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00:00♪♪
00:04-♪ Nos hemos quedado todos pasmados en la casa ♪
00:10-♪ Ay, aquí están las dos manzanillas ♪
00:15-♪ ¿En qué anda?
00:18Ay, ¿se está escribiendo el testamento de Amiago?
00:22-♪ Como no quieras las enaguas ♪
00:23-♪ Una bata buena, yo tengo cintura de avispa
00:25y piernas de bailarina ♪
00:27-♪ Me estaba escribiendo una carta a mis virtudes
00:30¡Oh!
00:32-¿Puedes recuerdo de mi parte, eh?
00:34¿Y de qué le cabe cuando no hace una visitita con el chiquillo?
00:37-¿Eso es lo primero que le he pedido?
00:39Y ahora le estaba contando todo lo que ha pasado con Doña Pía.
00:43No sé si se lo va a creer, porque es todo un flocamosco.
00:47A mí aún me cuesta.
00:49Sí, porque es como cosa de follardín.
00:51Pero mira, por lo menos no ha terminado mal
00:53y lo importante es que Doña Pía está viva.
00:56It's one of the greatest joys I've had in the last few years.
00:59I'm sure Virtude is happy because she appreciates it a lot.
01:02Like everyone else.
01:04Except for Marimandrago.
01:06The Marquess doesn't have much affection either.
01:08The Marquess doesn't have affection for anyone.
01:10Except for herself.
01:12Petra must be smoking with the news.
01:15Because she's fed up.
01:17And bring a magnet.
01:18So Doña Pia is alive and kicking.
01:20And soon she'll be here.
01:22We'll see how she gets there.
01:24Because she didn't have a good time with all this mess.
01:28What a bad drink she had to live
01:30pretending to be dead in front of everyone.
01:32What a piece of paper.
01:34Well, apparently she was half-adopted.
01:36With that scoundrel who gave her the money.
01:40She had to be very desperate to do something like that.
01:44Imagine.
01:45She was afraid for her life and for her little one's.
01:48And in such a hurry, well...
01:50One does whatever.
01:51Wow, she did.
01:53Although, look.
01:54Now she has a grave in her town.
01:56That's what she's got in front of her, isn't it?
01:58Seen that way.
02:00Although, we'll have to change the date of death
02:02because she's not getting married anymore.
02:04You always have to look for the good in everything, Simona.
02:07Yes.
02:08Even in misfortune.
02:10Poor Doña Pia.
02:12If the world were better
02:15and it weren't full of Petras and Gregorios.
02:18But the world is as it is.
02:20You have to comfort it.
02:21You have to face those people.
02:23Although, well...
02:24Doña Pia is more like me.
02:26She hid her head in a hole like an ostrich.
02:29She hid her head in her body because it's weird that she knows.
02:33Well, I'm going to finish my daughter's letter
02:36that I want to send her tomorrow when I go to town.
02:38Wait, wait.
02:39I'm going to give you some words for Virtue.
02:41Write it down.
02:42Write it down.
02:43But don't rush.
02:44I want to make good handwriting and I go very slowly.
02:46I'm going.
02:47I'm going.
02:48Dear Virtue.
02:50Dear.
02:51No.
02:52Not dear.
02:53Dear.
02:54Dear.
02:55Dear Virtue.
02:57Here I am with your mother in the bedroom.
03:00Life is a promise.
03:02Keep going.
03:03One day passes.
03:05Then another one follows.
03:07Then another one comes.
03:08Do you know what I'm telling you?
03:09What?
03:10If you want to tell my daughter something, you write it down.
03:13Well, you.
03:14I'm going to send the memory of my part.
03:16That's it.
03:18I was going to do it even if you didn't tell me anything.
03:23Good afternoon.
03:24Sergeant Woodley.
03:25Come in.
03:26Sit down.
03:32Is there any news about Don Manuel?
03:35I have no news.
03:37I just came to ask a few questions.
03:39Again?
03:40This time it was an interrogation.
03:42And the others, what were they?
03:44Well, informal talks.
03:46Ask whatever you want.
03:47Anything I can help you with.
03:50I won't beat around the bush.
03:52Why did you lie to me?
03:54Me?
03:55A few days ago you told me that you were the one who gave the envelope to Mr. Castillo
03:59in the Luján tavern, and it wasn't like that?
04:02You're right.
04:04I wasn't clear on that matter.
04:06It was all so that Don Manuel would not get involved in such a sordid matter.
04:12I see.
04:13A faithful servant.
04:15I did my job.
04:16I wanted to save him that bad drink.
04:18At the cost of lying to a representative of the law.
04:21I'm sorry.
04:22But I couldn't allow an innocent man to be accused.
04:25Your innocence is to be determined, and you are not the one to decide.
04:31In fact, as the days go by, you seem more guilty.
04:34Do you have any evidence against him?
04:36Don't you think it's enough with the ones you already have?
04:38Well, no.
04:40A letter in a tavern and nothing more.
04:42Two letters.
04:44And Mr. Manuel's statement that he spoke with Mr. Castillo.
04:47But I suppose Mr. Castillo would also speak with other people in the town.
04:51I suppose those people are also suspicious.
04:55As far as I know, the others didn't offer him money or meet with him in a remote place.
04:59Exactly where the body appeared.
05:02Who doesn't go out with a guy with such arrogance in front of everyone?
05:07On the contrary.
