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Transcript
00:00:00You
00:00:30Do
00:01:00Do
00:01:30Do
00:02:00Bye-bye
00:02:12Vidal
00:02:19Vidal
00:02:21Vidal a me a key allora secondo le nuove disposizioni la mia qualifica quella di personale non insegnante
00:02:28Si va bene va bene allora dottore
00:02:33Se non le dispiace faccia entrare gli studenti e mi raccomando quattro alla volta non voglio chiasso qui
00:02:41ordine ci vuole disciplina
00:02:45Fascista siamo ancora in pieno medioevo
00:02:49Esami scrutini voti tutti strumenti del potere per traumatizzare questa povera gioventù
00:02:55I quadri sono esposti non via fallate piano senza spingere
00:03:04Bosco avanti
00:03:10Avanti
00:03:12Aveva detto quattro per volta non esageriamo sono entrati tutti e gli altri
00:03:18Latitanti con tu macchie si capisce e tanto lo sanno che sono tutti promossi
00:03:23allegria allegria
00:03:25Questa non è più una scuola questo è un casino
00:03:39Parini matura
00:03:41Matura
00:03:44Poletti matura si va bene ho capito promossa
00:03:52Doretti matura
00:03:55Gloria testata promossa
00:03:58Ma che mi frega ti dicevo nazareschi matura perdon matusa
00:04:05Si mariani mariani
00:04:09Tu quanto rompi che c'è matura
00:04:13A me va bene pure acerba
00:04:17Claudia taglia corto con rossana ma non capite non me ne frega niente della promozione e per il viaggio
00:04:23ora possiamo partire partire partire
00:04:26Londra ci attento
00:04:28Londra sei tutta nostra
00:04:30Si ci dovremmo dare il volo
00:04:32Il soggiorno
00:04:34Pronto Rosanna cosa dici non sento
00:04:37Daniella oh poverina mi dispiace
00:04:42Daniella Daniella cosa c'è
00:04:46momento Daniella si è stata bocciata
00:04:49bocciata
00:04:51Porca miseria come sono contenta è stata dura ma ce l'ho fatta ero così preoccupata con questa storia di tutti i promossi
00:04:57Pronto la FAO mi passa il 231 per favore
00:05:14Pronto ci sei tu una bellissima notizia sono stata bocciata ora non dovrò più partire per Londra
00:05:22e no
00:05:24Avremo tre mesi tutti per noi
00:05:27e sbrigati a imbarcare per l'africa quella stronza di tua moglie
00:05:34Ma che ci trovi in un uomo di 40 anni è come averne due davetti
00:05:42Chi va la
00:05:43Ad un esame superficiale si direbbe umanoide di sesso femminile di razza bianca capelli biondi occhi azzurri
00:05:50pure bonarella cosa desidera il colonnello Raselli ma lei chi è la sua amante ma non lo dica nessuno
00:05:58Non è possibile
00:06:00Non è proprio impossibile
00:06:02Non esistete
00:06:04Il processo è diventato troppo duro
00:06:06Non c'è niente da fare
00:06:08Adesso provo con questo
00:06:10Niente da fare non esiste per il colonnello Raselli
00:06:12A voi miei tradi
00:06:14Papà devi firmarmi il consenso per i viaggi in Inghilterra sono stata promossa agli italiani
00:06:18Ma questo non è il momento
00:06:20C'è un'operazione in corso
00:06:22Tu stessa
00:06:24Forza
00:06:27Forza
00:06:47Ci risiamo
00:06:49Un'altra fra tutti
00:06:51Il mio braccio sinistro
00:06:53Il braccio sinistro
00:06:56Sbarcai sulla costa
00:06:59Sbarcammo
00:07:02Al comando di un pugno di prodi soldati
00:07:08E attraversai
00:07:10Attraversammo
00:07:12Le linee nemiche
00:07:14Che ci fronteggiavano
00:07:18Nel deserto infuocato
00:07:21Così raggiunsi
00:07:23Raggiungemmo
00:07:25Il comando
00:07:28Del maresciallo Rommel
00:07:32La volte del deserto
00:07:34Battendomi la mano sulla spalla
00:07:37Mi disse
00:07:39Buongiorno
00:07:43Forse è meglio di no
00:07:45Però
00:07:47Voi siete la più gloriosa
00:07:49Testa di un momento
00:07:51Non ho ancora finito
00:07:53Dove eravamo
00:07:55Ma sei impazzito
00:07:57Ho detto testa di ponte
00:07:59P-O-N-T-E
00:08:05Ecco papà
00:08:07Una firmetta qui
00:08:13Ma perché proprio in Inghilterra
00:08:15E dove dovrei andare
00:08:17Ma che so io
00:08:19C'è la Spagna e il Cile
00:08:21Paesi pieni di sole
00:08:23Paesi sani, seri, ordinati
00:08:25E tu che ne dici Luisa
00:08:27Veramente gliel'hai promesso
00:08:29E poi l'inglese si impara in Inghilterra
00:08:31E va bene un colonnello ha una sola parola
00:08:33Ma preferirei che tu non avessi nulla a che fare con quella gente
00:08:35Ma via papà
00:08:37Gli inglesi sono un popolo civile
00:08:39Questo lo credi tu
00:08:41Perché tu non sei di Tobruk
00:08:43Sono una razza perfida e aggressiva
00:08:45E' un salamane per bacco
00:08:47Che Dio li maledica
00:08:53Insomma speravo di non avere niente a che fare con loro
00:08:55Ma da te
00:08:57Grazie
00:08:59Prego
00:09:03Ha telefonato l'ufficio storico del ministero
00:09:05No
00:09:09Ma due giorni più tardi
00:09:11Capisci micione
00:09:13E' stata promossa
00:09:15Ma come chi
00:09:17Claudia, la mia figliastra
00:09:19Non te ne frega niente
00:09:21Ma non capisci
00:09:23Ora se ne andrà a Londra per due anni
00:09:25E io sarò più libera
00:09:27E così potremo vederci più spesso
00:09:29Ti richiamo dopo
00:09:37Allora
00:09:39Sempre al lavoro la mia cara Penelope
00:09:41Per gli orfanelli non si fa mai troppo
00:09:43Questa sera la porterò alle dame di San Vincenzo
00:09:45E' quasi finita
00:09:47Meglio così
00:09:49Perché presto partiremo anche noi
00:09:51Partiremo
00:09:53Sì certo
00:09:55Ti annuncio che ho accettato il comando della scuola di motorizzazione
00:09:57A vivo Valencia
00:09:59A vivo Valencia
00:10:01Ma se l'hai sempre rifiutato
00:10:03Oh sì perché Claudia doveva completare gli studi
00:10:05Ma adesso
00:10:07In Grecia, in Turchia
00:10:09E poi
00:10:11Due anni sono lunghi
00:10:13Ma che importa tanto qui non abbiamo più legami
00:10:15Ma questo lo dici tu
00:10:17Le dame di San Vincenzo, le opere assistenziali
00:10:19E poi tu qui insomma
00:10:21Adesso sei stimato
00:10:23La non ti faranno mai generale
00:10:25Oh di questo proprio me ne frego
00:10:27Oggi la storia la fanno i colonnelli
00:10:29E poi ormai è deciso
00:10:31Ah sei qui
00:10:33Eh
00:10:35Riprendiamo pure le nostre memorie
00:10:37Ha telefonato l'ufficio storico del ministero
00:10:39No
00:10:41Allora dove sono rimasto
00:10:43A trent'anni fa
00:10:45Bene
00:10:57Luisa che cosa vuoi che ti mandi da Londra
00:10:59Qual è il regalo che preferisci
00:11:01Che tu rimanga qui
00:11:05Ma che dici sei matta
00:11:07Volevo dire che mi dispiace vederti partire
00:11:09Io ti voglio bene come se tu fossi
00:11:11Veramente figlia mia
00:11:13Anch'io ti voglio bene
00:11:15E per questo che ti lascio sola con papà
00:11:17Ma non me lo strapazzare troppo
00:11:19Alla sua età la seconda potrebbe essergli fatale
00:11:21Ma che dici, che discorsi fai
00:11:23Amore
00:11:25Arrivo, arrivo
00:11:27Dai dai dai dai
00:11:39Dai amore
00:11:41Amore
00:11:43Che bello finalmente
00:11:47Sono cosi emozionato
00:11:49E tu e tu
00:11:51Allora
00:11:53Dai amore
00:11:55Su dai
00:11:57Gli stucas apparvero nel cielo
00:11:59Alle prime luci dell'alba
00:12:03E lì cominciò la battaglia di Tobog
00:12:07Nebbia in Val Padana
00:12:13Cara ti vedo preoccupata
00:12:15E per Claudia
00:12:17Ci ho ripensato
00:12:19Sai cosa significa Londra per una ragazza giovane e inesperta
00:12:21No
00:12:23Droga
00:12:25Sesso
00:12:27Perversione
00:12:29Non me ne meraviglio
00:12:31Ogni giorno se ne sente una
00:12:33Su quella malefica città
00:12:35Stupri
00:12:37Tratta delle bianche
00:12:39Seviziatori
00:12:41Maniaci sessuali
00:12:43Ma questo non lo credo
00:12:45Gli inglesi sono sempre stati un po' come si dice
00:12:47Loro si ma gli altri
00:12:49Gli orientali
00:12:51I gialli
00:12:53Ma Claudia va in collegio
00:12:55E proprio in questi ambienti
00:12:57Che i marocchini cercano le ragazze da adescare
00:12:59I marocchini
00:13:01Marocchini, tunisini, algerini
00:13:03Gli inglesi in Inghilterra
00:13:05Ne sono rimasti pochissimi
00:13:07La fine che merita
00:13:09La perfida albione
00:13:11Fece bene Hitler a bombardarla
00:13:21Papa
00:13:45Papa
00:13:47Aiutami
00:13:49Papa!
