Only Murders in the Building S4 Episode 7
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00:01Something happened today.
00:03Oh my God, they've been shot!
00:04It's Glenn, he's still alive!
00:05Jack!
00:06You got me in my fat!
00:07All of you may have heard about our little firearms moment at the photo shoot.
00:11But the show must go on!
00:13Woo!
00:14Got me thinking, I was gonna propose.
00:16And I choked.
00:17Ronnie's bonded with Loretta.
00:18Who's Ronnie?
00:19She's my finsta.
00:20Oh no.
00:21I want to spend whatever time I have left with you.
00:24Ugh.
00:25Dude in off?
00:26Not in Portugal.
00:27Nope.
00:28He's been cashing social security checks at a bodega on 125th street.
00:32This is Haspataki's remains.
00:34Gravy!
00:35That's my friend!
00:36Here's your left shoulder.
00:37No it's not.
00:38Yeah, see it says left.
00:39No.
00:40This one says left.
00:41In Bulgarian.
00:42There's two left shoulders?
00:44They just identified the other left shoulder.
00:46Belongs to Dude in off.
00:48Dude in off was murdered.
00:49We put hidden cameras in our production office and in your apartments.
00:53Whose camera is this?
00:54I'm watching you.
00:56We're not safe in this building.
01:01New York City.
01:03It sucks.
01:05It's a crime ridden hell hole.
01:07And don't hit me with that the numbers don't bear that out shit.
01:11You ever get mugged by a number?
01:13Go, go, go!
01:14Where are we going?
01:15Out of the city.
01:16The killer was in our apartments and filming us.
01:18Which makes him a perv too.
01:20Alright, alright.
01:21Get in the zone.
01:22I've got to craft the perfect poetic breakup text.
01:25So far I have it's over, exclamation point, exclamation point,
01:28followed by ten more exclamation points.
01:30You're breaking up with Loretta?
01:32I've never seen someone worse at being in a happy relationship.
01:35Mabel, I showed her my soul and she said, uh.
01:39So I'm ripping off the band-aid and take my heart with it.
01:42Now drive faster.
01:44We don't even know where we're going.
01:46We've got to find a safe house and it can't be a hotel
01:48because credit cards can be tracked.
01:50What about your sister on Long Island?
01:52The one whose daughters all have D names?
01:54I can't lead a killer to my kid sister's house.
01:58I thought her husband was a cop.
02:00Hello.
02:01Howard, hey, listen to me.
02:03Don't tell anyone, but in case we, like, disappear,
02:07we went to Charles' sister's in Patch Hop.
02:10Also, I need you to go to that bodega and figure out
02:12who's been cashing Dudanov's checks.
02:14Also, this tech-savvy psycho could be tracking our movements.
02:17Turn off your phone.
02:18Oh, you're right. Bye, Howard.
02:20Oliver, turn it off.
02:22Okay, fine.
02:23Devastating text sent.
02:26Okay, Doreen.
02:28Here we come.
02:30Now, you want peace, safety, a good night's sleep
02:34because you know your female loved ones
02:36ain't gonna get punched in the face at Christie's?
02:39Well, my friend, there's only one county
02:42on God's green earth for you.
02:44The county of Suffolk.
02:47Strong island, baby.
02:51Of course, no place is perfect.
02:54I should give you a little heads-up about my sister,
02:58and I don't like saying this about my own flesh and blood,
03:01but she can be very, uh, spontaneous.
03:05Oh, sick bird.
03:08Oh!
03:10Well, look who finally decided to show up for Thanksgiving.
03:14Too bad it's April.
03:17Come on.
03:19♪
03:37♪
03:47♪
03:57♪
04:07♪
04:17♪
04:27I like your dolls.
04:29Oh, thank you.
04:31You know, the big ones are very hard to come by now.
04:34Something about the supply chain, but...
04:36Yeah, I started collecting after, uh, Dawn's wedding,
04:39and then when Dina and Danielle went to DeVry,
04:42and then Dagmar, which is my youngest, the little baby,
04:46she really just left to wound me.
04:48So I guess you replaced your children with dolls, huh?
04:55Wow.
04:57I have never made that connection.
05:01You are intuitive.
05:04That is much more important than a man in the night.
