La promesa - Temporada 3 - Ep 439
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00:00♪♪♪
00:09Milagro.
00:11Buenas tardes, Catalina.
00:14¿Cómo estás?
00:16Bien, bien.
00:17¿Seguro?
00:18Sí, sí, no es nada.
00:20♪♪♪
00:23Es simplemente que...
00:25le encargué algunas cosas a Ricardo
00:26y acabo de caer en que se me olvidó pedirle algo más.
00:30¿Algo más?
00:31Sí, una tontería sin importancia.
00:34No me cuadra.
00:36O es una tontería o es algo tan urgente
00:38como para que no tengas ni un momento para estar conmigo.
00:41Deja eso para después y vamos a dar un paseo.
00:44Te vendrá bien un poco de aire fresco.
00:47Catalina, lo siento, pero no me apetece.
00:50Tenemos asuntos de los que hablar.
00:53¿Qué mejor manera que abordarlos en el campo,
00:55lejos de ojos y oídos indiscretos?
00:59De verdad que no.
01:01Catalina, qué alegría encontrarte.
01:03¿Qué, Margarita? ¿Quiere algo?
01:06Bueno, quería hablarte sobre el libro que me comentaste.
01:09Si no interrumpo nada, claro.
01:10No, no, por supuesto que no.
01:12De hecho, yo tengo unos asuntos pendientes y ya me iba.
01:15Catalina.
01:19¿Seguro que no molesto?
01:20No, claro que no.
01:22¿A qué libro se refiere?
01:24Al de Emilia Pardo Bazán. ¿Qué me dijiste?
01:26El encaje roto.
01:28Bueno, no se trata de un libro, es más bien un relato corto.
01:31Un cuento.
01:32No, me parece a mí una historia para niños.
01:34No, es ese tipo de cuento.
01:36¿Y qué te parece si te vienes a pasear conmigo y hablamos de ello?
01:39Quiero dejar la lectura de una novela muy aburrida que estoy leyendo
01:42y que me des alguna recomendación.
01:44Claro, claro, sí. Yo iba al jardín.
01:47Perfecto, entonces...
01:53¿Vamos?
01:54Sí, sí, sí.
02:18¿Tienes algo que decirme acerca de esto?
02:21¿De dónde lo has sacado?
02:23Me lo ha traído Hanna.
02:25Le ha faltado poco para arrojármelo a la cara.
02:27¿Cómo se te ocurre hacer algo así?
02:29Quedamos en que teníamos que librarnos de ella.
02:31Sí, pero no de un modo tan obvio.
02:33Mi padre decía que hay muchas maneras de despellejar a un gato.
02:36Pues tú has elegido la peor de todas.
02:38Al menos lo he intentado.
02:40No lo solucionarás con dinero, Alonso.
02:42Tendrías que haberle visto la cara cuando ha irrumpido en mi alcoba.
02:45¿Y cómo lo prometiste?
02:46Porque tiene la sartén por el mango, gracias a ti.
02:49¿Es que no te das cuenta?
02:51Esa muchacha sabe perfectamente que casándose con Manuel
02:54tendrá muchísimo más dinero del que tú le puedas ofrecer.
02:56Perfecto, ¿entonces qué podemos hacer?
02:58Pues no lo sé.
02:59Pero esperaba más decisión por tu parte.
03:02Solo intento que se marche de la provisa antes de que Manuel salga de su encierro.
03:05Pues largo me lo fías,
03:07visto el empeño que le estás poniendo a lo de Manuel.
03:09Estoy haciendo todo lo que está en mi mano.
03:11Pero todo son negativas.
03:13Alonso, eres el marqués de Luján.
03:15Por el amor de Dios, no debería ser tan difícil para ti convencer a alguien de cualquier cosa.
03:19Voy a conseguirlo.
03:21Voy a sacar a Manuel de ese calabozo.
03:23Y voy a encontrar la forma de que Hanna se marche de la promesa.
03:25Al ritmo que vas solo te falta mandarle un mercenario para que le dé un susto.
03:28No digas barbaridades.
03:29¿Barbaridades?
03:31Pero si le acabas de enseñar las cartas que tenemos.
03:33Vamos, que me estoy preocupando.
03:35No sea que lo estés haciendo igual de bien con nuestro hijo.
03:38Cruz, basta.
03:39No tienes ni idea de lo que estás diciendo.
03:41Si sabes cómo deshacerte de Hanna, hazlo.
03:44Pero no pongas en duda mi interés por traer de vuelta a mi hijo.
03:47¡No lo hagas!
04:02Buenas noches, señora Arcos.
04:06¿Por qué me mira de ese modo? ¿Le he hecho algo malo?
04:08No lo entiendo, señor Baeza.
04:10Yo creo que sí.
04:12De un tiempo a esta parte está más distante conmigo de lo que acostumbra que ya es decir.
04:17Distante.
04:19Bueno, eso es por decirlo de una manera suave. Seca, fría, agria.
04:24Vaya, y esa es la manera que tiene usted de arreglarlo.
04:29Faltando con esos calificativos.
04:31Lo que yo no quiero arreglar, lo que quiero es saber la verdad.
04:35La verdad.
04:37Así que usted quiere conocer la verdad.
04:41Pues escúchame entonces, señor Baeza.
04:45En este palacio se ha tejido una red de mentiras alrededor de la señora Darre.
04:49Y yo he sido la última en enterarme.
04:52No será la tonta, que no tiene que ver con usted.
04:55¿Cómo dice?
04:57Que usted sospechaba desde el principio que la señora Darre estaba viva, pero eso no le gustaba.
05:03¿Por qué dice eso?
05:05¿Me va a hacer verbalizarlo?
05:09Son acusaciones demasiado graves, señor Baeza, como para hacerlas pasándose en la nada.
