1987 Delirium FULL HOT MILF MOVIE
The film is about Gioia, the owner of the adult Pussycat magazine. She is harassed by a killer who sends her photos of her co-workers with her own erotic photography in the background. The film was developed as a vehicle for Serena Grandi after the success of the film Miranda (1985).
Category
🎥
Short filmTranscript
00:00:00🎵
00:00:18📸
00:00:19📸
00:00:20Kim, put your head back slowly.
00:00:22More.
00:00:24That's it.
00:00:26Now move it forward again.
00:00:30Okay, good.
00:00:32Caress me. Keep laughing. All of you.
00:00:34Remember, you want to be possessed, Kim.
00:00:38Good. That's it.
00:00:40That's it. Keep laughing.
00:00:42Good. Sexier.
00:00:44Make it sexier.
00:00:46Just a few more, then we can stop.
00:00:53Keep it up. You're water nymphs. Have fun.
00:00:55You're drunk with desire. Touch her. Laugh. Move around more.
00:00:57Offer yourself, Kim. You love it.
00:01:00You too, Christine. That's it.
00:01:02Good. More abandon.
00:01:04Let yourself go.
00:01:06Surrender to pleasure.
00:01:08You think it was a bright idea?
00:01:10Reshooting that story with Kim?
00:01:12Yeah, I guess so.
00:01:14Even if it's not the same thing.
00:01:16Otani knows his work.
00:01:18And Kim's beautiful.
00:01:20But you were something else.
00:01:24I can't believe it's been three years.
00:01:26It's more like a lifetime.
00:01:29Where's the make-up artist?
00:01:31Okay, come on out, girls.
00:01:35Evelyn!
00:01:37Evelyn!
00:01:39Where's the make-up girl?
00:01:41I don't know. I guess she's inside.
00:01:43What do you mean, she's inside?
00:01:45Oh, here I am.
00:01:47Oh, finally. I'm not paying her to sit on her ass.
00:01:49Look, the girl's make-up is running.
00:01:51Do you mind getting to work?
00:01:53How come your brother always gets so mad?
00:01:55Look, we're losing the light.
00:01:58Gloria.
00:02:00Oh, hello, Mark.
00:02:02I'm watching you.
00:02:04You are?
00:02:06Yes, and I'm going crazy.
00:02:08If I told you I was playing with it,
00:02:10would you come over and help me?
00:02:12No, don't be angry. It's not true.
00:02:14Don't hang up.
00:02:16I just had to tell you how beautiful you are today.
00:02:18More than usual.
00:02:20Are you wearing your panties now?
00:02:22No, don't pull down your skirt.
00:02:24You don't know how much pleasure I get just watching you.
00:02:26Don't you want to let me see you in the nude?
00:02:28I'd be forever grateful.
00:02:30Listen, Mark.
00:02:32You've been watching a show right under your window
00:02:34that isn't so bad.
00:02:36Be happy with that, huh?
00:02:38You're not like those others, Gloria.
00:02:40You could put out my fire, all right.
00:02:42You're a sex goddess.
00:02:44You make my member throb with desire.
00:02:46He wants to penetrate your flower and explode.
00:02:48This is getting boring, Mark.
00:02:50And you're not very funny.
00:02:56Outline her upper lip a little more.
00:02:58Here.
00:03:00You have much more to shoot?
00:03:02Oh, a couple of hours.
00:03:04I'd say less.
00:03:06The light's going.
00:03:08Come on.
00:03:10Then I'll go inside and help Evelyn.
00:03:12You're all staying for dinner, I hope.
00:03:14Quelle dommage.
00:03:16Kelly and I have to catch a plane tonight.
00:03:18We have a fashion show in Paris tomorrow morning.
00:03:20I'm sorry, Gloria.
00:03:22Thanks anyway.
00:03:25Okay, Kim.
00:03:27Let's start over here.
00:03:29Tony, we're ready.
00:03:31Tony!
00:03:33Tony!
00:03:35This guy
00:03:37had just finished
00:03:39making love with a girl.
00:03:41I'm sorry, he said.
00:03:43If I'd known you were a virgin,
00:03:45I'd have taken more time.
00:03:47But honey,
00:03:49she says,
00:03:51if I'd known you had more time,
00:03:54I'd have taken more time.
00:03:56You're right, Roberto.
00:03:58Evelyn,
00:04:00as usual,
00:04:02the dinner was just perfect.
00:04:04Ah.
00:04:06What would Gloria do without you?
00:04:08You're the best at everything.
00:04:10Now, now,
00:04:12don't be unpleasant.
00:04:14He doesn't have to work at it.
00:04:16It's a natural gift.
00:04:18Speaking of natural gifts,
00:04:20I found a gift
00:04:23for you.
00:04:33To my darling Gloria.
00:04:37They're sweet.
00:04:39Well, after that little coup de théâtre,
00:04:41I think I shall be going.
00:04:43Good night.
00:04:45I'm coming with you.
00:04:47The night is still young.
00:04:49Good night, Roberto.
00:04:53Don't be late, Tony.
00:04:55Tomorrow we'll have to choose the pictures.
00:04:57Okay, boss.
00:04:59Do you need a ride, Kim?
00:05:01No, thank you.
00:05:03I'll stay a while longer.
00:05:05I came with my own car.
00:05:07Okay.
00:05:09Aren't you scared to go home on your own?
00:05:11You never know who you might run into.
00:05:13Just as long as he's cute.
00:05:15Listen, honey,
00:05:17there are times when you and I have the same needs.
00:05:21I'm going to bed now.
00:05:23I want to be at work early tomorrow.