05:09I always wondered what you look like.
05:11You know, I know your voice from the podcast,
05:13but sometimes I would, uh, slow it down.
05:16Kind of deepen your register.
05:18Then I'd speed it back up, and you sound like a little frisky chicken.
05:21Then I'd slow it down again.
05:23Then I'd speed it up.
05:25Then I'd slow it down.
05:27Then I'd speed it back up.
05:29Where's Big Mike? We could use a cop around here.
05:32Well, I kicked him out again.
05:34He's living on the boat in the driveway.
05:36One too many nights at Cam Can's.
05:39Uh, I feel like I'm gonna regret asking this,
05:42but what is Cam Can's?
05:44It's Hooters for butts.
05:46I was right.
05:48This is what I married. He's a pig.
05:50Just hogging down mozzarella sticks
05:52surrounded by random women's mudflaps.
05:55Oh, anyway, more room for you.
05:57And no murderer's ever gonna check you
05:59because they know you're not gonna come visit your sister.
06:02Hey.
06:03Well, what are you gonna do,
06:05inflict another permanent injury on me?
06:07Doreen, please.
06:08Oh, my God, he's so sensitive.
06:10Pardon me.
06:11I'm gonna get you some fresh towels.
06:13If you're gonna stay over, you need towels.
06:15What are you, one or two?
06:16Oh, I, um...
06:17I thought so.
06:18You're a two-toe guy.
06:20I can tell that. You're gonna need it.
06:22I want you dry.
06:25I'm scared.
06:31Ah!
06:32All right, Charles, can you catch us up
06:34on the plot of August Suffolk County?
06:36That's probably what you would have guessed.
06:38When Doreen was three, I was pushing her on a swing,
06:41and I pushed her too hard, and she flew off
06:43and ended up losing her spleen.
06:45I wouldn't say that was exactly what I would have guessed.
06:48She knows I feel terrible about it,
06:50and she loves spleen-shaming me.
06:52Maybe this was a mistake.
06:54No, no, no, it's quiet here,
06:56so we can work on the case and hopefully not die.
06:58Does this gorgeous doll remind you of anyone?
07:01Braids, porcelain skin,
07:03perky little set of...
07:05Oliver! The case.
07:07You know what? You handle it,
07:09because I'm exhausted and freshly heartbroken.
07:13Charles?
07:15Mabel, I have to come up with a security plan.
07:17I need to make this place murder-proof
07:19and then give law enforcement
07:21a tactical appraisal of the situation.
07:23You mean talk to the butt-lover in the driveway boat?
07:27Yes.
07:29Meanwhile, towels. You wanted two.
07:32There you go. One towel.
07:34Can-cans. Wet bench night.
07:37Oh, Long Island, you're so... you.
07:54Big Mike!
07:58It's Charles!
08:04I'm borrowing your toolbox!
08:06I found you! Finally!
08:09I have left you so many messages!
08:11It's a good thing Howard knew where you were.
08:13So listen, this is serious.
08:15The studio is asking if the brothers sisters are the killers.
08:17If they are the killers, I have to fire them.
08:19If they might be, but we can't prove it,
08:21that is a gray area that I can sell.
08:23So what is it? Tell me.
08:25It's definitely not them. I think.
08:27Okay, he says they're not the killers.
08:29He's right here.
08:31He seems like 60% sure.
08:33That sounds low.
08:35Well, 50% of one margarita was enough for you
08:37to flash your boobs at the Fableman's premiere.
08:39Bev, this is an emergency safe house situation,
08:41so I need your phone.
08:43He did see them, Monica.
08:45He saw 100% of both of them.
08:48What?
08:50Oh, my God.
08:52Oliver, what are you doing?
08:54Mabel, not now. I'm busy with an urgent new mystery.
08:57The whereabouts of Johnny Walker.
08:59Paul, I'm just trying to find a place to work
09:02that isn't filled with dolls.
09:04I mean, it's so creepy.
09:06What's up?
09:08Bev Mellon?
09:10Howard, come on.
09:12Okay, am I to believe people suffer a life
09:14in Patchogue sober?
09:16Ah, of course not.
09:18Bar she blows.
09:22Hey. Okay, I'll call you back. Bye.
09:24Bev, what are you doing here?