05:14Está claro que fue usted quien trajo de vuelta al indeseable Don Gregorio.
05:22Como podrá usted imaginar.
05:24Don Gregorio no precisó de mi ayuda para salir de la cárcel.
05:27No, pero sí para introducirlo en palacio sin ser visto.
05:31A pesar de que todo el servicio estaba atento para retenerle.
05:36Usted desvaría.
05:38Y no tiene pruebas.
05:40Tiene razón. Puede que en un principio no hiciera eso.
05:43Pero cuando al señor Castillo le hicimos creer que la señora Darre estaba muerta, entonces sí.
05:49Pero ¿cómo que el señor Castillo ha estado en la promesa?
05:53Lo vio María Fernández.
05:54¿Cuándo?
05:55Hace un instante bajó a por un vaso de leche a la planta de servicio y lo vio hablando con doña Petra,
06:00que estaban en las escaleras que dan al jardín.
06:03Hizo todo lo posible para ocultarlo, pero sí, alguien le vio.
06:08Alguien de quien estoy convencida, usted no me va a revelar la identidad.
06:13¿Para que usted la tome contra esa persona?
06:16Desde luego que no.
06:17Pues esa persona miente.
06:20Pero aunque estuviera lo cierto, no hay nada que reprochar, señor Baeza.
06:24Porque ese hombre tenía derecho a saber la verdad.
06:27Pues entonces tampoco hay nada que reprocharme a mí,
06:30porque yo tenía que evitar a toda costa que usted confirmara que la señora Darre estaba viva.
06:36Yo tendría que haber estado al tanto.
06:38Porque usted, con ese absurdo complot, ha puesto en peligro la seguridad de esta casa.
06:43El marqués estaba al tanto de todo y con eso es más que suficiente.
06:46Ya, está claro que todo el mundo lo sabía.
06:49El marqués, usted, María Fernández, incluso la revista de Jana.
06:52Sí, sí, las dos estaban a mi servicio.
06:55Cumplían mis órdenes, como debe ser.
06:58No las justifique.
07:00Porque yo tendría que haber estado al tanto de sus movimientos.
07:03Solo ahora entiendo esas salidas adesoras y su estancia en la casa del duque de San Rafael.
07:08Sí, don Gabriel López Carrillo, duque de San Rafael, coronel del glorioso ejército español.
07:16Una excelente excusa creada exclusivamente para usted.
07:20Vaya, me voy a tener que sentir halagada.
07:24Que me reproche que no le informara de lo de la señora Dar, me parece simplemente ridículo.
07:31No le voy a perdonar jamás esta ofrenda, señor Baeza.
07:34Vaya, por Dios. Tendré que vivir con ello.
07:39Creo que ya nos lo hemos dicho todo.
07:43Pues entonces, me retiro a descansar.
07:54Día 2
08:12Buenos días, sargento.
08:20Buenos días.
08:22Espero que este café esté tan rico como es que te ha servido esta mañana.
08:26Este lo ha preparado el cabo para los compañeros.
08:30Si le traigo ese café es por su buena disposición.
08:34Ya sabe que soy el primer interesado en colaborar y que se aclaren todos estos asuntos.
08:40Muy sensato.
08:45¿Qué necesita de mí esta vez?
08:48Pues verá, señor Luján, hay un par de asuntos que llaman poderosamente mi atención.
08:56¿Usted dirá?
08:58Me refiero al hecho de que comprara dos billetes de tren para el expreso que va a Madrid.
09:04Y al hecho de que sacara una importante cantidad de dinero del banco.
09:12Entiendo que esos asuntos llamen su curiosidad.
09:16Verá, he estado preguntando aquí y allá y tengo entendido que no es usted muy dado a visitar la capital.
09:26No, lo cierto es que no.
09:29Pues la unión de ambos elementos me ha hecho pensar, fíjese por dónde, que tenía pensado un plan de fuga.
09:47Verá, comprendo que se haga esa pregunta.
09:53Y sí, tenía pensado fugarme.
09:57Pero no es la clase de fuga que usted cree.
10:02Ilústreme.
10:04¿Qué clase de fuga era entonces?
10:07No sé.
10:10Ilústreme.
10:12¿Qué clase de fuga era entonces?
10:16No tenía pensado fugarme de la justicia, sargento.
10:20Era algo más romántico.
10:23¿Un encuentro clandestino?
10:25No.
10:27Verá, estoy enamorado de una mujer.
10:30Y mi intención era casarme con ella en secreto e irnos a Madrid.
10:35¿Y el motivo de que hiciera todo esto en secreto es...?
10:41Pertenecemos a clases sociales distintas.
10:44Y mis padres no aceptan esta relación.
10:49¿Estaban sus padres al tanto?
10:52Entonces no.
10:54Ahora sí.
10:57Verá, don Manuel.
11:00No es que ponga en duda lo que dice,
11:03pero convendrá conmigo en que este relato es muy oportuno.
11:07No es ningún relato.
11:09Es la verdad.
11:11Pregunta al padre Samuel si quiere.
11:13Ah, sí.
11:15El sustituto de don Fermín, recién llegado a Luján.
11:19Tengo entendido que aún no conoce a la mitad de sus feligreses.
11:22Lo sé.
11:24Por eso era perfecto para mi plan.
11:26Mi intención era casarme en secreto, viajar a Madrid y consumar mi matrimonio.
11:31Así, a la vuelta, mis padres ya no podrían oponerse.
11:35Entiendo.
11:37¿Y qué salió mal?
11:42Mi madre se enteró de todo.
11:44Vaya.
11:47¿Y entonces todo ese dinero era para pasar la luna de miel en Madrid?
11:53No, sargento.
11:55No tenía ninguna intención de pasar una luna de miel de lujo en Madrid.
