Bela Lugosi Meets A Brooklyn Gorilla | Full Movie | William Beaudine | Bela Lugosi, Duke Mitchell - video Dailymotion

TRENDEST MOVIES - ENGLISH

BELA LUGOSI MEETS A BROOKLYN GORILLA | Comedy, Horror, Sci-Fi | 1952 |   Plot: Two goofy entertainers meet a mad scientist on a jungle island.  Crew:  • Directed by: William Beaudine • Written by: Tim Ryan • Starring: Bela Lugosi, Duke Mitchell, Sammy Petrillo, Charlita • Produced by: Maurice Duke • Music by: Richard Hazard • Cinematography: Charles Van Enger • Edited by:   About TRENDEST MOVIES - ENGLISH:  Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for timeless Hollywood classics, thrilling blockbusters, and hidden gems from the world of English cinema. Dive into a vast collection of iconic films spanning genres like action, drama, romance, comedy, sci-fi, and more. Whether you’re a fan of vintage masterpieces or the latest hits, our channel brings you the best of English-language movies, carefully curated to entertain and inspire. Subscribe now and join our community of movie lovers to enjoy cinematic experiences that will keep you on the edge of your seat. At TRENDEST MOVIES - ENGLISH, the magic of movies never fades!  Subscribe now: www.youtube.com/@TRENDEST_MOVIES_ENGLISH  Follow Trendest Media:  • YouTube:  1. TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_KIDS1 2. TRENDEST KIDS: www.youtube.com/@TRENDEST_INFOTAINMENT  • Instagram:  TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/  • Facebook: TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/   COPYRIGHT  We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in  AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.

Transcript

00:00:00♪

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00:01:00This jungle, the vast wilderness of giant lush foliage,

00:01:05of tropical birds and fierce animal life.

00:01:08The killer tiger.

00:01:10The cunning hyena.

00:01:12The deadly python that can crush a giant elk.

00:01:17The proud lion.

00:01:19A fierce lioness stalking a prey to feed her young.

00:01:23And the buzzards, the scavengers of the jungle,

00:01:29soaring lower, ever lower, eager to devour the dead or the dying.

00:01:35Kill or be killed, this is the law of the jungle.

00:01:40And here, what have we here?

00:01:42Who are these men?

00:01:44What can they possibly be doing in this cruel tropical wilderness?

00:01:48♪

00:01:53Tuna, tuna, howdy.

00:01:55♪

00:02:01Come on, Roccos, I hear you, Boogie.

00:02:04Boogie.

00:02:05♪

00:02:11Hey, I'll give you one way up.

00:02:13Hey, drop it off.

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00:03:54I've yet to discover who is these men.

00:03:56Well, not yet, Father.

00:04:01Look, Father.

00:04:04I think one of them is named Mervin.

00:04:07Mervin?

00:04:08Mervin?

00:04:11Who said that?

00:04:13Which one of you is Mervin?

00:04:17Our lady, you got us mixed up with two other guys.

00:04:20My name is Nona.

00:04:24Hiya, Nona.

00:04:26My name is Nona.

00:04:29Hiya, Nona.

00:04:30I'm Duke Mitchell.

00:04:31How do you do?

00:04:33Where are we?

00:04:34What place is this?

00:04:35This is the most southern fringe of the Zamboanga group.

00:04:38The island of Cola-Cola.

00:04:40Cola-Cola?

00:04:41Sounds like a commercial for some bubble water.

00:04:43How did we get here?

00:04:44Some of our men found you lying in the jungle

00:04:46and carried you here.

00:04:47Yeah, what do we owe for carrying charges?

00:04:49Ha-ha!

00:04:51Getting carried charges, funny wine.

00:04:53Let's ramp it up here, lady.

00:04:56Oh, come here.

00:04:58How did you get lost in the jungle?

00:05:00Well, we were on our way to do a show for the boys in Guam.

00:05:03We were in a plane high over the Pacific.

00:05:05Sammy goes to look for the powder room, and he couldn't find it.

00:05:08I went there to show him.

00:05:09I walked through the wrong door.

00:05:11Like a dope he follows me.

00:05:12Yeah, lucky thing we had our parachutes.

00:05:14Well, there we were, lost in a vast wilderness.

00:05:16We lived on wild berries and raw fish.

00:05:18Which is much better than the raw fish living on us.

00:05:20You have nothing to worry about.

00:05:22My father, the chief, will see that you're well cared for.

00:05:25Me?

00:05:26Chief Rokos, king of this island.

00:05:28Well, gee, you sure look super, chief.

00:05:30Super, chief, get it?

00:05:31Ha-ha!

00:05:32Ha-ha-ha-ha-ha-ha-ha!

00:05:35Shh!

00:05:36Hiya, chief.

00:05:37I'm Duke Mitchell.

00:05:38This is my partner, Sammy Petrillo.

00:05:40You know, Mitchell and Petrillo,

00:05:41songs, dances, and snappy patter.

00:05:43Have tuxedo, we'll travel.

00:05:45And not this far.

00:05:46Welcome to our island.

00:05:48We are honored.

00:05:49Our house is yours.

00:05:51Yeah, well, remind me to get some new wallpaper in here,

00:05:53will ya?

00:05:54Shh!

00:05:55Bongo, bongo!

00:05:56A pale coley howl and poi poi.

00:05:59Ah, clambang, clambang!

00:06:08Tonight, we have great luau.

00:06:12We have great luau.

00:06:15To celebrate you, my people will sing and dance for you.

00:06:20Gee, that sounds great.

00:06:21We'll be likewise, I'm sure.

00:06:23I have this one.

00:06:24Shake it, shake it, shake it.

00:06:25Go, go, go, go, dad, go.

00:06:27Hey, cut it out.

00:06:29Don't mind my friend.

00:06:30He's young.

00:06:31He's foolish.

00:06:32No doubt.

00:06:33Come.

00:06:36See that?

00:06:37You made the chief mad.

00:06:38That's OK.

00:06:39He wasn't a good dancer anyway.

00:06:40You know, someday I'm going to let you

00:06:41fry in your own grease.

00:06:42Can't you make a chicken fat?

00:06:44Maybe.

00:07:12Whoever hid it, eat him off the floor.

00:07:14What's the matter?

00:07:15Can't they afford chairs?

00:07:16Shh!

00:07:17Sola vaga canta.

00:07:18Hm?

00:07:19What's that, man?

00:07:20Sola vaga canta.

00:07:21No, royal rito canta.

00:07:22Yala for a malo.

00:07:23Mala sock!

00:07:24Abro no cano carogo.

00:07:27OK, bongo, bongo.

00:07:29So sweet.

00:07:30So sweet.

00:07:31So sweet.

00:07:32So sweet.

00:07:33So sweet.

00:07:34So sweet.

00:07:35So sweet.

00:07:36So sweet.

00:07:37So sweet.

00:07:38So sweet.

00:07:39So sweet.

00:07:40Since when do you talk a native language?

00:07:42I just started today.

00:07:43Well, what'd he say?

00:07:45What'd he say?

00:07:46I don't even know what I said.

00:07:47Now, don't hit me, Duke.

00:07:48He hates me in the head.

00:07:59That's a wonderful dance they're doing.

00:08:01My people are happy to entertain you.