05:08If you see a criminal, you always try to have witnesses of that encounter.
05:13I see.
05:14You won't see anything that could harm Mr. Manuel.
05:20Tell me.
05:21Are there any guns in La Promesa?
05:23Well, do you know of any palace where you don't find them?
05:28What kind of guns do you have?
05:30The Marquis is a great hunter.
05:32He has shotguns for smaller hunters and rifles for bigger hunters.
05:35And where do you keep them?
05:36In the armory.
05:37It's a room with a reinforced door, of which I only have the key.
05:42And if he asks me if Mr. Manuel asked me for a gun, I'll tell him no.
05:47Let's go see that armory.
05:51And I want you to give me a complete list of all the guns in the house.
05:54Of course.
06:00Do you keep the keys to the armory together with the rest of the keys?
06:03Yes, yes, yes. They are usually kept in good stock.
06:07Yes, I'm the only one who has the key.
06:11And does it always have that box open?
06:15No, it's usually closed, yes.
06:18I see. Usually.
06:23Let's go see the armory.
06:26Please.
06:34Come in.
06:40Come in.
06:52Can you move?
06:54Well, yes, but don't be impatient.
06:56You take hours to move every piece.
06:58Because I have to think about the next move.
07:02Hey, that woman.
07:04What woman?
07:05That one over there.
07:06No.
07:11I don't know.
07:13Martina, don't be a child.
07:15My tower.
07:17What tower?
07:18Martina.
07:22Okay.
07:24Your tower.
07:26Look, if you don't want to play, we'd better leave it.
07:29There's no need to be stupid.
07:30I'm working.
07:31It was a joke. Don't get like that.
07:33I'm moving.
07:41You know, there's something I've wanted to talk to you about for a long time.
07:46What?
07:47That this game is getting too long?
07:50That's obvious, but no.
07:52No, it's not that.
07:54Well, say it.
08:01I don't know.
08:03I don't know.
08:05I don't know.
08:07I don't know.
08:08I don't know.
08:10Lately, I've been feeling very ...
08:13dry with myself.
08:17Look, now I just wanted to try to play on conditions.
08:20No, I'm not referring to this.
08:23Yesterday, for example, when we were talking about poor Manuel.
08:28You were more concerned about how Julia was doing than how I was doing.
08:31No.
08:32No, that's absurd, Martina.
08:33No, it's not. It's not.
08:36As far as I know, I'm the one who is Manuel's family.
08:38How many times has she talked to him?
08:40Two? Three times?
08:43Look, you told me you didn't want to look like a jealous girlfriend.
08:48I'm serious.
08:52Lately, I've been feeling ...
08:54very different.
08:56As if you had moved away from me a lot.
08:58As if I didn't know you at all.
09:06I don't know, Martina.
09:10You know that talking to Julia has made me remember everything I experienced in the war.
09:16And Paco's death ...
09:19I will never forget it.
09:24It's just that ...
09:26if at least you let me help you.
09:29It hurts me a lot to see you suffer like this.
09:32It's what I have to do now.
09:34It's what I have to do now.
09:37I have to suffer.
09:38But it doesn't have to be like that.
09:41I don't know, ask me for anything. If there's anything I can do, ask me for whatever you want.
09:51Look, yes. There's something you can do.
09:56Could you ...
09:58stop being so aware of me?
10:01Of ...
10:02observing who I'm talking to,
10:04or who I stop talking to,
10:06what I do,
10:08or what I stop doing.
10:13Is that what you want?
10:15Yes.
10:18I already told you, Martina.
10:21I need ...
10:22distance.
10:24At least for a while.
10:27I don't know, you have to understand.
10:31I understand.
10:41Well, let it burn.
11:01I love you.
11:09Should I serve you more?
11:10It's fine like this.
11:12This is Manuel's favorite liqueur.
11:14We could make a toast.
11:15I'm not in the mood for a toast, Lorenzo.
11:17It's strange.
11:18I wouldn't be either if I had my son in the dungeon.
11:21It's not true, it's just that it looks like he's been spying on him.
11:23Don't be superstitious.
11:25Well, it's to start doing it.
11:27First, those accidents with the plane,
11:29his wife's death,
11:30and now the maid from 3rd to 4th who embezzles it.
11:32That love story is going to end now.
11:34I hope so.
11:35Because one thing can end with the good name of this family.
11:38And if that's not enough,
11:39now comes this sergeant from Pacotilla
11:41and accuses him of nothing more and nothing less than murder.
11:44Now I don't know what else could happen to him.
11:47Whatever you want.
11:48It's up to you.
11:49Can you shut up, please?
11:50If you have nothing positive to say,
11:52silence is the best option.
11:57Yes, yes, I'm still here.
12:01He can't.
12:02What do you mean?
12:05But couldn't you tell him?
12:11I understand.
12:12Good night.
12:14Isn't the governor coming?
12:16It seems he's too busy to dedicate five minutes to me.
12:19Yes, busy, of course.
12:21But he told you he's going to attend to you, right?
12:23His secretary told me he'll call me in the next few days.
12:25Let's see.
12:26What a bunch of livers this country leads.
12:29Have you been able to talk to anyone?
12:31I was trying to do it with the Minister of Grace and Justice,
12:34but at the moment nothing.
12:35And the calls to your friends?
12:37Some have answered me.
12:38But I think more than to help,
12:40to know what had happened to Manuel.