00:13:53Papa!
00:14:01Papa!
00:14:03Help!
00:14:11Papa!
00:14:20The Moroccans! Help!
00:14:22The Moroccans!
00:14:23Oreste!
00:14:24Oreste!
00:14:25What's going on?
00:14:27Nothing.
00:14:29It was just a bad dream.
00:14:31A very bad dream.
00:14:50Claudia, you're not leaving anymore.
00:14:53Why shouldn't I leave?
00:14:55No, no, no. I've thought about it for a long time.
00:14:58You can't leave. It's too dangerous.
00:15:01Dangerous?
00:15:03I'm sorry, you know.
00:15:05But what kind of danger?
00:15:07Everything. Drugs, perversion, sex, violence, rape, Moroccans.
00:15:12London is the capital of vice.
00:15:14And you're too young and still too inexperienced.
00:15:17Who put you up to this nonsense?
00:15:19I know what I'm saying.
00:15:21As a father, I have the duty to defend you and protect you.
00:15:24And I'm old enough to take care of myself.
00:15:26No.
00:15:27You're still a child. I won't let you leave.
00:15:34Luisa, tell your father to stop this nonsense.
00:15:38You know your father, dear.
00:15:40When he decides, he decides.
00:15:42He's a man all in one piece.
00:15:48Well, if you want to know, I don't care about your absurd worries.
00:15:52I'm leaving anyway.
00:15:58You can't leave without my written consent.
00:16:04Fascist, Duce, Mussolini.
00:16:08And you think you can offend me?
00:16:18You'll pay for this, dear.
00:16:36Come on, let's go. If we don't, we'll all end up here.
00:16:39Come on, let's go. It's getting late.
00:16:41No, I'm not leaving.
00:16:42Hey, what's the matter with you?
00:16:44My father doesn't want me.
00:16:46I don't care, but I can't leave without your consent.
00:16:49I'm not even 18 yet.
00:16:51Look at you.
00:16:53I'll see you in three months, when I'm an adult.
00:16:56I'm sorry.
00:17:00I'll see you in London.
00:17:02I'll be waiting for you.
00:17:04Bye, Claudia. Don't catch him.
00:17:06Kill him, he's old. He's running away to England.
00:17:10Bye, Claudia.
00:17:11Bye.
00:17:12Bye, Claudia.
00:17:13We'll write to you.
00:17:14Bye.
00:17:17And so, Gianluigi will leave her alone in London.
00:17:20What a nice trick.
00:17:24But even your godmother, what a son of a bitch.
00:17:27And to think that she seemed happy that I was leaving.
00:17:30I don't care. First she's happy and then she's against it.
00:17:33I'd go all the way.
00:17:35They can't break the boxes for no reason.
00:17:38They're afraid of London, of the Moroccans.
00:17:41Why? What do the Moroccans have?
00:17:43Oh, my Chichi.
00:17:45Bye.
00:17:46Excuse me, I have to go.
00:17:57What are you doing?
00:17:59Do you want me here with you?
00:18:01Then accept me as I am.
00:18:02You won't have it with me. It was your father who decided.
00:18:05Look, you won't give it to me to drink.
00:18:07I don't have time to talk.
00:18:08The ladies of San Vincenzo are waiting for me.
00:18:10There's a gift delivery.
00:18:11That's good.
00:18:12Then go clean the ass of the orphans.
00:18:14I won't let you talk to me like that.
00:18:16And to think that I considered you a friend,
00:18:18and instead you're a viper.
00:18:20Since you set foot in our house, you've only hindered me.
00:18:23It's been years since you tormented me, but now I really want to tell you.
00:18:26You're pissing me off.
00:18:27Enough, Claudia.
00:18:29Enough, for fuck's sake.
00:18:31You circled my father and now you take advantage of him.
00:18:34So, Admiral Dennis,
00:18:37beating me on the shoulder,
00:18:40with a loud voice, he told me...
00:18:42You're a piece of shit.
00:18:44You're a piece of shit.
00:18:46Enough.
00:18:47You broke my boxes.
00:18:48Enough.
00:18:49This Dennis had a clear idea.
00:18:52Did you see that?
00:18:53It's possible that now in every place where you talk,
00:18:56the barracks are clean.
00:18:57And go to hell, too.
00:18:58What?
00:18:59Oh, my God.
00:19:00Luisa, Luisa.
00:19:01Hurry up, help me.
00:19:03Do something.
00:19:04Oh, Luisa.
00:19:05Look at this.
00:19:07She's fainted.
00:19:08Now the attack is coming.
00:19:10She's fainted.
00:19:11We need help.
00:19:12We need the ambulance, the first aid, the military hospital.
00:19:14Alert the command.
00:19:15Mr. Colonel, maybe it's enough to call the gentleman from the villa next door.
00:19:18He's a doctor.
00:19:24Please, doctor.
00:19:25Follow me.
00:19:26Good morning.
00:19:27Who is this woman?
00:19:28My wife, doctor.
00:19:29Come, please.
00:19:30Look.
00:19:31What is it?
00:19:41The beats are normal.
00:19:42The temperature is normal.
00:19:43There's nothing to say.
00:19:44But you...
00:19:45Don't worry.
00:19:46I'm the doctor.
00:19:47I came to see how she is.
00:19:48Better.
00:19:49Much better.
00:19:50It's nothing.
00:19:51Give the lady a couple of these pills.
00:19:52The lady will feel better.
00:19:53Okay.
00:19:54Don't worry.
00:19:55Just a simple headache.
00:19:56If you need anything, call me.
00:19:57Just two?
00:19:58Two.
00:19:59Okay.
00:20:09Just two?
00:20:10Two.
00:20:12Who would have thought to have such a close relative?
00:20:15He's a handsome guy.
00:20:17Excuse me?
00:20:18Handsome guy.
00:20:20Because he's a little...
00:20:23But...
00:20:25As you can see,
00:20:26the kidneys have the characteristic shape of a bean.
00:20:29And they are placed in the back of the abdomen,
00:20:32behind the peritoneal cavity,
00:20:34and on the sides of the last two vertebrae,
00:20:36and the first two lumbar vertebrae.
00:20:40The kidneys...
00:20:42What do you think?
00:20:43Do you like it?