00:05:29The next issue has got to be especially good,
00:05:31seeing as you're back with us.
00:05:33I'm sure it will.
00:05:35Good night.
00:05:37See you soon, Kim.
00:05:39Night.
00:05:43Has it been long
00:05:45since you took an interest in the magazine?
00:05:47It's over a year now
00:05:49since the day of the accident.
00:06:20Do you like talking about it?
00:06:22Why not?
00:06:24You know, the day you married Carlo,
00:06:26a lot of people thought
00:06:28you were only doing it for his money.
00:06:30Well, don't you believe it.
00:06:32I married because I was in love.
00:06:34No other reason.
00:06:38And never once did he ask
00:06:40me to stop posing in the mute.
00:06:42Instead, he gave me the chance
00:06:44to talk about it.
00:06:47And never once did he ask
00:06:49me to stop posing in the mute.
00:06:51Instead, he gave me the chance
00:06:53to start a magazine of my own.
00:06:55I was the one who decided to stop modeling
00:06:57and put all that behind me
00:06:59because I wanted to be with him
00:07:01and have his children.
00:07:03I was afraid I wouldn't have time for work.
00:07:05Besides, there was Evelyn,
00:07:07always so efficient and ready to help.
00:07:09But maybe Carlo and I were too happy
00:07:11and fate decided to teach us a lesson.
00:07:13I'll never forget that day he was killed.
00:07:16Determined to reach a record of 200 kilometers an hour.
00:07:18Well, he left me well off.
00:07:20The magazine.
00:07:22Everything.
00:07:24And the memories of all we shared in this house.
00:07:26Now I have to start to live for myself again.
00:07:28As well as for Carlo.
00:07:30You're right, Gloria.
00:07:39I'm afraid I bored you.
00:07:41Oh no, on the contrary.
00:07:43If I didn't have to get up early,
00:07:45I'd stay here all night.
00:07:52You don't have to come with me.
00:07:54I know the way.
00:07:56Ah, it stopped raining.
00:07:58I'll call you tomorrow.
00:08:00Bye.
00:08:15Bye.
00:08:45Bye.
00:09:15No!
00:09:45No!
00:10:15Hello?
00:10:17Your blonde model has just been murdered.
00:10:19Her body's floating in your swimming pool.
00:10:21Do you hear me?
00:10:23You're not very funny, Mark.
00:10:25I'd much rather hear your vulgarity
00:10:27than this stupid excuse to phone me.
00:10:29She was killed with a pitchfork.
00:10:31Believe me, Gloria,
00:10:33it wasn't a pretty sight to watch.
00:10:35Didn't you hear anything?
00:10:37No.
00:10:39No, I didn't hear anything.
00:10:41No, I didn't hear anything.
00:10:43Didn't you hear anything?
00:10:45No.
00:10:47If you wanted to frighten me, you have.
00:10:49Now let me get some sleep, please.
00:10:53Too bad you turned the pool lights off.
00:10:55I might have been able to see the murderer's face.
00:10:57It might have been a woman.
00:10:59She had long blonde hair.
00:11:01Are you listening?
00:11:03Yes.
00:11:05Do you want me to call the police?
00:11:07You're not putting me on, Mark.
00:11:09Oh, no way.
00:11:11Gloria, you'd better not.
00:11:13You won't like what you see there.
00:11:15Only a wild, crazed animal could kill someone like that.
00:11:17You'd better stay in the house.
00:11:19Evelyn!
00:11:43Evelyn!
00:11:49Evelyn!
00:11:59Evelyn!
00:12:15I'm sorry.
00:12:17I was going to the kitchen to get a drink.
00:12:19Mark just phoned me.
00:12:21He said that he saw Kim murdered in the pool just now.
00:12:23And you believe him?
00:12:25That boy's sick. He's sick in the head.
00:12:27Don't pay any attention to him.
00:12:29Go back to bed and forget it.
00:12:31Nothing has happened, I'm sure.
00:12:33Come on. I'll bet on it.
00:12:35Good night, Gloria.
00:12:37Good night.
00:12:47Good night.
00:13:17Good night.
00:13:47Shit on you!
00:13:59Shit on you!
00:14:09Good morning.
00:14:11Good morning.
00:14:13Good morning.
00:14:15Yes, the lighting's good.
00:14:17Can you use that one?
00:14:19I don't know. I prefer this one. Look.
00:14:21Yes, it's got movement, but so does this.
00:14:23And I like the line of her body.
00:14:25What do you think, Gloria?
00:14:27Oh, they're all good, Roberto.
00:14:29Tony, I know you'll pick the right ones.
00:14:31And Kim is marvelous.
00:14:35Okay, let's go with these three.
00:14:37Yeah.
00:14:39Oh, before I forget, Evelyn.
00:14:41Kim left her lighter last night at my house.
00:14:43Will you give it to her?
00:14:45Mm-hmm. She'll be happy to know she didn't lose it.
00:14:49Why don't you go into the other office
00:14:51to choose the pictures?
00:14:53Because it's yours.
00:14:55Well, in there I feel like a fish out of water.
00:14:57Well, then put on your scuba gear.
00:14:59There's a shark waiting for you.
00:15:01Flora!
00:15:03I couldn't get her out.
00:15:05She knew you'd come in sooner or later,
00:15:07and so she waited.
00:15:09She's waited in there for a year?
00:15:11Sure.
00:15:13Come on, find an excuse.
00:15:15She'll just come back another time.
00:15:17Ah, and I was feeling so good.
00:15:19Tear her to pieces, Gloria.
00:15:21Otherwise, she'll tear you to pieces.
00:15:31Ah, welcome back, Gloria.
