want this one, the big one.
28:04Which one?
28:05This one?
28:06This one.
28:08Good choice, write his name on it.
28:10Konstantinos Karalis.
28:21You could have seen me.
28:24I'm here for you.
28:29I'm here with you.
28:39The analysis confirmed what we thought from the beginning.
28:42The lioness and the ghost were shot at the same time.
28:46What's going on?
28:47I don't know.
28:48I don't know.
28:49I don't know.
28:50I don't know.
28:52What's happening, Karathano?
28:54It's impossible for such an experienced as lioness
28:56to not think that the ghost would also have second weapons.
28:59That's right.
29:01But an experienced one is the one I care about the least.
29:04Except for those who have seen her as a hero.
29:07What did you say, Pauly?
29:09Are you listening to the leader?
29:11The experienced are in shock with their strength.
29:13Shall we proceed?
29:15We didn't think of other possibilities.
29:17Like?
29:19such as the presence of a third person
29:22who stood behind Stefan when he had already identified the ghost.
29:26So first Leonty was killed, and then the ghost was killed.
29:29Exactly. Why not?
29:30No. Because there was no evidence of the presence of a third person.
29:34Maybe we should look again.
29:35I agree.
29:37Listen.
29:40I understand that this case is your priority
29:42and it affects you all for obvious reasons, and it affects me too.
29:45Don't push yourself so hard.
29:48But we can't deal with it differently.
29:51We have to stick to the protocol.
29:55Any questions?
30:02No?
30:03Fine.
30:06Please, keep me informed.
30:12Of course.
30:13And please be careful.
30:18You're welcome.
30:22You can't close the case like this.
30:25You idiot!
30:44Hi.
30:46Do you want some?
30:47No, thank you.
30:58You really can't find an ointment, can you?
31:01It's expired, isn't it? I don't take it.
31:04The ointment is different, but it's expired.
31:06The ointment maintains its other healing properties.
31:09And?
31:10It doesn't have sugar.
31:11Try it.
31:13Trust me.
31:20So?
31:23It's good.
31:24Shut up.
31:29Can I ask you something?
31:34Don't you mind that I think you're weird?
31:39Just weird?
31:41I've learned not to be influenced by other people's opinions.
31:44Others can't decide who you are.
31:47You are who you are. Period.
31:55We have the case of the girl who was found in Threatida.
31:59Alexandra Lambrinou.
32:02Pavlidis took her in.
32:05Her mother comes here every day.
32:08Talk to her.
32:10Her daughter was drugged and died. What else can we do?
32:13What else can we do?
32:15She lost her daughter.
32:17Hey.
32:19Find something better to say.
32:21Okay.
32:23As soon as Karali is back, the case will be in the archives.
32:26Until then, our priority is the Red Ghost.
32:30See who is investigating it after the ghost's death.
32:34His cell phone hasn't been found yet.
32:36What? It hasn't been found?
32:38We didn't leave any traces.
32:40We searched the building and the terrace.
32:42Where is she?
32:50Yes.
33:09She can't have taken it.
33:11She took it.
33:39Damn it.
33:46Well done, brother.
33:48Continuous research.
35:08THE RED GHOST
35:30Not again.
35:31Not again, man.
35:38THE RED GHOST
35:53I'm sorry.
35:54Don't be sorry. You said you'd leave me alone.
35:57If the case is closed, the murderer will never be found.
36:00I don't care.
36:01My wife is pregnant.
36:03My child is in danger.
36:05Do you think I want to torture you? What do you want me to do?
36:08It's my problem.
36:10I've been pulling you since I saw you.
36:13Fotini.
36:14Are you coming to get me some coffee?
36:16I'll pick you up in a bit.
36:17Yes, yes, I'm coming. Go and come back.
36:20Okay.
36:24Leave me alone!
36:33Mrs. Labrinou.
36:35Yes?
36:36Charles Pavlidis, I've taken your daughter's case. Sit down.
36:42Do we have a case?
36:44If we had learned anything, we would have informed you.
36:48Is it true that in Alexandra's case,
36:51she was taken in by Angelea's assistant,
36:55Anna Karali, who killed her husband?