00:20:45It's not bad,
00:20:46but it doesn't tell me much.
00:20:48I find it so cool that just looking at it gives me goose bumps.
00:20:51It's a matter of skin.
00:20:53Exactly.
00:20:54The main function of the kidneys
00:20:56is to purify the blood from many catabolites,
00:20:58among which mainly urea.
00:21:00If anyone has any questions...
00:21:03Professor, excuse me,
00:21:04but when you run out of pee,
00:21:05you don't know how to stop it.
00:21:06What does it depend on?
00:21:10But why do you want to stop it, Miss?
00:21:12The face, the face.
00:21:14At the end, on the left.
00:21:16Silence.
00:21:17He fooled you.
00:21:18You have to use more subtle and convincing arguments
00:21:21if you want to win him over.
00:21:22If anyone has any serious questions...
00:22:10Oh!
00:22:11Oh!
00:22:12Did you hurt yourself?
00:22:13My foot.
00:22:14Oh, God, what a pain.
00:22:15Come on.
00:22:16Come to my house.
00:22:17I'll give you a medication.
00:22:20Ouch!
00:22:23You'll see.
00:22:25This will put the incest back in your head.
00:22:27You'll see.
00:22:28You'll see.
00:22:29You'll see.
00:22:30You'll see.
00:22:31You'll see.
00:22:32You'll see.
00:22:33You'll see.
00:22:34You'll see.
00:22:35You'll see.
00:22:36You'll see.
00:22:37You'll see.
00:22:38You'll see.
00:22:39You'll see.
00:22:40You'll see.
00:22:41You'll see.
00:22:55I will take you home now.
00:23:00Wait, it still hurts.
00:23:03Courage.
00:23:05Stand up.
00:23:08Ouch!
00:23:09Come on, come on, walk.
00:23:10I can't.
00:23:14I assure you that we can get home on our own.
00:23:22You're not very cordial, Doctor.
00:23:24After all, we're close to home.
00:23:25We could even become friends.
00:23:27Miss, how old are you?
00:23:29Almost 18.
00:23:31Here.
00:23:32I'm about twice your age.
00:23:34I could be a friend of your parents.
00:23:38I'm sorry.
00:23:59Help!
00:24:00Help!
00:24:01I'm sick!
00:24:02It hurts!
00:24:04Oh, God!
00:24:05What's wrong, Claudia?
00:24:06Claudia!
00:24:07Help me, please!
00:24:08What's wrong?
00:24:09Why are you screaming?
00:24:10Claudia, my child, what's wrong?
00:24:11It hurts!
00:24:12It hurts!
00:24:13Where does it hurt?
00:24:14Here, in the belly.
00:24:15It's terrible.
00:24:16It must be indigestion.
00:24:17No, it can't be.
00:24:18We ate white rice and boiled fish.
00:24:20It must have been fish in gusto.
00:24:22Do something.
00:24:23Let's take her to the hospital.
00:24:25No, a doctor.
00:24:26Call the doctor, please.
00:24:28Ouch!
00:24:29I understand.
00:24:30The peak.
00:24:31The doctor is right here.
00:24:34I'm going.
00:24:36Here we are.
00:24:37Ah, doctor.
00:24:39Good morning.
00:24:41Come in.
00:24:43Ah, you're the one who's sick.
00:24:45What's wrong?
00:24:46Where does it hurt, miss?
00:24:48Here, doctor, here.
00:24:51Leave us alone.
00:24:52The doctor has to see me.
00:24:55No.
00:24:56Does it hurt here, if I push?
00:24:58No.
00:24:59No.
00:25:00Here?
00:25:02No.
00:25:03Here?
00:25:04Here?
00:25:05No.
00:25:06Excuse me, but then where?
00:25:07Down there.
00:25:09It covers.
00:25:10No, no, then they can stay.
00:25:12I'm done.
00:25:13There is no doubt.
00:25:14It's just indigestion.
00:25:16It will be enough for the lady to respect a whole day of fasting.
00:25:19Thank goodness.
00:25:20I really thought ...
00:25:21A fool.
00:25:22But since there is a ration left, why don't you stop at the table with us, doctor?
00:25:25What do you have to eat?
00:25:27Milk tea.
00:25:28Rusty.
00:25:29Are you okay?
00:25:30Why not?
00:25:32The potato is ready.
00:25:33The potato is ready.
00:25:40Here is one of my specialties.
00:25:42Chicken and veal in green sauce.
00:25:44I understand, miss, that it must be a suffering for you,
00:25:47but in some cases abstinence is necessary.
00:25:53So, as I told you, dear doctor,
00:25:56the Reich's armored divisions were placed on the border line
00:26:02in this formation.
00:26:04To the right, the heavy artillery.
00:26:08In the center, the Panzer division,
00:26:12that commanded by the Feldmarschall Guderian.
00:26:19To the left, the light units.
00:26:23We must not forget that in 18 days
00:26:27the resistance of Poland was broken.
00:26:31The provision of forces on the field
00:26:34repeated practically the same line-up
00:26:39of the final attack on Warsaw.
00:26:42Here it is, precisely.
00:26:43With this line-up, the army was getting closer
00:26:47implacably to crush the Low Countries.
00:26:50Like a hand of iron.
00:26:52Not a hand.
00:26:53But how not?
00:26:54This is history, my dear.
00:26:58The enemy had no escape.
00:27:00The war machine of the Third Reich,
00:27:03unstoppable,
00:27:04clasped it in an iron grip.
00:27:10Excuse me, I got carried away in the story.
00:27:13Yes, indeed, you let yourself be taken a little too much.
00:27:17What did I tell you, dear?
00:27:18I am a narrator of the race.
00:27:21You'll see.
00:27:22Only your daughter is distracted.
00:27:24It's just that I'm not well, you know.
00:27:25I'm afraid that the fast is not enough.
00:27:27We will need a good dose of ricin oil for the young lady.
00:27:30I completely agree.
00:27:32Ricin oil has always done well.
00:27:35More to the right.
00:27:36More to the left.
00:27:37And now tighten your nose.
00:27:39Raise your head.
00:27:41With this, her troubles will pass.
00:27:45Oh, dear.
00:28:15Oh, dear.
00:28:46Oh, dear.
00:28:52Every time I think of him, I feel like mixing everything.
00:28:55This is love.
00:28:56What love? This is purgatory.
00:28:58But this son of a bitch will pay me.
00:29:07If we enter his house,
00:29:08maybe we can understand what kind of man he is.
00:29:10One who gives up a girl like you,
00:29:13I don't know a little.
00:29:23Look here.
00:29:24This window is open.
00:29:26Let's jump in.
00:29:27Come on, come on.
00:29:33Oh, dear.
00:29:34Oh, dear.
00:29:44You've done a good job, doctor.
00:29:55Where do we start?
00:29:59From that closet over there.
00:30:01Who would have imagined it?
00:30:03A doctor who works in this kind of place.
00:30:06I'm not surprised by what happens in hospitals.
00:30:09For me, he's a sadist.
00:30:11What do you say?
00:30:12Let's go see his room.
00:30:20Oh, dear.
00:30:21Oh, dear.
00:30:22Oh, dear.
00:30:23Oh, dear.
00:30:24Oh, dear.
00:30:25Oh, dear.
00:30:26Oh, dear.
00:30:27Oh, dear.
00:30:28Oh, dear.
00:30:29Oh, dear.
00:30:30Oh, dear.
00:30:31Oh, dear.
00:30:32Oh, dear.
00:30:33Oh, dear.
00:30:34Oh, dear.
00:30:35Oh, dear.
00:30:36Oh, dear.
00:30:37Oh, dear.
00:30:38Oh, dear.
00:30:39Oh, dear.
00:30:40Oh, dear.
00:30:41Oh, dear.
00:30:42Oh, dear.
00:30:43Oh, dear.
00:30:44Oh, dear.
00:30:45Oh, dear.
00:30:46Oh, dear.
00:30:47Oh, dear.
00:30:48Oh, dear.
00:30:49Oh, dear.
00:30:50Oh, dear.