00:15:33And to what do I owe this pleasure?
00:15:41Are you here for the usual reason?
00:15:43I'd say suffering has enhanced your beauty, my dear.
00:15:45But not my willingness to deal with you.
00:15:47But why don't you want to sell me your magazine?
00:15:51I know there are better things you'd like.
00:15:53For example?
00:15:55Mm, to live.
00:15:57You might travel. You have plenty of money.
00:16:01My dear, when I think of how you were
00:16:03when I saw you for the first time,
00:16:05you were so provincial
00:16:07and ready to do anything for money.
00:16:09I had to support Tony and myself then.
00:16:11And as you can see,
00:16:13I did it.
00:16:15It's funny, now you're the one who needs me.
00:16:17Don't you ever think of thanking
00:16:19those who lent you a hand in the past?
00:16:21And who should I thank?
00:16:23Me, for example.
00:16:25You never helped anyone for nothing, Flora.
00:16:27Don't give me that.
00:16:29You're too selfish.
00:16:31But I was the one who got you started in modelling,
00:16:33or you'd have turned into a cheap prostitute.
00:16:35You and your brother Tony didn't know
00:16:37where it was coming from in those days.
00:16:39Why, if it hadn't been for me, you'd be walking the street.
00:16:41If you hadn't had the good fortune, darling,
00:16:43to have known me.
00:16:45Walking the street, no.
00:16:47A prostitute, maybe.
00:16:49When there's nothing else,
00:16:51even prostitution's a way of keeping alive.
00:16:53How much do you want?
00:16:55This is funny, you know. Here I am the victor.
00:16:57When you fought off all those men...
00:16:59Oh, my men.
00:17:01They never meant anything more than a Kleenex,
00:17:03something you use and throw away.
00:17:05You're precious, though.
00:17:07You know how to hit someone where it hurts most.
00:17:09I do.
00:17:11And you?
00:17:13When I said I wouldn't work for you any longer,
00:17:15you did everything to ruin me.
00:17:17You even did your best to turn my husband against me
00:17:19with your vile lies.
00:17:21Well, I'm not selling out, Flora.
00:17:23You'd better forget it. Now go.
00:17:25Okay, when you're poor again
00:17:27and you're too fat to make out with men,
00:17:29call me. You still have some capital.
00:17:31You know,
00:17:33those pictures you once posed for,
00:17:35I'd always be willing to buy them back again.
00:17:37I'm sure that you'd realize
00:17:39a good profit.
00:17:41Oh, naturally, my dear.
00:17:43I couldn't offer the same price.
00:17:45Those photographs still have some value.
00:17:47But, uh,
00:17:49mostly as souvenirs.
00:17:51There was another souvenir that you wanted from me
00:17:53and never got.
00:17:55And that you begged for.
00:17:57Be careful, Gloria.
00:17:59Don't make me change my feeling for you to hate.
00:18:01I warn you, the hate of a woman
00:18:03can be very bad.
00:18:31Shh.
00:19:01Evelyn.
00:19:03You know you shouldn't drink.
00:19:05It's bad for you.
00:19:07What's wrong?
00:19:09I found this under the door.
00:19:15Oh, my God.
00:19:31Dammit.
00:19:43Damn her.
00:19:51Inspector, take a look at this pitchfork.
00:19:53I found it in the gardener's tool shed.
00:20:01I've never seen anything like it before.
00:20:03Yeah.
00:20:05Strange.
00:20:09I've got a sample of the pool water.
00:20:11Take it to the lab for analysis.
00:20:13Don't think you'll find anything new.
00:20:15Just playing it safe.
00:20:17To the lab, too?
00:20:19Yeah.
00:20:21Any sign of burglary?
00:20:23No, nothing.
00:20:25Did you see him?
00:20:27He looks like anything but a cop.
00:20:29Because you watch television too much.
00:20:33They always make us out to be different than we are.
00:20:41I'm sorry.
00:20:43Forget it.
00:20:45I'm used to it by now.
00:20:47Since I joined the force, my hardest job is to get people to trust me.
00:20:49They usually take me for a hood.
00:20:51Please sit down, Inspector.
00:20:53I questioned that kid, Mark.
00:20:55He didn't try to hold back.
00:20:57He told me exactly what he witnessed here last night.
00:20:59It appears absolutely certain he saw a murder.
00:21:01He's the only witness we have.
00:21:03But I don't think he'll be very useful.
00:21:05All we know is the murder was blonde.
00:21:07But there are lots of blondes.
00:21:09Both men and women.
00:21:11And wigs, besides.
00:21:13But why send that photograph?
00:21:15And pose Kim's body in front of a poster of me?
00:21:17And why was she killed?
00:21:19Right here, at my house.
00:21:21If we had the answers to all your questions,
00:21:23the case would be solved now.
00:21:25But by sending that photograph of her here,
00:21:27it looks like it points to me.
00:21:29Why?
00:21:31I don't know.
00:21:33And that's not the only thing that's baffling.
00:21:37It's either a warning
00:21:39or an attempt to implicate you.
00:21:41We'll investigate the background of that model
00:21:43and find out who her friends were.
00:21:45Inspector Corsi.
00:21:47Excuse me.
00:22:19Your breakfast is served.
00:22:25You know you shouldn't spy on your neighbors.
00:22:27It's not very nice.
00:22:29Have you finished?
00:22:31I'll do as I like.
00:22:45Your father called from London last night.
00:22:47But you wouldn't answer.
00:22:49He said he'd call back today.
00:22:51Well, tell him I'm out.
00:22:53What about your mother?
00:22:55She's still on vacation.
00:22:57Enjoying herself.
