Il medico, la studentessa (1976)

SCC +

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Transcript

00:00:00You

00:00:30Do

00:01:00Do

00:01:30Do

00:02:00Bye-bye

00:02:12Vidal

00:02:19Vidal

00:02:21Vidal a me a key allora secondo le nuove disposizioni la mia qualifica quella di personale non insegnante

00:02:28Si va bene va bene allora dottore

00:02:33Se non le dispiace faccia entrare gli studenti e mi raccomando quattro alla volta non voglio chiasso qui

00:02:41ordine ci vuole disciplina

00:02:45Fascista siamo ancora in pieno medioevo

00:02:49Esami scrutini voti tutti strumenti del potere per traumatizzare questa povera gioventù

00:02:55I quadri sono esposti non via fallate piano senza spingere

00:03:04Bosco avanti

00:03:10Avanti

00:03:12Aveva detto quattro per volta non esageriamo sono entrati tutti e gli altri

00:03:18Latitanti con tu macchie si capisce e tanto lo sanno che sono tutti promossi

00:03:23allegria allegria

00:03:25Questa non è più una scuola questo è un casino

00:03:39Parini matura

00:03:41Matura

00:03:44Poletti matura si va bene ho capito promossa

00:03:52Doretti matura

00:03:55Gloria testata promossa

00:03:58Ma che mi frega ti dicevo nazareschi matura perdon matusa

00:04:05Si mariani mariani

00:04:09Tu quanto rompi che c'è matura

00:04:13A me va bene pure acerba

00:04:17Claudia taglia corto con rossana ma non capite non me ne frega niente della promozione e per il viaggio

00:04:23ora possiamo partire partire partire

00:04:26Londra ci attento

00:04:28Londra sei tutta nostra

00:04:30Si ci dovremmo dare il volo

00:04:32Il soggiorno

00:04:34Pronto Rosanna cosa dici non sento

00:04:37Daniella oh poverina mi dispiace

00:04:42Daniella Daniella cosa c'è

00:04:46momento Daniella si è stata bocciata

00:04:49bocciata

00:04:51Porca miseria come sono contenta è stata dura ma ce l'ho fatta ero così preoccupata con questa storia di tutti i promossi

00:04:57Pronto la FAO mi passa il 231 per favore

00:05:14Pronto ci sei tu una bellissima notizia sono stata bocciata ora non dovrò più partire per Londra

00:05:22e no

00:05:24Avremo tre mesi tutti per noi

00:05:27e sbrigati a imbarcare per l'africa quella stronza di tua moglie

00:05:34Ma che ci trovi in un uomo di 40 anni è come averne due davetti

00:05:42Chi va la

00:05:43Ad un esame superficiale si direbbe umanoide di sesso femminile di razza bianca capelli biondi occhi azzurri

00:05:50pure bonarella cosa desidera il colonnello Raselli ma lei chi è la sua amante ma non lo dica nessuno

00:05:58Non è possibile

00:06:00Non è proprio impossibile

00:06:02Non esistete

00:06:04Il processo è diventato troppo duro

00:06:06Non c'è niente da fare

00:06:08Adesso provo con questo

00:06:10Niente da fare non esiste per il colonnello Raselli

00:06:12A voi miei tradi

00:06:14Papà devi firmarmi il consenso per i viaggi in Inghilterra sono stata promossa agli italiani

