Atomic Brain (Monstrosity)

TRENDEST MOVIES - ENGLISH

ATOMIC BRAIN (MONSTROSITY) | Horror, Mystery, Sci-Fi | 1963 |   Plot: A rich but unscrupulous old woman plots with a scientist to have her brain implanted in the skull of a sexy young woman.  Crew:  • Directed by: Joseph V. Mascelli • Written by: Vy Russell, Sue Dwiggins, Dean Dillman Jr. • Starring: Marjorie Eaton, Frank Gerstle, Frank Fowler, Erika Peters • Produced by: Dean Dillman Jr. • Music by: Gene Kauer • Cinematography: Alfred Taylor • Edited by: Owen C. Gladden  About TRENDEST MOVIES - ENGLISH:  Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for timeless Hollywood classics, thrilling blockbusters, and hidden gems from the world of English cinema. Dive into a vast collection of iconic films spanning genres like action, drama, romance, comedy, sci-fi, and more. Whether you’re a fan of vintage masterpieces or the latest hits, our channel brings you the best of English-language movies, carefully curated to entertain and inspire. Subscribe now and join our community of movie lovers to enjoy cinematic experiences that will keep you on the edge of your seat. At TRENDEST MOVIES - ENGLISH, the magic of movies never fades!  Subscribe now: www.youtube.com/@TRENDEST_MOVIES_ENGLISH  Follow Trendest Media:  • YouTube:  1. TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_KIDS1 2. TRENDEST KIDS: www.youtube.com/@TRENDEST_INFOTAINMENT  • Instagram:  TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/  • Facebook: TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/   COPYRIGHT  We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in  AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.

Transcript

00:00:00Can death be outwitted?

00:00:05Is the secret of eternal life just around that corner?

00:00:09Today medical science patches up mutilated bodies transplanting human skin, eyes, limbs,

00:00:15even vital organs.

00:00:18Is the next step the transplantation of the human brain?

00:00:22Many scientists answer yes, but they pause and add a grim warning.

00:00:27For in the ancient folk legends tales are told of blood-sucking vampires crawling out

00:00:32of graves to live on the bodies of helpless victims.

00:00:36Is man now doomed to produce a race of ever-living monstrosities worse than the vampires of legend?

00:00:43Will ruthless men and women of great wealth and power greedily buy or steal the living

00:00:48bodies of the young and beautiful so their brains may live on forever?

00:00:53Such questions may seem fanciful, but at this very moment scientists are working on

00:00:57the answer to brain transplantation, and human bodies are used.

00:01:05This girl was buried in a nearby cemetery yesterday.

00:01:09Only a few hours ago her body was stolen.

00:01:13By Dr. Otto Frank and brought to this hidden laboratory, he has grafted a living animal's

00:01:20brain into this newly dead body.

00:01:24If the experiment works, the next step will be the transplantation of a human brain.

00:01:30The brain cells are being reactivated by an atomic fission produced in the cyclotron.

00:01:50Has he found the way to outward death, or has he created another?

00:02:20Deep below, Dr. Frank takes the chance of smashing his way into a newly sealed vault.

00:02:27His experiments cannot continue without another body.

00:02:57The watchman's mind was not on body snatchers, just his usual nip.

00:03:27Inside the vault, a body waits.

00:03:57This is one of the doctor's mistakes, a monstrosity, an animal's brain grafted to a human body.

00:04:12Leaving the dead watchman, the monstrosity carried the girl's body out of the vault.

00:04:17It fears and obeys one master, Dr. Frank.

00:04:27♪♪

00:04:37♪♪

00:04:47♪♪

00:04:57♪♪

00:05:07♪♪

00:05:17♪♪

00:05:27♪♪

00:05:37♪♪

00:05:47♪♪

00:05:57♪♪

00:06:07♪♪

00:06:17Here beneath the old mansion, the doctor carefully prepared for another transplant.

00:06:21This body had been in the vault for only a few hours, chances seem better this time.

00:06:25Still, Dr. Frank was doubtful.

00:06:27Tissue in dead bodies deteriorates rapidly.

00:06:30Where were the live, fresh bodies he'd been promised?

00:06:35He bitterly resents that every step forward depends on the whim of a miserly old woman brooding upstairs in her bedroom.