09:26We're dead. We're all fucking dead.
09:28That's what I'm doing here. I don't fucking know.
09:30What happened? Is there someone out there?
09:32No. I wish it was so simple, Mabel.
09:34The studio is talking about pulling the plug on the movie
09:38because of all the catastrophes.
09:40I'm stressed, okay?
09:42I got to figure this out. It's stressful.
09:44I'm fucking, like, losing my shit, okay?
09:46And I'm starving right now.
09:48I'm so hungry. Ugh, that's gross.
09:50I need something substantial.
09:52You know what?
09:54I think I saw pizza crust on the driveway boat.
09:56I'll be right back.
09:58What is my life?
10:04Oh!
10:06My apologies.
10:08I just had a craving for a Tulsa torpedo.
10:10Oh.
10:12But I see that you've misplaced
10:14your watermelon liqueur.
10:16Oh, why don't I make you one of my signature cocktails, okay?
10:18Let me just...
10:20Behind you. Almost got it.
10:22Here we go.
10:24I think you are going to like...
10:26This is mostly, entirely vodka and crystallite.
10:28You know, we call it a sweaty Betty.
10:30Named it after my dear friend,
10:32also named Betty,
10:34who also happens to sweat like a pig.
10:36Uh-huh.
10:38So, there we go.
10:40And the crystallite,
10:42if you dunk anything in it, it's a great exfoliant.
10:44A long pour
10:46for my short king.
10:48Well, here's to Betty.
10:50Ah, Betty was a whore.
10:52Okay.
10:54Can you believe it?
10:56Oh, my, that's...
10:58Oh, that is...
11:00I know.
11:02Okay.
11:04Now, I can't help but notice you seem like something's
11:06maybe bothering you.
11:08Is it Charles?
11:10Well, no.
11:12Well, usually, yes,
11:14but this time it's a breakup.
11:16A relationship done in
11:18by my one tragic flaw.
11:20Too handsome.
11:22Well, there's that,
11:24but it's also...
11:26I'm simply too...
11:28emotionally available.
11:30Hmm.
11:40Actors? Now, what are you doing here?
11:42Howard told us you would be here.
11:44People don't keep secrets from the famous.
11:46What are you doing here?
11:48Uh, I'm hiding out from the killer.
11:50Oh, so you thought,
11:52hey, why don't we leave the actors to die with a psychopath?
11:54Pretty sure the killer
11:56is after us, not you guys.
11:58I would reconsider that. Just a gut feeling.
12:00Oh.
12:02I escaped the hospital to come here.
12:04Well, go back to the hospital,
12:06and for you guys, I need some quiet
12:08to work on the case, okay?
12:10I'm sure there's lovely local hotels.
12:12No, no, no, no. You are contractually responsible
12:14for our safety, so we're staying.
12:16Fine. Then pick a doll,
12:18amuse yourselves, and give me your phones.
12:20Who is she?
12:24I mean, I thought
12:26I wanted a creative counterpart.
12:28Yeah, yeah.
12:30A verdant to my Fosse, a Fleetwood
12:32to my Mac.
12:34Maybe what I really want
12:36is
12:38just someone I can
12:40hold and adore, you know?
12:42Like a doll.
12:44Sure, sure, like a doll.
12:46How did you meet your husband?
12:48You know what?
12:50This shouldn't be here.
12:54Well,
12:56you know, it was actually
12:58a pretty classic meet-cute.
13:00It was
13:02inside the port-a-potty
13:04at Jones Beach.
13:08Someone should get that
13:10before we have to hear it again.
13:12Ooh, I'm like a turtle.
13:14Oh, let me help you.
13:16There we go.
13:18Okay, okay.
13:20Oh!
13:22Mr. Putman!
13:24Hello?
13:26Oh, let yourself in.
13:28What on earth?
13:30I just got
13:32caught in her macrame duster.
13:34Oh, is that what the kids
13:36are calling it now?
13:38This one. What a tease, huh?
13:40Loretta,
13:42how did you find out?
13:44Howard.
13:46Of course it was Howard.
13:48I called repeatedly, straight to voicemail,
13:50every time.
13:52So I got on a six-hour flight,
13:54middle seat, just so I could
13:56ask you why you thought you could
13:58break up with me
14:00over text.
