Salón de té La Moderna - Ep 251
Category
📺
TVTranscript
00:00I hope this time you won't repeat the same problems with Sagrario.
00:13Don't tell me that. Tell her.
00:16Yes, I'll tell her, of course, but I ask you to be calm, Esperanza.
00:20I'm very calm.
00:21You know what I want to tell you.
00:23At least I'm punctual, because she seems to be late.
00:27Good morning.
00:29Hello, good morning. You can't come in here.
00:32You have to go to the Moderna Tea Salon.
00:34I'm not going to the Moderna.
00:36Well, yes, but no.
00:37Ma'am, can I know what you're saying?
00:40You take, Don Fermín.
00:42How do you know my name?
00:44My sister, who apologizes personally.
00:47She has had a vocational crisis and now she is unloading anchovies in the port of Bermeo.
00:52But here I am to replace her.
00:55What do you mean your sister?
00:58Come on, what a fool, I haven't introduced myself.
01:01I'm Herminia, Sagrario's sister.
01:05Yes, yes, this is what Sagrario says in the letter, yes.
01:08Well, no, I have many more recommendations that testify to it.
01:13And are you as good a baker as your sister?
01:16Better.
01:17I taught her everything she knows.
01:20And now I come from doing a job in Paris itself.
01:24The luck that the Moderna is going to have with me.
01:29Don Fermín.
01:30What?
01:31It's not that I want to get into where they don't call me, but this seems very strange to me.
01:34Besides, Sagrario should have written, he should have warned, right?
01:38And he says it's his sister.
01:40But if he doesn't speak like her ...
01:42Because I've been away from home for so long that my accent is atrophied.
01:46And you must be Esperanza, right?
01:49Yes.
01:50Sagrario has already told me about you, yes.
01:52And what happened.
01:53Well, first of all, Elminia, let it be clear to you that here at La Moderna we are all worthy of the utmost respect.
01:59Starting with me and ending with the person in charge and responsible for cleaning,
02:04whom, by the way, I have a special esteem for.
02:08It has become clear to me.
02:10My only purpose is to perform my task in body and soul.
02:14Task? As far as I know, you are not yet hired.
02:17Well, but that's easy to fix, we'll fix it in a minute.
02:20Besides, we don't have time to look for any alternatives.
02:24We change the name and that's it.
02:28If you would be so kind as to sign the contract, please.
02:31Well, sorry, but if you don't mind, I'll read it in detail first.
02:36Sometimes there are people who want to take advantage of one.
02:39Of course, of course.
02:47Let's go.
03:01What did you want? To scare me to death or what?
03:04How did you get in?
03:06With the key you gave me.
03:11Paula, we have to talk.
03:13What's going on?
03:15Your father last night saw us kissing.
03:18What?
03:19What you hear.
03:21When I went to the office yesterday to pick up the jacket,
03:23I met him and then he told me.
03:25But what did he say to you?
03:27He got very violent.
03:29No, he was strangely calm.
03:31He just forbade me to see you alone again.
03:34What I am doing right now.
03:36No, no, no, no, let's see.
03:38You are not doing anything because nobody, not even he, can forbid us anything.
03:42And much less feel what we feel, you hear me?
03:44I hear you, but that will not change anything.
03:46You have never obeyed an order of his and I don't know how he could take it.
03:49Don't tell me you're afraid of him.
03:51No, I have respect for him.
03:53He feels that I have betrayed him, maybe we should ...
03:55We should what?
03:56Ask for permission? Do you think he would have given it to us?
04:03I understand.
04:04It's about saving your position, your future.
04:08Instead, I am willing to risk everything for you.
04:10That is very easy to say when you have a network below.
04:13But I don't have it.
04:15I can't allow myself to take a false step, nor can my mother.
04:18We've talked about this before.
04:21So?
04:22Are you going to obey him?
04:25We won't see each other again.
04:26Just for a moment, Paula.
04:28If we challenge him, the only thing we will achieve is to make things worse.
04:32What I propose is that we be smart.
04:34Let him think he has won this battle and later, when the waters calm down ...
04:38I can't live without you, Rodrigo.
04:40I can't.
04:42And if I tell him everything I've been thinking about this time,
04:46everything I've been hiding inside,
04:48that I want to marry you,
04:50that you are the love of my life.
04:52He knows that I am an adult woman, that I have never bowed to anything.
04:59No.
05:00Rodrigo.
05:01No, I can't.
05:02I'm sorry, I can't.
05:03Rodrigo.
05:13Well, well.
05:15So, it's true that you have all taken it out on us.
05:19Now I understand, because when we were kids, we played hide and seek and I was always left alone.
05:24You were left alone because no one could stand you like now.
05:27Of course.
05:28Even Katrina.
05:30When she told me, her ears were on fire.
05:33I knew you had a bad taste, sister.
05:36But not so much.
05:37Go to hell, Ivan.
05:39And you, Rodrigo.
05:41Rodrigo.
05:42How quiet you had it.
05:44It turns out that you are going to do a whole magazine.
05:47Yes, sir.
05:48Seducing the daughter of your boss to meddle.
05:51As original as pathetic.
05:53Shut up at once.