00:06:18Ma questo non è il momento

00:06:20C'è un'operazione in corso

00:06:22Tu stessa

00:06:24Forza

00:06:27Forza

00:06:47Ci risiamo

00:06:49Un'altra fra tutti

00:06:51Il mio braccio sinistro

00:06:53Il braccio sinistro

00:06:56Sbarcai sulla costa

00:06:59Sbarcammo

00:07:02Al comando di un pugno di prodi soldati

00:07:08E attraversai

00:07:10Attraversammo

00:07:12Le linee nemiche

00:07:14Che ci fronteggiavano

00:07:18Nel deserto infuocato

00:07:21Così raggiunsi

00:07:23Raggiungemmo

00:07:25Il comando

00:07:28Del maresciallo Rommel

00:07:32La volte del deserto

00:07:34Battendomi la mano sulla spalla

00:07:37Mi disse

00:07:39Buongiorno

00:07:43Forse è meglio di no

00:07:45Però

00:07:47Voi siete la più gloriosa

00:07:49Testa di un momento

00:07:51Non ho ancora finito

00:07:53Dove eravamo

00:07:55Ma sei impazzito

00:07:57Ho detto testa di ponte

00:07:59P-O-N-T-E

00:08:05Ecco papà

00:08:07Una firmetta qui

00:08:13Ma perché proprio in Inghilterra

00:08:15E dove dovrei andare

00:08:17Ma che so io

00:08:19C'è la Spagna e il Cile

00:08:21Paesi pieni di sole

00:08:23Paesi sani, seri, ordinati

00:08:25E tu che ne dici Luisa

00:08:27Veramente gliel'hai promesso

00:08:29E poi l'inglese si impara in Inghilterra

00:08:31E va bene un colonnello ha una sola parola

00:08:33Ma preferirei che tu non avessi nulla a che fare con quella gente

00:08:35Ma via papà

00:08:37Gli inglesi sono un popolo civile

00:08:39Questo lo credi tu

00:08:41Perché tu non sei di Tobruk

00:08:43Sono una razza perfida e aggressiva

00:08:45E' un salamane per bacco

00:08:47Che Dio li maledica

00:08:53Insomma speravo di non avere niente a che fare con loro

00:08:55Ma da te

00:08:57Grazie

00:08:59Prego

00:09:03Ha telefonato l'ufficio storico del ministero

00:09:05No

00:09:09Ma due giorni più tardi

00:09:11Capisci micione

00:09:13E' stata promossa

00:09:15Ma come chi

00:09:17Claudia, la mia figliastra

00:09:19Non te ne frega niente

00:09:21Ma non capisci

00:09:23Ora se ne andrà a Londra per due anni

00:09:25E io sarò più libera

00:09:27E così potremo vederci più spesso

00:09:29Ti richiamo dopo

00:09:37Allora

00:09:39Sempre al lavoro la mia cara Penelope

00:09:41Per gli orfanelli non si fa mai troppo

00:09:43Questa sera la porterò alle dame di San Vincenzo

00:09:45E' quasi finita

00:09:47Meglio così

00:09:49Perché presto partiremo anche noi

00:09:51Partiremo

00:09:53Sì certo

00:09:55Ti annuncio che ho accettato il comando della scuola di motorizzazione

00:09:57A vivo Valencia

00:09:59A vivo Valencia

00:10:01Ma se l'hai sempre rifiutato

00:10:03Oh sì perché Claudia doveva completare gli studi

00:10:05Ma adesso

00:10:07In Grecia, in Turchia

00:10:09E poi

00:10:11Due anni sono lunghi

00:10:13Ma che importa tanto qui non abbiamo più legami

00:10:15Ma questo lo dici tu

00:10:17Le dame di San Vincenzo, le opere assistenziali

00:10:19E poi tu qui insomma

00:10:21Adesso sei stimato

00:10:23La non ti faranno mai generale

00:10:25Oh di questo proprio me ne frego

00:10:27Oggi la storia la fanno i colonnelli

00:10:29E poi ormai è deciso

00:10:31Ah sei qui

00:10:33Eh

00:10:35Riprendiamo pure le nostre memorie

00:10:37Ha telefonato l'ufficio storico del ministero

00:10:39No

00:10:41Allora dove sono rimasto

00:10:43A trent'anni fa

00:10:45Bene

00:10:57Luisa che cosa vuoi che ti mandi da Londra

00:10:59Qual è il regalo che preferisci

00:11:01Che tu rimanga qui

00:11:05Ma che dici sei matta

00:11:07Volevo dire che mi dispiace vederti partire

00:11:09Io ti voglio bene come se tu fossi

00:11:11Veramente figlia mia

00:11:13Anch'io ti voglio bene

00:11:15E per questo che ti lascio sola con papà

00:11:17Ma non me lo strapazzare troppo

00:11:19Alla sua età la seconda potrebbe essergli fatale

00:11:21Ma che dici, che discorsi fai

00:11:23Amore

00:11:25Arrivo, arrivo

00:11:27Dai dai dai dai

00:11:39Dai amore

00:11:41Amore

00:11:43Che bello finalmente

00:11:47Sono cosi emozionato

00:11:49E tu e tu

00:11:51Allora

00:11:53Dai amore

00:11:55Su dai

00:11:57Gli stucas apparvero nel cielo

00:11:59Alle prime luci dell'alba

00:12:03E lì cominciò la battaglia di Tobog

00:12:07Nebbia in Val Padana

00:12:13Cara ti vedo preoccupata

00:12:15E per Claudia

00:12:17Ci ho ripensato

00:12:19Sai cosa significa Londra per una ragazza giovane e inesperta

00:12:21No

00:12:23Droga

00:12:25Sesso

00:12:27Perversione

00:12:29Non me ne meraviglio

00:12:31Ogni giorno se ne sente una

00:12:33Su quella malefica città

00:12:35Stupri

00:12:37Tratta delle bianche

00:12:39Seviziatori

00:12:41Maniaci sessuali

00:12:43Ma questo non lo credo

00:12:45Gli inglesi sono sempre stati un po' come si dice

00:12:47Loro si ma gli altri

00:12:49Gli orientali

00:12:51I gialli

00:12:53Ma Claudia va in collegio

00:12:55E proprio in questi ambienti

00:12:57Che i marocchini cercano le ragazze da adescare

00:12:59I marocchini

00:13:01Marocchini, tunisini, algerini

00:13:03Gli inglesi in Inghilterra

00:13:05Ne sono rimasti pochissimi

00:13:07La fine che merita

00:13:09La perfida albione

00:13:11Fece bene Hitler a bombardarla

00:13:21Papa

00:13:45Papa

00:13:47Aiutami

00:13:49Papa!

00:13:53Papa!

00:14:01Papa!

00:14:03Help!

00:14:11Papa!

00:14:20The Moroccans! Help!

00:14:22The Moroccans!

00:14:23Oreste!

00:14:24Oreste!

00:14:25What's going on?

00:14:27Nothing.

00:14:29It was just a bad dream.

00:14:31A very bad dream.

00:14:50Claudia, you're not leaving anymore.

00:14:53Why shouldn't I leave?

00:14:55No, no, no. I've thought about it for a long time.

00:14:58You can't leave. It's too dangerous.

00:15:01Dangerous?

00:15:03I'm sorry, you know.

00:15:05But what kind of danger?

00:15:07Everything. Drugs, perversion, sex, violence, rape, Moroccans.

00:15:12London is the capital of vice.

00:15:14And you're too young and still too inexperienced.

00:15:17Who put you up to this nonsense?

00:15:19I know what I'm saying.

00:15:21As a father, I have the duty to defend you and protect you.

00:15:24And I'm old enough to take care of myself.

00:15:26No.

00:15:27You're still a child. I won't let you leave.

00:15:34Luisa, tell your father to stop this nonsense.

00:15:38You know your father, dear.

00:15:40When he decides, he decides.

00:15:42He's a man all in one piece.

00:15:48Well, if you want to know, I don't care about your absurd worries.

00:15:52I'm leaving anyway.

00:15:58You can't leave without my written consent.

00:16:04Fascist, Duce, Mussolini.

00:16:08And you think you can offend me?

00:16:18You'll pay for this, dear.

00:16:36Come on, let's go. If we don't, we'll all end up here.

00:16:39Come on, let's go. It's getting late.

00:16:41No, I'm not leaving.

00:16:42Hey, what's the matter with you?

00:16:44My father doesn't want me.

00:16:46I don't care, but I can't leave without your consent.

00:16:49I'm not even 18 yet.

00:16:51Look at you.

00:16:53I'll see you in three months, when I'm an adult.

00:16:56I'm sorry.

00:17:00I'll see you in London.

00:17:02I'll be waiting for you.

00:17:04Bye, Claudia. Don't catch him.

00:17:06Kill him, he's old. He's running away to England.

00:17:10Bye, Claudia.

00:17:11Bye.

00:17:12Bye, Claudia.

00:17:13We'll write to you.

00:17:14Bye.

00:17:17And so, Gianluigi will leave her alone in London.

00:17:20What a nice trick.

00:17:24But even your godmother, what a son of a bitch.

00:17:27And to think that she seemed happy that I was leaving.

00:17:30I don't care. First she's happy and then she's against it.

00:17:33I'd go all the way.

00:17:35They can't break the boxes for no reason.

00:17:38They're afraid of London, of the Moroccans.

00:17:41Why? What do the Moroccans have?

00:17:43Oh, my Chichi.

00:17:45Bye.

00:17:46Excuse me, I have to go.

00:17:57What are you doing?

00:17:59Do you want me here with you?

00:18:01Then accept me as I am.

00:18:02You won't have it with me. It was your father who decided.

00:18:05Look, you won't give it to me to drink.

00:18:07I don't have time to talk.

00:18:08The ladies of San Vincenzo are waiting for me.

00:18:10There's a gift delivery.

00:18:11That's good.

00:18:12Then go clean the ass of the orphans.

00:18:14I won't let you talk to me like that.

00:18:16And to think that I considered you a friend,

00:18:18and instead you're a viper.

00:18:20Since you set foot in our house, you've only hindered me.

00:18:23It's been years since you tormented me, but now I really want to tell you.

00:18:26You're pissing me off.

00:18:27Enough, Claudia.

00:18:29Enough, for fuck's sake.

00:18:31You circled my father and now you take advantage of him.

00:18:34So, Admiral Dennis,

00:18:37beating me on the shoulder,

00:18:40with a loud voice, he told me...

00:18:42You're a piece of shit.

00:18:44You're a piece of shit.

00:18:46Enough.

00:18:47You broke my boxes.

00:18:48Enough.

00:18:49This Dennis had a clear idea.

00:18:52Did you see that?

00:18:53It's possible that now in every place where you talk,

00:18:56the barracks are clean.

00:18:57And go to hell, too.

00:18:58What?

00:18:59Oh, my God.

00:19:00Luisa, Luisa.

00:19:01Hurry up, help me.

00:19:03Do something.

00:19:04Oh, Luisa.

00:19:05Look at this.

00:19:07She's fainted.

00:19:08Now the attack is coming.

00:19:10She's fainted.

00:19:11We need help.

00:19:12We need the ambulance, the first aid, the military hospital.

00:19:14Alert the command.

00:19:15Mr. Colonel, maybe it's enough to call the gentleman from the villa next door.

00:19:18He's a doctor.

00:19:24Please, doctor.

00:19:25Follow me.

00:19:26Good morning.

00:19:27Who is this woman?

00:19:28My wife, doctor.

00:19:29Come, please.

00:19:30Look.

00:19:31What is it?

00:19:41The beats are normal.

00:19:42The temperature is normal.

00:19:43There's nothing to say.

00:19:44But you...

00:19:45Don't worry.

00:19:46I'm the doctor.

00:19:47I came to see how she is.

00:19:48Better.

00:19:49Much better.

00:19:50It's nothing.

00:19:51Give the lady a couple of these pills.

00:19:52The lady will feel better.

00:19:53Okay.

00:19:54Don't worry.

00:19:55Just a simple headache.

00:19:56If you need anything, call me.

00:19:57Just two?

00:19:58Two.

00:19:59Okay.

00:20:09Just two?

00:20:10Two.

00:20:12Who would have thought to have such a close relative?

00:20:15He's a handsome guy.

00:20:17Excuse me?

00:20:18Handsome guy.

00:20:20Because he's a little...

00:20:23But...

00:20:25As you can see,

00:20:26the kidneys have the characteristic shape of a bean.

00:20:29And they are placed in the back of the abdomen,

00:20:32behind the peritoneal cavity,

00:20:34and on the sides of the last two vertebrae,

00:20:36and the first two lumbar vertebrae.

00:20:40The kidneys...

00:20:42What do you think?