36:58Yes, but I don't think it has anything to do with...
37:01Of course it does.
37:03How can you be so sure about that?
37:06You shouldn't stop looking.
37:09My daughter was a good girl.
37:12Not what you're saying.
37:14She didn't take drugs.
37:16Really.
37:17She didn't take drugs.
37:19I understand that what you're saying is nonsense.
37:23However, it's common for parents not to know
37:26that their child is addicted.
37:30She had toxicological powers, but Labrinou was clean.
37:33That's the point.
37:35The things are not always as they seem.
37:39If we learn anything, we'll inform you. Okay?
37:43Mrs. Labrinou.
37:58I'm telling you.
37:59I will take care of your mother. You will take care of Hira.
38:17Anna.
38:20I'm sorry about the pictures.
38:23It's ok. I'm used to it.
38:25It's complicated.
38:28Although this time it's a bit different.
38:32I don't believe you came for work.
38:35I found something in Stefanos' things.
38:38He gave me his cell phone, as you found it.
38:41Yes, we just unlocked it. We didn't find anything strange.
38:44In the incoming calls there was a post-Vita Sigma.
38:47Yes.
38:49Did you find the number?
38:51The number is from a cell phone with a simplified card.
38:55It may belong to someone who lives or used to live in Sudan.
39:03Do you know where this is from?
39:07188? I have no idea.
39:15Tell me the truth.
39:17I'm telling you the truth, Anna.
39:19Anna.
39:25I would say it's a strange case.
39:30If it wasn't my own.
39:33Thank you, anyway.
39:40I think you made the wrong conclusions about Stefanos' death.
39:44Something else has happened and I still don't understand what.
39:47But when I don't understand something, I look for it until I understand it.
39:52This is from when I was with him in China.
40:10If he passes another test tomorrow, I'll find him and I'll fire him.
40:13I'm afraid.
40:15You're not fighting, are you?
40:17It would be great if we all became natural mathematicians.
40:30Are you waiting for my car?
40:32No.
40:34How are you?
40:36We broke it.
40:38Did I throw it at you?
40:40I threw it at him.
40:42I'm sorry.
40:53Don't give up on him so soon.
40:56Maximus will understand that they don't get along.
40:58And when we say they don't get along...
41:00Anyway, something is wrong with her lately.
41:03She says something is wrong and she's worried.
41:06Let her show off with her Chinese skirt.
41:12What happened?
41:14If you go to the bathroom, will you follow me?
41:16I was at the table.
41:18Rallos thinks you're crazy and he shows off your Chinese skirt.
41:22And Athena thinks Maximus abandoned you.
41:24And she finds it very logical, because you didn't stick together.
41:28Well done.
41:30Nice friends.
41:42Where are you going?
41:44Me and my Chinese skirt will go somewhere else to show off.
41:48I'm sorry you're going to follow me.
41:54Oh, and Athena.
41:56Why didn't you fall in love with Maximus?
41:59You two get along very well.
42:03Stupid.
42:05How did he hear us?
42:07I don't know.
42:11Don't think I owe you because you didn't tell me what you told me.
42:14I wanted you to know the truth.
42:16And I was without friends. Super.
42:18It's the last time I help you. I mean it.
42:20It happened.
42:22Tell me, what do you want?
42:24Follow me.
42:37Here.
42:39The cell phone is here.
42:41Take it.
42:47Are you kidding me?
42:49Do you want me to put my hands in there?
42:51If I could, I would.
42:53What if it has a button?
42:55It doesn't! Take it!
42:57Please.
42:59I can't live with this.
43:01I can't live with this.
43:03And the guy who killed me took the phone from this cell phone.
43:06Take it.
43:08I have to find out who he is.
43:11Take it.
43:18Damn it.
43:22Let's go.
43:23Let's go.
43:41Is that you?
43:44Yes.
43:46Let's go.
43:54What happened? We have to go.
43:58Why are you not with my parents?
44:00What?
44:02Why should I see you and not my parents?
44:04I don't know.
44:06You know.
44:08You are in the world of the dead. Tell me or I'll throw the phone.