12:42Nonsense.
12:43Well, look at it on the bright side.
12:46At least that way you can see who your real friends are.
12:49I don't see anything positive in what's going on
12:51and I don't think anyone can see it.
12:53Don't you think?
12:54I think that a situation like this makes people withdraw.
12:57You're right about that.
12:59I'm checking who really wants to help
13:01and who, like you, is enjoying all this.
13:03I don't enjoy other people's misfortunes.
13:05Alonso, please.
13:07I'm being honest.
13:09I think your friend Ignacio is having a great time with all this.
13:12That's nonsense.
13:13It's obvious that the situation doesn't let you think clearly.
13:15Very well.
13:16Thank you for being condescending with me.
13:18That's it.
13:19I'm over the circumstances.
13:20I think, I think
13:22that arguing between us won't prevent Manuel from ending up in jail.
13:25I just wanted to say that a situation like this
13:28makes you know who your real friends are.
13:30Normally, you can count them with the fingers of one hand.
13:33But you have five fingers left.
13:35And I understand that.
13:39But what's wrong with this man?
13:53Sir.
13:58Mr. Baeza.
14:00How are you?
14:01Fine.
14:03Well, sometimes I'm bored.
14:06Other times, I'm angry because of this injustice.
14:09And other times, neither one nor the other.
14:11And even so, I see it all.
14:13I try to keep a good mood.
14:16Although...
14:17I try to keep a good mood.
14:20Although...
14:22It's difficult in this pestilent hole.
14:24Yes.
14:25Of course, I want to see if you can fix this a bit.
14:28I've brought a few clothes
14:30so that you don't have to wear the same clothes all the time.
14:34Well, you don't know how grateful it is to have clean and well ironed clothes here.
14:38I've also brought you a lavender soap pill.
14:41Just in case there's a place to bathe.
14:43Although I doubt it.
14:45It's fine.
14:46Bathing here won't be possible.
14:48I'll have to settle for a bucket to be able to clean myself.
14:52I can imagine.
14:53Well, let's hope it's for a short time.
14:56I've also brought you some freshly made cinnamon cookies
15:00that Mrs. Martínez and Mrs. García send you.
15:02They give you a lot of encouragement.
15:06You don't know how much I miss your stews.
15:10I would give it for a good pumpkin soup.
15:13Very good food here.
15:16Calling food what they serve here is a big deal for you.
15:39Did you bring me a file for that trigger?
15:41No, no.
15:42You have to leave through the door, with your head held high.
15:45Yes, that would be ideal.
15:48But if I tell you the truth, right now I'm content with ...
15:51going through any hole.
15:53Even if it's a drag.
15:54I'm glad to see that you haven't lost your good humor.
15:58It's no use bittering me.
16:00That's a good philosophy.
16:02That I would have to apply, because ...
16:04I have the feeling that all this is my fault.
16:07In the end, the one who will end up bitter will be me.
16:10Mr. Baeza, you are not to blame for anything.
16:12No, but I let you get involved in this matter.
16:15I'm a grown-up, Romulo.
16:17Nobody pushed me and I helped because I wanted to.
16:19Yes, but knowing you as I know you,
16:21I shouldn't have allowed myself to go so far.
16:23So I wouldn't have gone to that tavern
16:25to look for that bastard Gregorio.
16:28Yes.
16:30In the tavern, Peque de Torpe.
16:32Yes, no, I'm not very fine.
16:33Neither you nor I.
16:35But me, less.
16:36I should have emphasized that I wasn't there,
16:38because it was dangerous.
16:40Mr. Baeza, you reminded me of him almost every day.
16:42And you don't even care.
16:44You already know me.
16:45Yes, well.
16:46He had a good heart and the will to help others.
16:52I don't know.
16:55What I do know is that now I have ended up
16:57harming myself and my whole family.
17:00How are my parents?
17:01Well, imagine it.
17:02Your mother is very upset.
17:04Your father is moving to Rome with Santiago
17:06to get him out of here.
17:07Today he was trying to talk to a minister.
17:10I hope his friends can help me.
17:12Yes, I trust that this will be the case.
17:15And Hanna?
17:17She's not poor, she's very sad.
17:21When you see her, tell her that ...
17:24that I'm in a good mood.
17:25And that I really want to ...
17:29that I've missed her a lot.
17:31That's how I'll take care of her.
17:33Tell the sergeant to stop looking where there is no one and release him.
17:37Knowing him as I know him,
17:40that man is not going to get tired.
17:42But that is something that can benefit me.
17:45Why?
17:47Because that man is so stubborn that he will not stop
17:50until he finds something to incriminate me with.
17:52No.
17:53And since I am innocent, he will not find anything at all.
17:56And if he keeps looking, in the end he will find a thread to pull
17:59that will lead him to the real culprit.
18:01That's it.
18:03And he will have to set me free at once.
18:12What a rest I've had now that everyone knows that Doña Pia is alive.
18:17Well, yes, it has been a relief.
18:19Well, yes, because before I was always afraid that I would be caught in a resignation
18:23when it came to speaking.
18:25That's true.
18:27And before I had to measure my words a lot.
18:29And you already know that if there is something that I don't like to measure,
18:32it's my words.
18:33True.
18:35And I was also afraid that ...
18:38that someone would cross paths with Doña Pia and think they had seen a ghost.
18:41What a scare, huh?