00:06:44And Eddie March wonders, has she been a fool squandering money on this strange experiment?

00:06:50Money hoarded through a long, greedy lifetime, each day more money, each day death getting closer.

00:06:57Ah, but to start life again in a brand new body, beautiful and young, no price can be too high for that.

00:07:04Can she really trust the doctor? Can she really trust anyone?

00:07:07Hasn't everyone tried to cheat her?

00:07:09Wanting her money while they smiled at her ugliness?

00:07:12But they never got a penny.

00:07:14Oh, how she made them sweat.

00:07:16Especially this old fool, companion and gigolo.

00:07:20How many years she's kept him dangling on promises.

00:07:23Well, sometimes it's convenient to have a man, especially when he comes cheaper than service.

00:07:29That the Austrian girl?

00:07:31Nine or robes, 18, no family, pleasing personality, whatever that might mean.

00:07:38Hm?

00:07:39Thick ankles, pimply face, but she always smiles when she's spoken to, very likely.

00:07:45Well, application forms for a servant girl don't usually include bust, waist and hip measurements.

00:07:50Hm.

00:07:51All three will be here tomorrow, and then you can choose.

00:07:55Early this evening at Greenhaven Cemetery, the body snatchers brutally murdered night watchman Robert Payne, 62,

00:08:01who evidently interrupted his killers during their ghoulish task.

00:08:04His neck was broken. The imprint of a huge pair of hands was found on his throat.

00:08:08It's the opinion of the police that the same gang that had previously...

00:08:12Ring for Dr. Prank.

00:08:14So that's what he was doing.

00:09:14More of it. Focus, focus, Eddie.

00:09:41The doctor transplanted the brain from a live dog to a dead human body.

00:09:47You saw the creature walk out of that cylinder alive.

00:09:51How many failures since then?

00:09:54Still, it's your money.

00:09:58The bodies must be fresh.

00:10:03This specimen is excellent.

00:10:04And the police are looking for the body snatchers.

00:10:07This is a local cemetery, doctor. Are you trying to blaze a trail to our door?

00:10:12A final test was essential for your protection.

00:10:15As for the police, if they come here, I hit this switch, a nuclear reaction is set off.

00:10:20Close the circuit breaker.

00:10:21Ah.

00:10:22And in a matter of minutes, this house and any evidence it might contain becomes a radioactive hole in the ground.

00:10:28Be careful.

00:10:30We can wait for that until after your operation.

00:10:32Nothing must go wrong.

00:10:39There's no sign of life.

00:10:41Watch.

00:11:02Relax, but one thing.

00:11:22The brain.

00:11:24Hans was still living when he was dragged from that wrecked car.

00:11:27That's why we succeeded with the transplant.

00:11:31She seems alive.

00:11:33She is, to a limited extent.

00:11:35She'll be able to move around, but the brain deterioration is too extensive for thought processes.

00:12:01A long, long time ago, in Portland, New York...

00:12:31Sikes.

00:12:44Pardon me, but how far is Hollywood from here?

00:12:56All right, let's see.

00:12:58Sixteen kilometers.

00:13:00About ten miles.

00:13:02Which way?

00:13:04That way.

00:13:07Are you going to Hollywood?

00:13:09No such luck.

00:13:11I'm what's known as foreign domestic.

00:13:13For the next 12 months, I'll be scrubbing floors and making beds.

00:13:17But when my time's up, Hollywood will look out.

00:13:21That's strange.

00:13:22A foreign domestic agency paid my passage, too.

00:13:25I'm from Vienna, Austria.

00:13:27Oh, really?

00:13:28Mm-hmm.

00:13:29I'm from England.

00:13:30No.

00:13:31Is this your first trip?

00:13:32Yes.

00:13:33I'm awfully excited.

00:13:35Postal board.

00:13:37I know speak English very good.

00:14:00Are you going to work for Mrs. March, too?

00:14:03This sounds like a sister act.

00:14:10You, too?

00:14:11Nina Rowe?

00:14:13Yes, sir.

00:14:15Anita Gonzales?

00:14:23Diapis Mullins, sir?

00:14:25That's right.

00:14:26Are you Mr. March?