00:08:03Well, Sammy and I really appreciate it.

00:08:05Yeah, well, I'd be more entertained

00:08:06if I had a pretty girl to talk to.

00:08:08Hey, girl, why don't you Duke have all the meat and potatoes?

00:08:10Meat and potatoes?

00:08:12Don't mind my friend.

00:08:13He speaks in a vernacular.

00:08:14I don't?

00:08:15Gee.

00:08:16Gee, I want a girl just like the girl the other.

00:08:21That's easy.

00:08:22I'll call my sister.

00:08:23You have a sister?

00:08:24Yes.

00:08:25Oh, boy.

00:08:31Coloma.

00:08:32Yes?

00:08:33Come here.

00:08:34Well, we, she's got a sister, and she's all for me, doogie.

00:08:37So, lots of luck.

00:08:40Yes?

00:08:41I have a very nice friend for you.

00:08:43Oh?

00:08:44See?

00:08:45A little one.

00:08:46Doogie, and it's all for me.

00:08:48Ah!

00:08:50Doogie, no, no, no!

00:08:53Oh, I like.

00:08:55Go.

00:08:59This is Saloma.

00:09:01This is your sister?

00:09:02My baby sister.

00:09:04Saloma, this is Sammy.

00:09:06It's a nice knowing you.

00:09:07So long, Salami.

00:09:12Saloma like you.

00:09:14Saloma think you beautiful.

00:09:16Saloma needs glasses.

00:09:18You eat.

00:09:19I don't want to eat, thank you.

00:09:21You eat.

00:09:22No, I told you I don't want to eat.

00:09:24Hey, Doogie, I got to get away from this blimp or she'll kill me.

00:09:27Well, you ask for it.

00:09:28I got it.

00:09:29When I'm locked in the corner, do a routine.

00:09:31Go.

00:09:32Great.

00:09:33You eat.

00:09:34Oh, that's what I get.

00:09:35Eat me like a skull in a shirt.

00:09:37What are you trying to feed me for?

00:09:38You're not my mother.

00:09:39You can't feed me.

00:09:41Saloma, no falafel.

00:09:43Oh, no falafel.

00:09:45After all, I've been eating for a long time.

00:09:47I know how to feed myself.

00:09:48I've been feeding myself ever since I was a little boy.

00:09:50Do you understand?

00:09:55No falafel.

00:10:05No falafel.

00:10:33Oh, well, good evening, ladies and gentlemen.

00:10:34And welcome to Showtime at the Royal Tahitian.

00:10:36And what a wonderful show we have lined up for you tonight.

00:10:38You know, as you know, this is my first visit

00:10:40to the beautiful island of Cola Cola.

00:10:41And I want to say that the climate is wonderful.

00:10:43It really makes a guy feel full of Pepsi.

00:10:45Get it?

00:10:46Cola, Pepsi?

00:10:47Pepsi, Cola?

00:10:53Gentlemen of the jury, I'd like to ask the prisoner one question.

00:10:56Have you ever been up before, Judge Smith?

00:10:58I don't know what time does Judge Smith get up.

00:11:04You want to hear a funny one?

00:11:05On the way over to the island, the fellow

00:11:07stopped me at a coconut tree.

00:11:08And he said I hadn't had a bite for three days.

00:11:10You know what I did?

00:11:11I bit him.

00:11:15What did he say?

00:11:28Hi.

00:11:30Well, I knew you'd get one of them eventually.

00:11:32Oh, I have a million of them.

00:11:33Well, will you listen to this one.

00:11:34Listen to this one.

00:11:35Did you take a bath this morning?

00:11:36Why, is there one missing?

00:11:47I thought I told you to wait in the truck.

00:11:49You danced with Saloma?

00:11:52Oh, that's ridiculous.

00:11:53Oh, come on, dance.

00:11:55Left your motor running, kid.

00:11:57I don't want to dance with you.

00:11:58Leave go on the arm, will you?

00:11:59You're breaking all of them.

00:12:00Will you let go of the arm already?

00:12:02Saloma.

00:12:03Wait, leave go on me.

00:12:04Don't get physical, all right?

00:12:05Can't leave go on me.

00:12:06Saloma.

00:12:07I'll grab a salsinha.

00:12:08Don't hate me, please.

00:12:12Do you think perhaps she is too rough?

00:12:14Probably doesn't know her own strength.

00:12:19Saloma.

00:12:20Tola damba vita.

00:12:24Anda homa.

00:12:25Wala tandra.

00:12:27My father says, do you wish to dance for us?

00:12:30Well, I don't dance, but I'll do eight or 10 tunes for you.

00:12:33Well, that's fine.

00:12:34All right.

00:12:39OK, folks, let's wrap it up.

00:12:42You.

00:12:44Now you.

00:12:47You.

00:12:51Do I want you?

00:12:53Oh, my, do I?

00:12:56Maybe.

00:12:57Indeed I do.

00:13:01Do I need you?

00:13:04Oh, my, do I?

00:13:07Maybe.

00:13:08Of course I do.

00:13:13Do you know that I'm the one who found you?

00:13:19That's why I'm always hanging around you.

00:13:24Do I love you?

00:13:27Oh, my, do I?

00:13:29Maybe.

00:13:31Indeed I do.

00:13:33Saloma, I think you're beautiful.

00:13:35Do I want you?

00:13:38Oh, my, do I?

00:13:41Maybe.

00:13:42Indeed I do.

00:13:46Do I need you?

00:13:49Oh, my, do I?

00:13:52Maybe.

00:13:54Of course I do.

00:13:57Do you know that I'm the one who found you?

00:14:03That's why I'm always hanging around you.

00:14:08Do I love you?

00:14:11Oh, my, do I?

00:14:14Maybe.

00:14:16Indeed I do.

00:14:20Maybe.

00:14:22Indeed I do.

00:14:27Maybe, maybe, maybe, maybe, maybe.

00:14:29Of course I do.

00:14:32Oh, baby.

00:14:35Yes, sir, baby.

00:14:38Oh, baby.

00:14:40Indeed I do.

00:14:50Boy, look at that moon.

00:14:52You wouldn't think it was the same one that was shining over the Bronx, Brooklyn, Coney Island.

00:14:55But it is.

00:14:56Yeah, but it's so much bigger and brighter out here.

00:14:58You sure have a beautiful place to live in.

00:15:00I've heard about places like this, read about it.

00:15:03In fact, I've even seen them in movies.

00:15:05Never really expected to be here, though.

00:15:07Yes, we have everything here to make us happy.

00:15:10A calm, peaceful atmosphere.

00:15:13No noisy streetcars or automobiles.

00:15:15No rushing around in and out of subways.

00:15:17No smoky factories smudging up the air we breathe.

00:15:20Say, how come you know about these things?

00:15:22And how come you talk like a cop?

00:15:24Perhaps it's because I went to college.

00:15:26Come again?

00:15:27I was sent to your country to be educated.

00:15:29Someday I will be queen of this island.

00:15:32My people would like their queen to be smart.

00:15:34Well, what do you know?

00:15:41Sammy!

00:15:43You know, I kind of hate to leave this place.

00:15:46Then why go?

00:15:47Huh?

00:15:48Do you have to go?

00:15:49Well, we're part of an entertainment group.

00:15:51We're due to entertain the boys on Guam.