14:02Loretta,
14:04what are you talking about?
14:06I poured my heart out to you on the phone
14:08and you went, ugh.
14:10When did this happen?
14:12Yesterday.
14:14A day that will live in ugh for me.
14:16What time was it?
14:18I don't know, lunch?
14:20Devastation o'clock?
14:22Your lunch or my lunch?
14:24Was your lunch my second Cosmo?
14:28Oh!
14:32Oh, I love that my pain
14:34is so amusing to you.
14:36I just so appreciate it.
14:40Oh, Oliver, I think you talked
14:42to my stand-in.
14:44Because I'm wrapped in gauze
14:46and my stand-in is wrapped in gauze
14:48so I think the P.A. gave
14:50my cell phone to the wrong
14:52person.
14:56So that wasn't you?
14:58No.
15:00I don't think you're ugh.
15:02I think you're.
15:04Oh.
15:06What can I say
15:08other than
15:10thank you.
15:12Oh, Ollie.
15:14Oh, I missed you.
15:16I missed you.
15:18I missed you too.
15:20So, Doreen.
15:22Oh.
15:24Doreen, well, Doreen
15:26is Charles' sister.
15:28Is she someone
15:30that I should be worried about?
15:32Everyone should be worried about
15:34Doreen.
15:36Careful, object!
15:38Ha ha ha!
15:40Oh, you need me to help you nail your fingers to the house, huh?
15:42These windows won't lock
15:44so I'm trying to nail them shut.
15:46Just trying to keep everybody in one piece.
15:48Well, it's a little late to keep me in one piece.
15:50I asked the doctor
15:52if I could give you my spleen
15:54and he said it wasn't necessary
15:56because spleens aren't necessary.
15:58Oh, come on.
16:00I was just razzing you.
16:02I don't even remember the accidents.
16:04You know what I remember?
16:06One of my probably fondest memories
16:08is, God, it must have been,
16:10what, five?
16:12Mom was taking me
16:14to see my big brother
16:16in one of his first plays.
16:18It was so good.
16:20You were always meant to be
16:22Mr. Hollywood someday, huh?
16:28Are you even listening to me?!
16:30I'm sorry.
16:32I just can't have a conversation right now.
16:34Everyone I know is either dead or in danger
16:36because of me and my stupid podcast
16:38so I have to keep my attention
16:40focused on these nails!
16:42Why are you always
16:44mad at me?
16:46I'm not mad at you.
16:48Oh, wait, wait, wait.
16:50Are you crying? Oh, please don't cry.
16:52I can cry if I want to
16:54just because you, Mr. No Emotion
16:56Robot Man, doesn't.
16:58I control myself.
17:00Oh, what's that? Implying that I'm crazy?
17:02I didn't say that. Don't deny it.
17:04Well, I didn't say that. Don't!
17:06I said don't. Don't deny it.
17:08Not do deny it. I said don't deny it.
17:10TikTok calls it gaslighting
17:12and you're full of gas
17:14and it's an epidemic.
17:16Every man in my life thinks it's because I have
17:18just actual and real emotions
17:20that I'm crazy.
17:22But you know what? There's a little man,
17:24a tiny little man downstairs right now
17:26who appreciates a woman
17:28with a nice, big set
17:30of emotions.
17:32Be gentle with Jill.
17:34She's Victorian.
17:40We're bored.
17:42What you doing? Checking out the semen?
17:44What? Where there's murder, there's semen.
17:46CSI 101.
17:48We can help you know we're not children.
17:50And can you open this next snack? My assistant's
17:52not here. Okay.
17:54I need to work on the case. So, um,
17:56can you actors maybe run lines
17:58or do ozempic, whatever
18:00you guys do? Don't want to interrupt
18:02you. Just need
18:04a little nibble.
18:06Eugene?
18:08It's me.
18:10Loretta.
18:12Loretta... Loretta Durkin.
18:14We did
18:16Summer Stock together. Saskatoon
18:1882.
18:20We did that
18:22stage adaptation of James Bond's
18:24Moonraker. I mean, I'm
18:26trying to place the face, but, uh,
18:28I'm coming up empty.
18:30I was Lieutenant Holly Goodhead.
