情熱大陸 2024年10月06日 山田尚子（アニメーション監督・＃1321）
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00:00♪
00:30Yamada Naoko
00:36Yamada Naoko is a world-renowned animation director.
00:42She is good at expressing things without relying on words.
00:46Why is that?
00:49I think I make a lot of mistakes when I speak.
00:57I feel like I'm hurting people.
01:02I feel like I'm making a lot of mistakes when I speak.
01:08Even now?
01:09Yes, even now.
01:10That's why I'm so frustrated.
01:15The works she creates with frustration have their own atmosphere.
01:21Your color is not an exception.
01:27If I could see my own color, what color would it be?
01:37The heroine's high school girl looks like a person in color.
01:45Actually, I'm looking for a band member right now.
01:51Would you like to join our band?
02:01The original work depicts three young people who are connected by music.
02:06Everyone has their own way of looking at the young people's feelings, dreams, and conflicts.
02:15The character is lively.
02:19The details of the movements and the light are like Director Yamada.
02:28I was moved by the video.
02:37The best animation film.
02:41Your color.
02:43The winner is The Colors Within Japan.
02:49Your color.
02:53Your color won the best work award at this year's Shanghai International Film Festival Animation category.
03:042011.
03:06The film was very popular.
03:10It was a big hit.
03:14Since then, he has been active as a hit maker.
03:24What should I do to overcome the pain?
03:31Recently, he has been challenging historical countermeasures in TV animation.
03:37I will protect this girl.
03:40On the other hand, the original short film released this summer is an ambitious work that has lost all the lines and explanations.
04:00The most important thing for me is not to become a god.
04:09What should I do?
04:13Of course, I make it because I want to direct it.
04:18But I want to make it so that the creator can move it.
04:23If I make it, I can decide the weather and time.
04:32I want to make it as if I don't know anything about the world.
04:44The specific work of the animation director starts with making a screenplay.
04:54The flow of the screenplay must be sketched for each cut and the image of the video must be conveyed to the staff.
05:07By the way, this is the screenplay prepared in your color.
05:17There are few detailed instructions for movement.
05:22Yamada values the ideas of the staff.
05:28The object that receives light absorbs the color of the light, reflects it, and delivers the color to the brain through the membrane of the eye.
05:39The color is like a wave of light.
05:44Red apple, green leaves, blue fish.
05:51The waves of light are different in length and form various colors.
06:02In November of last year, the production of your color, which was called by more than 800 staff members, was in full swing.
06:20Checking the finished video and conveying corrections and requests.
06:27I think this light can be a little more.
06:31I want to make the light on the floor whiter.
06:36It's like the clouds are clear.
06:39I don't make a timeline.
06:41It's more like this than this.
06:46By the way, I thought so.
06:49I'd like to change the sense of exposure.
06:52I see.
06:54I don't know what to do with this light.
06:58I'll tell you later.
07:00The light came in a little more naturally.
07:05It's only a moment in the finished version.
07:09The accumulation of eyes for details gives the depth of the work.
07:16Color separation.
07:19The color of the surrounding area around the character was also taken into consideration.
07:24I was wondering what to do with this.
07:27I'll put the edge in black.
07:30I'll put it in black.
07:32I'll put it in black.
07:34I'll put it in black.
07:36I'll put it in black.
07:38I'll put it in black.
07:40I'll put it in black.
07:42The staff is also familiar with Yamada's taste.
07:46I'm going to do this, and then I'm going to change the color.
07:51Shall we do that?
07:53Yes!
07:55I did it!
07:57The cut where the butterfly appears is less than three seconds.
08:03It's like a butterfly and a bee looking at a beautiful flower.
08:08When I was asked to do a lot of things, I was very nervous.
08:12There are many anime directors I've seen, but they're all in trouble.
08:22I'm envious of that.
08:24I feel like it's a skill that a genius can do.
08:28I always want to look back.
08:31After all, if you follow the original, there are a lot of times when you make mistakes.
08:37I can't make a big mistake.