18:43Yes, yes.
18:46Hanna, are you in what you are?
18:48Well, of course I'm in what I'm in.
18:50No, because I'm talking to you and you're drunk.
18:55María, if I'm answering everything to you.
18:57With a yes, with a no, with a it's not true.
18:59Hanna, please, I know you, huh?
19:01What's wrong with you?
19:03Do you have bad news about your Manuel?
19:05No, it has nothing to do with that.
19:10The Marquis has tried to buy me.
19:13Buy you what? Buy me what?
19:15Offer me money so that I forget about Manuel and leave here.
19:20How much?
19:22What else, María? The important thing is the gesture.
19:24Yes, yes, the gesture and the quarters.
19:28You're right, it's very ugly.
19:30It's very ugly.
19:31You buy furniture, you buy a piece of land, but you don't buy people.
19:38Well, honestly, I was very expecting the Marquis, but not the Marquis.
19:43Well, maybe it was your idea.
19:45Because she will be angry that her son wants to marry a maid.
19:49Yes, I understand that they don't have to be made any fun.
19:53They wanted another Ximena for their son.
19:56But another that lasts longer.
19:58Because this one lasted very little.
19:59María, for God's sake, don't be stupid.
20:01Well, is it a lie or what?
20:03They want a good family lady for their son.
20:06Because that's how the world works.
20:09Well, Manuel and I love each other and we can't help it.
20:12Well, if you have to be together.
20:15Come on, because I'm like the screw and the nut.
20:18That's not very romantic, but I understand you.
20:23What I mean is that you were born to be together.
20:26That's what Manuel says.
20:29He says that now we have to be selfish.
20:31We have to think about ourselves.
20:33Of course.
20:35And here he doesn't like to be made fun of.
20:38You get married.
20:39Each stick holds its candle.
20:41Yeah, but I don't know if Manuel is going to get out of jail soon.
20:45Well, he will.
20:47Because he hasn't done anything.
20:49I don't trust justice very much.
20:52Neither do I, but they are rich.
20:55And justice works best for the rich.
20:57That's also unfair, María.
20:59Well, but the important thing is that he gets out.
21:02And in the meantime, you can go visit him at the barracks.
21:07And that way the wait is shorter.
21:09I'm not going.
21:12Why?
21:13Because Manuel doesn't want me to go.
21:16And who told you that?
21:18The Marquis.
21:20Well, let's see if it's going to be the Marquis who doesn't want you to go.
21:24Because I say that Manuel will be desiring.
21:27Well, you know what? I think you're right.
21:29I'm going to have to find out better about that.
21:36Good night.
21:46Hey, how much did the Marquis want to buy you?
21:49María, for God's sake.
21:51Well, if I just want to know the price.
21:53In case they ever want to buy me.
22:16I'm afraid that at any moment the news gets to Madrid
22:19and a newspaper publishes that my son is in prison.
22:22Well, it won't be because we've kept our mouths shut.
22:24I haven't said anything.
22:25And I'm not going to.
22:27Catalina says that being innocent, Manuel, it doesn't matter what people think.
22:31But I don't think that.
22:33The less known, the better.
22:35Enough with all those who have found out about our requests for help.
22:39Well, we hope that at least one of them will know.
22:42Well, we hope that at least one of them will know.
22:47It's just that an accusation like that about Manuel is...
22:49It's a disrepute that we can't allow ourselves.
22:55Especially with everything that's happened in this house.
22:57Ximena's death.
22:59The young people in the war in Europe.
23:01The murder of the mayor.
23:02You don't have to make all our miseries bigger, darling.
23:05Well, forgive me, Cruz, because I didn't want to bother you.
23:08You're getting there.
23:09Well, I think that all these inconveniences have to be faced with patience and resignation.
23:15It's so easy to talk about patience when it's not your son who's in jail.
23:19I know.
23:20It's just that I put myself in your place and I can't even imagine the suffering.
23:25Besides, people go to gossip like...
23:27Like the vultures to the scourge.
23:30Well, some do.
23:31But I'm sure that with Manuel, many of those who are interested are simply because they value him.
23:36It's just that my cousin is loved by everyone who has met him.
23:39That's true.
23:41Which makes it even more inexplicable that he is accused of such a crime.
23:49Darling.
23:52Are you coming to talk to the cook of our wedding?
23:55I'm ashamed.
23:57You have to see the little word that some have.
24:01I have never found anything like it.
24:03But what happened?
24:05A bastard.
24:06A tough guy.
24:07Don't tell me anymore.
24:08I'm sure he asked for more money.
24:10It's very difficult to find serious people in this country.
24:12No, no, no.
24:13Much worse than that.
24:14He gave me back the signal I gave him.
24:16We don't have a cook.
24:17But why?
24:18If he was going to earn some good quarters, right?
24:20Well, because he says he has to go to America for the rest of the year and that he can't cook for us.
24:24But...
24:25I think they're vultures.
24:27So why do you think it is?
24:29Well, who knows?
24:30Maybe he got another job and they pay him better.
24:35Maybe it's because of everything that happened with Manuel.
24:39Yes.
24:41Yes, it must be because of that.
24:44After all, he cooks for the best houses in the country.
24:47And a matter as ugly as this...
24:49Are you insinuating that what happened to Manuel is spreading out there?
24:52I wouldn't be surprised.
24:54Bad news flies.