05:54Go ahead.
05:55Don't repress yourself.
05:57My parents would love to know that not only do you get along with your daughter,
06:00but you also attack her son.
06:02You will give them another excuse to kick you.
06:06As soon as you open your mouth again, I will be the one to close it.
06:10Wait, Rodrigo.
06:13Great.
06:14Perfectly written.
06:16So nice.
06:19Thank you very much.
06:21Well, here it is.
06:25Very good.
06:26I don't have much time, so please, Esperanza, be so kind.
06:30Why don't you introduce your new colleagues?
06:32And by the way, take a tour of all the dependencies of the salon.
06:35Agree?
06:36To our new ...
06:37Herminia, Herminia.
06:38Herminia, our new pastry teacher.
06:41What a remedy.
06:42Welcome to La Moderna.
06:43Thank you very much, Don Fermin.
06:47Well, I don't know what his sister will have told him about me.
06:51But let him know that I don't want trouble.
06:54Neither do I.
06:56I didn't know you had so much strength.
06:59I almost got injured before I started.
07:03Well, are you going to show me around the place?
07:07Yes, but first I have to do something very important.
07:10Well, are you going to show me around the place?
07:14Yes, but first I have to do something very important.
07:26Can you tell me what that is?
07:29What do you mean, what is that?
07:30A respect for San Peregrino.
07:32A respect for San Peregrino.
07:36San Peregrino, I entrust you to take care and protect ...
07:40From this moment on, this is my worker.
07:44And I'm not going to allow this to be like this all day,
07:48looking at me and giving me bad luck, for God's sake.
07:50Look, just so you know, I'm an atheist by birth.
07:53I think it's fine, but San Peregrino stays there.
08:03Well, we're off to a good start.
08:10What are you thinking about?
08:13The sequences they're going to write to me.
08:15I hope they're not too long, so I have time to learn them.
08:18Well, don't worry.
08:19I'll probably be in them too, so we'll study them together.
08:23Have I ever told you how much I love you?
08:25A thousand times.
08:27By the way, I didn't tell you, but yesterday when you left,
08:30Agustín apologized in case he bothered me
08:33that they had hired you as an actress.
08:36And I told him no, obviously, that I was delighted to work with you.
08:40I agree.
08:41And did he leave you anything else?
08:44Well, he also felt guilty for hiding it from me.
08:48But it's just that, all of a sudden, he told me a declaration of love
08:53that I thought he was proposing to me.
08:56This is fantastic, Inés.
08:58Congratulations.
08:59Well, he didn't really tell me with those words, but...
09:02I don't know, it made me understand that that was his intention.
09:09Laurita, forgive me.
09:11It's just that sometimes I forget that...
09:14No, no, Inés.
09:15There's nothing to forgive.
09:17If one day you'd rather not know, I'll tell you.
09:19Laura, I'm glad you're here
09:21because I have the sequences they wrote for you.
09:25They're still here.
09:27Fresh.
09:28So cool.
09:29No, I've got to go.
09:30I'll see you later.
09:31Bye.
09:32Bye.
09:33Bye.
09:34Bye.
09:35Bye.
09:36Bye.
09:37Bye.
09:38Bye.
09:39Bye.
09:40Bye.
09:41Bye.
09:42Bye.
09:43Bye.
09:44Bye.
09:45Bye.
09:46Bye.
09:47Bye.
09:48I'm dying to know what he has prepared for us.
09:51Let's see.
09:57But...
09:59But are you sure it's these?
10:01Yes, of course.
10:02I just appear in one and say one sentence.
10:07I haven't read them yet, let me see.
10:12I'm supposed to be the protagonist and these scenes are essential for the plot.
10:18I hope the director hasn't forgotten.
10:20No, of course not, the director hasn't forgotten.
10:24The only thing is that...
10:28I'm remembering that Ballesteros told me that...
10:31you gave so much strength, so much truth, so much emotion to the character that...
10:36well, it would be a bit redundant.
10:37So maybe the smartest thing would be to give you a break
10:41so that if the audience longs for your presence, do you understand?
10:46Yes, yes, I understand, I understand.
10:48May I? I'd like to...
10:49Yes.
10:51And is your offer still on?
10:54Yes, yes, of course.
10:55Of course.
10:56I'm glad you're so committed because we're shooting tomorrow.
11:02You said tomorrow?
11:06At one o'clock.
11:07And, well...
11:10You're changing because Ballesteros is waiting for us for a rehearsal.
11:13A rehearsal? Now? But...
11:15And when do I learn the script?
11:17On the way.
11:26The machinery must have already left Germany.
11:30And if there's no set time, it should be here by the end of the week.
11:37I want you to be prepared.
11:38Agreed.
11:39Likewise.
11:43Who should be prepared?
11:46Machinery for the synthetic fiber factory.
11:49Anyway, work stuff, Ivan, you know. Boring stuff.
11:53I don't think you're interested in me.
11:56I'm surprised to see you around here.
11:59You've gotten lost.
12:02If I've ever been, now I've found myself.
12:06Mom has put me on top of everything.
12:09Who was going to tell you, right?
12:11That Rodrigo was nothing more than another opportunist trying to make a profit.