00:20:43Do you like it?

00:20:45It's not bad,

00:20:46but it doesn't tell me much.

00:20:48I find it so cool that just looking at it gives me goose bumps.

00:20:51It's a matter of skin.

00:20:53Exactly.

00:20:54The main function of the kidneys

00:20:56is to purify the blood from many catabolites,

00:20:58among which mainly urea.

00:21:00If anyone has any questions...

00:21:03Professor, excuse me,

00:21:04but when you run out of pee,

00:21:05you don't know how to stop it.

00:21:06What does it depend on?

00:21:10But why do you want to stop it, Miss?

00:21:12The face, the face.

00:21:14At the end, on the left.

00:21:16Silence.

00:21:17He fooled you.

00:21:18You have to use more subtle and convincing arguments

00:21:21if you want to win him over.

00:21:22If anyone has any serious questions...

00:22:10Oh!

00:22:11Oh!

00:22:12Did you hurt yourself?

00:22:13My foot.

00:22:14Oh, God, what a pain.

00:22:15Come on.

00:22:16Come to my house.

00:22:17I'll give you a medication.

00:22:20Ouch!

00:22:23You'll see.

00:22:25This will put the incest back in your head.

00:22:27You'll see.

00:22:28You'll see.

00:22:29You'll see.

00:22:30You'll see.

00:22:31You'll see.

00:22:32You'll see.

00:22:33You'll see.

00:22:34You'll see.

00:22:35You'll see.

00:22:36You'll see.

00:22:37You'll see.

00:22:38You'll see.

00:22:39You'll see.

00:22:40You'll see.

00:22:41You'll see.

00:22:55I will take you home now.

00:23:00Wait, it still hurts.

00:23:03Courage.

00:23:05Stand up.

00:23:08Ouch!

00:23:09Come on, come on, walk.

00:23:10I can't.

00:23:14I assure you that we can get home on our own.

00:23:22You're not very cordial, Doctor.

00:23:24After all, we're close to home.

00:23:25We could even become friends.

00:23:27Miss, how old are you?

00:23:29Almost 18.

00:23:31Here.

00:23:32I'm about twice your age.

00:23:34I could be a friend of your parents.

00:23:38I'm sorry.

00:23:59Help!

00:24:00Help!

00:24:01I'm sick!

00:24:02It hurts!

00:24:04Oh, God!

00:24:05What's wrong, Claudia?

00:24:06Claudia!

00:24:07Help me, please!

00:24:08What's wrong?

00:24:09Why are you screaming?

00:24:10Claudia, my child, what's wrong?

00:24:11It hurts!

00:24:12It hurts!

00:24:13Where does it hurt?

00:24:14Here, in the belly.

00:24:15It's terrible.

00:24:16It must be indigestion.

00:24:17No, it can't be.

00:24:18We ate white rice and boiled fish.

00:24:20It must have been fish in gusto.

00:24:22Do something.

00:24:23Let's take her to the hospital.

00:24:25No, a doctor.

00:24:26Call the doctor, please.

00:24:28Ouch!

00:24:29I understand.

00:24:30The peak.

00:24:31The doctor is right here.

00:24:34I'm going.

00:24:36Here we are.

00:24:37Ah, doctor.

00:24:39Good morning.

00:24:41Come in.

00:24:43Ah, you're the one who's sick.

00:24:45What's wrong?

00:24:46Where does it hurt, miss?

00:24:48Here, doctor, here.

00:24:51Leave us alone.

00:24:52The doctor has to see me.

00:24:55No.

00:24:56Does it hurt here, if I push?

00:24:58No.

00:24:59No.

00:25:00Here?

00:25:02No.

00:25:03Here?

00:25:04Here?

00:25:05No.

00:25:06Excuse me, but then where?

00:25:07Down there.

00:25:09It covers.

00:25:10No, no, then they can stay.

00:25:12I'm done.

00:25:13There is no doubt.

00:25:14It's just indigestion.

00:25:16It will be enough for the lady to respect a whole day of fasting.

00:25:19Thank goodness.

00:25:20I really thought ...

00:25:21A fool.

00:25:22But since there is a ration left, why don't you stop at the table with us, doctor?

00:25:25What do you have to eat?

00:25:27Milk tea.

00:25:28Rusty.

00:25:29Are you okay?

00:25:30Why not?

00:25:32The potato is ready.

00:25:33The potato is ready.

00:25:40Here is one of my specialties.

00:25:42Chicken and veal in green sauce.

00:25:44I understand, miss, that it must be a suffering for you,

00:25:47but in some cases abstinence is necessary.

00:25:53So, as I told you, dear doctor,

00:25:56the Reich's armored divisions were placed on the border line

00:26:02in this formation.

00:26:04To the right, the heavy artillery.

00:26:08In the center, the Panzer division,

00:26:12that commanded by the Feldmarschall Guderian.

00:26:19To the left, the light units.

00:26:23We must not forget that in 18 days

00:26:27the resistance of Poland was broken.

00:26:31The provision of forces on the field

00:26:34repeated practically the same line-up

00:26:39of the final attack on Warsaw.

00:26:42Here it is, precisely.

00:26:43With this line-up, the army was getting closer

00:26:47implacably to crush the Low Countries.

00:26:50Like a hand of iron.

00:26:52Not a hand.

00:26:53But how not?

00:26:54This is history, my dear.

00:26:58The enemy had no escape.

00:27:00The war machine of the Third Reich,

00:27:03unstoppable,

00:27:04clasped it in an iron grip.

00:27:10Excuse me, I got carried away in the story.

00:27:13Yes, indeed, you let yourself be taken a little too much.

00:27:17What did I tell you, dear?

00:27:18I am a narrator of the race.

00:27:21You'll see.

00:27:22Only your daughter is distracted.

00:27:24It's just that I'm not well, you know.

00:27:25I'm afraid that the fast is not enough.

00:27:27We will need a good dose of ricin oil for the young lady.

00:27:30I completely agree.

00:27:32Ricin oil has always done well.

00:27:35More to the right.

00:27:36More to the left.

00:27:37And now tighten your nose.

00:27:39Raise your head.

00:27:41With this, her troubles will pass.

00:27:45Oh, dear.

00:28:15Oh, dear.

00:28:46Oh, dear.

00:28:52Every time I think of him, I feel like mixing everything.

00:28:55This is love.

00:28:56What love? This is purgatory.

00:28:58But this son of a bitch will pay me.

00:29:07If we enter his house,

00:29:08maybe we can understand what kind of man he is.

00:29:10One who gives up a girl like you,

00:29:13I don't know a little.

00:29:23Look here.

00:29:24This window is open.

00:29:26Let's jump in.

00:29:27Come on, come on.

00:29:33Oh, dear.

00:29:34Oh, dear.

00:29:44You've done a good job, doctor.

00:29:55Where do we start?

00:29:59From that closet over there.

00:30:01Who would have imagined it?

00:30:03A doctor who works in this kind of place.

00:30:06I'm not surprised by what happens in hospitals.

00:30:09For me, he's a sadist.

00:30:11What do you say?

00:30:12Let's go see his room.

00:30:20Oh, dear.

00:30:21Oh, dear.

00:30:22Oh, dear.

00:30:23Oh, dear.

00:30:24Oh, dear.

00:30:25Oh, dear.

00:30:26Oh, dear.

00:30:27Oh, dear.

00:30:28Oh, dear.

00:30:29Oh, dear.

00:30:30Oh, dear.

00:30:31Oh, dear.

00:30:32Oh, dear.

00:30:33Oh, dear.

00:30:34Oh, dear.

00:30:35Oh, dear.

00:30:36Oh, dear.

00:30:37Oh, dear.

00:30:38Oh, dear.

00:30:39Oh, dear.

00:30:40Oh, dear.

00:30:41Oh, dear.

00:30:42Oh, dear.

00:30:43Oh, dear.

00:30:44Oh, dear.

00:30:45Oh, dear.

00:30:46Oh, dear.

00:30:47Oh, dear.

00:30:48Oh, dear.

00:30:49Oh, dear.