11:59Ese dinero, como ya le he dicho otras veces, era para Gregorio.
12:03Para que dejase en paz a doña Pía de una vez.
12:05Claro. Así que solo era para el soborno.
12:09Prefiero llamarlo incentivo.
12:11Para que pudiese empezar una nueva vida lejos de ella.
12:15Un incentivo muy generoso.
12:18Resultaba más barato acabar con él.
12:22Acabar con él nunca fue una opción, sargento.
12:25Y ya se lo he dicho.
12:27Cuando me fui del matadero, Gregorio todavía seguía con vida.
12:31Puede preguntármelo mil veces, si quiere.
12:34Porque mil veces le daré la misma respuesta.
12:39¡Ay, ay, ay!
12:41¡Alegría más grande tenerla aquí con todos los que hemos penado por usted!
12:45Siento mucho el sufrimiento que te ha causado.
12:48No se apure, doña Pía.
12:50Que todo eso se compensa con la alegría de verla tan viva.
12:54Además, sabemos de sobra por qué tuvieron que organizar esa argucia.
12:58Porque es que aquí hay personas que no son muy de fia, ¿sabes?
13:02Buenos días, señor Arcos.
13:04Buenos días.
13:06Qué sorpresa. Pensé que nunca más volvería a verte.
13:10Vaya, siento mucho haberla decepcionado.
13:12Y no se preocupe, que es una visita de cortesía.
13:14Pues ya podría quedarse, doña Pía.
13:16No, no, todo a su debido tiempo, María.
13:18Pues sí, que ya solo verla vivita coleando es una alegría.
13:21A mí me parece un sueño, doña Pía. Me parece increíble que esté aquí.
13:24De hecho, hasta que no la toque no me lo voy a creer.
13:28¿Estáis vivos?
13:30De hecho, hasta que no la toque no me lo voy a creer.
13:33Estoy viva, Lope, estoy viva. Hasta a mí me cuesta creérmelo.
13:37De tanto que no está.
13:39Y después del infierno que ha vivido.
13:41Y encima estando lejos de su hijo, Dio.
13:43Desde luego ha sido lo más duro.
13:45El encierro en la cueva, el miedo, eso como que lo podía sobrellevar.
13:49Sí, es lo peor que le puede pasar a una madre. Estar lejos de sus hijos.
13:53Ya lo sabe usted bien.
13:54Doña Pía, me acuerdo cuando entré en la habitación y la encontré tirada en el suelo tan tiesa.
13:58Lo siento mucho, Vera.
13:59Lo sentaba tan frío.
14:01Quería sentir su calor.
14:03Siento mucho el daño que se haya podido causar y ojalá hubiera podido hacerlo de otra manera,
14:07pero es que no sabía cómo.
14:08No se fustigue usted más, señora Darre.
14:10Yo no la conocía de muerta.
14:12Pero me alegro de que no la esté.
14:14Vamos, que me alegro de que esté viva, ¿ya me entiende?
14:17Lo entendemos de sobra, Marcelo.
14:20Pues eso. Lo que quiero decir es que aquí todos le echaban mucho de menos.
14:23Muchas gracias, Marcelo. Y encantada de conocerte.
14:26¿Y doña Pía no se va a quedar?
14:28Sí, quédese.
14:30Ojalá pudiera, pero no es tan fácil.
14:32Tengo que hablar con los señores, que son quienes tienen la última palabra.
14:35Seguro que ellos van a estar encantados de que usted vuelva.
14:37Bueno, con todo lo que está pasando con don Manuel, no sé si es el mejor momento para planteárselo.
14:42Tiene usted toda la razón.
14:44Que tiene mano a sombra el asunto.
14:46Y yo, en cierto modo, me siento culpable, Simona.
14:49¿Usted por qué?
14:50Pues porque Gregorio vino a esta casa buscándome a mí, Teresa.
14:53Y por eso don Manuel se implicó y ahora lo relacionó con la muerte.
14:56Vamos, que la han echado muerta encima. Nunca mejor dicho.
14:59Candela.
15:00Perdón. A lo mejor no es una presión muy acertada.
15:04Oigan, por cierto, ¿saben dónde está el señor Fallecer?
15:08No.
15:09No, no, no tengo ni idea.
15:11¿Y cómo está Dieguito?
15:13Pues para comérselo con patatas, María.
15:16Denos más detalles. Debe estar hermoso como un ternero.
15:20Se llevaría un alegrón cuando la vio después de tanto tiempo.
15:23Se le salían los ojos de las órbitas. Yo creo que ni se creía que era yo.
15:27Y yo la abrazaba más de menos que el comer.
15:29Y yo a él más que al respirar, Candela.
15:50¿Qué pasa?
16:09Hanna.
16:17¿Tienes que subir el ánimo, hermanita?
16:20Ya lo sé.
16:23Yo es que vengo aquí y veo todo lo que estaba trabajando.
16:32Manuel es un hombre lleno de ilusiones y lleno de sueños.
16:36Y yo necesito que salga del calabozo porque necesito que lo cumpla todo, ¿entiendes?
16:41Y lo hará.
16:43Ya lo verás.
16:45Tenemos que confiar.
16:46Ya lo sé.
16:48Ya lo sé.
16:49Ya lo sé.
16:50Es que yo no.
16:56Hanna, ven aquí.
16:58Ven.
17:06Gracias.
17:09Contigo me siento protegida.
17:12Y espera.
17:14¿Qué pasa?
17:16No, no, nothing, nothing.
17:18Corro, what's going on?
17:20Well, yes.
17:23Hanna, I found out that Julia is making inquiries
17:28about how well you and I are doing.
17:31What?
17:32And I asked Martina directly.
17:35And also some lackeys.
17:37But why?