12:17What do you want, Ivan?
12:19To offer you my support and my loyalty.
12:23Having shown Paula's weakness, I'm willing to take a step forward.
12:30One question. Have you fired that ungrateful man?
12:35For now, it won't be necessary.
12:36He has admitted his mistake. He won't approach Paula again.
12:41It's curious, because I just saw them together at Paula's store.
12:45What?
12:46Yes, they looked quite sweet.
12:49Although, I don't know, maybe they were putting an end to that romance.
13:01Wait!
13:02Wait!
13:05I'm willing to change.
13:07And become the man you need by your side.
13:10Why now, Ivan?
13:12Why now and not before?
13:14Because after what happened with Rodrigo, your trust in him can't be the same.
13:19And because I think I'm more than capable of replacing him.
13:23Are you applying for his position?
13:26Who better than your own son?
13:29I'll do everything you ask.
13:31Starting by controlling Paula.
13:34And I could also fire Rodrigo.
13:39Don't worry about that. For now, we're not firing anyone.
13:43And if you don't care about your sister, I'll take care of her.
13:46You're in charge.
13:48Wait.
13:51Maybe there's something you can do to help me.
13:53Tell me.
13:57I'd need you to bring a documentation to Mr. Cuadrado's office.
14:04Come see me first thing in the morning.
14:07If you're able to get up early.
14:14I don't think the meeting was that bad, Inés.
14:17Ballesteros didn't even address me.
14:20He didn't look at me, he was just looking at Laurita.
14:21And I'm not mad at you.
14:23But that's normal. The sequence was his and he wanted to explain it to her in detail.
14:27Besides, it's because I don't have experience.
14:30I don't know, I'm sorry.
14:32Sometimes I think he doesn't like me, he's tired of me.
14:35That's absurd, Inés. Ballesteros loves you.
14:37You're his protagonist, his star.
14:39How are those rehearsals going?
14:42Why don't we sit down and talk?
14:45Can we?
14:47Well, I don't think it's a bad idea to rest for a while.
14:51Inés.
14:56I hope, Agustín, that you and the director
14:59aren't abusing my Laurita too much.
15:02Because one thing is that I'm doing them a favor,
15:04and another thing is that I'm turning her into a film actress overnight,
15:07with all the things she does.
15:09Don't worry, it's just a little more,
15:11and besides, Inés is going to help me.
15:14Good morning. Do you know what you're going to drink?
15:17Well, coffee for everyone,
15:19and I'm in charge that we have a lot of work ahead of us.
15:22By the way, Laurita,
15:24I would like to congratulate you for your performance the other day.
15:26It was extraordinary. I cried and laughed.
15:29You have to be a very good actress
15:31to cause such disparate emotions.
15:33Let's say I learned it from the best.
15:35Inés is my teacher.
15:37Well, excuse me.
15:42Good morning to everyone.
15:44Especially to you, Laurita.
15:46Don Fermín, I'm sorry to bother you.
15:48Don't you know how Pietro's operation is going?
15:51As you are a friend of the doctor.
15:53No, I have no news, Esperanza.
15:55Well, I hope that means
15:57that everything follows its normal course.
15:59San Peregrino will be doing his job,
16:01as the boss of serious diseases.
16:03Of course.
16:05Then I'll stop by Antonio's house to ask him.
16:07Here.
16:09So you can sign me an autograph
16:11before I make you a star
16:13and you don't remember the poor.
16:14The only star on this table is Inés.
16:17So, in any case, I'll sign you after.
16:19Come on.
16:25I'm going to frame it as if it were a painting.
16:28A painting of a Picasso or a Dalí.
16:30That's why he was at the Modena.
16:35Thank you very much.
16:37Come on, bye.
16:39I'm going to the bathroom for a moment.
16:41Agustín, what does it mean
16:43that Laurita has to shoot more sequences?
16:46I don't understand.
16:49Well,
16:51the director was so delighted
16:53with her performance
16:55that he decided to expand her character.
16:57He is convinced that his niece
16:59will have a great career.
17:01Well, don't exaggerate either.
17:03No, no, I'm not exaggerating anything.
17:05Yesterday he told me
17:07that he had never worked with a talent like yours.
17:08So...
17:10natural, intuitive, right?
17:18Inés.
17:20I'm going home, I'm a little overwhelmed.
17:22I'll go with you.
17:24No, no, no need.
17:26You are no longer my assistant.
17:39All a lady
17:41coming out the back door.
17:44Let's get to the point,
17:46what do you want?
17:48Come on, Lazara,
17:50don't be in a hurry.
17:52We have a lot to talk about.
17:54Don't you miss me?
17:56I didn't even remember you.
17:58Come on.
18:00I don't care
18:02how well life has treated you.
18:04But what happened to that neighborhood girl
18:06with her socks tied up
18:08and her hair all messy?
18:10Please lower your voice.
18:15We met more than 20 years ago
18:17at the ceramic factory.
18:19And from the first day
18:21we became inseparable.
18:23They paid us a lot
18:25and we worked like donkeys.
18:27But we had each other.
18:29And we even laughed.
18:32Do you remember the manager?
18:34The one who winked at us
18:36and the other...