00:30:50Oh, dear.

00:30:51Oh, dear.

00:30:52Oh, dear.

00:30:53Oh, dear.

00:30:54Oh, dear.

00:30:55Oh, dear.

00:30:56Oh, dear.

00:30:57Oh, dear.

00:30:58Oh, dear.

00:30:59Hey, look what I've found.

00:31:20Come on, let's read it.

00:31:31My little boy.

00:31:33My little boy.

00:31:35It's been a long time since you gave your kitten a bath.

00:31:38Are you in the mood?

00:31:39That idiot husband of mine wants to stay here for another week.

00:31:42He says that the mountain air makes him feel better.

00:31:45I need other things to make me feel better.

00:31:48Oh, I get it.

00:31:50This one has a lover.

00:31:57Damn it.

00:31:58Look where the blanket ended.

00:32:01I don't know where you usually put it, but on the bed it's not bad.

00:32:04But it's the one that Luisa made for the ladies of San Vincenzo.

00:32:08This big son of a bitch.

00:32:10And she's the doctor's lover.

00:32:11Now I understand everything.

00:32:12It was she who blocked me.

00:32:14If I had left for London, Dad would have brought her to Vivo Valencia.

00:32:17And goodbye, Doctor.

00:32:25Excellent, it's abundant.

00:32:26Good boy.

00:32:27Come on.

00:32:29What are you doing?

00:32:36Well, thank you.

00:32:37And goodbye.

00:32:38Come back for lunch, dear.

00:32:39It's not possible, dear.

00:32:40I have a breakfast in the field with General Viglionese.

00:32:43But, sir.

00:32:48I'm out all day too.

00:32:51Don't wait for me for lunch.

00:32:52I'm with Daniela.

00:32:53All right.

00:34:17THE END

00:34:47THE END

00:35:18No.

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00:39:25No.

00:39:32Ho.

00:39:33Ho.

00:39:35Porr Prabudana Hello deg.

00:39:39Here I am. I ran a race. I like it when you're so impatient and excited.

00:39:47Excited, you mean?

00:39:49Mamma mia, I'm all on fire.

00:39:52There, good. Then burn this one in the meantime.

00:39:57How nice, the porn photos.

00:40:00Every day you invent a new one.

00:40:04Of course, you poor thing, have a few flaws, don't you?

00:40:08No, dear, it's better if you keep them.

00:40:10The flaws are yours, dear.

00:40:13This one is you.

00:40:16I've never been photogenic.

00:40:18Why do I care?

00:40:19It's possible that you don't understand anything.

00:40:21There's someone here who wants to blackmail us, do you understand?

00:40:24Blackmail us?

00:40:25I found it this morning in the mailbox.

00:40:27Yes, but who can say that these are us? There are no faces.

00:40:30There are no faces, there are no faces.

00:40:33The faces will come, a little piece at a time, to increase the price of blackmail.

00:40:37Mamma mia, who can it be?

00:40:40What can we do?

00:40:41What can we do?

00:40:43What can we do?

00:40:50All we have to do is wait for the events.

00:40:54The chief of police has underlined the importance of the concept

00:40:58given by the minister, who, on his part,

00:41:01has categorically denied having made any statement on the matter.

00:41:04Pasta piccolore?

00:41:06One of my specialties.

00:41:08It's full.

00:41:09You took us for horses.

00:41:11I'd like to hear the news, if you don't mind.

00:41:18100 people have been arrested, of whom 44 have been charged with robbery.

00:41:23733 have been reported to Piedelibero and have been executed...

00:41:34...in the name of the police.

00:41:40In connection with the escape of the film pizzas

00:41:43related to the films shot by some famous directors,

00:41:47we learn from those interested

00:41:49that they have decided to gather the remains of the three works in a single film.

00:41:53You know how much it matters to us.

00:41:58Following the chronicle is a civil duty, not just a military one.

00:42:03Yes, yes, it will be.

00:42:06But you know what joy?

00:42:07Robberies, kidnappings, thefts, robberies, extortions.

00:42:11My dear, every rose has its thorns.

00:42:14Go ahead, please.

00:42:22Diabolical lovers.

00:42:24Latest news from the prosecutor of Catanzaro.

00:42:28Glamorous confession to the trial of the diabolical lovers.

00:42:32Elesio Malaspina, Renato Pincherlone's murderer,

00:42:35has declared that he was forced to kill his lover's husband

00:42:39with a kitchen knife,

00:42:42because he was bribed by them.

00:42:45In short, we can't eat in peace.

00:42:47This newspaper sends me all over the place.

00:42:50My dear, if you really don't want to hear, we can turn it off.

00:42:55What do you think?

00:42:56It would be better, wouldn't it?

00:42:58Why? These are the cases of life.

00:43:01They can happen to everyone.

00:43:03Then listen to them, I'm going to sleep.

00:43:27Come.

00:43:30Come.

00:43:32Come and see.

00:43:33They didn't wait long.

00:43:35Oh my God, it's disgusting.

00:43:39What a shame.

00:43:40This is a terrible mosaic that is gradually forming.

00:43:45Only the faces are missing.

00:43:51Leave it, I'll answer.

00:43:57Ahem.

00:44:00Hello?

00:44:04Come on, let's call him now.

00:44:09They must suffer, those two scoundrels.

00:44:22Hello?

00:44:23Hello?

00:44:25Hello?

00:44:26This is the management of Colonia Montese.

00:44:28We will have a unique opportunity for you.

00:44:30An Indian polydryne to tame.

00:44:32Are you interested?

00:44:34Wait a minute.

00:44:35Wait a minute.

00:44:36Let's think.

00:44:37Don't forget the whisk, please.

00:44:49That's it.

00:44:51The heads have also arrived.

00:44:53Now it's really complete.

00:44:55I'm running away to South America.

00:44:58What else is there?

00:45:00What else is there?

00:45:01What else is there?

00:45:02Come here, don't leave me alone.

00:45:04What else is there?

00:45:05What else is there?

00:45:08Enough with the war.

00:45:09We smoke the Calumet de la Pace, but at my house he is dressed as an Indian.

00:45:13His general...

00:45:14But it's a stupid joke.

00:45:15Joke?

00:45:16No, there's nothing to worry about here.

00:45:17But who can have a reason to kidnap us?

00:45:19We will not be kidnapped by anyone.

00:45:21And you as an Indian?

00:45:24You dress only for me.

00:45:29Uncle.

00:45:39Move to the right.

00:45:41No, more to the right.

00:45:42To the left now, I said.

00:45:43And intensify on the edges.

00:45:45Forward.

00:45:46And with the heart.

00:45:48Push, push.

00:45:49To the end.

00:45:50To the end.

00:45:51To the end.

00:45:52To the end.

00:45:53To the end.

00:45:55Forward, push.

00:45:57Push, push.

00:46:01Forward.

00:46:02Dad, take a picture, I'll take a nice picture.

00:46:05Your father is immortal in the course of the operation.

00:46:08But I have historical documents.

00:46:09To the end, push, pull.

00:46:11Forward.

00:46:14Do you want a nice picture too or do you think you are not photogenic dressed?

00:46:19What is this story that you have planted?

00:46:22I do not understand you.

00:46:24What do you mean?

00:46:26Come on, stop acting.

00:46:28Come on, get in position, I'll take a picture of you with the bows.

00:46:32We will never consent to your stupid request.

00:46:36And I'll show Dad the pictures.

00:46:39You will not do it.

00:46:41Dad, I have to tell you something.

00:46:44Where are you?

00:46:46Is it important?

00:46:47Very important.

00:46:48It's about ...

00:46:49Let your father work, dear.

00:46:51You'll tell him later what you want to tell him.

00:46:53There is no hurry.

00:46:54Come on.

00:46:59Let's beat the flask?

00:47:00I said to raid.

00:47:01To kick.

00:47:04To break, to deflate, to break.

00:47:11Well.

00:47:13Good.

00:47:14It was her.

00:47:15Stupid.

00:47:16But I had to imagine it.

00:47:18Anyway, I hope you have settled the matter.