00:15:53In fact, we're overdue.

00:15:54How do we get off this island?

00:15:56Do any ships stop here?

00:15:57Oh, yes.

00:15:58A ship stops once every two months.

00:16:00Oh, we'll have to do better than that.

00:16:02Perhaps Dr. Zaber can help you.

00:16:04Dr. Zaber?

00:16:05Yes.

00:16:06He's the only white man on the island.

00:16:08Well, how come we haven't seen him?

00:16:09Where is he?

00:16:10He lives on the other side of the island.

00:16:12He's a scientist working on an experiment in evolution.

00:16:15He's very clever.

00:16:17And we are in the midst of a war.

00:16:19He's very clever.

00:16:20And we are in the midst of a series of...

00:16:22Did you say we?

00:16:23Yes.

00:16:24You see, he hired me as his assistant.

00:16:26Oh.

00:16:27Tomorrow I shall take you to him.

00:16:29He'll be very glad to see you both, I'm sure.

00:16:32Oh, great.

00:16:36Hey, you!

00:16:37Doggie!

00:16:38What?

00:16:41Oh, never mind.

00:16:43You want that, or where are you?

00:16:51Run for your life!

00:16:55Run for your life!

00:16:59Go on, get out of here!

00:17:00Run for your life!

00:17:04Sammy!

00:17:05Maybe I should run for mine, too, Mel.

00:17:07Sammy!

00:17:13Sammy!

00:17:19Oh, pardon me.

00:17:22Sammy!

00:17:25Sammy!

00:17:43Let me alone, will you?

00:17:45Get out of here and let me alone.

00:17:58Here we are.

00:17:59Well, thanks for seeing me home.

00:18:02That's the custom of the island.

00:18:04No kidding.

00:18:05Yes, that's right.

00:18:06Well, there's a switch.

00:18:07What other custom is there?

00:18:09Yes, that's right.

00:18:10Well, there's a switch.

00:18:11What other custom is there?

00:18:13Oh, many quaint ones.

00:18:16I shall tell them to you sometime.

00:18:18Well, that'll be peachy.

00:18:20I must go.

00:18:21It's getting late.

00:18:23Good night.

00:18:24Wait a minute.

00:18:26You can't take a guy home and then leave him with just a good night.

00:18:29No?

00:18:30No.

00:18:40Help!

00:18:41Doggie!

00:18:42Help!

00:18:43Doggie!

00:18:44Let me go!

00:18:45Let me go, will you?

00:18:47See?

00:18:48Saloma bring you home, yes?

00:18:50Yeah, thanks loads, but you didn't have to go out of your way.

00:18:53Shut up, cuckoo.

00:18:55It's a custom of the island.

00:18:57Right?

00:18:58Right.

00:18:59Well, we better go.

00:19:01Until tomorrow?

00:19:04Come, Saloma.

00:19:06Come, Saloma.

00:19:09Good night, my little one.

00:19:10Get out of here.

00:19:11Get out of here.

00:19:12Get out of here.

00:19:13Get out of here.

00:19:14Bye.

00:19:15Yeah, wait for me in the glove compartment, will you?

00:19:20Well?

00:19:21Well what?

00:19:22Well, aren't you going to carry me across the threshold?

00:19:25Get out of here.

00:19:27Let me see you.

00:19:33How much farther do we have to go?

00:19:35Oh, not very much.

00:19:37Boy, now I know how Livingston felt when he couldn't find Stanley.

00:19:40You have that wrong.

00:19:41It's just vice versa.

00:19:43Vice what?

00:19:44Vice versa.

00:19:45Livingston didn't find Stanley.

00:19:47Stanley found Livingston.

00:19:49This is a vice versa?

00:19:51That's right.

00:19:52That's right.

00:19:55What are you looking for?

00:19:57I expect two tons of salami to come out here charging after me at any minute.

00:20:00Oh, don't worry about that.

00:20:01She won't.

00:20:02None of my people venture very close to the castle.

00:20:05It is forbidden.

00:20:06Castle?

00:20:07What castle?

00:20:08The castle where Dr. Szabo lives and works.

00:20:10Well, how come you go there and work?

00:20:12I don't share all the beliefs of my ancestors.

00:20:15Where is this castle?

00:20:17There it is.

00:20:19Cozy little shack.

00:20:21I wish it was on 42nd Street and Broadway.

00:20:2342nd and Broadway?

00:20:26What kind of a crack is that?

00:20:27Well, if it was on 42nd and Broadway, we'd be standing in front of the automat.

00:20:31And boy, could I use a good cup of coffee right now.

00:20:35Come on, Duke.

00:20:37Hey, hey, hey, wait for me.

00:20:45This looks like death not only took a holiday, but he got a hangover from taking it.

00:20:50Oh, this looks like sing-sing.

00:20:51I got to get out of here.

00:20:52What are you worrying about?

00:20:54Well, I ain't worried.

00:20:56Just wish I was back in Brooklyn playing the low-east picking, that's all.

00:21:02Good morning, Chula.

00:21:03Morning.

00:21:04Tell Dr. Szabo I am here and I bring two white visitors.

00:21:07I tell master.

00:21:10Close the door.

00:21:11Close the door.

00:21:12Close the door.

00:21:13All right.

00:21:20Master.

00:21:21Now, what is it, Chula?

00:21:22Why do you disturb me?

00:21:24The girl, she is here.

00:21:26Since when does she has to be announced?

00:21:28She has two men with her.

00:21:30White men.

00:21:32White men?

00:21:34Who are they?

00:21:35I not know, master.

00:21:37Come on, Doogie, let's go.

00:21:38The doctor's probably busy and besides, I forgot something at the hut.

00:21:41What?

00:21:42I forgot to stay here.

00:21:43I'm getting out of here.

00:21:44Relax, Cuckoo.

00:21:45You want to get off this island, don't you?

00:21:47Sure, I want to get off the island.

00:21:49Well, the doctor's going to help us get off, isn't he?

00:21:51Yes.

00:21:52Dr. Szabo's a very brilliant man.

00:21:54Brilliant man, huh?

00:21:55Anybody who lives in a creep joint like this must be a moronic idiot.

00:21:58Good morning.

00:22:01I'm Dr. Szabo.

00:22:03Welcome to my creep joint.

00:22:08Oh, gosh, I'm sorry, Mr. Idiot.

00:22:10I didn't mean to call your creep joint a creep joint.

00:22:12Oh, think nothing of it.

00:22:14Doctor, I would like you to meet my friends.

00:22:16Yes?

00:22:17Hi, Doc.

00:22:18I'm Duke Mitchell.

00:22:19This is my partner, Sammy Petrillo.

00:22:21We were on our way to do a dig.

00:22:23Don't I know you from someplace?

00:22:25I don't think so.

00:22:33Hey, Doogie, come here.

00:22:36I think I know where you know this guy from.

00:22:38Where?

00:22:39Ain't this the fellow that goes around with the hands and the faces,

00:22:41biting people on the neck and wearing capes?

00:22:43You're crazy.

00:22:45Watch out for bats.

00:22:47Wait a minute, I'll prove it to you, won't you?

00:22:49Dr. Szabo?

00:22:50Yes?

00:22:51Would you do me a favor?

00:22:52What is it?