18:32That was my...
18:34Zack.
18:36I adored
18:38you in baskets. I...
18:40Well, I think you... Ow, ow, ow, ow.
18:42Sorry, I have a hole inside of me.
18:44Um, nobody's
18:46complimented me yet, so...
18:48Could I talk to you
18:50for a minute? Yeah, sure.
18:54Hey, I'm sorry. It's just
18:56the actors want to help with the case.
18:58Um, do you think you can take them out
19:00to play or distract them with your keys?
19:02Okay, but I think you're making
19:04a big mistake. Actors
19:06are investigators, you know,
19:08of the human condition.
19:10L.A. did this to you in two weeks?
19:12Just let them
19:14in. Come on.
19:16You never know. It might help.
19:18Bev!
19:20Bev. Okay.
19:22Thank God. I'm gonna
19:24need you to entertain some movie
19:26actors. Here,
19:28sweetie. I would love
19:30to hang with actors.
19:32Where are the actors?
19:34Actors all sitting
19:36together talking about their craft.
19:38Hey, actors.
19:40Fuck you!
19:42Can I, um,
19:44want some drink of water? Okay, Mom.
19:46Fuck you, TV actor.
19:48You know my work?
19:50Work? Let me sum up the quality
19:52of your acting ability
19:54in one word.
19:58I'm sick of this
20:00bullshit studio and the
20:02script with its bullshit plot
20:04holes and all you self-centered actors
20:06memorizing your lines
20:08in your little baby set
20:10slippers, eating your special
20:12actress food. I was shot,
20:14and I bet it's infected. I am weeping fluid
20:16here. Oh, my God, Zach.
20:18Cut it out! All you do is
20:20complain. I'm a self-centered
20:22Greek smurf, and I got hit
20:24by a sniper, and now I have a boo-boo.
20:26I can't take it anymore,
20:28bro.
20:30I'm done with Hollywood!
20:32Middle child.
20:34Single mom. Low thyroid.
20:36No, high. High thyroid.
20:38See?
20:40Detectives.
20:44Okay,
20:46fine. Actors, let's
20:48talk case.
20:52Come on, man.
20:54Look, I just need to see
20:56who is cashing my close personal friend's
20:58checks.
21:00No.
21:02I'm sorry. I don't know why I did that.
21:04Please, please let me just have a look at that ledger.
21:06Sorry. It's against our policy.
21:08It's an Odega. You barely have a hand-washing policy.
21:10Meow.
21:12Sigh.
21:14Meow.
21:18Oh.
21:22You trained a cat to guard
21:24your store? Si.
21:26Gazpacho's tough.
21:28Well, how would you like for him to be a guest on the
21:30soon-to-be number one animal labor podcast
21:32in the country?
21:34Meow.
21:36Good enough.
21:38Gasp.
21:42Gasp.
21:44Another good enough.
21:46These signatures don't match at all.
21:48Gasp.
21:50Mabel, pick up, pick up, pick up.
21:52Oh, my God.
21:54It all happened the night that Saz died.
21:56Then the killer texted us,
21:58I'm watching you, so we came
22:00here. There. Now you know everything
22:02we know. Okay, great. We'll take it from here.
22:04Oh, yeah. You think you got this?
22:06Mabel, you really have no idea
22:08about the breadth of
22:10our skill set here.
22:12Only 3% of our time is
22:14devoted to the actual
22:16job. The rest is spent
22:18developing talents that would
22:20be helpful in a character's
22:22backstory, like, uh...
22:24I don't
22:26really cotton to
22:28northern types, yeah?
22:30You know, dialects.
22:32I can skin a deer. Somebody get me a deer.
22:34I can do card tricks.
22:38You guys are all such
22:40treasures, and I cannot wait to hear what you
22:42come up with, so, um, pick a
22:44room. I'll be at a different one.
22:46Da-da-da-da-da.
22:48Da-da.
22:50Ooh, welcome back,
22:52my little...
22:54What? Surprise.
22:56See what I'm trying
22:58out? Extend our time
23:00together a little bit?
23:02Look what I found.
23:04The watermelon liqueur.
23:06Oh, thanks, but I'm good.
23:08And I think that's A1 sauce.
23:10Oh, either way.