00:14:28No.

00:14:29I work for Mrs. March.

00:14:32Come along.

00:14:36Three new bodies.

00:14:37Fresh, live, young bodies.

00:14:40No families or friends within thousands of miles.

00:14:42No one to ask embarrassing questions when they disappear.

00:14:59Victor wondered which one Mrs. March would pick.

00:15:01The little Mexican?

00:15:02The girl from Vienna?

00:15:03Or the buxom blonde?

00:15:05Victor knew his pick.

00:15:07But he still felt uneasy, making love to an 80-year-old woman in the body of a 20-year-old

00:15:12girl.

00:15:13It's insanity.

00:15:14Still, Hedy's plan to transfer her fortune to the new body had been brilliant.

00:15:18Unpleasant to think of what was going to happen to these girls, but a man has to consider

00:15:22his own future.

00:15:24What would happen to him if Hedy were to cast him off after all these years?

00:15:35Wouldn't welcome to hang out.

00:15:37Well, there's your new home, girls.

00:15:42Gives me the shivers.

00:15:44Aren't there any neighbors?

00:15:46No.

00:15:48Are there any other servants?

00:15:50No, but I don't think you're going to find it boring.

00:16:50What a jolly little place this is.

00:17:06What was that?

00:17:12No one's to leave this house without permission.

00:17:14Enough.

00:17:15Hurry along.

00:17:16Hurry up.

00:17:17Let's go.

00:17:48Put down your luggage.

00:18:08Turn around.

00:18:20Slowly.

00:18:22Get the doctor.

00:18:24Get the doctor!

00:18:36Get the doctor!

00:18:56As with the other bodies stolen from cemeteries, the nerve endings of the brain were too far

00:19:00gone to receive a proper transplant.

00:19:02The experiment had failed to produce anything more than a walking, breathing, zombie-like

00:19:06creature.

00:19:07But the doctor permitted her to wander about the laboratory.

00:19:09She was quite harmless and, at times, even amusing.

00:19:14Charming, isn't he?

00:19:17Did you want something?

00:19:20Mrs. March is waiting for you.

00:19:22The girls have arrived.

00:19:25She doesn't have a brain.

00:19:28There might be advantages.

00:19:38I want them examined immediately.

00:19:40Very well.

00:19:41This way.

00:19:48Victor, the doctor can conduct the examination perfectly.

00:19:54What an old, spoiled sport I am.

00:19:58Have you disconnected the phone?

00:20:00Can't I depend on you for anything?

00:20:03Won't it be nice when those girls start calling police, employment agencies, immigration authorities,

00:20:09counselors?

00:20:10There will be no phone calls.

00:20:20Idiot.

00:20:22She's useless.

00:20:23There is one more test I should make.

00:20:25Do anything you want with her.

00:20:27The other two?

00:20:28Perfect medical specimens.

00:20:31All right, Anita.

00:20:32Get dressed down.

00:20:33Wait for the others.

00:20:45Mrs. March, I am now giving you notice.

00:20:48I do not care to work in this house any longer.

00:20:51I demand that...

00:20:52You have signed an agreement.

00:20:53If you have any objection, you will discuss them with the immigration authorities

00:20:57as provided for in your papers.

00:21:00But Mrs. March...

00:21:01Later.

00:21:04Stand up, my dear.

00:21:06I've got the same measurements as Marilyn Monroe.

00:21:19The lucky girl?

00:21:24Yeah.

00:21:25Allow me to be the first to offer congratulations.

00:21:30To both of you.

00:21:39For me?

00:22:01Come on.

00:22:03Come on.

00:22:17Your room is in the basement, Anita.

00:22:19Nina, your room is upstairs, right across from the top of the stairs.

00:22:27I'll have to show you.

00:22:55I think it will be lonesome down there.

00:22:57Nonsense.

00:22:58You'll be all right.

00:22:59All right, go on.

00:23:24Gracias.

00:24:17Who is it?

00:24:45Who is it?

00:25:10Bee...

00:25:12Are you sure she's not in her room?

00:25:15Yes.

00:25:17Victor left a little while ago.

00:25:19Maybe she went with him.

00:25:23She didn't get out of this prison without permission, that's for sure.