00:22:53Make a face.

00:22:54What?

00:22:57Thanks.

00:22:58See?

00:22:59What did I tell you?

00:23:00Now go over and apologize.

00:23:01I ain't gonna do it.

00:23:02Come on, you embarrass me.

00:23:03Go over and apologize.

00:23:05Come on.

00:23:09Dr. Szabo?

00:23:10Yes?

00:23:12What do you go around scaring little children for?

00:23:14What are you doing?

00:23:15What's the matter with you?

00:23:18Don't mind him, Doc.

00:23:19He thinks you're the guy that goes around biting little kids on the neck.

00:23:22You know what I mean?

00:23:27It's him.

00:23:31Doctor, my friends fell out of a plane and landed on the island.

00:23:34They would like to get back to civilization.

00:23:37I told them you could help them.

00:23:38That's possible.

00:23:39Thank you, Doctor.

00:23:41It may take several days to make arrangements.

00:23:43In the meantime, please accept my hospitality.

00:23:46Allow me to furnish you with suitable clothes.

00:23:48Gee, thanks, Doc.

00:23:49But no capes, huh?

00:23:51Oh.

00:23:53Chula.

00:23:56Yes, Master.

00:23:57Take this man to my room.

00:23:58Yes, Master.

00:23:59Pick out anything you want from my wardrobe.

00:24:02When you have changed, Chula will bring you to the study.

00:24:06Follow Chula.

00:24:07Come.

00:24:09A most interesting training.

00:24:12Strange.

00:24:14But interesting.

00:24:16Really think so?

00:24:17Oh, what a charming cousin.

00:24:27It was very thoughtful for you to bring these men here.

00:24:31I'm sure I can help them.

00:24:33I was hoping you would.

00:24:35I would do anything for you in my power.

00:24:38Please, Dr. Zabor.

00:24:40I'll be in the laboratory, Doctor.

00:24:58Why do you treat me so coldly, my dear?

00:25:01Do you know I love you?

00:25:03I want you.

00:25:05Now, what is wrong?

00:25:07Why do you not accept my love?

00:25:10Please, Doctor.

00:25:11Must we go over that again?

00:25:13Yes, we must.

00:25:22Certainly nice of you to fix us up like this, Doc.

00:25:24Yeah, I always wanted a Palm Beach suit.

00:25:26Thanks.

00:25:27Very happy to do it.

00:25:29It's quite a drug store you got here.

00:25:31It's quite a drug store you got here, Doc.

00:25:34This is my laboratory.

00:25:36Laboratory?

00:25:37No kidding.

00:25:39Hey, Duke, look.

00:25:41Looks like the monkey house in the brown suit, doesn't it?

00:25:44Only smaller, of course.

00:25:46They are my guinea pigs.

00:25:48Guinea pigs?

00:25:49Look like monkeys to me.

00:25:56They are monkeys.

00:25:58Silly boy.

00:26:01They are so monkeys.

00:26:03Certainly they are monkeys.

00:26:05But they are also guinea pigs for the reason that I use them in my experiments.

00:26:09Do you understand?

00:26:10Yes.

00:26:11Now.

00:26:13Hey, Doc.

00:26:14What's this?

00:26:15Streptococcus.

00:26:16Yeah, no kidding.

00:26:18Hello, Streptococcus.

00:26:20Don't mind my friend.

00:26:21He has a one-syllable brain.

00:26:22I can see that.

00:26:24What kind of experiments are you making, Doctor?

00:26:26Oh, I'm performing a series of experiments in evolution.

00:26:30Evolution?

00:26:31What's evolution?

00:26:32Scientists have proven that all living things originated in a process of evolution.

00:26:37They also know that there is a growth force that tends to make genetic changes physiologically and morphologically.

00:26:45Chimpanzees and gorillas are the highest members of the ape family and are the ancestors of man.

00:26:53Darwin, in his provisional hypothesis of pangenesis, assumes that every living cell contains a gemule,

00:27:00which is a hypothetical granular.

00:27:04I have found a chemical formula that simulates the growth force.

00:27:08And when nature takes years, I can, in a matter of hours, make a complete embryonic metamorphosis,

00:27:17both physiological and morphological.

00:27:20Do you understand?

00:27:22Sure.

00:27:23What?

00:27:24Yeah.

00:27:25You mean you understood him?

00:27:26Uh-huh.

00:27:27What did he say?

00:27:28What did he say?

00:27:29Well, he was just trying to tell you that due to the great lines of the cerebrium,

00:27:31which have been perplexed by the fact of the way the last type of dog had its first origin,

00:27:34you cannot confuse tyrannical and spasmodic conditions when it is inevitable that he is a satellite of inconvenience.

00:27:39Shut up!

00:27:40No embryonic physical morphosis.

00:27:41I understand that.

00:27:44Memphis, here he is.

00:27:47Master, Pepe Bordeaux, here to see you.

00:27:55In conclusion, I'd like to add that if you took the embryonic metamorphosis, the only thing...

00:27:58Shut up!

00:28:04What's he filming it about?

00:28:05Oh, Ramona isn't mad. She just wants to play.

00:28:08Come, I'll show you.

00:28:12Well, Ramona?

00:28:14Do you like our friend?

00:28:16Do you want to come out?

00:28:18No, don't let her out.

00:28:19Don't let her out.

00:28:20Oh, Ramona's a pet.

00:28:22She's very tame.

00:28:23Watch.

00:28:26All right, Ramona.

00:28:28Open the door.

00:28:30Open the door.

00:28:31Come to Ramona.

00:28:34That's a good girl.

00:28:37Come on out now.

00:28:38Come on.

00:28:40That's a good girl.

00:28:41I want you to meet my friend.

00:28:43Shake hands.

00:28:44Shake hands with Dookie.

00:28:45Shake hands.

00:28:46Good girl.

00:28:47And I think I want you to kiss Sammy.

00:28:48No, no, no.

00:28:49Get her out of here.

00:28:50I don't want to.

00:28:51No, I don't want to.

00:28:52No, no.

00:28:53Get her out of here.

00:28:54Oh, she won't hurt you, Sammy.

00:28:59You know something, Dookie?

00:29:00What?

00:29:01She's a little like a raging, huh?

00:29:02Yeah.

00:29:08Pepe has come for some acid for his batteries, Nona.

00:29:10Very well, doctor.

00:29:12Come on, Ramona.

00:29:13That's a good girl.

00:29:14Is she OK?

00:29:15That's a good little girl.

00:29:19All right, Pepe.

00:29:21This is Pepe Bordo.

00:29:22Mr. Mitchell.

00:29:23Hi, Pepe.

00:29:24How are you, Mr. Bordo?

00:29:25Pepe is representing the law on the island.

00:29:28Oh, a cop, huh?

00:29:29As you call them, a cop.

00:29:31My friends are from America.

00:29:33How did you get here?

00:29:35There has been no boat for months.

00:29:37Oh, we just dropped in.

00:29:43They parachuted from a plane.

00:29:45Oh.

00:29:46Pepe has the only means of outside communication

00:29:48on the island, a small, wireless outfit.

00:29:51Gee, maybe he can get us off this island.

00:29:53Why, with some passing ship or something?

00:29:55Yeah, you know, one that's called...

00:29:57What does that mean?