23:14Didn't mean to interrupt.
23:16Loretta, please interrupt.
23:18Doreen, if you can...
23:20So we have a long-distance
23:22relationship, so every
23:24second together is precious.
23:26Oh, oh.
23:28So we're best buds
23:30until Heidi
23:32shows up, and then when am I?
23:34I'm dog meat.
23:36You know, I'm just tired of everybody
23:38jerking me around. Nobody's
23:40jerking anybody around.
23:42Yeah, I think people are jerking... Ow!
23:44Doreen!
23:46I'm sorry. I'm sorry.
23:48I'm being rejected by my husband. I'm being rejected
23:50by your boyfriend. My own brother
23:52doesn't want to talk to me. I'm...
23:54I put
23:56my hands on you.
23:58Poor thing.
24:00But you can't blame her
24:02for being attracted to Oliver
24:04Putnam. You are a magnet.
24:06Wow. Thanks.
24:08Ooh.
24:10Ooh.
24:12Okay.
24:16Hey.
24:18Here we are at the piano again.
24:20I'm just... I'm a little bit jealous
24:22of whatever it was you said to my
24:24stand-in yesterday
24:26on the phone.
24:28Oh, I was just...
24:30I think
24:32you had to be there. Yeah.
24:34But what did you say?
24:36Well, I just...
24:38I just said that
24:40when we were at that party in L.A.,
24:42that strange fire pit that
24:44I almost
24:46proposed to you.
24:48You what?
24:50Well, it was just spur of the moment
24:52thing, you know? I mean, you were
24:54going to L.A., and I was afraid of
24:56losing you. Oh, yeah.
24:58No, no, I don't mean I don't want to.
25:00Loretta, I adore you.
25:02I've been spinning out of
25:04control trying to stay close
25:06to you. I mean, really, I did...
25:08I even invented
25:10a crafty Heartland Instagrammy
25:12just to see what you were
25:14up to.
25:16A what? The only way to be yourself
25:18is to find yourself
25:20yourself.
25:22You're Ronnie?
25:24Yeah. No, no, no,
25:26no, no, no, no.
25:28I connected with Ronnie.
25:30I...
25:32took screenshots of
25:34her memes. I...
25:36I told her things.
25:38And she appreciated all of them.
25:40So you... What?
25:42You stalked me, and then you tricked me,
25:44and then you were going
25:46to propose to me, but only because you were scared.
25:48And then you broke up with me over text.
25:52Well, when you list them all in a row
25:54like that... I need a minute.
25:56Loretta,
25:58I...
26:00Uh...
26:12Oh,
26:14goddammit.
26:18Uh...
26:22Hello.
26:24Uh...
26:26I should...
26:28No, I want to
26:30apologize.
26:32I was out of line before
26:34Crystal Light got on top of me.
26:36Yeah, well...
26:38We all have our moments.
26:42So, um...
26:44Seems like things aren't
26:46going too well for you and
26:48your little man.
26:50I think my little man
26:52might be crazy.
26:54Okay, what is
26:56it with everybody thinking that anyone
26:58who feels is crazy?
27:00I mean, maybe he's not
27:02crazy. Maybe he's just
27:04emotional. You know, and isn't that better than not
27:06feeling enough? I mean, his heart is an open
27:08book.
27:10Yeah, maybe you're right.
27:12Maybe.
27:14Maybe. Huh? What do I know? Maybe.
27:16Oh, maybe I'm just a stupid idiot.
27:18Calm down now.
27:20Okay, don't tell me to calm down.
27:22Okay, why don't you go back to Beverly Hills?
27:24Whoa!
27:26Listen, I rent a studio in
27:28Burbank. You know, it's under a Whole Foods.
27:30I don't need you throwing your rich bitch
27:32shit in my face. You need
27:34to calm down. You need to get
27:36out of my house, you Hollywood crazy!
27:40What is this?
27:42Stop resisting!
27:44I believe you! What are you doing to me?
27:46I don't know why you're eating your brains!
27:48Oh my God!
27:50Why are you eating your brains?
27:52She wasn't Moonraker.
27:54My pacemaker!
27:56My pacemaker! I didn't know you had a pacemaker!
27:58Oh my God!
28:00Oh my God, I didn't know!