00:47:20Of course, we will not be robbed by a girl.

00:47:23Yes, it's all right.

00:47:24Only that ...

00:47:25Only that ...

00:47:26Only that ...

00:47:27No, no, no.

00:47:28I say, only that ...

00:47:30Well, for once you could also dress as an Indian.

00:47:33I dressed as an Indian?

00:47:35No.

00:47:36Never.

00:47:37If you do not do it, Claudia will show the pictures to my husband.

00:47:40He does not feel right.

00:47:41It will be a way to let him know.

00:47:43A little rough, but ...

00:47:44But you want to joke.

00:47:45That shoots us.

00:47:46What shoots?

00:47:49Shoot?

00:48:02Who will it be at this time?

00:48:05Go and see.

00:48:14It's Toro Sedullo.

00:48:16He wants to talk to General Custer.

00:48:20Apart from the fact that I am Colonel Raselli,

00:48:22I have the idea that you are starting to raise your elbow a little too much, son.

00:48:26I'll show that I'm on a roll.

00:48:39Ah, doctor.

00:48:40It's you.

00:48:41How funny.

00:48:42It's full of fantasy, our doctor.

00:48:44Do not you try, Luisa?

00:48:46What else?

00:48:47You should see him tame the chickens.

00:48:51Sit down, please.

00:48:52It's just a great find.

00:48:54It's all so monotonous here.

00:48:56No, no, no.

00:48:57A real Indian never sits on a chair.

00:48:59On the ground, please.

00:49:00Sit down.

00:49:03How nice.

00:49:09What is it?

00:49:10A sciatic pain?

00:49:11No.

00:49:12A real Indian should never have anyone on his head.

00:49:16On the ground.

00:49:17On the ground, now.

00:49:18Yes, yes, yes.

00:49:19Calm down, calm down.

00:49:25How funny.

00:49:27So, how is General Custer?

00:49:30I've already killed one, but there's another one around.

00:49:33Another one?

00:49:34Yes.

00:49:35One who takes pictures, who writes notes, who calls.

00:49:39He'll be back, as usual.

00:49:41He will.

00:49:42But if he doesn't stop pissing me off,

00:49:45I'll make him end up like the other one.

00:49:50Do you know what I did to the other one?

00:49:52Well, vaguely, very vaguely.

00:49:53Come on, do something, do something.

00:49:55He was telling me...

00:49:56I cut him to pieces.

00:50:00I opened his sternum,

00:50:02I extracted his heart,

00:50:04and then I ate him.

00:50:07One more piece of paper.

00:50:12To Custer.

00:50:13To Custer.

00:50:14But to this bastard who writes notes,

00:50:16I'll cut off his hand, too.

00:50:17Like this, like this, like this.

00:50:18I think it's right, very right.

00:50:20To General Custer.

00:50:21Would you like a whiskey?

00:50:23No, no alcohol.

00:50:24Alcoholics have been the ruin of the Indian race.

00:50:27113.

00:50:28113.

00:50:29113 were precisely Custer's cavalrymen

00:50:31at the interdiction of Bob McCormack.

00:50:33I've only shot more than 200.

00:50:35But I don't have it with you, Colonel.

00:50:37For the whore.

00:50:38You're the only one in this business that doesn't matter.

00:50:41You're my friend,

00:50:42and with you I want to smoke Calumet.

00:50:44Yes, of course.

00:50:49Oh, my finger.

00:50:58I demand that you give me the photos immediately.

00:51:00Do you want the photos?

00:51:01Here they are.

00:51:10They're all yours.

00:51:14The doctor always says you're a good girl.

00:51:17She's a whore.

00:51:18A filthy, filthy whore.

00:51:20But look here.

00:51:21But look here.

00:51:25Going to the university in your underwear

00:51:27and taking lessons.

00:51:29Ha!

00:51:30He's making fun of you.

00:51:31He gave you the photos,

00:51:32but the negatives have reappeared.

00:51:33And now he's starting again.

00:51:34What can we do?

00:51:35Now we just have to support her.

00:51:37But do you realize?

00:51:38In underwear.

00:51:39We're crazy.

00:51:40It's in the way of my professional dignity.

00:51:42The university is a serious thing.

00:51:44But don't say bullshit.

00:51:47A professional like me

00:51:49will never compromise

00:51:51in the workplace.

00:51:54Never!

00:52:02So, do we want to hurry?

00:52:04But, but, my dear.

00:52:06My dear.

00:52:07Why don't we think about it a little?

00:52:09But do you realize what you're asking me?

00:52:12Underwear.

00:52:13I said underwear.

00:52:15Underwear.

00:52:22Underwear.

00:52:24There you go.

00:52:25I'll give it back to him at the university

00:52:27after he's taken the lesson.

00:52:29Here you go.

00:53:20Professor!

00:53:21Professor!

00:53:22I was looking for you.

00:53:23I have to talk to you.

00:53:24Good morning.

00:53:26How are you?

00:53:27Are you okay?

00:53:28I'm glad I met you.

00:53:29Come here, Professor.

00:53:30I have to tell you something.

00:53:31Yes?

00:53:32Professor, I wanted to inform you

00:53:33about the last meeting of the teaching body.

00:53:35The teacher-student relationship

00:53:36is at a critical point.

00:53:37It's terrible.

00:53:38I know.

00:53:39They are becoming

00:53:40the absolute masters of the university.

00:53:42Unemployment.

00:53:43Yes, everything.

00:53:44Group exams.

00:53:45Promiscuity.

00:53:46Intolerable.

00:53:47Believe me, I don't know what to do anymore.

00:53:48I don't know where to put my hands.

00:53:49You have to help me, Professor.

00:53:51Believe me.

00:53:52What can I do?

00:53:53I'm thinking about it.

00:53:54Don't worry, Professor.

00:53:55I assure you.

00:53:56We'll talk about it later.

00:53:57We'll talk about it later.

00:53:58We can't take these guys anymore.

00:53:59We can't take them anymore.

00:54:00We don't know what to do.

00:54:01Absolutely.

00:54:02Professor, you're right.

00:54:03You're absolutely right.

00:54:05But we have to...

00:54:07Professor, where are you going?

00:54:08I'm here.

00:54:09Here.

00:54:11I don't know how to talk calmly

00:54:13about such an important problem.

00:54:15Because, you see,

00:54:16they'll make us lose our minds.

00:54:18Who are you talking to?

00:54:20If you only wanted to

00:54:22personally take care of this thing.

00:54:23Professor.

00:54:24If you wanted to listen to the discussions with us.

00:54:27Of course.

00:54:29Yes.

00:54:31We'll talk about it later.

00:54:32We'll talk about it later, Professor.

00:54:36What's wrong?

00:54:39Oh, my God.

00:54:40It's an indecency.

00:54:42We'll be amazed at the bad habits of young people.

00:54:56Oh, my God.

00:54:57Oh, my God.

00:54:58Oh, my God.

00:54:59Oh, my God.

00:55:10They have already had several occasions

00:55:13to see carefully

00:55:15in the lab

00:55:17how much we have repeated.

00:55:19Now,

00:55:20analagously

00:55:21to what I have already said

00:55:22for the lung echinococci

00:55:24can be also

00:55:25They can also be found in the liver.

00:55:28Unilocular cysts and multiocular cysts.

00:55:32Or alveolar cysts.

00:55:34The unilocular echinococcus forms a cystic tumor.

00:55:38The multiocular one, a hard tumor that simulates carcinoma.

00:55:50Who told you to bring the patient here?

00:55:52I'm not doing a demonstration today.

00:55:55We brought the 124, the liver patient.

00:55:58Yes, but I didn't tell you for today.

00:56:00I can't do it now. Bring him to me tomorrow.

00:56:02You can't. The professor has to operate on him today.

00:56:04This drunkard has a liver full of stones.

00:56:06And when will he come tomorrow?

00:56:09Fuck you, you're an idiot.

00:56:12One moment, one moment.

00:56:13Put him here, near the catheter.

00:56:26Here we are.

00:56:27So let's move on to the practical demonstration.