00:22:59Anyway, I don't give a good damn about either of them.
00:23:03Oh, thanks.
00:23:31Holy God.
00:23:33The beautiful model's corpse was found this morning
00:23:35in a garbage bin on Via Calderolo.
00:23:37Now, you are the news vendor
00:23:39who discovered Kim's body,
00:23:41whose picture appears on the cover of this magazine.
00:23:43Tell us in your own words how it happened.
00:23:45I had a few issues with Pussycat
00:23:47and was going to put the plastic in the trash bin
00:23:49when I saw her, poor girl.
00:23:51Then what did you do?
00:23:53I called the police.
00:23:55And how did you feel? What was your reaction?
00:23:57Well, I was shocked. I felt sick almost.
00:23:59To see her like that, eyes staring at me,
00:24:01dried blood all over her dress,
00:24:03especially after seeing her so pretty and sexy
00:24:05on that cover picture.
00:24:07What? Hello?
00:24:09You ought to thank the murderer, huh?
00:24:11Mark, how can you say that?
00:24:13It's a beautiful picture on the cover, isn't it?
00:24:17...of age and unmarried.
00:24:19Police declined further comment at this moment.
00:24:21Now back to our studio for the rest of the news
00:24:23on the Good Morning Bureau.
00:24:25A favor.
00:24:27Only a sick kid like him
00:24:29could come up with an idea like that.
00:24:31Why do you talk to him?
00:24:35It's just that I pity the kid.
00:24:37Who are you calling, Evelyn?
00:24:39The printer.
00:24:41Ruggiero, is that you?
00:24:43Good. I was afraid you'd already left.
00:24:45Listen, I want another press run.
00:24:47Oh, you'd already figured we'd need one. Good.
00:24:49Yes, that should do it.
00:24:51Thank you. I'll talk to you later.
00:24:53My God, Evelyn,
00:24:55do you think we should be exploiting her murder?
00:24:57Gloria, you're a publisher.
00:24:59You can't afford to pass up this chance.
00:25:01No, it's a mistake, Evelyn.
00:25:03Gloria, I'm always trying to increase our circulation.
00:25:05And now's the perfect chance...
00:25:07I want you to call Ruggiero back and cancel it.
00:25:09What for?
00:25:11By doing that, do you think it would bring Kim back?
00:25:13You know it wouldn't.
00:25:15So why?
00:25:17Yeah. I think Evelyn's right.
00:25:19Even though the killer didn't mean to do you a favor.
00:25:23How many copies are they printing?
00:25:27Well, come on.
00:25:29Here it is.
00:25:31The printer told me how many they ordered a little while ago.
00:25:33Oh, this is awful.
00:25:41Pour me a martini.
00:25:47Oh, forgive me, Lily.
00:25:53Isn't it a little early to be drinking?
00:25:55It's not quite 9.30 yet.
00:25:57Oh, well, my liver's about to explode anyway.
00:26:03Come on.
00:26:09The photographer said he should be finished with them by noon.
00:26:13And you say that Sabrina says she won't be coming back.
00:26:17That's right.
00:26:19She signed an exclusive contract with Pussycat.
00:26:21At double the salary that we offered her.
00:26:25That bitch is getting the best we have.
00:26:33Sometimes you just hit on the right idea by accident.
00:26:35Come on. I'll show you the studio.
00:26:37Fine. I'm curious.
00:27:03Here's a set.
00:27:05Well, what do you think of it?
00:27:07You like it? I think it's fantastic.
00:27:09And this is where I see Sabrina.
00:27:11Lost and alone in a world out of time.
00:27:13Haunted by surreal nightmares.
00:27:15Well, what do you say?
00:27:17It'll cost me a fortune.
00:27:19But how can I say no to you?
00:27:21I knew you'd like it. Thank you.
00:27:25If you'd brought Evelyn,
00:27:27it wouldn't have been so easy.
00:27:29That's the reason I only brought you along.
00:27:33Oh, I've got to talk to the set designer.
00:27:35Do you mind waiting?
00:27:37How long will you be?
00:27:39Fifteen minutes.
00:27:41Okay. I'll have a look around.
00:27:57Hey, Johnny.
00:27:59You shouldn't scare the girls like that.
00:28:01Yeah, I suppose you're right.
00:28:03But if she'd seen you without your makeup,
00:28:05she'd have probably fainted.
00:28:13When you see the chief of the other tribe,
00:28:15you pick up your sword...
00:28:17Yeah, but don't forget the last shot I had the sword fight.
00:28:19Gloria.
00:28:21Alex.
00:28:23How are you? Fine, and you?
00:28:25Okay. Let me look at you.
00:28:27Ah, you're prettier than ever.
00:28:29Oh, listen, I've got a ten-minute break.
00:28:31You want to talk for a while? Do you mind?
00:28:33Why not?
00:28:37I didn't recognize you dressed like this.
00:28:39I know.
00:28:41How long's it been?
00:28:43Over three years, hmm?
00:28:45Yeah.
00:28:47And it was my fault.
00:28:49I don't want to rake over the past,
00:28:51but I want you to know that deep down
00:28:53I knew you were the right girl for me
00:28:55and that if we kept going together,
00:28:57the very thought of marriage really scared me.
00:28:59You're born free, eh?
00:29:03There's a right time for everything.
00:29:05What frightens you today, for example,
00:29:07tomorrow might seem a good possibility.
00:29:09You mean you're saying you're a changed man, you?
00:29:11I could.
00:29:13Ah, you'll never change.
00:29:15You'll be a villain till the day you die.
00:29:19Am I really that bad?
00:29:21No, but it's very disturbing for the girl you're with.