00:30:51Oh, dear.
00:30:52Oh, dear.
00:30:53Oh, dear.
00:30:54Oh, dear.
00:30:55Oh, dear.
00:30:56Oh, dear.
00:30:57Oh, dear.
00:30:58Oh, dear.
00:30:59Hey, look what I've found.
00:31:20Come on, let's read it.
00:31:31My little boy.
00:31:33My little boy.
00:31:35It's been a long time since you gave your kitten a bath.
00:31:38Are you in the mood?
00:31:39That idiot husband of mine wants to stay here for another week.
00:31:42He says that the mountain air makes him feel better.
00:31:45I need other things to make me feel better.
00:31:48Oh, I get it.
00:31:50This one has a lover.
00:31:57Damn it.
00:31:58Look where the blanket ended.
00:32:01I don't know where you usually put it, but on the bed it's not bad.
00:32:04But it's the one that Luisa made for the ladies of San Vincenzo.
00:32:08This big son of a bitch.
00:32:10And she's the doctor's lover.
00:32:11Now I understand everything.
00:32:12It was she who blocked me.
00:32:14If I had left for London, Dad would have brought her to Vivo Valencia.
00:32:17And goodbye, Doctor.
00:32:25Excellent, it's abundant.
00:32:26Good boy.
00:32:27Come on.
00:32:29What are you doing?
00:32:36Well, thank you.
00:32:37And goodbye.
00:32:38Come back for lunch, dear.
00:32:39It's not possible, dear.
00:32:40I have a breakfast in the field with General Viglionese.
00:32:43But, sir.
00:32:48I'm out all day too.
00:32:51Don't wait for me for lunch.
00:32:52I'm with Daniela.
00:32:53All right.
00:34:17THE END
00:34:47THE END
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00:39:32Ho.
00:39:33Ho.
00:39:35Porr Prabudana Hello deg.
00:39:39Here I am. I ran a race. I like it when you're so impatient and excited.
00:39:47Excited, you mean?
00:39:49Mamma mia, I'm all on fire.
00:39:52There, good. Then burn this one in the meantime.
00:39:57How nice, the porn photos.
00:40:00Every day you invent a new one.
00:40:04Of course, you poor thing, have a few flaws, don't you?
00:40:08No, dear, it's better if you keep them.
00:40:10The flaws are yours, dear.
00:40:13This one is you.
00:40:16I've never been photogenic.
00:40:18Why do I care?
00:40:19It's possible that you don't understand anything.
00:40:21There's someone here who wants to blackmail us, do you understand?
00:40:24Blackmail us?
00:40:25I found it this morning in the mailbox.
00:40:27Yes, but who can say that these are us? There are no faces.
00:40:30There are no faces, there are no faces.
00:40:33The faces will come, a little piece at a time, to increase the price of blackmail.
00:40:37Mamma mia, who can it be?
00:40:40What can we do?
00:40:41What can we do?
00:40:43What can we do?
00:40:50All we have to do is wait for the events.
00:40:54The chief of police has underlined the importance of the concept
00:40:58given by the minister, who, on his part,
00:41:01has categorically denied having made any statement on the matter.
00:41:04Pasta piccolore?
00:41:06One of my specialties.
00:41:08It's full.
00:41:09You took us for horses.
00:41:11I'd like to hear the news, if you don't mind.
00:41:18100 people have been arrested, of whom 44 have been charged with robbery.
00:41:23733 have been reported to Piedelibero and have been executed...
00:41:34...in the name of the police.
00:41:40In connection with the escape of the film pizzas
00:41:43related to the films shot by some famous directors,
00:41:47we learn from those interested
00:41:49that they have decided to gather the remains of the three works in a single film.
00:41:53You know how much it matters to us.
00:41:58Following the chronicle is a civil duty, not just a military one.
00:42:03Yes, yes, it will be.
00:42:06But you know what joy?
00:42:07Robberies, kidnappings, thefts, robberies, extortions.
00:42:11My dear, every rose has its thorns.
00:42:14Go ahead, please.
00:42:22Diabolical lovers.
00:42:24Latest news from the prosecutor of Catanzaro.
00:42:28Glamorous confession to the trial of the diabolical lovers.
00:42:32Elesio Malaspina, Renato Pincherlone's murderer,
00:42:35has declared that he was forced to kill his lover's husband
00:42:39with a kitchen knife,
00:42:42because he was bribed by them.
00:42:45In short, we can't eat in peace.
00:42:47This newspaper sends me all over the place.
00:42:50My dear, if you really don't want to hear, we can turn it off.
00:42:55What do you think?
00:42:56It would be better, wouldn't it?
00:42:58Why? These are the cases of life.
00:43:01They can happen to everyone.
00:43:03Then listen to them, I'm going to sleep.
00:43:27Come.
00:43:30Come.
00:43:32Come and see.
00:43:33They didn't wait long.
00:43:35Oh my God, it's disgusting.
00:43:39What a shame.
00:43:40This is a terrible mosaic that is gradually forming.
00:43:45Only the faces are missing.
00:43:51Leave it, I'll answer.
00:43:57Ahem.
00:44:00Hello?
00:44:04Come on, let's call him now.
00:44:09They must suffer, those two scoundrels.
00:44:22Hello?
00:44:23Hello?
00:44:25Hello?
00:44:26This is the management of Colonia Montese.
00:44:28We will have a unique opportunity for you.
00:44:30An Indian polydryne to tame.
00:44:32Are you interested?
00:44:34Wait a minute.
00:44:35Wait a minute.
00:44:36Let's think.
00:44:37Don't forget the whisk, please.
00:44:49That's it.
00:44:51The heads have also arrived.
00:44:53Now it's really complete.
00:44:55I'm running away to South America.
00:44:58What else is there?
00:45:00What else is there?
00:45:01What else is there?
00:45:02Come here, don't leave me alone.
00:45:04What else is there?
00:45:05What else is there?
00:45:08Enough with the war.
00:45:09We smoke the Calumet de la Pace, but at my house he is dressed as an Indian.
00:45:13His general...
00:45:14But it's a stupid joke.
00:45:15Joke?
00:45:16No, there's nothing to worry about here.
00:45:17But who can have a reason to kidnap us?
00:45:19We will not be kidnapped by anyone.
00:45:21And you as an Indian?
00:45:24You dress only for me.
00:45:29Uncle.
00:45:39Move to the right.
00:45:41No, more to the right.
00:45:42To the left now, I said.
00:45:43And intensify on the edges.
00:45:45Forward.
00:45:46And with the heart.
00:45:48Push, push.
00:45:49To the end.
00:45:50To the end.
00:45:51To the end.
00:45:52To the end.
00:45:53To the end.
00:45:55Forward, push.
00:45:57Push, push.
00:46:01Forward.
00:46:02Dad, take a picture, I'll take a nice picture.
00:46:05Your father is immortal in the course of the operation.
00:46:08But I have historical documents.
00:46:09To the end, push, pull.
00:46:11Forward.
00:46:14Do you want a nice picture too or do you think you are not photogenic dressed?
00:46:19What is this story that you have planted?
00:46:22I do not understand you.
00:46:24What do you mean?
00:46:26Come on, stop acting.
00:46:28Come on, get in position, I'll take a picture of you with the bows.
00:46:32We will never consent to your stupid request.
00:46:36And I'll show Dad the pictures.
00:46:39You will not do it.
00:46:41Dad, I have to tell you something.
00:46:44Where are you?
00:46:46Is it important?
00:46:47Very important.
00:46:48It's about ...
00:46:49Let your father work, dear.
00:46:51You'll tell him later what you want to tell him.
00:46:53There is no hurry.
00:46:54Come on.
00:46:59Let's beat the flask?
00:47:00I said to raid.
00:47:01To kick.
00:47:04To break, to deflate, to break.
00:47:11Well.
00:47:13Good.
00:47:14It was her.
00:47:15Stupid.
00:47:16But I had to imagine it.
00:47:18Anyway, I hope you have settled the matter.
00:47:20Of course, we will not be robbed by a girl.