28:02I didn't know.
28:06I was
28:08acting.
28:10I took stage combat
28:12with Sensei Brian.
28:14Oh my tooth!
28:16Oh my God!
28:18I should stop this. Who wears a train
28:20in their own house?
28:22No, no, no!
28:24I'm in, baby!
28:26My God!
28:28What was in that crystallite? Bath salt?
28:30Hey, Doreen!
28:32Get off me!
28:34You got a bridge! You're gonna have to get your hand in there for a chokehold.
28:36Bridge, come on, kill!
28:38Whoa, whoa, easy, ladies!
28:40No need to fight over you like Lonnie Anderson and Charo!
28:42Get off me!
28:44Ow!
28:46He's a chocolate Swiss mess anyway, you bitch!
28:48I'm sorry.
28:50I'm sorry you're on me!
28:54I'm sorry, too.
29:00Hey,
29:02you know, Doreen,
29:04I'm a little worried about you. Is that alright?
29:06I mean,
29:08your husband lives in the driveway,
29:10and you're fighting with a TV actress,
29:12and you're stuck on this thing
29:14I did when you were a toddler.
29:16Oh my God, fuck the spleen.
29:18Come on, I make jokes about it
29:20because it's not a big deal.
29:22It's not funny to me.
29:24I mean,
29:26you were so little when I was 19,
29:28and that day at the hospital,
29:30Mom wouldn't
29:32stop screaming at me.
29:34She gave me.
29:36She was bonkers, you know that.
29:40Do you know
29:42why I remember going to see your play?
29:46Because Mom held my hand
29:48when we walked in.
29:52She held your hand?
29:56Wow.
29:58I know.
30:00I don't think she had
30:02that before,
30:04and I don't ever remember her doing it again
30:08because she was so distant.
30:12Then she was gone,
30:14and you were gone, too.
30:16Now I'm this.
30:20I'm this it?
30:22Every now and then, but you're never really here,
30:24you know?
30:26Then I heard your podcast,
30:28and I heard you yucking it up
30:30with all your friends.
30:32The podcast is about
30:34our neighbors being murdered.
30:36Yeah, but you made it sound cozy.
30:40Somehow it made me
30:42feel even lonelier.
30:44Oh, my God.
30:46What a needy mess.
30:50I'm an uptight mess.
30:52Can we just blame Mom?
30:54Well, she's dead.
30:56It can't hurt.
31:00I think about you a lot.
31:02I'd like to be better
31:04about staying in touch if it's not too late.
31:06I would like that.
31:08I'd like that a lot.
31:10I would, too.
31:12Great news, everybody.
31:14Oh, I just had the best nap.
31:16I feel so good.
31:18Everything is so crystal clear
31:20to me now.
31:22You know, yelling at those actors
31:24reminded me of why I got into this business
31:26in the first place.
31:28It's because no matter what,
31:30I care so much.
31:32I realized it.
31:34Movies are my passion,
31:36and I yelled all of that
31:38at the head of the studio in my room
31:40for two hours, so guess what, Charles
31:42and Leopard Lady?
31:44The movie is now
31:46full speed ahead.
31:48Can you believe it?
31:50Back to business.
31:52Hollywood.
31:54Who is that fucking woman?
31:58Oh.
32:02Oh, car comes
32:04in a few minutes.
32:06So, to recap,
32:08I fought a woman
32:10and I won.
32:12Also,
32:14I discovered you may be crazy.
32:16If I'm
32:18being honest,
32:20I haven't been in a relationship,
32:22a real one,
32:24for a decade,
32:26maybe two.
32:28So,
32:30when I met you,
32:32I just
32:34lost
32:36my cool,
32:38and I may never get it back.
32:40But if
32:42you can't handle
32:44that
32:46flavor of crazy,
32:48no one would blame you.
32:50So if you
32:52want to run, run.
32:57You don't have to sprint.
33:03Oliver, from the moment I met you,
33:05I knew
33:07deep in my heart that you
33:09were a lunatic.
33:11You must have, by my count,
33:13six different stories about
33:15running into Linda Carter
33:17at grocery stores.
33:19Wonder Woman and a Wonderful Lady.
33:21Well, to the point,
33:23despite your obvious
33:25pathologies,
33:27I'm here, still.