00:29:23I guess with Carlo it was different.
00:29:25Oh, I'm sorry.
00:29:27I didn't mean to talk about him.
00:29:29I don't mind.
00:29:31After all, if we hadn't broken up,
00:29:33I would never have known Carlo.
00:29:35I guess I owe you one, Alex.
00:29:37Well, hang on.
00:29:39I'm about to make you a proposition.
00:29:43Come on, Alex.
00:29:45You've got me on pins and needles.
00:29:47What's the proposition, huh?
00:29:49Am I supposed to believe that a leopard
00:29:51can kill two rats?
00:29:53Yeah, why not?
00:29:55A big bad wolf's been changed into a lamb
00:29:57by a very sexy bow-peep.
00:29:59Oh, Alex.
00:30:21Bang!
00:30:23Alex has.
00:30:25They're either blondes or brunettes.
00:30:27Didn't you say he'd changed?
00:30:29Yes, but I don't know how much.
00:30:31Look.
00:30:33On page one, a photo of Sabrina.
00:30:35On page three, answers to Gloria's letters.
00:30:37And Wolf says she's almost finished writing them.
00:30:39And then...
00:30:41Oh, please don't mention his name
00:30:43or he might come back again.
00:30:45He spent days in here asking us all kinds of questions.
00:30:47Come on.
00:30:49Can we go on?
00:30:53Roberto.
00:30:55I'm going with Sabrina.
00:30:57Hmm.
00:30:59I could see she's the kind of girl
00:31:01who's not exactly lacking initiative.
00:31:03I'll see you later.
00:31:09Tony.
00:31:11Yeah, what?
00:31:13You gonna take her back to our studio?
00:31:15I don't know.
00:31:19Enjoy yourself.
00:31:27It's so hot in here, I can't breathe.
00:31:29The windows are all open.
00:31:31In fact, I'm beginning to feel chilly.
00:31:39Come on, darling.
00:31:41Don't take it so badly.
00:31:43You know, it happens to a lot of men sometimes.
00:31:45Yeah?
00:31:49You must be an expert.
00:31:51You don't have to be insulting
00:31:53just because you're angry.
00:31:55Better to just laugh it off.
00:31:57Yeah, you're right, I should.
00:31:59Guess I worked too hard.
00:32:01Not again.
00:32:11She was found this morning
00:32:13by some children.
00:32:15She was in a pond.
00:32:17It says she's been dead a few days.
00:32:19I was probably the last one to see her alive.
00:32:21The last one, no.
00:32:23You're forgetting her killer.
00:32:29What's that strong odor of perfume I smelled on her?
00:32:31It's strange.
00:32:33That perfume helped kill her.
00:32:35Essence of tuberose.
00:32:37Do you mind explaining, Inspector?
00:32:39How could perfume kill her?
00:32:41It attracts bees.
00:32:43They must have been infuriated first.
00:32:45Eventually, they began to sting her.
00:32:47It's certainly a devilish way to murder.
00:32:51What about that photo?
00:32:55You've convinced yourself the killer's real target is you, right?
00:32:57It seems to be obvious now.
00:32:59Look, try not to worry.
00:33:01And don't look for motives,
00:33:03because that's our work.
00:33:05I think from those photos, it's obvious I'm going to be the next victim.
00:33:07And when I asked Corsi, he said not to worry.
00:33:09He'll find the motive, he said.
00:33:11It's my picture with those dead girls.
00:33:13What?
00:33:15It's a threat, that's for sure.
00:33:17But maybe he just wants to scare you.
00:33:19But do you think that someone who's already killed two women
00:33:21only wants to scare me?
00:33:23To commit crimes like that,
00:33:25he must be paranoid.
00:33:27One can't guess what he's thinking.
00:33:33But there's something else.
00:33:35There's some detail I seem to have forgotten.
00:33:39Madam, may I go now?
00:33:41What were you saying?
00:33:43That poster of me with the dead girls.
00:33:45It's an old picture, and only one person could have the negative.
00:33:47Oh, Roberto.
00:33:49I gave him all those old negatives
00:33:51to hold that I got back from Flora.
00:33:53You have to tell Corsi.
00:33:55I better not.
00:33:57Why?
00:33:59The police would suspect him at once.
00:34:01They'd slap him in jail right away.
00:34:03Two girls, both were models, and he's gay besides.
00:34:05He probably doesn't have any alibis
00:34:07for either of those murders.
00:34:09I'm guessing.
00:34:11You know, he spends the night
00:34:13going around looking for men.
00:34:15I didn't want to tell you
00:34:17stupidly.
00:34:21A lot of those negatives
00:34:23and a lot of valuable other stuff
00:34:25was stolen from my place.
00:34:31I'd invited around
00:34:33a couple of kids.
00:34:35Roberto, are you trying to tell me
00:34:37the negatives are in the hands of the murderer now?
00:34:41Probably.
00:34:43But not necessarily.
00:34:45It's not absolutely certain
00:34:47that the negatives the murderer has
00:34:49are the original ones, Gloria.
00:34:51That big poster of you in the shots with the bodies
00:34:53could have been made from a dupe.
00:34:55I'm sorry, I don't understand, Roberto.
00:34:57Technically, there's no problem.
00:34:59All you've got to do is take a photograph
00:35:01of a photograph.
00:35:03You've got as many negatives as you like.
00:35:05Obviously, when you print them
00:35:07the quality becomes more grainy.
00:35:09But once you've blown it up
00:35:11to six feet by six feet
00:35:13it's impossible to tell the difference.
00:35:15Then we're back to where we started from again.
00:35:19I hope you're not too
00:35:21disappointed
00:35:23to find out that I'm not the murderer.