18:37Are you going to tell me what you want
18:39because I'm running out of patience?
18:42A lady shouldn't lose her form.
18:45Although you may never be
18:47no matter how hard you try.
18:50When I read in the newspaper
18:52that you had married a rich businessman,
18:54I couldn't believe it.
18:57How did you win him over?
18:59Like the owner of the ceramic factory?
19:04You fooled that old man
19:05until you had him
19:07in the palm of your hand.
19:09Until you married him.
19:11Until he named you the sole heir.
19:13Even leaving his family in ruin.
19:15That was his decision.
19:21You almost got yours.
19:23But of course, he had a son,
19:25a lawyer,
19:27who spoke to the judge
19:29and got him to be disqualified
19:31and to cancel the will.
19:33I don't know why I'm telling you all this,
19:36if you already know.
19:38I don't understand anything, Juana.
19:40Can you tell me what you want?
19:42Because this sad story doesn't end here.
19:45When the plan was twisted,
19:47you abandoned him like a dog.
19:50And the poor man,
19:52repudiated by everyone,
19:54jumped to his death.
19:56But I didn't push him.
19:58And I didn't urge him to do it.
20:00It's not my fault he was a whore.
20:02You don't care about your conscience?
20:04Not even a bit.
20:07What do you know?
20:11For the last time,
20:13are you going to tell me what you want?
20:20Well, look, I've been told
20:22that this Mr. Germín,
20:24who's a good name,
20:26and I wouldn't like you to have the same fate.
20:28He probably doesn't know anything about your past.
20:29Because you probably haven't told him anything.
20:31Am I wrong?
20:33Juana, have you seen yourself in the mirror?
20:35I would never believe you.
20:37You think so?
20:40Well, I could also go to the papers.
20:43With this kind of story,
20:45you can suck your fingers.
20:48But don't get me wrong, Lazara.
20:50I'm not a judge.
20:53And I'm not as stupid
20:55as to kill the chicken
20:57with the golden eggs.
21:00I just want
21:02what you have left over.
21:04Money.
21:09How much?
21:12Enough
21:14for me to forget about you.
21:17Make me an offer.
21:21You'll find it in this number.
21:29I'm sorry.
21:46Well,
21:48if Antonio isn't home yet,
21:50he'll be in the hospital.
21:52He won't have finished the surgery.
21:54But how many hours will the surgery last?
21:56I don't know, but many.
21:57They told him it would be long.
21:59Well, let's go.
22:02Teresa.
22:04Yes?
22:06Take advantage of any opportunity
22:08to show off.
22:10I mean, why haven't they given me one too?
22:12Do you think I should ask Mr. Fermin
22:14why they haven't given me one?
22:16I think we have to go back to La Moderna.
22:18We don't do anything here.
22:20Come on.
22:28Antonio.
22:30How are you, Pietro?
22:32Tell me everything has gone well.
22:34San Peregrino has done his job.
22:36I even prayed in Italian.
22:38Well, I'll have to talk to him.
22:40How are you?
22:42I'm sorry, I'm still a little bit
22:44with the body cut off.
22:46It has gone well.
22:48The surgery has gone well.
22:50Well, we still have to keep calm
22:52and we have to wait a little bit.
22:54But Dr. Quiroga had the detail
22:55to tell me everything they have done
22:57and he was happy with the result.
22:59Although we have to wait a few hours
23:01to see how it evolves.
23:03Well, but that's within the normality.
23:05We don't have to get crazy.
23:07Yes.
23:09I'm sure he'll recover very soon.
23:11And when can we visit him?
23:13I don't see the time to make him angry.
23:15Well, no visit for now.
23:17I can only enter.
23:19And well, I can only stay in the waiting room.
23:21In fact, I come to pick up some things
23:23and I go back to the hospital.
23:25I prefer to be close to him,
23:27even if it's the waiting room.
23:29But wouldn't it be better
23:31if he stayed at home for a while and rested?
23:33After all, there's nothing he can do there.
23:35Of course, the nurse is there.
23:37And with the stick he has on his lips
23:39and speaking in Italian,
23:41I'm sure he'll put it in his pocket.
23:43Yeah, well, but I prefer to be close
23:46and be the first thing I see when he wakes up.
23:49So, nothing,
23:51I'll get a blanket and I'll go back there.
23:53And could you see him
23:55when he left the operating room?
23:57Yes, just for a moment.
23:59Sorry.
24:01My heart sank a little, really,
24:04because he was with the tubes
24:06and his head bandaged
24:08and with his eyes closed
24:10and he looked so weak.
24:12Don't worry, Pietro is very big
24:14and he'll get out of this.
24:16It's better for him.
24:18Look, tomorrow we'll go to the hospital
24:20and we'll keep you company.
24:21Oh, yes,
24:23and we'll take you a little car, a potage.
24:25I don't know what I'd do without you.
24:28Thank you, really.
24:36Oh, Teresa,
24:38do you want to stop giving me the watch all the time?
24:40For the love of God.
24:42Well, for the love of San Peregrino.
24:52Mother, where is Father?
24:55I went to the office and it was closed.
24:57I thought he had come to eat.
24:59You thought wrong.