00:25:26Yes.

00:25:28But she would have said goodbye.

00:25:31Why should she?

00:25:32We only met her yesterday.

00:25:36I don't blame her for not wanting to sleep in the basement.

00:25:41It's funny, though.

00:25:44Mrs. March wouldn't even listen when I asked to be dismissed.

00:25:53This house gives me the creeps.

00:25:58She doesn't even have any uniforms for us.

00:26:01Bee, what in the world do you think you're doing?

00:26:03You told us last night to clean and polish in here.

00:26:05Look at your hands.

00:26:07That will leave a stain on them.

00:26:09Now, don't argue.

00:26:10Go in and wash them immediately.

00:26:13You can put the things away after Nina cleans them.

00:26:18Mrs. March, where is Anita?

00:26:22Anita?

00:26:23Oh.

00:26:25She left.

00:26:27Last night.

00:26:29I would like to give notice, too.

00:26:31I will discuss it with you another time.

00:27:01Nina.

00:27:02Nina.

00:27:03Come here this instant.

00:27:07Yes, Mrs. March?

00:27:10Your name is Nina.

00:27:14But Mrs. March, she has polish all over her, and I'm not doing anything.

00:27:21I don't want you running up and down stairs.

00:27:30Those pretty legs of yours will get ugly muscles.

00:27:34Send Nina to me.

00:27:36Yes, ma'am.

00:27:38I'll be in my room.

00:27:47Pete, come with me.

00:28:00I want to show you something.

00:28:19Anita wouldn't leave without taking her clothes.

00:28:22I think we'd better get out of there, fast.

00:28:24Pete, I'd hate to go if she's still here.

00:28:27You go now if you go with me.

00:28:52The hinge is loose.

00:28:54Help me.

00:28:57Help me.

00:29:01Help me.

00:29:27Help me.

00:29:37One last experiment before Dr. Frank would be ready.

00:29:40But this was the most critical of all the experiments.

00:29:42For the first time, the grafting operation would be performed on a living human body.

00:29:47And the brain would come from the doctor's favorite cat.

00:29:53Anita was ready.

00:29:58It's me, Nina.

00:30:00What about your clothes?

00:30:04Never mind. Let's go.

00:30:27Pete.

00:30:43Pete.

00:30:44She almost saw us.

00:30:46Let's wait a while to make sure we won't run into her.

00:31:57I'm sorry.

00:31:58I'm sorry.

00:31:59I'm sorry.

00:32:00I'm sorry.

00:32:01I'm sorry.

00:32:02I'm sorry.

00:32:03I'm sorry.

00:32:04I'm sorry.

00:32:05I'm sorry.

00:32:06I'm sorry.

00:32:07I'm sorry.

00:32:08I'm sorry.

00:32:09I'm sorry.

00:32:10I'm sorry.

00:32:11I'm sorry.

00:32:12I'm sorry.

00:32:13I'm sorry.

00:32:14I'm sorry.

00:32:15I'm sorry.

00:32:16I'm sorry.

00:32:17I'm sorry.

00:32:18I'm sorry.

00:32:19I'm sorry.

00:32:20I'm sorry.

00:32:21I'm sorry.

00:32:22I'm sorry.

00:32:23I'm sorry.

00:32:24I'm sorry.

00:32:25I'm sorry.

00:32:27Pete.

00:32:38Pete.

00:32:49Pete.

00:32:56Pete.

00:32:57Pete.

00:32:58Pete.

00:32:59Pete.

00:33:00Pete.

00:33:01Pete.

00:33:02Pete.

00:33:03Pete.

00:33:04Pete.

00:33:05Pete.

00:33:06Pete.

00:33:07Pete.

00:33:08Pete.

00:33:09Pete.

00:33:10Pete.

00:33:11Pete.

00:33:12Pete.

00:33:13Pete.

00:33:14Pete.

00:33:15Pete.

00:33:16Pete.

00:33:17Pete.

00:33:18Pete.

00:33:19Pete.

00:33:20Pete.

00:33:21Pete.

00:33:22Pete.

00:33:23Pete.

00:33:24Pete.

00:33:25Pete.

00:33:26Pete.

00:33:27Pete.

00:33:28Pete.

00:33:29Pete.