44:10What are you doing? No, don't!
44:12I really don't know.
44:14Please, I'm telling you the truth. I don't know.
44:16When I died, I saw the spirit of the other dead passing through this door.
44:19It was like an intense light. It was lost.
44:21It passed somewhere else. I don't know where.
44:24Your parents probably did the same.
44:26And they left me behind.
44:28Obviously, I wasn't that important to them.
44:30It's very hard not to pass through this door.
44:33But you did it for your wife.
44:38Since I met you, I have had visions.
44:42I hear screams and I see flames.
44:45My parents died in a fire.
44:46I wasn't with them.
44:48And I don't know why I see all this.
44:51Do you know how many things I would like to tell them?
44:54To ask them?
44:57Then it would make sense to talk to the dead.
45:00It would be more beautiful.
45:02But no. I'm here. With you.
45:04And if you force me to keep my hands in the dirt because it suits you.
45:08I'm very lucky in my life, after all.
45:17Red Ghost, also known as Red or Fantasmataki,
45:22is a small red pill that gives you comfort and energy.
45:25But it also causes a heart attack that can cause diarrhea,
45:28not only in cases of overdose,
45:30but also in cases of minor doses,
45:32if the patient had some kind of epilepsy.
45:34Why are we repeating ourselves?
45:36Are we going to write down every line?
45:38Because it's been on the market for six months
45:40and we haven't found a single line yet.
45:42Exactly. If Stefanos had caught the ghost,
45:44we would have found a few lines.
45:46But now he's in the dirt and we're swimming in dirty water.
45:50Yes. If Stefanos were still alive,
45:52he would probably have disappeared and the world would be hungry.
45:55We've convinced him that you didn't like him.
45:58But he was your colleague.
46:00And most of all, he was much better than you.
46:03Hey, Stella!
46:05Get out of his face. Get out!
46:07Guys, please. I don't want a fight.
46:09Okay?
46:11Okay?!
46:14Don't.
46:19What's going to happen, Pavlidis?
46:21You're acting like a kid.
46:23Idiot.
46:28Have mercy.
46:37I left it.
46:39Where are you?
46:41You're trying to scare me, aren't you?
46:45Are you sure we're going to find the package?
46:48I hope so.
46:50This is the only entrance that doesn't have cameras.
46:52I know it because I use it to float in the water.
46:56That's all.
46:58I apologize for everything that happened because of me.
47:04I hope you understand.
47:07Please.
47:11Are you leaving me like this?
47:12How else?
47:14I don't know.
47:16You're dead, old and wise.
47:18Not old.
47:20Anyway, mature.
47:22Don't you have anything useful to tell me?
47:28Something useful.
47:31Don't be sad. Everything passes in life.
47:34Wow.
47:36Is that what you googled or did you do it on your own?
47:39You're young and smart.
47:42I want you to avoid bad places and to enjoy life.
47:48And if you don't understand something, if something is not clear to you,
47:53to persist until you find the truth.
48:08I love you.
48:26What's up?
48:28Leave me alone.
48:30Don't you want to talk to me?
48:33How can I introduce him to you?
48:35They call him, look at your work, Pavlidis.
48:38Come on, he's a prototype.
48:40Don't you know who he is?
48:42You've never brought him here.
48:44And the fact that you go and buy food, you only take a portion.
48:48Wow.
48:50You should become a police officer.
48:53My dear, my dear.
48:55Where have you been hiding?
48:58Have you told me that you're a little bit...
49:00You're right.
49:02I thought you were just a journalist.
49:03But?
49:05But you've finished it.
49:14Maybe we have news.
49:33Why are you sitting outside?
49:35I'm looking at the photos.
49:37I've completely forgotten them.
49:41The last one is the one I sent to you.
49:44The one you sent to me?
49:46Yes.
49:48And the one you sent to me?
49:50Yes.
49:52And the one you sent to me?
49:54Yes.
49:56And the one you sent to me?
49:58Yes.
50:00And the one you sent to me?
50:01Yes.
50:03The last one, I feel...
50:08I'm thinking about Fotia.