25:01I don't know anything about him.
25:03Mother, I understand that you are angry with me,
25:06but I need you to support me.
25:09Support you in what, Paula?
25:12In throwing your life away?
25:14In that?
25:16Look, daughter,
25:18there are whims and whims.
25:19Buying you a motorcycle was one of them.
25:21But relating to the sepice
25:23is an irresponsibility,
25:25in addition to a lack of respect for your parents.
25:28What are you saying, Mother?
25:30Rodrigo is not a whim.
25:32I've always been in love with him
25:34and I've never felt anything for anyone other than him.
25:37Don't you think that means something?
25:39Yes, that you are wrong.
25:41And a lot.
25:43No, I'm not.
25:45Feelings are not chosen, they choose you.
25:46Or have you never been lost in love?
25:50I've known Rodrigo since I can remember.
25:54And you know better than anyone
25:56what a wonderful person he is.
25:58That doesn't matter now.
26:00What do you mean?
26:02I thought that as a mother you would want the best for your daughter.
26:05Precisely for that, Paula.
26:07The truth is that you don't understand.
26:09In the world in which we live,
26:11no one would accept that you had a relationship
26:13with the child of the maid.
26:14No one.
26:16It's a totally unsavable prejudice.
26:18Not for me.
26:20I'm willing to do anything.
26:22Oh, anything.
26:24You are willing to do anything.
26:26To ruin your career before you even started it?
26:28For society to point you out and marginalize you?
26:30That's not going to happen.
26:32The worst thing is that your father is right.
26:35It's my fault.
26:37I should never have allowed Rodrigo
26:39to grow up with you and Ivan
26:41and to be believed that he was one more.
26:42No, mother.
26:44That wouldn't have changed anything.
26:46I would have fallen in love with him
26:48even if I had never seen him.
26:50True love is like that
26:52and you can't fight it.
26:54I asked you a question before
26:56and you didn't answer me.
26:58If you've ever felt anything like it,
27:01you know exactly what I'm talking about.
27:04Or was it not like that, compadre?
27:06We're talking about love, Paula.
27:08We're talking about marriage.
27:10And it's not always the same, believe me.
27:12No matter what you do,
27:14I'm going to marry him.
27:17No, Paula.
27:19That's not going to happen.
27:22Because your father will do whatever it takes
27:24to prevent it.
27:27And you know it.
27:30So if you love that boy,
27:32if you really love him,
27:34don't complicate his life
27:36and don't complicate yours.
27:38At least that way you'll be happy.
27:41But not together.
27:43That's right.
27:45That's right.
27:47Mother,
27:49can you forget for a moment
27:51who you are
27:53and what you represent
27:55and look me in the face like what I am?
27:57Your daughter.
28:00How did you do it?
28:02Me?
28:04Yes, you.
28:06How did you do it? Marrying dad.
28:08Did you do what your heart told you?
28:10Or what you should have done?
28:12Daughter,
28:14things aren't that simple.
28:16Don't say that, mother.
28:18I understand you're not happy
28:20and you want me to repeat your mistakes.
28:30Poor Paula.
28:33I came now because I couldn't wait
28:35to tell you this morning.
28:37Well, thank God my wife and mother-in-law aren't here.
28:38In case you already had an excuse
28:40to come with me to a place.
28:42Anyway.
28:44I'm very sorry, Miguel.
28:46But when I thought I had motivated her enough,
28:48the memory of her failure has returned to her mind.
28:51The tragic day when Leonora gave him pumpkins.
28:54She has completely lost her mind.
28:56Look.
29:00Wait, Miguel, I'm remembering something.
29:02Many years ago,
29:04in one of my first job interviews,
29:06a guy told me what his trick was
29:08to make Leonora hire Elias.
29:10No, no.
29:12What we want is for Elias to stop feeling so complicated.
29:14Well, to what he was going.
29:16Well, the trick in question,
29:18actually what it was, a trick,
29:20he told me that he imagined the interviewer
29:22in smaller clothes
29:24and thus he stopped feeling intimidated.
29:26He saw him so ridiculous that his fear was gone.
29:28I don't understand. Come on, help me.
29:33Me neither, but
29:35I did it and it worked.
29:36How did you imagine Don Fermin in ...
29:38Let's see, animal.
29:40That was many years ago, before the modern one.
29:42Let's see if I understand you.
29:44I mean, you're asking me
29:46to tell Elias
29:48to imagine my mother-in-law in ...
29:51Man, a little respect.
29:53You're talking about my wife's mother
29:55and my son's grandmother.
29:58That was my best idea.
30:00The other one is not so good.
30:02Well, I'm so desperate
30:04that I'm able to hear it.
30:06Well, it would be
30:08to try to gather all the information
30:10I could about Leonora.
30:12Her tastes, her hobbies.
30:14And so Elias can go at a glance
30:16and dazzle her.
30:26He was very kind
30:28calling to be interested in me.
30:30But it's something
30:32that shouldn't be repeated, don't you think?
30:33I don't think he did anything wrong.
30:35As you pointed out,
30:37I just called to see how he was doing.
30:39The problem is that he's calling
30:41to a married woman's house.