24:56And the people of the town probably saw him enter the barracks but not leave.
25:00I'm sure that's why this cook scared you.
25:03Yes, but it's unfair.
25:04We have nothing to do with this matter.
25:06More unfair is that my son is in prison for being innocent.
25:09I'm not denying it.
25:10But for me to be left without a cook for something like this...
25:13You know how people are, Ignacio.
25:15They care more about what is said about them than anything else.
25:20Well, dear.
25:21Don't get like that.
25:23These inconveniences, it's best to face them with a lot of patience.
25:27Like you just said, right?
25:32Well, what are we going to do, Ignacio?
25:35Because now it's very difficult to find a cook who is up to the task.
25:37That bastard has offered to leave everything in the hands of his assistant.
25:40Well, does he have good references?
25:42I don't care about his references.
25:44I want a first-class cook, not a whore.
25:47Well, yes, you're right.
25:49For a cloth, we already have the cooks of the promise.
25:52Hey, my kitchen is one of the best in these places, huh?
25:55Well, I'm not denying it, Cruz.
25:58This is just the beginning.
26:00You don't see it.
26:02Now maybe some guest will back down,
26:04but they will still talk to each other and no one will come.
26:08This can only get worse, much worse.
26:10How different it is when you are the one who gets hurt, right?
26:15I don't want your scandals to affect our wedding.
26:32Do you have a second?
26:33For what?
26:35Have you already talked to the man who left you in the state?
26:38You don't have to be so direct.
26:39Have you talked to him, yes or no?
26:41Because I've heard that he left the farm overnight.
26:43That's right, and that's precisely why I haven't been able to talk to him.
26:49Are you sure that man didn't know what he had done?
26:51Well, of course I am.
26:52The only one who could tell him is me and I haven't done it.
26:55Well, it seems to me that he has found out in some way and that's why he has left.
26:59Are you sure Tadeo hasn't told him anything?
27:00No, Tadeo doesn't know, period.
27:04And how are you going to make Adriano find out?
27:07I'm not going to talk to him.
27:09And I'm not going to go crazy looking for him either.
27:11Catalina, he's going to be a father.
27:13I said no.
27:14You have to tell him.
27:15We weren't dating.
27:16We didn't have a serious relationship either.
27:18For God's sake, you're expecting your own child.
27:20But that was unexpected.
27:22For me he's a stranger and I'm not going to raise a child with a stranger.
27:25That man has the right to know that he is going to be a father and you have the obligation to tell him.
27:29No.
27:30My only obligation is to raise that child as best I can.
27:33Alone?
27:34Aren't you going to give a father to that poor creature?
27:37I already told you, Pelayo.
27:38I want to give him a father but I don't want it to be him.
27:46Look, this is not easy.
27:47I've already made a decision.
27:49Now it's your turn.
27:52I already told you that it is not a decision that can be made overnight.
27:55And I asked you not to make it long.
27:57Because if not, I will have no choice but to carry it out on my own.
28:02You would be a bitch, a slut.
28:04I already know that.
28:06But I prefer that to having to marry a man I barely know.
28:09Catalina, that's insensitivity.
28:11What would be insensitivity would be to give a man I don't love for life.
28:15Pelayo, now it's your turn to make the decision.
28:20And it will be better if you make it soon.
28:26Okay.
28:42Don Manuel.
28:45Mrs. Pia.
28:48I'm so happy to see you.
28:50I'm also very happy to see you.
28:52I had to solve a matter with Sergeant Burdina and I asked him for permission to visit him.
28:58One moment.
28:59Don't tell me you also have problems with justice.
29:02Well, let's say less serious than his.
29:05He made me sign a sworn statement explaining the reasons why I pretended to be dead.
29:12Sure.
29:15Knowing how scrupulous that man is, the strange thing is that he didn't make you sign a document in which he witnessed that you were alive.
29:20Of course, he's capable.
29:22You don't know how scrupulous he is.
29:24Believe me, I do.
29:26He made me detail the days I was in the cave, how my life was there, the visits I had, everything.
29:32Questions for an hour.
29:34An hour?
29:36Mrs. Pia, if I told you ...
29:39Well, in any case, I wanted to thank him for what he has done for me, for everything, Don Manuel.
29:47You don't deserve it.
29:48What I feel is that now you are in this situation.
30:00Mrs. Pia, you are actually very wrong.
30:03Wrong in what?
30:05The world is a better place without that bastard, but I have nothing to do with his death.
30:10So you don't have to feel bad for me because I'm not in this jail for you.
30:14I'm locked up here for a series of, let's say, misunderstandings that will soon be resolved.
30:23The truth is that it relieves me to know, although I also feel sorry that you are here for an injustice.
30:33Don't worry, I'm convinced that sooner or later you will find out the truth and the murderer.
30:40I'm sure I will.
30:44Well, and now I'm leaving because I promised Sergeant Burdina that I would be a few minutes and that's it.
30:50Yes, of course, of course.
30:52Mrs. Azar, can Mrs. Hanna tell you that I have missed her?
31:02Of course, it will be very hard for you to be separated from her.
31:08Yes, and more knowing that at this point we should be married.
31:11I've heard something like that, but I'm sure it will come out soon and you can get married right away, you'll see.
31:17I assure you that it is the first thing I will do as soon as I get out of here.
31:20Say what my parents say.
31:22Well, as long as they only say and don't do anything.