00:47:23Yes, it's all right.
00:47:24Only that ...
00:47:25Only that ...
00:47:26Only that ...
00:47:27No, no, no.
00:47:28I say, only that ...
00:47:30Well, for once you could also dress as an Indian.
00:47:33I dressed as an Indian?
00:47:35No.
00:47:36Never.
00:47:37If you do not do it, Claudia will show the pictures to my husband.
00:47:40He does not feel right.
00:47:41It will be a way to let him know.
00:47:43A little rough, but ...
00:47:44But you want to joke.
00:47:45That shoots us.
00:47:46What shoots?
00:47:49Shoot?
00:48:02Who will it be at this time?
00:48:05Go and see.
00:48:14It's Toro Sedullo.
00:48:16He wants to talk to General Custer.
00:48:20Apart from the fact that I am Colonel Raselli,
00:48:22I have the idea that you are starting to raise your elbow a little too much, son.
00:48:26I'll show that I'm on a roll.
00:48:39Ah, doctor.
00:48:40It's you.
00:48:41How funny.
00:48:42It's full of fantasy, our doctor.
00:48:44Do not you try, Luisa?
00:48:46What else?
00:48:47You should see him tame the chickens.
00:48:51Sit down, please.
00:48:52It's just a great find.
00:48:54It's all so monotonous here.
00:48:56No, no, no.
00:48:57A real Indian never sits on a chair.
00:48:59On the ground, please.
00:49:00Sit down.
00:49:03How nice.
00:49:09What is it?
00:49:10A sciatic pain?
00:49:11No.
00:49:12A real Indian should never have anyone on his head.
00:49:16On the ground.
00:49:17On the ground, now.
00:49:18Yes, yes, yes.
00:49:19Calm down, calm down.
00:49:25How funny.
00:49:27So, how is General Custer?
00:49:30I've already killed one, but there's another one around.
00:49:33Another one?
00:49:34Yes.
00:49:35One who takes pictures, who writes notes, who calls.
00:49:39He'll be back, as usual.
00:49:41He will.
00:49:42But if he doesn't stop pissing me off,
00:49:45I'll make him end up like the other one.
00:49:50Do you know what I did to the other one?
00:49:52Well, vaguely, very vaguely.
00:49:53Come on, do something, do something.
00:49:55He was telling me...
00:49:56I cut him to pieces.
00:50:00I opened his sternum,
00:50:02I extracted his heart,
00:50:04and then I ate him.
00:50:07One more piece of paper.
00:50:12To Custer.
00:50:13To Custer.
00:50:14But to this bastard who writes notes,
00:50:16I'll cut off his hand, too.
00:50:17Like this, like this, like this.
00:50:18I think it's right, very right.
00:50:20To General Custer.
00:50:21Would you like a whiskey?
00:50:23No, no alcohol.
00:50:24Alcoholics have been the ruin of the Indian race.
00:50:27113.
00:50:28113.
00:50:29113 were precisely Custer's cavalrymen
00:50:31at the interdiction of Bob McCormack.
00:50:33I've only shot more than 200.
00:50:35But I don't have it with you, Colonel.
00:50:37For the whore.
00:50:38You're the only one in this business that doesn't matter.
00:50:41You're my friend,
00:50:42and with you I want to smoke Calumet.
00:50:44Yes, of course.
00:50:49Oh, my finger.
00:50:58I demand that you give me the photos immediately.
00:51:00Do you want the photos?
00:51:01Here they are.
00:51:10They're all yours.
00:51:14The doctor always says you're a good girl.
00:51:17She's a whore.
00:51:18A filthy, filthy whore.
00:51:20But look here.
00:51:21But look here.
00:51:25Going to the university in your underwear
00:51:27and taking lessons.
00:51:29Ha!
00:51:30He's making fun of you.
00:51:31He gave you the photos,
00:51:32but the negatives have reappeared.
00:51:33And now he's starting again.
00:51:34What can we do?
00:51:35Now we just have to support her.
00:51:37But do you realize?
00:51:38In underwear.
00:51:39We're crazy.
00:51:40It's in the way of my professional dignity.
00:51:42The university is a serious thing.
00:51:44But don't say bullshit.
00:51:47A professional like me
00:51:49will never compromise
00:51:51in the workplace.
00:51:54Never!
00:52:02So, do we want to hurry?
00:52:04But, but, my dear.
00:52:06My dear.
00:52:07Why don't we think about it a little?
00:52:09But do you realize what you're asking me?
00:52:12Underwear.
00:52:13I said underwear.
00:52:15Underwear.
00:52:22Underwear.
00:52:24There you go.
00:52:25I'll give it back to him at the university
00:52:27after he's taken the lesson.
00:52:29Here you go.
00:53:20Professor!
00:53:21Professor!
00:53:22I was looking for you.
00:53:23I have to talk to you.
00:53:24Good morning.
00:53:26How are you?
00:53:27Are you okay?
00:53:28I'm glad I met you.
00:53:29Come here, Professor.
00:53:30I have to tell you something.
00:53:31Yes?
00:53:32Professor, I wanted to inform you
00:53:33about the last meeting of the teaching body.
00:53:35The teacher-student relationship
00:53:36is at a critical point.
00:53:37It's terrible.
00:53:38I know.
00:53:39They are becoming
00:53:40the absolute masters of the university.
00:53:42Unemployment.
00:53:43Yes, everything.
00:53:44Group exams.
00:53:45Promiscuity.
00:53:46Intolerable.
00:53:47Believe me, I don't know what to do anymore.
00:53:48I don't know where to put my hands.
00:53:49You have to help me, Professor.
00:53:51Believe me.
00:53:52What can I do?
00:53:53I'm thinking about it.
00:53:54Don't worry, Professor.
00:53:55I assure you.
00:53:56We'll talk about it later.
00:53:57We'll talk about it later.
00:53:58We can't take these guys anymore.
00:53:59We can't take them anymore.
00:54:00We don't know what to do.
00:54:01Absolutely.
00:54:02Professor, you're right.
00:54:03You're absolutely right.
00:54:05But we have to...
00:54:07Professor, where are you going?
00:54:08I'm here.
00:54:09Here.
00:54:11I don't know how to talk calmly
00:54:13about such an important problem.
00:54:15Because, you see,
00:54:16they'll make us lose our minds.
00:54:18Who are you talking to?
00:54:20If you only wanted to
00:54:22personally take care of this thing.
00:54:23Professor.
00:54:24If you wanted to listen to the discussions with us.
00:54:27Of course.
00:54:29Yes.
00:54:31We'll talk about it later.
00:54:32We'll talk about it later, Professor.
00:54:36What's wrong?
00:54:39Oh, my God.
00:54:40It's an indecency.
00:54:42We'll be amazed at the bad habits of young people.
00:54:56Oh, my God.
00:54:57Oh, my God.
00:54:58Oh, my God.
00:54:59Oh, my God.
00:55:10They have already had several occasions
00:55:13to see carefully
00:55:15in the lab
00:55:17how much we have repeated.
00:55:19Now,
00:55:20analagously
00:55:21to what I have already said
00:55:22for the lung echinococci
00:55:24can be also
00:55:25They can also be found in the liver.
00:55:28Unilocular cysts and multiocular cysts.
00:55:32Or alveolar cysts.
00:55:34The unilocular echinococcus forms a cystic tumor.
00:55:38The multiocular one, a hard tumor that simulates carcinoma.
00:55:50Who told you to bring the patient here?
00:55:52I'm not doing a demonstration today.
00:55:55We brought the 124, the liver patient.
00:55:58Yes, but I didn't tell you for today.
00:56:00I can't do it now. Bring him to me tomorrow.
00:56:02You can't. The professor has to operate on him today.
00:56:04This drunkard has a liver full of stones.
00:56:06And when will he come tomorrow?
00:56:09Fuck you, you're an idiot.
00:56:12One moment, one moment.
00:56:13Put him here, near the catheter.
00:56:26Here we are.
00:56:27So let's move on to the practical demonstration.
00:56:29Let's go. We even have a mat.