17:39Well, I don't know. I guess she saw something.
17:42Something like the hug we just gave each other?
17:47It is true that lately we have lowered the guard too much.
17:50With everything about the wedding and everything about Manuel, well ...
17:54Corro, it would not be good if they found out about us.
17:56Neither for you nor for me.
17:58It is true that I ...
18:00I have my head elsewhere.
18:02I know, I know. And I'm sorry.
18:04I shouldn't have told you anything.
18:06I need you to talk to Miss Julia and make things clear.
18:10Now they can't find out that we are brothers.
18:12Yes, I know.
18:14Especially now that Manuel is detained, it is not good for us.
18:16There will be new fronts.
18:18I have enough with what I have, Corro.
18:20On top of that, I have to face the Marquises alone and ...
18:23They are not making it too easy for me.
18:26What?
18:28Why do you say that?
18:30Because they have offered me money to get me out of here.
18:35Are you serious?
18:38I'll talk to them.
18:39No, Corro.
18:40Yes.
18:41No.
18:42Don't complicate things any more.
18:44Right now we just have to think about Manuel.
18:48By the way, I don't even know how he is.
18:51Well, that's why you don't suffer anymore, sister.
18:54This afternoon I'm going to see him.
18:56Really?
18:57Yes.
18:58I'll see how he is and I can give him the message you want me to give him.
19:02Can you tell him that I want to go see him and ...
19:05And that I want to talk to him?
19:07Miss Catalina told me there was no problem,
19:09but it looks like Manuel doesn't want you to go.
19:13I'm sure it's not that he doesn't want you to go.
19:16It's just that ... he won't want you to see him in that situation.
19:21Corro, if I just need to talk to him and give him strength ...
19:25It will come out of this, Hanna.
19:28They have no proof against him.
19:31Um ...
19:32There's something I haven't told you, Corro.
19:37Gregorio and Manuel met the same day he died.
19:42What?
19:44Manuel was helping us protect Doña Pia from that monster.
19:49So ...
19:51Is it true what they say?
19:52That Doña Pia did not die and that man came to look for her?
19:55Yes. Yes.
19:57Manuel just wanted Gregorio to stay away from her,
19:59so he offered him money to leave.
20:02And ...
20:03Do you think he could have killed that bastard?
20:07Of course I wouldn't have shaken my wrist.
20:11No, no, no, I don't believe you.
20:15Corro, I'm serious.
20:16Look, I was with Manuel in the front.
20:19And I know what he's capable of.
20:20And he would never do something like that.
20:22Unless he has no other option.
20:25Corro, I'm not doubting it.
20:27Manuel told me he hadn't done anything and I believe him because he would never lie to me.
20:31But I'm just saying that ...
20:32Yes, and that you wouldn't blame whoever did it.
20:34And that for people he could be guilty.
20:38And that it would have been logical for him to have done it.
20:41But please don't tell Manuel about all this.
20:43Don't transmit my worries to him.
20:46Right now we have to think about him.
20:49And I need to get him behind my back and support him.
20:55Why don't you give him a letter that I write for him?
21:00A letter?
21:02Yes, I can write it now.
21:05I need to tell him how I feel.
21:08And I also need to tell him that I love him.
21:13Okay.
21:16I love you.
21:23It must have been very gratifying to reunite with everyone again.
21:28Yes, well, at least I was able to explain to you why I did what I did.
21:31Although it has also been shocking, Mr. Baeza, because I was able to know the pain they have gone through
21:36when I pretended to be dead.
21:38I didn't imagine it.
21:39Well, I was more worried about surviving, really.
21:43I assure you that everyone was very distressed.
21:46Yes, well ...
21:48Anyway, everyone appreciates you a lot.
21:51You don't have to be frustrated about that.
21:53Everyone is delighted to see you so happy.
21:55Well, I'll stick with that idea.
21:57With that and that Dieguito is fine.
21:59And that we were finally able to get rid of Gregorio.
22:02And where will they go now that everything is clear?
22:05Will they stay in the cabin? Will they come to the palace?
22:08No, no, no. The boy can't come to the palace.
22:10So I think I'm going to accept the offer Vini has made to me and I'll go with them to his house.
22:15I think it's a very good idea.
22:17I will consider it as a home.
22:19Well, that's where I am now, Mr. Baeza, in forming a home.
22:22And regarding your situation here, I must confess that I have not been able to address the issue with the Marquises.
22:28Well, I understand that this is not the best time, of course.
22:30No, no. Of course not. Everything has been very turbulent since the discovery of Mr. Manuel's relationship with Miss Expósito.
22:36In addition, there is the unjust detention.
22:39Well, I hope it ends soon. By the way, yesterday I went to see him, I didn't tell you.
22:42Ah, no, no, I didn't know.
22:43Yes, to prison. It was a short time and we didn't have much intimacy, but I saw him very whole.
22:47Although he knows everything that comes his way, of course.
22:49I shouldn't have allowed him to get so involved in this matter.
22:52No, not this matter, Mr. Baeza, my matter. My life and my son's were in danger.
22:56And now I'm worried about the luck that Mr. Manuel may have.
22:59Let's trust justice, although sometimes it doesn't give reasons for it.
23:03Why do you say that?
23:04Do I have to remind you how Gregorio's criminal was released after trying to kill her?
23:10Was that justice?
23:13Mr. Baeza, do you know if Mr. Pellicer is there? Because I haven't seen him and I guess he's still angry with me.
23:21Well, I wouldn't know what to tell him. In fact, he is still somewhat resentful of me.
23:26Well, I could tell him that I would like to talk to him.
23:30Look, I'll come to the palace tomorrow at the same time. Tell him I want to see him, please.
23:35Enjoy it.
23:46Simona, I found out what Mrs. Pia has come from. Where is she?