31:29I also fear that my mother will retaliate against her.
31:33But you know something?
31:35No matter how many stones they put in your path, they will not be able to separate us.
31:38I am very happy to see you so encouraged, Mr. Manuel.
31:42I have a woman who loves me and I love her madly.
31:46And I think love is the most powerful weapon that exists.
32:07I love you.
32:26What are you up to?
32:28You seem very thoughtful.
32:30I've been half asleep and I've tried to clear myself with the piano, but without success.
32:39And that little smile you have?
32:42Has something funny happened that you should tell me?
32:46Do you think that if someone is happy about other people's misfortunes, they become a bad person?
32:53It depends on who is suffering more.
32:56Tell me about Ayala.
32:57Where is Ayala?
33:00He has run out of money for the wedding banquet and you don't know how he is.
33:04You are a bit malicious.
33:06But why are you so happy?
33:08I know that the count is not a saint of your devotion, but in the end he is going to marry your mother.
33:13Yes, and I want my mother to be happy and I understand perfectly well that she does not want to remain a widow forever.
33:19So?
33:22Well, I've never trusted that man's intentions, really.
33:28But apparently your mother does trust him and you can't do much against that.
33:33I think my mother was so sad about my father's death that she didn't see him coming at the time and now it's too late.
33:42And you couldn't do anything to open his eyes before?
33:45No. And look, I tried a thousand ways.
33:49What did you do?
33:52Right now I don't feel like talking about that topic, but I assure you that I did everything I could.
33:57Well, I don't blame you anymore. You know that whoever does what he can is not forced to do more.
34:02Well, yes, let's think about that.
34:05Besides, your mother is a sensible woman. If she is going to marry that man, it is because she thinks he will make her happy.
34:10And I hope so.
34:13My God, lately weddings have been taking us by surprise in this palace.
34:18For me, my mother's wedding with the count of Ayala and for my uncles, Manuel's wedding with Hanna.
34:23Do you think she will marry that maid?
34:29If my cousin has been told between eyebrows, I assure you that yes.
34:33I see. And what do you think of her? Have you treated her a lot?
34:40Well, what can be treated to a maid, but she is a good girl.
34:45And to trust?
34:47I would say yes.
34:48I see. And does she get along with everyone in La Promesa? With Catalina, with Curro ...?
34:56As far as I know, yes. Well, I hate Petra, but she is a very difficult woman to deal with.
35:04She has dressed her like that.
35:06Although it is true that right now my uncles will not be able to see Hanna.
35:10Look, my aunt never swallowed her.
35:14And that?
35:16Because my aunt is like that. When someone goes through her, there is nothing to do.
35:20And Hanna went through her from the first moment.
35:23She said she was shameless.
35:27And she gets along with Curro.
35:30If you have asked me.
35:32Oh yeah? Sorry, I'm still half asleep. I think I need a coffee.
35:38But answering your question, I think Curro gets along better than well.
35:42Because, well, he was injured in an accident during a hunt.
35:48And she donated her blood to save him.
35:51Wow.
35:53And she even helped the doctor during the operation. So you can say that she almost owes him her life.
35:59Sure.
36:01Well, then it is understandable that they get along so well.
36:06Come on, let's go for that coffee. Because I don't notice you very well.
36:13And that's what you're going to do, Catalina. Don't tell your son's father anything.
36:19I guess you understand my temper.
36:22I'll take care of it, sir.
36:25What would you do in my place?
36:28Well, I don't dare to advise you on such a delicate matter, sir. I don't think it's the right person.
36:33But I'm interested in knowing your opinion.
36:36All right, then.
36:38If I had to tell you something, well ...
36:41Let him decide what he decides.
36:43Let him think it over.
36:45It is a step that will mark the rest of his life, sir.
36:48I am aware of it.
36:50Becoming the father of someone else's son is not easy.
36:55No, at least not for me.
36:57No, not for anyone.
36:59Think that when you look at that child, you will not see his features in him.
37:02And that will remind you that he is the son of another.
37:05I don't know, I don't know.
37:07And paternity itself is complicated.
37:10I tell you from experience.
37:12Do you have problems with your son Santos?
37:15Well, we could get along better.
37:18That does not mean that I am not willing to do anything for him.
37:23Well, I guess like all parents.
37:26Well, look at the madness that Mrs. Adarre has committed, right?
37:31Go on, go on.
37:33No, I was not going to say anything of interest, sir.
37:36Don Ricardo, if you think that I am not aware of Mrs. Adarre's bullshit, you are wrong.
37:41You already know.
37:43News like that runs like the dust.
37:46I suppose you will be happy on the ground floor, right?
37:49Yes, of course.
37:51And you are not happy?
37:53Of course.
37:55Only I would have liked Mrs. Adarre to have been aware of what was happening.
38:02You look hurt.
38:03Because I am, sir.
38:06Well, Don Ricardo, think that something like this should be known to few people or it would not be feasible.
38:11I know, I know, sir.
38:13But I think I deserved to be one of those few people who were aware
38:17and have saved myself suffering everything I have suffered thinking that I had died.
38:20Did you have a lot of friendship with Mrs. Adarre?
38:26Let's say it was more than friendship.
38:30She was not aware.
38:32Well, all this happened when you had already left.
38:35And it's not that we got very far.
38:38But I thought it was special.