00:29:59Well, my transmitter only carries to the neighboring island.

00:30:03A little over 100 miles.

00:30:05But some ship may pick her up.

00:30:06I shall try.

00:30:07Oh, thanks a lot.

00:30:09Gee, that'll be peachy.

00:30:10Here you are, Pepe.

00:30:11Oh, thank you.

00:30:12And thank you to the doctor.

00:30:13My pleasure.

00:30:14Gentlemen, it's been a pleasure.

00:30:15Same.

00:30:16Good-bye.

00:30:17Same here, too.

00:30:18And don't forget...

00:30:20I'll see you through the door.

00:30:26Wow, it'll be great if we can get a ship to stop here, won't it?

00:30:29Sure will.

00:30:30Sooner the better.

00:30:31Gee, Nona, why don't you tell us there was a wireless outfit on this island?

00:30:34I... I just didn't think, I guess.

00:30:37Well, if the ship stops here, we can go right out to Guam.

00:30:42Gee, honey, what's the matter?

00:30:44Nothing.

00:30:45Come on, baby, don't feel that way.

00:30:48Come on, baby.

00:30:49Smile.

00:30:53It's getting awful sticky around here.

00:31:07What do you want?

00:31:08What?

00:31:09What do you want?

00:31:10What?

00:31:11What are you doing?

00:31:18That's pretty cute, you know.

00:31:23What are you doing?

00:31:28Help!

00:31:29Dookie, get me out of here!

00:31:30Help, Dookie!

00:31:31Dookie, get me out of here, will ya?

00:31:38You know something?

00:31:39I don't like the way that Dr. Zaber looked at you a couple of times tonight.

00:31:42And do you know something?

00:31:43I don't think Dr. Zaber liked the way you looked at me a couple of times tonight either.

00:31:47Well, it's just too bad.

00:31:49I don't know if I like the idea of living here or not.

00:31:51Why not?

00:31:52Well, it's too far from the village.

00:31:54And you.

00:31:55But I'm there every day.

00:31:56Yeah, but you're always busy.

00:31:58You can always take me home at night.

00:32:01Well, I guess that'll have to do until I can think of something better.

00:32:05I shall have my father invite all of you to dinner some night soon.

00:32:08Would you like that?

00:32:10I can hardly wait.

00:32:14Anything else, Master?

00:32:17No.

00:32:18Go to bed.

00:32:19Good night, Master.

00:32:20Good night.

00:32:27Fine thing.

00:32:28He knows I'm afraid to be left alone.

00:32:32Oh, I wouldn't think of letting you go home alone.

00:32:34I'll see you home.

00:32:36Well, thank you very much.

00:32:37But wouldn't Sammy like to come along?

00:32:39Oh, no.

00:32:40Sammy wouldn't like to come along.

00:32:41Sammy's tired.

00:32:42Sammy's tired.

00:32:43Sammy's tired.

00:32:44How does he know I'm tired?

00:32:47Come to think of it, I am a little tired.

00:33:36Oh!

00:34:06What?

00:34:14Is that you, Duke?

00:34:16It's about time you got home.

00:34:24Why still? Will you go to sleep?

00:34:30Cut it out. Will you go to sleep?

00:34:37Hey, Duke.

00:34:38What's with the angora patch?

00:34:48Ramona.

00:34:49How did you get up here?

00:34:52Come on. You got to go back to your cage.

00:34:55Come on now, Ramona. Let's go.

00:34:59There, baby. Come on.

00:35:07What are you doing with Ramona?

00:35:09What am I doing with Ramona?

00:35:11Are you kidding?

00:35:12I'm upstairs sleeping in my own bed.

00:35:14And very peacefully, mind you.

00:35:16Next thing I know this, it's there and me right in the kitchen.

00:35:19The whole thing's very ambiguous.

00:35:21Take her back in her cage.

00:35:23What?

00:35:24Take her back in her cage!

00:35:27All righty!

00:35:37All right, Ramona.

00:35:39Now it's time to go beddy-bye.

00:35:41Get into your cage.

00:35:44Oh, I know you know.

00:35:46You're not going to lock me in again.

00:35:49All right. We'll go out on the deck tonight.

00:35:58Now what do you want?

00:36:02Oh, you want us to sit down and rock you to sleep, huh?

00:36:05Oh, okay.

00:36:10Come on, Ramona. Up we go.

00:36:12And over.

00:36:16Rock-a-bye baby on the treetop

00:36:20When the wind blows

00:36:22Cut that out now, Ramona. You got to go to bed.

00:36:24The cradle will rock

00:36:27Do I want you, oh my

00:36:30Do I, baby

00:36:32Need I do

00:36:33Do I need you

00:36:36Rock-a-bye baby on the treetop

00:36:40When the wind blows

00:36:43The cradle will rock

00:37:04Why do I love you?

00:37:06Why do I love you?

00:37:08Why do I love you?

00:37:10Why do I love you?

00:37:12Why do I love you?

00:37:14Why do I love you?

00:37:16Why do I love you?

00:37:18Come on.

00:37:32Boy, what a light, what a moon.

00:37:34Can reach right up and touch it.

00:37:36Well, good night.

00:37:39Sammy in bed?

00:37:40No. Still in the laboratory.

00:37:43In the laboratory? What's he doing in there?

00:37:45Putting Ramona to bed.

00:37:48Babysitting with a chimp?

00:37:50This I gotta see.

00:38:01Oh, no.

00:38:02Now I didn't see that one.

00:38:05Good night, Cuckoo.

00:38:12Chief Rock is honored to have Prince Doctor

00:38:15visit his humble abode.

00:38:18And how goes the scientific work?

00:38:21Good, I hope.

00:38:22Huh?

00:38:23Oh, yes.

00:38:24Fine, fine.

00:38:26Everything is progressing satisfactorily.

00:38:29That is good.

00:38:30Mm, this is great.

00:38:32Try this.

00:38:34Hey, I like that.

00:38:48Hey, Duke, get a load of that, will ya?

00:38:54Does he sleep with that thing on?

00:38:57You eat.

00:38:58Look, I told you 40 times, get out of here.

00:39:01Now I gotta feed myself.

00:39:02You gotta eat to grow fat.

00:39:05Get out of here.

00:39:07Now I gotta eat my own food.

00:39:10Duke, will you make a stop already?

00:39:12Fight your way out of it, kid.

00:39:13She outweighs me.

00:39:17Oh, no.

00:39:18Oh, no.

00:39:47Oh, no.

00:40:18Oh, I get it.

00:40:19You're gonna cut that door.

00:40:20I'm gonna go out this door, and then we're gonna meet over here.

00:40:23Right?

00:40:24All right, so everybody's here.

00:40:25Oh, by the way, here's the boat.

00:40:26You get two guns back on it.

00:40:28Let's give this a hang.

00:40:47Sammy?

00:41:00Sammy?

00:41:10What are you laughing about?

00:41:11I was just thinking, I had to fall out of a plane to meet you two.

00:41:16Baby, when we get back to the States, we'll have a big wedding with all the trimmings.

00:41:21But darling, my father will probably wish me to be married here with the full tribal ceremony.

00:41:26Okay, okay, we'll get married in a car bond by a motorman if you want.

00:41:31Just so it's you.

00:41:37This belonged to my great-great-grandmother.