30:43A married woman who just told me
30:45that she wouldn't be scared
30:47if the situation repeated itself.
30:53When you play with fire,
30:55it's normal for it to burn.
30:58I'm sorry, little brother,
31:00but I don't understand.
31:01I don't understand.
31:03Why her? What's so special about her?
31:05Little sister, I got the message.
31:07Now, if you don't mind,
31:09I'd like not to talk about this here.
31:11I do mind.
31:13Do you know what female inclusion is?
31:15It's a power that only we have
31:17and allows us to see the future.
31:19I'm sorry to tell you
31:21that I don't like what I see at all.
31:23That family is very complicated.
31:26And as a sample,
31:28a button.
31:32Mercedes.
31:35Can you come closer?
31:41Good afternoon, Ivan.
31:43I have good news.
31:45I got a job.
31:47And not just any job,
31:49but the one I really wanted.
31:51Are you referring to one of the businesses
31:53you told me about?
31:55No. The nonsense adventures are over.
31:57I've spoken seriously with my father.
31:59I've offered him to be his right hand
32:01in the business.
32:03Do you think I've done the right thing?
32:05What I think is that you'll do very well at work.
32:08And besides, if it's for your father,
32:10don't even think about it.
32:12I'm not going to work for my father.
32:14I'm going to work with him,
32:16elbow to elbow, equal to equal.
32:18I'll be his trusted man
32:20and one day I'll inherit his business.
32:22And you're very close to seeing it.
32:24Are you sure?
32:26I'm going to get your glass.
32:28Make it two.
32:29We thought we'd celebrate it together.
32:31Caprices, my prince.
32:39I remind you that you're not allowed
32:41to toast with the clients.
32:43And much less with that millionaire.
32:46And to close the restaurant
32:48to be alone with his mother?
32:50Don't the rules of the restaurant
32:52consider that?
32:54The rules of the restaurant consider
32:56that since I'm the owner,
32:57I have to do it.
33:09How is my dear family?
33:17Well, I'm going to change the diapers.
33:19To the child,
33:21that here there is something that smells very bad.
33:23Wait, be careful with your head.
33:25Careful.
33:27Yes.
33:32I have to tell you something.
33:34What thing?
33:36I came to the conclusion
33:38that you were right and I was wrong.
33:40From now on,
33:42I'm going to leave my skin to beat your mother.
33:45Have you hit your head?
33:47No, quite the opposite.
33:49I've decided to use it.
33:51That's why I think it would be very useful
33:53for your mother to answer this little questionnaire
33:54with the noble purpose of knowing her more.
33:56But this is a lot of effort
33:58and there are a lot of questions here.
34:00It won't be too much.
34:02Every detail can be crucial.
34:04That's why I prefer to sin
34:06of ambition than to be short.
34:08I want to know everything about your mother.
34:10Ah, I forgot.
34:13Elias is not having a very good time
34:15and Cañete has thought of inviting him
34:17to Madrid Cabaret.
34:19Do you mind if I go with them?
34:21It is a humanitarian task.
34:24I'm sorry.
34:50Are you making a hole in me?
34:52Are you feeling better in your stomach?
34:55Yes, I'm better.
35:01What are you doing there?
35:03Everything in due time.
35:06Inés, do you remember when we were little?
35:09One afternoon we were in the river
35:11and mother gave birth to me.
35:13Yes.
35:15Mother always gave birth to you.
35:17What was special about that day?
35:19Well, it's true that she took advantage of any moment
35:22to remind me that
35:24you were her favorite
35:26and I was a kind of disaster.
35:29But that day was special
35:31because for the first time I realized
35:34that I was starting to feel envious of you
35:36and I was afraid.
35:38I was very afraid to start hating you.
35:40But you told me not to listen to her,
35:43that you were not better than me.
35:47I had a palm tree of chocolate
35:49that I wanted to eat.
35:51Yes, but instead
35:52you gave it to me.
35:54And since that day,
35:56you have always been by my side, supporting me.
35:58When I gave birth,
36:00you faced mother
36:02and you risked everything for me.
36:04Well, it wasn't that bad.
36:06Besides, I did it for you
36:08to get rid of that sick bastard.
36:11Inés, it's true that what happened to Agustín
36:14has hurt us a lot,
36:16but I don't want to let a simple movie
36:18separate us again.
36:20No, Laurita, it's just that
36:22it's not a simple movie.
36:24Not for me.
36:27If it's important to you,
36:29I'll leave without hesitation.
36:32No, it's just that
36:34I promise you
36:36that nothing will separate us again.
36:39But today I was the one
36:41who felt envious of you.
36:43But at the same time,
36:45I am very proud of you and your talent
36:47and I want you to stay by my side.
36:48If you are not the problem,
36:51the problem is me
36:53and the insecurity I feel.
36:56Do you remember Estrella Castro?
36:58I met her better in Berlin
37:00and she told me that she also felt insecure.
37:03It happens to all divas.
37:05In fact, she told me that
37:07if one day you go on stage
37:09and you don't feel anything,
37:11it's because you're dead.
37:13But well, the important thing, my little sister,
37:15is that today
37:16the day has come
37:18to pay off my debt.
37:30Come here.
37:32I love you.