23:51She just left, miss.
23:53What a pity, I wanted to see her. After seeing everything that has had to happen.
23:57Well, well, don't worry. Mrs. Pia will come back, she will visit us and you will be able to see her.
24:02And I guarantee you that she is in one piece.
24:06That woman who does not bury anything or anyone.
24:09Oh, Simona.
24:17It's done, it's done.
24:22Miss.
24:27Simona.
24:37You are not like this because of Mrs. Darri.
24:41You have been with a heartbreak for a few days.
24:49I have tried to get Pelayo back and I can't, Simona.
24:57It was a love affair. It was all for Don Pelayo.
25:05You know what I'm telling you? That boy should kiss the ground you step on, okay?
25:12You are giving him a second chance.
25:16I know.
25:17Well, I do know. Anyone who didn't have a heart as big as yours, I would have sent him to fry asparagus.
25:25But you have known how to forgive him. And that is a virtue that does not abound precisely.
25:36It is that things have happened that you do not know. I have made a very serious mistake.
25:45I can't believe it, miss.
25:49How can that be so serious?
25:55I have to tell you something, something that I have practically not told anyone.
26:04Now you are putting fear in my body.
26:10Tell me what it is. What is happening to you, for the love of God?
26:19That I am pregnant.
26:29Are you sure?
26:34I thought that Count Daniel was a respectful gentleman.
26:37It's just that I'm not pregnant with him.
26:43Oh my God. Oh my God.
26:48Do you see it? Do you see how I'm not as good as you thought?
26:53Don't worry, miss. Here is your Simona for whatever you want, to take care of her.
27:02As always.
27:12Don't worry, miss. Everything will be fine.
27:25Have you ever seen such disgrace?
27:28What's going on this time, miss?
27:30That shameless bitch.
27:32I don't understand, I don't understand, Santo, why she had to come and relieve the whole service.
27:37Does she work here? And the promise should not be welcomed.
27:41Even if it were only because between her and Mr. Baeza they kept us all deceived.
27:45Including you, I suppose.
27:48That's right, I wasn't there either, Santo.
27:50Well, then you should be as outraged as I am.
27:54We are both head of the service and we are not even.
27:58Where is our authority, Mr. Pellicer?
28:03We cannot allow something like this. And we must raise a complaint, Mrs. Cruz.
28:07Because she is also angry because of the betrayal of her own husband.
28:12Why can't you let her be, Mrs. Arcos?
28:15No, we must not. And I'm sure that Mrs. Marquesa will stand by us.
28:20And we must not allow the slur of Pia to return to the promise.
28:24I'm sure that's what she wants.
28:26Why does she always have to get her nose in everything?
28:31What do you mean?
28:33I mean, why does she always have to go smothering everything around her?
28:37I don't do such a thing.
28:39Yes, she does. With Mrs. Darre and my son,
28:42whom she has been slandering with gossips about his mother's death.
28:45They are not gossips. You told your son that his mother ...
28:48I know exactly what I told my son.
28:51Why do you have to get into a matter that neither goes nor comes to you?
28:55Am I interrupting something?
28:57Here, Mr. Pellicer, who reproached me for telling your son the truth.
29:05What are you talking about, Mrs. Arcos?
29:07Well, Mr. Pellicer told his son that his mother had died of tuberculosis.
29:12And a few days ago, you escaped, which had been appendicitis.
29:17Two difficult diseases to confuse, don't you think?
29:21Because in fact, they have nothing to do with each other.
29:24Mrs. Arcos.
29:25Mr. Baeza. Are you also going to blame me for this misunderstanding?
29:29No. In this case, the mistake was mine.
29:32I had a confusion. But that was a long time ago.
29:36You have never been very good at retaining medical terminology.
29:39Don't take me for a fool. Please, Mr. Baeza.
29:42He already did it with the subject of Pia's death.
29:45Mrs. Arcos.
29:46Mr. Baeza. I'm fed up with lies. So please tell the truth at once.
29:51And you tell your son, because the boy has the right to know what happened to his mother.
29:56That boy knows the truth.
29:58His mother died of tuberculosis. The mistake was mine. Satisfied?
30:04Is that true, Mr. Pellicer?
30:06That's right.
30:07He has already heard it. The matter is settled.
30:10So I ask you not to get involved again where you are not called.
30:13And less in other people's conversations.
30:33Curro.
30:47Adolfo.
30:58Here.
31:00I wanted to see how they treated you around here.
31:04Good.
31:06But I'm glad you came to visit me.
31:09Yes.
31:10Is there any news about the investigation?
31:14Well, they don't have me informed on time, but ...
31:18Apparently I'm the main suspect.
31:22Yeah.
31:23That doesn't make any sense.
31:25No.
31:26For Sergeant Burdina, my wedding plans are the perfect cover to hide a crime.
31:31What?
31:33What a jerk. I'm going to talk to him.
31:35Don't even think about it.
31:37Curro.
31:39If you do it, they will end up asking about Hanna.
31:43They will ask who the woman he is going to marry is and ...
31:47I don't want them to get it.
31:49Manuel.
31:54Manuel.
31:55That will be inevitable.
31:57You don't want to expose her, Curro.
32:01Besides, it must be happening already.
32:03She alone in the promise.
32:06I can't be by her side.
32:08Well, you already have yours.
32:13Curro, take care of her.
32:16You are her only support right now.
32:19Yes.
32:24Tell me something else.
32:26How is she?
32:35Well, there is not much more to tell.
32:37That she misses you and that she wants you to leave as soon as possible.
32:41Just that?
32:43And that she drives you crazy.
32:45Come on, Manuel. Don't you want me to get dizzy here?
32:49Besides ...
32:52I wrote you a letter.
32:57Where, surely, I have written you all those beauties you are looking for.