00:35:25Oh, no.
00:35:27No, don't think that. I never believed it was you.
00:35:35No.
00:35:55Don't turn the light on.
00:36:01I have one.
00:36:05I really want to admire you, Gloria.
00:36:35Ah!
00:36:37Ah!
00:36:39No!
00:36:41No!
00:36:43Shut up.
00:36:45Don't force me to murder you.
00:36:47Ah!
00:36:49Ah!
00:36:51You want it?
00:36:53Get it.
00:36:59Ah!
00:37:01Tell me that you love me.
00:37:03Tell me.
00:37:07Ah!
00:37:19Gloria.
00:37:21Gloria, it's okay.
00:37:23It's okay. Nothing's happened.
00:37:25It's just a bad dream.
00:37:27Oh, God, it's terrible.
00:37:33Dr. Lorenzi's here.
00:37:35Thank you. You may go.
00:37:37Hello, Mark.
00:37:43What are you doing?
00:37:45I'm taking my daily walk.
00:37:47Just stretching my legs, Doc.
00:37:53Keep on treating it as a joke
00:37:55and you'll never get out of that chair, my boy.
00:37:59You quack.
00:38:01You think I'm enjoying myself
00:38:03being nailed to this chair day after day?
00:38:05No, I know how much you're suffering.
00:38:07But I also know that your paralysis
00:38:09doesn't have any physical cause.
00:38:11That's what you say.
00:38:13And my father and my mother,
00:38:15it's what you all like to think.
00:38:17You say there's no damage to my spine, eh?
00:38:19So you figure all that's wrong
00:38:21is right here in my brain, huh?
00:38:27Therefore,
00:38:29it's simply my fault that I'm crippled.
00:38:31Sounds like you enjoy
00:38:33playing the victim.
00:38:35Yeah, sure.
00:38:37I like being that.
00:38:39You know, Doctor,
00:38:41you're pretty smart after all.
00:38:43The truth is you don't want to walk.
00:38:45You have a mental block
00:38:47because you feel responsible for Cinthia's death.
00:38:51Yes, you're right.
00:38:53She hadn't been in my car.
00:38:55Cinthia might still be alive.
00:38:59And I'd be walking.
00:39:03And we'd even have been married.
00:39:13No!
00:39:15No!
00:39:17Let go of me.
00:39:19No, please!
00:39:21No!
00:39:29She work in blue films also?
00:39:31Only this one.
00:39:33But the public seems to have forgotten it.
00:39:37Glory is quite respectable now.
00:39:47Do we have to watch any more?
00:39:49Leave it alone and sit down.
00:39:59Good morning.
00:40:01This must be important
00:40:03if you called us all here.
00:40:05I've decided to accept Flora's offer.
00:40:07You want to sell the magazine?
00:40:13I have no intention of working any longer here
00:40:15after all that's happened.
00:40:17That's the best solution.
00:40:19But it's not as though you killed them.
00:40:21But my pictures with those dead girls, are you forgetting that?
00:40:23Or doesn't it worry you?
00:40:25Well, it won't help selling the magazine.
00:40:27If the killer wants you,
00:40:29it won't solve the problem.
00:40:31Or are you going to go somewhere and hide?
00:40:33Throwing away all your work and ours
00:40:35won't stop that crazy.
00:40:37But if I stay here, you should have killed me.
00:40:47I love you.
00:40:51I love you.
00:41:01I love you.
00:41:09I love you.
00:41:13I love you.
00:41:17I love you.
00:41:47I love you.
00:42:17I love you.
00:42:21I love you.
00:42:27I love you.
00:42:33I love you.
00:42:37I love you.
00:42:43I love you.
00:42:47Hey!
00:42:49What's your hurry?
00:42:51Oh, what a fright.
00:42:53Say, what are you doing here?
00:42:55I came to get you.
00:42:57Our appointment, remember?
00:42:59That girlfriend of mine is expecting us.
00:43:03But how did you know I'd be coming here today?
00:43:05I know everything.
00:43:07And what I don't know, I imagine.
00:43:11Isn't today the anniversary of Carlo's death?
00:43:13Yes.
00:43:17It's the anniversary of Carlo's death.
00:43:19Carlo's death.
00:43:21Carlo's death.
00:43:23Carlo's death.
00:43:25Carlo's death.
00:43:27Carlo's death.
00:43:29Carlo's death.
00:43:31Carlo's death.
00:43:33Carlo's death.
00:43:35Carlo's death.
00:43:37Carlo's death.
00:43:39Carlo's death.
00:43:41Carlo's death.
00:43:43Carlo's death.
00:43:45Carlo's death.
00:43:47Carlo's death.
00:43:49Carlo's death.
00:43:51Carlo's death.
00:43:53Carlo's death.
00:43:55Carlo's death.
00:43:57There we are.
00:44:05Much obliged.
00:44:23Are you really sure you want to do this?
00:44:25Well, since I haven't sold the magazine yet,
00:44:27I thought I'd model again,
00:44:29like in the old days.
00:44:31Hey, I haven't got anything against the idea.
00:44:33I think it's great.
00:44:35I'm coming.
00:44:39Sorry. Hi, Tony.
00:44:41Susan, this is my sister, Gloria.
00:44:43I'm glad to meet you finally.
00:44:45Tony's always talking about you.
00:44:47Oh, what does he say?
00:44:49Oh, he thinks you're the greatest, the most beautiful,
00:44:51the most... Hey, hey, come on now.
00:44:53Tony always exaggerates.
00:45:03Yeah, this place is perfect.
00:45:05Mm-hmm, mm-hmm.
00:45:07What's over there? Children's clothes.