37:44Nice watch.
37:46Where did you get it?
37:48It's a gift from Don Fermín to Dona Lázaro.
37:50I told you the other day and I showed it to you,
37:52but you didn't listen to me.
37:54Lately you've been in a bad mood.
37:58Do you think the day will come?
38:00Well, I hope so,
38:02because Trini has already passed the questionnaire to my mother-in-law.
38:05Let's see how she took it.
38:07They were three pages of questions,
38:09all very well thought out.
38:11Three pages?
38:13And it was a notary exam.
38:14No, Cañete, I can't leave anything to chance.
38:16I've divided the questions into thematic blocks.
38:19For example, hobbies, clothes, food,
38:21cities, history, animals.
38:24Animals?
38:26Favorite animals, Cañete.
38:28Those details unite people a lot.
38:30Well, with that information,
38:32Elías will be confident
38:34and then you know what's going to happen.
38:36Eleonora will stop being an Olympus goddess.
38:38Or Olympus will stop being an inaccessible place for Elías.
38:41Hey, tell me something, Miguel.
38:42Why are my two best friends
38:44like an absolute shower?
38:47Here it is.
38:49Sorry for the delay,
38:51but my watch broke.
38:53Look, I was just thinking
38:55that you could lend me yours, the new one, Cañete.
38:57And why is that?
38:59Well, since it's a company gift,
39:01I think it's for both of us.
39:03And it would be fair
39:05if we shared it for a week each.
39:07I think that was also the intention
39:09of Mr. Fermí and Mrs. Bázaras.
39:10That's nonsense, Elías.
39:12No, it's not nonsense.
39:14It's a test of self-confidence.
39:16Very well, Elías, let's go down the right path.
39:18What path?
39:20Well...
39:22Gentlemen, I hope you enjoy the evening.
39:24Thank you very much.
39:26Don't trust the looks, Mercedes.
39:28Here, where you see them,
39:30they are very careful.
39:33However, I would like to point out
39:35that the three of us are firmly committed.
39:37Yes, sir.
39:38I can't believe you, because I can't.
39:40Neither can you. You don't know it yet.
39:42And may I ask you what you are celebrating?
39:45Well, my friends who have been determined
39:47to see if I can win the woman of my dreams.
39:49But what is that?
39:51It's my dream, it's an intellectual, it can't be.
39:53There is nothing impossible.
39:55Everything can be.
39:57Yes, well, for someone of your caliber, of course.
40:00In my case, imagine a Greek goddess
40:02and a poor servant by her side.
40:04You see, it's a matter of trust.
40:06Neither of them for so much, nor of him for so little.
40:08I would advise you to fight to the end
40:10or to surrender with dignity.
40:12Surrendering is never worthy.
40:15Enjoy the evening.
40:17You are invited to the first round.
40:19Thank you very much.
40:21Good luck.
40:23What did he mean?
40:25I don't know, handsome things.
40:27Well, the truth is that thinking about it,
40:29I'm not going to play with Leonora.
40:31Definitely, I have to find a woman
40:33who is at my level.
40:35A terrestrial woman.
40:36No, you can't do that to me.
40:38Have you heard Mr. Morel?
40:40Surrendering is unworthy.
40:42I don't know why you take it so seriously.
40:44I thank you very much for worrying about me.
40:46For me, for you, for my son.
40:48I'm sure he likes Leonora,
40:50but she makes herself interesting
40:52to make you believe otherwise.
40:54He's doing it very well.
40:56But Miguel is right.
40:58You have her in the boat, Elias.
41:00You just need a little push.
41:02In the boat, a little push
41:03No, Elias.
41:05To enter his heart.
41:07And if our plan works right now,
41:09Leonora will be thinking about you.
41:11By the way,
41:13do you like snails?
41:15Of course.
41:17To the snails.
41:19To the snails.
41:34Father.
41:41What are you doing?
41:43Give me that.
41:45To get your attention.
41:47Do I have it?
41:50Once you told me
41:52that disappointment was the anger of the weak.
41:54Neither you nor I are weak.
41:56And yet I have disappointed you.
41:58I have disappointed you.
42:00I have disappointed you.
42:01And yet I have disappointed you.
42:07Instead of that silence,
42:09I'd rather you explode,
42:11tell me something...
42:13No.
42:15You haven't disappointed me.
42:17Indeed,
42:19that's for the weak.
42:21But I'm not interested in your explanations
42:23or your justifications.
42:25So what do you want me to do?
42:27I want you to do exactly what I did.
42:29Erase from your memory
42:31as if it had never happened.
42:33And start behaving like a sensible and responsible person.
42:37Because I want to understand
42:39that the meeting you had this morning
42:41had only one purpose.
42:43To put an end to that relationship.
42:45Father, in case you haven't noticed,
42:47I'm not a child anymore.
42:49You can't ask me that.
42:51I'm not asking you, Paula.
42:53I'm ordering you,
42:55just as I've ordered Rodrigo.
42:57From now on, you're going to see each other
42:59more than necessary.
43:02And now, if you don't mind,
43:05I have a lot to do.
43:13I don't know if I didn't explain myself well.
43:15This conversation is over.
43:17No, father.