33:08The service was very exciting.
33:10Well, some of them, the truth is that they were scared to death.
33:13It is not easy to assimilate someone to return from their grave.
33:16No, it is not.
33:17And were they very upset to be victims of a deception of that caliber?
33:21No, no, believe me.
33:22The vast majority assumed that, well, it was the right measures given the circumstances.
33:26Thanks to that, Pia, she is alive.
33:28Yes, everyone thought that bastard was capable of anything.
33:31I hope your murder will be resolved soon.
33:34Because my son cannot spend more time in that dungeon.
33:37By the way, Mrs. Adari approached the barracks yesterday
33:41to make a sworn statement before the sergeant and explain his false death.
33:46I understand. And did the sergeant ask about Mr. Castillo?
33:49Well, no. He already made a statement about it at the time.
33:53Unfortunately, this statement will not shed light on this matter.
33:58Let's hope that his testimony will help you.
34:01And he also went to visit Don Manuel to thank him for everything.
34:05I am convinced that as soon as he can, he will do it with you.
34:08It is not necessary. My only interest was to free you from that criminal.
34:12Dead the dog, the anger is over.
34:14I can't agree more, sir.
34:17Gentlemen, Sergeant Bourdina did not know who was coming.
34:21I asked him. Tell my wife that the sergeant is here.
34:25And also let the captain know.
34:30Well, I don't know. I could only tell you a quick dish.
34:33Well, yes. It makes a delicious ratatouille.
34:37I had thought of something a little more elaborate.
34:40I know it's a simple dish, but it's cooked in a truly sublime way.
34:44A sublime dish?
34:46I don't want to despise it, but we can't offer that at our banquet.
34:50Then tell me what you had in mind.
34:53And the Wellington salami?
34:55That already sounds much better.
34:57It makes it delicious.
34:59In addition, the meat melts in your mouth and has that spicy point of the old Dijon mustard.
35:04Perfect.
35:05How is it?
35:06Look, here he comes.
35:08Mrs. Margarita, Mr. Ponde.
35:10You have taken good care of me.
35:12I have called you because we want to make you a proposal.
35:16You tell me.
35:18As you know, Mrs. Margarita and I are going to get married.
35:21And we want to offer a banquet that is worthy of that alliance.
35:25I was aware. I wanted to congratulate you.
35:29The point is that we have decided to dispense with the person in charge of the banquet.
35:34And we want to give you that opportunity.
35:37Me?
35:39Are you serious?
35:41It's fabulous news.
35:43I'm sure you're up for it, Topé.
35:45Thank you, ma'am.
35:46I will do my best not to disappoint you.
35:48I hope so.
35:49Keep in mind that the Florinata of the Malusa Society will attend.
35:52Of course, of course.
35:53It is an honor.
35:55Well, we have no time to lose.
35:57There is a menu to complete.
36:00Do you want us to think about it now?
36:02What a better time, right?
36:04We had thought about Solomillo-Wellington.
36:07What do you think?
36:08Sorry to interrupt, but I have something to tell you.
36:12If it is not urgent, we are busy.
36:14Well, yes, it is urgent.
36:16I had an appointment to go to the barracks to see Manuel,
36:18but due to an incident he had to go before and left without me.
36:21And?
36:22That I am going to go to her.
36:24And I wanted to inform the mother.
36:26But you alone?
36:27Yes.
36:28Well, don't talk to me.
36:30You can't go alone, it's a horrible place.
36:32If necessary, I will accompany you.
36:34But I'm telling you that I'm leaving now.
36:35Yes, probably, daughter.
36:37Ignacio, do you mind?
36:38We can close the menu at another time.
36:41Of course, of course.
36:42No problem.
36:43I'll stay ahead with Lope.
36:45I think it's a perfect idea.
36:47Well, thank you very much, dear.
36:52And thank you too, Lope.
37:03Don't worry.
37:04When I left the barracks, I was receiving his cousin Curro's visit.
37:07We appreciate the difference you have with him.
37:10Don't get confused.
37:11I try to be as fair as I can.
37:13Regardless of what his family is and his position.
37:18What do you mean?
37:19Are you going to treat him the same as if he were a vulgar rapist?
37:23I have come to inform you of the progress of our investigations.
37:27Well, that's what interests us the most.
37:29I don't have good news.
37:32Why?
37:33Speak.
37:34I will not entertain you in detail.
37:36I will only tell you that all the evidence points to your son
37:39as the one responsible for the murder of Don Gregorio Castillo.
37:43My God.
37:44Please, entertain us in detail.
37:48Please.
37:50All right.
37:51Well, to begin with, he confirmed that he met El Finado
37:54the same day of his death.
37:57I only intended to help one of our employees, Mrs. Adarre.
38:00I know.
38:01I already made a statement to Mrs. Adarre.
38:03But how did you allow our son to get involved in such a shady matter?
38:07Cruz, this is not the time to talk about this.
38:09Your husband is right.
38:10Continue, Sergeant.
38:12The suspect has also admitted that he was wearing a short gun,
38:15coincidentally of the same caliber as the one that killed Gregorio Castillo.
38:20In case that wasn't enough,
38:21on those dates he made some strange money movements.
38:25And he also bought train tickets for Madrid.
38:30All of this has an explanation.
38:32That's what he says.
38:33That the money was an incentive for Mr. Castillo
38:36and that the train tickets were to leave Luna de Miel.
38:40But I see myself obliged to verify it.
38:44And...
38:45And?
38:46And I don't want to run into problems to do so.
38:51I am aware that you are a very influential family.
38:54Are you insinuating something?
38:56I am affirming
38:58that you have been carrying out management at the highest level
39:02and I don't want you to get in the way.
39:04What do you mean exactly by that?