50:11As if I was there, too.
50:16Mom is cute here, isn't she?
50:19Her tattoo looks clean, too.
50:22A sabre.
50:24Let's go inside, please.
50:26It's cold.
50:28Do you have any more photos of your mom?
50:29Of my mom?
50:31I'm exhausted from work.
50:33Can we eat something?
50:35And talk about it later?
50:37Okay, sit down and eat.
50:39I'm going out.
50:41Why are you acting like a child?
50:43Why don't you listen to me?
50:59I'm sorry.
51:07The water supplier found it.
51:09When?
51:11Now, a while ago.
51:15Are you okay?
51:17Let's wait for Ragusis, okay?
51:19I'm not waiting for anyone.
51:21It's definitely the ghost's cell.
51:23Why? Because you wrote it in the file?
51:25Did you think it could be a clue to the investigation?
51:27Don't be silly.
51:29Don't listen to him. Come on.
51:35It's lit up.
51:38And this is the last time the ghost will die.
51:42Take it. You're fine, too.
51:44Take it.
52:00What's going on?
52:12What's going on?
52:14Wait a minute, Chief.
52:16Is that you?
52:18Yes.
52:22Can someone explain to me?
52:24A while before Stefanos died, someone called the ghost.
52:27The call came from here.
52:29Really?
52:31It was ours.
52:33It was our call.
52:35One of the first things I learned
52:38is that a good police officer
52:40should always be alert.
52:49But when you shut yourself in,
52:52you don't let your loved ones know you're there.
53:00You keep secrets
53:02that can dissolve you
53:04if revealed.
53:19And so you become suspicious.
53:24You become suspicious.
53:26You become suspicious.
53:28And desperate.
53:43You hide from everyone.
53:58You feel guilt and shame.
54:07And you prefer to be alone.
54:28But you have to accept
54:30that every relationship is an accident.
54:35And the risk is great.
54:38Fotini?
54:40Sometimes, however,
54:42you find an irreplaceable friend.
54:48What are you doing here?
54:50I wanted to see if you'd make it.
54:53I'm sorry.
54:54What are you doing here?
54:56I wanted to see if you'd make it without me.
55:03Did you knock?
55:06I did.
55:08A tattoo.
55:10Do you like it?
55:15Go home. It's late.
55:18Good night.
55:25And that gives you the strength to face
55:35whoever is behind you.
55:54I love you.
55:55I love you.
55:56I love you.
55:57I love you.
55:58I love you.
55:59I love you.
56:00I love you.
56:01I love you.
56:02I love you.
56:03I love you.
56:04I love you.
56:05I love you.
56:06I love you.
56:07I love you.
56:08I love you.
56:09I love you.
56:10I love you.
56:11I love you.
56:12I love you.
56:13I love you.
56:14I love you.
56:15I love you.
56:16I love you.
56:17I love you.
56:18I love you.
56:19I love you.
56:20I love you.
56:21I love you.
56:22I love you.
56:23I love you.
56:24I love you.
56:25I love you.
56:26I love you.
56:27I love you.
56:28I love you.
56:29I love you.
56:30I love you.
56:31I love you.
56:32I love you.
56:33I love you.
56:34I love you.
56:35I love you.
56:36I love you.
56:37I love you.
56:38I love you.
56:39I love you.
56:40I love you.
56:41I love you.
56:42I love you.
56:43I love you.
56:44I love you.
56:45I love you.
56:46I love you.
56:47I love you.
56:48I love you.
56:49I love you.
56:50I love you.
56:51I love you.
56:52I love you.
56:53I love you.
56:54I love you.
56:55I love you.
56:56I love you.
56:57I love you.
56:58I love you.
56:59I love you.
57:00I love you.
57:01I love you.
57:02I love you.
57:03I love you.
57:04I love you.
57:05I love you.
57:06I love you.
57:07I love you.
57:08I love you.
57:09I love you.
57:10I love you.
57:11I love you.
57:12I love you.
57:13I love you.
57:14I love you.
57:15I love you.
57:16I love you.
57:17I love you.
57:18I love you.
57:19I love you.
57:20I love you.