00:56:29Let's go. We even have a mat.

00:56:32The cyst is perceived by applying on the surface

00:56:36the index and middle of the left hand with a slight pressure.

00:56:41Go slowly.

00:56:42After that, it is percussed with small, dry and light strokes.

00:56:50Fuck you.

00:56:52And the index and middle will feel a slight vibratory flow.

00:56:58A slight vibratory flow.

00:57:01Once identified, try to squeeze the cyst

00:57:07between the index and thumb of the left hand

00:57:10and slightly touch the middle part.

00:57:13You're an idiot.

00:57:16It is evident that we are in front of a patient

00:57:19who presents himself in an unusual condition.

00:57:23Do you know Benedet?

00:57:25A very rare case. This is a patient...

00:57:28A patient? Fuck, I've already broken my balls.

00:57:36I'm sorry, but the professor wants to say it right away.

00:57:39He's taking a lesson on syphilis.

00:57:41No, no, one moment.

00:57:43I'm sorry, but the professor wants to say it right away.

00:57:46We can't do anything else.

00:57:48He's taking a lesson on syphilis.

00:57:53Give me this sheet, please.

00:58:14Sit down, please.

00:58:24All right, slippers and newspaper.

00:58:26And lock the door.

00:58:28This neighbor of ours worries me a little. Bye.

00:58:35Well, now you'll be happy. Give me the negatives.

00:58:38To get the negatives, the doctor has to make love to me.

00:58:41Never.

00:58:43If the doctor doesn't show me how to be a man,

00:58:46no negatives, and dad will be informed of everything.

00:58:49You're bluffing. You wouldn't be able to do it.

00:58:52Do you believe it?

00:58:54We'll see.

00:59:00Fog in Val Padana.

00:59:03Dad, look what I found.

00:59:07What is it?

00:59:09A modern sculpture?

00:59:13For me, it's a ass.

00:59:15Or a pornographic photo.

00:59:17Enough with this nonsense.

00:59:19But, dear, how are they?

00:59:21What do they take from you?

00:59:23Well, you have to understand it.

00:59:25She's a lady of charity.

00:59:27Anyway, don't worry, dad.

00:59:29If you're interested, I'll see if I can get you more.

00:59:32No, you won't get anything from dad, do you understand?

00:59:35How nervous you are, dear.

00:59:37Claudia is joking.

00:59:39I know, but I'm a little tired of jokes.

00:59:41You need rest, my dear.

00:59:43Do you want to go with me for the big maneuvers in Sardinia?

00:59:46No, dear, thank you, no.

00:59:48My place is here, next to her.

00:59:51I wouldn't mind leaving the girl alone.

01:00:06But look if this was an ass to throw away.

01:00:17Once again they fought on the enemy defenses.

01:00:20And the battle of Sicily had begun.

01:00:36The next day.

01:00:47So, little rickety, you'll have the doctor.

01:00:51But right after that, you'll give me the negatives.

01:00:54All right, I think it's fair.

01:00:56Merchandise against merchandise.

01:00:58The doctor is not a merchandise.

01:01:00He's a man with a capital U.

01:01:02He hasn't proven it yet.

01:01:05You'll see what he can do to you.

01:01:07Let's hope so.

01:01:08I really want to have some fun.

01:01:10For you, it's the only chance to have a man like him.

01:01:13If I wanted a man like him, I would even marry him.

01:01:16Marry?

01:01:18This is good.

01:01:19The doctor who marries you.

01:01:21Why, what do I lack?

01:01:23Everything.

01:01:24You're not a real woman, but just a stupid capricious girl.

01:01:27Let him say that.

01:01:29Everything.

01:01:30Luisa, Claudia, what is this mess?

01:01:33I have to order the bonfire.

01:01:35Scoundrel.

01:01:40Luisa, Claudia, girls, help me prepare the departure.

01:01:43Tonight I have to be in Sardinia to take command of the great maneuvers.

01:01:46I feel strong like a lion.

01:01:48And as Garibaldi said in the movie,

01:01:50here we make Italy or we die.

01:01:54For me, we die.

01:02:03How do I look?

01:02:04Do you like me like this?

01:02:06You look like one of those.

01:02:08Then I'm fine with him.

01:02:10He's used to whores.

01:02:12Then I'll tell you everything.

01:02:14Bye.

01:02:33Bye.

01:02:49So, do you want to start?

01:02:51Ah, yes, yes, yes.

01:02:52Allow me.

01:02:54Do you drink something?

01:02:55No, thank you.

01:02:58If you allow me, I'll drink a glass.

01:03:01When I'm on duty, I never drink.

01:03:10Drink, if it gives you courage.

01:03:14I'm ready.

01:03:16So, shall we play?

01:03:17How do we play?

01:03:19Yes, of course.

01:03:20You're the doctor and I'm the patient.

01:03:31It's comfortable, please.

01:03:36I have a hole here.

01:03:38It hurts.

01:03:40Ah, yes?

01:03:41And where?

01:03:42Where does it hurt?

01:03:44Here, on the belly, on the appendix.

01:03:46What a beautiful hole.

01:03:48But where is the appendix?

01:03:50Entering on the left.

01:03:51No, not there.

01:03:53Further up.

01:03:54Ah, yes, yes.

01:03:55The appendix is further up.

01:03:56The appendix is where you want it.

01:03:58My little bird, my little chicken,

01:04:00my little dog, my little cat, my little chicken.

01:04:03But, in short, let me understand.

01:04:05Are you a doctor or a veterinarian?

01:04:08Now I'm just a man.

01:04:11Don't be impetuous.

01:04:13Control yourself.

01:04:28I know that guys like you

01:04:30like to play with toys.

01:04:32That's why I put them on.

01:04:36Wait, wait.

01:04:37Don't take it.

01:04:38You can't do it.

01:04:39Please, don't take it.

01:04:41Listen, listen.

01:04:42I have to tell you something interesting.

01:04:44You like striptease, don't you?

01:04:49Sly.

01:04:55You like to watch.

01:04:59Yes.

01:05:05Come on, take me.

01:05:06Take me if you can.

01:05:09Come, my love.

01:05:11Olé!

01:05:15Oh, what a blow.

01:05:20But you're bad, aren't you?

01:05:22Just as bad as you are.

01:05:24Things have to be tasted slowly.

01:05:26Otherwise there is no taste.

01:05:27Yes, yes.

01:05:28You're right.

01:05:29No.

01:05:31You're not bad.

01:05:32On the contrary.

01:05:34Come.

01:05:35Now I really want to see what you can do.

01:05:38Please, I don't want to run.

01:05:41I want you.

01:05:46Nice, my little friend.

01:05:47But...

01:05:48What do you want to do?

01:05:51Make love to you.

01:05:53Repeat, I didn't understand.

01:05:55Make love to you.

01:05:56Even louder.

01:05:57Make love to you.

01:05:59Make love to you.

01:06:00Make love to you.

01:06:02Make love to you.

01:06:04Make love to you.

01:06:09But I have no intention of making love to you.

01:06:12How could I, with a fool who disguises himself as an Indian and walks around the city naked?

01:06:16Do you think it's serious?

01:06:17At your age?

01:06:18Sorry, but if you wanted it.

01:06:20I was kidding.

01:06:21I just wanted to have some fun.

01:06:24Then I was right.

01:06:27You're bad.

01:06:29You don't give me anything.

01:06:32I give you the negatives.

01:06:35I make love only to those who marry me.

01:06:38Ah.

01:06:41Extraordinary.

01:06:42It's the same formation of the battle of the Alps.

01:06:45Perfect.

01:06:46Colonel, the troops in shock refuse to advance.

01:06:49What?

01:06:50It's incredible.

01:06:51Disobedience to me?

01:06:52It's impossible.

01:06:53I'll take care of it.

01:07:00Make love to you.

01:07:03Make love to you.

01:07:05Make love to you.

01:07:12Honey, from now on, the nightmare is over.

01:07:15No one will disturb our happiness.

01:07:17We can see each other whenever we want.

01:07:19Even every day.

01:07:21Really?

01:07:22Of course, honey.