38:41Although after discovering what Mrs. Adarre had done and that she had left me aside, well ...
38:49Well, I think I was wrong.
38:52I understand you perfectly.
38:54I understand you perfectly.
38:57It is not always balanced in couples what they feel about each other.
39:02I feel ...
39:04betrayed, sir.
39:07We are already two, Don Ricardo.
39:10We are already two.
39:18Ah, Miss Expósito.
39:20Have you seen Mr. Pellicerijo?
39:23I'm looking for him to send him a message, I can't find him.
39:26No, no, sir.
39:28I'll go to the fire station to see if he's there.
39:31Has something happened?
39:33No, no, but hey.
39:35I want to take the opportunity to give you a message.
39:39A message? From whom?
39:42From Don Manuel.
39:44Have you been to visit him at the port?
39:47Yes, I have gone and I have seen him.
39:49And he has asked me to tell you that he misses you very much.
39:55And how did he find him?
39:57Well, in a good mood, given the circumstances.
40:01Don Manuel is a strong man, it will be very difficult for him to give up.
40:05I wish I had his temper.
40:07I think you have it, miss.
40:09Well, lately not much.
40:12Has something happened?
40:15You know you can trust my discretion.
40:19It's ...
40:21It's the Marquis.
40:23I would never have imagined that he was going to take it so badly that his son would want to marry me.
40:28That's because he doesn't know the world of gentlemen.
40:31In that world they are dedicated to looking for good marriages for their children,
40:35to get alliances and to secure their estate.
40:39And I have squandered all his plans.
40:41That's it.
40:43I have been an illusion.
40:45You know that Mr. Marquis has tried to buy me and offer me money so that I leave here and forget about Manuel.
40:51And I have also tried to lie to myself about one thing.
40:54In what?
40:56He has told me that Manuel does not want to see me.
40:58And I think he told me to separate.
41:00I think in this case you are wrong, Miss Espósito.
41:03The Marquis has told you the truth.
41:05Because Manuel was not going to want to see me.
41:07I myself insisted that he allow me to go visit him.
41:11But you know how proud he is.
41:12He didn't want to be seen in that circumstance.
41:15But if I just want to be with him, that's all.
41:18Soon you will be together.
41:20Mr. Manuel is innocent and this cannot last long.
41:24God forbid.
41:26And hopefully soon they will find the one who killed that man.
41:29They will do it, won't they, Mr. Hueso?
41:32It is possible.
41:34More than possible.
41:37I think it is certain.
41:39I think it is certain.
41:51So we have been left without a cook.
41:53You see how little seriousness people spend.
41:56Let's see, aunt, it's a problem, but compared to everything that is happening in La Parmesa, it seems to me to be a minority.
42:01Amen, cousin.
42:03Well, I know it's not serious, but we can't spend the day talking about Manuel either.
42:06Nor about his wedding, which you are the only one interested in.
42:10Well, and about Contreras.
42:12Daughter, don't be insolent, please.
42:14No, I'm sincere.
42:16And also, let me tell you that that wedding is a bit cursed.
42:18Because everything that can go wrong, goes wrong.
42:20Martina, don't be silly.
42:22I'm serious.
42:24I think it's a sign that the universe is sending him to think it over better.
42:26Turns out you believe in superstitions.
42:28Well, call it whatever you want, but I would give more thought to that wedding of his.
42:33No, don't go back with that Martingala.
42:34Are you listening to him, Catalina?
42:36Well, it's just that ...
42:38What?
42:40That you think the same as your cousin?
42:42No, not exactly, but seeing how he got on when he found out he wasn't going to have a cook,
42:46it came to mind a story by Doña Emilia Pardo Bazán.
42:51Damn, what does that story have to do with me?
42:54I'll summarize it for you.
42:56It's about a good family girlfriend who, on the wedding day, says no to her boyfriend.
43:00I like how it starts, hey?
43:02Well, shut up.
43:04Let's see how that story continues.
43:06Well, it's a big scandal.
43:08Because no one knows why she refused to get married.
43:11More than anything, because she didn't give explanations at the time.
43:14But she would end up giving them at some point, I say.
43:17Yes, at the end of her life she confessed that before the wedding,
43:20she had been told that her boyfriend was a choleric man.
43:22But she had never seen him angry,
43:24so she thought they were infidels.
43:26And she didn't tell him?
43:28No.
43:30And what was it?
43:32The point is that on the day of the wedding,
43:34she put on the wedding dress he had given her,
43:36got hooked and tore part of the lace.
43:40And he didn't take it well?
43:42He became a basilisk.
43:44Then she was able to prove that everything they had told her about him was true.
43:48And she refused to marry him.
43:50Are you comparing me to Ayala's anger
43:52for having lost the cook with this?
43:54Well, yes, aunt.
43:56In addition, in the comparison, the count loses,
43:57because a dress, on the day of the wedding,
44:00cannot be fixed.
44:02But from here to you getting married,
44:04they find another cook.
44:06Very well said.
44:08Think about it for a moment.
44:10If she gets like this because of that animosity,
44:12what will she do when the real evil comes?
44:27Come on.
44:57What are you doing?
45:18I have to go.
45:28Hi, Maria.
45:30Hi.
45:32I'm going to rest a little.
45:35You know,
45:37this morning I read a joke in the newspaper yesterday.
45:39I'll tell you.
45:41Well, if you're looking forward to it.