00:33:30Pete.

00:33:48Bee.

00:33:50Bee.

00:33:51Where are you?

00:33:53Answer me.

00:33:55Wait. I'm here, Mrs. March.

00:34:18She's locked us in. Open it. I said open it.

00:34:24Mrs. March.

00:34:51Victor. Victor.

00:35:06Well, it took long enough.

00:35:08The lawyer will see you in the morning.

00:35:11I told him you were going to change your will.

00:35:19You'll have to check the basement door. It broke loose.

00:35:40You failed.

00:35:57She thinks she's a cat.

00:36:03Nice kitty.

00:36:21Well, I see you still resent the way Mrs. March treats you.

00:36:25I can't say that I blame you.

00:36:27Kitty's always been very fond of me, haven't you?

00:36:33Does she have all the instincts of a cat?

00:36:36Watch.

00:36:52She ate it.

00:37:19B.

00:37:42Is that Anita?

00:37:44Where?

00:37:46No, I don't think so.

00:38:12Look out!

00:38:15Can somebody help her?

00:38:32Come on, Hans. Back!

00:38:49Hans! Hans!

00:39:11I still think you should have locked them up.

00:39:14They're not about to leave this house after what they've witnessed.

00:39:17They know Hans is outside there.

00:39:32Even if we could get past that creature outside, there's still the electric fence.

00:39:38The phone's dead. We can't get help that way.

00:39:44If we could get the car, that's it.

00:39:48Victor!

00:39:50Victor?

00:39:52He likes me, I guess.

00:39:56If you could get the keys from him...

00:40:03B.

00:40:06I was having a little nightcap.

00:40:13Who do you think you are, pinching me?

00:40:15What?

00:40:18Maybe you'd like some company.

00:40:20Someone like me?

00:40:24That's more like it.

00:40:30Don't you like me, Victor?

00:40:43Wait.

00:40:57Hans is chained.

00:40:59Let's go outside.

00:41:00Outside?

00:41:29Victor!

00:41:59Victor!

00:42:19What are you doing up there?

00:42:21Anita, what's the matter with you?

00:42:23Don't you know me?

00:42:25Anita, listen to me.

00:42:56Anita?

00:43:07Stay right there.

00:43:09Don't move.

00:43:10I'm coming.

00:43:30I'm coming.

00:43:59Anita?

00:44:15Anita, let me help you.

00:44:37Anita, wait.

00:44:50Take my hand.

00:45:08Anita!

00:45:10Anita!

00:45:25Astonishingly complex, isn't it?

00:45:27The human eye.

00:45:28How's the brain?

00:45:34Peace?

00:45:38She's unconscious, but she'll live.

00:45:41No.

00:45:42She will live.

00:45:45Anita won't.

00:45:46She's dead.

00:45:53Nina, dear, come along with us now.

00:45:58You've had a bad shock.

00:46:01Get out of here, both of you.

00:46:05And stay with me.

00:46:29Why don't you do something for her?

00:46:32I've done what I can for now.

00:46:35Later, an operation might be possible.

00:46:39I'm preserving the eye.

00:46:41Let me show you.

00:46:42Come over here.

00:46:50The cellular structure is being kept alive by these electrical vibrations.

00:46:54I use the same principle in keeping that hand alive.

00:46:59Dee is a very lucky girl.

00:47:03You think that ironical?

00:47:05Let me explain.

00:47:08I'm the only man alive today capable of restoring your friend's sight.

00:47:13Dr. Alexis Carell, who pioneered the transplanting of vital human organs,

00:47:19kept a portion of an animal's heart alive for many years.

00:47:24For this, he received the Nobel Prize.

00:47:28And I, who have so far surpassed his efforts...

00:47:31Surely you don't want to compare yourself with Dr. Carell.

00:47:35He was humane.

00:47:36I, too, fight to preserve life

00:47:38and to find the means to improve the lives of future generations.

00:47:42Your viewpoint is that narrow, ignorant one,

00:47:44held by the medical society today,

00:47:47which forces me to work in a place like this,

00:47:49to give in to the whims of a foolish old woman,

00:47:52so that she can supply me with the funds I need to continue my work.

00:48:01You're going to be all right.