39:06Whatever you do,
39:08your son Manuel may spend a long time in jail.
39:25THE END
39:37What are you doing here?
39:38I've already had coffee. I didn't order anything.
39:42Yes, but...
39:43Does Mrs. Margarita usually have tea at this time?
39:46Mrs. Margarita is not here.
39:48She has gone with her daughter to see Manuel.
39:50Wow, I'm so sorry. It's unexpected.
39:53In that case, maybe it would be good for you to have a relaxing infusion.
39:57I don't want anything.
40:00Why do you take care of this? Is there no maid available?
40:07You were aware of Margarita's departure, right?
40:09You didn't come to offer me tea.
40:13You can retire for me, Petra.
40:19I have heard that the preparations for the wedding banquet
40:22don't go too well.
40:24Where do you get that from?
40:26Well, to begin with, I'm surprised that your fiancée is not here with you,
40:31helping you to organize her wedding.
40:34What else can excite a bride more?
40:38And it's curious, Ignacio, how reality sometimes insists
40:41on putting us in our place.
40:45And how it shows us
40:47how little we are for the rest of the world.
40:50Excuse me.
40:57Well, are you going to be hired for the banquet, yes or no?
41:00Well, I don't know, Mrs. Simona. It hasn't been clear to me.
41:03Well, they sent you a call because they want to confirm it, right?
41:06That's what I thought.
41:08They have spoken of a single milestone, Wellington. That's for sure.
41:10I'm not surprised. You are saving this dish.
41:13Worthy of the best banquets.
41:15Come on, come on. You can do it. Your love for Tulope.
41:18Someone who would also love the single milestone is the Duchess of Carril.
41:22It is true. In addition, it is a recipe that does not bring great difficulty.
41:26Next time she comes, we will explain it to her.
41:28Let's see if she comes, because she has not been around for a few days.
41:31What will happen now? When does she give us signs of life?
41:34Maybe she has found out that they have detained Don Manuel
41:37for the murder of Gregorio and does not want to be linked.
41:40There you go. You are absolutely right.
41:42Yes, well, it can be that or anything.
41:44Anything.
41:45Besides, I don't think the family of the Duchess of Carril
41:47has to stay away from the promise to remain impudent.
41:51And how do you know that?
41:53Eh?
41:54Do you know anything about that family that you haven't told us?
41:56No. No, no. I don't know anything.
41:59But all families have their shady and secret affairs under the carpet.
42:02And the Duchess of Carril's, I don't think it's less, I say.
42:05Well, you are the one who is taking things for granted, Vera.
42:09I don't think that under the carpet of the Duchess of Carril
42:11there is anything worthy of mention.
42:13Yes, sure.
42:14Vera, why don't you come with me to the pantry?
42:16I have to get some canned food.
42:19Yes?
42:20Sure.
42:33Come in.
42:37May I, Mrs. Arcos?
42:39Come in, Santos.
42:48I just wanted to know how your day has gone.
42:52Well, it started badly.
42:54Then it got worse.
42:56And only ...
42:58At this moment, it seems that it is straightening a little.
43:02Well, I'm glad for the part I get.
43:07And why did it start so badly?
43:10Well, actually,
43:12the penalties started last night.
43:16What happened?
43:17Well, I had a disagreement with Mr. Baeza.
43:21And now, Santos, what about?
43:25He thinks I'm not trustworthy.
43:29And that's why they kept me away from that stupid plan
43:32of keeping a low profile and pretending to be dead.
43:36But you are the key master of this house.
43:39You must be aware of everything that happens.
43:41Yes, well, it seems that this is not so important.
43:45In fact, your father was not aware either.
43:48And he, like me, is the head of the service.
43:52I suppose he would also blame Mr. Baeza.
43:56Rather, this afternoon they both blamed me.
44:00But that is a ruin, Mrs. Arcos.
44:02So my father would rather stand by his friend
44:05than admit that he was wrong.
44:08Well, Santos, we're not just arguing about that.
44:12What else happened?
44:14If you don't mind, I'd rather not relive that moment.
44:20I'm sorry it was so unpleasant.
44:23It must be admitted that when my father and Mr. Baeza get together,
44:27they can be truly unbearable.
44:29Well, yes.
44:31Because they both insist on defending Pia.
44:34And that woman has not acted precisely honestly.
44:36Of course not.
44:38I still remember the service crying over her death
44:41and my father determined to make that pathetic tribute.
44:45Yes.
44:47And how quickly they have forgotten the pain that caused their false death.
44:51And now they receive her as if she were a real heroine.
44:54See to believe, Mrs. Petra.
44:59I assure you that if she had been a servant,
45:01the one who would have made such a mistake,
45:03no one would have come alive.
45:07Do you think so?
45:09I'm telling you,
45:11the people who go with the truth ahead are doomed to loneliness.
45:16I won't leave you.
45:21But you know that you can always count on me.
45:26I will never leave you.
45:31Thank you, Santos.
45:37Have you seen her the same as me?
45:39It took Vera a long time to make the Duchess of Carría fall from a donkey.
45:42I don't know so much.
45:44She has dropped that the Duchess had troubled matters.
45:47And that, said of a lady, is a very serious accusation.
45:51Has she not referred to her personally?
45:54Well, she has not spoken of the family, which in this case is the same.
45:56I don't know.
45:57But I recognize that there is something strange in Vera.
45:59It is as if the Duchess of Carría had an eye for her.
46:02And why is that?
46:04With how well this lady has always treated her?
46:06Well, no. Very well.
46:08She has always treated her with deference, with a lot of affection.
46:11And Vera, far from showing gratitude, is always with the glass full.
46:15Well, we don't care about that.
46:17Let's finish the eggs for dinner.
46:19Yes, but this is the last one I peel, right?
46:21Yes.