00:56:32The cyst is perceived by applying on the surface
00:56:36the index and middle of the left hand with a slight pressure.
00:56:41Go slowly.
00:56:42After that, it is percussed with small, dry and light strokes.
00:56:50Fuck you.
00:56:52And the index and middle will feel a slight vibratory flow.
00:56:58A slight vibratory flow.
00:57:01Once identified, try to squeeze the cyst
00:57:07between the index and thumb of the left hand
00:57:10and slightly touch the middle part.
00:57:13You're an idiot.
00:57:16It is evident that we are in front of a patient
00:57:19who presents himself in an unusual condition.
00:57:23Do you know Benedet?
00:57:25A very rare case. This is a patient...
00:57:28A patient? Fuck, I've already broken my balls.
00:57:36I'm sorry, but the professor wants to say it right away.
00:57:39He's taking a lesson on syphilis.
00:57:41No, no, one moment.
00:57:43I'm sorry, but the professor wants to say it right away.
00:57:46We can't do anything else.
00:57:48He's taking a lesson on syphilis.
00:57:53Give me this sheet, please.
00:58:14Sit down, please.
00:58:24All right, slippers and newspaper.
00:58:26And lock the door.
00:58:28This neighbor of ours worries me a little. Bye.
00:58:35Well, now you'll be happy. Give me the negatives.
00:58:38To get the negatives, the doctor has to make love to me.
00:58:41Never.
00:58:43If the doctor doesn't show me how to be a man,
00:58:46no negatives, and dad will be informed of everything.
00:58:49You're bluffing. You wouldn't be able to do it.
00:58:52Do you believe it?
00:58:54We'll see.
00:59:00Fog in Val Padana.
00:59:03Dad, look what I found.
00:59:07What is it?
00:59:09A modern sculpture?
00:59:13For me, it's a ass.
00:59:15Or a pornographic photo.
00:59:17Enough with this nonsense.
00:59:19But, dear, how are they?
00:59:21What do they take from you?
00:59:23Well, you have to understand it.
00:59:25She's a lady of charity.
00:59:27Anyway, don't worry, dad.
00:59:29If you're interested, I'll see if I can get you more.
00:59:32No, you won't get anything from dad, do you understand?
00:59:35How nervous you are, dear.
00:59:37Claudia is joking.
00:59:39I know, but I'm a little tired of jokes.
00:59:41You need rest, my dear.
00:59:43Do you want to go with me for the big maneuvers in Sardinia?
00:59:46No, dear, thank you, no.
00:59:48My place is here, next to her.
00:59:51I wouldn't mind leaving the girl alone.
01:00:06But look if this was an ass to throw away.
01:00:17Once again they fought on the enemy defenses.
01:00:20And the battle of Sicily had begun.
01:00:36The next day.
01:00:47So, little rickety, you'll have the doctor.
01:00:51But right after that, you'll give me the negatives.
01:00:54All right, I think it's fair.
01:00:56Merchandise against merchandise.
01:00:58The doctor is not a merchandise.
01:01:00He's a man with a capital U.
01:01:02He hasn't proven it yet.
01:01:05You'll see what he can do to you.
01:01:07Let's hope so.
01:01:08I really want to have some fun.
01:01:10For you, it's the only chance to have a man like him.
01:01:13If I wanted a man like him, I would even marry him.
01:01:16Marry?
01:01:18This is good.
01:01:19The doctor who marries you.
01:01:21Why, what do I lack?
01:01:23Everything.
01:01:24You're not a real woman, but just a stupid capricious girl.
01:01:27Let him say that.
01:01:29Everything.
01:01:30Luisa, Claudia, what is this mess?
01:01:33I have to order the bonfire.
01:01:35Scoundrel.
01:01:40Luisa, Claudia, girls, help me prepare the departure.
01:01:43Tonight I have to be in Sardinia to take command of the great maneuvers.
01:01:46I feel strong like a lion.
01:01:48And as Garibaldi said in the movie,
01:01:50here we make Italy or we die.
01:01:54For me, we die.
01:02:03How do I look?
01:02:04Do you like me like this?
01:02:06You look like one of those.
01:02:08Then I'm fine with him.
01:02:10He's used to whores.
01:02:12Then I'll tell you everything.
01:02:14Bye.
01:02:33Bye.
01:02:49So, do you want to start?
01:02:51Ah, yes, yes, yes.
01:02:52Allow me.
01:02:54Do you drink something?
01:02:55No, thank you.
01:02:58If you allow me, I'll drink a glass.
01:03:01When I'm on duty, I never drink.
01:03:10Drink, if it gives you courage.
01:03:14I'm ready.
01:03:16So, shall we play?
01:03:17How do we play?
01:03:19Yes, of course.
01:03:20You're the doctor and I'm the patient.
01:03:31It's comfortable, please.
01:03:36I have a hole here.
01:03:38It hurts.
01:03:40Ah, yes?
01:03:41And where?
01:03:42Where does it hurt?
01:03:44Here, on the belly, on the appendix.
01:03:46What a beautiful hole.
01:03:48But where is the appendix?
01:03:50Entering on the left.
01:03:51No, not there.
01:03:53Further up.
01:03:54Ah, yes, yes.
01:03:55The appendix is further up.
01:03:56The appendix is where you want it.
01:03:58My little bird, my little chicken,
01:04:00my little dog, my little cat, my little chicken.
01:04:03But, in short, let me understand.
01:04:05Are you a doctor or a veterinarian?
01:04:08Now I'm just a man.
01:04:11Don't be impetuous.
01:04:13Control yourself.
01:04:28I know that guys like you
01:04:30like to play with toys.
01:04:32That's why I put them on.
01:04:36Wait, wait.
01:04:37Don't take it.
01:04:38You can't do it.
01:04:39Please, don't take it.
01:04:41Listen, listen.
01:04:42I have to tell you something interesting.
01:04:44You like striptease, don't you?
01:04:49Sly.
01:04:55You like to watch.
01:04:59Yes.
01:05:05Come on, take me.
01:05:06Take me if you can.
01:05:09Come, my love.
01:05:11Olé!
01:05:15Oh, what a blow.
01:05:20But you're bad, aren't you?
01:05:22Just as bad as you are.
01:05:24Things have to be tasted slowly.
01:05:26Otherwise there is no taste.
01:05:27Yes, yes.
01:05:28You're right.
01:05:29No.
01:05:31You're not bad.
01:05:32On the contrary.
01:05:34Come.
01:05:35Now I really want to see what you can do.
01:05:38Please, I don't want to run.
01:05:41I want you.
01:05:46Nice, my little friend.
01:05:47But...
01:05:48What do you want to do?
01:05:51Make love to you.
01:05:53Repeat, I didn't understand.
01:05:55Make love to you.
01:05:56Even louder.
01:05:57Make love to you.
01:05:59Make love to you.
01:06:00Make love to you.
01:06:02Make love to you.
01:06:04Make love to you.
01:06:09But I have no intention of making love to you.
01:06:12How could I, with a fool who disguises himself as an Indian and walks around the city naked?
01:06:16Do you think it's serious?
01:06:17At your age?
01:06:18Sorry, but if you wanted it.
01:06:20I was kidding.
01:06:21I just wanted to have some fun.
01:06:24Then I was right.
01:06:27You're bad.
01:06:29You don't give me anything.
01:06:32I give you the negatives.
01:06:35I make love only to those who marry me.
01:06:38Ah.
01:06:41Extraordinary.
01:06:42It's the same formation of the battle of the Alps.
01:06:45Perfect.
01:06:46Colonel, the troops in shock refuse to advance.
01:06:49What?
01:06:50It's incredible.
01:06:51Disobedience to me?
01:06:52It's impossible.
01:06:53I'll take care of it.
01:07:00Make love to you.
01:07:03Make love to you.
01:07:05Make love to you.
01:07:12Honey, from now on, the nightmare is over.
01:07:15No one will disturb our happiness.
01:07:17We can see each other whenever we want.
01:07:19Even every day.
01:07:21Really?
01:07:22Of course, honey.