00:48:03Nina?

00:48:04Yes, Dee?

00:48:06I... I can't see.

00:48:08What?

00:48:09Your eyes are bandaged.

00:48:11Something happened.

00:48:13Don't think about it now.

00:48:16Listen to me, Dee.

00:48:17Are you listening? This is important.

00:48:19Yes.

00:48:20We must be ready if a chance comes.

00:48:22I remember now.

00:48:24It was Anita.

00:48:25She...

00:48:26Oh, my eye!

00:48:28My eye!

00:48:29My eye!

00:48:38They'll leave if his chest takes effect.

00:48:42I'm a doctor.

00:48:43I'll take care of her.

00:48:45I'm sure you will take excellent care of her

00:48:48until your plans call for something else.

00:48:51Or am I to be the next one, doctor?

00:49:05There.

00:49:06Got all the clothes?

00:49:07Yes.

00:49:08And made my hair appointment?

00:49:10I took care of everything on your list

00:49:13while you were talking with the lawyer.

00:49:16Appointment Monday, 10 a.m., Charles of the Ritz,

00:49:20under Nina's name.

00:49:23I'll want Nina to model these later,

00:49:26after I've rested.

00:49:28You tell her.

00:49:40They're back.

00:49:42I'll have to leave you now.

00:49:44Remember, I'm going to try to get us out of here tonight.

00:49:47No.

00:49:49Forget about me.

00:49:50I won't go.

00:49:52Bea.

00:49:54Don't talk like that.

00:49:57Mrs. March had not realized her new body

00:49:59had such a satisfactory shape.

00:50:01Perhaps not as spectacular as the English girl,

00:50:04but in excellent taste.

00:50:06She couldn't help being amused.

00:50:08The stupid girl was not only modeling

00:50:10Mrs. March's future wardrobe,

00:50:12but Mrs. March's future body.

00:50:14She was going to be a model.

00:50:16She was going to be a model.

00:50:18She was going to be a model.

00:50:20She was going to be a model.

00:50:22She was going to be a model.

00:50:24But Mrs. March's future body,

00:50:26so firm,

00:50:28so nicely rounded in places men like.

00:50:35You might have knocked when you came in, Victor.

00:50:38I'm sorry.

00:50:40Don't stop your style show on my account.

00:50:43Does my, uh,

00:50:45aged lock and bar disturb you?

00:50:48Betty, that's unkind.

00:50:50Shut up.

00:50:52You see, it's hard for a vain, stupid man

00:50:56to realize that he holds no attraction

00:50:59for a lovely young girl.

00:51:04You're not needed now, Victor.

00:51:07Close the door quietly when you go out.

00:51:11I'm not going to be needed at all.

00:51:15That's what you're saying, isn't it?

00:51:18After tomorrow, when...

00:51:20Victor!

00:51:22That's enough!

00:51:24Get out!

00:51:25It's the way it's going to be when what?

00:51:35Don't ask tiresome questions.

00:51:38That will be enough for tonight.

00:51:40I want us both to get some rest.

00:51:43Try to sleep.

00:51:44But Mrs. March...

00:51:45That's an order!

00:51:47Do as I say!

00:51:51Sure.

00:52:12You're not looking for me, are you?

00:52:14Why would a pretty young girl

00:52:16want to be around an old man?

00:52:19What did you try to tell Mrs. March?

00:52:24So that's what you plan to do.

00:52:27Get rid of old Victor

00:52:28once you get all that money.

00:52:31The only thing is, of course,

00:52:32what really be you.

00:52:37Victor, please tell me.

00:52:39Try to make sense.

00:52:41I am telling you.

00:52:43Tomorrow you'll be one of the richest women

00:52:45in the world.

00:52:48There's a press release.

00:52:50It's in the mails now.

00:52:52To all the major news syndicates.

00:52:55Orphan Girl sold air to March Millions.

00:52:59Niner Roads is a lucky star.

00:53:07I don't understand.

00:53:09The next press release will be

00:53:11March Mansion Destroyed by Fire.

00:53:14Cinderella Girl, Niner Roads,

00:53:17sole survivor.

00:53:19Only it won't be you.

00:53:23It's a pity too.

00:53:25You're nice the way you are.