00:41:40In your country, it is the custom for the man to give his sweetheart an engagement ring.

00:41:46Here.

00:41:52This is the custom.

00:41:54Where'd you learn that tune?

00:42:15That used to be my favorite tune in college.

00:42:17No kidding?

00:42:18That's right.

00:42:19Well, it's one of the tunes in our rags.

00:42:21Really?

00:42:24Yeah.

00:42:25It's a really good tune.

00:42:26Really?

00:42:27Yeah.

00:42:28Really?

00:42:29Yeah.

00:42:30Really?

00:42:31Yeah.

00:42:32Really?

00:42:33Yeah.

00:42:34Really?

00:42:35Yeah.

00:42:36Really?

00:42:37Yeah.

00:42:38Really?

00:42:39Yeah.

00:42:40Really?

00:42:41Yeah.

00:42:42Really?

00:42:43Yeah.

00:42:44Really?

00:42:45Yeah.

00:42:46Really?

00:42:47Yeah.

00:42:48Really?

00:42:49Yeah.

00:42:50Really?

00:42:51Yeah.

00:42:52Really?

00:42:53Yeah.

00:42:54Really?

00:42:55Yeah.

00:42:56Really?

00:42:57Yeah.

00:42:58Really?

00:42:59Yeah.

00:43:00Really?

00:43:01Yeah.

00:43:02Really?

00:43:03Yeah.

00:43:04Really?

00:43:05Yeah.

00:43:06Really?

00:43:07Yeah.

00:43:08Really?

00:43:09Yeah.

00:43:10Really?

00:43:11Yeah.

00:43:12Really?

00:43:13Yeah.

00:43:14Really?

00:43:15Yeah.

00:43:16Really?

00:43:17Yeah.

00:43:18Really?

00:43:19Yeah.

00:43:20Really?

00:43:21Yeah.

00:43:22Really?

00:43:23Yeah.

00:43:24Really?

00:43:25Yeah.

00:43:26Really?

00:43:27Yeah.

00:43:28Really?

00:43:29Yeah.

00:43:30Really?

00:43:31Yeah.

00:43:32Really?

00:43:33Yeah.

00:43:34Really?

00:43:35Yeah.

00:43:36Really?

00:43:37Yeah.

00:43:38Really?

00:43:39Yeah.

00:43:40Really?

00:43:41Yeah.

00:43:42Really?

00:43:43Yeah.

00:43:44Really?

00:43:45Yeah.

00:43:46Really?

00:43:47Yeah.

00:43:48Really?

00:43:49Yeah.

00:43:50Really?

00:43:51Yeah.

00:43:52Really?

00:43:53Yeah.

00:43:54Really?

00:43:55Yeah.

00:43:56Really?

00:43:57Yeah.

00:43:58Really?

00:43:59Yeah.

00:44:00Really?

00:44:01Yeah.

00:44:02Really?

00:44:03Yeah.

00:44:04Really?

00:44:05Yeah.

00:44:06Really?

00:44:07Yeah.

00:44:08Really?

00:44:09Yeah.

00:44:10Really?

00:44:11Yeah.

00:44:12Really?

00:44:13Yeah.

00:44:14Really?

00:44:15Yeah.

00:44:16Really?

00:44:17Yeah.

00:44:18Really?

00:44:19Yeah.

00:44:20To your health, my good doctor.

00:44:22To yours.

00:44:33Mighty Chief Ruckus, I thank you for your hospitality.

00:44:37But it grows late.

00:44:39And I have much to do tomorrow.

00:44:41Good night.

00:44:42My pleasure.

00:44:43You come.

00:44:51Good night.

00:44:58Many kisses.

00:45:00She taught marriage.

00:45:02She give boy necklace very serious.

00:45:06Very interesting.

00:45:08Very interesting.

00:45:20Chula.

00:45:45Yes, Master.

00:45:46Open the cage.

00:45:50All right, open it.

00:46:06Pick it up.

00:46:18All right, lay her down.

00:46:42She will be big like gorilla, no?

00:46:46No, I think not.

00:46:54I think not.

00:47:04Master, she is back to little monkey.

00:47:07What is wrong?

00:47:09Nothing is wrong, Trot.

00:47:11Nothing.

00:47:14Now I can change a man into a gorilla.

00:47:20Man to a gorilla.

00:47:23Not me, Master.

00:47:24Not Chula.

00:47:26Please.

00:47:27No, Chula.

00:47:29Not you.

00:47:38Good morning, Chula.

00:47:39Morning.

00:47:43Good morning.

00:47:44Good morning.

00:47:45I'm sorry I'm late, Doctor.

00:47:46Perfect.

00:47:47You're right, my dear.

00:47:48I slept late myself this morning.

00:47:51I have a surprise for you.

00:48:14It wasn't strong enough.

00:48:17It worked, but it wasn't strong enough to hold.

00:48:24What did you say, Doctor?

00:48:26It wasn't strong enough.

00:48:28I thought I...

00:48:30Nothing, my dear.

00:48:35Good morning, Ramona.

00:48:36Come and shake hands.

00:48:39How are you today?

00:48:41Oh, I forgot to bring you something.

00:48:45When are we going to get out of here, Duke?

00:48:47How should I know?

00:48:48Yeah, about what you care.

00:48:50You're happy here.

00:48:51You got Nona.

00:48:52After all, where are you going to find a Nona in the Bronx?

00:48:54You know you got something there, chump?

00:48:56Me?

00:48:57The two-legged blimp's got me crazy.

00:48:59I nearly froze to death last night in those trees trying to get away from her.

00:49:02Imagine me trying to do a Tarzan.

00:49:05I ain't got the bill for it.

00:49:07Well, I'll go look up this guy Pepe.

00:49:09See if he's contacted any ships.

00:49:11You want to come along?

00:49:13Want a salami?

00:49:14No, thanks.

00:49:15All right.

00:49:19Oh, try to keep out of Ramona's cage, will you?

00:49:22Very funny.

00:49:23Very funny.

00:49:24Ha, ha, ha, ha.

00:49:29Keep out of Ramona's cage.

00:49:32You think I am an idiot or something?

00:49:38Hiya, baby.

00:49:41So early in the morning.

00:49:44Well, I'm on my way to see Pepe.

00:49:46We got to get back to the States.

00:49:47I'll go with you.

00:49:48All right.

00:49:52Oh, Nona.

00:49:53Yes?

00:49:54I need you in the lab.

00:49:59Very well.

00:50:02You'll never find Pepe's place by yourself.

00:50:05Go to my father.

00:50:06He'll get you a guide.

00:50:07All right.

00:50:08I'll see you later.

00:50:39Good morning, everybody.

00:50:45Hello, hello, hello, hello.

00:50:51Good morning.

00:50:55Good morning.

00:50:59Hiya, Pop.

00:51:03Good morning.

00:51:07Answer, boy.

00:51:08Answer, boy.

00:51:09Where'd he get that one?

00:51:11Oh, well.

00:51:14How about a little step to cock-eye?

00:51:15Step to cock-eye.

00:51:16Never mind that.

00:51:24When you get through with that, will you make me a morphine?

00:51:31Master.

00:51:38I think that will be all for today, Nona.

00:51:43Why don't you take our guests along with you to the village

00:51:46to meet your friend, Duke?