01:07:23And your husband?
01:07:24Well, he has his soldiers.
01:07:27He plays war.
01:07:30He has no thoughts.
01:07:31He plays.
01:07:33He plays war with the soldiers.
01:07:35Blessed is he.
01:07:43Let's call the doctor and the nurse.
01:07:45Come on.
01:07:48Hello.
01:08:00Where are you going?
01:08:01Is your friend here?
01:08:03Who is it?
01:08:04It's me.
01:08:05May I undress?
01:08:07Yes, undress yourself.
01:08:08Let's undress together.
01:08:09Let's undress and get married, sweetheart.
01:08:28Why are you in a hurry?
01:08:31You told me.
01:08:32I do not do laudatory.
01:08:34You told me. I always do what my man tells me to do.
01:08:39Yes...
01:08:43Well...
01:08:46Dress up.
01:08:48As you wish.
01:08:50Refined.
01:09:05Yes.
01:09:08Dress up.
01:09:10Dress up.
01:09:11So?
01:09:12That's the way I like it.
01:09:24Take me.
01:09:29Take me if you want.
01:09:32Take me if you can.
01:09:42Wait.
01:09:54Love, love, love, it's you.
01:09:57Love, love, love, it's you.
01:10:00No, I'm the headmaster of the university.
01:10:04You've got the wrong number.
01:10:11What are you doing? Do you feel sick?
01:10:16Me? Why?
01:10:20Why don't you dress up?
01:10:22Dress up.
01:10:23Dress up.
01:10:24Dress up.
01:10:28Let's make love.
01:10:30Let's make love.
01:10:31I only make love to those who marry me.
01:10:33I only make love to those who marry me.
01:10:54I'll marry her.
01:10:55Who will marry you?
01:10:56Who will marry you?
01:10:57Claudia.
01:10:58Claudia?
01:11:00Yes, Claudia. I'm in love with her. I'll marry her.
01:11:03Are you crazy?
01:11:04I'll marry her.
01:11:06I've never been so lucid in my life.
01:11:08I'll marry her. I'll marry her.
01:11:10I'll marry her.
01:11:14Yes.
01:11:16I'll marry her.
01:11:19Where are you going?
01:11:21I'll marry her.
01:11:23I'll marry her.
01:11:24I'll marry her.
01:11:25I'll marry her.
01:11:26Yes, I'll marry her.
01:11:32I'll marry you.
01:11:33I'll marry you.
01:11:34I'll marry you.
01:11:37Except for the fact that he's not my type.
01:11:39Anyway, try to talk to my people.
01:11:40What's up?
01:11:41Nothing, nothing.
01:11:42I've just received a disgusting marriage proposal.
01:11:46Claudia, I want to marry you.
01:11:47You wish.
01:11:49You won.
01:11:50I came to ask for your hand.
01:11:53But I need my father's consent.
01:11:55Without his signature, there's no London, no marriage.
01:11:58Yes, but after all that's happened, what do you think of me?
01:12:02There's only one way to win him over.
01:12:06And?
01:12:07Persichetti.
01:12:15Welcome back.
01:12:23The suitcases.
01:12:27Dad!
01:12:28Dad!
01:12:30What are you doing here?
01:12:31Nonsense.
01:12:34A good misfortune on the battlefield.
01:12:36But I give up melancholy.
01:12:37Where is my adorable Penelope?
01:12:39No, Luisa.
01:12:41Hi, Oresto.
01:12:42What's with that face?
01:12:44Are you still sick?
01:12:48Did you take all my suitcases?
01:12:50Look, there must be my combat suit.
01:12:53You should have come with me.
01:12:55I had a lot of fun.
01:12:57Combat in the woods.
01:13:00In the woods.
01:13:06Dad.
01:13:07Our neighbor wants to talk to you.
01:13:09And I thought I'd invite him to dinner tomorrow evening.
01:13:12Who? The madman?
01:13:14Yes.
01:13:15It's him.
01:13:16I have to warn the infirmary to be ready.
01:13:19There's no need, Dad.
01:13:21He's calmed down lately.
01:13:25You can't do this crazy marriage.
01:13:27And why?
01:13:29The doctor is and will remain my lover.
01:13:31Don't you like the four menages?
01:13:33You lead those three well.
01:13:34You won't marry him.
01:13:35If Dad gives me permission, no one can stop me.
01:13:37Your father doesn't know anything.
01:13:39Think about it and inform him.
01:13:40So he can change his mind.
01:13:42I have an idea.
01:13:49Doctor, what can I do for you?
01:13:53Do you want some red wine?
01:13:56No, thank you.
01:13:57I've had enough.
01:13:58The doctor wants to say something to Dad.
01:14:00Why don't you let him talk?
01:14:02Of course.
01:14:03I'll talk to him.
01:14:06Yes, of course.
01:14:08It's a delicate matter.
01:14:11Claudia and I...
01:14:12You!
01:14:14I wanted to say that at the table
01:14:16we should never talk about serious things.
01:14:18Yes, of course.
01:14:19So, do you want that glass of red wine, Doctor?
01:14:22I've already told you I don't want it.
01:14:24Yes, no.
01:14:25Maybe it will do me good.
01:14:26Because, as my old commander used to say...
01:14:28Persichetti.
01:14:29The colonel...
01:14:31Persichetti.
01:14:33Sicchetti.
01:14:36Persichetti.
01:14:37Yes, yes, that's him.
01:14:38The legendary commander of the Arditi.
01:14:40Do you think the wine will give you courage?
01:14:41You'll hear it when you say his name!
01:14:43Ouch!
01:14:44What a blow, what a pain, what a pain!
01:14:47We found ourselves in the desert,
01:14:49among a thousand enemy fires,
01:14:51without water and without food,
01:14:53without ammunition and without fuel,
01:14:55without a future and without hope,
01:14:57when...
01:14:58when he, General Persichetti,
01:15:00found the solution that allowed us to save our lives.
01:15:03And how did he do it?
01:15:05He launched a radio call.
01:15:06Ah!
01:15:07Yes, a call that said our position.
01:15:09Ah, and so they arrived in time to save you.
01:15:12No, never!
01:15:13They never arrived!
01:15:14The call was indicated to a wrong position.
01:15:17It was never known whether it was intended or accidental,
01:15:19but the enemy moved in that direction,
01:15:21leaving us a free boat to pass.
01:15:23And at nightfall,
01:15:24crawling on the sand,
01:15:26fed by thirst and hunger,
01:15:28we crossed the enemy lines.
01:15:30Ah!
01:15:31Africa of 1942, eh?
01:15:32Barbary of 1969.
01:15:34Yes, Africa, or maybe Russia,
01:15:36or, or...
01:15:38Greece, on the Piraeus.
01:15:40Ah, I don't remember well.
01:15:41Sometimes my mind gets foggy.
01:15:43Of course, with this wine.
01:15:45But maybe I'm wrong, Campagna.
01:15:47For me, you're wrong, Vignetto.
01:15:49But what does the place and the time matter?
01:15:51The idea was brilliant,
01:15:53because the man was brilliant.
01:15:55General Persichetti was my master in life
01:15:58and under the arms.
01:15:59Ah!
01:16:00How much dust on my boots!
01:16:02They should give me the Marshal's stick.
01:16:04Here, good.
01:16:05You have the dust,
01:16:06they give you the stick,
01:16:07and so you make the wine yourself.
01:16:09In truth...
01:16:10It's late,
01:16:11you'd better go to bed.
01:16:12We'll stay with the doctor.
01:16:14Yes, I'm really very tired.
01:16:17You'll excuse me.
01:16:23Come and see us when you want.
01:16:25You're very nice.
01:16:27Psst, the hand, the hand.
01:16:29Mr. Colonel.
01:16:30Yes?
01:16:31I, I ask you for the hand.
01:16:33Not the hand!
01:16:34Not the hand!
01:16:35The hand of your daughter.
01:16:38Claudia's hand is to do what?
01:16:41I'm in love with her,
01:16:43and I want to marry her.
01:16:45Eh?
01:16:57You have to give me a kiss.