00:45:09Mm-hmm.
00:45:11I didn't know it was so big.
00:45:13Hey, be careful.
00:45:15She'll see us.
00:45:17Frankly, Tony, I think you're asking
00:45:19a lot of personal customer service.
00:45:21How could I refuse Tony anything?
00:45:23He's filled the house with flowers and candy.
00:45:25Ah.
00:45:27Yes.
00:45:29Phone calls, caviar, champagne.
00:45:31He's always calling me.
00:45:33You have a very persuasive brother.
00:45:35What do you think if I posed with just this wind jacket on?
00:45:37Uh-huh. Good idea.
00:45:39Or maybe
00:45:41better yet, nude on skis.
00:45:45Or modestly wearing a scarf.
00:45:49Would you like to visit the other floors now?
00:45:51Oh, yes, I would.
00:46:01Pretty good shot, huh?
00:46:03This is the men's department.
00:46:09This is still men's clothing.
00:46:11Men's sportswear, shirts,
00:46:13sweaters, underwear, slacks, you name it.
00:46:15They're as stylish as our clothes now, aren't they?
00:46:17Yeah.
00:46:19We do everything we can to please the ladies.
00:46:21They're all becoming more vain than we are.
00:46:23Oh, you're just jealous.
00:46:25Come here a minute. Tony, please.
00:46:27Listen, what are you doing with her? Maybe we could have dinner or...
00:46:29Okay, but calm down.
00:46:31Ooh, you come on strong, don't you?
00:46:33Hey!
00:46:35Hey!
00:46:37Come on, it's beautiful up here.
00:46:59Tony!
00:47:01Tony!
00:47:03Susan!
00:47:05Come on, you can play with fire later.
00:47:07You want to leave me alone here, huh?
00:47:11Come on up now, Tony.
00:47:17No!
00:47:19Tony, no!
00:47:21Oh, no!
00:47:23Not you!
00:47:25Oh, God!
00:47:27What happened?
00:47:29What happened to your Tony?
00:47:41Now it's your turn, Gloria.
00:47:45You can't escape.
00:47:55It's your turn to die.
00:47:59No!
00:48:15Susan?
00:48:29Susan?
00:48:31Susan?
00:48:33Susan?
00:48:59Susan, where are you?
00:49:01Susan?
00:49:31Susan?
00:50:01Susan?
00:50:31Susan?
00:51:01Susan?
00:51:31Susan?
00:51:51Now it's your turn, Gloria.
00:51:55You can't escape.
00:52:01You can't escape.
00:52:15When we went to the department store,
00:52:17there was no trace of either Tony or his girlfriend.
00:52:19They'll probably turn up in a few days,
00:52:21but who knows where.
00:52:31Gloria?
00:52:53Gloria?
00:52:57Drink it.
00:53:01Evelyn, would you open the curtains?
00:53:03It's so dark in here.
00:53:19Is that better?
00:53:23It wasn't a nightmare this time, was it?
00:53:25You have to fight it, Gloria.
00:53:27We all have to.
00:53:31I know I have to, Evelyn.
00:53:33I have to go on living.
00:53:35I'll go get your pills.
00:53:37I won't be long.
00:53:39If you need anything, there's the maid.
00:53:41I'll be right back.
00:54:01Oh, no.
00:54:03Oh, no.
00:54:27Oh, no.
00:54:29Oh, my God.
00:54:33Oh, my God.
00:55:03Wonder where we'll find the other body.
00:55:05Yeah, I wonder, too.
00:55:09Hey, wait.
00:55:19All right.
00:55:21Looks like the same killer, all right.
00:55:23Yeah, I'd say so.
00:55:33Let's go.
00:55:55What do you think, Inspector?
00:55:57Am I going to be the next victim?
00:56:03Yes, hello?
00:56:05Hi, Gloria. It's me, Alex.
00:56:07Alex.
00:56:09How are you?
00:56:11I'm so glad you called.
00:56:13You finished your film? You back?
00:56:15No, baby, I'm sorry.
00:56:17But I'll be in Rome Monday.
00:56:19Gloria,
00:56:21I miss you.
00:56:33I miss you, too.
00:57:03I miss you, too.
00:57:33I miss you, too.
00:58:03I miss you, too.
00:58:33I miss you, too.
00:58:35I miss you, too.
00:59:01Break the glass.
00:59:03You don't have a search warrant.
00:59:05I don't care. Break it.
00:59:33Break the glass.
01:00:03Hello, who's speaking?
01:00:05This is Inspector Corsi. Stay away from that photographer Roberto.
01:00:07But do you suspect him?
01:00:09You mean he's the murderer?
01:00:11I haven't time to explain now.
01:00:13Just do what I say, and don't open your door to him.
01:00:15We're coming right over.
01:00:19Gloria, let me in.
01:00:23I have to see you.
01:00:25Evelyn! Evelyn!
01:00:27Evelyn!
01:00:29Gloria!
01:00:31Gloria!
01:00:33Wait!
01:00:45Gloria!
01:00:47Gloria!
01:00:55Gloria, wait!
01:00:59No!
01:01:01Help me, somebody!
01:01:03Why are you running away?
01:01:07Gloria!
01:01:09I have to talk with you!
01:01:11It's me, Roberto!
01:01:15Stop! Wait!
01:01:17Help!
01:01:27Gloria, help me.
01:01:31I'm sorry.
01:01:33Gloria!
01:01:47I can't understand any of this.
01:01:49Roberto obviously must have hated women.
01:01:51And especially you, Gloria.
01:01:53Then why did he kill Tony? He liked him.
01:01:55It's difficult to know a killer's mind.