46:22How many are there?
46:30Julia?
46:31Curro.
46:36Have you come to see your cousin Manuel?
46:39And how is he?
46:41The truth is that he does not lose his spirit.
46:44But his situation is getting more and more complicated.
46:47Look at him on the bright side.
46:49He is whole and that means that he trusts that his innocence will be proven.
46:53He is a good man.
46:54Look at him on the bright side.
46:56He is whole and that means that he trusts that his innocence will be proven.
46:59It is a matter of time for things to clear up.
47:02May God hear you.
47:03Come on, Curro.
47:04You have to stay whole too.
47:06And you have to do it for him.
47:07Now is when he needs you the most.
47:10Yeah.
47:11I know. Yes.
47:12But ...
47:16But what's wrong?
47:19Not just because of my cousin Manuel.
47:21That I am so restless.
47:22No.
47:23I am also like this because of you.
47:25Yes.
47:27I have found out that you have been asking about me for a while.
47:31And about a certain Goncella.
47:39For nothing.
47:40I'm just curious about the relationship you have with that Hanna.
47:46And why with her, specifically?
47:49Because it is obvious that there is something special between you.
47:52The way you treat her ...
47:54No, no, Julia.
47:56I treat all the members of the service equally.
48:00I have seen with my own eyes the intimacy you have.
48:03What?
48:05What have you seen exactly?
48:09I saw you with her in the studio.
48:11Hugging.
48:13Yes.
48:14Yes, it's true.
48:16But ...
48:18But what?
48:19That ...
48:20It was a hug of consolation.
48:22About Manuel.
48:23After all, she is his fiancée.
48:26Are you sure you don't have anything else with her?
48:28What?
48:29What do you mean by that?
48:31Look, Curro.
48:32I barely know that girl.
48:34She told me a story about my allergic reaction and her treatment was exquisite.
48:38And because of her,
48:39she told me a story about my allergic reaction and her treatment was exquisite.
48:42And of course, I am aware of her relationship with Don Manuel.
48:45Well, and then?
48:47I'm worried that suddenly she will ...
48:50get close to you.
48:51She is interested.
48:52No, no, no, for God's sake.
48:53Julia, really, no.
48:54Don't try to fool me, Curro.
48:55That wasn't a hug of consolation.
48:57Julia, really, it's not what you think.
48:59Of course not.
49:00That girl is taking advantage of your generosity.
49:02And now I understand better the rejection caused by the Marquises.
49:04No, no, Julia, no.
49:05Really, no.
49:06Maybe we should warn them.
49:07Tell them that she is also getting close to you.
49:09Put them on alert and kick her out of the promise at once.
49:11No, you can't say anything.
49:12But why?
49:13Because Hannah is my sister.
49:29Come on, hurry up, they're waiting for you upstairs.
49:37Hannah.
49:38María, finish with the trays, they have to go up.
49:40As you order, my dear.
49:44Come on, María, now everyone seems to be in a bad mood.
49:48Wow.
49:50So another night preparing dinner.
49:53Together with the servants, Mr. Expósito?
49:55I imagine you will be counting the days for them to serve you upstairs, right?
50:02Sir, how can we help you?
50:05I come to talk to one of the maids.
50:07But I'm glad you and Mrs. Arcos are here.
50:10If you tell me who you are ...
50:12She's here.
50:15In front of me.
50:18Hannah Expósito, I have to talk to you.
50:24Everyone knows about the uncomfortable situation that has occurred because of your alleged relationship with my son.
50:30It is a scandal that we cannot afford.
50:36Go ahead, I don't wish you any harm.
50:38On the contrary, I wish you all the best.
50:43But far from here.
50:46You are fired.
51:05Thank you very much for your interest, Your Excellency.
51:09Thank you again, thank you.
51:13What did he tell you?
51:14Is he going to help Manuel?
51:16His advice is that we look for a good lawyer.
51:20I don't know why, but the more I deal with it, the more I am interested.
51:24We already fully trust each other, to the point of telling each other secrets.
51:29Like which?
51:31It seems that our wedding is not a priority.
51:33Well, of course it is a priority.
51:35But visiting my nephew at such difficult times is not something that should be delayed.
51:39In the end, it seems that everything is more important than your own wedding.
51:42Do you know what I'm telling you?
51:44That I am seriously considering postponing the wedding.
51:47This is the payment that corresponds to it.
51:49Thank you very much.
51:51And I have written a recommendation so that it will be easier for him to find work in another house.
51:57I thank you from the bottom of my heart.
51:59This afternoon I learned that Hanna was leaving the promise because you fired her.
52:03That dismissal was the only way out.
52:05Look, if we really want to end what Manuel has with that whore,
52:09we're going to have to change our strategy.
52:11That won't be enough, Cruz.
52:13We're going to need a miracle.
52:15You mean the issue of your wife's death.
52:17Lies and their shortcomings.
52:19It may be.
52:20But I was forced to lie to Mrs. Alcos.
52:23And I hate to lie.
52:24I would say so, seeing how well you lied about Pia.
52:28I have another possible explanation for all this.
52:30That when you came to look for me, you already knew what you were waiting for.
52:33And I don't know, maybe you saw in me a simple way to solve this whole situation.
52:40Ponto de Pelayo swallows everything.
52:42And here, peace.
52:44And then glory.
52:45And he also has a special privilege for the Duchess of Carré.
52:48Something's going on between them.
52:49I see Vera as usual.
52:51You don't believe it either.
52:52Let's see, Lope.
52:53If we ask you, it's because we care about you.
52:56That's why, mom.
52:57Of course, Vera.
52:58For us, she's like our little girl.
53:00And something very strange is happening to Vera.
53:02And you're also very strange.
53:03You're both very strange.
53:04She's his mother.