01:17:05I'm not at all sorry for this doctor.
01:17:08He's a good boy.
01:17:10Boy?
01:17:12But he'll be twice as old as Claudia.
01:17:15He's too old for her.
01:17:17The best marriages always happen between people
01:17:20who have a good age difference.
01:17:22Look at ours.
01:17:24Precisely.
01:17:25I just wanted to say that this doctor
01:17:27is a strange guy,
01:17:28and then with everything he's done,
01:17:30there's little to trust.
01:17:32He was a good soldier.
01:17:34He's a good soldier, he's also a good husband.
01:17:40Look at me.
01:17:43The Stukas?
01:17:44The Stukas.
01:17:45They weren't there.
01:17:46But there were the bombers.
01:17:48And if there's one thing that's always terrified me,
01:17:51it's the bombings.
01:17:53And then,
01:17:54I got involved.
01:17:57What a fool.
01:17:59But are you sure that Luisa will tell the truth to your father
01:18:01and prevent the marriage?
01:18:03She's too hot to let him escape.
01:18:05I'd go easy on her.
01:18:06If you don't have the courage to talk,
01:18:08you'll find yourself married to the doctor.
01:18:10Luisa will talk, I'm sure of it.
01:18:12And then?
01:18:13The mess I want will happen.
01:18:15Only then will I find myself satisfied.
01:18:18It suits you very well, miss.
01:18:22How beautiful.
01:18:23Yes, tomorrow I'll make a great figure.
01:18:26Now tell me,
01:18:27I'll make the last adjustments
01:18:28and I'll bring it back tomorrow morning.
01:18:32It's going to be a great day.
01:18:35You can be happy, sir.
01:18:37Your daughter is the most beautiful bride in the city.
01:18:41You're not getting married tomorrow.
01:18:42Tell your father it was a joke.
01:18:44I'm not joking.
01:18:45You're the one who has to tell your father
01:18:47that the doctor is your lover
01:18:48and that you didn't let me leave for London because of him.
01:18:50Only in these conditions do I give up the marriage.
01:18:53Do you think he can't do it?
01:18:54Now I'm going to him and I'll tell him everything.
01:18:56And you're going?
01:18:57Dad's over there.
01:19:02Oreste.
01:19:03But look at the world we live in.
01:19:07The husband, after surprising his wife with the rich lover,
01:19:10apologizes and leaves the room.
01:19:13The next day, he goes to the lawyer
01:19:15asking the two of them for compensation for immoral and immaterial damage.
01:19:21What a mess!
01:19:22There is no sense of honor anymore.
01:19:24A gun was needed.
01:19:27Let's leave it.
01:19:28It's down to crush them both.
01:19:33Well, did you want to tell me something, dear?
01:19:35No, nothing, dear.
01:19:37Nothing.
01:19:56Let's go.
01:20:26Let's go.
01:20:34This marriage has nothing to do with it.
01:20:36The husband is the lover of the matrimony of the bride.
01:20:57The marriage of the bride and groom
01:21:18Delightful brides,
01:21:20you have come here today to find a marriage of your own free will.
01:21:26Is it true?
01:21:27Yes or no?
01:21:29I would like an explicit answer.
01:21:31Yes.
01:21:34Well, then, you don't mind.
01:21:38If there is someone who opposes this holy union,
01:21:41have the courage to say it right away.
01:21:44I repeat, this is the time to speak.
01:21:49If there is someone who has to speak,
01:21:51speak right away,
01:21:53or you will be hunted forever.
01:21:56No one?
01:21:57Then I go?
01:21:58I proceed?
01:21:59Go ahead and proceed.
01:22:01No, because I don't want anonymous notes to come out,
01:22:05mysterious phone calls,
01:22:06gossip.
01:22:08So, I'm going to the villa,
01:22:10whoever has to speak, speak.
01:22:14I'm waiting.
01:22:18Whoever has to speak, have the courage of his actions.
01:22:24Did I explain myself?
01:22:27But it is unheard of.
01:22:29My daughter is as clear as a fountain of water.
01:22:33For heaven's sake, I don't mean to say,
01:22:35but there is not only the past,
01:22:37there is also the future,
01:22:38we have to think in time.
01:22:39Sometimes, in the quiet of a domestic fire,
01:22:43the most turbid passions,
01:22:45the most turbid and insane concupiscences,
01:22:49you know what you feel in confessionals.
01:22:54In short, decide.
01:22:57Here I am, really.
01:23:00You see, there is someone who opposes.
01:23:03Well, I meant that there is truth in his wise words.
01:23:11Then let's postpone this ceremony until everything has calmed down.
01:23:15In short, enough.
01:23:17I order you to proceed without hesitation.
01:23:19One moment.
01:23:20I'm the one in charge here.
01:23:24It's them, of course.
01:23:26So, for the last time,
01:23:29have you decided?
01:23:31I love Claudia, Claudia loves me.
01:23:34Are you sure?
01:23:36I don't mean to say, but he's pretty old.
01:23:39Let's say he could be his father.
01:23:41I'm not even 40 years old.
01:23:42And you don't think so?
01:23:44Our Lord Jesus Christ, who was who he was,
01:23:47at his age he had already died seven years ago.
01:23:49But I have a strong health.
01:23:51What do you mean?
01:23:54Let me finish.
01:23:57Don't you know that since the last world statistics,
01:24:00after the massacres of Vietnam and Cambodia,
01:24:03the average life expectancy has dropped to 39 years?
01:24:06So, son, don't get your hopes up.
01:24:09You've already lived a year too long.
01:24:15And I'm talking to you, miss.
01:24:17Think about it, don't rush.
01:24:21Because you're practically a widow before you're even married.
01:24:25A potential widow.
01:24:27Mathematics is not an opinion.
01:24:29Anyway, that's enough.
01:24:30Either you marry us or we go to the mayor's office.
01:24:33Ah, yes, we put it on this plan.
01:24:35Let's make a deal.
01:24:37Well, I did what I could.
01:24:40Are you happy?
01:24:44So, you, Filippo Cinti,
01:24:47do you want to marry the present Claudia Raselli?
01:24:51Yes.
01:24:54And you, Claudia Raselli,
01:24:56do you want to marry the present Filippo Cinti?
01:25:08No!
01:25:10No, stop.
01:25:11They can't do it.
01:25:13The husband is my lover.
01:25:18Claudia, is it true what Luisa says?
01:25:21Yes, it's true, dad.
01:25:25But I'll kill you!
01:25:30I'll throw you out of the house!
01:25:32Traitor!
01:25:34Curse you!
01:25:35Have some respect for the new sage!
01:25:37Stop!
01:25:38For justice!
01:25:40Defend yourself!
01:25:45Stop!
01:25:46No, no, this is not fair!
01:25:48Sir, let this happy day be no less than...
01:25:50No!
01:25:51Oreste, don't do it!
01:25:53Cornello, I'll kill you!
01:25:54I'll kill you too!
01:26:00Watch the ladder!
01:26:17Dad, don't worry.
01:26:19It was just a joke.
01:26:21What a joke!
01:26:23A real low blow.
01:26:25I played the part of the crook.
01:26:28I'm leaving for London.
01:26:30Why don't you go for that course of high strategy?
01:26:47Oreste, I'm ready to leave if you want.
01:26:50My place is next to yours.
01:26:52Not even the honour of the arms has been granted to me...
01:26:55to wash the offence in blood.
01:27:04The passengers of flight 238 of 9.30 for London...
01:27:08are asked to present themselves at the boarding gate.
01:27:11The passengers of flight 238 of 9.30 for London...
01:27:15are asked to present themselves at the boarding gate.
01:27:20Claudia!
01:27:22Claudia!
01:27:24Claudia.
01:27:26I've come to say goodbye. Have a good trip.
01:27:29I'm going to London too in a little while...
01:27:31for a surgery congress.
01:27:32Maybe, if you believe, we can meet there.
01:27:35Maybe?
01:27:36London is so big.
01:27:38Listen, why don't you give me your phone number?
01:27:45No.
01:27:58Ciao!