43:19It's not over.
43:21In fact, it's just the beginning.
43:23So listen to me carefully.
43:25My life is mine
43:27and you can't decide about it,
43:29much less about my feelings.
43:31I don't want to tell you
43:33that your power doesn't reach that much.
43:35I'm not afraid of you.
43:37Do you know why?
43:39Because if you take everything away from me,
43:41I'll start from scratch again,
43:43with the support of my family or without it,
43:45but always with Rodrigo.
43:47I'm not a weak woman, father.
43:49And if mother and you thought
43:51that the most important thing in my life
43:53was my career,
43:55it's because you don't know me.
43:57It's because you've never met me.
43:59I can't believe it, Paula.
44:02Don't you realize
44:04that you've grown in abundance,
44:06that you've had everything you wanted
44:08at your fingertips?
44:10You've asked and it's been given to you.
44:12Are you really willing to give up that
44:14for a whim?
44:16Yes, father.
44:18And a thousand times yes.
44:20Go away.
44:22There's one thing I don't understand.
44:24I've seen you raise Rodrigo
44:26since he was a child.
44:28You've always appreciated him
44:29as your right-hand man.
44:31So if he's good for you,
44:33why can't he be good for me?
44:35Can you think of someone better
44:37to trust your daughter?
44:39That's enough.
44:41What did you want me to find?
44:43Well, you've got it.
44:45Get away from Rodrigo.
44:47Get away from him, Paula.
44:49Or you'll regret it for the rest of your life.
44:52All this can't be just
44:54because I'm Pepita's son.
44:56Why don't you think it's enough, Paula?
44:57Listen to me.
45:00There's a very fine line
45:02that separates people.
45:04They're two worlds that touch,
45:06but never touch.
45:08They'll always be down,
45:10and we'll always be up.
45:12People like Rodrigo, like Pepita,
45:15have only one function in this world.
45:18A function that they can be very proud of.
45:21To serve us.
45:24That's how it should be.
45:25And that's how it will be.
45:38Mother, what I feel for her
45:40is very big and very beautiful.
45:42It's the best thing that's ever happened to me.
45:44I'm not willing to give up.
45:46Rodrigo,
45:48I know what I'm going to ask you
45:50is a very big resignation,
45:52but you have to leave it.
45:53Leave all the invoices together.
45:55Okay, Teresa, thank you.
45:57You can go back to work.
46:01Well, we've come this far, Lázaro.
46:04You're going to explain to me right now
46:06what's going on with you.
46:08It's not normal for you to treat
46:10the employees with such disregard.
46:12Nothing's wrong with me.
46:14Paula, I'm worried about what I can do to you.
46:16And if you leave your family,
46:18you can ruin your projects, your career.
46:20You even legally depend on him.
46:21No, I'm not going to do anything.
46:23One way or another, we'll get through this.
46:25And understand that this adventure
46:27is over forever.
46:29Because you know that for nothing in the world
46:31I'm going to let you grow up.
46:33You know that I'm capable of putting Rodrigo
46:35in jail if necessary.
46:37With any charge, I would already invent it.
46:39I swear I can't take it anymore.
46:41Neither can Miguel.
46:43It seems that he has surrendered to Leonora
46:45because he has been defeated.
46:47Yes, well, I could put a little more on his side,
46:49the truth, because he's not doing anything
46:51like he should be.
46:53How are you, Romeo?
46:55Willing to conquer your Juliet?
46:57Has everything gone well?
47:00It's been perfect, perfect.
47:02Is there a problem?
47:04No, Ballesteros and I are considering
47:06adding a few more sequences
47:08to add even more to the film's plot.
47:10I don't understand how you can still trust him
47:12after what he did to your daughter.
47:14Because I need him at my service, period.
47:16Today he has to wait for the reception
47:18of a new machinery for the factory.
47:19I could take care of that matter.
47:21And let him be the one who takes the documents to the registry.
47:23We have discovered that Paula
47:25has a sentimental relationship with Rodrigo.
47:28You're going to excuse me.
47:30I've had a terrible hangover.
47:32Ah, no, no, no, you're not leaving.
47:35We're not going to make our guests look bad.
47:38Mercedes, take care of the bar, please.
47:40I'll take care of this table.
47:42Be careful, it looks like it's loaded.
47:45What would you like to drink, gentlemen?
47:49No, no, no, let him take care of us again.
47:51We don't need you.
47:53I'm afraid that won't be possible.
47:55In that case, you'd have to leave
47:57because the lady is very busy.
47:59If I see you together again, Pepita,
48:01I won't answer for what could happen.
48:03That letter is for me.
48:09Are you sure it's not dangerous for you to call me?
48:13Okay, I'll wait for your call that day.
48:16Of course I'll remember.
48:17I'll write it down on my agenda.
48:19I also miss you a lot.
48:22It was logical to think that my father was going to get angry
48:25if he found out, but you?
48:27I didn't expect you to go against us.
48:29It's the best for everyone.
48:31Believe me.
48:33For me, for Rodrigo, no, Pepita.
48:35I love your son with all my heart.
48:38Well, if you love him so much,
48:40the best thing I can do is stay away from him.
48:47I love you.