00:51:48All right, Doctor.

00:51:49Come along, Sammy.

00:52:09Good, Shula.

00:52:10Very good.

00:52:12We must make sure he does not come to until we're finished.

00:52:25Dad.

00:52:27Put him into the cage.

00:52:28Take off his clothes.

00:52:32Remember, Nona, you promised to protect me from Tawami.

00:52:35You mustn't be afraid of her.

00:52:36She's only a baby.

00:52:37Yeah, baby elephants.

00:52:39Hey, look.

00:52:40You can grow on these trees out here, don't they?

00:52:42Why, it's my necklace.

00:52:44Yeah, that's right.

00:52:45It's the one Dukey had on.

00:52:47I wonder how it got here.

00:52:48It's awful careless with his jewelry.

00:52:51Don't tell him we found it.

00:52:53I want to tease him about losing it.

00:52:54Make him worry a little before I give it back.

00:52:57All right.

00:53:03That's it.

00:53:21How long will it take, Master?

00:53:23I don't know.

00:53:24Quiet.

00:53:35Oh, you are back, my little one.

00:53:37Remember, Nona, you promised.

00:53:39No, Saloma.

00:53:40Nonga pasca nonga.

00:53:42Just a little?

00:53:43Not a little.

00:53:44Oh.

00:53:45Did our father supply Duke with a guide to go to Pepe's?

00:53:48Duke not come here.

00:53:50Sure?

00:53:51Not sure.

00:53:54He must have gone to find Pepe alone.

00:53:56That's bad.

00:53:58Dogar.

00:53:59Osmo.

00:54:12What did you call?

00:54:13To look for Duke.

00:54:14Good.

00:54:15And hurry.

00:54:16Rados now.

00:54:17Let's go back to Dr. Zabor.

00:54:20He may have turned back looking for this.

00:54:21All right.

00:54:22Come on.

00:54:23Me go too.

00:54:24No, Saloma.

00:54:25No, no.

00:54:26A thousand times no.

00:54:29No, no.

00:54:30A thousand times no.

00:55:19Now let's see if my lovely Nona will prefer you to me.

00:55:48Suppose he ain't here.

00:55:49Then what?

00:55:50Then he must be lost in the jungle and we better go find him before it's too late.

00:55:53Duke, come out, come out, wherever you are.

00:56:01Maybe he's hiding.

00:56:04Duke?

00:56:05Hide his clothes in there.

00:56:07And put Ramona in there too.

00:56:16Or he's being Duke.

00:56:20Go get him.

00:56:22Maybe he's in the laboratory.

00:56:24Come on.

00:56:32Doctor, the Duke come.

00:56:34Where he come from?

00:56:39Another step in my experiment, my dear.

00:56:42Ramona is now a gorilla.

00:56:44Ramona?

00:56:45Ramona?

00:56:46Yes.

00:56:47Boy, I'd hate to have to rock her to sleep now.

00:56:52Do you intend to advance her one more step?

00:56:54To the human level?

00:56:55No.

00:56:56I don't blame you, Doc.

00:56:58There's a stupidest looking gorilla I ever saw.

00:57:02Did Pepe have any good news for our friend, Duke?

00:57:05I don't know.

00:57:06We can't find him.

00:57:07He must be lost in the jungle.

00:57:12Some of my people are searching for him.

00:57:15Sammy, I think we'd better go back to the village.

00:57:17Not me.

00:57:18I'm tired of chasing around.

00:57:19I'll wait here.

00:57:21Well, for longer, Ramona.

00:57:22And don't take any wooden bananas.

00:57:44Chula, if Duke should return, bring him to the village.

00:57:47Yes, my friend.

00:57:49Let's go, dear.

00:58:01Wait, wait, what are you trying to say, Ramona?

00:58:03Wait, wait, what are you trying to do, Ramona?

00:58:05I don't understand you.

00:58:06What?

00:58:15Oh, good, oh, uh-huh.

00:58:22Three words, three words.

00:58:27First word, first word.

00:58:31Pupil, pupil.

00:58:35Lash, my lash.

00:58:37Brow, brow.

00:58:39Eye, eye, eye.

00:58:42Second word, second word.

00:58:44Ear.

00:58:45No, no, sounds like, sounds like.

00:58:47Sounds like.

00:58:49Bang.

00:58:51No, uh-uh.

00:58:53Hiss, hiss, hiss.

00:58:55Hiss, no, no, no.

00:58:59Uh, uh, bang, bang.

00:59:02Ramp.

00:59:03Sounds like ramp, ramp.

00:59:07Sam, ham.

00:59:09Ma'am?

00:59:10Lamp, lamp, lamp.

00:59:12Wait, wait, wait a minute, Ramona.

00:59:13I can't hear you with all that noise.

00:59:15You wait right here, I'll be right back.

00:59:18Look, when you're crying out there, now you're confusing me enough.

00:59:24Ramona.

00:59:28Then who are you?

00:59:37Duke's clothes.

00:59:39How'd they get there?

00:59:41And where'd he go?

00:59:43Without them?

00:59:45Oh, this is all very confusing.

00:59:49Look, look, look, what are you trying to tell me?

00:59:51I don't understand a word.

00:59:52What am I, dumb or something?

00:59:54Now don't, don't answer that.

00:59:56No, if only Duke were here, he'd figure it out.

00:59:58He's a smart one.

00:59:59Little Ramona, big Ramona.

01:00:01Eight gorillas.

01:00:02Jungle's natives.

01:00:05What an interesting cranium.

01:00:06Makes me nervous with all this stuff.

01:00:08I'm a young kid, I got a lot of talent.

01:00:10I don't, I don't want to go through all this stuff.

01:00:12Do I love you?

01:00:15Oh my, do I?

01:00:18Baby, did I do?

01:00:22Do I?

01:00:23Did you?

01:00:25Oh my, do I?

01:00:27Baby, did I do?

01:00:31Dookie!

01:00:33Dookie, what have they done to you?

01:00:35How did you get like that?

01:00:37Oh, Dookie, watch, watch.

01:00:38No, I don't understand, Dookie.

01:00:39What am I going to do with you?

01:00:42Key, key, we got to get the key.

01:00:43Where, where's the key?

01:00:53Oh, Dookie.

01:00:54Ah, Dookie, you don't know your own sense.

01:00:56Come on, we got to get out of here.

01:01:22All right, all right, all right.

01:01:23Stop making wasted party and stuff.

01:01:25Let's go up there and find how I can figure this thing out.

01:01:37Father, they have not found Dook.

01:01:39No, he not come to my place.

01:01:42We must find him, father.

01:01:43Oh, father, something has happened to him.

01:01:50We will find him.

01:01:54I'm sure he's safe, my dear.

01:01:59Father, we've got to find him.

01:02:13When you were human, you did all the thinking for the both of us.

01:02:17And with nothing but my poor little brain to help us.

01:02:23And don't look at me, will you?

01:02:42We got to get that screwy doctor to change her back again.

01:02:46What if he hasn't got the combination?

01:02:49Oy vey.

01:02:52Aw, don't cry, Dookie.

01:02:54Just think what a sensation we'll be when we get back home.

01:02:57I can see it all now.

01:02:59Sammy Petrello and Duke Mitchell, the singing gorilla.