01:07:23And your husband?

01:07:24Well, he has his soldiers.

01:07:27He plays war.

01:07:30He has no thoughts.

01:07:31He plays.

01:07:33He plays war with the soldiers.

01:07:35Blessed is he.

01:07:43Let's call the doctor and the nurse.

01:07:45Come on.

01:07:48Hello.

01:08:00Where are you going?

01:08:01Is your friend here?

01:08:03Who is it?

01:08:04It's me.

01:08:05May I undress?

01:08:07Yes, undress yourself.

01:08:08Let's undress together.

01:08:09Let's undress and get married, sweetheart.

01:08:28Why are you in a hurry?

01:08:31You told me.

01:08:32I do not do laudatory.

01:08:34You told me. I always do what my man tells me to do.

01:08:39Yes...

01:08:43Well...

01:08:46Dress up.

01:08:48As you wish.

01:08:50Refined.

01:09:05Yes.

01:09:08Dress up.

01:09:10Dress up.

01:09:11So?

01:09:12That's the way I like it.

01:09:24Take me.

01:09:29Take me if you want.

01:09:32Take me if you can.

01:09:42Wait.

01:09:54Love, love, love, it's you.

01:09:57Love, love, love, it's you.

01:10:00No, I'm the headmaster of the university.

01:10:04You've got the wrong number.

01:10:11What are you doing? Do you feel sick?

01:10:16Me? Why?

01:10:20Why don't you dress up?

01:10:22Dress up.

01:10:23Dress up.

01:10:24Dress up.

01:10:28Let's make love.

01:10:30Let's make love.

01:10:31I only make love to those who marry me.

01:10:33I only make love to those who marry me.

01:10:54I'll marry her.

01:10:55Who will marry you?

01:10:56Who will marry you?

01:10:57Claudia.

01:10:58Claudia?

01:11:00Yes, Claudia. I'm in love with her. I'll marry her.

01:11:03Are you crazy?

01:11:04I'll marry her.

01:11:06I've never been so lucid in my life.

01:11:08I'll marry her. I'll marry her.

01:11:10I'll marry her.

01:11:14Yes.

01:11:16I'll marry her.

01:11:19Where are you going?

01:11:21I'll marry her.

01:11:23I'll marry her.

01:11:24I'll marry her.

01:11:25I'll marry her.

01:11:26Yes, I'll marry her.

01:11:32I'll marry you.

01:11:33I'll marry you.

01:11:34I'll marry you.

01:11:37Except for the fact that he's not my type.

01:11:39Anyway, try to talk to my people.

01:11:40What's up?

01:11:41Nothing, nothing.

01:11:42I've just received a disgusting marriage proposal.

01:11:46Claudia, I want to marry you.

01:11:47You wish.

01:11:49You won.

01:11:50I came to ask for your hand.

01:11:53But I need my father's consent.

01:11:55Without his signature, there's no London, no marriage.

01:11:58Yes, but after all that's happened, what do you think of me?

01:12:02There's only one way to win him over.

01:12:06And?

01:12:07Persichetti.

01:12:15Welcome back.

01:12:23The suitcases.

01:12:27Dad!

01:12:28Dad!

01:12:30What are you doing here?

01:12:31Nonsense.

01:12:34A good misfortune on the battlefield.

01:12:36But I give up melancholy.

01:12:37Where is my adorable Penelope?

01:12:39No, Luisa.

01:12:41Hi, Oresto.

01:12:42What's with that face?

01:12:44Are you still sick?

01:12:48Did you take all my suitcases?

01:12:50Look, there must be my combat suit.

01:12:53You should have come with me.

01:12:55I had a lot of fun.

01:12:57Combat in the woods.

01:13:00In the woods.

01:13:06Dad.

01:13:07Our neighbor wants to talk to you.

01:13:09And I thought I'd invite him to dinner tomorrow evening.

01:13:12Who? The madman?

01:13:14Yes.

01:13:15It's him.

01:13:16I have to warn the infirmary to be ready.

01:13:19There's no need, Dad.

01:13:21He's calmed down lately.

01:13:25You can't do this crazy marriage.

01:13:27And why?

01:13:29The doctor is and will remain my lover.

01:13:31Don't you like the four menages?

01:13:33You lead those three well.

01:13:34You won't marry him.

01:13:35If Dad gives me permission, no one can stop me.

01:13:37Your father doesn't know anything.

01:13:39Think about it and inform him.

01:13:40So he can change his mind.

01:13:42I have an idea.

01:13:49Doctor, what can I do for you?

01:13:53Do you want some red wine?

01:13:56No, thank you.

01:13:57I've had enough.

01:13:58The doctor wants to say something to Dad.

01:14:00Why don't you let him talk?

01:14:02Of course.

01:14:03I'll talk to him.

01:14:06Yes, of course.

01:14:08It's a delicate matter.

01:14:11Claudia and I...

01:14:12You!

01:14:14I wanted to say that at the table

01:14:16we should never talk about serious things.

01:14:18Yes, of course.

01:14:19So, do you want that glass of red wine, Doctor?

01:14:22I've already told you I don't want it.

01:14:24Yes, no.

01:14:25Maybe it will do me good.

01:14:26Because, as my old commander used to say...

01:14:28Persichetti.

01:14:29The colonel...

01:14:31Persichetti.

01:14:33Sicchetti.

01:14:36Persichetti.

01:14:37Yes, yes, that's him.

01:14:38The legendary commander of the Arditi.

01:14:40Do you think the wine will give you courage?

01:14:41You'll hear it when you say his name!

01:14:43Ouch!

01:14:44What a blow, what a pain, what a pain!

01:14:47We found ourselves in the desert,

01:14:49among a thousand enemy fires,

01:14:51without water and without food,

01:14:53without ammunition and without fuel,

01:14:55without a future and without hope,

01:14:57when...

01:14:58when he, General Persichetti,

01:15:00found the solution that allowed us to save our lives.

01:15:03And how did he do it?

01:15:05He launched a radio call.

01:15:06Ah!

01:15:07Yes, a call that said our position.

01:15:09Ah, and so they arrived in time to save you.

01:15:12No, never!

01:15:13They never arrived!

01:15:14The call was indicated to a wrong position.

01:15:17It was never known whether it was intended or accidental,

01:15:19but the enemy moved in that direction,

01:15:21leaving us a free boat to pass.

01:15:23And at nightfall,

01:15:24crawling on the sand,

01:15:26fed by thirst and hunger,

01:15:28we crossed the enemy lines.

01:15:30Ah!

01:15:31Africa of 1942, eh?

01:15:32Barbary of 1969.

01:15:34Yes, Africa, or maybe Russia,

01:15:36or, or...

01:15:38Greece, on the Piraeus.

01:15:40Ah, I don't remember well.

01:15:41Sometimes my mind gets foggy.

01:15:43Of course, with this wine.

01:15:45But maybe I'm wrong, Campagna.

01:15:47For me, you're wrong, Vignetto.

01:15:49But what does the place and the time matter?

01:15:51The idea was brilliant,

01:15:53because the man was brilliant.

01:15:55General Persichetti was my master in life

01:15:58and under the arms.

01:15:59Ah!

01:16:00How much dust on my boots!

01:16:02They should give me the Marshal's stick.

01:16:04Here, good.

01:16:05You have the dust,

01:16:06they give you the stick,

01:16:07and so you make the wine yourself.

01:16:09In truth...

01:16:10It's late,

01:16:11you'd better go to bed.

01:16:12We'll stay with the doctor.

01:16:14Yes, I'm really very tired.

01:16:17You'll excuse me.

01:16:23Come and see us when you want.

01:16:25You're very nice.

01:16:27Psst, the hand, the hand.

01:16:29Mr. Colonel.

01:16:30Yes?

01:16:31I, I ask you for the hand.

01:16:33Not the hand!

01:16:34Not the hand!

01:16:35The hand of your daughter.

01:16:38Claudia's hand is to do what?

01:16:41I'm in love with her,

01:16:43and I want to marry her.

01:16:45Eh?

01:16:57You have to give me a kiss.