00:53:31Please don't let it happen.

00:53:33You could help me and me get away.

00:53:37When you're a rich woman,

00:53:39you wouldn't forget an old friend.

00:53:42A friend who'd save your life, would you?

00:53:51Get out of the car.

00:53:52And stay there.

00:53:53Victor, we too.

00:53:54We must come too.

00:53:57One minute.

00:53:59Just to make sure.

00:54:13Time this.

00:54:20Thirty.

00:55:12Thirty.

00:55:32See?

00:55:33You've got to come with me.

00:55:34No.

00:55:35I won't go.

00:55:36Why should I want to go on living like this?

00:55:40I'll get Victor to help me,

00:55:42and we will carry you.

00:55:57Did you want something from Victor, dear?

00:56:01Sit down, my dear.

00:56:04I'm afraid you're wearing yourself out

00:56:06with all this rushing round.

00:56:08I don't like that.

00:56:09You realize she's mad, don't you, Dr. Frank?

00:56:12Relax.

00:56:13Hurry, doctor.

00:56:18I'll be ready for you shortly, Mrs. March.

00:56:22I'll be waiting.

00:56:27It's finally about to happen.

00:56:35You don't know what it's been like for me

00:56:39living with this ugly body of mine.

00:56:45Knowing that any attention I received

00:56:49was not for me.

00:56:53Any attention I received was not for me,

00:56:58but my money.

00:57:02Well, nobody got any of it.

00:57:11I've never known what it was like to be loved

00:57:16for myself alone.

00:57:20Why did you kill Victor, Mrs. March?

00:57:23Victor?

00:57:26Victor was a fool.

00:57:33I'm a practical woman, Dr. Frank.

00:57:37A businesswoman.

00:57:39I've never been a very practical person.

00:57:42I suppose that makes me a fool too in your eyes.

00:57:46Of course not.

00:57:47Relax, Mrs. March. Just relax.

00:57:50Relax.

00:58:17Relax.

00:58:41Waking up, are you?

00:58:43Good.

00:58:44I want to talk to you.

00:58:52You signed a paper making Victor your legal guardian.

00:58:56That's right, isn't it?

00:58:59I did sign something, didn't I?

00:59:02That would probably work as well for me.

00:59:06We could stay here.

00:59:09None of this would have to be destroyed.

00:59:13You're getting better, aren't you?

00:59:15Why don't you try it on your own?

00:59:19I wonder now if Mrs. March didn't intend blowing me up,

00:59:24along with all the rest of this.

00:59:31You're a very wealthy woman now, Niner.

00:59:34What I must decide is how to keep you and your friends available.

00:59:39I've done the least amount of nuisance to myself.

00:59:43I could keep you under sedation,

00:59:46until your signature was required.

00:59:50Or I could replace your brain with one more amino.

00:59:55What about Mrs. March, Doctor?

00:59:58Mrs. March no longer has a thing to say.

01:00:02Do you, my dear?

01:00:07Completely recovered, I'd say.

01:00:09How do you feel?

01:00:17I guess the transplant would be better.

01:00:20It won't hurt.

01:00:27Dr. Frank had enjoyed this transplantation.

01:00:30Mrs. March's brain winding up in the body of a cat.

01:00:36Poetic justice to think of autocratic Mrs. March

01:00:39scavenging in back alley garbage cans for her dinner.

01:00:52But Mrs. March doesn't take things lying down.

01:02:06She doesn't take things lying down.

01:02:11She doesn't take things lying down.

01:02:16She doesn't take things lying down.

01:02:21She doesn't take things lying down.

01:02:26She doesn't take things lying down.

01:02:31She doesn't take things lying down.

01:02:36She doesn't take things lying down.

01:02:41She doesn't take things lying down.

01:02:46She doesn't take things lying down.

01:02:51She doesn't take things lying down.

01:02:56She doesn't take things lying down.

01:03:02She doesn't take things lying down.

01:03:08She doesn't take things lying down.

01:03:14She doesn't take things lying down.

01:03:20Mrs. March did not intend to let her money get out of sight.

01:03:23She would follow that girl sometime, someplace.

01:03:28Revenge would come.

01:03:53Grrrr!

Category

Transcript

Recommended