01:01:57But in the department store,
01:01:59what I clearly remember had a woman's voice.
01:02:01It wasn't a girl.
01:02:03The voice you heard at that moment
01:02:05might have sounded like a girl's voice.
01:02:07Assuming you're right.
01:02:09Then why doesn't the rest of it make sense?
01:02:11That car that killed him, for example.
01:02:13Why didn't it stop?
01:02:15I've got to blot it out,
01:02:17or I'll go mad too.
01:02:19Who is it?
01:02:21This is Mark. I see the police are there again.
01:02:23What gives?
01:02:25How does it feel to be surrounded by death?
01:02:27Stop calling, you fool!
01:02:49Our battle seems to have finished.
01:02:51Though you certainly were a tough adversary.
01:02:53I'm sorry, my dear.
01:02:55I'm putting you out to pasture.
01:03:19You know, I suppose I really ought to thank you.
01:03:21I'm getting rid of a lot of bad memories.
01:03:23It's a shame you're so insensitive, Flora.
01:03:25I would have given it to you for the asking.
01:03:29Are you so proud of yourself now?
01:03:49Evelyn?
01:04:13Evelyn?
01:04:15Evelyn?
01:04:17Keel, where's Miss Evelyn?
01:04:19She's gone, madam.
01:04:21She took all her things.
01:04:23She left this letter for you.
01:04:29Gloria, forgive me for leaving like this,
01:04:31but I worked for you, not the magazine.
01:04:33So what sense would it make for me to stay on,
01:04:35regretting what we no longer have?
01:04:37Good luck.
01:04:39She must think I have a will of iron.
01:04:41She wanted me to go on with the magazine
01:04:43and get my killings.
01:05:07Yes, hello?
01:05:09Hello?
01:05:13Hello?
01:05:43Oh, no.
01:06:05Tony!
01:06:07Oh, dear God, no!
01:06:13Oh!
01:06:43No!
01:06:55Now it's your turn, Gloria.
01:06:59You can't escape.
01:07:07It's your turn to die.
01:07:09Come out!
01:07:11Kill me if you must!
01:07:13I can't take any more!
01:07:15It's your turn, Gloria.
01:07:25Now it's your turn, Gloria.
01:07:31You can't escape.
01:07:33He-he-he-he-he-he-he-he-he-he-he-he.
01:07:35It's your turn, Gloria.
01:07:39How would you like to die?
01:07:43The police took the pitchfork I used to kill Kim,
01:07:45and I didn't have time to get more killer bees
01:07:47that liked Sabrina so much.
01:07:51But I'll think of something.
01:07:53Maybe on the order of how I did Susan.
01:07:55Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha.
01:08:03Oh!
01:08:17No! Tony, no!
01:08:19It's me.
01:08:23What's the matter?
01:08:27Don't you like me?
01:08:29Don't you like me?
01:08:31I haven't become a transvestite.
01:08:34I'm not even very good at that.
01:08:37But why, Tony? But why?
01:08:40You should know, Gloria, you're the only one I love.
01:08:45I've always loved you, since we were kids.
01:08:49Tony, you killed those poor girls. What made you do that?
01:08:53You ought to thank me. Yeah.
01:08:56That bitch, Kim, was trying to take your place as a model.
01:09:00And Sabrina, your place in bed. And I didn't want that.
01:09:03And that little salesgirl, Susan, was trying to trap me.
01:09:06Even Roberto wanted to betray me.
01:09:09No, Tony, no. I'm dead, Gloria.
01:09:12Everyone thinks I'm dead.
01:09:15I could have run away, but I figured,
01:09:19while you're alive, I'll never be free.
01:09:24But first, I want to see you naked one more time.
01:09:29No! No! No!
01:09:32No! No!
01:09:35Tony, stop!
01:09:40Help! Help!
01:09:48Help! Help!
01:10:00And now strip.
01:10:03No, I can't. For the last time.
01:10:06Just for me.
01:10:09No, Tony, please don't ask me that.
01:10:17No!
01:10:20Tony, what are you doing?
01:10:23Oh, yes, I do. You belong to me. Only me.
01:10:27Only me.
01:10:57© transcript Emily Beynon
01:11:27© transcript Emily Beynon
01:11:57© transcript Emily Beynon
01:12:27© transcript Emily Beynon
01:12:57© transcript Emily Beynon
01:13:27© transcript Emily Beynon
01:13:58No, no, no.
01:14:01No, no.
01:14:04No, no, no.
01:14:07No, no, no.
01:14:10No, no, no.
01:14:13No, no.
01:14:16No, no.
01:14:18I said take them off.
01:14:21Tony!
01:14:25Is my brother alive?
01:14:28Yes, he'll make it.
01:14:30Though I'm afraid he'll need a wheelchair the rest of his life.
01:14:33I'm sorry, Inspector. She's still in shock. She has to sleep.
01:14:36Yes, I'm going.
01:14:39I hope that from now on, life will be better for you.
01:14:42We'll see.
01:14:47Get well soon.
01:14:50You must try to sleep now.
01:14:53Call me if you need me.
01:15:23Call me.
01:15:53Call me.
01:15:56Call me.
01:16:21Did I frighten you? I'm sorry.
01:16:24It's for you.
01:16:31Here.
01:16:34Gloria, you won't mind if I phone to tell you that you're beautiful.
01:16:37More beautiful.
01:16:40Of course you can, Mark.
01:16:43Do you know that I'm getting better? I'm beginning to walk a little now.
01:16:46I'm so glad. It's good to see you again.
01:16:49And you. You get better, huh?
01:16:53Don't forget me now. Promise?
01:16:56I won't.