08:40I know I'm doing it because I made a mistake here.
08:45My waist is getting lower and lower.
08:50You don't say it specifically.
08:53I'm trying to say it, but maybe the frame I'm saying is sweeter than others.
09:03Also, I don't like to decide by words.
09:08If I say, this is a square, a square will come up.
09:15Even if I wanted a square, I might talk about a circle that includes a square.
09:23I think people who are worried will worry a lot.
09:28People who understand me understand me very well.
09:35When the video was finished, the lines, music, and sound effects were recorded.
09:41I started dubbing to balance the sound.
09:45However, I was told that I should refrain from filming because I was nervous.
09:54Yamada compares music and sound effects to the heartbeat of a character.
10:00In other words, the moment when a two-dimensional image takes a life.
10:06The dubbing is over.
10:12Thank you for your hard work.
10:24Director Yamada said,
10:27Do you have anything in particular that you are particular about?
10:37Everything.
10:39Are you just sitting there?
10:42Mr. Yamada is really one frame, one frame.
10:46One frame, one frame.
10:48It's amazing.
10:50I'm...
10:52Stubborn.
10:54I've been nodding my head for a while.
11:01It's the last year.
11:03The last year.
11:07It was nine days after that last year.
11:12The producer, who manages from budget to schedule, faced it.
11:19It's dubbing.
11:22I can't do it anymore.
11:25I'm sorry.
11:27No, no, no.
11:29There's something I can't change.
11:32Is it a picture?
11:34There's a part where the picture and the sound don't match.
11:39There's a part where Totsuko is composing.
11:43There's no sound in the part where she's pushing her hand.
11:47I thought it would be better if there was sound.
11:50I see.
11:52Oh, that's right.
11:56It's here.
11:58And here.
12:01I'm pushing my hand.
12:04Here.
12:06I see.
12:09It's hard to tell unless you close your eyes,
12:12but the sound of the keyboard is missing.
12:19I think it's better to have sound.
12:22Which one...
12:24Which one...
12:26Which one goes through?
12:29I see.
12:31I'm going to ask Mr. Ushio to add sound.
12:34Mr. Ushio, how hard is it for you to dub the recording?
12:43I'm sorry.
12:45I'm sorry.
12:47I'm sorry.
12:50I don't know if this is okay.
12:55I see.
12:57I see.
13:00You can't make a compromise unless you realize your mistake.
13:04However, Monogoshi is always honest.
13:13I learned a lot from Kyoto.
13:17I don't want to exaggerate any more than that.
13:22The creator's work is often overlaid on the character of the work.
13:32She says that the character should be independent in the work.
13:41Such an attitude may be connected to the worldview of Yamada's work.
13:47We had a conversation with director Makoto Shinkai in the magazine project.
13:55I was impressed by Mr. Yamada's words.
13:59He said how to create a feeling that cannot be expressed in words.
14:04I think I'm the type of creator who makes it into words.
14:11I've been trying to maximize the part where the audience and the common understanding swim in words for the past 10 years.
14:22But I think Mr. Yamada is different.
14:28I don't think I've made much animation with the feeling of drawing a picture.
14:35I feel like I'm taking a picture with a camera.
14:46Do you feel like you're taking a picture of the character?
14:51Yes, I do.
14:53I can't believe it.
14:55You're making it all up.
14:58It's creepy, isn't it?
15:00No, no, no.
15:02I'm making it feel like I'm not myself.
15:07I'm doing it with the feeling that it's rude.
15:14Is that normal?
15:17I don't know anything else.
15:19But I feel like it's a pretty special thing.
15:22It's rude to the character.
15:26The most important thing is not to become a god.
15:30That's the meaning of it.
15:38The finished color of you is like watching a documentary of young people.
15:43There's a strange sense of realism.
15:54The shaking teens were a big theme of Yamada.
16:00The growth of the body and the growth of the mind.
16:05I think it's the most bumpy time.
16:09The shape changes specifically.
16:12There's a change that I can't keep up with.