01:17:05I'm not at all sorry for this doctor.

01:17:08He's a good boy.

01:17:10Boy?

01:17:12But he'll be twice as old as Claudia.

01:17:15He's too old for her.

01:17:17The best marriages always happen between people

01:17:20who have a good age difference.

01:17:22Look at ours.

01:17:24Precisely.

01:17:25I just wanted to say that this doctor

01:17:27is a strange guy,

01:17:28and then with everything he's done,

01:17:30there's little to trust.

01:17:32He was a good soldier.

01:17:34He's a good soldier, he's also a good husband.

01:17:40Look at me.

01:17:43The Stukas?

01:17:44The Stukas.

01:17:45They weren't there.

01:17:46But there were the bombers.

01:17:48And if there's one thing that's always terrified me,

01:17:51it's the bombings.

01:17:53And then,

01:17:54I got involved.

01:17:57What a fool.

01:17:59But are you sure that Luisa will tell the truth to your father

01:18:01and prevent the marriage?

01:18:03She's too hot to let him escape.

01:18:05I'd go easy on her.

01:18:06If you don't have the courage to talk,

01:18:08you'll find yourself married to the doctor.

01:18:10Luisa will talk, I'm sure of it.

01:18:12And then?

01:18:13The mess I want will happen.

01:18:15Only then will I find myself satisfied.

01:18:18It suits you very well, miss.

01:18:22How beautiful.

01:18:23Yes, tomorrow I'll make a great figure.

01:18:26Now tell me,

01:18:27I'll make the last adjustments

01:18:28and I'll bring it back tomorrow morning.

01:18:32It's going to be a great day.

01:18:35You can be happy, sir.

01:18:37Your daughter is the most beautiful bride in the city.

01:18:41You're not getting married tomorrow.

01:18:42Tell your father it was a joke.

01:18:44I'm not joking.

01:18:45You're the one who has to tell your father

01:18:47that the doctor is your lover

01:18:48and that you didn't let me leave for London because of him.

01:18:50Only in these conditions do I give up the marriage.

01:18:53Do you think he can't do it?

01:18:54Now I'm going to him and I'll tell him everything.

01:18:56And you're going?

01:18:57Dad's over there.

01:19:02Oreste.

01:19:03But look at the world we live in.

01:19:07The husband, after surprising his wife with the rich lover,

01:19:10apologizes and leaves the room.

01:19:13The next day, he goes to the lawyer

01:19:15asking the two of them for compensation for immoral and immaterial damage.

01:19:21What a mess!

01:19:22There is no sense of honor anymore.

01:19:24A gun was needed.

01:19:27Let's leave it.

01:19:28It's down to crush them both.

01:19:33Well, did you want to tell me something, dear?

01:19:35No, nothing, dear.

01:19:37Nothing.

01:19:56Let's go.

01:20:26Let's go.

01:20:34This marriage has nothing to do with it.

01:20:36The husband is the lover of the matrimony of the bride.

01:20:57The marriage of the bride and groom

01:21:18Delightful brides,

01:21:20you have come here today to find a marriage of your own free will.

01:21:26Is it true?

01:21:27Yes or no?

01:21:29I would like an explicit answer.

01:21:31Yes.

01:21:34Well, then, you don't mind.

01:21:38If there is someone who opposes this holy union,

01:21:41have the courage to say it right away.

01:21:44I repeat, this is the time to speak.

01:21:49If there is someone who has to speak,

01:21:51speak right away,

01:21:53or you will be hunted forever.

01:21:56No one?

01:21:57Then I go?

01:21:58I proceed?

01:21:59Go ahead and proceed.

01:22:01No, because I don't want anonymous notes to come out,

01:22:05mysterious phone calls,

01:22:06gossip.

01:22:08So, I'm going to the villa,

01:22:10whoever has to speak, speak.

01:22:14I'm waiting.

01:22:18Whoever has to speak, have the courage of his actions.

01:22:24Did I explain myself?

01:22:27But it is unheard of.

01:22:29My daughter is as clear as a fountain of water.

01:22:33For heaven's sake, I don't mean to say,

01:22:35but there is not only the past,

01:22:37there is also the future,

01:22:38we have to think in time.

01:22:39Sometimes, in the quiet of a domestic fire,

01:22:43the most turbid passions,

01:22:45the most turbid and insane concupiscences,

01:22:49you know what you feel in confessionals.

01:22:54In short, decide.

01:22:57Here I am, really.

01:23:00You see, there is someone who opposes.

01:23:03Well, I meant that there is truth in his wise words.

01:23:11Then let's postpone this ceremony until everything has calmed down.

01:23:15In short, enough.

01:23:17I order you to proceed without hesitation.

01:23:19One moment.

01:23:20I'm the one in charge here.

01:23:24It's them, of course.

01:23:26So, for the last time,

01:23:29have you decided?

01:23:31I love Claudia, Claudia loves me.

01:23:34Are you sure?

01:23:36I don't mean to say, but he's pretty old.

01:23:39Let's say he could be his father.

01:23:41I'm not even 40 years old.

01:23:42And you don't think so?

01:23:44Our Lord Jesus Christ, who was who he was,

01:23:47at his age he had already died seven years ago.

01:23:49But I have a strong health.

01:23:51What do you mean?

01:23:54Let me finish.

01:23:57Don't you know that since the last world statistics,

01:24:00after the massacres of Vietnam and Cambodia,

01:24:03the average life expectancy has dropped to 39 years?

01:24:06So, son, don't get your hopes up.

01:24:09You've already lived a year too long.

01:24:15And I'm talking to you, miss.

01:24:17Think about it, don't rush.

01:24:21Because you're practically a widow before you're even married.

01:24:25A potential widow.

01:24:27Mathematics is not an opinion.

01:24:29Anyway, that's enough.

01:24:30Either you marry us or we go to the mayor's office.

01:24:33Ah, yes, we put it on this plan.

01:24:35Let's make a deal.

01:24:37Well, I did what I could.

01:24:40Are you happy?

01:24:44So, you, Filippo Cinti,

01:24:47do you want to marry the present Claudia Raselli?

01:24:51Yes.

01:24:54And you, Claudia Raselli,

01:24:56do you want to marry the present Filippo Cinti?

01:25:08No!

01:25:10No, stop.

01:25:11They can't do it.

01:25:13The husband is my lover.

01:25:18Claudia, is it true what Luisa says?

01:25:21Yes, it's true, dad.

01:25:25But I'll kill you!

01:25:30I'll throw you out of the house!

01:25:32Traitor!

01:25:34Curse you!

01:25:35Have some respect for the new sage!

01:25:37Stop!

01:25:38For justice!

01:25:40Defend yourself!

01:25:45Stop!

01:25:46No, no, this is not fair!

01:25:48Sir, let this happy day be no less than...

01:25:50No!

01:25:51Oreste, don't do it!

01:25:53Cornello, I'll kill you!

01:25:54I'll kill you too!

01:26:00Watch the ladder!

01:26:17Dad, don't worry.

01:26:19It was just a joke.

01:26:21What a joke!

01:26:23A real low blow.

01:26:25I played the part of the crook.

01:26:28I'm leaving for London.

01:26:30Why don't you go for that course of high strategy?

01:26:47Oreste, I'm ready to leave if you want.

01:26:50My place is next to yours.

01:26:52Not even the honour of the arms has been granted to me...

01:26:55to wash the offence in blood.

01:27:04The passengers of flight 238 of 9.30 for London...

01:27:08are asked to present themselves at the boarding gate.

01:27:11The passengers of flight 238 of 9.30 for London...

01:27:15are asked to present themselves at the boarding gate.

01:27:20Claudia!

01:27:22Claudia!

01:27:24Claudia.

01:27:26I've come to say goodbye. Have a good trip.

01:27:29I'm going to London too in a little while...

01:27:31for a surgery congress.

01:27:32Maybe, if you believe, we can meet there.

01:27:35Maybe?

01:27:36London is so big.

01:27:38Listen, why don't you give me your phone number?

01:27:45No.

01:27:58Ciao!

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