33:29And I'm not going anywhere.
33:31And I sign on to your
33:33crazy
33:35for a lifetime.
33:41You're
33:43giving me a doll's bracelet?
33:47I'm proposing to you,
33:49Oliver. I want to marry you.
33:55Well, before I accept,
33:57just out of curiosity,
33:59is there any family money?
34:07I accept.
34:11Wake up!
34:13Rise and shine!
34:17I gotta sleep! I have a hangover!
34:19Shut the fuck
34:21up!
34:23Thank you. Case
34:25closed! Okay, what's
34:27going on? Let me direct your attention
34:29to the murder wall,
34:31which is like your murder board,
34:33but bigger, therefore ours is better.
34:35For starters, we agree with you.
34:37Who's ever cashing Dudanov's checks
34:39is after you. But looking back,
34:41we believe
34:43that this mystery did not start with Tess's
34:45murder. No. It all goes back
34:47to season one, which, by the way,
34:49has more holes than
34:51Jack Elephant. I mean,
34:53they're all over the script. For instance,
34:55yeah, who poisoned Winnie?
34:57You thought it was Sting. You know what?
34:59It wasn't Sting. I think you just dropped it.
35:01Winnie?
35:03Oh, my God.
35:05Who would do this to you?
35:07I assumed it was Jan. Wrong.
35:09Look at the note on your door.
35:13End the podcast or I will end you.
35:15See this smudge mark? That was written by a left-handed
35:17person. How could you know that?
35:19Because I studied handwriting when I played
35:21Marc Antonio in the unproduced pilot
35:23The Calligrapher's Wife. And
35:25Jan was not left-handed. No. Look at the
35:27way she holds her bassoon.
35:29I shadowed
35:31the Boston Pops when I was preparing for
35:33Symphony Chimp.
35:35Pothole number two.
35:37The note on Jan's door.
35:41I'm watching you, just like
35:43the text message.
35:45It's the...
35:47Same person. Very good, Mabel.
35:49Your murderer has been
35:51after you since season one.
35:55And
35:57Sazh knew all of that.
35:59Think back to her
36:01apartment. Sick pup.
36:03That's Winnie.
36:05Door note. That's the note
36:07on Jan's door. Sazh
36:09figured this all out. Maybe that's what she
36:11wanted to tell me. Wow. I...
36:13I stand corrected.
36:15I guess I should have brought you guys in sooner.
36:17Thank you. Actors one.
36:19Real life ditch at zero.
36:21Yes. Idiot.
36:27Why are you smiling?
36:29Oh, I
36:31know it's not the right time
36:33but
36:35this bitch is getting married.
36:41You know,
36:43not for nothing. The truth is
36:45you can never be totally safe.
36:47The best you can do is
36:49find some people who love you.
36:51Who'll share a
36:53bottle of red,
36:55bottle of white.
36:57Hey, look at this. Gang's all here.
36:59Hey, Big Mike.
37:03How was brunch at Can-Cans?
37:05Oh, come on, babe. I just go there
37:07because they give cops the dinner menu at lunch
37:09prices.
37:11No, I'm not an ass guy.
37:13I'm a you guy.
37:17Well, permission to board. And I don't mean the boat.
37:23Captain Jack'll get you high tonight.
37:29Oh, hey.
37:31Chucky.
37:33Your friend Howard's trying to reach you all.
37:35Somehow he got my number.
37:37He says he knows who killed Dudenov.
37:39Yeah, I wrote it down so I get it right.
37:41He wanted me to tell you,
37:43uh, it wasn't just
37:45one person cashing his checks.
37:47He found five different signatures
37:49with one phone number. Go forward.
37:51Pause.
37:53Go forward. Go forward.
37:55Go forward.
37:59Pause right there.
38:01Fast forward.
38:03Oh, my God.
38:05Go forward. Go forward again.
38:09Rudy.
38:11Oh, my God. Oh, my God.
38:13Oh, my God. Okay.
38:15Okay. I'm calling the number.
38:31Hello?
38:33This is Milton Dudenov.
38:35Uh,
38:37whatever a Westie is,
38:39Howard says it was all of them.
38:47They know.
39:05Oh, my God.
39:35Oh, my God.