16:17It's called the second growth period.
16:21I can't forget the feeling of what to do with this.
16:27I used to think it was scary.
16:31I don't think I can forget it.
16:34I think it's attractive.
16:41Yamada was in a good mood when he opened two bottles of wine.
16:46When he's done with a big job, he always goes on a trip.
16:53He was aiming for Plaha.
17:06When he's done with a big job, he takes a break and goes on a trip.
17:11This is the fourth time for Plaha.
17:16There was a time when he was in the photography club in high school.
17:21There may be a world where you can see through the lens.
17:28Uncle.
17:31Uncle is cute.
17:34Uncle is cute. He's holding a fish.
17:42Do you like strange places?
17:44I like it.
17:47Is there a part of your work where you feel like you're alive?
17:51I feel like I'm alive.
17:53You don't feel like you're dead.
17:55I feel like it's something important to me.
17:58That's what I like about my work.
18:04Every time she comes to Plaha, she visits the place where she meets the famous photographer Yukari.
18:12This time, she visits the studio.
18:16This is his studio.
18:20This is his studio.
18:28He's a Czech photographer, Jan Švankmajer.
18:35He's known for his surrealistic style, combining live-action and stop-motion.
18:41In his late teens, he was shocked by his films, which led to his interest in filmmaking.
18:51I feel like...
18:55I feel like...
18:57I feel like...
18:59I feel like...
19:01I feel like...
19:03I feel like...
19:05I feel like...
19:07I feel like...
19:09I feel like...
19:13She's 90 years old, and she's still active.
19:17But she doesn't want to see him.
19:21She's so happy just to breathe the same air.
19:26She's so happy just to breathe the same air.
19:35I feel like I'm trying to get my old self back.
19:40I feel like I'm trying to get my old self back.
19:48She's now highly regarded as an anime director.
19:52No, that's why she needs time to get herself back.
20:03She took us to her favorite place.
20:09This is a cafe.
20:11The downstairs is a club.
20:13This is a club.
20:18He's been going to this club every night for three days.
20:31Yamada has a lot of experience in music.
20:35Even when he's abroad, he often comes here to perform.
20:44Even if he's not famous,
20:46the sound of his music is so fresh that it can be heard beyond words.
21:04Yamada is interested in the members of the band.
21:08He's making an animation based on his admiration for the band.
21:39No, no, no.
21:42I bet he does.
21:46Good night.
21:48Good night.
21:53After his return,
21:55he had an unexpected job waiting for him.
21:58In August, Yamada chose an unexpected job from the overwhelming offer.
22:05He's going to work on the opening and ending of a TV anime.
22:13As for the ending,
22:15I'm going to do it as usual.
22:18I'm going to do the main story.
22:21I'm going to do the main story.
22:24I'm going to do the main story.
22:27I'm going to do the main story.
22:29I'm going to do the main story.
22:33Yamada's talent is what inspired him to become a director.
22:40When I work on a director's work,
22:44I don't get to see the world around me.
22:50Also, I don't get to see the director.
22:58I want to know what everyone is thinking.
23:05I'm afraid that I'm the only one who can solve the world.
23:10I want to know a lot of things.
23:14There are only things I don't know,
23:17so I hope I can learn something from someone.
23:27It's common in the anime industry
23:30to leave the director in charge of the opening and ending.
23:35He listens to the theme song
23:38as if he were listening to the main character,
23:41and starts working on the storyboard.
23:52He is surprised by what he sees behind him.
24:04Sometimes, he looks up at the sky.
24:15The animation director who creates life
24:18cherishes not becoming a god.
24:24Beyond that contradiction,
24:27a world of Naoko Yamada is born.
24:35If I don't sleep, I become a bad guy.
24:38The next episode of Jounetsu Taibiku
24:40is about Masashi Yanagisawa,
24:42the sleep scientist closest to the Nobel Prize.
24:45He invents a revolution in sleep.
24:47Destructive research has to be done in his spare time.
25:04To be continued