45:43Well, look, there was a couple talking
45:45and the woman says to her husband,
45:47my God, what a strong character my sister has.
45:49She just likes to argue.
45:51To which the husband responds,
45:53well, if she likes to argue so much, why doesn't she get married?
45:55No, it's funny.
45:59It's not bad.
46:01It doesn't seem like it because she hasn't laughed at you.
46:04I don't know, it's just that...
46:07I'm not in the mood.
46:09And that?
46:11Did Mrs. Arcos throw any dust in your face?
46:13No.
46:15It's just that today is one of those days
46:17when I was supposed to meet my boyfriend Salvador,
46:19to see each other.
46:21And in the end, nothing at all.
46:22And why did you meet?
46:24Well, because it happened to me to sign,
46:26and he did too,
46:28and one way or another I messed up the house.
46:30And it's been a long time since you've seen him?
46:32Too long.
46:34Last week we were also going to see each other
46:36and it couldn't be either.
46:38And that?
46:40Well, because he only had a free time
46:42and I didn't have a good time either
46:44and we let him be.
46:46And I don't know if it was because of homework
46:48or laziness, but
46:50the point is that we don't see each other.
46:52Well,
46:54what you have to do is
46:56set a date and respect it.
46:58Yes, of course.
47:00If Maria Mandrajo respected the shifts
47:02and didn't show up from one day to the next
47:04with a new homework,
47:06then yes.
47:08Well, I'm sure that next Sunday
47:10you'll be able to meet.
47:12I hope so.
47:14If he doesn't have a dinner or a meal
47:16or a trip.
47:19That's it.
47:21I'm going to see what they send me now.
47:24Wait!
47:28I wanted to thank you.
47:30Why?
47:32Well, I know that Teresa has told you about...
47:36You know.
47:38Yes, I know.
47:40Well, that's what I wanted to thank you for.
47:43That you haven't said anything and that you're so discreet.
47:46Of course I haven't said anything.
47:47I'm not even going to say it.
47:49You're not naturally quiet,
47:51but you know how to keep a secret.
47:53Teresa told me that she could trust you.
47:55Teresa is a very good friend of mine.
47:57And I deserve everything I do for my friends.
48:00I'm glad to see that Teresa has good friends.
48:03She deserves it.
48:05She's a gem.
48:07Yes, I know that perfectly well.
48:09You rich people think you can buy everything with money.
48:13But how dare you enter my room like this, shameless?
48:17I've come to return your rooms.
48:19Not everything is for sale, Marquesa.
48:21Of course, I'm not.
48:28Good morning, Mr. Arcos.
48:30What a surprise.
48:32I was expecting you.
48:34I'm sorry.
48:35Good morning, Mr. Arcos.
48:37What a surprise.
48:39I thought I'd never see you again.
48:41I'm sorry to have disappointed you.
48:43I don't understand why you had to come to lighten up the whole service.
48:47And you shouldn't have been welcome to the promenade.
48:49Even if it was only because between her and Mr. Baeza,
48:51we were all deceived.
48:53Have you seen her like me?
48:55Vera needed time to make the Duchess of Carril look like a donkey.
48:58I don't know about that.
49:00But I admit that there's something strange about Vera.
49:02It's as if she had an eye for the Duchess of Carril.
49:05I'm going to follow him.
49:07I'm going to get Manuel out of that dungeon
49:09and I'm going to find a way to make Hanna leave the promenade.
49:11At the rate you're going, you just need to send a mercenary to scare him.
49:14Don't be ridiculous.
49:16Ridiculous?
49:18But you just showed him the letters we have.
49:20I need you to talk to Miss Julia and clear things up.
49:22Now they can't find out that we're siblings.
49:24Yes, I know.
49:26Just now, with Manuel detained, it's not good for us.
49:28To open new fronts.
49:30A network of lies has been woven around Mrs. Darre in this palace.
49:33Don't be silly.
49:35Why do you say that?
49:37It's obvious
49:39that it was you who brought here
49:41the ungrateful Gregorio.
49:43Do you know what I'm telling you?
49:45That boy should kiss the ground you're stepping on.
49:47Do you understand?
49:49It's just that...
49:51things have happened that you don't know about.
49:54I've made a very serious mistake.
49:56I say, why do you always have to cover up everything around you?
50:00You told your son that his mother...
50:02I know exactly what I told my son.
50:03Why do you have to get involved in a matter
50:06that doesn't concern you at all?
50:08What do you need from me this time?
50:11Well, you see, Mr. Lujan,
50:13there are a couple of matters
50:15that are of great interest to me.
50:19You see...
50:21I'm serious.
50:23Look, I was with Manuel in the front.
50:25And I know what he's capable of.
50:27And I would never do something like that.
50:29Unless he had no other choice.
50:31And it would have been logical for him to do it.
50:33I shouldn't have allowed him to get so involved in this matter.
50:36No, not this matter, Mr. Baeza.
50:38My matter.
50:40My life and my son's were in danger.
50:42And now I'm worried about the luck that Mr. Manuel may have.
50:44Let's trust justice,
50:46although sometimes it doesn't give reasons for it.
50:48Are you insinuating something?
50:50I am stating that they have been carrying out management
50:52at the highest level.
50:54And I don't want them to get in the way.
50:56What do you mean exactly by that?
50:58Whatever they do,
51:00their son Manuel may spend a long time in jail.
51:03♪