01:03:04We will kill them.

01:03:05We may even play the palace.

01:03:10Don't cry, Nona.

01:03:12They find Dook.

01:03:14For real, they find him.

01:03:18Everybody look for him.

01:03:20They find him honest.

01:03:25Don't cry, my child.

01:03:31Master.

01:03:40It's about Dook.

01:03:42No, my dear.

01:03:43Ramona is a loose.

01:03:47She's dangerous.

01:03:49If she comes here, you have my permission to kill her.

01:04:05Look, don't worry.

01:04:06We can get a nice apartment near the Bronx Zoo.

01:04:08And you can go over to the monkey house and visit any time you want.

01:04:37Look, will you cut out the hysterics?

01:04:40We got to think now.

01:04:43Quiet, quiet.

01:04:45Quiet!

01:04:47Quiet!

01:04:49Now sit down.

01:04:50We got to think this over.

01:05:05You can't stay here forever.

01:05:09If I take you to the village alive, I'll kill you before I can explain.

01:05:12Explain?

01:05:15Who can explain this?

01:05:17They'll probably think I'm a sugar.

01:05:18Then they'll kill me too.

01:05:22Well, we got to take a chance.

01:05:23Come on, get up.

01:05:26Wait a minute.

01:05:27I'll put some clothes on you.

01:05:28Maybe that'll fool them.

01:05:54There's something that ought to do it, Dookie.

01:05:59Here, this will cover you up.

01:06:00Put it on.

01:06:02What are you doing?

01:06:04What are you climbing?

01:06:05Here, put it on.

01:06:10Will you put it on?

01:06:11Now look, Dook Mitchell.

01:06:13I'm running this game, you understand?

01:06:15And I'll talk back.

01:06:17Yeah, now put it on, because we got to get out that door.

01:06:31Dookie.

01:06:33Dookie, this is you over here, ain't it, Dookie?

01:06:37This is you, ain't it, Dook?

01:06:41Come on, Dookie, tell me it's you, will you?

01:06:47Dookie.

01:06:49Dookie, please.

01:06:51Tell me it's you, will you, Dook?

01:06:54Come on, sing.

01:06:56Dance.

01:06:57Do something, will you?

01:06:59Do I love you?

01:07:01Oh, my.

01:07:03Do I.

01:07:04Baby.

01:07:06Oh, come on, Dookie, come on.

01:07:24Come on, Dookie, let's go.

01:07:26Let's go.

01:07:27Come on, Dookie, come on, hurry up, boy.

01:07:35You hurt this time, master?

01:07:50No.

01:07:51No.

01:07:52Get my rifle.

01:07:53You must kill him.

01:07:54Come on, Dookie, let's go, boy.

01:07:56Hurry up, will you?

01:07:57Come on.

01:07:58Come on, don't let him get us, boy.

01:08:03Come on, let's go.

01:08:04Hurry up, will you?

01:08:09Don't let him love you, Dook.

01:08:10Don't let him love you.

01:08:13Don't let him love you, Dook.

01:08:14Don't let him love you.

01:08:36Come on, Dookie, this is no time for romance.

01:08:38Look.

01:08:40Come on, tell her you'll see her later and let's get out of here.

01:08:53No, no, no, wait, wait.

01:08:54Get out of here, boy.

01:08:57It's only Dookie Miss, you know what?

01:08:58It's only my partner, Dookie Miss, you know what?

01:09:00Come on, Dookie.

01:09:04No, no, no, wait, wait, wait.

01:09:06Put that away.

01:09:07It's only Dook.

01:09:08Oh, no.

01:09:09What crazy thing, this?

01:09:10Was Dook that Dr. Zaber chained into a gorilla, not Ramona?

01:09:20Dook, is it really you?

01:09:26Oh, Dook, my darling, what have they done to you?

01:09:31We'll find Doctor.

01:09:32He'll pay for this.

01:09:33You won't have to find me.

01:09:36This is a very touching scene, my dear.

01:09:39Step aside, my dear.

01:09:41Oh, no, no.

01:09:43Step aside.

01:09:47No, no, Dook, Dook, what are you, nuts?

01:09:49Come on back, Dookie.

01:10:05Sammy, Sammy.

01:10:07Dook, Dook, I don't want to die, Dook.

01:10:10I'm too young, I have so much talent.

01:10:12I don't want to die.

01:10:14Come on, wake up, will you?

01:10:16Let's go, hey, come on.

01:10:19Come on.

01:10:21Dook, Dookie's not a gorilla anymore.

01:10:24Gorilla?

01:10:25What are you talking about?

01:10:31Where am I?

01:10:32Where are you?

01:10:33You're in our dressing room of the Jungle Hut, the safe New Jersey, and we're on next.

01:10:38Let's go, come on.

01:10:39Boy, what a dream.

01:10:40Hurry up, straighten up.

01:10:44Come on, will you?

01:10:46Come on, Chuck, Dookie, I'm going.

01:10:53Hello, Dookie.

01:10:54Hi, baby, how'd it go?

01:10:55Sensational.

01:10:56What a crowd.

01:10:57We really killed them.

01:10:58Really?

01:10:59Good luck, honey.

01:11:00Chief Ranko's.

01:11:02Hot work, huh, Pop?

01:11:03Oh, yeah?

01:11:04You're not kidding.

01:11:05Bye-bye, baby.

01:11:06Bye.

01:11:07Coco, come on.

01:11:11Watch it, Pop, watch it.

01:11:13Pepe.

01:11:14What?

01:11:15Nothing, nothing.

01:11:21You are...

01:11:22Hurry up, you're on next.

01:11:26What kept you?

01:11:27Oh, Dookie, the most awful thing happened.

01:11:29And you'd better get some laughs this time, or you'll be collecting unemployment insurance.

01:11:35Dr. Zanemore.

01:11:39What's the matter with you?

01:11:41Oh, Dookie, I just saw everybody in my dream.

01:11:43Chew looked at me, and that's the guy that says, what it is, there's been cranium right over there.

01:11:47Well...

01:11:56Oh, now.

01:12:14Where's my little Tarzan?

01:12:17Hiya, doll.

01:12:18And now, ladies and gentlemen, those two fireballs of fun, Duke Mitchell and Sandy Petrillo.

01:12:23Come on, Dookie.

01:12:28Come on, break it up.

01:12:30Come on.

01:12:31Gee, you're not so bad.

01:12:43Good evening, ladies and gentlemen.

01:12:44Hey, Dookie, Dookie, look.

01:12:46There's the Nuwa bird.

01:12:47Nuwa bird?

01:12:48Yeah, don't you know what a Nuwa bird is?

01:12:50No, what's a Nuwa bird?

01:12:51It's a bird that lays square eggs, and he goes...

01:12:58Play, boys.

01:13:02Do I love you?

01:13:05Oh, my, do I?

01:13:08Maybe.

01:13:10Indeed I do.

01:13:14Maybe.

01:13:16Indeed I do.

01:13:20Maybe, maybe, maybe, maybe, maybe, because I do.

01:13:25Because, baby, yes, baby.

01:13:31Because, baby, indeed I do.

Bela Lugosi Meets A Brooklyn Gorilla | Full Movie | William Beaudine | Bela Lugosi, Duke Mitchell

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